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To cite this article: Anne-Sophie Binninger (2015): Perception of Naturalness of Food Packaging
and Its Role in Consumer Product Evaluation, Journal of Food Products Marketing, DOI:
10.1080/10454446.2014.885868
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Journal of Food Products Marketing, 00:1–17, 2015
Copyright © Taylor & Francis Group, LLC
ISSN: 1045-4446 print/1540-4102 online
DOI: 10.1080/10454446.2014.885868
ANNE-SOPHIE BINNINGER
Marketing Department, NEOMA Business School, Reims, France
INTRODUCTION
Recently, the concept of naturalness has been the subject of renewed inter-
est by businesses and researchers. The birth of this concept can be rooted
in social movements that advocate more sustainable and healthy consump-
tion. It is also related to the increasing demand for organic food and green
products. In both Europe and the United States, this term still has positive
connotations, suggesting that natural things are “better” or simply “right”
(Rozin, 2005; Rozin et al., 2004). The term naturalness may be defined
in general as “the quality or state of being natural.” It can describe “that
which respects the condition or fact of being in accordance with nature” or
that which “possesses the distinctive features of a naturally occurring object,
1
2 A.-S. Binninger
1996). The signs present on the packaging are visible and influential vec-
tors of communication (Fitzgerald Bone & Russo, 2009; Garretson & Burton,
2000; Sara, 1990). They must transmit the perceived naturalness of a product.
The aim of this article is to explore the concept of food naturalness
through packaging. First of all, we will examine whether the packaging
enables the consumer to identify the distinctive features of naturalness. Then
we will analyze the perceived differences between the examples of packag-
ing that are representative of the concept of naturalness and their influence
on product evaluation. Finally, we will discuss the managerial implications.
Previous studies have shown that when consumers cannot try a prod-
uct before buying it, attractiveness plays a key role in their decision making
by providing aesthetic information (Creusen & Schoormans, 2005). A great
deal of work also demonstrates the relationship between packaging design
and the value given to the product (Orth & Malkewitz, 2008), increas-
ing, for example, perceived quality and perceived benefits (Orth & De
Marchi, 2007; Park et al., 1986). We know that the appearance of a prod-
uct influences consumer product choice in several ways, and that the design
determines consumers’ first impression of the product (Bloch, 1995; Creusen
& Schoormans, 2005). Moreover, people engaged in affect-based processing
Naturalness of Food Packaging 5
will consider that more attractive products have higher quality and perfor-
mance (Batra, 2009). As a rule, emotional attributes are likely to influence
the attractiveness of the product on the part of the consumer.
In light of our previous observations, we will look more directly at how
elements related to the environment and health can act on consumer attitude
and behavior. We know that packaging perceived as more respectful of the
environment has positive repercussions on the consumer’s attitude or pref-
erence (Rokka & Uusitalo, 2008; Venter et al., 2011). One of the conditions
of efficiency is that consumers must be given tangible information enabling
them to really evaluate the degree of sustainability of the packaging.
Research into naturalness demonstrates that perception of the natural
qualities of a product is influenced by tangible elements on the packag-
ing, expressed in an educational fashion and giving details regarding the
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Product Assessment
Dimensions of Naturalness - Attractiveness
1/Eco-friendly / environmental - Credibility
2/Healthy / Good for health - Quality
- Purchase intent
Type of Packaging:
Functional-Emotional- Mixed
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RESEARCH METHODOLOGY
Stimulus Design
For this research study, we opted to design three kinds of packaging using
these two angles—functional and emotional—incorporating several features
identified in the literature as representing naturalness. We sought to cre-
ate three types of packaging in order to represent an entirely functional
packaging, and entirely emotional packaging, and, finally, a packaging that
represented a blend of both functional and emotional features. To facil-
itate construction of the packaging, we carried out an initial phase to
collect products featuring one or more elements evoking naturalness. About
50 French food products featuring different brands and different food cat-
egories (fresh products, sweet and savory groceries, and charcuterie) were
collected. We carried out a transversal comparative analysis to distinguish
the codes generally used by different brands to facilitate the construction
of our packaging and to make it more credible. The variables considered
are taken from the literature: colors, presence of the product, images, logos,
quality labels, regional identifiers, slogans, and so forth. We also studied two
Naturalness of Food Packaging 7
features in particular: the brand and how it was presented on the packaging,
and the structure of the packaging itself together with the positioning of the
functional signals. From our content analysis of the brands on the market,
we were able to create three fictitious packaging options using a brand no
longer on the market,1 because when consumers have no particular opinion
about a brand they evaluate its attributes more objectively (Kardes, 2002).
We chose to use rice, which has the advantage of being an everyday product
targeting both sexes, all ages, and all socio-professional categories.
In the stimulus design process, we based our choice of functional ele-
ments on three types of signs that communicate the idea of naturalness best:
well-known public quality labels (European organic label and French organic
label) supported by technical claims (grown without the use of fertilizers,
organically produced), and logos or semi-quality labels (organic, target of
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zero carbon) that can be combined with technical claims (100% recyclable).
For the emotional elements, we focused on visual and graphical elements:
the use of different shades of green, the presence of a general, “poetic” claim
that expresses the idea that it was harvested manually in a natural setting,
the use of pictures (emotional packaging only), the use of different semi-
otic tools (the product being visible through a window in the packaging, a
photo of a canvas sack making us think of artisanal production methods).
To check that the three packaging options were perceived as representa-
tive of the concept of naturalness and perceived as representing functional,
emotional, and blended packaging distinctly, we conducted a face-to-face
test with 18 consumers. The sample consisted of university students: 48%
women and 52% men aged between 20 and 27 years old. In addition to our
three packaging options, we also included 17 other types of packagings of
regional and private-label brands. Following Rozin (2005), consumers were
asked to answer the question “How natural is product X?” and to rate each of
the products using the following naturalness scale adapted: 0 = not natural
at all, 1 = slightly natural, 2 = moderately natural, 3 = very natural, 4 =
extremely natural. All the respondents placed the three fictitious packages in
the group considered the most natural (group 3). It should be noted that no
packaging was placed in group 4 (extremely natural). This is not surprising
given that all the products were either sold in supermarkets or processed.
Measures
The measurements for product evaluation dimensions (attractiveness, qual-
ity, credibility, and purchase intent) are classical, and they were evaluated
1 The brand chosen is a former French brand (Perliz) that was taken off the market about 3 years
ago. We therefore assume that the brand is little known. In 2006, its market share in terms of turnover
was 0.5% in France in the dry foodstuffs market. The first part of the questionnaire enabled us to identify
consumers who have a specific knowledge of this brand, and these were finally eliminated.
8 A.-S. Binninger
Variables
Naturalness after CA Items Items Deleted
using a Likert scale from 1 to 7. Credibility was adapted from the scale devel-
oped by Sinclair & Irani (2005) with four items, quality and purchase intent
from Dodds et al. (1991) with three three items each, and attractiveness
constructed in line with Ohanian (1990) with three items. The dimension
of naturalness was created with items extracted from the qualitative phase
on the basis of the transcripts of the consumers’ comments when they put
the cards representing product packaging into groups. The items thus gen-
erated were pretested. Several items evoking general natural qualities were
collected, but, following Rozin (2005), we retained only those items that
evoked either the environment or ecology and health or well-being (see
Table 1).
RESULTS
Dimensions of Naturalness Through Packaging
To clarify the concept of naturalness and the relative importance of each of
the dimensions identified in the literature (“respect for the environment” nat-
uralness and “good for health” naturalness), we carried out an exploratory
factorial analysis on the 10 items taken from the verbatims of the qualita-
tive phase. Using a varimax rotation, the scale comprises two dimensions, as
presented in Table 1, and analyzes seven items. In all, three items whose
coefficient was below 0.500 were deleted. Naturalness has two distinct
dimensions that explain 79.8% of the total variation. The first is made up
of the items related to environmental qualities (four items) with 69.12% of
the total variation explained; and the second of three items related to health
with 10.67% of the total variation explained. Cronbach’s alphas were then
computed, and all fall below the recommended standards (see Table 1).
Taken overall, results relevant to H1 indicate that the perceived natural-
ness of a product appears through the packaging and consists of two distinct
dimensions: (1) respect of the environment and (2) healthiness. Dimension
1 is also the most important.
Mean Scores
the perceived naturalness of pack 3 appears higher, its results compared with
pack 1 are not statistically significant (p = 0.168). However, the perceived
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Dimensions Tested 1 2 3 4 5 6 7
Credibility 1
Quality .813∗∗ 1
Purchase Intent .580∗∗ 648∗∗ 1
Attractiveness .565∗∗ .635∗∗ .852∗∗ 1
Naturalness 1 (environment/nature) .821∗∗ .856∗∗ .568∗∗ .572∗∗ 1
Naturalness 2 (health) .638∗∗ .701∗∗ .540∗∗ .548∗∗ .713∗∗ 1
Overall Naturalness .813∗∗ .858∗∗ .591∗∗ .598∗∗ .974∗∗ .841∗∗ 1
∗∗ Correlation is significant at the 0.01 level (2-tailed). ∗ Correlation is significant at the 0.05 level (2-tailed).
Mean Scores
pack 1 and then all three packs, p < 0.05 for pack 2, p < 0.01 for pack 3).
This shows the importance of functional aspects of whatever kind (packs
1 and 3) to support the credibility of a product. It should also be noted that
individuals who have already seen the functional packaging (1) opt more for
the mixed packaging with both emotional and functional elements. In the
other groups, however, packs 1 and 3 obtain fairly similar results. These
results show precisely that perceived naturalness reinforces the credibility of
a product if the packaging shows functional elements, either alone or com-
bined. They also allow us to suppose that in a competitive environment,
when consumers are faced with several products, they will be inclined to
choose mixed rather than functional packaging.
DISCUSSION
The aim of this research was to understand better the concept of food
naturalness through different packaging and its influence on product eval-
uation. First of all, we show that the perceived naturalness of a product
correlates positively with its attractiveness, quality, credibility, and purchase
intent, which makes naturalness a characteristic in terms of product evalua-
tion. When we compare the packets in pairs, we note significant differences
in all the variables between types 1 and 2, and 2 and 3. The functional
(1) and mixed (3) packaging is perceived better than the emotional type
(2). However the differences between packs 1 and 3 are not significant.
So packaging 3 is not more credible or more attractive and does not give an
impression of more quality. Nor does it benefit from more purchase intent
than no. 1. Although these results can be explained for the variables quality
and credibility, since each pack includes functional elements, they are sur-
prising for the variables attractiveness and purchase intent. Thus, although
pack 3 has more emotional elements than pack 1, it is not more attractive.
The results also suggest that a purely functional approach, based on quality
Naturalness of Food Packaging 13
mixed or when functional elements are dominant. When used alone, func-
tional elements are more influential than emotional elements, and emotional
packaging is less effective overall.
These results need to be studied further, but they already give an idea
of possible different ways to deal with the two dimensions of naturalness
and consumer behavior; health naturalness influences subjective evaluation
and purchase more directly (attractiveness, intent), whereas environmental
naturalness has more influence on objective product evaluation (credibility,
quality). Stressing the health benefits of naturalness increases the attractive-
ness of the product and purchase intent more directly than stressing the
environmental benefits. These results are in line with previous work on
organic products and health concerns (Chryssohoidis & Krystallis, 2005).
These results should help brand managers who want to position their
food products on naturalness to understand better how to use the different
features of packaging. In particular, it appears quite clear that brands can-
not simply use an emotional approach with vague unproven slogans. This
remark is certainly linked to growing maturity in consumers, who are well
aware of the discourse and offers of different brands in particular when
they are also in front of more functional offers. A second implication is that
functional packaging may be enough to support the good evaluation of a
product, in particular for brands that specialize specifically in natural prod-
ucts. But it also appears that a balanced treatment between functional and
emotional elements remains effective.
Second, the two dimensions of naturalness that we identify seem to be
in line with previous research showing differences between consumers of
organic and ecological products (Chryssohoidos & Krystallis, 2005; Zanoli
& Naspetti, 2001). A brand can therefore adopt a more environmental or a
more “healthy” approach, to satisfy each of the consumer segments. But the
“health” dimension seems to be the most effective in terms of purchase
intent and attractiveness. We can extrapolate that naturalness is a factor
that reassures the consumer with regard to perceived risk; it influences the
14 A.-S. Binninger
ACKNOWLEDGMENT
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