Beruflich Dokumente
Kultur Dokumente
1985
Recommended Citation
Bertoluci, Jose M., "The Son of the Morning and the Guardian Cherub in the Context of the Controversy Between Good and Evil"
(1985). Dissertations. Paper 17.
This Dissertation is brought to you for free and open access by the Graduate Research at Digital Commons @ Andrews University. It has been accepted
for inclusion in Dissertations by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact
repository@andrews.edu.
Thank you for your interest in the
This reproduction was made from a copy o f a docum ent sent to us fo r m icrofilm ing.
While the most advanced technology has been used to photograph and reproduce
this docu m en t, the quality o f the reproduction is heavily dependent upon the
q uality o f the m aterial subm itted.
\ . The sign o r “ target” fo r pages apparently lacking fro m the docum ent
photographed is “ Missing Page(s)” . I f it was possible to o btain the missing
page(s) o r section, they are spliced into the film along w ith adjacent pages. This
may have necessitated cutting through an image and duplicating adjacent pages
to assure com plete co ntin u ity.
3. When a m ap, drawing or chart, etc.. is part o f the m aterial being photographed,
a d efin ite m ethod o f “ sectioning” the material has been fo llo w e d . It is
custom ary to begin filming at the upper le ft hand co m e r o f a large sheet and to
continue from le ft to right in equal sections w ith small overlaps. I f necessary,
sectioning is continued ag ain -b eg in n in g below the first row and continuing on
u ntil com plete.
5. Some pages in any document may have indistinct p rin t. In all cases the best
available copy has been film ed.
University
Microfilms
International
300 N. Zeeb Road
Ann Arbor. Ml 48106
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
8515546
University
Microfilms
International 300 N. Zeeb Road. Ann Arbor. Ml 48106
Copyright 1985
by
Bertoluci, Jose Maria
All Rights Reserved
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
Andrews U n iv e r s it y
A D is s e r ta tio n
Doctor o f Theology
By
Jose M. B e rto lu c i
June 1985
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
THE SON OF THE MORNING AND THE GUARDIAN CHERUB
IN THE CONTEXT OF THE CONTROVERSY BETWEEN
GOOD AND EVIL
A d is s e r ta tio n presented
in p a r t i a l f u l f i l l m e n t o f the requirements
f o r the degree
Doctor of Theology
by
Jos§ M. B e rto lu c i
( $ C V K iU £ s / / 1
LaWrehce
ivWhce T. G e ra ty , Professor
o f Archaeology and H is to r y of
A n tiq tH ty
J«€rhard F. H a s e l, Professor
0 7 Old Testament and B i b l i c a l
eology
/
Jacques B. Douknan, Associate
Professor o f Old Testament
In t^ rp re ta ti
JO M
John'H. SaiThAme'r, Associate Date Approvftf TT~
Professor of Old Testament
anS/Semitic Languages
T r i n i t y Evangelical D i v i n i t y
School
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
C o p y r ig h t ; 1985, Jose M. B e r to lu c i
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
ABSTRACT
By
Jose M. B e rto lu c i
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
ABSTRACT OF GRADUATE STUDENT RESEARCH
Di s s e r ta tio n
Andrews U n iv e r s ity
T itle : THE SON OF THE MORNING AND THE GUARDIAN CHERUB IN THE
CONTEXT OF THE CONTROVERSY BETWEEN GOOD AND EVIL
Problem
Isaiah 14:12-15 and E zekiel 28:12-19 have been used, since the
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
2
m o tifs and imagery are pre se n t in the passages under study as w ell
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
To Nancy
w ithout whom . . .
. . . ™ ■» m 3 r
Jeremiah 2:2
iii
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
TABLE OF CONTENTS
LIST OF ABBREVIATIONS............................................................................ v ii
ACKNOWLEDGMENTS ............................................................................................ x v ii
Chapter
I. INTRODUCTION ..................................................................................... 1
M e t h o d o l o g y ................................................................................ 58
Is a ia h 1 4 ..................................................................................... 60
E x tra -B ib lic a l L ite ra tu re ............................................. 60
S u m e r ia n ................................................................................ 61
A k k a d i a n ................................................................................ 64
The Descent o f I s h t a r to the Netherworld . . 64
The Myth o f Z u ............................................................... 68
The Etana M y t h ............................................................... 72
iv
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
C h a p te r
II. ( C o n t in u e d )
H i t t i t e .................................................................................... 75
G r e e k ......................................................................................... 77
l l g a r i t i c .................................................................................... 82
Ashtar Texts .................................................................. 84
Some In d iv id u a l L lg a ritic Mythical
Expressions and the Alleged
P a r a l l e l s in Is a ia h 1 4 ....................................... 90
B ib lic a l L ite ra tu re .............................................................. 98
Gen 6 : 1 - 4 ................................................................................ 99
Psalm 8 2 .................................................................................... 101
In d iv id u a l Elements ......................................................... 105
C o n c l u s i o n s ................................................................................ 109
Ezekiel 2 8 .................................................................................... 110
.................................................................................... Ill
I S i t on the Throne o f a God in the
Heart o f the Seas ( D ' , D ', a ' ? a ) .......................... 114
i s n .................................................................................... 116
M e s o p o t a m i a ........................................................................... 124
G r e e c e ......................................................................................... 1 29
U g a r i t ......................................................................................... 130
B i b l i c a l O r ig in and P a r a l l e l Hypotheses .................. 134
The Genesis Paradise S tory and Ezekiel 28 . . . 134
Gen 6 : 1 - 4 ................................................................................ 139
Psalm 8 2 ..................................................................................... 140
C o n c l u s i o n s ................................................................................ 143
Is a ia h 1 4 : 4 b - 21 146
Lim its o f the P o e m .............................................................. 146
Poetic S tru c tu re and F o r m ................................................ 148
Strophe I — Vss. 4 b - 8 ......................................................... 151
Strophe I I — Vss. 9-11 152
Strophe I I I — Vss. 12-15 153
Strophes IV and V— Vss. 1 6 - 2 1 ( 2 2 ) .......................... 154
Mockery L a m e n t ....................................................................... 150
T e xt— Isa 1 4 : 4 b - 2 1 .............................................................. 166
H i s t o r i c a l Context ................................................................... 178
Authorship and Date o f C o m p o s itio n .......................... 178
H i s t o r i c a l I d e n t i f i c a t i o n o f the Tyrant .................. 182
In d iv id u a l A p p lic a tio n ..................................................... 183
C o l l e c t i v e A p p lic a tio n ..................................................... 188
P r e lim in a r y Conclusions ................................................ 190
Exegesis— Vss. 12-15 ......................................................... 192
H e l d ben Shahar ( ns? - ' 2 7 7 ”»r r ) ....................... 193
Other Alleged Mythic Expressions
in Vss. 1 3 - 1 5 ................................................................... 199
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
C h a p te r
III. ( C o n t in u e d )
vi
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
L IS T OF ABBREVIATIONS
AB - - Anchor Bible
AcO — Acta o r i e n t a l i a
AnOr - - Analecta O r i e n t a l i a
vi i
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
ArOr ■- Archiv O r ie n t a ln i
AS - A ssyn'ological Studies
Bib - ■ B ib lic a
BO - • B ib lic a e t O r i e n t a l i a
vi i i
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
BR - - B i b l i c a l Research
BZ — B ib lisc h e Z e i t s c h r i f t
ix
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
DGRBM — D ic tio n a r y o f G re e k and Roman B io g r a p h y and M y t h o lo g y .
Edited by W illia m Smith. Boston: L i t t l e Brown Company,
1949.
Exp — Exposi t o r
Herm - - Hermeneia
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
HSM - - Harvard Semitic Monographs
HZ — H is torisc he Z e i t s c h r i f t
ICC - - In te r n a t io n a l C r i t i c a l Commentary
I n t — In t e r p r e t a t io n
xi
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
JQR — Jewish Q u a rte r ly Review
KB — Ke l 1i n s c h r i f t ! i c h e B ib lio th e k
LBS - - L ib ra ry o f B i b l i c a l Studies
LXX — Septuagint
MT — Masoretic Text
xi i
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
NIDNTT — Brown, C o lin . The New I n t e r n a t io n a l D ic tio n a ry o f
the New Testament Theology. E x e te r: Pasternoster
Press, 1975.
OLZ — O r i e n t a l i s t is c h e L i t t e r a t u r z e i t u n q
Or — O r ie n t a lia
PL - - Paradise Lost
xi i i
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
PQ - - P a tro lo q ia o r i e n t a l i s , G r a f f i n , od.
RB — Revue b ib liq u e
SBS — S t u t t g a r t e r B ib e lstu d ie n
Sem — Semi t i ca
ST — Studia theoloqica
Syr — Syri a
xi v
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
TBC — Torch Bible Commentary
IB 1 — Theo1oqische 3 1 a t t e r
ThZ — Theologische Z e i t s c h r i f t
TLZ — Theologische L i t e r a r z e i t u n g
JS — Theological Studies
TynB — Tyndale B u l l e t i n
UF — Ugari t-Forschungen
UL — U g a r itic L i t e r a t u r e , C. H. Gordon.
UUA — Uppsala U n i v e r s i t e t s a r s s k r i f t
YD — Verbum domini
xv
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
VT — Vetus Testamentum
WC — Westminster Commentaries
ZA - - Z e i t s c h r i f t f u r A s s y rio lo q ie
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
ACKNOWLEDGMENTS
di s s e r t a t i o n .
who read and c o rre c te d the manuscript; Joyce Jones who e d ite d the
xv i i
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
CHAPTER I
INTRODUCTION
b ib lic a l passages.
tru th .
of th is world.
2
In the s c h o la rly w orld, tiiis s tr u g g le is known as "the
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
2
God had created the world as a harmonious whole; but when the f i r s t
but whose seed came before the world and transcends the a f f a i r s of
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
3
u n iv ers e .
since the two poems concerning Babylon and Tyre are among the few
which they r e f e r .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
4
"I w ill set my seat above the stars o f heaven, and w i l l be l i k e the
2
h i g h e s t . 11 Since t h i s statement obviously is derived from Isa 14:
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
5
Jewish I n t e r p r e t e r s
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
6
Church Fathers
and had his g lo ry turned into d u s t. He connects Luke 10:18 with the
C reator H im s elf."^
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
7
of vss. 13-14 as Satan and equates him w ith the serpent which
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
8
Isa 1 4 . 6
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
9
Middle Ages
and God cast him down from heaven. The a n g e l's pretentions and f a l l
4
are c it e d from Isa 14 and Ezek 28.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
10
i n t e r p r e t s as being S a ta n .1
angel who once was thrown out o f heaven (Luke 10:18; Rev 1 2 : 7 - 8 )
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
11
i t t o t a l l y in h i s t o r i c a l terms:
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
12
dominion.
lite ra tu re : John M ilto n 's Paradise Lost and John Bunyan's Holy
2
Mar. In i n t e r p r e t i n g and commenting on the Isa ia n t e x t , Bunyan
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
and M ilto n used what scholars c a l l the "method of accommodation,"^
and comments o f the Church Fa the rs, and possibly some m a te ria ls from
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
14
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
Babylonian c u l t u r e , which reached back as f a r as the grey
t w i l i g h t o f primeval tim es, and also because o f i t s pre-
cominant a s t r o lo g ic a l c h a r a c t e r . 1
But he adds th a t
Satan View
i n t e r p r e t the OT, the Satan view has been held by very few theologians
^ F v o n r o n c o r - v a t- i u p h i h t i r a l o y o n o f o c c n r h a c V a n d e r b u r g h ,
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
16
the e ig h t heads o f the beast who may occupy his place and go into
^ I b i d . , pp. 40-41.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
17
H is to ric a l View
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
18
view: "The scope and connexion then th a t none but the King of
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
19
in d iv id u a l. ‘
end o f the Babylonian empire and also saw some mythic elements
4
in i t .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
20
to the "oracle" (chap. 13) and the "Ode" (chap. 14) on the King of
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
21
Mythological View
overlap w ith the Satan and h i s t o r i c a l views; but since the major
them in t h i s s ec tio n .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
22
Twentieth Century
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
23
known myth of Helal ben Shahar. The king is compared to the ra dia nt
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
24
the Canaanites.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
25
Is ra e l. I t is his conclusion th a t
more l i k e l y , Xerxes.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
26
And he says f u r t h e r ,
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
27
^Pope, p. 103.
5
P. G r e l o t , " Is a i e XIV 12-15 e t son a r r i e r e - p l a n mytholc-
gique," RHR 149 (1 9 5 6 } :1 8 -4 8 . Cf. W a lte r Baumgartner, " I s r a e l i t i s c h -
Griechische Sagenbeziehungen," in ZumA1 ten Testament und S einer Umwelt
(Leiden: E. J. B r i l l , 1959), pp. 157-58. Baumgartner draws a tte n tio n
by a North American Indian myth to the universal c h a ra c te r o f th is
motive and is doubtful concerning the i d e n t i f i c a t i o n o f H elal and
Phaeton.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
28
held t h a t vss. 4 b -21 were not produced by Isa ia h but derived from
with God; i t deals w ith gods. A minor prophet may have obtained
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
29
51bid . , p. 35.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
30
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
31
and agrees w ith him in " th a t the Hebrew and the Greek myths c o r r e
the Greek myth underwent change and m o d ific a tio n in a way which
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
which the Greek myth came to be a l t e r e d J
k in g , i . e . , Sargon I I or Sennacherib.
3 4
C ra ig ie c a r r ie s f u r t h e r F o h re r's view th a t Is a ia h 14:12-15
god A th ta r by f i n d i n g a b e t t e r t r a n s l a t i o n f o r an e p it h e t o f
w arrio r.
^ I b i d . , pp. 463-64.
4J e s a ja , 1 :1 79 -8 0 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
w ith some re s e r v a tio n , the idea th a t Nebuchadnezzar could f i t the
same way "Babel" has become a general code name f o r a world power.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
34
c a n t ly d i f f e r e n t ways . " 1
Helel ben Shahar came to supply the background o f the views about
1 I b i d . , pp. 65-66. 2 1 b id .
3 1bi d . 4 1bi d .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
35
Loretz adds:
very l i k e l y th a t vss. 12-15 are based upon the reco n s tru c tio n from
cast down to e a r t h .
1 Ib id ., p. 136.
3 I b i d . , p. 132. 4 Ib id ., p. 134.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
36
Jewish In t e r p r e t e r s
who is represented by the King o f Tyre, as being the one who caused
Adam to fa 11.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
37
T e r t u l l i a n fu r t h e r s O rigen's view , s t a t in g :
^Origen De P r i n c i p i i s 1 . 5 . 4 (ANF, 4 :2 5 8 ).
?
T e r t u l l i a n Against Marcion 2 .9 -1 0 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
38
The Reformers
Ezekiel says to the Devil under the name o f the prince o f Tyre
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
39
Isa 1 4 . 1
nects i t w ith the in flu e n c e Tyre had there in the time o f David
and Solomon when the Tyrians helped in the b u ild in g ente rpris e s
2
in I s r a e l .
f i e d as one i n d i v i d u a l — an id e a l man.
'C a l v in , I s a i a h , 1:442.
2
W. J. Schroeder, Der Prophet H e z e k i e l , Lange Bibelwerk
( B i e l e f e l d und L e ip z ig : Velhagand und K la s in g , 187 3 ), p. 260.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
40
from t h a t source.^
2 Ib id ., pp. 417-25.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
41
Gen 2 - 3 . 2
probably knew an a ncie nt myth from which these two passages (Ezek
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
42
myths have been presented upon which the a llu s io n s are based.^
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
43
l ?
In 1954 J. L. McKenzie, fo llo w in g Cooke, took the p o s itio n
^E zek ie l , p. 313.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
44
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
45
whether the d w e lle r in the Garden o f God was a Cherub (MT) and
i f the Cherub (reading vss. 14-16 with the LXX) plays the same ro le
2
as i t does in Gen 3 :2 4. He holds th a t i t is important to determine
passage.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
46
o f the c i t y o f Tyre. God cast down from the heavenly realm to the
the myth. What may be r e la te d to the pagan notions about oth e r gods,
passages, Isa 14 and Ezek 28, have to do— in Gowan's view— w ith
the f a l l o f angels.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
47
from the myth o f c r e a tio n o f man and the king took place l a t e r .
c I b i d . , pp. 6 0-61.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
48
1Ib id ., p. 458.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
49
e a r t h l y king; (2 ) the prophet saw the work o f Satan, whom the king
none oth e r than Satan him se lf in his p o s itio n o f honor about the
throne of God; (4 ) only i f we admit the two previous items can the
Conclusions
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
50
oppression by Nebuchadnezzar.
o f Babylon.
began to appear.
3. R e i d e n t i f i c a t i o n and r e l a t i o n s h i p s . New i d e n t i f i c a t i o n s
was discussed.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
o f the F e r t i l e Crescent area was in v e s tig a te d by s c h o la rs . The
present time.
suggested.
Fathers; nor has i t lacked those who apply the passage to the work
(e s p e c i a l l y vss. 1 2 -1 5 ):
i
'Among the i n t e r p r e t a t i o n s o f Helel and Shahar we f i n d th a t
they are i d e n t i f i e d w ith : ( 1 ) d i f f e r e n t aspects o f the moon, ( 2 )
d i f f e r e n t aspects o f the sun, ( 3 ) Helel is i d e n t i f i e d w ith J u p i t e r ,
(4 ) Helel is i d e n t i f i e d with Venus (Greek Phaeton and South
Arabian A t h t a r ) , the b r ig h te s t s t a r in the morning.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
52
in ric h a p p a r e l.'1^
God and Satan, between good and e v i l . Human agents are shown as
other words,
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
53
nineteenth century, the view of the Church Fathers was held. From
its e lf.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
54
c a tio n .
cast down from the heavenly realm, an idea which also found expres
sion in myth.
s e n ta tiv e views.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
55
w rite r.
these two texts have more or less drawn t h e i r ideas and content from
o f the t e x t .
immediate h i s t o r i c a l c o n te x t, p r o p h e t i c a l l y — o r e s c h a t o lo g ic a lly —
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
56
and the "Guardian Cherub" are the same personage is accurate or not.
context of the whole S c rip tu re s — Old and New Testaments— is also kept
p a r t i c u l a r passages.
j u s t i f i e d , e s p e c i a l l y since a d i s s e r t a t i o n , as f a r as can be
determined, has not been w r itte n which studies these two passages
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
CHAPTER I I
the Church Fa the rs, perceived the s im ila r nature of the passages
having ty p o lo g ic a l meaning.
57
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
58
1 2 3 4 5
Although Jenour, Alexander, Cheyne, Duhm, D e litz s c h , and others
Methodology
^ I s a i a h , p. 272. ^I s a i a h , p. 200.
3 4
The Prophecies o f I s a i a h , 1 :3 1 1 . J e s a ja , p. 90.
^I s a i a h , p. 119.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
Because o f the nature o f these passages, there probably
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
60
Isaiah 14
E x t r a - B i b li c a l L ite ra tu re
2
In 1895 Gunkel proposed— and he was supported in th is by
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
61
Sumerian
w ith complaints f o r her, and to plead w ith E n lil not to allow harm
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
62
make the same plea before E n k i, the Sumerian god o f wisdom who
each o f the seven gates, her garments and jew e ls are removed piece
Ereshkigal and the Anunnaki judges who decree her death. She is
E n l i l and Nanna deny any help f o r Inanna but Enki makes plans to
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
63
- earth . 2
and some elements are common to both accounts. These are descending
fa t e is f i n a l .
are used to make the d e s c rip tio n more im pressive. For example, trees
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
64
and l o s t her clo th e s and was l e f t naked, and the hanging o f Inanna's
3
body on a sta ke .
Akkadian
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
65
to the netherw o rld, goes through the seven gates lo s in g her gar
re stored w ith the help o f Enki (the Semitic Ea), and ascends to the
2 3
earth. On the o th e r hand, as Kramer says, "few o f the d e t a i l s
4 Ib id ., p. 2 0 .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
66
taken in case she does not re tu rn are lacking from the Akkadian
about her entrance through the seven gates and losing her apparel
4
are presented— w ith some d i f f e r i n g nuances— in both versions.
Next the Sem itic version presents the m iseries which Ereshkigal
to the death o f I s h ta r .
2l i n e s 3 -1 3 , ANET3 , p. 53.
5l i n e s 6 5 -7 4 , ANET3 , p. 108.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
67
o f Tammuz, I s h t a r ' s lo v e r , to l i f e . Z
emotional nature o f the Sem itic version. The Akkadian version does
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
68
3C f. i b i d . , p. 166.
4
"God o f D u ra n k i," according to Heidel and S p e is e r, is an
e p ith e t of E n lil. Duranki (meaning "the bond o f heaven and e a r th " )
was the name o f the temple tower a t Nippur.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
69
16. A f t e r his heart has planned the His h e art having thus p l o t t e d
a tta c k , aggression,
19. A f t e r his t i a r a had been taken His crown having been removed
o f f and placed on the throne, and deposited on the th ro n e ,
22. Zu (th e n ) flew away and When Zu had flown away and
Chid( ? ) ] in his mountain. re p a ire d to his mountain.
2
As Gowan has remarked, t h i s myth seems to be the only good example
2 P. 60.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
70
in the ancient Near East (outside the 0T) o f a rebel who is unsuc
compare some po rtio n o f the Zu myth w ith the Isaian passage, we can
S i m i l a r i t i e s can be l i s t e d as:
l i k e El yon."
6 Isa 14:13c.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
71
th is comparison seems l e g it im a t e .
p *t.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
72
n e ith e r can we prove th a t the author o f the Zu myth was not ins pire d
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
73
"My f r i e n d , b r ig h t [ . . . ] .
Up, I w i l l bear thee to the heaven [ o f Anu]!
Upon my breast place thou [th y b r e a s t ] ,
Upon the fe a th e rs o f my wings place thou [th y hands],
Upon my sides place thou [ t h in e a r m s ]!“ l
however, Etana was taken by fe a r and plunged down together w ith the
2
e a g le .
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
74
is y et to be proved.
^Vss. 4 -6 , 16-17.
2
C f. Gowan, When Man Becomes God, pp. 6 5 -6 6 , who believes
th a t the main elements in the Isaian passage are found in the
F e r t i l e Crescent l i t e r a t u r e , but sees a ra d ic a l d iffe r e n c e in the
s tr u c tu r e o f the s to r y ; he thinks Isaiah deals w ith a human being's
attem pt to become god.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
75
H ittite
away by Anu, who then reigned in heaven. The "mighty Kumarbi" who
was servant of Anu r e v o lte d against Anu and made him f l e e . Kumarbi
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
76
Anu, Kumarbi, and his son the storm-god, the l a t t e r seems to have
in the account.
gods (God).
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
77
Greek
1 ANET3> p . 120.
2
Pope (EX, pp. 97-98) suggests t h a t there was a known “myth
o f the vanquished and banished god or gods" in the Old and New
Testament times ( c f . also Morgenstern, "The Mythological Background,"
pp. 29-126) from which Isa 1 4 :1 2 -1 4 d e r iv e s , and connects the Kumarbi
and Ullikummi myths w ith the Is a ia n passage. But he is confused in
the i d e n t i f i c a t i o n o f H e le l. Cf. McKay, " H e l e l , " p. 463, n. 1.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
78
one who made a more d e t a ile d study o f Phaeton's role in the Greek
te x ts .^
2
The fi g u r e o f Phaeton in Greek mythology does not have a
3 4
c le a r i d e n t i t y . His genealogy is confused, and his s to r y is
examined by G re lo t we f in d :
god, a strong son o f Eos and Cephalus, whom— in his youth— "Aphrodite
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
79
son o f Apollo (H e lio s ) and the nymph Clymene. Mention of him appears
2 3
in several a n cie n t w r i t e r s , but Ovid supplied us w ith the most
d e ta i1s . ^
One day Phaeton had a dispute with Epaphus, son of Zeus and
his mother who sent him to Helios to ask info rm a tio n concerning his
^Metamorphoses 2 :1 -4 0 0 .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
was his son. A f t e r Helios promised, Phaeton demanded permission to
they rushed headlong and l e f t the tra v e le d road, going w ild ly through
space. Phaeton looked down upon the earth and was shaken with t e r r o r
The horses, now u n re s tra in e d , went up and down, almost touching the
the danger, Zeus struck Phaeton w ith a thund erb o lt throwing him
former, Phaeton is son o f H elio s and Clymene; the heros are semi-gods
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
81
filia tio n .'' Thus Phaeton son o f the sun seems an a va ta r of Phaeton
'ib id ., 1 .7 4 8 -7 6 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
1. There is a d iffe r e n c e in gender among the parent d e i t i e s
d i f f e r e n t from the o th e r .
U q a ritic
2
Gunkel was the f i r s t scholar to suggest (1895) th a t we
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
83
the Northern Semites. Thus from the 1930s onwards the idea th a t
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
84
since I s r a e l occupied the land o f the Canaanites and the two c u ltu re s
those t e x t s .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
85
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
86
degree o f s i m i l a r i t y :
3 4
1. Ashtar is c a lle d a t y r a n t . Helel may also be r e fe r r e d
5
to w ith a s im ila r term (u’ i j ) .
to have supremacy.^ Helel aspire s “to set his throne on high . " 7
Q
3. Ashtar in pursuing his a s p ir a tio n s "goes up to the f a s t -
9 10
ness o f Zaphon. Helel aspired to be enthroned "in the f a r n o r th ."
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
1 2
4. El appears three times in the t e x t we are examining.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
88
^Cf. F r i t z S t o lz , p. 211.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
89
ment concerning the r i v a l r y among the gods has small w eig h t, since
c h a r a c te r i s t i c . ^
2Lines 18-19.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
90
stars o f E l , " "the mount o f assembly," and "above the heights of the
% . 40-42. 2 Ib id ., p. 40.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
91
J3
"Above the. heights o f t h e , ? "Rider o f the Clouds,
Clouds," ( n v ■> n a i ) ^ (r k b . cr p t ) 34
3 ANET3 , p. 150.
^ U g a ritic L i t e r a t u r e , p. 61.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
92
t e x t has a lacuna which does not allow us to know what the t e x t once
14CTA 1 : 2 . 4 . 8 ; 1 : 3 .2 . 4 0 ; 1 : 3 . 3 . 3 5 ; 1 : 4 . 3 . 1 1 : 1 :4 .5 .1 2 2 ;
1 :5 .2 .7 ; etc .
6Dan 8:10.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
93
u tiliz e d in d i f f e r e n t ways.^
has made his research on the ancient Near Eastern r e lig io u s element
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
94
made about d iv in e power which a ffe c te d the order and running of the
^ Ib id . , p. 190.
5Exod 1 4 :2 .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
95
of l i f e and death are decided,^ and Mount Zion becomes the new
2
Zaphon.
formed by a n g e ls .
where the god dw ells and where the assembly meets, and issues that
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
96
1 2
The Relig ion of I s r a e l , p. 3. Gowan, p. 53.
41b i d .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
97
the heavens, the ancient heavens,"*’ and Ps 18:11 presents, "He rode
Sp iy -p y a a a m n 1 , Isa 19:1.
5i a i D P , ps 104:3.
6a - p - ■> o 3 ■>o j a aa a .
3 :3 _r ; v ^p i r v ; a a a ■>.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
98
the nature o f the d e s c rip tio n and the contextual s e t t i n g , and the
may well have been the source ( i f a source was necessary) f o r the
B ib lic a l L ite ra tu re
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
99
most (as has been perceived since the times o f the Church Fathers)
sidered here.
Gen 6 : 1 - 4
4See Gustav E. Closen, Die Sunde der "Sohne G o tte s ," SPIB
(Rome: P o n t i f i c a l B i b l i c a l I n s t i t u t e , 1937).
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
100
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
101
Psalm 82
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
102
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
103
which was drawn, using W rig h t's words, from "the large amount o f
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
104
speaks about God taking His place in the "Divine C o u n c il." Isa
the e a rth and then to the depths o f the p i t , or grave. This means
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
105
In d iv id u a l Elements
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
106
to t h i s . ^
(Gog) forw ard, and brin g him up ( n 7 V ) from the utterm ost parts of
' ' a ." I f the references were to a mountain, the verb would be
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
107
In Ps 4 8 : 1 - 3 ,^ we read:
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
108
discusses Jewish ideas about the cosmic n o rth ; his conclusions can
in co n tra st w ith Zaphon, the Sem itic Olympus, which the pagans
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
109
d e t a i l in chapter 3.
Isa ia h is d i f f e r e n t .
Cone!usions
U g a rit ( A t t a r ) .
2Thespis (1 9 5 0 ), p. 8 6 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
110
tha t the s i m i l a r i t i e s in the use of the terms and pic tu res are due
given message.
Ezekiel 28
Phoenician myth.^
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
Ill
Vs. 2 t a l k s about the prin c e o f Tyre who said he was ■? k and sat
than
^3« *? ft
^G enesis, p. 32.
2
See pp. 220-31 f o r discussion o f the two d i s t i n c t o racles
contained in Ezek 2 8 :1 -1 9 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
112
the U g a r i t i c pantheonJ
heathen god.**
7 8
Concerning Ezek 2 8:2a , Cassuto be lie v e s th a t El (in
^Pope, El_, p. 9.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
113
o f vs. 2.
^Ezechiel 2 :78.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
114
sense since we fin d the interchange in vs. 9? Thus there are reasons
who asserted th a t "the gods do not dwell in the heart o f the seas,
3"E1 and Yahweh," p. 28. Cf. also Yaron, pp. 48, 54, who
i n t e r p r e t s vs. 2 as a reference to the Phoenician god El.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
115
but on the Mount o f Assembly. The a llu s io n (Ezek 28:2b) thus cannot
god who does dwell in watery environs. And who could th is be but
1E1, p. 98.
6CTA 3 . 5 . 1 3 - 1 6 ; 4 . 4 . 2 0 - 2 4 ; 6 . 1 . 3 2 - 3 6 ; 2 . 3 ( 7 ) . 4 - 5 ; 1 7 .6 .4 6 - 4 9 .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
116
*7 K3.~T
ing whether the D a n (i)e l o f the Book o f Ezekiel could not be another
3 4
person than the prophet by th a t name. I t seems th a t R. Dussaud
w ith the righteous and wise Daniel o f Ezek 1 4:14, 20; 2 8:3. Many
5CTA, 17-19.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
favor of Darnel o f E z e k ie l's book being the person in the U g a r i t i c
Aqht te x t a re:
and in Ezek ( > x j t ) are the same, w hile in the book o f Daniel i t
2
is d i f f e r e n t ); thus he may not be the b i b l i c a l prophet.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
118
I s r a e l i t e to a r r iv e a t an e q u ally s a t i s f y i n g th e o lo g ic a l con
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
119
o f Daniel was too young by the time Ezekiel wrote his book, and thus
* E z e k i e l , 1:186.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
120
Phoenician t r a d i t i o n . " ^
became the c h ie f o f the wise men in Babylon about 600 B.C. When
2
E z e k i e l, who liv e d among the e x i l e s not f a r from Babylon, was per
re fe re n c e from E z e k ie l.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
121
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
122
and his c h ild was, in the same way, involved in the d e liv e ra n c e ." ^
some fig u r e o f the past known throughout the whole Syrian region
bearing th a t name."
in r e a l i t y the word hkm ('w is dom ') does not occur a t a l l in con
nection w ith the Aqht text® or w ith Danel. The hero is never por
2 P. 155. 3udniel 2.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
123
1 2
or ‘ sage’ in the te c hnica l sense o f the word"; J. Day responds
mantic wisdom."
2 Po. 180-81.
^Day, p. 181.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
124
1 2
Id o la try ; in U g a rit the hero is a good pagan p o ly th e is t.
p r e tin g th is passage.
o f i t s mythical nature.
Mesopotamia
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
125
- 1 2 3
Holscher, G. A. Cooke, and Fcnrer proposed a Babylonian o r ig in
1q. 142.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
126
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
127
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
128
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
129
which Ezek 28:1-19 was composed appear to have been w ell known
Greece
2 3
T. Gaster has suggested the myth o f Prometheus as a
t h e i r a t t i t u d e s o f h y b r is , th a t i t is d i f f i c u l t to say th a t they
own p a r t i c u l a r ways.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
130
Uqari t
1 2 3
Scholars l i k e J. Gray, K. Vine, F. C. Fensham, and Peter
4
van Z i j l have expressed some words o f caution concerning the in d is
of Ezek 2 8 :1 0 -1 9 .
6 B a a l, p. 1.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
131
1 2
I t has been said th a t the n P ' t mentioned among the
th u n d e rb o lt.“
9 E z e c h ie l, 2:6 85 . 1 0 E z e k i e l , p. 393.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
132
1 2
i.e ., the s ta r-g o d s ." Cassuto suggests th a t th is expression seems
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
133
been s u c c e s s fu l.
1 E]_, p. 99.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
134
the whole Near E ast, and i t was included in the message God wanted
him to give.
between Gen 2-3 and Ezek 28, we have: (1 ) Eden; (2) the Garden of
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
135
cherub. ^
kings (v s . 1 7 ) . " ’’
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
136
about the same event, in the same spot in time. The fo llo w in g
Lord planted the garden fo r the sake o f man; in Genesis the garden
garden o f Eden and the House o f God are in te rch a n g e a b le ," and th a t
Eden and the temple (th e house o f God) "explains the presence o f
^ I b i d . , p. 76.
p
"The Dirge over the King of T y re ," p. 40.
^ I b i d . , pp. 43-44.
4
I b i d . , p . 45; Yaron reads = sanctuary w ith some
v e rs io n s ; see BHK, "apparatus."
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
137
of Gen 2 -3 .
in your ways from the day you were created . . . till i n i q u i t y was
found in you . . . and you sinned,"^ and " I drove you in disgrace
2
from" is th a t o f the f a l l o f our f i r s t parents a t the beginning
^ z e k 2 8:15 -1 6 . 2 NIV.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
138
did not have); on the use o f commas and how we d iv id e the phrases
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
139
mean th a t God was the one a cting a g a in s t the being, w hile the l a t t e r
case would have the Cherub a cting as the executor o f the sentence
upon the k in g . 1
m a te ria l w ith the Paradise s to ry o f Gen 2-3 have not proved to pro-
2
vide very strong reasons fo r doing so. Besides t h i s we have
Gen S :1-4
4
In h is a r t i c l e on Ps 82, Morgenstern has— based on his
through the term > 3 3 ( □ ' ' > 3 3 n - Gen 6 : 4 ) which indeed appears
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
140
Psalm 82
god, I s i t in the seat o f the gods," "y et you are but a man, and
turned you to ashes upon the e a r t h " 3 seem to show th a t they have
has taken his place in the d iv in e c o u n c il; in the midst o f the gods
he holds judgment," "you are gods, sons o f the most high, a l l o f you;
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
141
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
142
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
143
Conclusions
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
144
r e la t e the two oracles (vss. 2-10 and vss. 12-19) concerning the
although the passage deals w ith a case o f hy b ris — which was q u ite
any s p e c i f i c m a t e r i a l .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
145
from which we. could w ith c e r t a i n t y say the author derived his
m a te ria l.
can e x e rt more c o n t r o l .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
CHAPTER I I I
Isaiah 1 4 : 4 b -21
146
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
i t s use o f the qinah^ meter make the passage very d i s t i n c t from i t s
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
148
The word "> K— besides the points presented above— shows th a t the
in the passage.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
149
which the second member as i t were dies away and e x p ire s ." '*
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
150
two main lin e s in the song, vss. 4 b - 11. 12-21, each with three
2
stanzas o f r e g u la r a lt e r n a t i n g rhythms ( 3 : 2 : 3 ; 4 : 2 : 4 ) : vss. 4 b-6 ,
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
151
n n m n nn oa ■a 3 3 1 3 1 1 ■>K 4b
□ • > " ? o n □ 2 to o •>y o n la n m m to o 5
m o ', n ’?o h d q 11373 m o 7 133 6
io n O n q u a 3 1 3 1X3 m i
m o in is ? i k n “ 3 no p f.1 in i 7
I u i ) m x - P 7 I D 'S 0 "• 0 1 1 0 ~03 8
.113 1 m v ^ ~ x i 13 3 1 r «0
qinah meter. The f i r s t word (" P K ) , which appears also in vs. 12,
2
is the c h a r a c t e r i s t i c f o s s i l o f the lament. The second bicolon has
since the poem does not make use o f God's name, the m n 1 in vs. 5
^Wildberger, p. 534.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
152
the meter used in the poem, since the l a s t stresses o f both bicola
pause a f t e r the t h i r d .
where instead o f three words two weighty ones are used. The next
3Cobb, p. 21.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
153
ceived the lacuna but did not suggest any word to f i l l it. Cobb'*
n p j p x 12
a n r v ; y a xy ny t a :
i i ’7 V X D ' > D ‘»n m ax nnxi 13
■•xoaamx 7 x - ' | 23iai> >yaa
p s s T ia v a a y t a ~a n a a y x i
I rtaax av ’ n a a ' V ; ny y x 14
m a _ ', n a - p ~ ? x - m n y i x y y x i x 15
V 118.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
154
emmendations do not change the sense o f the phrase but only c o rrec t
the m eter, we do not fin d the apparent lac k in g word supplied in any
o f the poem.
u j i i r p trr-* a an v k i 16
n i u t ’ QD y t s n t 1 1 i d ' J1 x n mri
Din m v i ^ 1 3 3 17
3 i-i] 18 nmnnriD-ro m n x
T n m S'* X 1U D 1 1DDD :> D
2 y ri j tsdd i m po nD^-i n hn«i 19
' u ' ^ dx 'I'K i t’ v tin 1 r;a a yi ny
u tiD p : n n K ' r n n _ x ,? 2 0 d d i d pd 3d
n n n ]D y n n y i s i x - ■>3
C ’y m y n T d p v p
a m n x 11 y t nnso i ’ddp n n n 21
y ^ y P n n ~ '> D 3 t x p d i vpx p i i D P -1' ! :
nixi'i mni 3x3 tnoy 1 napi
m m "3X3 i D j i n1 n t k an ay p d d p n n m 22
tru e concerning the fo llo w in g two; f o r beginning w ith the fo u rth bicolon
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
155
of the stanza would then beformed by the next f i v e words in vs. 18:
the colon Q ^ n 'l 3 ’? 3 “ '?3 "All the kings o f the nations" as the
3Cf. M a r t i , p. 126.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
156
strophe o f the poem ends w ith the f i r s t bicolon of vs. 19. I t seems
pentameter.
o f the end o f vs. 19 a f t e r the Athnah o f the same verse and pulled
down to the stones o f the grave— w ith them a r t thou not joined in
2
b u ria l" ). But in t h i s arrangement 19b is s t i l l too long f o r a
:v n i i^ 3b - j- i n p o n2 P y n anki
i ] 33 2 -i rr ■» 2 y a n a ^ 2 rr tn 2 >
i n n * x 7 ~r 11 ^
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
157
n n n i ay nnn
i 2f - t N “ a
y aa y i r K-,p-»-xy
a n u x ir ; a nnao'i'-aay n n n
) 3 n■ 1i s i y -iK itf-m Tap^-ya
n a n ' * 3y o n a ■> 3 ~i n y 3 3 y 1 a ~ty
2 ....................... ',1 3 ‘ ', ] 3 S _ y x
4am a a 3 a3 naiapa a n k ~ n n - sy
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
158
Sommer1s pro p o s itio n has against i t some strong points such as:
o f pentameter verses, ending w ith vs. 21, which i t seems was most
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
159
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
160
Mockery Lament
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
161
Among the mala! passages o f the OT, we f i n d four (Is a 14: Ad-
o f the poem, Budde says: "Gerade durch den C o n tras t zwischen der
o f the deceased are sung and his loss is lamented. But as the
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
162
but on the other hand one can catch some s a t i r i c a l elements blended
in the l a m e n t a t i o n /
is sung when the lamented one is dead.*’ Duhm has seen in i t "in
7 P. 117.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
163
conclusion that
the term were wanting. Studying the use o f the word in E zekiel
5Polk, p. 567.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
164
.y .
and suggests the term pa radiqm to d efine i t . The masal combines
present.
Gen 10:10; 11:5*— the prophet Isaiah was the f i r s t one to use the
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
165
Taking in to consideration th a t
"p a ra b le ," e tc .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
166
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
167
s e c u tio n .5
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
168
f o r t h in to sin g in g .*
2
Vs. 8. The ju m p e rs r e jo ic e a t you, the cedars o f Lebanon,
saying, since you were l a i d low, against us® no hewer** comes up.
®The LXX and the Vulg a ttach t 2 ■> 7 y to n t a r r , the Pesh con
nects i t to n P V ' 1 . C f. Gray, I s a i a h , p. 248, and Konig, J e s a ja , p.
180, f o r both views.
®See n. 5 above.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
earth , I t raises^ from t h e i r thrones a l l (who were) kings of the
2
nations.
^See n. 5 on p. 164.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
1 2 3
Vs. 1 1 . Your pomp is brought down to S h eo l, the sound
4 5
o f your harps maggots are spread out beneath you and worms are
your c o v e r l e t . " * ’
Vs. 1 2 .
How are you f a l l e n from heaven, 0 shining o n e /
Q
son o f the dawn! (How) you are cut down to the e a r t h , you who
g
l a i d the n a tio n s low.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
171
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
172
Vs. 15. But you are brought down to Sheol , to the recesses
o f the p i t . ^
4
Vs. 16. Those who see you w i l l s tare a t you, and ponder
5 5
over you. "Is th is the man who shook the e a rth and made ki ngdoms
trem ble,
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
173
^ h e LXX a ssociates 0 2? w ith o ' 1©, "to make," but the Pesh
renders i t = ’- u - ^ , "and he devasted," a s s o c ia tin g w ith c a a .
2
I t seems t h a t because o f which is fem inine, we should
read w ith Syriac m i y i instead o f ' 1 '1 "1V i ( c f . Duhm, p. 120; M a r t i ,
p. 125; Lohmann, Die anonymen P ro p h e tien , p. 20", Ginsberg, JAOS
88 [1 9 6 8 ]:5 2 , No. 28; BHS; Dupont-Sommer, p. 74; E h rlic h 4 :5 6 ;
W ild b e rg er, p. 5 35 ). H. Barth (p. 22) says th a t no emendation should
be made, f o r the incongruence r a th e r e x p la in s i t s e l f by the character
o f the masculine as a "genus p o tiu s ."
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
174
1 2
Vs. 1 9 . But you are cast out from your tomb l i k e a loathed
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
175
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
175
destroyed your land and k i.lle d your people. The o ffs p r in g o f the
2 3 4
e v ild o e r s w i l l never be named again.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
177
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
178
H i s t o r i c a l Context
mention o f Babylon— did not come from Isaiah o f Jerusalem but has
fig u re s concerning whom the poem was pronounced. There are others
4
who assign the passage to the times o f Oarius o r Xerxes, or even
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
179
to th a t o f Alexander the G r e a tJ
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
180
event o f the year 705 B.C. as adm irably as was claimed above, is
the conclusion th a t
empire by the bands o f the "Medes" (denoting the Persian Em pire), and
advocates t h a t "the oracle (chap. 13) and the poem (chap. 14) were
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
181
1 2
o f which Sennacherib was an a n te ty p e ." Q uell a ffir m s th a t the
marginal words o f vss. l - 4 a and vss. 22-23— which are poor and
Although the prologue (vss. l - 4 o ) and the ep ilo g u e (vss. 22-23) and
th a t the prophet could have been shown the whole s it u a t io n long before
the events occurred. Besides t h a t , the use o f the term "Babylon" ( " ? : : )
century B .C ., since the term was used by the end o f the eighth
Babylon and was king o f both Assyria and Babylon . 7 I t could have
g
been used also by the prophet w ith a d i f f e r e n t connotation.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
182
chance th a t the author used a poem which was ready-made when he wrote
the "Burden o f Babylon" should be dated as from the end o f the eighth
r e la t i o n to immediate h i s t o r i c a l events.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
183
^See above pp. 180-82; and Erlandsson pp. 112-13. Cf. also
S ta e rk , Das assyriche W e ltre ic h . . . , pp. 144-45, who views the
song as an echo o f the death o f Sennacherib in 681 B.C.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
184
although not too conclusive— which would support the view t h a t the
s p i r i t depicted in vss. 14b, 16-18 and the n on-b urial o f the kin g's
3 4
body in vss. 19-20. Winckler and Orr stressed the p a r a l l e li s m
between Isa 14:18-19 and the f a c t th a t Sargon's body was ap p are n tly
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
185
in vss. 4 and 22 and the possible r e d a c to r's work in the in tro d u c tio n
4
(vss. l - 4 a ) and conclusion (vss. 22-23) o f the passage. In
^ e e above pp. 1 7 8 -7 9 .
2
Although, as Jahnow observed (p. 2 4 2 ), Nabonidus did not
f a l l in b a t t l e , nor was he executed by Cyrus, but he was taken
priso ner and his f i n a l d e s t in y is not known w ith accuracy.
6 H. Barth, p. 141.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
186
We disagree w ith Vandenburgh' s view as to the time when the poem was
the p ic tu r e t o t a l l y .
the view t h a t the poem (as we have i t today) came from the eighth
monarch who f i t s the d e s c rip tio n s in the poem, and the use o f the
] P. 120.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
h is to r ic a l fig u re . As H. Barth^ has observed, we fin d an
composition is concerned.
1 P. 127.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
188
a t the conclusions th a t
^ In tr o d u c tio n , p. 97.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
189
1 2
But w hile there are laments over c i t i e s , i . e . , Ur and Jerusalem,
h o s t i l e to God. 3
Babylon.®
4 Pp. 18-35.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
190
already happened.
personage is to be taken i n d i v i d u a l l y or c o l l e c t i v e l y .
P re lim in a ry Conclusions
the symmetry o f the poem, but the apparent d isturbance does not
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
191
song).
o f his times.
in the e x i l i c times.
also that the power depicted in the passage is one th a t opposes God
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
192
to Him.
] Pp. 17-34.
2
Schopfunq und Chaos, p. I3 j .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
153
passage.
4 b -11as the same one found in vss. 12-15, we are faced with the
i is 'i ,: v ^ 0 3 . Let us
•• : - ~ -r -r- --t.-t
"? ■> na verb or a noun, and i f the root fo r the word is ^ 17 (to
because o f the use found in Jer 47:2 ( ' ? ' ? ' ' h t ) , Ezek 21:17 (> 7 ^ <}' ) ,
2 3
and Zech 11:2 ( 2 2 ' , n ) — as a Hi ph. o f 2 2 ^ and rendered i t as i-u-..
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
194
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
195
2 P. 551.
• 4 C f. McKay, p. 452.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
196
"dawn. ' ' 1 I s a ia h 's use of the term is undoubtedly with reference
should be rendered "shining one, son of^ the dawn." The versions
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
197
o f Helel w ith the Greek Phaeton, and developed the idea and a rr iv e d
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
198
a ffirm s t h a t
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
199
progresses.
^ I b i d . , pp. 69-70.
2 G r e lo t , “ I s a i e 1 4 :1 2 -1 5 ," p. 21.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
200
between bn i 1 , "the Sons o f E l ," and phr kkbm, "the assembly o f the
5CTA, 1 :1 0 .1 .3 -4 .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
201
1 2
mythic language, but as we have discussed above, t h a t is not
th a t the word 2 3 1 3 is used in the OT, only Isa 4 7:13 and Amos
t e x t where > x is r e la te d to 2 D
T i 3.
neighboring c u l t u r e s . 7
% . 106-109.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
202
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
203
be p r a c t i c a l l y 'heavens'."^
?
J. J. M. Roberts s tr o n g ly r e s is ts th is i n t e r p r e t a t i o n of
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
204
of Ychweh comes from th-* no rth , and i d e n t i f i e s the place from which
in the C e le s t ia l S phereJ
2 Vs. 14a.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
205
\is o w s k y , p. 1071.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
206
and eElyon the Lord o f heaven . 4 On the other hand, as Cross says,^
th a t there is a chance th a t
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
207
and th a t
Some S tr u c tu r a l Observations
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
208
d esp ite the probable d isturbance in the poetry— the thought seems
to lead back to the n e th e r-w o rld realm. In vss. 19b—21 the scene
Heavenly
Underworld Underworld
E a rth ly E a r t h ly
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
209
who contemplate the oppressor coming to the grave (vss. 9 and 1 6);
unburied body (vss. 11 and 1 9 ); and the kings o f the nations who are
in vss. 9-15 and 16-21 : the word 7 i appears in vss. 9 and 15,
being goes from "heaven" in to the “depths o f the p i t . " Between these
2 Pd. 139-42.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
210
23:9; 37:22-25 [where some images present in 1 4:8-9 are used]; 4 7).
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
211
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
212
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
213
Creature / \ \ Creature
Level / \ Level
(v s . 1 2 ) j \ (vs. 1 2 )
/ \ \
M o rtal! \p e a th Death
^ E z e k ie l, 2 :95.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
214
angelic realm (where good and bad angels such as Michael and the
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
21 5
Thus Isa 14:12-15 sings about an event which does not belong
2
(in p o in t o f tim e) to the two stanzas th a t precede i t . As Quell
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
216
but adds, “myth serving p r i m a r i l y to give a cosmic dimension and
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
217
realm— who seems to have had the same proud a t t i t u d e and had an
unhappy end.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
218
should be taken not only as meaning the d o c trin e of the things which
concern the end o f the world b ut, as Clements says, as "the study
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
h is to ric a l nature of such d iv in e a c tio n ." ^ Thus we perceive th a t
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
220
e a r t h ly realm.
Ezekiel 2 8 :1 -1 9
the nature o f the m aterial makes— in some aspects— the two passages
d is tin c t.^
2 I b i d . , p. 22.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
221
L i t e r a r y Form
Vss. 1-10
•1
‘ Cf. Kraetzschmar, pp. 214-18; P. Cheminant, Les Propheties
d 'E z e c h ie l contre Tyr ( 2 6 -2 8 :1 9 ) (P a r is : Letouzey e t Ane, 1 9 1 2 ), p.
66.
2
I b id . W illia m A. I r w in , The Problem o f Ezekiel (Chicago:
U n iv e r s ity of Chicago Press, 1943), p. 216, and R. H. P f e i f f e r ,
In tro d u c tio n to the Old Testament (New York: Harper & Brothers,
194 1 ), p. 564, have the same view.
^ E ze k ie l, 2 :76.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
222
M ’n / M n a 1 3 ', 3 7 « 3 3 T 3 _ 3 : 2 or 2:1
'TD3V X7 M n o * 7 3 /7 X M D 3 3t t 33 3 n 3 n _ 4 ; 2
: 7 M 7 7 S i X 3 / 7 0 3 1 3 3T r ; m - 3: 2
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
223
- : 73 inn 7y ^
5:4:3
m ■> :* ■> 7 y 1 ■> i t / - ■> ■?y « ’ :3 ■> 3 : n 7
2 ■
> a r ~ 1 -> 2 / n 3 a n a ■>3> 1 y 1 m a - 3:2
the prophet to address the Ruler o f Tyre (vss. l - 2 a ) , the poem pre
sents three more phrases (vss. 2b; 6a; 10b) which were c l e a r l y w r i t t e n
poem d e l i m i t the beginning and the end o f the poem, as well as the
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
224
Indictment Punishment
2b) ^3 k :: -1 n 7 k (9 a )
n a jn n (4a) I n a 2 n (7b)
Vss. 12-19
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
225
] 2
Hebrew Lamentation, it has been— with some exceptions — recognized
1ZAW 2 ( 1 8 8 2 ) : 1 - 5 2 .
2
Ir w in , The P ro p h e t, p. 216, considers i t e n t i r e l y prose.
4Pp. 140-41.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
226
precious stones, a scribe added the nine gems found in the High
^E z e k i e l , pp. 215-16.
o
Based on the English version o f his re constructed t e x t ,
Zim m erli's Hebrew t e x t o f the passage would look thus:
>31 n 1 :o n om n nns
rrn n x > n : n n ,n3 30 m p ' 1 7 n x - m
1xm n ^ in ~p np 3 h v a n
( ?) T innn ~ 3 i3 n :r o 'n n
v n : n ' , ', rr m r i P x m n
1 xm n m m 3 H 3 3 -1 an n n ? ~ n n
i n 3 3 7 1 v X 3 ‘ 3 J _ ' V
lion m m i~3si
1 3 m in'? m i
1 ^ 3 3 ] 3 ’ 3 > 3 ■’ 3 3 ' ?
? nx n - p V 1 3 3 X 1
mnyn im'Tmrnn
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
As Jahnow had done decades b e f o r e J Zimmerli deals a r b i t r a r i l y
:in x y m x m m m m
i y i i n x i m s i y n ~ y y n ] v o i x ~ 7 3 Prose
m m m i x i nx id
m a "1 x i a / n n ^ n o m n in x - 3 :2 :2
! i3 o n i-n? 1 7 3 x _ y 3 /m i a 1 n 7 x ‘ i a 71 y 3 - 3:3
is a m 312? r 1 m n / c ^ r f i n a a : i « - 3:3
im n 1 3 x7>a a n 0 / 1 1 1 3 a 7 2 a m 20 - 3:3
:i a a i a i x a : n / m n 13 i 1 apai - 2:3
i m n i i 1 3 1 0 1 / 1 0 no 3 i i 3 ~ i x - 2:2
: 1 3 7> 1 n 1 3 X “ ^ 1 3 X " i i a / m m a ’ D x 2? i p 1 1 3 - 4 :3
: 13 i n y i y x s n i - i y / i x i 3 i n m n / i m i m in x a m i - 3:2 :3
x a n m o o n /io in iy n - 1 1 3 1 313 - 4:2
:2?X~>13X - l i n / 1 3 0 1 3 1 1 3 1 1 3 X 1 / □ ' , 1 > X 1 1 3 1 7 0 X 1 - 3:3 :2
1 1 y 3 ^ - y y 1 1 3 3 1 1 n 3 / 1 "> 3 ”> 3 1 3 7 131 - 3:3
: 1 3 n x i 7 / T ,ina a ' 3 ) a 1 i d i / i 1 i 3 7 i i n y 1x - y y - 2:3 :2
i m ' i p n i 7 7 n /ii7 3 i y i y3 im iy 3 1 a - 4:2
in y o x x 1 1 / 1 3 1 i a t?x- x s i x i - 2:2
: 1 ■* k 1- 73 ^ 1■> y y / ? 1 x 1 ~ y y 13 x y 1 1 1 x 1 - 3:2
1 yy i a a 2 / / 0 ■> a y 3 1 ■>y n 1 - y3 - 2:2
: 0 y i y - 1y i i 1 « i / n -' o n 1 y 3 - 2:2
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
228
The o ra c le s ta r ts with
(v s . 2aa)
(v s s . 15a, 16a; 16b, 17a; 17b, 18a) and ends w ith a series o f fo u r
18a, 18c).
^ f. Zimmerli, E z e k i e l, 2 :85.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
is c h a r a c t e r i s t i c of the Tyrian power, seems to be extraneous to
The prophet would have used T y re 's c h a r a c te r is tic s combined w ith the
(vs. 14) v n n i i
(v s . 16) n ' , n ’? s in n
(v s . 16) i i n s i
(vs. 16) m o n n i m
] Cf. Ezek 1 :3 .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
230
3C f. Zim m erli, E z e k i e l , 2 :8 7 -8 9 .
4
In t r o d u c t io n , p. 370.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
231
the motive o f the c o n tra s t between the past and present c o n d itio n
proposed.
in the same epoch and by the same au th o r (and I believe they w ere),
^Zimmerli, E z e k i e l , 2:89. “* Ib id .
^I n t r o d u c t i o n , p. 370.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
232
T e x t - - E z e k ie l 28:1-19^
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
233
1 2
God in the heart o f the seas, yet you are man and not God, though
4For MT ~ 3 it, the IXX has Mn, the Pesh. i— and one o f the
L a tin versions (£c ) "nunquid" ( a l l denoting an i n t e r r o g a t i o n ) which
would suggest but there is no reason to emend the MT. (See
CTA 1 : 2 4 .7 , "hi qlmt t l d b[n] "Lo a maid w i l l bear a s [o n ]" ; c f . also
van D i j k , pp. 2 9 - 3 0 ).
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
234
in to your tr e a s u r ie s .
your wealth and your h e art has grown presumptuous in your w e a lth .^
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
Vs. 6. Therefore thus says the Lord^ God: "Because you
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
236
those who k i l l you?^ But you s h a ll be a man, and not God in the
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
237
and say to him, 'thus says the Lord^ Yahweh; you were an examplar
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
238
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
239
e n g ra v in g 1 were made o f gold; on the day you were created they were
2
prepared.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
240
1 2 3
Vs. 14. I created (placed) you as a cherub with outs tre tc h e d
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
241
1 2 3
s h ie ld in g wings. You were in the (h o ly ) mount o f God, in the
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
24 2
1 2
midst of the stones o f f i r e you walked.
3 4
Vs. 15. You were blameless in your ways from che day you
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
243
over you.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
244
1 2
Vs. 18. Through the abundance of your g u ilt in the
3 4 5
unrighteousness o f your trade you have desecrated my sanctuary
6 7 8
so I w i l l bring fo rth f i r e from the midst o f i t ; and i t w i l l
consume you, and I w i l l turn you to ashes upon the earth in the
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
245
H i s t o r i c a l Context
Date o f Composition
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
words th a t "the Book o f Ezekiel is s u b s t a n t i a l l y from the hand o f
one author who was w ell acquainted w ith events in western Asia
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
247
H i s t o r i c a l I d e n t i f i c a t i o n o f the
Prince and the King o f Tyre
oracles (vss. 1-10 and 12-19) were produced in the same epoch;^
the message o f E z e k i e l . ^
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
248
Exeqesi s
vss. 1-10
same or d i f f e r e n t personages.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
249
1 2
as w e l l . A lt b e lieves th a t the t i t l e 7 ■» a 2 has a r e lig io u s
w hile the tru e King o f I s r a e l was the Lord, ". . . w e want a king
to ru le over us— even though the Lord your God was your k i n g . " ^
8I b i d . , p. 109. 8 Ib id .
71 Sam 9 :1 6 ; 1 0 :1 ; 13:14.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
250
I b e lie v e th a t in the same way the prophet used these two terms in
and heavenly a c t i v i t i e s .
in t h i s study.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
251
o f the c i t y o f Tyre on an is la n d .^
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
252
o f p rid e and s e lf-c o n fid e n c e which was in the mind o f the Tyrians
2I . e . , Z im m erli, E z e k i e l , 2 :7 5 , 79.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
253
Vss. 11-19
2
This o ra c le a gains t the king o f Tyre i s , as noted above,
makes i t s exegesis d i f f i c u l t .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
254
i t as a p e r s o n if ic a t io n of T y r e J Already in the n in e te e n th
th a t " i t almost seems as i f the prophet had in his mind the idea
4
o f a t u t e l a r y s p i r i t or genius o f T y re ." Mackay shares a s im ila r
2 P. 260.
3
E z e k i e l , p. 252; Skinner adds, "In the f i r s t the prince is
s t i l l conceived as a man; . . . in the second, however, the king
appears as an a n g e lic being . . . s in less a t f i r s t , and f a l l i n g from
his high s ta te through his own transgression" (pp. 2 5 2 -5 3 ).
4 Ib id ., p. 253.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
255
Among the passages presented to support th is idea are Isa 30:33 and
^E z e k i e l , 2:90.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
Although Mackay and Dus are wrong in saying th a t the passage
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
257
Vs. 13a. "You were in Eden, the garden o f God” ; the mention
o f Eden he re, as well as a "guardian Cherub" (vss. 14 and 15) and the
] Pp. 134-39.
2
For d e ta ile d discussion o f the s i m i l a r i t i e s and d iffe re n c e s
between the two s t o r i e s , see also H a b e l, pp. 522-23; G as te r, Myth,
Legend and Custom in the OT, pp. 5 2 2 -2 4 ; McKenzie, “The L i t e r a r y , "
p. 552; idem, "Mythological A ll u s io n s , " p. 324; Cassuto, Genesis,
pp. 7 4 -8 1 ; May, "The King in the Garden," pp. 168-69.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
258
o f God," the root o f the word means " d e l ig h t , " “l o v e l i n e s s , " "to
4
make g la d ," and could connote any " d e l ig h t f u l " p lace.
the garden of God in Eden o f Ezek 28:13 with the "garden o f Eden"
where Adam and Eve were p u t,^ f or example: (1 ) In Ezekiel the garden
has said th a t " f o r the prophet the Lebanon was Eden the garden of
7 3 : 1 1 , 12 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
God" but the prophet is only comparing the trees o f Lebanon
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
26 0
2JTS 35 (1 9 3 4 ):5 1 .
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
261
the former view, and the precious stones in Ezekiel resemble the
14, 1 6 ) . 2
Vs. 13c. "Your s e ttin g s and engraving were made o f gold"
Vs. 13d. “On the day you were created they were prepared."
3Pp. 238-39.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
262
w ith the Phoenix who rose . . . from the ashes o f his former being,
b e t t e r regarded as passive.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
263
the cherub the subject o f the d irg e J and the LXX sets the cherub
and in the LXX the cherub is the subject in punishing the king.
ja tti instead o f j e t 'w ith ,' favored by many sch o la rs " ; 4 ( 2 ) the
n qo
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
264
sublime place.
the establishm ent o f the temple, Mount Zion was considered God's
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
265
in te rp re ta tio n .
This phrase has a lre a d y been discussed in chap. 2,^ where i t was
of the p la c e ; 4 ( 4 ) or the s ta rs .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
266
Vs. 15. "You were blameless in your ways from the day you
which his beauty, vs. 18 w ith th e c o rrupt tra d e , strengthens Zim m erli's
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
267
Morgenstern b e lie v es t h a t
^ E ic h ro d t, E z e k i e l , p. 394. ^ I b i d . , p. 395.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
26 8
P re lim in a ry Conclusions
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
269
Ezekiel hero b e t t e r than the Phoenician wise man o f the Aqhat epic."^
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
270
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
271
S im ila ri tie s
2
1. Both passages have a prophet as s u b jec t.
belong.
4There are f i v e chapters (13, 14, 21, 46, 47) in the Bock of
Is a ia h t h a t deal with o r a c l e s , prophecies, gods, and the f a l l o f
Babylon. Chaps. 13 and 14 open the section on the fo re ig n o r a c l e s ,
and chap. 14 presents one o f the most impressive poems in the OT in
form, c o n te n t, and p o e tic beauty. Concerning the prominence o f vss.
12-15 in chap. 14, see above, pp. 207-13. E z e k i e l's o ra c le s
a g a in s t the foreign nations s t a r t with the th re e chapters on Ty re.
Chap. 28 w ith i t s r u l e r o f Tyre and his hy b ris and the King o f
Tyre p e r s o n ifie d in th a t m isterio u s being i s the climax o f the
Tyrian o ra c le s .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
272
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
273
poem with the attempt to become l i k e the Most High being the
tu rn in g p o in t in the chiasm.
D iffere nc es
4Ezek 28:17.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
274
2
immediate c o n te xt as w e l l . Each o f these passages focuses upon
kings.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
275
found from which we could say the s to rie s in these two passages
This does not ne ce s sa rily prove th a t the prophet got them from
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
276
Babylon. ^
Is a ia h 14:12-15
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
Ill
to the fo llo w in g p o in ts :
^Meadors, p. 83.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
278
Meadors a ffir m s :
B ib le .
6,
^See above, pp. 199-203. Meadors, p. 8 6 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
279
t h a t , although a myth o f Helel ben Shahar has not been found which
have happened because o f " c u lt u r a l c o n tin u ity " or "common elements '1
1 2
See above, pp. 60-110. See a ls o , Meadors, pp. 66-73.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
280
above-mentioned view.
Ezekiel 28:12-19
?
As considered in chapter 2, several views have been
1 2
P. 282. See above, pp. 36-49
5 P. 24.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
281
Cherub who l i v e d upon the Mount o f God came from the Prometheus
theology.
d iffe re n c e s are s t r i k i n g .
Ezekiel and the Gen 2-3 accounts could be d e riv e d , d espite the
points of contact w ith the Paradise sto ry than w ith any oth e r
^ e e above, p. 129.
3 Pp. 134-37.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
282
human f i g u r e . 7
^See above, pp. 1 5-17 , 48-49. See also Meadors, pp. 51-60.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
283
his f a l l . ^ Ana when the Isaiah and the E zekiel passages are compared
w ith passages about Satan in the OT, NT, and Inter-Testam ent
does not prpsent when, how, and why th a t angel became the E vil One,
Tyre w ith Satan merely because one could assume some analogy between
4
the d e s c rip tio n s o f those personages. Passages such as Obad 2-4
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
284
times in the Ot J
pressures" such as the " o rig in o f sin" and the "gap theory" o f
who contend f o r order in the crea te d w orlds, and peace and love
among created beings; and Satan and his angels the ones who t r y
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
285
have been a t peace w ith God in the beginning since God did not
God and His c rea tio n by tr y i n g to carry Eve and Adam to disobedience.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
286
lam entation.
has not provided us with any myth from which Isaiah and Ezekiel
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
287
adds:
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
288
passages.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
289
s in g le p r i n c ip l e in d e l im i t i n g o f typology i s , namely, th a t a
Is a ia h 1 4 : 4 b -21
dimensions o f the poem and the content o f vss. 12-15 in the context
4 Pp. 160-66.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
290
- V -
something else? i-urthermore, i f the term masal in vs. 4 has the
2 Baruch 11:1; 4 Ezra 2 a l l three describe the Roman power using the
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
291
the passage and have been detected long ago by several B ible
the o r i g i n a t o r o f e v i l .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
292
E zekiel 28:1-19
the Prince o f Tyre is a kind o f type of the King o f Tyre in the sense
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
293
Conclusions
42 4 :2 1 -2 2 . 5 Chaps. 1 -1 0 :1 1 ; 11-12, e t c .
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
294
real source o f the enemies o f God and His people. ( 5 ) The P rid e -
* Chaps. 1 0 :1 2 -3 4 ; 13-14.
p
C f. Remi Lack, La Symbolique, p. 103.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
295
between good and e v i l , and he came "to destroy the works o f the
p ublic example o f them and triumph over them;** and (c ) the two
( 6 ) The language used to describe the King o f Babylon and the King
3! John 3 :8 . 4Col 2 :1 5 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
296
and the Guardian Cherub, which are the archtype o f the King o f
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
SUMMARY AND CONCLUSIONS
the G re a t, who connected Isa 14 w ith Luke 10:18 and applie d them to
297
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
298
the scholars in the Middle Ages. Luther held t h a t Isa 14:12 speaks
not about the f a l l e n angel who once was thrown out o f heaven (Luke
m a te ria ls from the NT, Semitic sources, views and comments o f the
Church Fath e rs, and from the Renaissance, they enlarged the v ision
by a few w ith the Isaiah and the Ezekiel passages always being
i d e n t i f i e d w ith each o th e r .
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
299
the Mythological View, and the Paradise S tory View. The Mythological
appears in Gen 2 -3 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
300
Elements were also found which are present in Isa 14 and Ezek 28
the heavenly council and behind Ps 82 and the Isaiah and Ezekiel
a n g e l ( s ).
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
301
heavenly realm.
Isaiah 1 4 :1 2 -1 5 is r e f e r r i n g to a more-than-human f i g u r e .
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
through the ages are h o s t ile to God and His people, and i s , as
The Ezekiel passage must have been produced between the time
disturbances and redaction than Isa 14 and does not have i t s parts
fig u re .
the o r i g i n a t o r o f e v i l .
Isa 14:12-15 and Ezek 28:12-19 are compared and the con
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
303
Babylon and King o f Tyre to p o rtra y the being who was the o r i g i n a t o r
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
BIBLIOGRAPHY
___________ . "The Ancient Near East and the Relig ion o f I s r a e l . "
Journal o f B i b l i c a l L i t e r a t u r e 59 (1 9 4 0 ):8 5 -1 1 2 -
304
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
305
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
306
Aus, Roger D. "God's Plan and God's Power: Isa ia h 6 6 and the
R e s tra in in g Factors o f 2 Thess 2 : 6 - 7 . " Journal of B i b l i c a l
L i t e r a t u r e 96 (1 9 7 7 ):5 3 7 -5 3 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
307
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
308
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
309
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
310
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
311
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
312
Day, John. "The Daniel o f U g a r it and Ezekiel and the Hero o f the
Book o f D a n ie l." Yetus Testamentum 30 ( 1 9 8 0 ) :1 7 4-84 .
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
313
Dobbins, A u s tin . M ilto n and tne Book o f R e v ela tio n : The Heavnely
Cyc le . Tuscaloosa, AL: U n i v e r s i t y o f Alabama Press, 1975.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
314
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
315
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
316
Ferch, A rth u r. The Son o f man in Daniel Seven. Berrien Springs, MI:
Andrews U n iv e r s ity Press, 1979.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
317
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
318
Frye, Roland Mushat. God, Man, and Satan. P rin ce ton, NJ: Princeton
U n iv e r s it y Press, 1960.
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
319
Godbey, A llen H. "The Hebrew Masai." American Journal of Sem itic Languages
and L i t e r a t u r e 39 (1 9 2 2 -2 3 ):8 9 -1 0 8 .
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
320
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
321
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
322
Press, 1975.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
323
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
Herveus Burgidolensis Monachus. Commentariorum in I s a i a n .
P a tro lo g ia L a tin a . P a r is , 1 8 4 4 ff. 181:17-592.
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
325
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
Jerome Commentariorum in Is a ia n Prophetam. P atrolo gia L a tin a .
P aris , 1 8 4 4 f f . 24:18-678.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
327
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
328
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
329
R eproduced with permission o f the copyright owner. Further reproduction prohibited without permission.
330
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
331
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
332
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
333
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
334
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
335
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
336
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
337
P f e i f f e r , R. H. "Cherubim." Journal of B i b l i c a l L it e r a t u r e
41 (1 9 2 2 ):2 4 9 -5 0 .
___________. In tro d u c tio n to the Old Testament. Mew York: Harper &
B roth ers, 1941.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
338
Rawlinson, George. P hoe nic ia . New York: New World Book Manu
f a c tu r in g Co., 1889.
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
339
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
340
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
341
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
342
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
343
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
344
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
345
I n t e r p r e t a t io n 15 (1961 ): 1 7 4 -9 2 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
346
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.
347
Yaron, Kalmon. "The Dirge over the 10 "y of T y r e ." Annual o f ihe
Swedish Theological I n s t i t u t e 3. Leiden: E. J. B r i l l ,
1964. Pp. 2 8 -5 7 .
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.
348
R eproduced with permission of the copyright owner. Further reproduction prohibited without permission.