Beruflich Dokumente
Kultur Dokumente
o Good theory, but for 2 problems: The Workers labour in order to make the
products and earn a living, but if magic is in-born, than how can the proles
produce it? The theory sounds like a reversal of the Death Eater
"Muggleborns stole our magic!" propaganda. Also, Harry may act like he's
entitled to a lot of information - which, in a way, he is - but he rarely acts like
respect should just be his. He's felt that he's earned it after facing who
knows how many near-death encounters and winning/surviving, and is angry
that he is always treated as a kid by Dumbledore, Molly, etc.
Creative but ultimately almost certainly wrong, and even IF correct it only
shows that JK Rowling shot herself in the foot by screwing up the allegory
(nevermind the ideological problems in the first place). For one, the theory
holds that the Muggles can somehow PRODUCE magic, which we have
absolutely no evidence to support. And even if we CAN somehow accept that,
there is nothing we know of in canon for Muggles to somehow OBTAIN magic,
unlike the workers, who can obtain capital (albiet in Marxist theory largely
indirectly).
o Also have the big problem of that Harry was literally born into insane amount
of wealth, even if he didn't have it before he was eleven. Inheritable wealth is
basically the worst mortal sin in the eyes of Marxist, since it is money and
power you do NOT have to lift a finger for.
McGonagall - Revered goddess of wisdom. In OotP it's the attack on her that sets off
the professor in the Astronomy tower. Even after Sirius' and Dumbledore's deaths
Harry keeps trying not to fight. What finally sets him off at Hogwarts in Deathly
Hallows is ... someone spitting in McGonagall's face.
Molly Weasley - Keeper of the last homely house. Only person allowed to strike a
killing blow against evil. (If anyone is JKR in the book, it's Molly. Think about the
special clock as the physical embodiment of the worries of motherhood.)
Cho and Luna can also represent portions of JKR's personality, perhaps based on
her personal experiences. Cho is rejection in a relationship. Note also Hermione's
telepathic description of Cho's feelings, while Ron's reaction is straight out of the
"boys are stupid" book.
Luna (with Sybil Trelawny) - the spacy female aspect of the moon. Runner-up for the
real JKR. (Luna's chains of friendship in DH were the most touching scene in the
whole series.) (Note Sybil's importance as seeress.)
They're all more distinct and differentiated than the male characters.
The male characters are good, the female characters are just enough better to be
great. Drawn with slightly more life, but in the right places and ways.
Bellatrix is the conniving, uncaring, ambitious aspects of femininity.
Look at the other major female death: Self-sacrifice by Lily Potter that saves her son,
and ultimately the world.
(Professor Burbage doesn't count. A red-shirt sympathy frag I had to check to
determine the gender of.)
- Jove Hack
What about Umbridge?
-Leliel
The aspects Rowling doesn't like about herself, and knows no one else would.
No Villain Sues here, thank you.