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  • Minor2 5 1

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    WolfRune
    43 Ansichten3 Seiten
    The document contains musical notation for a jazz composition. It consists of chord progressions notated above melodic lines. The piece modulates between the D Dorian and G altered scales and features chord progressions such as Dm7b5, G7b9, and Cm6/9. It concludes with an exploration of the Locrian #2 mode derived from the G altered scale.

    Originalbeschreibung:

    how to do minor 2-5-1 cadences in jazz paino

    Originaltitel

    minor2_5_1

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    The document contains musical notation for a jazz composition. It consists of chord progressions notated above melodic lines. The piece modulates between the D Dorian and G altered scales and features chord progressions such as Dm7b5, G7b9, and Cm6/9. It concludes with an exploration of the Locrian #2 mode derived from the G altered scale.

    Copyright:

    © All Rights Reserved
    Als PDF, TXT herunterladen oder online auf Scribd lesen
    Markieren Sie unangemessene Inhalte
    43 Ansichten3 Seiten

    Minor2 5 1

    Hochgeladen von

    WolfRune
    The document contains musical notation for a jazz composition. It consists of chord progressions notated above melodic lines. The piece modulates between the D Dorian and G altered scales and features chord progressions such as Dm7b5, G7b9, and Cm6/9. It concludes with an exploration of the Locrian #2 mode derived from the G altered scale.

    Copyright:

    © All Rights Reserved
    Als PDF, TXT herunterladen oder online auf Scribd lesen
    Markieren Sie unangemessene Inhalte
    von 3

    minor 2 - 5 -1

    
    Dm7b5 G7 Cm
     
      
      
      

    i 


    ii V
          
     
      
    
     

      
    D F Ab C DFGB C Eb G C

    Dm7b5 G7b9 Cm6


     
      
      

    ii V  i 
      
        


    
      
      
    D F Ab C D F Ab B C Eb G A

    Dm7b5 G7b9 Cm 6/9


     
      
     
    ii
     

    V
     
      
    i 
           
      
     
      
    F Ab C D F Ab B D Eb G A D

    Dm7b5 G7 alt. Cm 6/9


     
      
     ii
     

    V
     
    

      
    i 
       
         


    
      
      
    D G Ab C F A# B Eb Eb G A D
    
    Dm7b5 G7 alt.
    
    Cm 6/9

      
        
       i 
     ii V
     
    
      
    Ab C D G B Eb F A# A D Eb G

    Dm7b5 G7 alt. Cm 11

     
      
     ii i V  
      
      




        
      

      
      
      
       
    D G Ab C F A# B Eb Bb D Eb F

    ALTERED SCALE
           
    G7 alt.
           
    Dm7b5 LOCRIAN #2

     
                 
       G Ab A# B C# Eb F G 
      (F minor melodic ascending)    (Ab minor melodic ascending) 
    D E F G Ab Bb C D
    
    
      
    D G Ab C F A# B Eb F A# B Eb

      
       
        
    
      
         
       
     
       
     
      
        
    
      
      
      
       
       
        

     
       
         
       
      
         
     

      
        

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