Beruflich Dokumente
Kultur Dokumente
Caley Jacobs
Mr. Garner
13 December 2017
“My Heart Leaps Up”, a famous poem by William Wordsworth, symbolizes the
relationship between childhood and adulthood. Wordsworth essentially argues that your adult
self is a manifestation of the childhood events that shaped you. The book, David Copperfield by
Charles Dickens, is a near perfect representation of how a poor, abusive childhood can create a
changed adult. David’s sense of inadequacy as a child, stemming from multiple events involving
Mr. Murdstone, Miss Betsey, and his mother, leaves him, as an adult, seeking reaffirmation of
his worth from a more helpless character, which he finds from his most successful love interest,
Dora Spenlow.
As children, our experiences are often engraved in our memories and influence our
actions, with or without our knowledge. David’s juvenile years of displeasing others begins even
before his birth when Miss Betsy flies off in a rage on the fateful day of his arrival. She had just
Jacobs- 2
discovered that the young girl she planned on adopting was in fact a boy, thus beginning David’s
unfortunate youth (Dickens 23). As David grows older, he continues to feel inadequate in the
face of familial issues among himself, his mother, and his new stepfather. His stepfather, Mr.
Murdstone, was the only somewhat father figure that David had ever known, and David was
immensely affected by his harsh actions. The beatings that Mr. Murdstone gave David were
often for very little reason, and Mr. Murdstone seemed to relish in David’s pain. While beating
David, Mr. Murdstone simultaneously feeds David’s feelings of insufficiency, and makes
Additionally, Mr. Murdstone’s physical abuse often came along with harsh words that
allowed David to assume that he was undeserving and inferior. For example, Mr. Murdstone
says, “David [...] if I have an obstinate horse or dog to deal with, what do you think I do? [...] I
beat him.” (Dickens 50). In this quote, Mr. Murdstone compares David to a dog or horse, which
allows David to accept the analogy. At this point, David begins to feel as though he is weak and
insignificant enough to compare to a dog. David was further convinced of his inadequacy after
the death of his mother and brother. He was forced to believe that had he been good enough for
his late family members, they would not have met their end as they did (Dickens 113-121). The
combination of these events are ingrained in David’s adult mind, and whether he notices it or
not, he seeks to be reaffirmed that he is adequate, and to find a person whom he could shape to
Our adult selves are most greatly influenced by the events that occur while we are
children. David’s early life was nothing short of dreadful, and it had a great psychological
impact on his adult personality and actions. As an adult, David is left yearning for a feeling of
worthiness of which he could find from creating close relations with a weaker figure that might
Jacobs- 3
need his help. As David continues on, he is overcome by a need to find a suitable mate that
could support him in this way. David fails twice at this, once with Miss Shepherd and once with
Miss Larkins, and is left broken hearted both times (Dickens 170-175). While David continues
searching, it is obvious that he has very little knowledge on how to express love, as his
experience is limited. The only romance he had ever really known was the unpleasant
relationship between Mr. Murdstone and his mother. Thus, David’s subconscious begins to take
on the tendencies of Mr. Murdstone. In a sense, David begins to think that in order to be
successfully married, like Mr. Murdstone, he must make his partner a lesser figure than him, as
Mr. Murdstone did. He assumed that this would achieve all of his goals for romance, and it leads
him to seek out Dora, who meets his requirements. Being as childish as she is, she is easily
impressionable, so she is the ideal person that David could manipulate into becoming a
dependant figure for him to “love”. The character he unintentionally transforms her into is no
longer the heedless character she was, instead, she is clingy and requires David’s complete
attention. David thrives off of her dependence because it allows him to feel more important, and
The type of change from childhood to adulthood that David experiences is commonly
experienced by others as well. This sparked the thoughts of the lifelong psychologist, Alfred
Adler, who came up with his own psychological explanation. Adler believed that human beings
have a single goal, to feel significant in their own, and others’, lives (Adler Graduate School 1).
He believed that nurturing a child’s belief that they are competent and valued would create a
more successful and confident adult whereas allowing a child to feel inferior would create an
adult who is constantly overcompensating for others. In doing so, these people are trying to feel
as if the subject of their overcompensation needs them, and therefore they feel valued and
Jacobs- 4
adequate (How To Adult 1). David is such a character. He unnecessarily supports Dora, despite
her absolute worthlessness. She is unable to do simple activities, and commonly proceeds to cry.
(Dickens 452-455). This is, however, exactly how Mr. Murdstone seemed to view David as a
child. Since we read the book through David’s perspective, it is certainly obvious that this is
how David sees Dora. Therefore, David has taken on, in a much more gentle sense, Mr.
Wordsworth’s “My Heart Leaps Up” very literally represents the idea that the child is the
father to the man. This means that the impact of one’s childhood almost foretells their end.
David’s abusive childhood not only leads him to bring Dora to a lower level, but it also causes
him to surround himself with other weak figures. He ensures that the people closest to him are
not more significant than him. For example, Mr. Micawber uses money poorly and David has
control over him because he has paid most of his debts off. He also is good friends with
Traddles who has always been made fun of, and Mr. Dick who is too odd to be taken entirely
seriously (Dickens 523 & 58). Even Steerforth, whom may have been more powerful than David
for a time, shows his true colors when he runs off with Emily, proving that David is the most
important figure in his own life (Dickens 290-291). These adult tendencies and actions that
belong to David, all stem from a single section of his life, which influenced him more than any
Works Cited
“Alfred Adler: Theory and Application.” Alfred Adler: Theory and Application | Adler Graduate
School.
Wordsworth, William. “The Child Is The Father To The Man.”Wordsworth, William. 1888.