Beruflich Dokumente
Kultur Dokumente
G.J.R. MAAT
Departmelzt of Anatomy. Faculty of Medicine, Kuwait University, P.O. Box 24925, 13110 Safat
(Kuwaiti
(Received March l&h, 1987)
(Revision received April 5th, 1988)
(Accepted September 5th. 1988)
summcuy
Introduction
0379-0738/39/$03.50
0 1989 Elsevier Scientific Publishers Ireland Ltd.
Printed and Published in Ireland
226
Central projection
To respect the principle of central projection during the preparation of
the photographic laboratory image, the optimal result is obtained if the dist-
ance between the camera and the head or skull approximates most closely to
the distance from which the original photograph was taken. However, in
practice it is frequently difficult to estimate that particular distance. For
such cases, Griiner and Reinhard have shown that photographs may be
matched if taken from distances of 1.5 m or more [4]. Usually, portraits are
taken from a ‘safe’ distance of at least 1.75 m. A useless amateurish close-up
from too short a distance is easily recognized by the distortion of facial pro-
portions.
Posture
Few authors give directions on how to arrange the head or skull to a pos-
ture similar to that on the original portrait. A framework of triangles con-
structed from reference lines [1,4,5,7-91 and landmarks [1,4,5-lo] has been
mentioned in literature, but no directions were given for their use. In addi-
tion, a correction for the relative position of the mandible according to
Bankovski [13], viz. a small opening in the occlusal plane of approx. 2 mm
during relaxation, has also been used [1,5-g]. Finally, a complex geometrical
method has been developed to calculate projection lengths of anthropometric
distances, angles of rotation and inclination, in order to define the posture of
the head or skull with respect to the anatomical frontal plane [lo].
Magnification
Determination of the final magnification of the laboratory image of the
unidentified subject, the last step in image preparation, has always been
required to achieve the best fit with the original portrait. That enlargement
was accepted in which all visible landmarks of the superimposed image cover
their equivalents on the original portrait in the best possible way. Some
authors have calculated the magnification beforehand from known objects on
the original portrait [lo - 121.
Material
about 18 years. As with the first case, the snapshot of the second case had
probably been made with a standard 35mm single-lens-reflex camera with a
standard lens having a focal length of about 50 mm. Photographic laboratory
images were made with a common 6 x 6-cm single-lens-reflex camera with a
horizontal ground glass for focussing and a standard lens of 80 mm focal
length. Photographic laboratory images of the previously bearded male, now
without beard and without spectacles, and of the skull of the deceased fe-
male, were made at the ages of 39 and 18 years respectively. The age interval
between the existing portrait and the laboratory image of the male was
11 years. In the case of the female the age interval was several months up to
1 year. For photographic processing black-and-white roll films, matt and
transparent printing paper, and an enlarger were used. To position the fe-
male skull an auricular head spanner was used.
Method
step 1
With the aid of a negative, an easy to handle matt print is made of the
original portrait. Dimensions of the print should be at least 9 x 12 cm.
Subsequently, the posture of the head on the original portrait is analyzed
with respect to the plane of projection, viz. the plane of the printed image,
and not with respect to the anatomical frontal plane of the individual. The
posture is characterised by three components of rotation. Component I: rota-
tion on a.horizontal axis parallel to the image. Usually this component is
interpreted as ‘bending the head forwards or stretching the neck back-
wards’. Component II: rotation on a vertical axis, also parallel to the image.
Usually t.his is interpreted as ‘turning the face sideways’. Component III:
rotation on an axis perpendicular to the printed image. This will be interpre-
ted as ‘rolling the head sidewards’. The latter component needs no analysis,
as the rotation is parallel to the plane of the original portrait and to the
plane of t.he laboratory image in preparation. It can be corrected by rotating
the print.
In general, the amount of rotation of any component can be analysed
exactly by marking the positions of three relevant anthropometric land-
marks in the plane of projection, viz. on the matt print of the original portrait
of step 1. The relative positions of these landmarks can be further accen-
tuated by reference lines through each, parallel to the axis of the rotation-
component to be analysed (Figs. 1 and 2).
Fig. 1. Existing original photographic portrait of a male, 28 years old. A framework of horizontal
and vertical reference lines is shown together with their landmarks. Step 1.2 and 3.
Step 2
Analysis of component I, ‘bending of the head’, is best shown by choosing
three landmarks: one or two from the anterior part of the head and one or
two from the posterior part of the head. Through these landmarks, parallel
reference lines are drawn horizontally on the matt print of step 1.
For instance, in the identification of a person, whether alive or dead (Fig.
11, one anterior line through the subnasale, and two posterior lines, one
through the superaurale and one through the subaurale, mark component I.
In the case of a skull (Fig. 41, one posterior line through the porion, and two
anterior lines, e.g. one through the nasion and one through the nasospinale
are suggested. Only those craniometric landmarks can be used which are
near the cephalometric landmarks of the original portrait.
Fig. 2. Photographic laboratory image of the individual shown in figure 1 at the age of 39 years.
Step 4 and 5.
step 3
Analysis of component II, ‘turning of the face sideways’, is effected by
choosing three landmarks: one or two anteriorly, and one or two posteriorly.
The related reference lines should be drawn vertically parallel on the matt
print of step 1. The chosen landmarks do not have to be the same as those of
step 2.
For instance (Fig. 11, one anterior line through the pronasale, and two pos-
terior lines, e.g. through left and right ektocanthions mark rotation-compo-
nent II. In the case of a skull (Fig. 41, three lines can be chosen out of those
running through the nasion, gnathion, gonion, porion and the orbitale super-
ius [15].
Step 4
The resulting reference-framework with its landmarks and lines from
steps 2 and 3, all drawn on the original portrait of step 1, are transferred to
the ground glass of the laboratory camera.
This can be carried out either directly by tracing the reference framework
with ink while viewing through the camera [5], or indirectly by a photo-
graphic negative or a positive transparency of the framework laid on the
ground glass of the camera. It is essential in the preparation of an indepen-
dent photographic laboratory image, that the original portrait is not used.
Step 5
Viewing the marked ground glass of step 4, the person or skull to be
matched (identified1 is positioned according to the preconditions set by the
reference-framework with its landmarks. This is facilitated by marking the
landmarks on the head or skull with ink. The photographic laboratory image
is recorded from a distance of at least 1.5 m and preferably from (approxi-
mately) the same distance as used for the original portrait.
The position of the head or skull now corresponds to that of the original
portrait (Fig. 21.
Step 6
With an enlarger, the negative of the laboratory image of step 5 is super-
imposed on the original portrait of step 1 so that two distant landmarks of
the negative fit their counterparts on the original portrait. At that magnifi-
cation a positive transparency of the negative of the laboratory image is
made.
The magnification of the laboratory image is the same as that of the
original portrait, at least between the two selected points.
Step 7
As in step 6 the transparent laboratory image is superimposed on the
original portrait of step 1 (Figs. 3 and 41. Congruity is tested by the study of
all landmarks, contours, naevi, scars, etc. One should be aware of age-
dependent changes. A flip-over can be made.
DiSCUSSi0l.l
Fig. 3. Superimposition of laboratory image of Fig. 2 on original portrait of Fig. 1. Step 6 and 7.
For the second precondition, the posture of the head, previous workers
have used a framework of triangles constructed from reference lines to
record spatial orientation [1,4,5,7-991. Such a framework requires a centering
point in the midline of the face and two symmetrical landmarks as angular
points. The present framework uses parallel lines in two perpendicular direc-
tions through any suitable landmark, and offers a simple step by step analy-
sis of the posture of the head in the plane of projection, i.e. the print.
Symmetry of landmarks is not required. Unless the original portrait is that
of a toothless aged person, the importance of the relative position of the
mandible is negligible [13]. Another method, a system of geometrical calcu-
lations defining the anatomical posture of head and/or skull and its projec-
tion [lo], complicates the procedure unnecessarily by not marking directly on
the prints: the method did not produce central projection as the position of
the camera was found by trial and error.
232
1
?t
level of
contour
4
camera
t
camera
Fig. 6. View from above. Diagram explaining why photographs taken from different distances
show different contours of the head. Short-distance photographs do not show coronal contours
and portions of the head.
233
Acknowledgements
The author acknowledges J.H. Lens and J. Hall for the photography,
Mrs. M.E.F. Hall for correction of the English manuscript, J.D’ Almeida his
secretary and A. Honders of Rijkspolitie, District Utrecht, The Netherlands.
234
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