Beruflich Dokumente
Kultur Dokumente
Chandigarh, India
NCR INDEX
COURTS
The state government, it is suspected, will go in for an appeal against this order of
the Allahabad High Court which appears to be the real motive of the state
government asking for a fortnight’s time to implement the high court order.
To checkmate such a move by the state government the people of Gautam Budh
Nagar have filed two caveats in the Allahabad High Court so that they are not caught
unawares.
A third caveat on the same issue is reported to have been filed on behalf of Maha
Maya Nagar district, Hathras, in the high court. — OC
CULTURE
ARTSCAPE
Work of art in exhibition space of human thought
Ravi Bhatia
This young artist describes the basic elements of his composition as darkness, sound
and break/silence. His work deals with investigating the relationship between real
and unreal, conscious and subconscious, concrete and abstract, logical and illogical,
construction and deconstruction and micro-context and macro-context.
The main idea of this sound installation is that each sound installation is a work of
art in the exhibition space of human thoughts.
However, when these periods of extremely rich development of the arts faded away
or came to abrupt ends, depending on how benevolent dynasties met their demise,
craftsmen suffered. And so by the turn of the 19th century, almost all forms of royal
patronage for the fine arts vanished. Thereafter, it was a matter of survival for the
repositories of numerous fabled handicraft and other traditional skills. Now, they
used their skill for eking out an existence. Naturally, quality became subservient to
the forces of commercialisation.
This is when CIE stepped in as a modern day patron of these dying crafts. We
refused to sacrifice our glorious tradition of handicrafts on the altar of
modernisation. It is this goal of revival and enhancement of India’s tradition of
fabulous craftsmanship and love of art, which is the driving force at CIE.
The company has a sterling track record in developing, protecting and nurturing
various cottage industries most prominently of Kashmir, as well as that of other
states like Tamil Nadu and Uttar Pradesh. Today CIE’s role as an anchor for the
Indian artisan entails providing the necessary infrastructure and financial support so
that they many continue to create rare works of exquisite beauty in the tranquility
required for such creative outpourings. In this manner, CIE today provides
sustenance to more than 110,000 artisans all over the country.
The Events India Inc and the Empress Club presented Lushin Dubey’s “Untitled”, (an
internationally acclaimed play on women’s empowerment), directed by Arvind Gaur,
on May 20, at the India Habitat Centre here.
“Untitled” depicts the marginalisation of women across societies and explores the
subjects of child abuse, incest and suppression of women. The play has been
directed by veteran playwright Arvind Gaur.
Ms Vandana Luthra, Chairperson VLCC, was the guest of honour for the evening. She
is the brain, soul and face behind India’s largest and most successful chain of health,
slimming, fitness and beauty centres, VLCC.
The coming together of VLCC and the Empress Club for a powerful women centric
play such as “UNTITLED” is in perfect sync with their ideologies of giving women the
opportunity to rediscover themselves for achieving their ambitions and aspirations
and helping them realise their true potential.
MUSIC ZONE
Celebrating Fusion
Celebration, is a classy and brand new thematic fusion album by Rahul Sharma,
the santoor maestro of generation X. This highly talented and amazingly
adventurous musician, is the most illustrious santoor player of the country after his
great father Shiv Kumar Sharma whose name is synonymous with the instrument
that has brought alive the spirit of Kashmir, ‘Celebration’ also features veteran
Loius Banks on the keyboards, percussion wizard Taufiq Quereshi and tabla
maestro Shafaat Ahmed Khan.”
The album opens with a frisky and fast paced number – ‘Sing With Us’. Celebration
comes into its own when it is a collective expression. It is born of an infectious
enthusiasm for the moment, a desire to explode with joy and exhilaration for the
now, a wish to share and draw everyone into the circle of energy, ‘Sing With Us’
based on Raga Bhairavi magnetises the air with a sense of celebration.
‘Just Dancing’ is an uninhibited display of the joy of music, movement, step and
beat. Rhythm draws into its grip the softness of melody, the energy of drumming
and the abandon of dance. This piece, set to Raga Kirwani, captures the bright and
the soft, the bold and the demure, the brazen and the coquettish just dancing.
The mood moves to a more subtle and romantic note in ‘Love Beckons’. Within the
air of celebrating with all, the eye catches a glimpse of one particular face. The
heart skips a beat. The spine tingles, a warm rustle creeps over the skin, the
stomach tightens - it is the first spasm of infatuation. The step turns tentative, the
eye watchful, the mind wistful. Love beckons.
‘Strums n Drums’ sees the pendulum swinging from strings to drumming. The
dulcet sparkle of the santoor tones mingle with the robust thunder of the drums
and the tabla, like the sun and the moon playing from behind the clouds on a
dusky evening, minutes before sunset. Drumming is the most primordial
expression of music, the most raw expression of joy. Drumming is celebration, it
takes the listener to a climax of energy, a crescendo of breathtaking brilliance - the
coming together of celebration, virtuosity, artistry and sensitivity.
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