Beruflich Dokumente
Kultur Dokumente
Introduction
Culturally-focused research has significantly expanded, along with critical
awareness of contextual factors on human experience (Schneider et al. 2001).
However, it is our contention that much of this research fails to attend to the
unconscious dynamics that are integral to the study of culture and cultural
beings, especially when issues of marginalization and oppression are present.
Analytical psychology has been criticized for its lack of attention to cultural
dynamics (Adams 1996; Altman 2010; Brewster 2013). Therefore, in this
contribution we hope to share a framework for understanding cultural
dynamics, especially the unconscious cultural dynamic within depth
psychological research, which includes concepts such as the cultural and
personal unconscious as well as the cultural complex. We believe that inquiry,
Jung's (1969) own empirical research on the content of dreams and other
individual unconscious artifacts, as well as his study of various cultural
products (e.g. myths and rituals) pointed to the existence of this collective
unconscious field and its active presence in the psyches of people across
times and cultural divides. Contemporary Jungians and post-Jungian
humanistic scholars have further developed Jung's notions regarding pre-
existing forms as well as the archetypal significance of culture (Samuels
1985).
Conjoint with Jung's conceptualization of the collective unconscious, his
formulation of complex theory has also had a seminal influence on
subsequent generations. According to this theory, the personal unconscious of
the individual contains within it repressed dissociated elements that cluster
together in feeling-toned units or complexes (Jung 1969). Under certain
conditions, the complex is activated as a sort of psychological template or
‘image’ (Jung 1960) of thoughts, sensations and emotions, such that it
behaves autonomously and temporarily overtakes the conscious personality. It
was also Jung's contention that complexes play a crucial role in the structure
and content of dream material (Jung 1969).
Later in his career, Jung (1960) emphasized the tendency of the complex to
personify those aspects of our nature disowned by the conscious personality:
658 O. Yakushko, P. Miles, I. Rajan, B. Bujko, and D. Thomas
Complexes are objects of inner experience and are not to be met in the street and in
public places. It is on them that the weal and woe of personal life depends; they are
the lares and penates who await us at the fireside and whose peaceableness it is
dangerous to extol; they are the ‘little people’ whose pranks disturb our nights.
(Jung 1960, para. 209)
rare. Moreover, the review of the cultural unconscious and cultural complexes
stems from literature that primarily deals with clinical as well as socio-
political realities in theory, rather than via qualitative research. Even more
rare are published works that integrate depth psychological, specifically
Jungian, traditions with qualitative research on topics addressing complex
cultural realities. It is our contention that greater awareness of processes
related to the cultural unconscious and cultural complexes through the
accounts of researchers who have actively sought to examine these dynamics,
can elucidate and deepen understanding of such humanistic scholarship.
Thus, in the following examples of our research, we hope to highlight how
we have approached understanding the cultural unconscious dynamics both
within ourselves and in our research processes.
These examples are derived from both U.S. and international contexts.
Specifically, they include dissertation studies about the Maat archetype in
working with African American adolescent men, about experiences of human
trafficking among girls in India, and about birth and death rituals and myth
narratives of female elders in Macedonia. Each of the research narratives is pre-
sented here in a first person account, maintaining the distinct voice and focus of
each researcher in order to maintain the integrity of self-expression related to
their own research processes.
approach for an inquiry into the effect of meditation on the academic achieve-
ment of adolescents in a stressful urban environment. I wanted to provide these
young men and those who work with them tools for dealing with cultural com-
plexes that so often narrowed and damaged their lives. However, I realized that
Asian forms of meditation popularized in the West could be replaced with a
meditative focus on the Maat, the African symbol of balance, inner authority,
and grace.
Thus, in reflecting on issues of representation, voice, cultural unconscious
and cultural complexes related to racism, I decided to pursue a qualitative
study. Five African American adolescent males from a South Central Los
Angeles charter high school participated in an eight-week meditation practice.
The practice required each to hold his attention on the feather of the Khemetic
archetype Maat. Maat is depicted as a woman who holds a scale with a heart on
one side and an ostrich feather on the other. The Maat Archetype is a container
for the codes of truth, justice, morals, ethics and cosmic balance.
At the completion of eight weeks, the young men engaged in unstructured
phenomenological interviews to explore their experiences. The study directly
focuses on the possibilities of an archetype's relationship to the individual
unconscious, and the ways culturally grounded symbology may impact the
adolescent psyche. I was deeply moved to discover in the stories of these
adolescent men that this symbology indeed deeply connected with them and
resonated in their search for a heart worthy of Maat's scale: light as a feather.
I conducted this research in my own community. Working from the African
principle Wherever we go there I am, I consider my community to be anywhere
that people of African descent reside. I was trusted and supported by my com-
munity throughout the data collection. It was accepted that what I was bringing
to them was good, not so much because they knew me personally but because
they knew me culturally. The community weighed my heart. Economically
deprived environments of African descent tend to display a hyper-vigilance or
knowing explained beautifully by one of my participants in the following
excerpt from an interview:
I am ‘bout to tell whoever I'm cool with, this ain't cool. The way people act, they vibe
could just feel the, I don't know what it is, I can just – it's just a sense.
White Europeans. This recognition of the cultural complex and its vestiges in all
aspects of an educational experience was for me the hardest aspect of my grad-
uate school training. Depth and humanistic psychology, with its focus on the
phenomenological and unconscious processes including cultural unconscious
and cultural complexes, held more possibilities for me than other types of edu-
cational environments. However, in my experience even within depth psychol-
ogy, the broader presence of non-White cultures and communities is often
minimized and rarely presented. The mythologies that pervaded my training,
including the philosophical traditions (e.g., Aristotle and Plato), were drawn
from White Western histories such as the Greek civilization.
I specifically related to the concept of unconscious colonization of individual
experience. I learned about the concept of the colonization of the Black psyche
in the work of the renowned psychiatrist Frantz Fanon (1952) who discussed
the racialization and colonization of the mind. I found that I began to address
the same imposition of dominant Western traditions on myself during the
research. I became consciously aware of the inner conflict. Brewster (2013)
has offered one of the other voices on approaches to understanding African
American experience through a Jungian lens. I was overtly conscious of my
personal ideas of Africa and struggled with how to represent them within my
research. However, I was also acutely aware of the European influences and
projections already embedded in my research methods.
In the aftermath, as I reflect on the imposition of a culture into my personal
and academic life, I recognize the need to figuratively bury myself in the
orange earth and have her absorb the vast amount of Greek and other White
Western images that have invaded me through my academic efforts. I have
actively sought to work through and pay attention to the feelings of cultural
incongruence as well as cultural complex, so that I could actively make space
for the voices and experiences of my young Black participants as well as give
voice to my interpretive perspective. The phenomenological analysis I
conducted suggested that the inclusion of a culturally significant archetype
aids competence in the African American adolescent male's quest for identity.
The participants discussed how in their lives of constant exposure to violence,
cultural projections and racism, the inclusion of meditative images (i.e. Maat)
and practices (i.e. meditation) provided them with a counter-balance to what
they experienced and feared. Their voices echoed a resounding interest in
connecting to roots which they recognized as their own (i.e. cultural archetypes)
as well as in recognizing that the broader culture stripped them of such
connections.
In conclusion, I believe that most doctoral dissertations are invited to expand
existing knowledge in the field. I felt this responsibility throughout my research
process not only because it was part of my training and not only because I
wanted to give voice to the marginalized voices in my community: I also felt a
responsibility to recognize the cultural complexes of racism and Western
domination of academia within myself, my training and my profession. I
664 O. Yakushko, P. Miles, I. Rajan, B. Bujko, and D. Thomas
hoped that the inclusion of the Maat archetype might affect the silence and
challenge these cultural complexes.
staff and surrounding village and community members spoke and interacted
with me throughout my stay in Kolkata. Those who knew that I was working
with sex trafficking survivors warned me that I was at risk of physical harm
and of becoming a social outcast if I were to divulge my reasons for being in
the village where the shelter was located. I was also made aware of rumours
that circulated about my own personal sexual practices, morals and values.
The cultural complexes were so pervasive and widespread that they did not
only frame the women and girls as objects of sexual exploitation but also
affected me as a researcher. Despite my privileged Western position and
education I was regarded as a person of supposedly dubious personal
character because of my interest in anything that had to do with ‘sex’,
especially ‘dirty sex’.
These experiences repeatedly forced me to examine how the research process
caused me to focus on understanding my own identity as an American born
woman of South Indian origin, especially the unconscious, complex-laden im-
pact on the research dynamics and related power differentials in the interview
space. In addition, I was challenged to balance the value of objectivity and data
collection for my research against the basic human imperative to nurture rela-
tionships with girls who had endured unimaginable abuse and violation.
Whereas these girls were forcibly relocated from being a subject to being an ob-
ject, I sought to continually access how my work as a researcher or even a
‘helper’ maintained their objectified position as well.
Finally, to say that this research changed me or moved me is to utterly
understate the truth. After I had completed the data collection and returned
from India I suffered a profound culture shock: I was wholly adrift after leaving
village culture in Kolkata, India and returning to my day-to-day life in
California. The first three months after my return were marked by an over-
whelming sense of displacement, listlessness and depression. It became essential
for me to unpack and process my unconscious feelings through therapy and dis-
cussions with colleagues who could assist me in contextualizing my research ex-
periences. This process also initiated within me an area of vulnerability which,
upon reflection, mirrored the translation of these girls from being objects to
being subjects. In effect, I felt I was transformed from being an observer and
collector of data to being a vessel entrusted with holding stories of the girls’ lives
– of their survival, death, birth, despair and hope. I believe that while we tend to
prepare ourselves for these experiences within therapeutic space (between our
clients and ourselves as therapists), by contrast any discussion of individual
and collective unconscious processes within research training and research
scholarship is remarkably sparse. In my experience making these unconscious
processes more conscious was not easy: for many months I remained blocked
in my dissertation writing because I feared that I would inadequately or inap-
propriately express the girls' stories. I learned that in order to be true to the
research process, I had to fully and truthfully occupy the personal internal pro-
cess that accompanied it. I believe that only in our vulnerability and through
Cultural unconscious in research 667
surrender to our own humanity can the fullness and subtlety of others’ stories
within a research context be heard and expressed.
Like the two examples that precede it, the study that follows was carried out
in the researcher's own cultural community. This inquiry focuses on an
engagement with female elders from small (i.e. rural) culturally-rooted
Macedonian communities around their perception of the role of birth and death
rituals in the collective experience of modern day Macedonians. The researcher,
a Macedonian immigrant to the U.S., focuses on how her own immigrant iden-
tity reflects and provides a framework for understanding the cultural complexes
that she encountered through her study.
were embedded in my interviews (e.g. shared meals and gifts) also served to re-
awaken my Macedonian identity. It was mainly from these steps to make
unconscious processes more conscious, both internally and within the research
process, that I found within myself a new ability to be curious rather than judg-
ing, to be uncomfortable and confused rather than certain and self-directed.
Thus, I became aware that my personal reactions were rooted in cultural
complexes. For example, during one of the interviews I noted how critical I
felt of a woman-participant's seemingly boundless devotion to the memory of
her deceased husband. As a modern Western-identified female I found myself
judging the woman while also desiring to help her to ‘move on and enjoy
life’. This process of awareness indeed helped me to listen to the narrative
data I sought to collect about a cultural insistence that death not be ‘moved
on’ from but remain a vital part of day-to-day human experience. I also heard
anew how these narratives were situated within the cultural heritage specific
to Macedonia – a culture that insisted on holding on to long-lost heroes such
as its foremost champion Alexander the Great and to historically significant
events. Listening to the research participants’ views regarding their approaches
to death and grief, this cultural history, certainly with its cultural complexes, of-
fered me a glimpse of a deeper sense of human meaning, connection and
identity.
As mentioned earlier, I also had to work with another significant unconscious
pull within myself as a researcher seeking to ‘give voice’ to Macedonian culture:
I felt the appeal of approaching participants with the unquestioning tokenism
and uncritical adulation which are often found in Western writings about cul-
tures deemed ‘more primitive’. Paolo Friere (1972) discussed how colonization
results not only in perceiving the colonized as less than, but also by elevating
and venerating them, thus devaluing their humanity and complexity. I became
aware of fantasies that reaching out to participants in rural areas ‘less spoiled’
by technology or Western progress would result in more uncontaminated,
‘pure’ experience because I travelled to Macedonia to seek out elders in remote
villages and towns. I also imagined that these efforts would transform my own
and others’ views of Macedonia, which I perceived as ‘damaged by the West’.
The people I interviewed were indeed far more complex and human, embodying
personal and cultural spaces in ways that offered a spectrum, not some vision of
‘purity’ often ascribed to exotic elders or indigenous healers (Duran & Duran
1995).
Another aspect of the cultural complex underlying my research that I became
aware of was from my Western training in psychology, which contained an
unspoken requirement to avoid highly politicized and historically charged
topics. In contrast, I faced the reality that Macedonia is a highly politicized
country, especially in recent decades since recognition of the country's constitu-
tional name has been vetoed by Greece. This long-standing dispute, stemming
from ancient times, is as alive and influential today for contemporary
Macedonians as it has been for millennia. I recognized that the data I collected
Cultural unconscious in research 669
often reflected a cultural fear of national identity loss and the consequent threat
to maintenance of cultural distinctiveness. As I witnessed the stories, I allowed
myself to feel the anger and frustration as well as the injustice of current politics
and past wrongs. I found that I shared this anger over oppression and being cul-
turally manipulated throughout centuries. I found that participants’ beliefs and
practices (i.e. the birth and death rituals that I studied) were often prompted by
millennia-long collective unconscious imperatives to survive oppression and to
define individuals’ experiences.
By being attentive to how these dynamics reflected cultural complexes, I
continually sought to question what was being split-off and projected in the
interviews as well. Specifically, I noted how our cultural positions and histories
as Macedonians evoked feelings of invisibility, insignificance and denial of our
existence. I heard how the same tensions were evoked, not just in cultural but
also in individual narratives, when individuals discussed their own nuclear fam-
ilies or their marriages through the same lens of loss, rejection and denial of iden-
tity. I think that my work opened me to becoming able to experience and name
how ancient rituals and long-standing cultural histories, as well as current polit-
ical tensions, are reflected in many individuals’ lives and ordinary human prac-
tices (e.g. birth or death rituals) while at the same time, individuals could
interpret broader cultural events through the lens of their own experiences.
Lastly, I believe that my work highlighted the unconscious tensions present
for many immigrants: the juxtaposition of the Westerner and the Macedonian
in me continues to be an ongoing challenge. I believe that there is too little schol-
arly work attending to the dynamic interactions of cultural complexes embed-
ded in cultures and in cultural representations within their individual human
participants. I am also increasingly aware of how complex and dynamic these
interactions are. I hope that further work will attend to the ways in which cul-
tural complexes within individuals and communities influence our personal and
common identity, reflect our worldviews and values, and shape both our past
and our future.
which was forgotten in our own lives or within dominant cultures – to that
which re-engages us with our ancestors and their experiences (Romanyshyn
2007). For us as researchers, such connection involved not just positive
but also more challenging and negative or pained/painful aspects of our cultures.
Fourthly, the cultural unconscious and cultural complexes became central
not only to the content but also to the process of our research. It was not
only in what we studied but also in how we approached our study that
we uncovered that which was split off in ourselves, our participants and
the broader culture. We faced challenges that loomed larger than ourselves
but, when understood as complex processes, these challenges contributed
to a deeper understanding of ourselves and of our participants. Our
research made us feel human, alive and connected to collective feelings
carried within cultural complexes. Thus, rather than a theoretical or
philosophical construct, we experienced the cultural complex as pulsing
with all that is human including anger, rage, joy, sadness, fear, confusion
and hope.
Fifthly, although we may not initially have approached our studies with
the conscious desire to contextualize our topics within the broader aspects
of cultural unconscious or specific cultural complexes, we have found that
our end ‘products’ indeed speak to these larger cultural shadows. African-
American adolescent males continue to be vilified and traumatized in U.S.
society, driving them into horrific territories of fear, war and poverty (both
external and internal). The re-connection to their ancestral wisdom in the
form of Maat archetype served as grounding for their inner lives. Young
girls in India, who are enslaved in body and spirit, showed how in their pro-
found struggles they also found places of healing, empowerment and peace.
Nevertheless, their tortured bodies and voices should ring in our hearts in
order to make visible the cultural unconscious that demands children as
meat for sexual pleasures. Macedonian female elders, whose voices are all
but forgotten outside their own communities, have held the ancient cultural
threads of life-cycle rituals that are as valuable in today's political and tech-
nology-filled world as in centuries past. Old cultures and with them old
myths, may be sacrificed to the new gods of dominant Western values.
However, it is in their alternate voices, which do not reject the new but
do attend to the past, that the wisdom of the collective and thus the
cultural unconscious can become conscious, offering others containers for
profound life experiences.
Therefore, we hope that our reflections and these case examples may aid
others, who find themselves entering into relation with the cultural
unconscious and cultural complexes as part of their humanistic research
experience. We believe that such studies are a call to us from our own inner
lives as well as from the collective space of the cultures we inhabit, and that
analytically grounded psychology can make a significant contribution to this
process.
672 O. Yakushko, P. Miles, I. Rajan, B. Bujko, and D. Thomas
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TRANSLATIONS OF ABSTRACT
专注于文化的研究在多个学科中占有主导的地位,其中也包括心理学 然而,这些研究
大多没有关注那些根植于所研究的文化,以及深受文化影响的人类无意识的动力 当
涉及到边缘化和压迫的时候,这些动力可能尤为重要 因此,这篇文章尝试提供一个框
架,用以理解那些深受在荣格与后现代荣格学者影响下的质性研究中的文化的动力,特
别是无意识的文化动力 当一些探究所使用的方法,在努力将无意识意识化,它在为研
究的主体/客体以及对研究者本身进行赋权和解放 文章对分析心理学背景下的多元
文化主义进行了简要的回顾,然后提供了几个个案作为例子,来说明研究者如何在其文
化主题的研究中,整合自身对文化无意识的觉察