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Preface vii
List of Illustrations viii
Notes on Contributors x
Jon Hesk
Given the frequency with which they refer to past events, the Athenian
orators offer us an obvious opportunity for considering the role of
‘history’ in the key public institutions and discourses of Athenian
democracy. Some scholars have traced tendencies and developments
with respect to the events and personalities which the orators allude
to or pass over. Such patterns across the whole corpus offer us a sense
both of the individual political or forensic agendas of certain orators
and of broader currents of late fifth- and fourth-century policy and
ideology.1 Surveys of the entire corpus also offer us a sense of the
extent of the orators’ historical knowledge (and arguably that of the
dēmos).2 Others have focused on the ways in which the orators are
clearly selecting, concealing or distorting the past in order to serve
their individual rhetorical purposes.3 The use of history (and discus-
sion of the difficulty of using history in fresh and appropriate ways)
is particularly central to Isocrates’ vision of rhetoric, statesmanship
and panhellenism.4 And speeches commemorating Athens’ war dead
1 See S. Perlman, ‘The historical example, its use and importance as political
propaganda in the Attic orators’, SH 7 (1961), pp. 150–66; M. Nouhaud,
L’utilisation de l’histoire par les orateurs attiques (Paris: Les Belles Lettres, 1982);
J. Ober, Mass and Elite in Democratic Athens: Rhetoric, Ideology and the Power
of the People (Princeton: Princeton University Press, 1989), pp. 319–22. On
references to Solon as a nostalgic strategy to criticise present behaviours and
policies, see M. Hansen, ‘Solonian democracy in fourth-century Athens’, C & M
40 (1989), pp. 71–99.
2 See L. Pearson, ‘Historical allusions in the Attic orators’, CPh 36 (1941), pp.
209–29; R. D. Milns, ‘Historical paradigms in Demosthenes’ public speeches’,
Electronic Antiquity 2.5 (1995).
3 E.g. I. Worthington, ‘History and oratorical exploitation’, in Worthington (ed.),
Persuasion: Greek Rhetoric in Action (London: Routledge, 1994), pp. 109–29.
4 E.g. Isoc. Pangyr. 7–10 and Panath. 149–50 with the discussion of J.
Marincola, Authority and Tradition in Ancient Historiography (Cambridge:
Cambridge University Press, 1997), pp. 276–9. See also the discussion and
bibliography of M. Fox and N. Livingstone, ‘Rhetoric and historiography’, in
(footnote 4 continued)
I. Worthington (ed.), A Companion to Greek Rhetoric (Malden, MA, and Oxford:
Blackwell, 2007), pp. 542–60, at pp. 551–3.
5 J. Grethlein, The Greeks and Their Past: Poetry, Oratory and History in the Fifth
Century BCE (Cambridge: Cambridge University Press, 2010), p. 123. See also the
classic account of N. Loraux, The Invention of Athens: The Funeral Oration in the
Classical City (Cambridge, MA: Harvard University Press, 1986).
6 S. Lambert, ‘Some political shifts in Lykourgan Athens’, in V. Azoulay and P.
Ismard (eds), Clisthène et Lycurgue d’Athènes: Autour du politique dans la cité
classique (Paris: Publications de la Sorbonne, 2011), pp. 175–90, at p. 187.
7 See e.g. H. Yunis, ‘Politics as literature: Demosthenes and the burden of the
Athenian past’, Arion 8 (2000), pp. 97–118; F. Hobden, ‘Imagining past and
present: A rhetorical strategy in Aeschines 3, Against Ctesiphon’, CQ 57.2 (2007),
pp. 490–501; Lambert, ‘Some political shifts’; V. Azoulay, ‘Lycurgue d’Athènes
et le passé de la cité: Entre neutralisation et instrumentalisation’, Cahiers des
Études Anciennes 46 (2009), pp. 149–80; Azoulay, ‘Les métamorphoses du koinon
athénien: Autour du Contre Léocrate de Lycurgue’, in Azoulay and Ismard,
Clisthène et Lycurgue d’Athènes, pp. 191–217.
preference, and that the legal sanctions which sustained this shared
goal were based on rational coordination of shared interests (e.g.
63–7, 141–9). This way the jury would reaffirm and republicise both
the credibility of the citizens’ shared commitment to sacrifice them-
selves for polis security and their commitment to criminalise and
punish anyone deviating from a willingness to stand and fight. If the
jury acquitted Leocrates, on the other hand, it would thereby imply
that Leocrates’ choosing to leave the city was rational and compre-
hensible. This would, in turn, signal that Athenian citizens were not
credibly committed to collective self-sacrificial action to save the polis.
An acquittal would in itself undermine citizens’ and outsiders’ belief
that Athenians were united in their preparedness to fight for the city.
For Ober, the fact of Leocrates’ acquittal shows that Lycurgus’
strategy was trumped by a third equilibrium. This was the jurors’
oath-bound commitment to judge on the basis of the law where the
law was clear and to judge in accordance with justice where the law
was silent. The jurors’ discretion to judge cases in accordance with
emotion, equity and the litigants’ reputations was considerable. But
elite citizens needed to know that juries would limit the scope of their
discretion through a commitment to the law and justice. This is where
the social equilibrium which underpins Athenian democracy comes
into play: if juries dominated by non-elite citizens demonstrated no
commitment to the law as a limit on their discretion, then elite liti-
gants would be faced with an unpredictable justice system. This would
substantially threaten their continued investment in the democracy’s
institutions. The jury narrowly acquitted Lycurgus because they
decided that Leocrates had not broken any law and because they saw
that a guilty verdict would damage the courts’ reputation for fairness
more than an acquittal would disrupt citizens’ shared commitment to
polis security. For Ober, ‘both the content of Lycurgus’ speech and the
outcome of the trial underline the delicate balance between competing
social goods of enhanced coordination and the preservation of a social
equilibrium that was predicated upon a credible commitment to legal
rules’.19
Now Lycurgus uses ‘an unusual and excessive number of histori-
cal examples and quotations from the poets’.20 Unsurprisingly, he
narrates and praises the Athenians who died at Chaeronea to defend
19 Ober, Democracy and Knowledge, p. 185. See also (with a different emphasis)
the important discussion of L. Rubinstein, ‘Arguments from precedent in Attic
oratory’, in E. Carawan (ed.), Oxford Readings in the Attic Orators (Oxford:
Oxford University Press, 2007), pp. 359–71.
20 D. S. Allen, ‘Changing the authoritative voice: Lycurgus’ Against Leocrates’,
Classical Antiquity 19 (2000), pp. 5–33, at p. 10.
Greek freedom (46–9). But he links their fine conduct to the statues of
generals, tyrant-slayers and athletes from earlier times which can be
seen throughout the city: the valour shown at Chaeronea is explained
by the fact that ‘alone of the Greeks’ the Athenians know how to
honour good men (50). But just as Athens fosters more great deeds by
honouring them, it must also punish the crimes of men like Leocrates
(51–2).
After some anticipation of Leocrates’ arguments, Lycurgus
launches into a passage of historical and poetic paradeigmata that
extends for 64 of the speech’s 150 sections. We have the following
examples: the Athenians’ role in ensuring victory at Salamis and the
city’s glorious hegemonic aftermath (68–74); the ephebic oath and the
role of oaths in preserving democracy (75–9); the brave oath sworn
by the Greeks at Plataea and the particular glory which that victory
conferred on Athens (80–2); the story of how King Codrus sacrificed
himself for Athens during a war (83–8); the story of how the Delphic
oracle enabled the execution of the Athenian politician Callistratus
(92–3); the fable of how the gods rewarded a young Sicilian man for
not deserting his father, involving the ‘Place of the Pious’ (95–7);
Praxithea’s sacrifice of her daughter via a fifty-five-line quotation
from Euripides’ Erectheus (98–101); quotations from the Iliad and
Tyrtaeus which exemplify the importance of military duty, including
an account of the latter’s historical contribution to Spartan discipline
and hoplite ideology (102–8); the Simonidean text of the monument to
the Athenians at Marathon and of the monument to the Spartans at
Thermopylae, accompanied by narrative of their achievements (108–
10); four narratives of exemplary and consistent punishments meted
out to Athens’ traitors in the fifth century (111–23); the stele set up in
the aftermath of 404/3 which recorded the immunity granted to those
who thwart tyrannical subversion of the democracy (124–6);21 the
Spartans’ treatment of their king Pausanias and their law against cow-
ardice (128–9); and quotations from two anonymous poets (92, 132).
All the way through this tour de force we have Leocrates’ conduct
condemned by contrast or analogy (e.g. 74, 82, 89, 97, 110). And it
is made clear that Leocrates must be convicted if the jury themselves
are to be faithful to the values, pledges, conduct and sacrifices of their
ancestors, all of which have ensured Athens’ glory and the survival of
its democracy (e.g. 74, 82, 89, 123, 127).
22 It is undoubtedly significant that the nearest parallels are the passages of quotation
found in Aeschines’ Against Ctesiphon and Demosthenes’ On the Crown, which
were pitted against each other only a few months after the trial of Leocrates.
Although many speeches before 331/30 use historical examples and a few use
quotations from classical and archaic poetry, these three speeches must represent
something of a shift in tone and tactics. See Hobden, ‘Imagining past and present’;
Lambert, ‘Some political shifts’, pp. 187–90, for some explanations.
23 Allen, ‘Changing the authoritative voice’.
24 Azoulay, ‘Lycurgue d’Athènes et le passé de la cité’.
31 It is possible that these speeches may have been revised and lengthened for
publication. They may thereby develop their critiques of the other side in more
extended and pronounced ways. See I. Worthington, ‘Greek oratory, revision of
speeches and the problem of historical reliability’, C & M 42 (1991), pp. 55–74
and Worthington, ‘History and oratorical exploitation’. Evidence in the texts for
revision prior to publication after these three trials is limited to one or two specific
cases. See E. M. Harris, Aeschines and Athenian Politics (Oxford and New York:
Oxford University Press, 1995), pp. 10–15.
You recall the good men of former times (εἶτα τῶν πρότερον
γεγενημένων ἀγαθῶν ἀνδρῶν μέμνησαι): and you are right to do
so. However, Athenians, it is not right for him to take advantage
of the regard you feel for the dead by examining me, who live
among you, and comparing me with them.
fellow, compare the living with the living, with his peers as in
every other sphere – poets, dancers, athletes.
and applied in all future occasions in which they find themselves listen-
ing to arguments of the sort which Aeschines has put forward.
This is not to imply that juries might not also learn to be wary of
Demosthenes’ own ‘historicising’ arguments. Aeschines’ prosecution
speech in this trial actually anticipates these arguments, including
his reference to Philammon and Glaucus (3.189). Aeschines says that
boxers are measured against each other whereas those who ask for a
crown from the city are measured against ‘virtue itself’ (πρὸς αὐτὴν τὴν
ἀρετήν). Demosthenes can’t expect to be crowned just because he can
demonstrate that he is ‘a better citizen than Pataecion’. (Pataecion is
unknown to us but he was obviously a good and well-known negative
example of a contemporary scoundrel.) The precision of this ‘antici-
pation’ makes it possible that Aeschines added it to his great passage
on the glorious men and deeds of fifth-century history when he came
to revise the speech for publication. Even so, it offers an Athenian
readership another layer of critical distance and scepticism as they
are shown how a historicising critique of historical exemplarity can
itself be challenged by asserting that there are absolute values which
are transhistorical. The likes of Themistocles and Miltiades embody
virtues and standards of conduct which do not change.
So we have a back-and-forth process, whereby the applicabil-
ity of alignment strategies based on commonly known examples is
disrupted through a certain critical distance and self-consciousness
about the use and abuse of historical argumentation. Juries would
also have learned from an analogous process in a famous exchange
between Demosthenes and Aeschines which actually cuts across
two different trials. In Against Timarchus, Aeschines had contrasted
the defendant’s drunken and flailing performance as an orator with
the modest, self-contained stances of bygone orators such as Solon,
Pericles, Themistocles and Aristides (1.25–6). His evidence is the
hand-in-cloak pose of Solon’s statue in the agora on Salamis. In On
the False Embassy, Demosthenes recalls this argument and makes
the point that the locals informed him that the statue is merely fifty
years old (19.251). Neither the sculptor nor even his grandfather was
alive in Solon’s day. Demosthenes thereby questions the assumption
that the statue accurately memorialises Solon’s characteristic ora-
torical demeanour and makes fun of the fact that Aeschines imitated
that schēma to the jury (252). The implication is that Aeschines had
succeeded in duping the jury with bogus historical evidence.
The statue reminded the jury of the values and laws which
Timarchus was trampling on: it was a sōphrosunēs paradeigma (‘a
model of self-restraint’, 19.251). Aeschines was using this visible
monument to get the jury to vote in accordance with the sorts of
his mimicry did not include what, politically, would have been
much more profitable than an attitude – a view of Solon’s spirit
and purpose, so widely different from his own. When Salamis had
revolted, and the Athenian people had forbidden under penalty
of death any proposal for its recovery, Solon, accepting the risk
of death, composed and recited an elegiac poem, and so retrieved
that country for Athens and removed a standing dishonour.
Aeschines, on the other hand, gave away and sold Amphipolis, a
city which the king of Persia and all Greece recognised as yours,
speaking in support of the resolution moved by Philocrates.
Solon’s Salamis elegy had a much better claim to being good histori-
cal evidence for Solon’s virtues than the statue. And so, Demosthenes
rams home the contrast between patriotic Solon and treacherous
Aeschines. A jury may not have seen how they were being played
by Demosthenes here but, once again, they were at least offered an
example of how to test and critique an orator’s historical claims
through a form of historicising scepticism and suspicion about the
evidence presented.
My final example of the way in which the orators contest the force
and applicability of well-known historical paradigms comes from
Aeschines’ speech On the Embassy. It offers us a rare, if undoubtedly
partial, representation of the way in which the significance of historical
precedent was contested in the policy debates of the Assembly during
the fourth century. Demosthenes’ charge of ambassadorial miscon-
duct against Aeschines partly rested on the claim that Aeschines had
changed his tune during Assembly debates over whether to accept
a peace agreement with Macedon. In response, Aeschines describes
his own contribution to an Assembly debate as to whether to accept
Philocrates’ proposal of a peace (2.74–8). We hear how the opponents
of peace attempted to compare their support for continuing hostilities
to the victory at Salamis and how they urged the citizens to look to the
Propylaea of the Acropolis and ‘the tombs and trophies of our ances-
tors’ (2.74). But Aeschines got up and pointed out that the Athenians
should ‘imitate our ancestors’ wisdom (euboulia) but avoid their errors
and ill-timed ambition’ (akairos phlionikia, 75). He called on them
to emulate Plataea, Salamis, Marathon, Artemisium and the heroic
campaign of Tolmides. But he also enumerated fifth-century acts of
folly which should be avoided: the Sicilian expedition and (especially)
the corrupt Cleophon’s refusal to accept peace on favourable terms
with Sparta after Cyzicus and Arginousae (76). He then detailed the
resulting folly (aboulia) of the Thirty Tyrants and their atrocities (77).
Aeschines then links the historical lesson he delivered to the Assembly
to the personal testimony and experience of his own family (77–8, tr.
Carey):
us that the dēmos never had one settled or dominant set of historical
paradigms which shaped and coordinated their actions and attitudes.
Aeschines stressed the foolishness and the consequent suffering of
his audience’s ancestors as much as or more than their bravery and
wisdom in order to make his point. Alignment strategies were ques-
tioned and countered with different selections and innovative framings
of the past. Aeschines’ rhetoric here also shows that it was sometimes
important and effective to couch commonly known events in terms of
the very personal, private and painful ‘knowledge’ of individuals and
families.
Now, I stress that none of this deals a fatal blow to Ober’s argu-
ments about the crucial role that the creation and dispersal of
common knowledge played in successfully aligning citizens in relation
to public action problems. Ober sees innovation, new learning and
critique as the lifeblood of the Athenian democracy’s special success.39
And he never claims that common knowledge was perfectly achieved
or always correctly applied in Athens’ legal or deliberative spheres.
So, he could easily say that Demosthenes’ and Aeschines’ antagonistic
and creative self-consciousness about historical examples are grist to
his mill.
But Ober’s emphasis on ‘common knowledge’ about the past as
a resource for informing verdicts and deliberations which would be
predictable and maintain certain commitments does not do full justice
to the way in which historical examples are contested in Athenian
oratory. We have seen that these orations from 345–330 bce also
encouraged juries to be aware that the making of knowledge is never
a disinterested or neutral business; that it is one thing to know the
past, but quite another to apply that knowledge fairly or usefully. For
in Athens, the past is never presented to the present for its own sake.
In that sense it was an awareness of the rhetoricity of the making of
knowledge about the past in certain settings which was as useful as the
making of the knowledge itself. That awareness means that we have
to balance Ober’s stress on the importance of public knowledge of the
past as a means of aligning citizens with a concomitant emphasis on
the law-courts’ fostering of a critical and suspicious awareness that
one is always being made subject to alignment.