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Electric

Guitar & Violoncello

Oh mi second lyfe - II.


Guitar: Viola da gamba:
Diamond head notes means natural harmonics in the position of the note indicated on the VIth string. All six Diamond head notes means natural harmonics in the position of the note indicated on the VIth string. All six
strings are supposed be strummed in a fast and percussive maner from low to high. Natural harmonic at strings are supposed be strummed in a fast and percussive maner from low to high. Natural harmonic at
position of low E means nger placed very close to the head of the guitar, but still achieving a natural position of low D means nger placed very close to the head of the guitar, but still achieving a natural
harmonic sound, not just dampened strings. harmonic sound, not just dampened strings.

  
  
 = 80 simile

  
       
 
  
    
 
simile


pizz.

    

   
10

   

     
        

     
18

     
 

      
  

    
25

        
   

 

                
2 Electric Guitar & Violoncello

   
      
31

    
     
     
         
    

     
36

     
    
  
            

 
    
42


       
    
        


48

 
            
 
    
        
  

     
54

     
      
           
    
      
Electric Guitar & Violoncello 3

 
      
        

59

    
   
  
 

      
         
             
         
 
   
  
       

63

    
    
  
       

                     

     

    
        
67

    
      
 
 
              
       

    
          
71

    
       
 
 
                 
        
  



         
75

   
    
    
 
              
          

4 Electric Guitar & Violoncello

   
 
            
79


         
  
                   
    
       

           
83

        
           
        
 
        
86

          
 

        
          

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