‫)‪(/https://www.diwanalarab.

com‬‬

‫ﺍﻻﺛﻨﻴﻦ ‪ ٩‬ﻧﻴﺴﺎﻥ )ﺃﺑﺮﻳﻞ( ‪٢٠١٨‬‬

‫<<‬ ‫ﺑﺤﺚ‪:‬‬

‫ﺼﺒ ِ ﺍ‬
‫ﺮﺮﺍ‬ ‫ﻌﻌﻖﻖﺍﻟﺍﻟﺼ ﺒ ِ‬
‫ﺣﺣﺘﻰﻰﺗﻠﺗ َﻠ َ‬
‫ﺪﺪ ﺘ‬ ‫ﺍﻟﺼﻔﺤﺔ ﺍﻷﺳﺎﺳﻴﺔ )‪ < (/https://www.diwanalarab.com‬ﺃﻗﻼﻡ ﺍﻟﺪﻳﻮﺍﻥ )‪ < (spip.php?rubrique167‬ﻟﻟﻦﻦﺗ ﺒﺗﻠﺒﻠَ َ‬
‫ﻎﻎﺍﻟﺍﻟﻤﻤﺠ َﺠ َ‬

‫ﺟﻮﻟﺔ ﺃﺩﺑﻴﺔ‬

‫�� ��� َ� ا���� َ ��� ��� َ� ا��� ��ا‬

‫‪٢‬‬

‫ﺛﻤﺔ ﺃﺑﻴﺎﺕ ﺷﻌﺮﻳﺔ ﻻ ﻳُﻬﺘﺪﻯ ﺇﻟﻰ ﻗﺎﺋﻠﻬﺎ ﺑﻴﺴﺮ‪ ،‬ﻭﻫﻲ ﻭﺍﺭﺩﺓ ﻓﻲ ﺃﻛﺜﺮ ﻣﻦ ﻣﺼﺪﺭ‪ ،‬ﻭﻣﻦ ﻫﺬﻩ ﺍﻷﺑﻴﺎﺕ‪:‬‬

‫َﺩﺑَﺒْﺖُ ﻟﻠﻤﺠ ِﺪ ﻭﺍﻟﺴﺎﻋﻮﻥ ﻗﺪ ﺑﻠﻐﻮﺍ‬

‫َﺟ ْﻬ َﺪ ﺍﻟﻨﻔﻮﺱ ﻭﺃﻟﻘَﻮﺍ ﺩﻭﻧﻪ ﺍﻷُﺯُﺭﺍ‬
‫ﻭﻛﺎﺑﺪﻭﺍ ﺍﻟﻤﺠﺪ ﺣﺘﻰ ﻣ ﱠﻞ ﺃﻛﺜﺮُﻫﻢ‬
‫ﺻﺒَﺮﺍ‬‫ﻖ ﺍﻟﻤﺠ َﺪ ﻣَﻦ ﺃﻭﻓﻰ ﻭﻣَﻦ َ‬ ‫ﻭﻋﺎﻧ َ‬
‫ﺐ ﺍﻟﻤﺠ َﺪ ﺗﻤﺮًﺍ ﺃﻧﺖَ ﺁﻛﻠُﻪ‬
‫ﻻ ﺗﺤ َﺴ ِ‬
‫ﺼﺒِﺮﺍ‬‫ﻟﻦ ﺗﺒﻠ َﻎ ﺍﻟﻤﺠﺪ ﺣﺘﻰ ﺗﻠﻌَﻖ ﺍﻟ ﱠ‬

‫ﻳﻘﻮﻝ ﻣﻦ ﺍﺳﺘﺸﻬﺪ ﺑﻬﺎ‪:‬‬

‫ﻗﺎﻝ ﻫﺎﺭﻭﻥ ﺑﻦ ﻣﻮﺳﻰ ﺍﻟﻨﺤْ ﻮﻱ‪ :‬ﺃﻧﺸﺪﻧﺎ ﺃﺑﻮ ﻋﻠﻲ ﺍﻟﺒﻐﺪﺍﺩﻱ‪......‬‬

‫ﺍﻟﻘﻔﻄﻲ‪" -‬ﺇﻧﺒﺎﻩ ﺍﻟﺮﻭﺍﺓ ﻋﻠﻰ ﺃﻧﺒﺎﻩ ﺍﻟﻨُﺤﺎﺓ " )‪(363 – 362 / 3‬‬

‫"ﺃﻧﺸﺪﻧﺎ"‪ ،‬ﻭﻻ ﻳﻌﻨﻲ ﺫﻟﻚ ﺃﻧﻪ ﻣﻦ ﺷﻌﺮﻩ‪.‬‬

‫ﻭﺭﺩ ﻓﻲ "ﻧﻔﺢ ﺍﻟﻄﻴﺐ" ﻟﻠﻤﻘﱠـﺮﻱ‪:‬‬

‫"ﻭﻣﻦ ﻓﻮﺍﺋﺪ ﺍﻟﺒﺎﺟﻲ ﺃﻧّﻪ ﺣﻜﻰ ﺃﻥ ﺍﻟﻄﻠﺒﺔ ﻛﺎﻧﻮﺍ ﻳﻨﺘﺎﺑﻮﻥ ﻣﺠﻠﺲ ﺃﺑﻲ ﻋﻠﻲ ﺍﻟﺒﻐﺪﺍﺩﻱ ﻭﺍﺗﻔﻖ ﺃﻥ ﻛﺎﻥ ﻳﻮﻣﺎ ً ﻣﻄ ٌﺮ ﻭﻭﺣﻞ‪ ،‬ﻓﻠﻢ ﻳﺤﻀﺮ ﻣﻦ ﺍﻟﻄﻠﺒﺔ ﺳﻮﻯ ﻭﺍﺣﺪ‪ ،‬ﻓﻠﻤّﺎ ﺭﺃﻯ ﺍﻟﺸﻴﺦ ﺣﺮﺻﻪ ﻋﻠﻰ ﺍﻻﺷﺘﻐﺎﻝ ﻭﺇﺗﻴﺎﻧﻪ ﻓﻲ ﺗﻠﻚ ﺍﻟﺤﺎﻝ ﺃﻧﺸﺪﻩ‪) ...‬ﺍﻷﺑﻴﺎﺕ(‬

‫)ﺍﻧﻈﺮ‪ :‬ﺗﺮﺟﻤﺔ ﺍﻟﻘﺎﺿﻲ ﺃﺑﻲ ﺍﻟﻮﻟﻴﺪ ﺍﻟﺒﺎﺟﻲ(‬

‫ﻓﻲ ﻣﺼﺎﺩﺭ ﺃﺧﺮﻯ‪:‬‬

‫"ﻭﻗﺎﻝ ﺑﻌﺾ ﺍﻷﻋﺮﺍﺏ"‪،‬‬

‫"ﻭﻗﺎﻝ ﺁﺧﺮ"‪،‬‬
‫ﻭﻓﻲ ﻛﺘﺎﺏ )ﻣﺜﺎﻟﺐ ﺍﻟﻮﺯﻳﺮﻳﻦ( ﻷﺑﻲ ﺣﻴّﺎﻥ ﺍﻟﺘﻮﺣﻴﺪﻱ "ﻭﻗﺎﻝ ﺍﻟﺸﺎﻋﺮ"‪ -‬ﺹ ‪.93‬‬

‫ﻭﻓﻲ )ﺍﻷﻣﺎﻟﻲ( ﻷﺑﻲ ﻋﻠﻲ ﺍﻟﻘﺎﻟﻲ )ﺝ‪ ،1‬ﺹ ‪ (113‬ﻭﺭﺩ ﻣﺎ ﻳﻠﻲ‪:‬‬

‫ﻗﺎﻝ ﺃﺑﻮ ﻋﻠﻲ‪ :‬ﻭﻗﺮﺃﺕ ﻋﻠﻰ ﺃﺑﻲ ﺑﻜﺮ ﺑﻦ ُﺩ َﺭﻳﺪ ﻟﺒﻌﺾ ﺍﻟﻌﺮﺏ‪.....‬‬

‫ﺇﺫﻥ‪ ،‬ﻓﺎﻟﺠﻮﺍﺏ ﻟﻴﺲ ﻓﻲ "ﺍﻟﺠﻴﺐ"‪ ،‬ﻭﻫﻮ ﻣﺠﻬﻮﻝ ﺣﺘﻰ ﻫﻨﺎ‪.‬‬

‫ﻣﻊ ﺫﻟﻚ‪ ،‬ﻭﻣﻦ ﺧﻼﻝ ﻗﺮﺍءﺍﺗﻲ ﺍﻟﻤﺨﺘﻠﻔﺔ ﻣ ّﺮ ﻣﻌﻲ ﺍﺳﻢ )ﺣَﻮﻁ ﺑﻦ ِﺭ ﺋﺎﺏ( ﺃﻧﻪ ﻫﻮ ﺍﻟﺸﺎﻋﺮ‪ ،‬ﻭﻫﻮ ﻣﻦ ﺑﻨﻲ ﺃﺳﺪ‪ ،‬ﻭﺍﻟﻨﺴﺐ ﻳﺘﻔﻖ ﻭﻣﺎ ﻭﺭﺩ ﻓﻲ "ﺷﺮﺡ ﺍﻟﺤﻤﺎﺳﺔ" ﻟﻠﻤﺮﺯﻭﻗﻲ ﺃﻥ ﺍﻟﺸﻌﺮ ﻟﺒﻌﺾ ﺑﻨﻲ ﺃﺳﺪ‪ ،‬ﻟﻜﻨﻲ ﻟﻢ ﺃﺳﺘﻄﻊ ﺃﻥ ﺃﻫﺘﺪﻱ ﺇﻟﻰ ﻣﺼﺪﺭ ﻟﻤﻌﻠﻮﻣﺘﻲ‪ ،‬ﻟﺬﺍ ﻅﻠﺖ ﺃﻫﻤﻴﺔ ﺍﻟﺒﺤﺚ ﻓﻲ ﺧﻠَﺪﻱ‪.‬‬

‫ﺇﻟﻴﻜﻢ ﻣَﻦ ﻛﺸﻒ ﺍﻟﻠﻐﺰ ﻓﻲ ﻣﺪ ﱠﻭ ﻧﺘﻪ‪ ،‬ﻭﻫﻮ ﺍﻷﺳﺘﺎﺫ ﺍﻟﺒﺎﺣﺚ ﺯﺍﻫﺮ ﺍﻟﻬﻨﺎﺋﻲ‪ -‬ﺍﻷﻛﺎﺩﻳﻤﻲ ﻓﻲ ﺟﺎﻣﻌﺔ ﺍﻟﺴﻠﻄﺎﻥ ﻗﺎﺑﻮﺱ‪ ،‬ﻭﻫﺬﺍ ﻳﺪﻝ ﻋﻠﻰ ﺃﻥ ﺑﻌﺾ ﺍﻟﻤﻮﺍﻗﻊ ﻭﺍﻟﻤﺪﻭﻧﺎﺕ ﻓﻴﻬﺎ ﺍﻟﻐَﻨﺎء‪.‬‬
‫ﻓﻲ ﻣﺪﻭﻧﺔ ﺯﺍﻫﺮ ﺍﻟﻬﻨﺎﺋﻲ )ﻣﺎﺭﺱ ‪ (2012‬ﻭﺭﺩﺕ ﻫﺬﻩ ﺍﻟﻘﺼﺔ ﺍﻟﺘﻲ ﺗﺸﻴﺮ ﺇﻟﻰ ﺍﺳﻢ ﺍﻟﺸﺎﻋﺮ‪ ،‬ﻭﺃﺻﻞ ﺍﻟﺤﻜﺎﻳﺔ ﺃﻗﺘﺒﺴﻬﺎ ﻟﻜﻢ‪:‬‬

‫ﺐ ﺍﻟﻤَﺠْ َﺪ ﺗَ ْﻤﺮًﺍ ﺃَﻧْﺖَ ﺁ ِﻛﻠُﻪُ *** ﻟَﻦْ ﺗَ ْﺒﻠُ َﻎ ﺍﻟﻤَﺠْ َﺪ َﺣﺘﱠﻰ ﺗَﻠْ َﻌ َ‬
‫ﻖ ﺍﻟ ﱠ‬
‫ﺼﺒِﺮﺍ‬ ‫"ﻻ ﺗَﺤْ َﺴ ِ‬

‫"ﻛﻨﺖ ﻗﺪ ﺑﺤﺜﺖ ﻋﻦ ﻗﺎﺋﻠﻪ ﻣﺪﺓ ﻣﻦ ﺍﻟﺰﻣﻦ ﻭﻟﻤﺎ ﺃﻋﻴﺎﻧﻲ ﺍﻟﺒﺤﺚ ﺗﻨﺎﺳﻴﺖ ﺃﻣﺮﻩ‪ ،‬ﻭﺫﺍﺕ ﻳﻮﻡ ﻭﺃﻧﺎ ﺃﻗﺮﺃ ﻓﻲ ﻛﺘﺎﺏ ﻣﻦ ﻛﺘﺐ ﺍﻟﻠﺤﻦ ﺍﺳﻤﻪ "ﺍﻟﻤﺪﺧﻞ ﺇﻟﻰ ﺗﻘﻮﻳﻢ ﺍﻟﻠﺴﺎﻥ" ﻻﺑﻦ ﻫﺸﺎﻡ ﺍﻟﻠﺨﻤﻲ‪ -‬ﺻﺎﺣﺐ ﺷﺮﺡ ﺍﻟﻔﺼﻴﺢ ﺍﻟﻤﺘﻮﻓﻰ ﺳﻨﺔ‪577‬ﻫـ ﻭﺗﺤﺪﻳﺪﺍ ﻓﻲ ﺻﻔﺤﺔ ‪ ،111‬ﻭﺟﺪﺕ ﺍﻟﺒﻴﺖ ﻳُﺬﻛﺮ ﻓﻲ ﻣﻌﺮﺽ ﺍﻟﺮﺩ ﻋﻠﻰ ﺻﺎﺣﺐ "ﺗﺜﻘﻴﻒ ﺍﻟﻠﺴﺎﻥ"‪ -‬ﺍﺑﻦ ﻣﻜﻲ ﺍﻟﺼﻘﻠﻲ ﻋﻤﺮ ﺑﻦ ﺧﻠﻒ ﺍﻟﻤﺘﻮﻓﻰ ‪501‬ﻫـ ﻓﻲ ﺗﺨﻄﺌﺘﻪ ﻧﻄﻖ ﻛﻠﻤﺔ )ﺻﺒِﺮ( ﺍﻟﺘﻲ ﺗﻌﻨﻲ ﻋﺼﺎﺭﺓ ﺷﺠﺮ ﻣﺮﱟ )ﺍﻟﻘﺎﻣﻮﺱ ﺍﻟﻤﺤﻴﻂ( ﺑﺘﺴﻜﻴﻦ ﺑﺎﺋﻬﺎ ﻭﺣﻘﻬﺎ ﺍﻟﻜﺴﺮ‪ ،‬ﻭﻳﺄﺗﻲ ﺍﺑﻦ ﻣﻜﻲ ﺑﺎﻟﺒﻴﺖ ﺷﺎﻫﺪًﺍ ﻋﻠﻰ ﻛﻼﻣﻪ‪ ،‬ﻭﻟﻜﻨﻪ ﻟﻢ ﻳﺬﻛﺮ ﻗﺎﺋﻞ ﺍﻟﺒﻴﺖ ﺇﺫ ﺍﻛﺘﻔﻰ ﺑﻘﻮﻟﻪ‪:‬‬

‫"ﻗﺎﻝ ﺍﻟﺸﺎﻋﺮ"‪ ،‬ﻭﻛﺬﻟﻚ ﻟﻢ ﻳﺘﻌﺮﺽ ﺍﺑﻦ ﻫﺸﺎﻡ ﻟﻪ‪.‬‬

‫ﻣﻦ ﺣﺴﻦ ﺍﻟﺤﻆ ﺃﻥ ﻳﻮﺛﻖ ﺍﻟﻤﺤﻘﻖ ﺍﻷﺳﺘﺎﺫ ﺍﻟﺪﻛﺘﻮﺭ ﺣﺎﺗﻢ ﺍﻟﻀﺎﻣﻦ ﺍﻟﺒﻴﺖ‪ ،‬ﻓﻴﺸﻴﺮ ﺇﻟﻰ ﻗﺎﺋﻞ ﺍﻟﺒﻴﺖ ﺃﻧﻪ )ﺣَﻮْ ﻁ ﺑﻦ ﺭﺋﺎﺏ ﺍﻷﺳﺪﻱ(‪ ،‬ﻭﻳﺬﻛﺮ ﺍﻟﻤﺼﺪﺭ ﺍﻟﺬﻱ ﻭﺭﺩ ﻓﻴﻪ ﺍﻟﻘﺎﺋﻞ ﻭﻫﻮ "ﺳِ ﻤﻂ ﺍﻟﻶﻟﺊ ﻓﻲ ﺷﺮﺡ ﺃﻣﺎﻟﻲ ﺍﻟﻘﺎﻟﻲ" ﻟﻠﺒَﻜﺮﻱ ﺗﺤﻘﻴﻖ ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺍﻟﻤﻴﻤﻨﻲ ﺍﻟﺮﺍﺟﻜﻮﺗﻲ ﺗﻮﻓﻲ ﺳﻨﺔ ‪1399‬ﻫـ‪1978 /‬ﻡ‪[....... ..] .‬‬

‫ﻓﻠﻤﺎ ﺃﺗﻰ ﺍﻟﺒﻜﺮﻱ ﻋﻠﻰ ﻫﺬﻩ ﺍﻷﺑﻴﺎﺕ ﻭﻫﻮ ﻓﻲ ﻣﻌﺮﺽ ﺷﺮﺣﻪ ﻟﻸﻣﺎﻟﻲ ﺫﻛﺮ ﺍﻟﻘﺎﺋﻞ‪ ،‬ﺑﺪﺃﺕ ﺃﺑﺤﺚ ﻋﻦ ﻫﺬﺍ ﺍﻟﺸﺎﻋﺮ ﻓﻮﺟﺪﺕ ﻓﻲ "ﺍﻷﻋﻼﻡ" ﻟﺨﻴﺮ ﺍﻟﺪﻳﻦ ﺍﻟ َ ِﺰ ِﺭﻛْﻠﻲ ﺍﻟﻤﺘﻮﻓﻰ ﺳﻨﺔ ‪1976‬ﻡ ﺗﺮﺟﻤﺔ ﻣﻮﺟﺰﺓ ﻋﻨﻪ‪ ،‬ﻭﺫﻛﺮ ﺃﻧﻪ ﺷﺎﻋﺮ ﻣﺨﻀﺮﻡ ﺍﺷﺘﻬﺮ ﺑﺄﺑﻲ ﺍﻟﻤُﻬ ﱢﻮﺵ )ﻫﻜﺬﺍ ﺿﺒﻄﻪ ﺑﻜﺴﺮ ﺍﻟﻮﺍﻭ( ﺗﻮﻓﻲ ﺳﻨﺔ ‪15‬ﻫـ‪.[.......] ،‬‬

‫ﻭﻓﻲ ﺍﻟﻬﺎﻣﺶ ﻣﻦ ﺍﻷﻋﻼﻡ ﻳﺮﺟﻊ ﺇﻟﻰ "ﺳﻤﻂ ﺍﻟﻶﻟﺊ" ﻟﻠﺒﻜﺮﻱ‪ ،‬ﻭ"ﺍﻟﻮﺣﺸﻴﺎﺕ" ﻷﺑﻲ ﺗﻤﺎﻡ‪ ،‬ﻭ"ﺍﻹﺻﺎﺑﺔ‪ "...‬ﻻﺑﻦ ﺣ َﺠﺮ‪.‬‬

‫ﺭﺟﻌﺖ ﺇﻟﻰ "ﺍﻟﻮﺣﺸﻴﺎﺕ" ﻭﻫﻮ ﺍﻟﺤﻤﺎﺳﺔ ﺍﻟﺼﻐﺮﻯ ﻷﺑﻲ ﺗﻤﺎﻡ ﺍﻟﻤﺘﻮﻓﻰ ﺳﻨﺔ ‪231‬ﻫـ ﺑﺘﺤﻘﻴﻖ ﻋﺒﺪ ﺍﻟﻌﺰﻳﺰ ﺍﻟﻤﻴﻤﻨﻲ‪ ،‬ﻓﻮﺟﺪﺕ ﺃﻥ ﺃﺑﺎ ﺗﻤﺎﻡ ﺃﻭﺭﺩ ﻷﺑﻲ ﺍﻟﻤﻬﻮﺵ ﺣﻮﻁ ﺑﻦ ﺭﺋﺎﺏ ﺍﻷﺳﺪﻱ ﺑﻌﺾ ﺃﺑﻴﺎﺕ ﻻ ﺗﺰﻳﺪ ﻋﻠﻰ ﺍﻟﺴﺘﺔ ﺣﻴﺚ ﺃﻭﺭﺩ ﻗﻄﻌﺔ ﻣﻦ ﺧﻤﺴﺔ ﺃﺑﻴﺎﺕ ﻣﻊ ﺫﻛﺮﻩ ﻟﻠﺒﻴﺖ ﺍﻷﻭﻝ ﺭﻭﺍﻳﺔ ﺃﺧﺮﻯ‪ ،‬ﻭﻟﻢ ﻳﻮﺭﺩ ﺍﻷﺑﻴﺎﺕ ﺍﻟﺜﻼﺛﺔ‪ ،‬ﻭﻓﻲ ﺍﻟﻬﺎﻣﺶ ﻳﻘﻮﻝ ﺍﻟﻤﺤﻘﻖ‪:‬‬

‫" ﺧﺮﺟﻨﺎﻫﺎ ﺑﻤﺎ ﻻ ﻣﺰﻳﺪ ﻋﻠﻴﻪ ﻓﻲ ﺍﻟﺴﻤﻂ"‪ ،‬ﻭﻻ ﺃﻧﺴﻰ ﺃﻣﺮ ﺿﺒﻂ ﻛﻨﻴﺔ ﺍﻟﺸﺎﻋﺮ ﻓﻲ "ﺍﻟﻮﺣﺸﻴﺎﺕ" ﻓﻘﺪ ﺿﺒﻄﺖ ﺑﻔﺘﺢ ﺍﻟﻮﺍﻭ )ﺃﺑﻮ ﺍﻟﻤﻬ ﱠﻮ ﺵ( ﻓﻲ ﺣﻴﻦ ﺃﻥ ﺻﺎﺣﺐ ﺍﻷﻋﻼﻡ ﺿﺒﻄﻬﺎ ﺑﺎﻟﻜﺴﺮ‪ ،‬ﻭﻓﻲ "ﺍﻹﺻﺎﺑﺔ‪ "...‬ﻻﺑﻦ ﺣﺠﺮ ﺍﻟﻌﺴﻘﻼﻧﻲ ﺍﻟﻤﺘﻮﻓﻰ ﺳﻨﺔ ‪852‬ﻫـ ﺫﻛﺮ ﻣﺎ ﻧﺼﻪ‪ " :‬ﺣﻮﻁ ﺑﻦ ﺭﺋﺎﺏ ﺍﻷﺳﺪﻱ ﺍﻟﺸﺎﻋﺮ‪ :‬ﺫﻛﺮ ﺃﺑﻮ ﻋﺒﻴﺪ ﺍﻟﺒﻜﺮﻱ ﻓﻲ ﺷﺮﺡ ﺍﻷﻣﺎﻟﻲ ‪ :‬ﺃﻧﻪ ﻣﺨﻀﺮﻡ‪ ،‬ﻭﻫﻮ ﺍﻟﻘﺎﺋﻞ‪:‬‬

‫ﻭﻧَﻴﺖ ﻟﻠﻤﺠﺪ ﻭﺍﻟﺴﺎﻋﻮﻥ ﻗﺪ ﺑﻠﻐﻮﺍ * ﺟﻬﺪ ﺍﻟﻨﻔﻮﺱ ﻭﺃﻟﻘﻮﺍ ﺩﻭﻧﻪ ﺍﻷﺯﺭﺍ‬

‫]‪ ،[......‬ﻭﻗﺪ ﺭﺃﻳﻨﺎ ﺃﻥ ﺭﻭﺍﻳﺔ ﺍﻟﺒﻴﺖ ﺍﻷﻭﻝ ‪) :‬ﺩﺑﺒﺖ‪ (...‬ﻓﻲ ﺃﻣﺎﻟﻲ ﺍﻟﻘﺎﻟﻲ‪ ،‬ﻭﻗﺪ ﺃﻭﺭﺩﻩ ﻓﻲ ﺍﻹﺻﺎﺑﺔ‪) :‬ﻭﻧﻴﺖ‪[..... ] ،(...‬‬
‫ﺑﻌﺪ ﻫﺬﻩ ﺍﻟﺘﻄﻮﺍﻑ ﻧﺨﻠﺺ ﺃﻥ ﺍﻟﺒﻴﺖ ﻷﺑﻲ ﺍﻟﻤﻬ ّﻮﺵ ﺣَﻮﻁ ﺑﻦ ﺭﺋﺎﺏ ﺍﻷﺳﺪﻱ ﺍﻋﺘﻤﺎﺩًﺍ ﻋﻠﻰ ﺍﻟﺒﻜﺮﻱ ﻓﻲ ﺳﻤﻄﻪ‪ ،‬ﻭﺃﻥ ﺻﻮﺍﺏ ﻗﺮﺍءﺗﻪ ﺃﻥ ﻧﻜﺴﺮ ﺑﺎء )ﺍﻟﺼﺒِـﺮﺍ(‪ ،‬ﻻ ﺃﻥ ﻧﺴﻜﻨﻬﺎ‪ ،‬ﺇﺫ ﻣﻌﻨﻰ ﺍﻟﺼﺒِﺮ ﻫﻨﺎ ﻋﺼﺎﺭﺓ ﺷﺠﺮ ﻣﺮﱟ ﻭﻣِﻦْ ﺛَ ﱠﻢ ﻫﻮ ﻳُﻠﻌﻖ‪ ،‬ﻭﻻ ﻣﺠﺎﻝ ﻟـ)ﺍﻟﺼﺒْﺮ( ﻓﻲ ﺍﻟﺒﻴﺖ ﻣﻌﻨﻰ ﻭﻭﺯﻧًﺎ‪".‬‬

‫ﻣﻦ ﺍﻟﺠﺪﻳﺮ ﺫﻛﺮﻩ ﺃﻥ ﺷﺎﻋﺮًﺍ ﻋُﻤﺎﻧﻴًﺎ ﻋﺎﺵ ﺃﻭﻝ ﺍﻟﻘﺮﻥ ﺍﻟﻌﺸﺮﻳﻦ ﻳُﺪﻋﻰ ﺳﻌﻴﺪ ﺑﻦ ﻣﺴﻠﻢ ﻭﻛﻨﻴﺘﻪ ﺃﺑﻮ ﺍﻟﺼﻮﻓﻲ ﻛﺎﻥ ﻛﺎﺗﺐ ﺍﻟﺴﻠﻄﺎﻥ ﻓﻴﺼﻞ ﺑﻦ ﺗﺮﻛﻲ‪ ،‬ﻭﻟﻪ ﺩﻳﻮﺍﻥ ﻣﻄﺒﻮﻉ‪ -‬ﺍﺳﺘﺨﺪﻡ ﺃﺑﻴﺎﺕ ﺣَﻮﻁ ﺩﻭﻥ ﺃﻥ ﻳُﺸﺎﺭ ﺇﻟﻰ ﺫﻟﻚ ﻓﻲ ﺗﺨﻤﻴﺴﻪ‪:‬‬

‫ﻣﺎ ﺑﺎﻟﻬﻮﻳﻨﺎ ﻳﻨﺎﻝ ﺍﻟﻤﺠ َﺪ ﺁﻣﻠﻪ‬

‫ﻣﻨﻴﻌﺔ ﺻﻌﺒﺔ ﺍﻟﻤﺮﺗﻘﻰ ﻣﻨﺎﺯﻟﻪ‬
‫ﻻ ﻳﺪﺭﻙ ﺍﻟﻤﺠ َﺪ ﻣﻦ ﻻﻧﺖ ﻣﺂﻛﻠﻪ‬
‫ﻻ ﺗﺤﺴﺐ ﺍﻟﻤﺠﺪ ﺗﻤﺮًﺍ ﺃﻧﺖ ﺁﻛﻠﻪ‬
‫ﻟﻦ ﺗﺒﻠﻎ ﺍﻟﻤﺠﺪ ﺣﺘﻰ ﺗﻠﻌﻖ ﺍﻟﺼﺒِﺮﺍ‬

‫ﻭﺃﺧﻴﺮًﺍ‪،‬‬

‫ﻳﺬﻛﺮﻧﻲ ﺍﻟﺒﻴﺖ ﺑﺂﻳﺘﻴﻦ ﻛﺮﻳﻤﺘﻴﻦ ﺗﺮﻳﺎﻥ ﻭﺟﻮﺏ ﺍﻻﻣﺘﺤﺎﻥ ﻭﺍﻻﺑﺘﻼء‪ ،‬ﻓﻠﻴﺴﺖ ﺍﻷﻣﻮﺭ ﺗﺆﺧﺬ ﺑﻴﺴﺮ ﻭﺑﻬﻴﻨﺔ‪ ،‬ﺇﺫ ﻳﻘﻮﻝ ﺗﻌﺎﻟﻰ‪:‬‬

‫ﺃﻡ ﺣﺴﺒﺘﻢ ﺃﻥ ﺗﺪﺧﻠﻮﺍ ﺍﻟﺠﻨﺔ ﻭﻟﻤﺎ ﻳﺄﺗﻜﻢ ﻣﺜﻞ ﺍﻟﺬﻳﻦ ﺧﻠﻮﺍ ﻣﻦ ﻗﺒﻠﻜﻢ ﻣﺴﺘﻬﻢ ﺍﻟﺒﺄﺳﺎء ﻭﺍﻟﻀﺮﺍء ﻭﺯﻟﺰﻟﻮﺍ ﺣﺘﻰ ﻳﻘﻮﻝ ﺍﻟﺮﺳﻮﻝ ﻭﺍﻟﺬﻳﻦ ﺁﻣﻨﻮﺍ ﻣﻌﻪ ﻣﺘﻰ ﻧﺼﺮ ﷲ ﺃﻻ ﺇﻥ ﻧﺼﺮ ﷲ ﻗﺮﻳﺐ )ﺍﻟﺒﻘﺮﺓ‪(214:‬‬

‫ﻭﻓﻲ ﺁﻳﺔ ﺃﺧﺮﻯ ﻣﻦ )ﺳﻮﺭﺓ ﺍﻟﻌﻨﻜﺒﻮﺕ ‪:(2‬‬

‫ﺃﺣﺴﺐ ﺍﻟﻨﺎﺱ ﺃﻥ ﻳﺘﺮﻛﻮﺍ ﺃﻥ ﻳﻘﻮﻟﻮﺍ ﺁﻣﻨﺎ ﻭﻫﻢ ﻻ ﻳﻔﺘﻨﻮﻥ؟‬

‫‪6‬‬

‫‪m.addthis.com/live‬‬
‫‪%3D%25D9%2584%25D9%2586%2520%25D8%25AA%25D8%25A8%25D9%2584%25D8%25BA%25D9%258E%2520%25D8%25A7%25D9%2584%25D9%2585%25D8%25AC%25D8%25AF%25D9%258E%2520%25D8%25AD%25D8%25AA%25D9%2589%2520%25D8%25AA%25D9%2584%25D8%25B9%25D9%258E%25D9%2582%2520%25D8%25A7%25D9%2584%25D8%25B5%25D8%25A8%25D9%2590%25D9%2590%25D8%25B1%25D8%25A7%2520-%25‬‬

‫ﺗﻌﻠﻴﻘﺎﺗﻜﻢ‬

‫‪#‬‬ ‫ﺮﺮﻳﻒﻒ‬
‫ﺳﺳﻟﺎﻟﻢﻢﺍﻟﺍﻟﻌﻌ ﻳ‬
‫ﻌﻌﻴﺪﺪ ﺎ‬
‫ﻓﻲ ‪ ١٠‬ﻛﺎﻧﻮﻥ ﺍﻷﻭﻝ )ﺩﻳﺴﻤﺒﺮ( ‪ ٢٠١٧‬ﺍﻟﺴﺎﻋﺔ ‪ ،(10T12:09:43Z-12-2017) ١٢:٠٩‬ﺑﻘﻠﻢ ﻧ ﺎﻧﺎﺻﺻﺮﺮﺳﺳ ﻴ‬
‫ﺭﺩﺍً ﻋﻠﻰ‪ :‬ﻟﻦ ﺗﺒﻠ َﻎ ﺍﻟﻤﺠ َﺪ ﺣﺘﻰ ﺗﻠﻌَﻖ ﺍﻟﺼﺒِﺮﺍ )‪(spip.php?article44942‬‬

‫ﺃﻋﺠﺒﺘﻨﻲ ﺍﻷﺑﻴﺎﺕ ﻟﻤﺎ ﻓﻴﻬﺎ ﻣﻦ ﻣﻌﺎﻧﻲ ﻭﺍﻻﺳﺘﺮﺷﺎﺩ ﺑﻬﺎ ﻟﻤﻦ ﻗﺼﺮﺕ ﻫﻤﺘﻪ ﻭﺃﺭﺩﺕ ﺗﺤﻔﻴﺰﻩ ﺇﻟﻰ ﺑﻠﻮﻍ ﺍﻟﻤﻨﺘﻬﻰ ﺭﻏﻢ ﺃﻥ ﺍﻟﻤﻨﺘﻬﻰ ﻻﺑﻠﻮﻍ ﺇﻟﻴﻪ‪ ..‬ﻭﻟﻜﻨﻲ ﺍﻧﺸﺪ ﻫﺬﻩ ﺍﻷﺑﻴﺎﺕ ﻛﻠﻤﺎ ﺍﺟﺘﻤﻌﺖ ﻭﺍﻭﻻﺩﻱ ﻻﺯﺭﻉ ﻓﻴﻬﻢ ﺭﻭﺡ ﺍﻟﻤﺜﺎﺑﺮﺓ ﺍﻟﺤﻤﻴﺪﻱ ﻟﻨﻴﻞ ﺍﻟﻤﺮﺍﺗﺐ ﺍﻟﻤﺘﻘﺪﻣﻪ ﻭﺍﻟﺴﻌﻲ ﻟﻠﺘﻔﻮﻕ ‪ .‬ﻭﻟﻢ ﺃﻛﻦ ﺃﻋﻠﻢ ﻗﺎﺋﻠﻬﺎ ﻋﻨﺪﻣﺎ ﺳﺄﻟﻮﻧﻲ ﻭﻟﺠﺄﺕ ﺇﻟﻰ ﺍﻟﺸﻴﺦ ﺟﻮﺟﻞ ﻓﻤﻨﻪ ﻧﺴﺘﻘﻲ ﻁﺮﻕ ﺍﻟﻮﺻﻮﻝ ﺇﻟﻰ ﻣﺪﻭﻧﺎﺕ ﺍﻟﻤﺠﺘﻬﺪﻳﻦ ﻭﺍﻟﺒﺎﺣﺜﻴﻦ ﺍﻟﺬﻳﻦ ﺁﻓﻨﻮﺍ ﺟﻞ ﺃﻋﻤﺎﺭﻫﻢ ﻓﻲ ﺍﻟﺒﺤﺚ ﻭﺍﻟﺘﺪﻗﻴﻖ ﻟﺘﺼﻞ ﺇﻟﻴﻨﺎ ﺍﻟﻤﻌﻠﻮﻣﻪ ﺻﺎﻓﻴﻪ ﺻﺎﺩﻗﻪ ﻻ ﻟﺒﺲ ﻓﻴﻬﺎ ﻓﺘﺤﻲ ﻟﻜﻞ ﻣﻦ ﺍﺛﺮﺍء ﻣﻜﺘﺒﻨﺎ ﺍﻟﻌﺮﺑﻴﻪ ﺑﺎﻟﻤﻌﻠﻮﻣﺎﺕ ﺍﻟﻤﻔﻴﺪﻩ‬

‫‪#‬‬ ‫ﺰﺰﻩ‬
‫ﻓﻲ ‪ ٣‬ﻛﺎﻧﻮﻥ ﺍﻟﺜﺎﻧﻲ )ﻳﻨﺎﻳﺮ( ﺍﻟﺴﺎﻋﺔ ‪ ،(03T05:05:34Z-01-2018) ٠٥:٠٥‬ﺑﻘﻠﻢ ﻓ ﺘﻓﺘﻰﻰﺍﻟﺍﻟﺮﺮﻛﻛ ﻩ‬
‫ﺭﺩﺍً ﻋﻠﻰ‪ :‬ﻟﻦ ﺗﺒﻠ َﻎ ﺍﻟﻤﺠ َﺪ ﺣﺘﻰ ﺗﻠﻌَﻖ ﺍﻟﺼﺒِﺮﺍ )‪(spip.php?article44942‬‬

‫ﻻ ﺗﺤﺴﺒﻦ ﺍﻟﻤﺠﺪ ﺗﻤ ٌﺮ ﺍﻧﺖ ﺍﻛﻠ ﻪُ‬

‫ﻟﻦ ﺗﻨﺎﻝ ﺍﻟﻤﺠﺪ ﺣﺘﻰ ﺗﻠﻌﻖ ﺍﻟﺼﺒ َﺮ‬
‫‪..‬‬
‫"ﺭﺩ"‪..‬‬
‫ﻟﻘﺪ ﻟﻌﻘﻨﺎ ﻛﺄﺱً ﻣﻦ ﺍﻟﺼﺒﺮ ﻣﺮُﻩ‬
‫ﻭﻟﻜﻨﻬﺎ ﺍﻁﻴﺐ ﺣﺘﻰ ﻣﻦ ﻛﺄﺱ ﺧﻤﺮَﺍ‬

‫ﺍﻟﺮﺩ ﻋﻠﻰ ﻫﺬﺍ ﺍﻟﻤﻘﺎﻝ‬

‫ﻣﺮﺍﻗﺒﺔ ﺍﺳﺘﺒﺎﻗﻴﺔ‬

‫ﺗﻨﺒﻴﻪ‪ ،‬ﻟﻦ ﺗﻈﻬﺮ ﻣﺸﺎﺭﻛﺘﻚ ﺇﻻ ﺑﻌﺪ ﻗﺮﺍءﺗﻬﺎ ﻭﺍﻟﺘﺼﺪﻳﻖ ﻋﻠﻴﻬﺎ‪.‬‬

‫ﻣﻦ ﺃﻧﺘﻢ؟‬

‫ﺍﻻﺳﻢ‬

‫ﺍﻟﺒﺮﻳﺪ ﺍﻻﻟﻜﺘﺮﻭﻧﻲ )ﻏﻴﺮ ﻣﻨﺸﻮﺭ(‬

‫ﺇﺿﺎﻓﺔ ﺗﻌﻠﻴﻖ ﻫﻨﺎ‬

‫ﺸﺸﺎﺭﻛﺭﺔﻛ ﺔ‬
‫ﺺﺍﻟ ﺍﻟﻤﻤ ﺎ‬
‫ﻧ ﻧﺺ‬
‫ﺗﺪﻋﻢ ﻫﺬﺍ ﺍﻟﺤﻘﻞ ﺍﺧﺘﺼﺎﺭﺍﺕ ﺳﺒﻴﺐ }}ﺃﺳﻮﺩ{{ }ﻣﺎﺋﻞ{ ‪*-‬ﻻﺋﺤﺔ ]ﻧﺺ‪<-‬ﻋﻨﻮﺍﻥ[ > ﺍﻗﺘﺒﺎﺱ< > ﺑﺮﻣﺠﺔ< ﻭﻋﻼﻣﺎﺕ ‪ . <HTML <q> <del> <ins‬ﻹﻧﺸﺎء ﻓﻘﺮﺍﺕ ﺃﺗﺮﻙ ﺍﺳﻄﺮ ﻓﺎﺭﻏﺔ‪.‬‬

‫ﻣﻌﺎﻳﻨﺔ‬

‫)‪(spip.php?page=comments-atom&id_article=44942‬‬ ‫)‪| (spip.php?page=comments-rss&id_article=44942‬‬ ‫ﻣﺘﺎﺑﻌﺔ ﺍﻟﺘﻌﻠﻴﻘﺎﺕ‪:‬‬

‫ﻓﺎﺭﻭﻕ ﻣﻮﺍﺳﻲ ) ‪(spip.php?auteur82‬‬

‫ﺮﺮﺑﻲﻲ‬
‫ﺭﺭﺓﺍﺓﻓ ﻓﻲﻲﺍ ﺍﻷﻷﺩﺩﺏﺏﺍﻟﺍﻟﻌﻌ ﺑ‬
‫ﻛﻛﺘﻮﻮ ﺍ‬
‫ﻲ ‪،‬ﺩ ﺩ ﺘ‬
‫ﻄﻄﻨﻴﻨﻲ ‪،‬‬
‫ﺩﺩﻳﻤﻤﻲﻲﻓﻠﻓﻠﺴﺴ ﻴ‬
‫ﻛﻛ ﺎﻳ‬
‫ﻭﻭﺃ ﺎ‬
‫ﺐ‪ ،‬ﺃ‬
‫ﺩﺩﻳﺐ ‪،‬‬
‫ﻭﻭﻴﻓﻴﺴﺴﻮﻮﺭ ‪،‬ﺭ ‪،‬ﺃ ﺃﻳ‬
‫ﺑ ﺑﺮﺮ ﻓ‬

‫ﻣﻦ ﻧﻔﺲ ﺍﻟﻤﺆﻟﻒ‬

‫ﻣﻦ ﻣﻮﺳﻴﻘﺎ ﺍﻟﺤﺮﻑ ﻓﻲ ﺍﻟﺸﻌﺮ )‪(spip.php?article49536‬‬

‫ﺳﺆﺍﻻﻥ ﻓﻲ ﻣﻮﺿﻮﻉ »ﺍﻟﺤﺎﻝ« )‪(spip.php?article49521‬‬
‫ﺃﻭﺳﻌﺘﻬﻢ ﺳﺒًّـﺎ )‪(spip.php?article49502‬‬
‫ﻣﻦ ﺣﻨﺎﻥ ﺍﻷﺏ ﻋﻠﻰ ﺃﻁﻔﺎﻟﻪ )‪(spip.php?article49466‬‬
‫ﺍﻟﻤﺮﻭءﺓ )‪(spip.php?article49483‬‬
‫ﺷﻴﻄﺎﻥ‪ -‬ﻫﻞ ﻫﻲ ﻣﻨﺼﺮﻓﺔ؟ )‪(spip.php?article49452‬‬
‫ﺳﻼﻣﺔ ﺍﻟﺼﺪﺭ ﻭﺍﻟﺘﻌﻠﻴﻞ ﺍﻟﺤﺴﻦ )‪(spip.php?article49440‬‬
‫ﺍﻟﻐﻮﻝ )‪(spip.php?article49406‬‬
‫ﺍﻟﺤﻜﻤﺔ )‪(spip.php?article49380‬‬

‫ﻓﻲ ﻫﺬﺍ ﺍﻟﻘﺴﻢ ﺃﻳﻀﺎ ً ) ‪(spip.php?rubrique167‬‬

‫ﺇﺧﻮﺍﻧﻴﺎﺕ ﺇﺧﻮﺍﻧﻲ ﺍﻟﺸﻌﺮﺍء ﺗﻘﺮﻳﻈﺎ ً ﻭﺍﻟﺮّﺩﻭﺩ ﻋﻠﻰ ﺑﻌﻀﻬﺎ )‪(spip.php?article49567‬‬

‫ﻛﺘﺎﺏ ﺗﺎﺭﻳﺨﻲ ﻋﻦ ﺍﻟﻌﺒﺪ ﺍﻟﺬﻱ ﺗﺤﺪّﻯ ﺭﻭﻣﺎ )‪(spip.php?article49565‬‬

‫ﺩﺭﺍﺳﺔ ﻓﻲ ﺭﻭﺍﻳﺔ »ﻋﻠﻲ‪ -‬ﻗﺼﺔ ﺭﺟﻞ ﻣﺴﺘﻘﻴﻢ« )‪(spip.php?article49549‬‬

‫ﻓﻲ ﻗﺼﺔ ﺍﻟﻤﻨﺠﻞ ﻟﻠﻘﺎﺻﺔ ﺍﻟﺪﻛﺘﻮﺭﺓ ﺳﻨﺎء ﺍﻟﺸﻌﻼﻥ )‪(spip.php?article49554‬‬

‫ﺭﻭﺍﻳﺔ »ﺃﻋﺸﻘﻨﻲ« ﻣﻠﺤﻤﺔ ﺇﻧﺴﺎﻧﻴّﺔ ﻣﻌﺎﺻﺮﺓ ﻭﻣﺴﺘﻘﺒﻠﻴّﺔ )‪(spip.php?article49553‬‬

‫»ﻋﻠﻰ ﺫﻣﺔ ﻋﺸﺘﺎﺭ« ﻟﻠﺸﺎﻋﺮ ﺟﻮﺍﺩ ﺍﻟﻌﻘﺎﺩ )‪(spip.php?article49552‬‬

‫ﺗﻨﻘﻴﺐ‪..‬ﻓﻲ ﻣﻨﺠﻢ ﺍﻟﺤﺐ )‪(spip.php?article49548‬‬

‫ﻣﻦ ﻣﻘﺪﻣﺔ ﺩﻳﻮﺍﻥ »ﻋﻠﻰ ﺿﻔﺎﻑ ﺍﻟﺴﺮﺍﺏ« )‪(spip.php?article49547‬‬

‫ﻏﺰﺓ ﺍﻟﻮﻻﺩﺓ ﻓﻲ ﺟﻤﻌﺔ ﺍﻟﻜﺎﻭﺗﺸﻮﻙ )‪(spip.php?article49543‬‬

‫ﻣﻦ ﻣﻮﺳﻴﻘﺎ ﺍﻟﺤﺮﻑ ﻓﻲ ﺍﻟﺸﻌﺮ )‪(spip.php?article49536‬‬

‫ﺇﺭﺷﺎﺩﺍﺕ ) ‪(spip.php?rubrique119‬‬

‫ﺃﺳﻠﻮﺏ ﺍﻟﻜﺘﺎﺑﺔ ﻓﻲ ﺩﻳﻮﺍﻥ ﺍﻟﻌﺮﺏ )‪(spip.php?article2888‬‬

‫ﻓﻦ ﺍﻟﺮﺳﺎﺋﻞ ﺍﻷﻟﻜﺘﺮﻭﻧﻴﺔ )‪(spip.php?article6807‬‬

‫ﻛﻴﻒ ﺗﻌﺮﻑ ﺃﻥ ﻣﻘﺎﻟﻚ ﻣﻨﺸﻮﺭ ﻓﻲ ﺍﻟﺪﻳﻮﺍﻥ )‪(spip.php?article6958‬‬

‫ﺷﺮﻭﻁ ﺍﻟﻨﺸﺮ ﻓﻲ ﺩﻳﻮﺍﻥ ﺍﻟﻌﺮﺏ )‪(spip.php?article7380‬‬

‫ﺩﻳﻮﺍﻥ ﺍﻟﺴﻴﺮﺓ ﻭﺍﻟﻤﻌﻠﻮﻣﺎﺕ )‪(spip.php?article7640‬‬

‫ﻛﻴﻒ ﺗﻨﺸﺮ ﻣﻘﺎﻟﻚ ﻓﻲ ﺩﻳﻮﺍﻥ ﺍﻟﻌﺮﺏ؟ )‪(spip.php?article8125‬‬

‫ﻣﺮﺍﺳﻠﻮ ﺩﻳﻮﺍﻥ ﺍﻟﻌﺮﺏ )‪(spip.php?article8578‬‬

‫ﻛﺘﺎﺑﺔ ﺍﻟﻬﻤﺰﺓ ﻓﻲ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ )‪(spip.php?article10665‬‬

‫ﺃﺧﻄﺎء ﻟﻐﻮﻳﺔ ﺷﺎﺋﻌﺔ ﻭﺗﺼﻮﻳﺒﻬﺎ )‪(spip.php?article10681‬‬

‫ﻛﻴﻔﻴﺔ ﺍﺳﺘﺨﺪﺍﻡ ﺍﻟﻬﻮﺍﻣﺶ ﻓﻲ ﺍﻟﻨﺼﻮﺹ ﺍﻟﻤﻨﺸﻮﺭﺓ )‪(spip.php?article11621‬‬

‫ﺗﻨﻘﻴﺢ ﺍﻟﻨﺺ ﻗﺒﻞ ﺇﺭﺳﺎﻟﻪ )‪(spip.php?article11623‬‬

‫ﻻﺳﺘﻼﻡ ﻧﺸﺮﺓ ﺩﻳﻮﺍﻥ ﺍﻟﻌﺮﺏ ﺑﺎﻧﺘﻈﺎﻡ )‪(spip.php?article19906‬‬

‫ﺍﻟﻼﺋﺤﺔ ﺍﻟﺪﺍﺧﻠﻴﺔ ﻟﺪﻳﻮﺍﻥ ﺍﻟﻌﺮﺏ )‪(spip.php?article19944‬‬

‫ﻟﻠﻤﺴﺎﻫﻤﺔ ﻓﻲ ﺗﻜﺮﻳﻢ ﺍﻟﻤﺒﺪﻋﻴﻦ ﺍﻟﻌﺮﺏ )‪(spip.php?article19945‬‬

 (spip.php?article19946) ‫ﻟﻼﺳﺘﻔﺴﺎﺭ ﻋﻦ ﻣﺴﺄﻟﺔ ﻓﻲ ﻋﻠﻮﻡ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ‬

(spip.php?article20148) ‫ﻋﻼﻣﺎﺕ ﺍﻟﺘﺮﻗﻴﻢ ﻓﻲ ﺍﻟﻜﺘﺎﺑﺔ ﺍﻟﻌﺮﺑﻴﺔ ﻭﻣﻮﺍﺿﻊ ﺍﺳﺘﻌﻤﺎﻟﻬﺎ‬

(spip.php?rubrique121) ‫( | ﻣﻀﺎﻓﺔ ﺍﻟﺪﻳﻮﺍﻥ‬spip.php?rubrique50) ‫( | ﺃﻟﺒﻮﻡ ﺍﻟﺪﻳﻮﺍﻥ‬spip.php?rubrique1) ‫( | ﺩﻳﻮﺍﻥ ﺍﻟﺜﻘﺎﻓﺔ ﻭﺍﻟﻔﻦ‬spip.php?rubrique167) ‫( | ﺃﻗﻼﻡ ﺍﻟﺪﻳﻮﺍﻥ‬spip.php?rubrique35) ‫( | ﺍﻟﻤﻜﺘﺒﺔ‬spip.php?rubrique134) ‫( | ﺩﻳﻮﺍﻥ ﺍﻟﻠﻐﺔ ﺍﻟﻌﺮﺑﻴﺔ‬spip.php?rubrique8) ‫( | ﺩﻳﻮﺍﻥ ﺍﻟﺸﻌﺮ‬spip.php?rubrique111) ‫( | ﺩﻳﻮﺍﻥ ﺍﻟﺴﺮﺩ‬spip.php?rubrique3) ‫ﺍﻟﺪﺭﺍﺳﺎﺕ ﺍﻟﻤﺤﻜﻤﺔ‬
RSS 2.0 (spip.php?page=backend) | (spip.php?page=contribute) ‫( | ﺗﺒﺮﻉ ﻟﻠﺪﻳﻮﺍﻥ‬spip.php?page=archives ) ‫( | ﺃﺭﺷﻴﻒ ﺍﻟﺪﻳﻮﺍﻥ‬spip.php?page=login&url=spip.php%3Farticle44942) ‫( | ﺩﺧﻮﻝ‬spip.php?page=plan) ‫ — ﺩﻳﻮﺍﻥ ﺍﻟﻌﺮﺏ | ﺧﺮﻳﻄﺔ ﺍﻟﻤﻮﻗﻊ‬٢٠١٨-١٩٩٦
(/http://www.spip.net)