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Storytelling in its Content Marketing Strategy to Emotionally Connect with its Users?”, this
second part will analyze the company’s strategy based on the revealed theoretical background
in part one.
The Coca-Cola Company (hereafter called Coca-Cola) is often taken as best practice example
(Pulizzi,2012; Gioglio, 2015; Rose, 2012; Savut, 2013). In 2012, the company published its
Content2020 strategy and re-launched its company website, from a corporate website
towards a digital magazine, called ‘Coca-Cola Journey’ (The Coca-Cola Company, 2015).
Image 1: Screenshot of Corporate Website (left - adapted from Assurance Advertising, 2012)
vs. Screenshot of New Launched Digital Magazine (right – The Coca-Cola Company, 2015)
Shortly after the relaunch, Coca-Cola released two YouTube videos explaining the new
strategy behind the name ‘Content2020’. In several ‘chapters’, the videos explain the ideas
behind the launch of this new Content2020 strategy, its path to realization and the matrix the
These two releases and the company’s website (The Coca-Cola Company,2015), will be the
Admittedly, one can believe in the success of the relaunch or not, as it can be dared to say that
it might be rather subjective to define success in this context – even if Joe Pulizzi(2012), one
of the content marketing gurus of today, says so. Nevertheless, based on the outlined
theoretical concepts in part one, it will now be analyzed which keystones are implemented in
it becomes more than clear that focusing on content by telling compelling stories is the key
pillar in the Content2020 strategy. Actually, this new ‘digital magazine’ does not mainly focus
but is rather offering various interesting articles. Being in line with revealed research, brand-
related as well as unrelated stories are published on a continuous basis. As Brown (2013)
reveals it too, the essence of this relaunch was to believe that “best content is social at the
core, digital by design, and emotional” (p.1). This finding is strengthened by the impressive
speech of Ashley Callahan Coca-Cola’s manager of digital communications and social media.
At the BlogWell conference in 2013, she highly emphasized the brand’s current focus: “Great
content was the driver behind this” (03:15) and “We [Coca-Cola] wanted this to be a dynamic
Forming the second keystone, the published stories told on the ‘Coca-Cola Journey’ website
(The Coca-Cola Company, 2015) are not only compelling by its nature, but they aim to be
shared by the users. In contrast to the past where storytelling was performed in a one-way
direction, it becomes clear that the company focuses on creating dynamic stories that are free
to evolve during time. One proof for this is the integration of different social media icons in
each content that allow users to share the stories on various platforms. In the first explanatory
video, the company gives the reason for emphasizing on this. The company shows that the
content should be ‘liquid’, as the overall goal is “to create ideas so contagious they cannot be
controlled” (Forward’s Marketing Channel, 2012, 0:32). Moreover, articles and stories on the
website are created in such way that they often link to other stories. As one explanatory video
(Forward’s Marketing Channel, 2012). We can note that the keywords here are engagement,
multifacetedeness, spreadability. Coca-Cola uses the so-called water cooler test for all ideas
before new content is published: “Does it answer the “Why should I care” test? Does it
These questions are raised when ideas come up in order to provide compelling content, all
categorized in different topics such as history, brands, sustainability or music, for instance
(The Coca-Cola Company, 2015). Furthermore, it is remarkable that the mixture of categories
seems to follow a certain structure. Actually, this observation is backed by the company’s
representative statement by Callahan. In her speech in 2013, she outlines different metrics
that revealed the three most interesting content areas: Food, company history and jobs. As a
consequence, Coca-Cola is steadily aware of the current booming topics and thereafter
continuously providing compelling, emotional and share-worthy content in these areas (being
Fourth, it is interesting to notice that the majority of the stories talk about personal and
emotional stories about real lives. Be it brand-related or non-related content, all stories
try to emotionally bond with its readers in order to strengthen its relationship. For instance,
in the topic ‘culture’, users come across a love story of two persons both working in the Coca-
Cola Company and today happily married with two kids (The Coca-Cola Company, 2015). This
example does not only agree with the above-stated fact that emotions are key in content
marketing, but also shows that the company focuses on the emotion that trigger most
The fifth keystone that can be revealed in this analysis is connected to the latter keystone. It is
the company’s intercultural awareness in creating its content for the website. When
skimming through the articles, stories featuring people from different parts of the world catch
the reader’s attention. Coca-Cola clearly focuses on showing stories from all over the world,
regardless the country from which the website is visited from (The Coca-Cola Company,
2015). It is also worth to mention that the website is all in English and is internationally
focused (SocialMedia.org, 2014). Another good example of this is the installation of the Coca-
Cola Small World Machines in 2013. The idea was to provide interactive Coke dispensers that
had real-time cameras installed where people could see each other. The dispensers were
located in areas of conflict of India and Pakistan, aiming to unite people living in conflict. It
was one of the most successful campaigns for the company so far (Savut, 2013). Once again,
users. Actually, at the bottom of the front page, users are encouraged to upload their
“moments of happiness”. The uploaded pictures and videos show impressions of life, what
people make smile, in short, the “source of your happiness” (The Coca-Cola Company, 2015).
Content may be brand-related or not. In the uploading template, users are asked to describe
the picture and tell the story behind it. Giving users the possibility to directly share their own
moments seems to be in line with the previous cornerstones, especially the second and fifth
ones. Indeed, this is also in line with the above-mentioned theoretical findings that
connection to the brand (Escalas, 2004 in Gensler et al., 2013). The research of fanpageKarma
concerning the importance of triggering interactions through emotions and joy further
Marketing
All in all, the above-conducted analysis of Coca-Cola’s Content2020 strategy brought into
focus that its practical implementation is based on key principles of the revealed theoretical
and emotions in marketing and the revealed impact shown by different research, the analysis
of the company’s strategy leads to list seven imperative must-dos in storytelling, which
simultaneously answer the initial question of how Coca-Cola uses content marketing to
Nevertheless, even if these seven keystones of content marketing seem to be the formula for
recipe when it comes to emotionally bond with its users online, they have to be critically
considered. First and foremost, it has to be emphasized that the previous analysis is based on
a digital magazine website and keystones might not always be transferrable to other online
marketing activities. Secondly, as already mentioned, the notion of good content is subjective
and it can hardly be defined. Thirdly, when engaging in online marketing and consequently in
content marketing, marketers have to be cautious about what happens on other online
platforms, especially social media, concerning the target group’s interests. Lastly, being online
always means to face the lack of control of its content. Marketers have to be aware of this risk
and accordingly create their content and steadily observe the way of the content in its best
way.
Concerning further research, even if we have shown that the Coca-Cola Company is in fact
heavily using content marketing in its Content2020 strategy in order to emotionally connect
to customers, the previous analysis was only based on this single case. Due to the lack of
Content for Coca Cola is is now the “Matter” and “Substance” of “Brand
Engagement”
The next part of the equation is to ensure that these ideas create content that is
innately relevant to
Coca Cola has realised that the consumer creates more stories and ideas than
they do so the goal is provoke conversations and then “Act” and “React” to those
conversations 365 days of the year.
The new “Distribution Technologies” of Twitter, YouTube and Facebook provide
greater connectivity and consumer empowerment than ever before.
Don’t just publish but interact with your audience and tribe.
Part of the new Coca Cola content strategy is applying a 70/20/10 Investment
principle to creating “Liquid content“.
70% of your content should be low risk. It pays the rent and is your bread and butter
marketing (should be easy to do and only consumes 50% of your time)
20% of your content creation should innovate off what works.
10% of your content marketing is high risk ideas that will be tomorrows 70% or 20%….
be prepared to fail
This provides a blueprint regarding moving on from just developing white papers,
to trying some content that is more visual, courageous and engaging in web
world that has embraced multimedia and interactive content.
Coca Cola has come to the conclusion that the world has moved on from the 30
second TV ad. So has the the Old Spice brand and many other businesses who
are embracing social media as part of their marketing strategy.1
We need to move towards a genuine consumer collaboration model that builds
buzz and adopts a more iterative approach to content creation.
Learning how to fuel the conversations, act and interact has never been
more important.
Consumers ideas, creativity and conversations have been set free with the
evolution of social networks, learning to leverage and wrangle those
conversations to increase your brand visibility is now a vital part of your
marketing.
What is 'Brand Equity'
Brand equity refers to a value premium that a company generates from a
product with a recognizable name, when compared to a generic equivalent.
Companies can create brand equity for their products by making them
memorable, easily recognizable, and superior in quality and reliability.
Mass marketing campaignsalso help to create brand equity.
Finally, these effects can turn into either tangible or intangible value. If the
effect is positive, tangible value is realized as increases in revenue or profits
and intangible value is realized as marketing as awareness or goodwill. If the
effects are negative, the tangible or intangible value is also negative. For
example, if consumers are willing to pay more for a generic product than for a
branded one, the brand is said to have negative brand equity. This might
happen if a company has a major product recall or causes a widely publicized
environmental disaster.
Consumer Behavior
Marketing Management Revision Article Series
Buyer’s needs, characteristics and decision making process interact with the stimuli created by the
environment and marketers and buying decisions are made by the buyers.
Hence marketers have to understand what happens in the buyer’s consciousness between the arrival of
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The field of consumer behavior studies how consumers (individuals and groups) select, buy, use, and dispose of
To understand the consumers in the target market, marketing managers rely on the 7 O’s framework of consumer
research.
Buyer’s needs, characteristics and decision making process interact with the stimuli created by the environment
stimuli and the buyer’s purchase decision. They must answer two questions:
How do the buyer’s characteristics – socio-cultural (sociological), personal, and psychological influence
buying behavior?
Subculture
Culture of a society is not uniform across all groups in the society. There can be subcultures with certain elements
differing from other groups’ cultural elements. Many subculture elements make up important market segments. In
a country like USA, that allows people from various countries to come and settle in it, subcultures arise due to the
original nationality, religion, racial group apart from the geographical subcultures and age group subcultures.
Social class
Sociology identified that social stratification is common among many societies. Social class is a type of
stratification. Social classes are relatively homogeneous and enduring divisions in a society, which are
hierarchically ordered and whose members share similar values, interests and behavior.
Social Factors
They include reference groups, family, and roles and statuses of a person.
Reference groups
Family
Family members constitute the most influential primary reference group or membership group. Each person has a
family of orientation that consists of his parents, brothers and sisters. He has a family of procreation consisting of
spouse and children.
Statuses and roles
People choose products that communicate their status in society. Marketers have to aware of the status symbol
potential of products and brands. Each status has a role or group of activities to be performed. Persons have
multiples statuses in different groups to which they belong. Therefore the roles have some bearing on the
consumption and purchase decisions.
Economic circumstances
People’s economic circumstances consist of their disposable or spendable income, assets, debts, and attitude
toward spending versus saving. Marketing of income-sensitive goods has to take into consideration the shifts in
personal income and savings habits.
Life style
A person’s life style is the person’s pattern of living in the world as expressed in activities, interests, and opinions.
People coming from the same subculture, social class, and occupation do lead quite different life styles.
The life style is reflected in the consumption patterns. different agencies and authors have identified differnet life
style categories. McCann Erickson London identifed among British, Avant-Gardians, Pontificators, Chamelons
and Sleepwalkers. The advertising agency, D'arcy, Masius, Benton & Bowles identified five categories among
Russians, Kuptsi, Cossacks, Students, Business Executives, and Russian Souls.
Llifestyles among British people.
Avant-Gardians (interested in change)
Pontificators (traditionalists, very British)
Chamelons (follow the crowd)
Sleepwalkers (contented underachievers)
Decider
He is the decider to buy it.
Buyer
He is the actual buyer who goes into the market and buys.
User
He is the user of the product.
Example: A school teacher may suggest to a child that he needs to buy a computer. His classmates may tell him
that they own a particular brand of computer and they are very happy with its features. His father could be the
decider of the purchase. His mother may go to shop and buy the computer. The child is the user.
Buying behavior
Habitual buying behavior
In this buying situation, the purchaser is not involved in the product and there is not much risk and there is no
appreciable difference between various brands available. He buys the brand by habit.
Variety seeking buying behavior
In this buying situation also, the purchaser is not that much involved, but likes to try various brands
Complex buying behavior
In this buying situation, the buyer is very involved and spends some time to learn about various alternatives
available and buys the product/brand.
Less careful buying behavior with more chance of dissonance
In this buying situation, the differences between brands is not much and customer takes decisions quickly. But
there is a possibility that he may experience some disappointment and tries to justify his purchase decision
Information search
He goes around searching for information the available alternatives
Evaluation of alternatives
He evaluates the alternatives
Purchase decision
He makes the purchase decision