Beruflich Dokumente
Kultur Dokumente
Macie O’Connor
February 5, 2018
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A Mirror and a Mold: Perspective on the Sexual and Occult Themes in Eyes Wide Shut
A discovery that captivated much of the media’s attention over the past several months
was the outing of numerous alleged sexual assaults by some of our beloved Hollywood personas.
Stars such as Harvey Weinstein, Kevin Spacey, and Louis C.K. are just a few of those who have
been accused as instigators of sexual assault or harassment (Corey). These allegations shocked
the public, as it seemed that as soon as a new story was revealed, more and more followed suit.
Sadly, however, these types of incidents have been happening for decades, and it almost seems
as if we as a society have made little progress in this area. Scandals like these have the power to
impact the people and environment around them, and these impacts can definitely be seen in the
heart of Hollywood’s biggest business - the film industry. Many forms of media like film reflect
concerns of the real word, and one example of a work of art that does so is Stanley Kubrick’s
Eyes Wide Shut. This film’s major plot element focusses on the doings of a demonic sex cult and
how it comes to affect a struggling married couple. Eyes Wide Shut mirrors aspects of our
modern culture through the portrayal of sex as practically irresistible over fidelity, and
The first and maybe most apparent correlation between the film and our culture is the
blatant objectification of women. Throughout Eyes Wide Shut, the film portrays women in an
extremely objectified manner, similar to the way many forms of media portray women in modern
times. The most prominent place in which this is established is in the scene of the cult’s orgy,
where many women stand in a circle around a male leader. These women appear to follow the
orders of this man, such as when they undress upon the strike of his staff upon the ground
(Kubrick, 1:14:13). Naked female bodies are displayed prominently everywhere during the orgy,
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and far more frequently than the few naked male bodies. Also, the robed figures lead the naked
women around and monitor their every move. Through these details, the scene gives off the
sense that the woman are essentially sex slaves, simply succumbing to the desires of those in
charge with no autonomy. An article on Kubrick’s films by Film International comments on the
matter, saying, “The women's individuality is unimportant: wearing masks, their job is to satisfy
men's drives and fulfil their wishes, in the system they have created” (Planka 62). The most
disturbing part about this aspect of the film is perhaps not the images themselves, but rather the
way that similar types of behavior exist in real life. The whole idea of women satisfying men and
not having a consensus of their own can be linked to instances of rape or sexual assault.
Although certainly not always bound to those specific gender roles, this type of objectifying
behavior exhibited by the characters in Eyes Wide Shut is a reflection of the behavior associated
with sexual aggression. The orgy itself can almost be viewed as one large portrayal of a strange
type of assault, as one party dominates while the other remains submissive.
Another association between the film and our culture lies in the fact that sex is regularly
idolized. The main characters Bill and Alice are motivated by their sexual desires, which drives
most of the film’s action, and are willing to disregard their fidelity to satisfy themselves. Alice
basically cheats on Bill, although not physically, by fantasizing about an affair with another man
and admitting that she’d imagined a relationship with him. Bill, who feels jealous and conflicted
over this, goes out on an excursion to find sexual pleasure outside of his wife. Their actions are
influenced by the primary ambition of sex, and such complex characters are seemingly “reduced
to their sexuality” (Planka 64). For this reason, the movie idolizes sex as an ultimate prize to be
won, in which people are willing to go to extreme measures for. Just as sex is the primary motive
for the Harfords, it would also be the primary motive for the aggressor of a sexual assault. There
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exists no emotional element to committing an act like this, and one puts aside the moral
standings or commitments they once had. The characters’ motivations exemplify the dark reality
Eyes Wide Shut is also riddled with occult themes and practices, but one might question
exactly what “occult” means in this instance. One definition of occult by the Oxford English
Dictionary is “to be kept secret” and “communicated only to the initiated.” Using this definition
in relation to the film, the secretive and secluded tendencies of the sex cult are an
exemplification of the occult. It is very evident that the cult’s members intend to keep it a secret,
and they even threaten Bill Harford as to keep his mouth shut about what he has seen (Kubrick,
1:51:30). Additionally, the cult is allegedly (according to Victor Ziegler) full of people whom
Bill “wouldn’t want to know about,” possibly elite or powerful figures. This entire plotline about
the occult and secretive sex cult in the film is highly similar to the way that sexual scandals in
Hollywood are often covered up. For example, with the scandal involving Harvey Weinstein,
many women came out about his actions even though a majority of the events occurred many
years ago (Deerwester and Mandell). It is as if all of these cases were hidden for a bigger reason,
perhaps for the victims’ fear of being reprimanded or shamed by the business of Hollywood. In
Hollywood, people seem to be able to hide behind their fame or wealth, masking their
wrongdoings and flaws. Theses numerous sexual assaults are occult in the sense that many were
kept secret until recently revealed. It’s reasonable to assume that accused famed assaulters will
not face legal repercussions for their actions, because they can use their social prestige to escape
such situations. Like the shock that Bill Harford feels in the revelation that respected individuals
were involved in a secretive sex organization, the public experiences shock and sorrow when it
It is evident that Eyes Wide Shut is a film that is echoic of sexual tendencies prevailing in
our society and in Hollywood today. However, on top of serving as a portrayal of life, does
Kubrick’s movie provide a way to influence it? By mirroring our culture, films such as Eyes
Wide Shut also have the power to shape it. The more prevalent that themes such as sexual
submission, female objectification, and occult practices become in the media world, the more
people that will be exposed to these ideas on a frequent basis. With the public watching concepts
such as these being displayed on a widespread platform, the movie (or television) industry runs
the risk of normalizing these types of behaviors, which could have great consequences. Problems
like rape and sexual assault could conceivably get worse over time with movies portraying
questionable sexual practices. A widely researched topic is that of the effects that movie
watching has on its viewers; the Association for Psychological Science published an article
describing some of these effects. Researcher for the association Dolf Zillmann commented, “You
can discount [a film] and initiate getting rid of a strong emotion by discounting reality, but if it’s
based on reality, you cannot discount it.” Thus, when movies mirror what we see in real life, it
becomes harder to distinguish what is and is not real, and furthermore to judge the morality of
what we see (Jaffe). This is just one possible implication of the power of Eyes Wide Shut upon its
audience.
Moreover, outside of the silver screen, the presence of influential figures in Hollywood
who commit assault could have an influence on the people who look up to these figures. If
people get the impression that such acts are “ok” and do not have punishments for famous
people, these acts could potentially become more normalized. Fortunately, certain groups in
Hollywood have come together to speak out against sexual assault and raise awareness, such as
the #MeToo social media movement, and the demonstration by actors and actresses to wear all-
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black to the Golden Globes (Arkin). However, more must continue to be done to ensure that the
amount of sexual assaults diminishes and that the dangers are made aware to everyone.
On the other side of things, the influence of Eyes Wide Shut may not be all bad. Despite
the implications of sexual aggression, Kubrick does shed light on a dark subject that few people
know about. There are all sorts of hidden and mysterious entities all around, and Kubrick hints
that the community may need to be warier of such things. Similar to the unsuspecting Bill
Harford, anyone could get sucked into an occult environment without even knowing, and may be
completely unaware of the danger they are in. This concept can reflect how one must be
cognizant of issues like sexual assault that are happening right before our eyes, but are masked
behind social institutions or cultural norms. It calls out the fact that we need to make changes and
uncover the secrets that may be harmful to us. Eyes Wide Shut is an extremely powerful film,
because it both shows viewers aspects of society that often go unnoticed, and has the potential to
wield an influence over how people behave. Films like these must be both respected and
cautioned, and one should take the time to consider how their own lives may be impacted by
Works Cited
Arkin, Daniel. “#MeToo, Powerful Speeches Dominate the 75th Golden Globe
www.nbcnews.com/pop-culture/awards/golden-globes-2018-metoo-casts-shadow-over-
celebration-movies-tv-n835451.
Corey, Dan. “Since Weinstein, Here's a Growing List of Men Accused of Sexual
www.nbcnews.com/storyline/sexual-misconduct/weinstein-here-s-growing-list-men-
accused-sexual-misconduct-n816546.
Deerwester, Jayme, and Andrea Mandell. “Weinstein: Timeline of Hollywood Success and
www.usatoday.com/pages/interactives/news/harvery-weinstein-timeline/.
Jaffe, Eric. “Reel to Real: Psychology Goes to the Movies.” Association for Psychological
goes-to-the-movies.
Kubrick, Stanley, Director. Eyes Wide Shut. Warner Bros. Pictures, 1999.
www.oed.com/view/Entry/130166?rskey=Oe8xAx&result=1&isAdvanced=false#eid.
Planka, Sabine. “Erotic, Silent, Dead: The Concept of Women in the Films of Stanley
Kubrick.” Film International, vol. 10, no. 4, 2012, pp. 52–65., doi:10.1386/fint.10.4-
5.52_1.