EEES

arka, trom tlle Su?arne Vega

alblr|. gritude S.taodiog. $te'w
included Bre inko, verse afld
chorus only. Thc guihr was a
miked-up Yamaha FG-41 I
recorded on a fioland VS-880.
Guilars: Kit Motg l Tle rra.if-Ee rrr [oR oalr is
il.uka
$UTfi}IilE l'E&E
,
TLis fing'erstyle par4 conta.irls
musioal leEsons for us a,ll.
your tra,rrscriber.
Lr HorrcH tlis delicate s(nlg
.rcc()mparirnent won't strr:tch thc more
advanccd player, its ar cxcellent lerssorr irr
sorlg constn)ction and a great exarnple o[ arvelJ-
u.ritten intro. Althorleh on thc original there r.ere
several overdubs, the rrain guitar part transcribed
here continues throughout \iithout unv noticeable
embellishmt:rrts at all; because ol this. thc song
uorks elralllwell rvillr or uitLout I hrckirrg hrnJ.
Iti irterestiDg to note that the iDtro contains
sneak prc.views of all ofthe difli:rcxrt sections o1'
the song. Bars I to 4 form the basis of euch verse,
bars 5 to 8 rrake up the ends ofthe vcrses, u,hilst
bars 9 to 12 are used in the choruses. Suzanne uses
a thumlryick and ffngers, but nortrul lingersn4e or capo, and moved:r chord shape around orr r' .
hybrid picking (pick and ffngers) will rvork just a.s l,J's {,rir(s.lpl,i,,i rlr.,,p, n fir.t rrrd -, or' :
well - the latter u.as used on our vcrsion. strirrgs rirg on. lbu c:1n hear this teclrtrir]ue
L17rlgr.rg, (A shape moved doun hvo lrcts t,,
g${g ? a.a.!rEc&,rPrf 6!$ create Aadd9. C6. FrrniT#1 I ) and Sma11 Blrr,
Stick strictl) to the tab for tLe illtro, but after that T/ring (Fi5 morcd to D6/9 .rnd CnrajT) re!:,.
itls 6rre - even advisable - to van the str'le and readers mal recall tlrl rulicle wav back iD l-(,-
drnanric b1' plaving nrore rhl,thmicalll: especiallv f
L,,(a. jlftcr ll,e i',iriJl ,'lrord, sIe rrrore. ., i-
on the choruses. A natural addition to this sorl of rlr.r1," lo the 2r',1 li-r u','r"ale Bsr.s Lrl, l. .

accomplnirrrerrt u,ould be percllssi\'e string slap' firr C#rni, then back do\rr k) trr oper posrtii '
olr betrts two irnd four of each bar rnakc a chord ofAsus2. As the farrous harrr,,
TLe chords are typically Vega - on her ffrst hvo pJavt'r' Lar4 Adler olce saitl. rrcver lr Lrfraitl :
alburus. she usually favourcd nolrral tuning with r plar' rvhatl snrple or 1,onr instrumcrt El

lntro: , 126
capo shaps (E) (Bsus4) (Asus2) (Bsus4) I
chord - Fl C sus4 Bsus2 Cfisus4 4

t
r

(C#m7) (Bsus4) (C#m7) (Bsus4)

D$m7 Clsus4 D{m7 clsus4
\
+

9.f EEEIEIEIEEI JA,\UARY 1998 Iss[ r