MASTERMARTIAL ART

SECRET PRTNCIPLES OF M
I. RELAX YOTIRMIND AND BODY.
2. MAINTAINBALANCE WHILE CREATING OFF-BAT ANCE STATE IN OPPONENT.
MENTAL AS WELL AS PHYSICAL. SEEK BALANCE IN ALL THINGS.
3. MOVE WITH ALL OF YOURSELF. USE YOUR WHOLE BODY - WHOLE BEING VS.
FRAGMENTATION. KEEP YOUR POWER ALIGNED AND FOCUSED.
4. USE EVASION (DISTANCING) FIRST AND UTLTZE ANGLES. TIIE ULTIMATE OF
ANY FIGHT IS NOT SHOWING UP IN TIIE FIRST PLACE.
5. MATCH TI{E INTENTION OF YOUR ATTACKER. DEFENSE AGAINST A DRUNK
FRIEND IS DIFFERENT THAN AGAINST AKNIFE WIELDING ATTACKER.
6. BE EXTERNALLY FOCUSED- OPPONENT IS TI{E ON TIIE OUTSIDE OF YOU. NO
THINKING WITH TI{E MIND. KEEP IT RECEPTIVE AND CLEAR.
7. DEFEND WITHUNSEENMOVES. DO TIIEUNDGECTED.
8. DON'T FIGIII THE FIGHT. IF YOU DO YOU WILL BE FIGHTING LEAST TWO
FIGHTS. IF YOUR MIND ISN'T CLEAR YOU MAY BE FIGHTING THREE FIGHTS,
YOIJR MIND , TIIE FIGHT AND TFIE OPPONENTS ATTACKS.
9. DEVELOP A STRONG MIND TO STRENGTIIEN TI{E BODY. DEVELOP A STRONG
BODY TO STRENGTHEN THE MIND.
IO. BE FREE IN FORM BUT PRECISE IN ACTION. ALL STRIKES ARE TO VITAL
POINTS, STRIKING KOSHIruTSU AND KOPPOruTSU POINTS.
II. MASTER ENTERING MOVES AND ANGLES OF TAISABAKI & DELIVERY OF
COUNTERING ATTACKS.
12. AWARENESS BEFORE AFTER AND DURING AN ENCOUNTER.
13. CONTROLLING DISTANCE- SEEING AND FEELING ZONES
14. ECONOMY OF MOVEMENT: NO EXCESS MOVEMENT. MOTION OR ENERGY.
15. SLOWING DOWN TIME: MASTERING TIMING.
16. IIANDLE ONE ACTION AT A TIME. TWO FIANDS OR TWO PEOPLE ATTACKING
ARE NO DIFFERENT. TWO PEOPLE CAN ACTUALLY BE EASIER.
17. FLEXIBILITY (ADAPTABILITN IN BODY MIND AND SPIRIT. MOVEMENT
CHANGES IN ALL ENCOUNTERS ESPECIALLY WHEN TTIE INTENSITY INCREASES.
IN ANY GIVEN CONTEXT THE ONE WITH THE MOST FLEXIBILITY WILL BE TTIE
CONTROLLING ELEMENT.
18. USE OF ALL THINGS (INCLUDING NATURAL ELEMENTS) AS YOTIR ALLY.
19. GAT}IERING AND DISSEMINATING INFORMATION FOR ruTURE AND
PRESENT USE. AIVTERICAN**
20. KUDEN - ORAL TRANSMTSSION ONLY * *BUJII{KAN
*****DOJO
O R.J. Van Donk 12193