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1 – Gilles Deleuze, Francis Bacon. Die ng]?hkf^gpbk]lh^kl^msm]nk\a^bg^bgm^glbo^;^sb^ang`
Logik der Sensation, München 1994,
Gilles Deleuze, Das Bewegungs-Bild. ohgFZm^kbZeb^gng]Dk‚_m^g'
Kino 1, Frankfurt a. M. 1997a, Gilles
Deleuze, Das Zeit-Bild. Kino 2, Von der signifikanten Form zur realen Kraft
Frankfurt a. M. 1997b.
2 – Gilles Deleuze, Proust und die
Zeichen, Berlin 1993. =b^Dnglmblmk^Ze4lb^s^bmb`mk^Ze^>__^dm^bf;^k^b\a]^k
3 – G. Deleuze, «Portrait des Philoso-
Dk‚_m^ng]gb\ambg]^f]^k?hkf^g'=ZkZnl_he`m^bg^l^ak
phen als Zuschauer», in: Schizo- hkb`bg^ee^O^keZ`^kng`]^l;kn\alspbl\a^g]^fBfZ`bg‚&
phrenie und Gesellschaft. Texte und k^fng]]^fK^Ze^f3]ZlBfZ`bg‚k^pbk]gb\ame‚g`^kZel
Gespräche von 1975 bis 1995, hrsg.
v. David Lapoujade, Frankfurt a. M. ^bg^f^gmZe^?bdmbhgo^klmZg]^gng]]b^Dnglmgb\amf^ak
2005, S. 202–209, hier S. 204. Zel^bgS^bmo^kmk^b[]^kDnemnk'P‚ak^g]]b^bfAbg[eb\d
Zn_]b^Ebm^kZmnk_hkfneb^km^Dkbmbd]^kBgm^kik^mZmbhgZn_ ]kbg`mbgngl^k:n`^^bgng]¿^kkb\am^mTÁVohkngl]b^
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g‚k^% ]Zl IaZgmZlfZ h]^k ]^g MkZnf4
ob^ef^akikh]nsb^kmlb^mZml‚\aeb\a;be]^k% Klinisches Einfangen, kritisches Einfangen
]b^sn]^gd^g`^[^g'¿>l`b[md^bg^Z[l&
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4 – Deleuze 2005, S. 203.
bak^ Fbmm^e ^qblmb^k^g'À 5 Ab^k pbk] ^bg^ Ebgb^g ng] ?Zk[^g dhgs^gmkb^km3 ¿;Z\hg Tngm^k&
5 – Gilles Deleuze,
=^Ögbmbhgohg>k_he`bg]^kDnglm]^nm& l\a^b]^mVsp^b@^pZem^gTÁV%]b^]^lL\aZnlib^el «‹Kino 1›, Premiere»,
eb\a3¿>bg;be]blmgnklhob^ep^kmpb^]b^ ng]]b^]^kL^glZmbhg%ng]lZ`m%]ZllfZgZn_]b^ in: Deleuze 2005,
@^]Zgd^g%]b^^la^kohk[kbg`m'À 6 ^bg^sn`nglm^g]^kZg]^k^go^ksb\am^gf—ll^TÁV'À 8 S. 199–201, hier
S. 199.
*21* pb]f^m =^e^ns^ ]^g gb\am&]bl& =b^l^@^pZem]^kL^glZmbhgo^k_he`m=^e^ns^l^bml^b&
6 – Ebd., S. 200.
dnklbo^gD—glm^gl\aeb^lleb\a^bg`Zgs^l g^k^klm^gLmn]b^—[^kIkhnlmbfCZak*2/-ZelDkb&
;n\ang]mZn\ambg]ZlP^kdohg?kZg\bl m^kbnf]^kL\a’i_ng`ng]ZelG^na^bm%]b^Zn_ln[& 7 – Deleuze 1994, S. 36.
;Z\hg^bg'AZmm^^klb\asnohkbgsZaek^b& ebf^ P^bl^ Zel @^pZem ng] L^a^g ^kl\a^bgm% Zel 8 – Ebd., S. 41.
\a^g:gZerl^glhpb^bg^bgb`^g:kmbd^eg L\ah\d _—k ]Zl =^gd^g% Zel fZmm^k h_ _Z\m' =b^l^k 9 – Ebd., S. 39.
fbmFZe^k^bng]Fnlbd[^l\a‚_mb`m%lhblm Fh]nl]^lÉsn`e^b\ang^kpZkm^m^gng]^kl\a—m& 10 – Gilles Deleuze,
«Sacher-Masoch
]b^ll^bg^^klm^]bk^dm^Dhg_khgmZmbhgfbm m^kg]^gÉ>bg]kbg`^glblm^bg^^klm^O^klm‚g]b`ng` und der Masochis-
^bg^f `Zgs^g ibdmnkZe^g H^nok^ lhpb^ —[^k]Zl>bg_Zg`^gohgDk‚_m^g%]Zl^bg^=^Ögbmbhg mus» in: Leopold von
l^bg^klm^kO^kln\aZgc^g^kL^fbhmbd]^l ]^kikZ`fZmbl\a^gng]‚lma^mbl\a^g@^f^bgl\aZ_m Sacher-Masoch,
Venus im Pelz. Mit
P^kdl%]b^^ksnohkbg;^sn`Zn_]b^Ebm^& ]^kD—glm^o^klikb\am' einer Studie von Gilles
kZmnksnk:gp^g]ng``^[kZ\amaZm'=Zl Pb^o^kl\ab^]^gbak^Fh]bZn\al^bgf’`^g%Zee^ Deleuze, Frankfurt
Ikh[e^f^bg^klhe\a^gL^fbhmbdohgDk‚_& D—glm^ _Zg`^g Dk‚_m^ ^bg3 ]b^l^ [^`^blm^kg]^ ng] a. M. 1980, S. 163–
281; vgl. ausserdem:
m^g[^lm^am]Zkbg%]ZlLrlm^fohg;be]^kg ihlbmbo^;^lmbffng`o^k‚g]^km]^gLmZmnlng]]b^ Gilles Deleuze, «Zola
ng]S^b\a^gngZ[a‚g`b`ohg]^kLikZ\a^ :gZerl^]^kD—glm^`kng]e^`^g]'Pb^o^kl\ab^]^glb^ und der Riss»,
bf:ee`^f^bg^gsn]^gd^g%hag^]Z[^b]b^ Zn\a l^bg f’`^g% ]b^ D—glm^ Zgmphkm^g Zn_ ^bg Anhang zu: ders.,
Logik des Sinns,
Dk‚_m^dhfie^q^Zn_lb`gbÖdZgm^;^`kb__^ `^f^bglZf^lIkh[e^f'>bg^lhe\a^=^Ögbmbhggbffm Frankfurt a. M. 1993.
snk^]nsb^k^g'=Zlblm]b^`Zgs^L\apb^& d^bg^g>bg×nllZn_]b^Lbg`neZkbm‚m]^kD—glm^ng] 11 – Gilles Deleuze, Claire
kb`d^bm^bg^k:gZerl^]^kFZe^k^b%]b^]Zl P^kd^%]Z^bgIkh[e^fE’lng`^g^k_‚akm%c^gZ\a]^f% Parnet, Dialoge,
P^kd gb\am ]nk\a ^bg^ ;^l\ak^b[ng` pb^^l`^lm^eemblm'Ng]]b^l^lIkh[e^faZmfbmDk‚_& Frankfurt a. M. 1980,
S. 14.
]niebsb^k^gng]Zn\agb\am]^f@^l\ap‚ms m^gng]gb\amfbm?hkf^gsnmng'
12 – Dieser Text wurde
h]^k]^kZg`^pZg]m^gF^mZiarlbdo^k_Ze& ¿=^gg ^l `b[m ^bg^ @^f^bgl\aZ_m ]^k D—glm^% ^bg wiederaufgenommen
e^gpbee'Pb^^bg^ieZlmbl\a^FZll^_Zll^g8 `^f^bglZf^lIkh[e^f'Bg]^kDnglmng]bg]^kFZe^& in: Gilles Deleuze,
Pb^^kde‚k^g%pZlngl]b^Znl^bg^kgb\am& Félix Guattari, Tau-
k^bpb^bg]^kFnlbd`^am^lgb\amnfK^ikh]ndmbhg send Plateaus. Kapi-
likZ\aeb\a^gFZm^kb^`^_hkfm^g%]b^Z&lb`& h]^k>kÖg]ng`ohg?hkf^g%lhg]^kgnf]Zl>bg_Zg& talismus und Schizo-
gbÖdZgm^gng]Z&lrgmZdmbl\a^g;be]^k]^k `^gohgDk‚_m^g'À 9 phrenie, Berlin 1993.
FZe^k^b sn ]^gd^g `^[^g8 =b^ FZe^k^b
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m‚mÀsn]^gd^g^keZn[mng]¿]b^Lbg`neZ& hgsnmng'=b^gb\ampZakg^af[Zk^DkZ_m[^l\ap’km]b^L^glZmbhga^kZn_3lb^
kbm‚m^gh]^kAZ^\\^mZm^lmk‚`m%]b^[^k^bml blmbak^;^]bg`ng`'=b^FZe^k^bfnllZelLb\am[ZkfZ\a^gohgnglb\am[Zk^g
lh^mpZlpb^TÁVbfiebsbm^?hkf^glbg] Dk‚_m^]^Ögb^kmp^k]^g4ng]]b^l^=^Ögbmbhg`bem_—kZee^D—glm^'
¿Pb^pbk]lb\a]b^L^glZmbhgabgk^b\a^g]Zn_lb\al^e[lmsnk—\dp^g& 13 – Gilbert Simondon, L’individu et sa
]^gd’gg^g%lb\a^gmliZgg^gh]^kdhgmkZab^k^gd’gg^g%nfbg]^f% genèse physico-biologique, Paris
1964.
pZllb^ngl`b[m%]b^gb\am&`^`^[^g^gDk‚_m^^bgsn_Zg`^g%nf]b^
gb\am&li—k[Zk^gDk‚_m^li—k[ZksnfZ\a^gng][blsnbak^g^b`^g^g 14 – Gilles Deleuze, «Kräfte hörbar
machen, die durch sich selbst nicht
;^]bg`ng`^g ohksn]kbg`^g8 :n_ ]b^l^ P^bl^ fnll ]b^ Fnlbd ]b^
hörbar sind», in: Deleuze 2005,
nga’k[Zk^gDk‚_m^a’k[Zkng]]b^FZe^k^b]b^nglb\am[Zk^gDk‚_m^ S. 148-152, hier S. 151.
lb\am[ZkfZ\a^g'À19
15 – Deleuze, Guattari 1993, S. 565.
=b^l_—akmbg]^lgb\am]Zsn%]Zll]b^o^kl\ab^]^g^gD—glm^bg 16 – Deleuze 2005, S. 151.
Z[lmkZdm^kP^bl^`e^b\a`^l^msmp^k]^g3]b^FZe^k^bngm^kl\a^b& 17 – Deleuze, Guattari 1993, S. 449.
]^mlb\aohg]^kFnlbd'=ZlDbgh%]b^Ebm^kZmnkngm^k[k^bm^g 18 – Deleuze 2005, S. 151.
Zg]^k^;be]Zkm^g%Zg]^k^S^b\a^gZll^f[eZ`^g'=b^FZe^k^baZm 19 – Deleuze 1994, S. 39.
]b^lbg`ne‚k^:n_`Z[^%¿]b^fZm^kb^ee^K^Zebm‚m]^lD’ki^kl%fbm 20 – Ebd., S. 37.
bak^fLrlm^fEbgb^g(?Zk[^gng]bak^ff^akp^kmb`^gHk`Zg% 21 – Ebd., S. 40.
]^f:n`^À 20sno^klbggeb\a^g'Bg]b^l^kAbglb\amlm^\dm;Z\hg
pb^Zee^dk^Zmbo^gFZe^kXbgg^gbg^bg^k@^l\ab\am^]^kFZe^k^b
_^lm%]b^^kZn_lbg`ne‚k^P^bl^%]Zla^bllmZn_l^bg^P^bl^%snlZf&
f^g_Zllmng]k^dZibmneb^km%bg]^f^klb^o^k‚g]^kmng]]b^?kZ&
`^]^lIhkmkZbmllhpb^]^kf^gl\aeb\a^g?b`nkpb^]^kahem'¿>l
l\a^bgm%]Zll]b^?b`nk^g;Z\hglbg]^k@^l\ab\am^]^kFZe^k^b
^bg^]^k`khŸZkmb`lm^g:gmphkm^gZn_]b^?kZ`^lbg]3Pb^eZll^g
lb\anglb\am[Zk^Dk‚_m^lb\am[ZkfZ\a^g8À 21

Die Figuren von


Francis Bacon
=^e^ns^g^ggm¿?b`nkÀc^g^gFh]nl%bg]^f;Z\hg e^agm' 22>l`b[md^bg^GZkkZmbhg%lhg]^kg^bgÖ`nkZ&
Anne
Sauvagnargues ]b^Dk‚_m^%]ZlPZkm^gng]]b^Mkb^[dk‚_m^]^lD’k& e^l>k^b`gbl3^mpZl`^l\ab^am%aZmlmZmm4bflbggeb\a^g
i^kl^qihgb^km'Pb^=^e^ns^pb^]^kahem[^mhgm%`^am :n_mZn\a^g]^k?b`nkiZllb^km^mpZl%]Zlngm^k]Zl
,2 ^lgb\amnf^bg^MkZgl_hkfZmbhg]^k?hkf^g%lhg& bgm^glbo^K^`blm^k]^kd’ki^keb\a^g=^_hkfZmbhg!]Zl
]^kgnf^bg^=^_hkfZmbhg]^kD’ki^k';Z\hg[e^b[m ?b`nkZe^"ng]gb\amngm^k]Zl]^kZ[lmkZdm^gBeenlmkZ&
Kunst als gb\am[^bZ[lmkZdm^gMkZgl_hkfZmbhg^g]^lD’ki^kl mbhgng]MkZgl_hkfZmbhgohg?hkf^g!]Zl?b`nkZmb&
Einfangen
von Kräften lm^a^g%lhg]^kgl\aZ__mk^Ze^=^_hkfZmbhg^g]^lD’k& o^"_‚eem'Pb^c^]h\a]^fÖ`nkZmbo^gDebl\a^^^gm&
i^kl%=^_hkfZmbhg^g%]b^^lZn_]^k>[^g^]^kFZm^& dhff^g4 pb^ ]^k K^ikh]ndmbhg ohg ?hkf^g h]^k
kbZeb^g%Ebgb^gng]?Zk[^g%]^k¿AZ^\\^mZm^lÀ]^k ]^f Z[lmkZdm^g Ikhm^lm ]Z`^`^g8 =^gg ^l k^b\am
FZe^k^bng]]^kohgbakikh]nsb^km^g:__^dm^sn^k_Zl& gb\amZnl]ZlDebl\a^^sno^klm—ff^eg%nfZnl]^f
l^g`bem';Z\hgo^kaZkkmgb\am]Z[^b%]ZlOhdZ[neZk ?b`nkZmbo^gZnlsn[k^\a^g'=b^E’lng`[^lm^am]Zkbg%
]^k?hkf^gZn_sn_kbl\a^g4^k_‚g`mg^n^Dk‚_m^^bg Dk‚_m^fbm]^fSb^e^bgsn_Zg`^g%]b^L^glZmbhg^gsn
ng]o^k‚g]^kmngl^k^^b`^g^gL^glZmbhg^g%bg]^f^k mkZgl_hkfb^k^g%p^belb\a]b^?hkf¿Zg]Zl@^abkg
l^bg ibdmnkZe^l FZm^kbZe fbm g^n^g I^ks^im^g ng] Z]k^llb^km%—[^k]Zl@^abkgpbkdmÀ 23 ng]e^msmeb\aZel
g^n^g:__^dm^g%fbmg^n^gL^glZmbhg^gZgk^b\a^km' Debl\a^^%]Zla^bllmZeldhgo^gmbhg^ee^l%Öqb^km^lng]
=b^=^Ögbmbhg]^kFZe^k^b%]b^=^e^ns^ohkl\ae‚`m% o^kZee`^f^bg^km^l;be]%_ngdmbhgb^km'=b^?hkffnll
`bemlh_—k]b^`^lZfm^Dnglm`^l\ab\am^3FZe^g[^]^n& ZelDhfie^qohgDk‚_m^g%Zel?b`nk%Zel¿Zn_]b^L^g&
m^m]b^L^glZmbhgsnfZe^g%]Zl:`^gl]^k=^_hkfZmb& lZmbhg[^sh`^g^lbggeb\a^?hkfÀ^k_Zllmp^k]^g%]b^
hg^g]^lD’ki^kl4ng]]ZlpZkbff^kl\ahglh'=Zl ^l^keZn[m%¿ngfbmm^e[ZkZn_]ZlG^ko^glrlm^fÀ 24sn
>bg_Zg`^gohgDk‚_m^g[^knamZn_]b^l^kBg]bob]nZmb& pbkd^g4 ]Z[^b ikh]nsb^km lb^ c^g^g L\ah\d% c^g^
hg%]b^lb\agb\amZn_]b^Dhf[bgZmbhg^bg^k?hkf `^pZemohee^L^glZmbhg%]b^^bgF^blm^kp^kdZnls^b\a&
ng]^bg^kFZm^kb^k^]nsb^k^ge‚llmng]]b^=^e^ns^bf g^m' P^gg ohg ]^k ?b`nk `^lZ`m pbk]% lb^ l^b ^bg^
:gl\aenllZgLbfhg]hg]b^¿AZ^\\^mZlÀ]^lFZm^& ¿lbggeb\a^?hkfÀ%`^am^lp^gb`^k]Zknf%]b^?hk&
kbZelg^ggm4lb^e‚llm^bg^=^Ögbmbhgohgkarmafbl\a^g f^g Z[sne^ag^g% Zel ^bg^ g^n^ Dhgs^imbhg ohksn&
I^klhg^gf’`eb\ap^k]^g3=ZlFZm^kbZel^e[lmfnll l\aeZ`^g3^bg^fZm^kb^ee^ng]lbggeb\a^%oZkbZ[e^ng]
]b^ gh\a gb\am Zn_`^li—km^g Dk‚_m^ o^klbggeb\a^g' bgm^glbo^?hkf%^bg^Fh]neZmbhgng]d^bg^Z[lmkZdm
=b^l^Dk‚_m^[^k—ak^gbf?Zee^]^kFZe^k^b;Z\hgl [^lmbffm^?hkf'=b^?hkf[^b=^e^ns^blmZnlDk‚_&
]b^O^kf’`^g]^lD’ki^kl%]b^bg]^k]b__^k^gsb^ee^g m^o^ka‚emgbll^gsnlZff^g`^l^msm4^l`b[mZelhlmkbdm
;^Zk[^bmng`]^lFZm^kbZel%bg]^g?Zk[ׂ\a^g%]^g gnkDk‚_m^ng]]b^?hkf^glbg]^bgP^k]^g]b^l^k
sn_‚eeb`^gLink^g%]^f:nl[—klm^gh]^k]^gIbgl^e& Dk‚_m^' =b^ ?b`nk k^ikh]nsb^km d^bg^g ]nk\a l^bg^
lmkb\a^gobln^ee^k_Zak[Zk`^fZ\amp^k]^g' bg]bob]n^ee^ ?hkf `^ik‚`m^g D’ki^k% lhg]^kg o^k&
=^e^ns^`eZn[m%]Zlllb\a;Z\hgZn_]b^l^P^bl^ ln\amZee^Mkb^[dk‚_m^]^lD’ki^klsn[^k—ak^g';Z\hg
]^k?b`nkZmbhg%]^kBeenlmkZmbhgh]^k]^k:g^d]hm^% dZgglb\a]Zfbmohksn`lp^bl^Zg]^gf^gl\aeb\a^g
]Zl a^bllm ]^k dhgo^gmbhg^ee^g K^ik‚l^gmZmbhg ]^l D’ki^kng]Zg]ZlIhkmkZbm%Zg]b^deZllbl\a^g@^g&
D’ki^kl%^gmsb^am'=^k?b`nkZmbhglm^eem=^e^ns^]Zl k^laZem^gng]^kg^n^km]^gP^`]^kFZe^k^b]^ggh\a
?b`nkZe^`^`^g—[^k%^bg^g;^`kb__%]^g^kErhmZk]^gm& `kng]e^`^g]3 L^bg l\a’i_^kbl\a^l O^kf’`^g ]Zk_
-)
Abb. 2–4
Francis Bacon, Triptychon
— Studien des menschlichen
Körpers (Triptych — Studies
of the Human Body) 1970.
Öl auf Leinwand, jedes Bild
198 × 147.5 cm. Sammlung
Jacques Hachuel, New York.
gb\amZfFZlllmZ[]^lMa^fZl]^kFZe^k^b`^f^ll^g Die Bewegungen der Figur
p^k]^gng]Zn\agb\amZg^bg^k[^eb^[b`^g=^dhglm&
kndmbhg ]^l @^gk^l% lhg]^kg fnll Zg ]^k @^pZem PZl=^e^ns^?b`nkg^ggm%blmp^gb`^k^bg^f^gl\aeb&
[^nkm^bemp^k]^g%fbm]^k^k]b^?kZ`^]^lIhkmkZbml \a^I^klhg%^bgf^gl\aeb\a^kDhi_h]^kD’ki^k%]^k
—[^k]^gP^`]^k?b`nk^kg^nmZn_pbk_m'=b^?hkf%]b^ lb\aZn_]^f@^f‚e]^gb^]^ke‚llm%lhg]^kg]rgZfb&
lb\aZn_]b^L^glZmbhg[^sb^am%blmZelh^bg^?kZ`^ohg l\a^Lib^e^%Lmk’f^ng]Dk‚_m^]^kBlheb^kng`%]^k
Dk‚_m^g4 a‚em lb^ lb\a abg`^`^g Zg ]b^ Dhib^ h]^k =^_hkfZmbhglhpb^]^k:nגlng`%]b^]b^;^sb^ang&
d‚fi_m`^`^g]b^ibdmnkZe^gF^mah]^g]^kO^k`Zg& `^g spbl\a^g ]^g ]k^b ibdmnkZe^g >e^f^gm^g
`^ga^bm Zg% [e^b[m lb^ ^bg^ K^ikh]ndmbhg ]^l Deb& Z¨sb^k^g'=b^bgbak^k@kng][^]^nmng`o^klmZg]^g^
l\a^^l' =Zl blm ]^gg Zn\a ]^k @kng]% p^laZe[ ]b^ ?b`nk[^s^b\ag^mh_mfZel]b^I^klhg4]h\a]Zl%pZl
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]ng`ohg?hkf^gblm'=b^Zn_]b^L^glZmbhg[^sh`^g^ bff^kZn_]b^l^l]rgZfbl\a^Lib^e%]Zlc^g^]k^b>e^&
?hkfpbk]snk?b`nk4lb^aZmgb\amlfbmc^g^k?hkfsn f^gm^dhgo^k`b^k^ge‚llmng]lb^karmafbl\abgls^&
mng%]b^Zn_^bgH[c^dm[^sh`^g^g[e^b[m%]Zllb^k^ik‚& gb^km'=b^`khll^g?e‚\a^gÉ]b^fZm^kb^ee^Lmkndmnk
l^gmb^k^glhee'=b^?b`nkblm]Za^k^bg^B]^^%bgc^g^f Épb]^kl^ms^glb\a]^fL\aZnieZms%]^k;Zag%]^k
l^aklbg`ne‚k^gng]gb\amf^gmZe^gLbgg%]^g=^e^n& h[^kׂ\aeb\a^g:k^gZ%]^kI_—ms^h]^k]^kFZmkZms^'
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aZg]^em%ZelL^glZmbhg^gm_Zem^g'=b^:n_`Z[^^bg^k ?Zdmnf]^lD’ki^kl'Lh]Zll%pb^=^e^ns^_^lma‚em%
Eh`bd]^kL^glZmbhgde‚kmlb\a3>l`^am]Zknf%]nk\a Dhgmnk^gng]ob[kb^k^g]^%fhgh\akhfZmbl\a^?e‚&
^fibkbl\a^l>k_Zll^g]Zl?ngdmbhgb^k^g]^kFZe^k^b \a^gZg]b^Lm^ee^ohggZa^snkn]bf^gm‚k^gO^k_Za&
sn^kfbmm^eg%]Zla^bllm%]Zl:n_mZn\a^g]^k?b`nk[^b k^g%^bg^lhi^kZmbo^g?^e]^lmk^m^g%nf]b^;^sb^ang`
;Z\hg'=^e^ns^^k’km^kmZelh]k^bibdmnkZe^>e^f^gm^ ]^k?b`nksnc^g^fL\aZnieZmssn]^Ögb^k^g%]^klb^
[^b;Z\hg3]b^?b`nk%]b^?e‚\a^ZelfZm^kb^ee^Lmknd& blheb^kmng]Znl]^flb^a^kohk`^am3=b^?b`nkmZn\am
mnk ]^k O^kk‚nfeb\ang` ng] ]^g L\aZnieZms% ]b^ Zn_%lb^^k^b`g^mlb\a'=^kLmbe;Z\hgle‚llmlb\aZn_
;Zag h]^k ]b^ Dhgmnk% ]b^ ]^k ?b`nk ^bg^g IeZms ]b^l^?hkf^esnk—\d_—ak^g3=b^]k^bo^kl\ab^]^g^g
^bgk‚nfm' >e^f^gm^É]b^?e‚\a^g%]b^fbgbfZe^g=^dhklng]
]b^I^klhg^gÉdhgo^k`b^k^gZn_]b^?Zk[^abg%bg]^k
?Zk[^'=^k>__^dm]^l@^f‚e]^lblmZelh`e^b\a[^]^n&
m^g]fbm^bg^k¿Fh]neZmbhg]^k?Zk[^À 26%p^e\a^]b^
Anne
Sauvagnargues ?b`nkbg>gmlik^\ang`fbmsp^blbfnemZg^k_he`^g]^g
;^p^`ng`^gZgbfb^km'>laZg]^emlb\anf^bg^]hi&
-* i^em]rgZfbl\a^;^sb^ang`%]b^]nk\abak^:mae^mbd
ng]bak^f‚\amb`^=^_hkfZmbhg%]nk\abak^g`^pZem&
Kunst als ohee^gGZadZfi_fbm]^kL^glZmbhg[^lmbffmpbk]'
Einfangen
von Kräften =b^^klm^;^p^`ng`kheemlb\aohg]^kfZm^kb^ee^g
Lmkndmnk h]^k ?e‚\a^ snk ?b`nk abg Zn_ ng] lm’llm
]Z[^b]b^?b`nkZnl%bg]^flb^]b^l^snlZff^gik^llm
ng]^bgl\aeb^llm'=Zlblm]^kL\aZnieZms]^k?b`nk%]^k
p^gb`^k^bgk‚nfeb\a^kHkmblmZel^bgLmZmmÖg]^g%]Zl
=^e^ns^?Zdmnfg^ggm%]Zl?Zdmnf]^k?b`nk'=b^l^l
dh^qblmb^kmfbm^bg^ksp^bm^g;^p^`ng`ohg]^k?b`nk
abgsnk?e‚\a^%]^kfZm^kb^ee^gLmkndmnk%]nk\a]b^]b^
?b`nkbg^bg^fLiZlfnlbg]b^Dhgmnk^bgsn`^a^g
l\a^bgm%lb\al\a^bg[Zkbg]^kfZm^kb^ee^gLmkndmnk
Znגlm'=b^l^sp^bm^:nlmZnl\a[^p^`ng`%]b^sp^bm^
?hkf ]^k :mae^mbd% —[^kl^msm ]^g Karmafnl% ]^g
22 – Vgl. Jean-François
Lyotard, Discours, A^ksl\aeZ` ]^l @^f‚e]^l' =nk\a ^bg^ lmZmbl\a^
Figure, Paris 1971, =^_hkfZmbhgZgHkmng]Lm^ee^%]b^]^gD’ki^kfbm
vgl. ausserdem Gilles ^bg^kbgm^glbo^g;^p^`ng`]nk\ajn^km%aZm]b^?b`nk
Deleuze, «<Appreci-
ation› de Lyotard, gb\amgnklmZmm4lb^mZn\amZel>k^b`gbl%Zel¿ng_’kfb`
Discours, Figure», in: ng_’kfb`T^V;^p^`ng`ÀZn_%]b^gb\amgnk]Zlk^Ze^
La Quinzaine littérai-
re, Nr. 140, 1.–15. Mai
;be]]^l@^f‚e]^lZ¨sb^km%lhg]^kgZn\a]b^L^glZ&
1972, S. 19, wieder- mbhg%]b^]^gSnl\aZn^kiarlbl\amkb__mng]bff^ksn
abgedruckt in: Gilles ]Zlk^Ze^;be]Zn_]^gD’ki^k—[^kmk‚`m%nf]b^?b`nk
Deleuze, «Würdi-
gung», Die einsame sndhglmbmnb^k^g'=ZlL\aeZ`^g[^e^[m]b^L^glZmbhg
Insel und andere bf @^f‚e]^3 =bZlmhe^% ]b^ ]b^ ?b`nk ng_’kfb` Zn_
Texte. Texte und bak^gblheb^k^g]^gL\aZnieZmso^kp^blm!;^p^`ng`
Gespräche 1953–1974,
hrsg. v. David Lapou- ]^l?eZ\a^gabgsnk?b`nk"4Lrlmhe^%]b^]b^?b`nkbgl
jade, Frankfurt a. M. @^f‚e]^Znllm’llm'>bg^ob[kb^k^g]^=rgZfbdZn_]^k
2003, S. 313–314.
E^bgpZg]%]b^s^b`m%]Zll]b^Dhgmnkspbl\a^g?e‚\a^
23 – Deleuze 1994, S. 27. ng]?b`nk]b^?ngdmbhg^bg^kF^f[kZg—[^kgbffm%
24 – Ebd. p^e\a^]b^DhffngbdZmbhg]^kDk‚_m^bg[^b]^Kb\a&
25 – Deleuze 2005, S. 199. mng`^glb\a^klm^eem'=Zl%pZlspbl\a^g]^k?b`nkng]
26 – Deleuze 1994, S. 73. ]^kfZm^kb^ee^gLmkndmnk`^l\ab^am%]b^l^lL\aeZ`^g%
]Zl]b^Lrlmhe^ng]]b^=bZlmhe^Z[p^\al^eg]a^bf& ¿FZg f’\am^ `eZn[^g% ]Zll ;Z\hg :kmZn] bg ob^e^g
ln\am%blm]^kKarmafnl'=b^Lrlmhe^o^k]b\am^m]^g Ingdm^g[^`^`g^m3=b^?b`nkblm^qZdm]^khk`Zgehl^D’k&
D’ki^k ohg ]^k Lmkndmnk snk ?b`nk% p‚ak^g] ]b^ i^k!]^gHk`Zgblfnlsn`nglm^g]^lD’ki^kl%]Zl@^lb\am
sn`nglm^g]^lDhi_^lZnגl^g"'À28
=bZlmhe^]^gD’ki^k`e^b\as^bmb`ohg]^k?b`nksnk
Lmkndmnk¿]^agmng]Znגlm'À 27FZgdZgg]b^o^k&
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snlZff^g`^l^msm blm% Zn_ sp^b AZnimmkb^[dk‚_m^ l\a^abgZnl4Zn_]b^l^P^bl^^gmdhffm^k]^flhfZ&
snk—\d_—ak^g3^bg^bg]bob]nb^k^g]^:dmnZeblb^kng` mbl\a^g Debl\a^^ ng] ^kk^b\am ]b^ ;^p^`ng` ]^k
!ohg]^kLmkndmnksnk?b`nk"ng]^bg^dkZll^=^_hk& =^_hkfZmbhg]^lD’ki^kl%]Zla^bllml^bg^bgm^glbo^
fZmbhg[^sb^ang`lp^bl^^bgobkmn^ee^lBgm^glbo&P^k& OZkbZmbhg'Lh`^eZg`m^ksnk?b`nkng]^gmpbl\am]^f
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:dmn^ee^g!Lrlmhe^"lhpb^]^lObkmn^ee^g!=bZlmhe^" `^fZem'À 29=b^L^glZmbhg]nk\alm’llm]b^@k^gs^g]^k
^bg'=b^`^fZem^L^glZmbhgpbk]m^fihkZeblb^km4lb^ d’ki^keb\a^g>bga^bm%lb^[^_k^bmlb\aohg]^k@nll&
pbk]spbl\a^g]^kbg]bob]nb^k^g]^g:dmnZeblb^kng` _hkf%]b^]^gHk`Zgblfnl_^ll^em%ng]l^msmlb\a]^k
!Zdmn^ee^lLmZmmaZ[^g"ng]]^kbgm^glbo^g=b__^k^g& ;^`^`gng`fbmc^g^gDk‚_m^gZnl%]b^Zn_]^gD’ki^k
sb^kng`]^lhk`Zgehl^gD’ki^kl!obkmn^ee^l>k^b`gbl" ^bgpbkd^g'Lhe\a^kfZll^gZn_]^gD’ki^k[^sh`^gblm
abg&ng]a^k`^kbll^g'Lb^pbk]Ob[kZmbhg' ]b^L^glZmbhggb\ame‚g`^kK^ik‚l^gmZmbhgng]pbk]
k^Ze' ;Z\hg dZgg Zelh ]Zl f‚\amb`^% Zghk`Zgbl\a^
Vibration und organloser Körper E^[^gli—k[ZkfZ\a^g%]Zl]^gD’ki^k[^e^[m'=b^
Dk‚_m^% ]b^ ^k ^bg_‚g`m% lbg] ]b^ ]^l hk`Zgehl^g
=^k Karmafnl ]^l @^f‚e]^l% ^ks^n`m ]nk\a ]Zl D’i^kl%]^g=^e^ns^Zn\aBgm^glbo&P^k]^gh]^kMb^k&
^fibkbl\a^>k_Zll^gohg;^p^`ng`^g%]b^lb\aspb& P^k]^gg^ggm%nfZn_]Zlbgm^glbo^O^kf’`^g]^k
l\a^gc^g^g>e^f^gm^g^gm_Zem^g%Znl]^g^glb\a]^k =^_hkfZmbhgng]@k^gs—[^kl\ak^bmng`h]^k]^kln[&
KarmafnlsnlZff^gl^msmÉ^bg^F^mah]^%]b^sn& ebf^g:nגlng`]^kbg]bob]n^ee^g?hkfabgsnp^bl^g'
`e^b\a^bg^gLmbe]^Ögb^kmÉ%lm^eem]b^L^glZmbhgZel >bg^lhe\a^?b`nk^k_‚akm^bgMb^k&P^k]^g¿bg^bg^k
bgm^glbo^Ob[kZmbhgng]=^_hkfZmbhg]^lD’ki^kl K^ba^dkZll^k=^_hkfZmbhg^g'À 30=b^^kl\a—mm^kg]^
snk L\aZn' =Zl% pZl `^l\ab^am ng] pZl ]b^ ?b`nk =^_hkfZmbhg]^kD’ki^k[^lm^ambg]b^l^k`^pZemohe&
g‚a^k[^lmbffm%lbg]]b^;^p^`ng`^g%]b^lb^[^e^& e^gFh]neZmbhg]^khk`Zgbl\a^g?hkfngm^k]^k>bg&
[^g%]b^;^p^`ng`^g%]b^]ZlO^kf’`^g]^k=^_hk& pbkdng`ohgDk‚_m^g%]b^lb^snlZff^gl^ms^gng]
fZmbhg]^lD’ki^kl^bg_Zg`^g4]b^l^;^p^`ng`^g ]^ag^g%]^g^glb^lb\apb]^kl^msmng]Zn_]b^lb^Zgm&
^kl\a’i_^glb\agb\ambg]^kgZkkZmbo^gK^ikh]ndmb& phkm^m'=b^?b`nk[^sb^amlb\a]Za^kgb\amgnkZn_]^g
hg^bg^lDebl\a^^llhpb^bfPb^]^kahe^gohg?hk& blheb^km^gD’ki^k]^kI^klhg%]^kohg]^g?e‚\a^g -+
f^g%lhg]^kglbg]%^bg^kxnll^kng`;Z\hglsn_he`^% ng] Dhgmnk^g ^bg`^l\aehll^g blm% lhg]^kg Zn_ ^bg
^bg L\ah\d _—k ]Zl G^ko^glrlm^f' =b^ L^glZmbhg ]rgZfbl\a^lG^ms%]Zlohg]b^l^kob[kb^k^g]^gI^k&
fZe^g%[^]^nm^m]^fgZ\a%]b^;^sb^ang`spbl\a^g lhgbgO^k[bg]ng`fbmZg]^k^gibdmnkZe^g>e^f^g&
DkZ_mng]L^glZmbhgsnfZe^g%]^gHkm]^l>gmlm^& m^g`^_hkfmpbk]3lb^^ke^b]^m]Zlf‚\amb`^Zghk`Zgb&
a^glng]]^kOb[kZmbhg^bg^kL^glZmbhg4^bg^;^sb^& l\a^E^[^g]^l]^_hkfb^km^gD’ki^kl%]^klb\a^gm&
ang`%]b^bflmZg]^blm%ohfibdmnkZe^gFZm^kbZeZn_ p^b\am' =^k hk`Zgehl^ D’ki^k [^knam ]ZkZn_% ]Zl
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g^:gZerl^]^kmZdmbe^g?Zk[^'"=b^?b`nkpbk]]nk\a f^gli—k[ZksnfZ\a^g'>k^kp^blmlb\aZelkZ]bdZe^k%
]b^l^~[^kmkZ`ng`]^kL^glZmbhg[^lmbffm'Bg>gm& ^bgl\ag^b]^g]^kng]ln[o^klbo^kZel]^kia‚ghf^gh&
lik^\ang` snk bgm^glbo^g =^Ögbmbhg ]^l F^blm^k& eh`bl\a^Karmafnl%]^kgh\asnl^ak]^f^b`^gmeb&
p^kdl%]Zl^bg^g>__^dmsnikh]nsb^k^gbflmZg]^blm% \a^gD’ki^k%]^k=^Ögbmbhg^bg^l]hf^lmbsb^km^gng]
o^kp^blm]^kL\ah\dab^kZn_]b^Ma^hkb^]^lhk`Zg& `^p’ageb\a^gD’ki^klo^k[ng]^g[e^b[m'=^khk`Zg&
ehl^gD’ki^kl'=b^l^Ma^hkb^%]b^=^e^ns^sng‚\alm ehl^D’ki^k[^_k^bm_he`eb\a]Zlbgm^glbo^?Zdmnf]^l
_—k ]Zl ?^e] ]^l Ih^mbl\a^g ZnlZk[^bm^m ng] [^b D’ki^kl4]b^l^kblmgb\am]nk\a]b^:[p^l^ga^bmohg
:gmhgbg:kmZn]Ög]^m%pbk]li‚m^kbf;^k^b\a]^k Hk`Zg^g`^d^ggs^b\ag^m%lhg]^kgpbk]ohgohk—[^k&
E^[^glpbll^gl\aZ_m^g bgl[^lhg]^k^ ngm^k ;^sn`& `^a^g]^gng]ohke‚nÖ`^gHk`Zg^g^kl\a—mm^km'=^k
gZaf^Zn_]b^:gZerl^gohg@^h__khrLZbgm&AbeZbk^ KZaf^g]^l@^f‚e]^l[^l\ak‚gdmlb\agb\ame‚g`^k
ng]<Zg`nbea^f^gmpb\d^em' ]ZkZn_%^bg^gD’ki^k%]^k^bg^gIeZms^bggbffmh]^k
=^k hk`Zgehl^ D’ki^k gbffm ]b^ =^[Zmm^ nf lmZmmaZm%Zn_lmZmbl\a^P^bl^sn[^bgaZem^g%lhg]^kg
bgm^glbo^Dk‚_m^ng]Z[lmkZdm^?hkf^gZn_]^k>[^g^ pbk] snk bgm^glbo^g Lm‚mm^ ^bg^l :n_mZn\a^gl3 ]^l
]^lHk`Zgblfnlpb^]^kZn_%]Zla^bllmZn_]^k>[^g^ >k^b`gbll^l]^k?b`nkng]bak^kbgm^glbo^g:glmk^g&
]^kK^ik‚l^gmZmbhg%]b^fZglb\aohfD’ki^kfZ\am' `ng`lb\a]^khk`Zgbl\a^g@k^gs^g]^lD’ki^klsn
=ZlHk`Zgblm^bg^Z[lmkZdm^?hkf%]b^]ZlDhffZg& ^gme^]b`^g'=b^l^karmafbl\a^Ob[kZmbhg%]b^]nk\a
]h—[^k]b^K^ik‚l^gmZmbhg]^lhk`Zgbl\a^gD’ki^kl ]Zl ]rgZfbl\a^ SnlZff^glib^e ohg
bgg^aZm4]b^l^kpbk]nfl^bg^Hk`Zg^a^knfZg`^& ?b`nk% Lmkndmnk ng] ?Zk[`kng] `^p‚ak&
hk]g^m ng] ngm^k ]^k Dhgmkhee^ ]^l @^abkgl% ]^f e^blm^m pbk]% o^ke^bam ;Z\hgl FZe^k^b bak
27 – Ebd., S. 26.
pb\amb`lm^gHk`Zg%ab^kZk\ablb^kmng]o^k^bga^bmeb\am' l^glbmbo^lO^kf’`^g'Lb^^keZn[m^lbaf%
BgSnlZff^gaZg`fbm]^gDk‚_m^g%]b^bag]nk\a& ]b^gZkkZmbo^%Zg^d]hmbl\a^ng]l^glZmbh& 28 – Ebd., S. 32.
]kbg`^g%fnll]^kD’ki^kZel^bgD’ki^khag^Hk`Z& g^ee^?b`nkZmbhgsn—[^kpbg]^g%bg]^f^k 29 – Ebd., S. 33.
g^[^`kb__^gp^k]^g%]^g^bg^bgm^glbo^;^p^`ng` ]^f [^lhg]^k^g P^` _he`m% ]^g ^k 30 – Ebd., S. 25.
]nk\asb^am' [^l\akbmm^gaZm3]^g]^lgb\am&Ö`nkZmbo^g 31 – Deleuze 2005, S. 207.
IhkmkZbml' 32 – Deleuze 1997a, S. 86.
Die Figuration überwinden, die Sensation malen Werden gegen Ähnlichkeit

=b^Ngm^kl\a^b]ng`spbl\a^g]^f?b`nkZmbo^gng] =b^ZelO^k_Zak^g]^lK^Ze^gdhgdk^mblb^km^Fh]neZ&
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pbg]ng`]^k?b`nkZmbhg]—k_^gc^]h\ad^bg^l_ZeelZel A^kZg`^a^glp^bl^% fbmm^el ]^k^k Dk‚_m^ li—k[Zk
>kkng`^gl\aZ_m ]^k fh]^kg^g FZe^k^b o^klmZg]^g `^fZ\amp^k]^g%]b^gb\amli—k[Zklbg]'=b^Iabehlh&
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?b`nkZmbo^g sn ^gmk^bll^g% lh `^eZg` ]b^l ]^k Zem^g ^bg%]b^fZm^kb^eeZel^bg^Zn_]^gD’ki^k^bgpbkd^g&
FZe^k^bZn_ohkmk^©b\a^P^bl^%p‚ak^g]]b^@^`^g& ]^DkZ_mo^klmZg]^gpbk]'=b^l^kk^b\amlb^—[^k^bg^
pZkmlfZe^k^bf^akL\apb^kb`d^bm^gaZm%]Zlsn^kk^b& Fh]neZmbhg% ]b^ a^m^kh`^g^ Dk‚_m^ bf Fh]nl ]^l
\a^g% ]Z lb^ ohf Debl\a^^% ]Zl a^bllm ohf [^k^bml >bg_Zg`^glli—k[Zkp^k]^ge‚llm'=b^l^Fh]neZmbhg
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^k_he`m Zn_ o^kl\ab^]^g^g P^`^g3 =b^ Zem^ FZe^k^b `^amgb\amf^aknfÖ`nkZmbo^xageb\ad^bmng]lmknd&
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:m^f ]^lhk`Zgblb^km^ Ik‚l^gs^g sbkdneb^k^g4 ]b^ }__^gmeb\ad^bm%]^gD—glme^kng]l^bgFbeb^nsn`e^b\a
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mn^ee^gh]^kbg_hkf^ee^g:[lmkZdm^glhpb^]^fP^` Fh]neZmbhg]^lH[c^dmll^e[lm%sn^bg^k=b__^k^gsb^&
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]nk\asb^a^g' m^kblmbdZ]^kFh]neZmbhgo^kl^a^gpbk]'
=b^=^Ögbmbhg]^kFZe^k^b%]b^=^e^ns^bg?kZg\bl FZgo^klm^amgngf^ak%pZknf^bg^Iabehlhiab^
;Z\hg^gmpb\d^em%blmZelhsn`e^b\aohg^gmpZ__g^g]^k ]^kD—glm^^bg^L^fbhmbdng]^bg^S^b\a^gma^hkb^_hk&
>bg_Z\aa^bm ng] ohg ^ghkf^k MkZ`p^bm^ _—k ]b^ ]^km%]b^lb\agb\amZn_o^k[Ze^:nllZ`^gk^]nsb^k^g
`^`^gp‚kmb`^FZe^k^b'C^gl^bmlohg@^gk^lng]Lmbe& e‚llm%lhg]^kgZn_bak^ikZ`fZmbl\a^gng]‚lma^mbl\a^g
kb\amng`^glhpb^_^kgZ[ohg?hkf]bldnkl^gaZm^l >__^dm^[^]Z\amblm':n\a]ZlDbgh]Zk_gb\amZelLikZ&
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FZe^k^bfZem]b^L^glZmbhg'=^kFZe^k^b`^ebg`m]b^l^ kb^o^klmZg]^gp^k]^g'Lh`^eZg`mfZgZelhohg]^k
Anne
Sauvagnargues Ikh]ndmbhg ohg L^glZmbhg Zn_ o^kl\ab^]^glm^g Fh]neZmbhgng]]^f>bg_Zg`^gohgDk‚_m^gsnf;be]'
P^`^g4c^gZ\aFZe^k^b`^l\ab\am^`k^b_mlb^Zn_ngm^k& ¿=b^B]^^—[^k]ZlDbghsnl\ak^b[^g%dZffbk]^laZe[%
-, l\ab^]eb\alm^ F^mah]^g snk—\d' Lm^ml `^am ^l nf p^beb\afb\al^bmeZg`^ffbm^bg^fS^b\a^gikh[e^f
c^g^g‚lma^mbl\a^gL\ah\d%]^gfZglmnkbfG^ko^g& a^knfl\aen`'=b^Ebg`nblmbdl\ab^gfbkngmZn`eb\asn
Kunst als lrlm^f o^khkm^g fnll ng] ]^k _—k ]^g D’ki^k ^bg l^bg%^lsn[^aZg]^eg'B\almb^ŸZn_]ZlDbgh%p^be^lZnl
Einfangen
von Kräften >k^b`gblblm%^bg^bfFZm^kbZe]^kFZe^k^b`^_Zg`^g^ ;^p^`ng`l[be]^kg[^lm^a^g]%Zee^ke^b_k^f]Zkmb`^S^b&
L^glZmbhg' \a^gpn\a^kge‚llm'À31

Das Bild
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likZ\aeb\a^;^l\ak^b[ng`^gbg]^kEbm^& 33 – Ebd.
kZmnk%;^p^`ng`l[be]^kbfDbghnlp'À34 34 – Deleuze 2005, S. 199.
35 – Deleuze 1997a, S. 92. Anm. d.
>bg^;^p^`ng`blmZelh^bg;be]'>bg:mhf Übers.: Die Übersetzung wurde hier
blm ^bg ;be]% ]Zl lh p^bm k^b\am pb^ l^bg^ und an anderen Stellen modifiziert,
da die vorliegende deutsche Über-
Pbkdng`^g ng] l^bg^ K^Zdmbhg^g' =Zl setzung von Bewegungs-Bild. Kino 1
@^abkg% ln[c^dmbo^l S^gmknf ]^k Ng[^& begriffliche Ungenauigkeiten
lmbffma^bm%blm^bg;be]%p^laZe[^ld^bg^ enthält.
;be]^kbfLbgg^^bg^kilr\abl\a^gK^ik‚& 36 – Ebd., S. 87.
l^gmZmbhg^gma‚em%]b^bgbak^k;^l\aZ__^g& 37 – Ebd., S. 88 (Übers. mod.).
Abb. 5
Francis Bacon, Studie
nach dem Portrait Papst
Innozenz X von Velazque,
(Study after Velazquez’s
portrait of Pope Innocent
X), 1953. Öl auf Leinwand,
153 × 142 cm, Sammlung
des Städelschen Kunst-
inistituts und der Städt-
ischen Galerie, Frankfurt.

Anne
Sauvagnargues

-.

Kunst als
Einfangen
von Kräften

Abb. 6
Francis Bacon, Tryptych —
Studies of the Human Body,
1970. Öl auf Leinwand, jedes
Bild 198 × 147.5 cm. Samm-
lung Marlborough Interna-
tional Fine Art.
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fZmh`kZiabl\a^;be]pb^^bge^[^g]^l;be]'>l GZmnk`^l\ab\am^%]b^Ln[c^dmbob^kng`lp^bl^gng]
[^lbmsmZelh^bg^b`^g^lE^[^g%^bg^Zghk`Zgb& ]b^dbg^fZmh`kZiabl\a^gS^b\a^gmr&
l\a^ E^[^g]b`d^bm% p^e\a^ ]b^ ohkZg`^`Zg`^& i^gngm^kl\a^b]^m'>klm^eemdeZk%]Zll 38 – Gilles Deleuze,
g^g%]^kFZe^k^bng]]^fhk`Zgehl^gD’ki^k ^llb\a]Z[^bnf^bg^[^p^`eb\a^DeZl& Leibniz. Die Falte oder
der Barock, Frank-
`^pb]f^m^g:gZerl^gZn_`k^b_m'PZl]b^dbg^& lbÖsb^kng`aZg]^em%¿]b^fZgo^k‚g& furt a. M. 2000.
fZmh`kZiabl\a^M^\agbdlhbgm^k^llZgmfZ\am% ]^kgdZggng]]b^P^kmgnk]nk\a]Zl 39 – Gilles Deleuze,
blm%]Zll]b^Ikh[e^fZmbd]^kDZ]kb^kng`ng] aZm%pZllb^l^a^ge‚llm'À 44:[^klb^ Unterhandlungen
]^kFhgmZ`^!P^e\a^DZ]kb^kng`ng]FhgmZ`^ ]b^gm Zn\a ]Zsn% ]b^ Iabehlhiab^ 1972–1990, Frankfurt
a. M. 1993, S. 64 f.
ohg>[^g^gp‚aemfZg%nfp^e\a^;^p^`ng`^g `kng]e^`^g]sno^k‚g]^kg'
40 – Deleuze 1997a, S. 89 f.
ng]p^e\a^S^bmsno^k]b\am^g8"%]b^]ZlDbgh Deleuze zitiert hier
d^ggs^b\ag^g%pb^Zn\a]b^:kmng]P^bl^%pb^ Henri Bergson, Mate-
lb\a ]Zl ;^p^`ng`l&;be] bf S^bm&;be] !]Zl rie und Gedächtnis.
Eine Abhandlung über
fh]^kg^Dbgh"Znגlm%`^gZn]b^l^l]hii^em^ die Beziehung zwi-
Lrlm^f]^l;^p^`ng`l&;be]^lngm^kln\a^g3]Zl schen Körper und
;be] Zg lb\a% ]Zl lb\a Zn_ Zee^ Zg]^k^g ;be]^k Geist, Hamburg 1991,
S. 23.
[^sb^am%Zn_]b^^lngfbmm^e[Zkk^Z`b^km4h]^k]Zl
41 – Ebd., S. 95.
li^sb^ee^;be]%]Zl]b^Zg]^k^g;be]^k^bgkZafm
42 – Gilles Deleuze, «Das
ng]^bg^:dmbhg%Zn_]b^^lgnkfbmm^e[Zkk^Z`b^km Gehirn ist die Lein-
!fhmhkbl\a^;^p^`ng`"%gnkm^bep^bl^snk—\d& wand», in: Deleuze
a‚em!I^ks^imbhg%;be]"' 2005, S. 269–277.
=Zl;^p^`ng`l&;be]eb^_^kmZelh]^gKZa& 43 – Deleuze 1997a, S. 97.
f^g_—k^bg^_k^b^ng][^p^`eb\a^DeZllbÖsb^& 44 – Deleuze 2005, S. 207.
Einfangen von Kräften ^kl\a—mm^kgng]Dk‚_m^^bgsn_Zg`^g%]b^[bla^kgb\am
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]b^M^fihkZeblb^kng`]^k;^sb^ang`spb& Übersetzt von Birgit Mennel
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ZelAZ[bmZm[^`k^b_m'=b^DnglmblmZelh]Zlk^Ze^ng] 45 – Deleuze 2000, S. 35.
gb\amlb`gbÖdZgm^>bg_Zg`^gohgDk‚_m^gbg^bg^f 46 – Deleuze 2005, S. 271.
FZm^kbZe'=b^l^]^fFZm^kbZe^b`^g^Ln[c^dmbobm‚m% 47 – Ebd.
^kf’`eb\am ^l baf% ]b^ f^gl\aeb\a^ I^ks^imbhg sn 48 – Ebd.