Katalog 2007 PDF

IMPRESUM
COLOPHON
IZDAVAČ PUBLISHER
Društvo arhitekata Beograda Association of Belgrade Architects
Kneza Miloša 7/III, Beograd Kneza Miloša 7/III, Belgrade
ZA IZDAVAČA FOR PUBLISHER

Jelena Ivanović Vojvodić, Jelena Ivanović Vojvodić,
Društvo arhitekata Beograda, predsednica Association of Belgrade Architects, president
DIZAJN I OPREMA DESIGN AND LAYOUT

Bogdan Maksimović Bogdan Maksimović
petokraka petokraka
PREVOD TRANSLATION
Snježana Mijatović Snježana Mijatović
LEKTURA PROOF READER

Tatjana Todorović Tatjana Todorović
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Beograd, jun 2007. godine Belgrade, June 2007

ˇ
SADRZAJ
TABLE OF CONTENTS
Povod druge međunarodne Nedelje arhitekture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Summary of the Second International Week of Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Program . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Programme . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Izložbe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Exhibitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Predavanja . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Lectures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Akcije . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Actions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Radionice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Workshops . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Prezentacije . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Presentations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
Organizacija druge međunarodne Nedelje arhitekture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

Organization of the Second International Week of Architecture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
UVOD
INTRODUCTION
NEDELJA ARHITEKTURE ove godine poprima karakter utemeljene manifestacije koju, po drugi put, organizuju
Društvo arhitekata Beograda i Kulturni centar Beograda. Ovogodišnja smotra nastaviće da promoviše profesiju
predstavljanjem uspešnih ostvarenja, konkursnih projekata i vizionarskih ideja naših arhitekata, ali i autora iz
inostranstva. Istovremeno, organizator želi da približi teorijska načela i istoriografske principe koji doprinose
unapređenju arhitektonske struke i kvalitetu izgrađenog prostora.
I ove godine, NEDELJA ARHITEKTURE želi da zainteresuje i uključi u razmišljanje o gradskom prostoru Beograđane
različitih profesija i generacija. Tako će, organizovanjem raznovrsnih tematskih šetnji koje treba da podstaknu
njihovu znatiželju, građanima biti pružena mogućnost da uz podršku vodiča, arhitekata i istoričara arhitekture,
otvore čula za upoznavanje kvaliteta arhitektonskog okruženja. NEDELJA ARHITEKTURE ponovo želi da privuče
i najmlađe Beograđane koji će, u nizu akcija i radionica, imati priliku da bolje upoznaju arhitekturu i arhitekte.
Jedna od najvažnijih uloga ove manifestacije jeste popularizacija arhitekture i nastojanje da se svakom omogući
da razume svoju ulogu u njenom stvaranju i trajanju.
Razmatranje šire shvaćene arhitektonske discipline obuhvatiće niz predavanja istaknutih teoretičara iz zemlje
i inostranstva i aktivnih učesnika u kreiranju prostora. Otvaranje NEDELJE ARHITEKTURE, u toku s najnovijim
evropskim kretanjima, pored predstavljanja stranih timova i autora, pratiće promocija arhitektonskog časopisa
A1O – prve publikacije osnovane u nameri da ujedini arhitektonsku struku cele Evrope.
NEDELJA ARHITEKTURE će, ipak, u najvećoj meri biti posvetćena domaćim temama, od predstavljanja
najuspešnijih konkursnih radova domaćih arhitekata, u organizaciji Društva arhitekata Beograda, do manje
popularnih tema, kao što su nadogradnje, s kojima se celokupna struka i šira javnost moraju uhvatiti u koštac.
Preispitivanje arhitektonskih vrednosti biće obogaćeno i diskusijom i istorijskim pregledom jednog veka
modernosti Beograda, Niša i Novog Sada.
Verujemo da će i ovogodišnja NEDELJA ARHITEKTURE ostvariti svoj glavni cilj – utemeljenje kriterijuma u
shvatanju izgrađenog prostora, afirmaciju pozitivnih vrednosti arhitektonske struke i unapređenje lika Beograda
kao aktivne evropske metropole. Naša misija je da podstaknemo bolje razumevanje uticaja arhitekture u
stvaranju lepše slike našeg grada, a takođe i da ukažemo na značaj arhitektonskog stvaralaštva kao javnog
interesa i izgrađenog prostora kao civilizacijske tekovine čovečanstva.
prof dr Tanja Damljanović Konli

UVOD
INTRODUCTION
This year, the Architecture Week has assumed a character of an established manifestation organized for the second time by
the Association of Belgrade Architect and Cultural Center of Belgrade. Intention of this year’s manifestation is to continue
promoting the profession through presenting successful realizations, competition designs and visionary ideas in the field of
architecture, of both local and foreign authors. At the same time, the organizer wishes to bring theoretical principles closer
to historigraphic principles, which contribute to improving architectural profession and quality of built space.
This year likewise, the Architecture Week is aimed at arousing interest of Belgrade citizens of various professions and age to
include themselves in thinking of a city space. Thus, the citizens will be offered an opportunity to become more interested
in architecture as well as to open their senses for reading quality of architectural environment, through various thematic
walks led by guides, architects and historians of arts. The Architecture Week again wants to attract the youngest Belgrade
citizens who shall, through a number of actions and workshops, have an opportunity to come closer to architecture and
architects. One of the main missions of the Architecture Week is popularization of architectural discipline wishing that
everyone comprehends its role in its creation and duration.
Consideration of a wider meaning of architectural discipline shall be covered by a series of lectures which will be delivered
by prominent theoreticians and active participants in creating space, from the country and aboard. Opening of the
Architecture Week, according to the current European movement, shall be supported, besides presenting foreign and
home teams and authors, also by a promotion of architectural magazine A10 – the first publication aiming at uniting
architectural profession throughout Europe.
Still, the Architecture Week shall be dedicated for the most of its part to local themes, starting from those positive ones,
such as presenting the most successful competition works of home architects in the organization of the Association of
Belgrade Architects, to those less popular ones such as superstructures with which the overall profession and wider public
should get to grips with. Also, reconsideration of architectural values shall be followed by discussions and historical review
of a century of modernism in Belgrade, Niš and Novi Sad.
We are hopeful that this year’s Architecture Week shall accomplish its main goal, namely, establishment of criteria in
comprehending the build space, affirmation of positive values of architectural profession and improvement of an image
of Belgrade as an attractive European metropolis. Our mission is to encourage better understanding of the impact which
architecture has in creating more beautiful image of our town, as well as to point out the importance of architectural
creativity, as a public interest, and the build space, as a civilization’s achievement of entire mankind.
Tanja Damljanović Conley, PhD, Professor
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INTRODUCTION
Dogradnja: uklapanje ili kontrast?
Kad kažemo dogradnja objekata, svi odmah imamo asocijaciju na bezbroj primera loših, divljih dogradnji,
na pojam legalizacije, na čuvene beogradske i zemunske partaje, gde se dograđuje ono davno dograđeno,
komplikuje ono što je već haotično, neukusno, ili gde se samo dodaje kič na postojeću običnu kuću… Negde,
ne tako daleko od nas, u Italiji, Sloveniji, Češkoj, Nemačkoj, Austriji, dogradnja i adaptacija su pravi izazov za
arhitekte koji imaju afinitet prema iteraciji, uklapanju, prema malim, finim zadacima koji mogu da budu merilo
posebnog senzibiliteta.
Pitanje je stava – kada se dograđuje objekat spomeničke vrednosti koji je pod zaštitom: da li dogradnja treba
da bude čista rekonstrukcija onog što je nekada davno postojalo, ili treba da nosi pečat vremena u kojem se
dograđuje? Zaboravljamo na to da bismo, u slučaju pukog ponavljanja minulih razdoblja, imali samo objekte
čistih stilova, renesanse, baroka, moderne itd. Istoričari umetnosti ne bi mogli da identifikuju razne slojeve
koji su tokom vremena dodati pojedinim spomenicima kulture. Gradovi bi bili siromašniji za jednu pojavu:
slojevitost održivog rasta i promena građenih sredina.
Zato je važno da naša sredina ima savremeniji i jasniji, samosvestan stav o dogradnjama, uklapanjima u
spomeničko okruženje, da prati šta se dešava u zemljama koje imaju mnogo veću i bogatiju tradiciju na tom
polju. Muzej Kastelvekio u Veroni kod nas ne bi mogao da se na taj, ingeniozan način adaptira i dograđuje, kao
što je to arhitekta Karlo Skarpa uradio, na radost svih arhitekata i stručnjaka sveta koji odlaze na hodočašće
tom objektu, učeći se kako novo može da se uklapa u staro, a da to uklapanje ima jasan pečat autentičnosti,
sopstveni autoritet, svoj stil bez neukusnih preterivanja.
Velika je poteškoća naći pravu meru uklapanja ili kontrasta prilikom dogradnje čak i običnog objekta bez tereta
istorije umetnosti. Zanimljiva je tema kako od loše započetog objekta napraviti nešto pristojno i savremeno.
Kako edukovati investitore, građane, kako im približiti savremeni stil projektovanja, umesto olako prihvaćene,
loše interpretirane zavodljive postmoderne?
NEDELJA ARHITEKTURE, kao sve češća manifestacija u razvijenim gradovima svakako je jedan od važnih faktora
u edukaciji arhitekata, građanstva, budućih malih i velikih investitora.
Empirijskim putem dolazi se do imena autora koji, na visokom nivou, mogu da se bave tom problematikom.
Karl-Jozef Šatner je savremeni bavarski arhitekta, koga je Katolička crkva angažovala za srednjovekovni
ambijent Ajhšteta.
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INTRODUCTION
Tu odmah nailazimo na stakleni zid u našoj sredini: naša pravoslavna crkva je verno čuvala hiljadugodišnju
tradiciju dok se ona nije okamenila. Purizam ranog srednjeg veka u suštini je veoma blizak našem savremenom
minimalizmu, ili manirizam 16. veka, koji je po svojim principima sličan dekonstruktivizmu današnjice, dobri su
primeri kako treba razmišljati o stilovima koji prate tok vremena.
Danas savremeni arhitekta teško može da se probije svojim idejama u okvirima naših crkvenih spomenika kulture.
Da li postoji ličnost (arhitekta) od autoriteta koja bi mogla da približi savremenu umetnost i graditeljstvo našim
crkvenim veledostojnicima? Crkva akademika arhitekte Branislava Mitrovića pomak je u tom pravcu!
Daleko smo otišli od početne teme dogradnje, ali bez boljeg definisanja osnovnih dilema i stavova teško možemo
naći recept za naizgled jednostavan zadatak: kako dograditi sprat, izgraditi potkrovlje u centru Beograda, kako
u Novom Beogradu, a kako, na kraju krajeva, u starom zaštićenom jezgru Zemuna ili na Beogradskoj tvrđavi?
Pogledajmo izložbu naših kolega da se utešimo i da crpimo novu energiju i volju za te male zadatke...
Anamarija Kovenc Vujić, arhitekta
Extension: Harmonization or Contrast?
When we think of the extension of buildings, what first comes to our minds are numerous miserable, illegal extensions, the
term of legalization, notorious Belgrade and Zemun “tenant extensions”, where the long-ago extended is re-extended, the
already chaotic is further complicated, garish, or kitsch added to an existing plain house… Somewhere - not so far from us,
in Italy, Slovenia, Czech Republic, Germany, Austria, the extensions and remodeling are a true challenge to the architects
with affinity for iteration, harmonization, small, fine tasks that can be a measure for special sensibility.
It is a question of position - when a monument type facility under protection is extended: whether the extension has to be
a mere reconstruction of something that had existed long time ago, or whether it should bear the stamp of times in which
it is being extended? We tend to forget - in case of a mere repetition of former styles - we would only have structures of
clean styles, renaissance, baroque, Moderna etc. The art historians would not be able to identify various layers that had
been added over the time to certain cultural monuments. The cities would be poorer for a phenomenon: stratification of
sustainable growth and change of the developed environments.
It is therefore important for our environment to have a more contemporary and clearer, self-confident position on
extensions, harmonization with the monument environment, to keep up with the goings on in the countries that have a
much greater and richer tradition in that sphere. The museum Castelvecchio in Verona could not have been refurbished and
8
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INTRODUCTION
extended here in that ingenious way, as was done by the architect Carlo Scarpa, to the joy of all architects and experts of
the world that go on a pilgrimage to that structure, learning how the new can be integrated with the old,
and this integration carries a clear stamp of authenticity, one’s own authority, own style without garish exaggerations.
It is very difficult to find the true measure of harmonization or contrast when doing an extension, even with a plain structure,
without “the burden” of the history of art. It is an interesting subject how to create something decent and contemporary
out of a facility that had had a bad start. How to educate investors, population, how to bring the contemporary style of
designing closer, instead of an easily accepted, poorly interpreted seductive postmoderna?
Architecture Week, a manifestation growing more and more frequent across the developed cities, is certainly one of the
major factors in education of architects, the population, future small and major investors.
The names of the authors that are able to deal with this subject matter, at a high level, are arrived at empirically.
Karljosef Schattner is a modern Bavarian architect engaged by the Catholic church to act in the medieval environment of
Eichstaett.
This is where we come up to a glass wall in our environment: our Orthodox church has kept faithfully the thousand year
tradition until it has petrified. The purism of the early medieval century was very similar in essence to our contemporary
“minimalism”, or mannerism of the 16th century, which is similar in its principles to the deconstructivism of the present
days. All these are good examples of how one should consider the styles accompanying the course of time.
The contemporary architect today has a hard time to push his ideas through within some frames of our ecclesiastical
monuments of cultures. Is there a personality (architect) of such authority that could bring the contemporary art and
architecture to our church dignitaries? The church of the academician architect Branislav Mitrović is a shift in that
direction!
We have strayed far from the original subject of “extension”, however, without defining well the main dilemmas and
positions, one cannot find the recipe for the seemingly simple task: how to add another floor, build a loft in the center of
Belgrade, how to do it in New Belgrade, and finally, how to do it in the old protected core of Zemun or on the Belgrade
fortress?
Let’s see the exhibition of our associates in the Architecture Week - let’s console ourselves and draw new energy and
willpower for those “small tasks”…
Anamarija Kovencz Vujić, Architect
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PROGRAM
PROGRAMME
Petak, 29. jun, u 18 časova 18.00 Galerija Žad – Muzej primenjene umetnosti /
Kulturni centar Beograda, Knez Mihailova 6 otvaranje izložbe
’Beogradske nadogradnje’
svečano otvaranje druge međunarodne Ivan Kucina, docent, i Dubravka Sekulić,
NEDELJE ARHITEKTURE arhitekta sa studentima Arhitektonskog
fakulteta u Beogradu
Likovna galerija, Kulturni centar Beograda, 19.00 Likovna galerija, Kulturni centar Beograda,
Knez Mihailova 6 predavanje
18.00 Izložba ’Arhitektonski konkursi 2006 – 2007’ ’Arhitektura Beograda 80-ih i 90-ih godina XX
veka’ – Ljiljana Miletić Abramović, istoričar
Galerija Artget, Kulturni centar Beograda, umetnosti
Trg Republike 5/I
18.30 Izložba ’Arhitektonska fotografija: izgradnje i 21.00 Muzej ’25. maj’ – Muzej istorije Jugoslavije /
nadogradnje potkrovlja u Beču’ autor Violeta otvaranje izložbe
Vujović Salhofer, Austrija ’SMISAO ARHITEKTURE’ – Savremena arhitektura
19.00 Izložba ‘Salon Karamel’ s predavanjem ’Zauvek Štajerske
mladi’ Karamel arhitekti, Austrija Šarlote Pehaker, kustos, direktor ARTIMAGE
20.00 Predavanje ’Istorija supermodernizma’ i promocija Grac, Aleksander Kada, dizajner, i Hajnc Emigholc,
časopisa ’A10’ glavni urednik Hans Ibelings, filmski umetnik
Holandija
Nedelja, 1. jul
Subota, 30. jun
11.00 Šetnje kroz arhitekturu Beograda
Šetnje kroz arhitekturu Beograda Ulica kralja Petra – Bojana Ibrajter Gazibara,
11.00 Gradske vile – Zoran Lazović, profesor /autobus/ istoričar umetnosti /šetnja/
11.00 Kolektivno stanovanje – Tanja Damljanović Konli, Kopitareva gradina – Ljiljana Miletić Abramović
arhitekta /autobus/ istoričar umetnosti /šetnja/
13.00 Obilazak SIV-a – Biljana Mišić, istoričar umetnosti Arhitektura Interpolacija u Beogradu – Branislav
/autobus/ Mitrović, profesor /autobus/
Okupljanje: Infopult – ugao Knez Mihailove ulice Okupljanje: Infopult – ugao Knez Mihailove ulice
i Trga Republike i Trga Republike
16.00 Galerija Artget, Kulturni centar Beograda, 13.00 Muzej ’25. maj’ – Muzej istorije Jugoslavije /
obilazak izložbe sa autorom obilazak izložbe
’Arhitektonska fotografija: izgradnje i nadogradnje ’SMISAO ARHITEKTURE’ - Savremena arhitektura
potkrovlja u Beču’ Štajerske kroz izložbu vodi Šarlote Pehaker, kustos,
Kroz izložbu vodi autor Violeta Vujović Salhofer, Grac
arhitekta
18.00–22.00 Muzej Vojvodine /
odlazak autobusom u Novi Sad
Izložba ‘Konkursa za idejno rešenje zgrade Muzeja
savremene umetnosti Vojvodine’ sa izložbom
Okupljanje: Infopult – ugao Knez Mihailove ulice i
Trga Republike 11
PROGRAM
PROGRAMME
23.00 Šetnja kroz arhitekturu Beograda Utorak, 3. jul

Beograd 50-tih, 60-tih, 70-tih. – Ivan Kucina,
docent /noćna šetnja/ 12.00 Likovna galerija, Kulturni centar Beograda,
Okupljanje: Infopult - ugao Knez Mihailove ulice prezentacija
i Trga Republike ’Porcelanosa’ – keramičke pločice i opremanje
kupatila
Ponedeljak, 2. jul
17.00 Infopult - ugao Knez Mihailove ulice i Trga
12.00 Arhitektonski fakultet / otvaranje izložbe Republike / dečja radionica
’Arhitektura i arhitekti Šćećina’- Društvo arhitekata ’Parkovi i igrališta u Beogradu’ vode Slađana
Šćećina, Poljska Rackov i Magdalena Perišić- Dečji kulturni centar
Arhitektonski fakultet / izložba u toku 21.00 Likovna galerija, Kulturni centar Beograda,
’Povratak obali Dunava’ – Društvo urbanista predavanje
Beograda ’Skoro arhitektura’ – Srđan Jovanović Vajs,
arhitekta, Bazel
14.00 Likovna galerija, Kulturni centar Beograda,
prezentacija Sreda, 4. jul
Potisje Kanjiža - pokrivanje krovova crepom
17.00 Infopult - ugao Knez Mihailove ulice i Trga prezentacija
Republike / dečja radionica ’Soltec’ – sistemi zaštite od sunca
’Pogled sa mog prozora’ vode Slađana Rackov i
Magdalena Perišić - Dečji kulturni centar 17.00 Galerija Artget, Kulturni centar Beograda,
radionica za srednjoškolce
18.00 Off - space / otvaranje izložbe ’Redefinicija poligona ili ko kvari kvadrate’ vodi
’Drugi pogled’ – Zavod za zaštitu spomenika Marija Bulatović, arhitekta i edukator
kulture grada Beograda
Svetlana Ivančević, arhitekta, Milana Jočić, 19.00 Likovna galerija, Kulturni centar Beograda,
arhitekta, i Bojana Ibrajter Gazibara, istoričar okrugli sto ’100 godina modernosti’
umetnosti Učesnici: Ješa Denegri, profesor, Bojan
19.00 Likovna galerija, Kulturni centar Beograda, Kovačević, arhitekta, Milorad Jevtić, arhitekta,
prezentacija Vladimir Mitrović, istoričar umetnosti, Aleksandar
’Tarket enterijeri’ i časopis ’Enterijer’ Keković, arhitekta, Tatjana Stratimirović, arhitekta
Moderator: Darko Marušić, profesor
20.30 o3one galerija / otvaranje izložbe s predavanjem
’Koncentracija grada – nadogradnja krovova u 21.00 Galerija Artget, Kulturni centar Beograda,
Beču’ – Hajnc Luter, arhitekta, Beč razgovor o dokumentarnom filmu
’Moj arhitekta – u potrazi za Luisom Kanom’
Uvodna reč Ivan Kucina, docent
12
PROGRAM
PROGRAMME
Učestvuju predstavnici Ministarstva za kapitalne

Četvrtak, 5. jul investicije i infrastrukturu, Arhitektonskog,
Geografskog i Ekonomskog fakulteta Univerziteta
12.00 Likovna galerija, Kulturni centar Beograda, u Beogradu
prezentacija ’Henkel’ – boje i lepkovi u Moderator: Ratka Čolić, UN-HABITAT
građevinarstvu
17.00 Infopult - ugao Knez Mihailove ulice i Trga predavanje ’Arhitektura i nacionalni identitet u
Republike / dečja radionica estetskoj misli Valtrovića i Milutinovića’
’Idealni grad’ vode Slađana Rackov i Magdalena Vladimir Mako, dekan Arhitektonskog fakulteta
Perišić - Dečji kulturni centar
Subota, 7. jul
besplatni saveti arhitekata ’Prodavnica arhitekture’ 12.00 Akcija označavanja zapuštenih prostora grada u
saradnji sa SO Savski Venac
19.00 Likovna galerija, Kulturni centar Beograda, Okupljanje: ispred opštine Savski Venac, Kneza
prezentacija pilot-projekta ’10 oko 40’ – Naselje Miloša 69
Sunčana strana u Novom Sadu –
sa predavanjem ’Ušteda energije u stanogradnji 19.00 Likovna galerija, Kulturni centar Beograda,
Dejan Vasović, Građevinska direkcija Srbije Objavljivanje rezultata konkursa za poslovni
objekat na Vračarskom platou,
21.00 Likovna galerija, Kulturni centar Beograda, između ulica: Mutapove, Bore Stankovića i
predavanje ’Sveobuhvatno uređenje prostora: Mačvanske
Razmišljanja o javnom prostoru u XXI veku’ Promocija časopisa ’Forum’
Miodrag Mitrašinović, arhitekta, Njujork Prezentacija novog internet sajta DAB-a i SAS-a
Dodela nagrada za najbolje radove dečje radionice
Petak, 6. jul
Nedelja 8. jul
12.00 Likovna galerija / prezentacija
’Xella Srbija’ – Itong blokovi u građevinarsvu 19.00 Likovna galerija, Kulturni centar Beograda,
okrugli sto ’Kultura stanovanja’ - dijalog štajerskih
17.30 Infopult - ugao Knez Mihailove ulice i Trga i srpskih arhitekata, moderatori Ivan Kucina,
Republike / dečja radionica docent i Jovan Mitrović, arhitekta
’Beograd 2100. godine’ vode Slađana Rackov i
Magdalena Perišić - Dečji kulturni centar

okrugli sto
‘Odnos urbanističkog i strateškog planiranja
razvoja teritorije – SIRP pristup izradi strategija
razvoja gradova u Srbiji’
13
PROGRAM
PROGRAMME
29th June, 2007 Friday 9pm Museum ‘25. maj’ - Museum of History of Yugoslavia/
Belgrade Cultural Center, Knez Mihalova 6 Opening of the exhibition
‘SENSE OF ARCHITECTURE -
The opening ceremony of the second international Contemporary Architecture of Styria’, Austria
ARCHITECTURE WEEK Charlotte Pöchhacker - Curator, Director ARTIMAGE Graz,
Aleksander Kada, Designer and Heinz Emigholz, film artist
Art Gallery, Belgrade Cultural Center, Knez Mihalova 6
6 pm Exhibition ‘Architectural Competitions 2006-2007’ 1st July 2007 Sunday
Gallery Artget, Belgrade Cultural Center, 11am Walks through the Belgrade Architecture
Trg Republike 5/I Kralja Petra Street – Bojana Ibrajter Gazibara, Art Historian
6.30 pm Exhibition ‘Architectural photographs: Attics and /walk/
superstructures in Vienna’ - Kopitareva gradina – Ljiljana Miletić Abramović,
author Violeta Vujović Salhofer , Austria Art Historian /walk/
7 pm ‘Caramel Lounge’ with the lecture ‘Forever Young’ Architecture of Interpolations in Belgrade –
Caramel Architekten, Austria Branislav Mitrović, Professor of Faculty of Architecture
8 pm Lecture ‘A History of Supermodernism’ and /bus/
‘A10’ magazine promotion Meeting point: Info counter - corner of Knez Mihailova
chief editor Hans Ibelings, The Netherlands street and Trg Republike
30th June, Saturday 1pm Museum ‘25. maj’ - Museum of History of Yugoslavia/
Exhibition
Walks through the Belgrade Architecture SENSE OF ARCHITECTURE - Contemporary Architecture
11am City Villas – Zoran Lazović, Professor, Faculty of of Styria
Architecture /bus/ Guided tour by the author Charlotte Pöchhacker, curator
11am Collective housing – Tanja Damljanović Conley, Architect
/bus/ 6pm – 10pm Museum of Vojvodina / Visiting Novi Sad by bus
1pm Visit to the Palace of Federation – Biljana Mišić, Exhibition ‘Competition for conceptual design of the
Art Historian /bus/ building for the Museum of Contemporary Art of
Vojvodina’
4pm Gallery Artget, Belgrade Cultural Center / Exhibition Meeting point: Info counter -
‘Architectural photographs: Attics and corner Knez Mihailova street and Trg Republike
superstructures in Vienna’
Guided tour by the author Violeta Vujović Salhofer, 11pm Walk through the Belgrade Architecture
Architect Belgrade 1950-ies -60-ies -70-ies– Ivan Kucina, Assistant
Professor of the Faculty of Architecture /walk/
6pm Jade Gallery, Museum of Applied Arts / Opening of the
exhibition ‘Superstructure in Belgrade’
Ivan Kucina, Assistant Professor, and Dubravka Sekulić,
Architect with the students of the Faculty of
Architecture of Belgrade
7pm Gallery Artget, Belgrade Cultural Center / Lecture

Architecture of Belgrade in 80’s-90’s of 20th century
– Ljiljana Miletić Abramović, Architect
PROGRAM
PROGRAMME
2nd July 2007, Monday 4th July 2007 Wednesday
12am Faculty of Architecture / Exhibition opening 12pm Gallery Artget, Belgrade Cultural Center / Promotion
‘Architecture and Architects of Sczeczin’ - Association of ‘Soltec’ - sun protection systems
Belgrade Architects
5pm Gallery Artget, Belgrade Cultural Center /
Faculty of Architecture / Exhibition Workshop for secondary school students
‘Riverfront Reclaimed’ - Town Planners ‘Redefinition of Polygon or Who is Ruining the Squares?’
Association of Belgrade - held by: Marija Bulatović, Architect and Educator
2 pm Gallery Artget, Belgrade Cultural Center / Promotion 7pm Gallery Artget, Belgrade Cultural Center / Roundtable
Potisje Kanjica - roof tiling ‘100 years of Modernism’
Participants: Ješa Denegri, Professor, Bojan Kovačević,
5pm Info counter - corner of Knez Mihailova Architect, Milorad Jevtić, Architect, Vladimir Mitrović,
street and Trg Republike / Children’s Workshop Art Historian, Aleksandar Keković, Architect,
‘View from my Window’ - held by: Slađana Rackov, Tatjana Stratimirović, Architect
Magdalena Perišić - Children’s Cultural Center Moderator: Darko Marušić, Architect
6pm Off-space / Exhibition opening 9pm Gallery Artget, Belgrade Cultural Center / Discussion on
‘Another View’ – documentary film ‘My architect’ – in search for Luis Kahn
Cultural Heritage Preservation Institute of Belgrade Address speech – Ivan Kucina, Assistant Professor of
Svetlana Ivancević, Architect, Milana Jočić, Architect and Faculty of Architecture
Bojana Ibrajter Gazibara, Art Historian
5th July 2007 Thursday
7pm Gallery Artget, Belgrade Cultural Center / Promotion
‘Tarket Interiors’ and ‘Enterijer’ magazine 12am Gallery Artget, Belgrade Cultural Center / Promotion
‘Henkel’ - paints and glues and adhesives in building
construction
8.30pm o3one Gallery / Exhibition opening and lecture
‘City concentration - Building on the roofs in Vienna’ 5pm Info counter - corner of Knez Mihailova
– Heinz Lutter, Vienna street and Trg Republike / Children’s Workshop
‘Ideal City’ - held by: Slađana Rackov, Magdalena Perišić
3rd July 2007 Tuesday - Children’s Cultural Center
12 am Gallery Artget, Belgrade Cultural Center / Promotion 6pm Gallery Artget, Belgrade Cultural Center / Pro bono
‘Porcelanosa’ - ceramic tiles and bathroom interiors suggestions by architects ‘Shop for Architecture’
5pm Info counter - corner of Knez Mihailova 7pm Gallery Artget, Belgrade Cultural Center / Presentation of
street and Trg Republike / Children’s Workshop the pilot project ‘10 about 40’ - Sunny Side Project in Novi
‘Parks and Playgrounds in Belgrade’ held by: Sad and lecture ‘Energy saving in housing construction’
Slađana Rackov, Magdalena Perišić- Dejan Vasović - Building Construction Agency of Serbia
Children’s Cultural Center
9pm Gallery Artget, Belgrade Cultural Center / Lecture ‘Total Landscape: Reflections on Public Space
‘Almost Architecture’ - Srđan Jovanović Weiss, Basel in the 21st Century‘
Miodrag Mitrašinović, Architect, New York
15
PROGRAM
PROGRAMME
6th July 2007 Friday
12 am Art Gallery, Belgrade Cultural Center / Promotion

‘Xella Serbia’ - Ytong blocks in building construction
5:30pm Info counter - corner of Knez Mihailova

street and Trg Republike / Children’s Workshop
‘Belgrade in 2100’ - held by: Slađana Rackov, Magdalena
Perišić - Children’s Cultural Center
7pm Gallery Artget, Belgrade Cultural Center / Roundtable

‘Relations between Urban and Strategic Planning for the
Territory Development – SIRP Approach to the Development
Strategies for Cities in Serbia’
participants: representatives of the Ministry for Capital
Investments / Infrastructure, Faculties of Architecture,
Geography and Economics of the University of Belgrade
Moderator: Ratka Čolić, Municipal Coordinator of the
UN-HABITAT SIRP Programme

‘Architecture and National Identity in Aesthetic Thought of
Valtrović and Milutinović’,
Vladimir Mako, Dean of the Faculty of Architecture
7th July 2007 Saturday
12 am Action of marking neglected City spaces

in cooperation with the Savski Venac Municipality
Meeting point in front of the Savski Venac Municipality,
Kneza Miloša 68
7 pm Gallery Artget, Belgrade Cultural Center /

Announcement the results of competition for commercial
building on the Vračar plateau, between streets:
Mutapova, Bore Stankovića and Mačvanska
Promotion of ‘Forum’ magazine
Presentation of new internet sites DAB and SAS
Awarding prizes for best works from children workshops
8th July 2007 Sunday
7 pm Art Gallery, Belgrade Cultural Center / Roundtable

’Culture of Dwelling’ – dialogue between Styrian and
Serbian architects
Moderators: Ivan Kucina, Assistant Professor and Jovan
Mitrović, Architect
16
MAPA IŽLOZBI
EXHIBITION VENUES
3
2
1
4
5
17
Nagrađeni radovi konkursa za izradu idejnog arhitektonsko – urbanističkog rešenja
poslovnog objekta na uglu ulica Bore Stankovića i Stojana Protića u Beogradu
Awarded entries at the Competition for preliminary architectural – urban design of
commercial building at corner of Bore Stankovića St and Stojana Protića St in Belgrade
IZLOŽBE
‘Arhitektonski konkursi 2006-07’ EXIBITIONS
organizacija Društvo arhitekata Beograda, dizajn petokraka
Likovna galerija, Kulturni centar Beograda, Knez Mihailova 6
29. jun - 8. jul 2007.
Zašto konkursi
Konkursi su svetski priznata nadmetanja najboljih arhitektonsko-urbanističkih radova za najbolja rešenja.
Ne postoji brži i jasniji cilj za unapređenje arhitekture i urbanizma neke sredine.
Zašto konkursi preko Društva arhitekata Beograda

Duga tradicija konkursa u našoj sredini predstavlja redak kvalitet koji odoleva menama vremena. Nadmetanja
arhitekata na polju ideja najbolji su način za dobijanje optimalnih rešenja za razne konceptualne probleme koji
se tiču ljudskog okruženja. Pojavom privatnog kapitala i investicija, menjaju se i konkursi koji time dobijaju
sasvim novo značenje.
Od uspostavljanja sadašnjeg upravnog odbora do danas, u protekle dve godine, raspisano je više od dvadeset
konkursa. To je dvostruko više nego za četiri godine koje su prethodile tom periodu. Ipak, smatramo da je
moglo biti i mnogo više raspisanih i uspešno realizovanih konkursa. Društvo je svoju organizaciju utemeljilo
na javnosti, pravičnosti, demokratičnosti, na izboru odgovornih članova žirija i na ukupnoj podršci svih svojih
članova.
Kako smo to postigli

Na početku mandata obratili smo se svim gradskim institucijama, Kancelariji gradskog arhitekte pri Skupštini
grada, Direkciji za gradsko građevinsko zemljište, Sekretarijatu za urbanizam i arhitekturu, Zavodu za urbanizam,
Ministarstvu kulture i svim ostalim institucijama koje su neposredno uključene u građenje grada i pokušali
da uspostavimo potrebne relacije. Na naše veliko zadovoljstvo, naišli smo na neophodnu podršku. Posebno
su instituciju konkursa podržali Đorđe Bobić, glavni gradski arhitekta, Stevan Mićić, predsednik Komisije za
planove, Branka Tmušić, član Komisije, Ivana Milenković, glavni arhitekta SO Novi Beograd, Milana Jočić,
direktor Zavoda za zaštitu spomenika kulture i ostali investitori koji su smatrali da imaju neophodnu poslovnu
saradnju sa Društvom i poverenje u naš rad.
Šta smo uradili

Svoju dugu konkursnu praksu DAB razvija i unapređuje postepeno. Članovi Upravnog odbora su sastavili nov
pravilnik o konkursima koji je skraćen, izmenjen, unapređen i precizniji u odnosu na prethodni. Predstoje nam
provere, usaglašavanja sa zakonom, promene zakona pa da institucija konkursa bude utemeljena i neophodna
za budući razvoj grada.
19
Nagrađeni radovi konkursa za izradu idejnog arhitektonsko-urbanističkog rešenja kompleksa Kalenićeve pijace sa
pristupnim trgom na lokaciji Viške ulice i anketno urbanističko rešenje bloka između ulica Kursuline, Maksima Gorkog,
Viške i Njegoševe u Beogradu
Awarded entries at the Competition for preliminary architectural - urban design of Kalenićeva market complex with acess
Square at Viška St and urban design of block between Kursulina St, Maksima Gorkog St, Viška St and Njegoševa St in
Belgrade
IZLOŽBE
EXIBITIONS
Kako izgledaju realizacije arhitektonskih radova dobijenih konkursom

Noviji primeri realizacija radova dobijenih konkursom, koje vidimo na ulicama Beograda, važna su obležja naše
arhitekture. Objekat Jugoslovenskog dramskog pozorišta i mnogi drugi koji su tokom duge konkursne prakse
postali deo slike grada posebni su primeri istrajnosti i upornosti svih aktera u velikom i kompleksnom poslu
građenja i stvaranja dela arhitekture.
Mnogi sadašnji projekti, koje ćemo uskoro videti kao realizovana dela, govore o velikoj potrebi da se praksa
konkursa promoviše.
Raznolikost u stavovima i pristupima doprinosi razvoju profesionalne vitalnosti i sposobnosti da se održi korak
s vremenom. Kvalitet prikazanih radova, s druge strane, predstavlja jasnu potvrdu kontinuirane, uspostavljene
i održane tradicije i vezu s najnovijim tendencijama u svetu.
Jelena Ivanović-Vojvodić i Ivan Rašković,

predsednica i potpresednik Društva arhitekata Beograda
‘Architectural Competitions 2006-2007’

organization Association of Belgrade Architects, exhibition design petokraka
Art Gallery, Belgrade Cultural Center, Knez Mihailova 6
June 29th - July 8th 2007.
Why competitions
Competitions are globally recognized contests of the best architectural and town planning works for the best solutions.
There is no quicker and clearer objective to upgrading the architecture and town planning of an environment.
Why compete through the Belgrade Architects Society

The long tradition of competitions here is a rare quality that has withstood the changes of time. The contest of ideas
between architects is the best way to obtain optimum solutions for various conceptual problems related to the human
environment. With the appearance of private capital and investments the competitions are changing and taking on a
completely new meaning.
Since the establishing of the present Board to this date over 23 competitions were announced This is twice as many
than in the four years that had preceded that period. We believe that there could have been many more announced and
successfully executed competitions. The Belgrade Architects Society has based its organization on transparency, equity,
democratic quality, choice of responsible jury members and total support of all its members.
21
Konkurs za idejno arhitektonsko rešenje rekonstrukcije garaže ‘Zeleni venac’ u ulici Kraljice Natalije u Beogradu
Competition for preliminary architectural design for reconstruction of garage ‘Zeleni venac’, Kraljica Natalija St in Belgrade
IZLOŽBE
EXIBITIONS
How was that achieved

We addressed all municipal institutions at the beginning of the term of office, such as the Office of the Chief Architect
at the City Assembly, Bureau for Building Land and Construction, Secretariat for Urban Planning and Construction, Town
Planning Bureau, Ministry of Culture and all other institutions directly involved with city development and tried to establish
the necessary relations. To our great satisfaction we met with the necessary support. The institution of competition was
supported particularly by Đorđe Bobić, the Chief Architect, Stevan Mićić, Chairman of the Plans Commission, Branka
Tmušić, member of the Commission, Ivan Milenković, Chief Architect of the Municipality of New Belgrade, Milana Jočić,
Director of the Cultural Heritage Preservation Institute of Belgrade, as well as other investors who thought that they had
the necessary business cooperation and trust in the work of the Association of Belgrade Architects.
Our achievements
The Association of Belgrade Architects has developed and improved its competition practice gradually. Members of the
Board have prepared new Rules of Procedure for the competitions, which are innovated, precise and shortened compared to
the previous ones. What we have in store now are checks, harmonization with the law, future changes of the law in order
for the competitions to become established and necessary for the future development of the City.
Execution of architecture obtained through competition

The latest examples of execution by way of competition that we see on the streets of Belgrade are important landmarks of
our architecture. The buildings of the Yugoslav Drama Theater and numerous other structures that have become part of the
city image throughout the long competition practice, are specific examples of perseverance and tenacity of all participants
in the great and complex job of development and creation of a work of architecture.
Numerous current projects that we will see as executed works speak of the great need to promote the competition
practice.
The diversity of positions and approaches contribute to the development of professional vitality and its ability to keep pace
with the time. The quality of the presented works, on the other hand, is a clear confirmation of a continuous, established
and preserved tradition and links with the latest tendencies in the world.
Jelena Ivanović-Vojvodić and Ivan Rašković

President and Vice President of the Association of Belgrade Architects
23
‘Kuća H’, Karamel arhitekti / House H, Caramel Architekten
Fotografija / Photo: H. Hurnaus
IZLOŽBE
‘Salon Karamel’ sa predavanjem ‘Zauvek mladi’ EXIBITIONS
autori Karamel arhitekti, Austrija
Galerija Artget, Kulturni centar Beograda, Trg Republike 5/I
29. jun - 8. jul 2007, predavanje 29. jun 2007. u 19 časova
a house corbels outwards,

a building digs itself,
a capsule docks,
a loop attracts –
Izgrađene i neizgrađene stvari od arhitekata Karamel

uz malo specijalno komponovane elektronske muzike
Karamel – Gunter Katerl (1965), Martin Haler (1966) i Ulrih Aspecberger (1967) rade zajedno od 2000. i
realizovali su brojne projekte zgrada različitih razmera od Forarlberga do Beča.
‘Caramel Lounge’ with the lecture ‘Forever Young’

Caramel Architekten, Austria
Gallery Artget, Belgrade Cultural Center, Trg Republike 5/I
June 29th - July 8th 2007, lecture June 29th 2007 at 7 pm
a house corbels outwards,

a building digs itself,
a capsule docks,
a loop attracts –
built or unbuilt stuff from caramel architects

including a dash of specially composed electronic sound
Caramel – Günter Katherl (1965), Martin Haller (1966) and ich Aspetsberger (1967) – have been working together
since 2000 and have already completed a number of building projects of varying dimensions from Vorarlberg to
Vienna.
25
1050 Mittelersteig 10, Vienna
Arhitekti/ Architects: Delugan Meissl
Fotografija/ Photo: Violeta Vujović Salhofer
IZLOŽBE
‘Arhitektonska fotografija: izgradnje i nadogradnje potkrovlja u Beču’ EXIBITIONS
autor Violeta Vujović Salhofer, Austrija
29. jun - 8. jul 2007.
Cvetni vrt, širok pogled u daljinu, tišina i život u centru velegrada atributi su koji karakterišu stanovanje
visoko gore, u potkrovljima gradova. Kako ta potkrovlja i nadziđivanja deluju na posmatrača koji ih opaža iz
uobičajene perspektive, negde sa trotoara ili trga? Da li učestvuju u stvaranju novih, estetski vrednih slika
gradskih prostora i da li pružaju povoljne utiske svim građanima a ne samo svojim korisnicima?
Izložba arhitektonske fotografije Potkrovlja i nadziđivanja u Beču pokušava da odgovori na ova pitanja na
primeru metropole na Dunavu, nezavisno od stilova (postmoderna, moderna, dekonstruktivizam...) i ukusa.
Posebnu pažnju izložba posvećuje zakonodavnoj hronologiji izgradnje potkrovlja i nadziđivanja u Beču
– sa osvrtom na mogućnosti koje arhitekte pri planiranju imaju, držeći se urbanističkih odredaba lokacije i
građevinskog zakona grada Beča, jer one, pored kreativnosti arhitekte, najviše doprinose tome kako potkrovlje
ili nadogradnja izgledaju.
Po nekim procenama, u postojećem gradskom tkivu, u zoni potkrovlja, moglo bi se izgraditi još 30.000
savremenih stanova, što je u svakom pogledu veliki izazov za arhitekte i urbaniste.
Violeta Vujović Salhofer, arhitekta, Beč
Exhibition ‘Architectural photographs: Attics and Superstructures in Vienna’

author Violeta Vujović Salhofer , Austria
A flower garden, wide view in the distance, silence and living in the center of metropolis are attributes which go abreast
with dwelling high up, in the city attics. How do these attics and building on affect observers who watch them from usual
perspective somewhere from a pavement or a square? Do they participate in creating new, aesthetically valuable pictures
of the city space and do they offer pleasant impressions to all citizens and not only to their beneficiaries?
The exhibition of Architectural Photography: „Attics and Building on in Vienna” tries to provide answer to these questions
by giving an example of metropolis on the Danube, regardless of styles (post-Modern, Modern, Deconstructivism...) and
taste.
The exhibition also pays a particular attention to a legal chronology of attic construction and building on in Vienna – with
reference to possibilities which are available to architects in planning, adhering to urbanistic provisions for location, as
well as to the law on construction of the city of Vienna. Because they, besides creativity of architects, basically contribute
to how an attic or building on would look like.
According to some estimation, another up to 30.000 modern flats could be built in the existing city tissue, in the zone of
attics – this is a great challenge for architects and urbanists as regards shaping and facilities.
Violeta Vujović Salhofer, Architect, Vienna
27
Fotografija/ Photo: Nikola Matić
IZLOŽBE
‘Beogradske nadogradnje’ EXIBITIONS
autori Ivan Kucina, docent AF, i Dubravka Sekulić, arhitekta
sa studentima Arhitektonskog fakulteta u Beogradu
Galerija Žad, Muzej primenjene umetnosti, Vuka Karadžića 18
30. jun - 8. jul 2007.
Izložba BEOGRADSKE NADOGRADNJE realizovana je tokom radionice redovnog programa novih postdiplomskih
studija Arhitektonskog fakulteta u Beogradu, u junu 2007. godine. Izložba predstavlja početak stvaranja arhive
nesvakidašnjih arhitektonskih dela nastalih tokom poslednje decenije u Beogradu. Arhiva će sadržati više
poglavlja, a prvo je posvećeno nadogradnjama. Arhiva treba da pomogne javnosti i budućim istraživačima u
otkrivanju kulturološkog obrasca koji je uslovio nastanak ovakvih građevina.
Izložbu pripremili studenti Arhitektonskog fakulteta u Beogradu: Atanacković Jelena M 06/281,

Andrejević Milica M 06/028, Knežević Srđan M 06/205, Kovačević Uroš M 06/132, Matić Nikola M 06/235,
Popović Sonja M 06/085, Stojanović Vladislava M 06/160, Stojanović Sanja M 06/237, Veličković Teodora M
06/246, Milisavljević Marko M 06/270, Muždeka Marko M 06/118, Lidija Kljaković M 06/119
‘Superstructure in Belgrade’
Ivan Kucina, Assistant Professor, and Dubravka Sekulić, Architect
with students of the Faculty of Architecture of Belgrade
Jade Gallery, Museum of Applied Arts , Vuka Karadžića 18
The exhibition ‘Superstructure in Belgrade’ was realized in course of the workshop within a regular program of the new
Master Studies at the Faculty of Architecture of Belgrade held in June 2007. The exhibition represents a beginning of
establishing archives of unusual architectural works created during the last decade in Belgrade. The archives will include
several chapters, the first one being dedicated to building on. The archives should help both the public and the future
researches in finding out cultural pattern which conditioned the emergence of such buildings.
The exhibition is prepared by the students of the Faculty of Architecture of Belgrade: Atanacković Jelena M 06/281,
Andrejević Milica M 06/028, Knežević Srđan M 06/205, Kovačević Uroš M 06/132, Matić Nikola M 06/235, Popović Sonja
M 06/085, Stojanović Vladislava M 06/160, Stojanović Sanja M 06/237, Veličković Teodora M 06/246, Milisavljević Marko
M 06/270, Muždeka Marko M 06/118, Lidija Kljaković M 06/119
29
‘Smisao arhitekture’ - postavka u Berlinu / ‘Sense of Architecture’ - Installation in Berlin
Curator: Charlotte Pöchhacker,

Exhibition Design / Publication: Alexander Kada,
Film / Photography, Regie und Kamera: Heinz Emigholz,
Camera and Assistance: Till Beckmann,
Sounddesign: Christian Obermaier
International Board: Werner Sewing (D), Moritz Küng (BE), Peter Weibel (A), Kaye Geipel (D) und, Elena Carlini (I)
supported by INSTYRIA and the government of Styria
IZLOŽBE
‘Smisao arhitekture’ - savremena arhitektura Štajerske EXIBITIONS
Šarlote Pehaker, kustos
Muzej ‘25. maj‘ - Muzej Istorije Jugoslavije, Botićeva 6
30. jun - 30. jul 2007.
Izložba ‘Smisao arhitekture’ deo je međunarodnog projekta Laboratorije arhitekture Štajerske. ‘Smisao
arhitekture’ konceptualno se zasniva na ideji sveobuhvatnog vizuelnog atlasa. Izložba pruža uvid u oko 60
kvalitetnih projekata i zgrada, impresivnu panoramu savremene arhitektonske produkcije koju stimuliše samo
jedan evropski region, Štajerska, i koja se prevodi na jednostavan vizuelni jezik umetnika.
Svakako da ne postoji nedostatak radova uglednih arhitekata kao što su: Ginter Domenig, Klaus Kada, Folker
Ginke, Diter Fajhtinger, ARTEC, fasch&fuchs, Peter Kuk i Ben van Berkel, ali zahvaljujući dobro osmišljenom
tematskom pristupu, na izložbi se nalaze i radovi manje poznatih arhitekata kao što su Fejferlik Fricer,
SPLITTERWERK, ORTLOS, Azra Aksamija i PPAGl.
Teme kojima se bavi izložba odabrane su na osnovu njihovog značaja za lokalnu produkciju, i međunarodnu
razmenu u oblasti arhitekture. Sledećih šest tema čine strukturu izložbe i unapređuju razmenu i dijalog o
najnovijoj arhitektonskoj produkciji: ‘Kultura življenja’, ‘Zgrada u istorijskom kontekstu’, ‘Javni prostori i javni
objekti’, ‘Rurbanitet’, ‘Umetnost i arhitektura’, ‘Nauka i arhitektura’
Šarlote Pehaker, osnivač direktor ARTIMAGE, Instituta za produkciju savremene kulture i teorije od 1992.
godine. Umetnički direktor Bijenala medija i arhitekture u Gracu od 1993. godine.
‘Sense of Architecture’ - Contemporary Architecture of Styria

Charlotte Pöchhacker, Curator
Museum ‘25. maj’ - Museum of History of Yugoslavia, Botićeva 6
The exhibition ‘Sense of Architecture’ is a part of the international project Architecture Laboratory Styria. ‘Sense of
Architecture’ is conceptually based on the idea of a comprehensive visual atlas.
The exhibition provides with about 60 high quality projects and buildings an impressive panorama of contemporary
architectural production stimulated by a single European region Styria, and translated into a single artist’s visual
language.
There is certainly no shortage of works by renowned architects such as Guenther Domenig, Klaus Kada, Volker Giencke,
Dieter Feichtinger, ARTEC, fasch&fuchs as well as Peter Cook and Ben van Berkel, but thanks to the well-reasoned thematic
approach there is work by many emerging architects as feyferlik / fritzer, SPLITTERWERK, ORTLOS, Azra Aksamija, and PPAG
on display as well.
The themes explored by the exhibition were selected on the basis of their significance for the local production as well as
basis for an international exchange on architecture.The following 6 themes structure the exhibition and enhance exchange
and dialog on recent architectural production:“Cultures of Living”, “Building in Historical Contexts”, “Public Spaces and
Public Structures”, “Rurbanity”, “Art and Architecture”, “Science and Architecture”.
Charlotte Pöchhacker, founding director of ARTIMAGE. Institute for Contemporary Culture and Theory Production.
in 1992. Since 1993 artistic director of Graz Biennial on Media and Architecture.
31
Izložba Àrhitektura i arhitekti Šćećina` / Exhibition ‘Architecture and architects of Szczecin’
IZLOŽBE
Àrhitektura i arhitekti Šćećina` EXIBITIONS
organizacija Društvo arhitekata Šćećina, Poljska
Arhitektonski fakultet Univerziteta u Beogradu, Bulevar kralja Aleksandra 73/II
2 - 8. jul 2007.
Zašto u Beogradu i zašto na Arhitektonskom fakultetu?

Šćećin je jedan od najinteresantnijih gradova Poljske sa jedinstvenim položajem na reci ODRI, velikom jezeru
Dombije i Šćećinskom zalivu. Šćećin je dobio pravo grada 1241. godine. Od tada je istorija grada povezana sa
događanjima karakterističnim za kontinuitete kojima se odlikuju svi evropski gradovi a posebno sa funkcijom
rečnog pristaništa na Odri, na čijim se obalama odvijao svakodnevni život njegovih građana.
Slične su karakteristike Beograda.
Graditeljski kontinuiteti Šćećina vidljivi su preko brojnih istorijskih zgrada. Do današnjih dana arhitekti tog grada
daju doprinos lepoti gradskih prostora a Dani arhitekture Beograda prilika su da se prikaže deo tog graditeljstva
koje je krajem 19. veka bilo na nivou velikih evropskih gradova Pariza i Berlina, a početkom 21. veka ponovo
doživljava taj uspon.
Arhitekte Šćećina i Beograda povezuje tradicionalna saradnja iz poslednje decenije 20. veka kada su (svake druge
godine) saradnici beogradskog Arhitektonskog fakulteta (u okviru konfrontacija EUROSAG-a), svojim idejama
davali doprinos urbanom razvoju Šćećina. Prilika je da se ta saradnja obnovi i da se arhitektima iz Šćećina uzvrati
gostoprimstvo i srdačnost kojom su nas nesebično darivali.
prof. Dimitrije Mladenović
‘Architecture and architects of Szczecin’

organization Association of Szczecin Architects, Poland
Faculty of Architecture University of Belgrade, Bulevar kralja Aleksandra 73/II
2nd - 8th July 2007
Why in Belgrade and why at the Faculty of Architecture?

Szczecin is one of the most interesting Polish towns with a unique position on the River Odra, large lake of Dombia and
Szczecin Bay. Szczecin is a very attractive town thanks to its surroundings – small hills, big forest complex, vicinity of the
Baltic Sea and particularly the River Odra backwaters.
Szczecin got a status of a town in 1241. Since that time the history of the town has been linked with events typical for
continuity which is characteristical for all European towns, and particularly for the function of the port on the River Odra
on whose banks everyday life of its citizens has been going on.
Belgrade has similar characteristics.
Architectural continuity of Szczecin is visible in a great number of historical buildings. Until now, architects of this town
have given their contribution to the beauty of the city spaces, and the Architecture Week in Belgrade is an opportunity to
show a part of this architecture which was by the end of 19th century at the level of big European cities, Paris and Berlin,
while at the beginning of 21st century it is again on the rise.
Architects of Szczecin and Belgrade are linked with traditional cooperation established in the last decade of the 20th century
when (every second year) the associates of the Faculty of Architecture of Belgrade (within the EUROSAG confrontations)
contributed with their ideas to the Szczecin urban development. Now, there is an opportunity to renew the cooperation and
return to the architects of Szczecin their hospitality and cordiality with which they have unselfishly bestowed us.
Dimitrije Mladenović, Professor 33
`Povratak obali Dunava` - postavka u Beogradu, maj 2007.
`Riverfront Reclaimed` - Installation in Belgrade, may 2007
Fotografija/ Photo - petokraka
IZLOŽBE
‘Povratak obali Dunava’ EXIBITIONS
organizacija Društvo urbanista Beograda, dizajn petokraka
Hol Arhitektonskog fakulteta Univerziteta u Beogradu, Bulevar kralja Aleksandra 73/II
25. jun – 5. jul 2007.
Koncept izložbe fokusira dizajn urbane strukture i personalizaciju rada, jer kada govorimo o arhitekturi
govorimo o autorima, kada govorimo o urbanizmu govorimo o timskom radu.
Izložbena postavka predstavlja timove i pojedince koji stoje iza konkursnih rešenja – otkriva lica beogradskog
urbanizma.
Personalizacija rada ukazuje na složenost delovanja i realizacije dizajna u urbanizmu, kao i na odgovornost
rada u toj složenoj oblasti.
Područje Ade Huje jedan je od najznačajnijih projekata šire centralne zone Beograda – i po obuhvatu, više od
400 ha, i po dispoziciji, uz Dunav. Izložba predstavlja jedan segment rada na pripremi planske dokumentacije
za područje Ade Huje. Organizator programsko prostorne provere područja Ada Huja je Urbanistički zavod
Beograda.
Osnovni cilj rada Društva urbanista Beograda je promovisanje struke izložbama, simpozijumima, konkursima,
seminarima i predavanjima stručnoj i široj javnosti.
‘Riverfront Reclaimed‘
organization Town Planners Association Belgrade, exhibition design petokraka
Hall of Faculty of Architecture University of Belgrade, Bulevar kralja Aleksandra 73/II
25th June - 5th July 2007
The concept of the exhibition is focused on urban structure design and personalization of a work, because when we speak
about architecture we actually speak about authors, when we speak about town planning then we speak about a team
work. The exhibition display presents teams and individuals who stand behind competition concepts – it reveals persons
of Belgrade town planning. Personalization of work indicates complexity of action and realization of a design in town
planning, as well as responsibility of work in this complex field.
The Ada Huja area is one of the most important projects of a wider central zone of Belgrade – both by its coverage, more
than 400 ha, and by its disposition, along the Danube. The exhibition represents a segment of work on preparing plan
documents for the Ada Huja area. Organisers of preliminary Competition were Town Planning Institute of the City of
Belgrade.
To present its professional activites through exhibitions, symposiums, competitions, seminars and lectures to the
professional and wider public, is the principal aim of the Town Planners Association Belgrade.
35
Zgrada Beogradske zadruge, Karađorđeva 48, Beograd
Building of the Belgrade Cooperative, Karađorđeva 48, Belgrade
Fotografija / Photo: Snežana Negovanović
IZLOŽBE
’Drugi pogled’
EXIBITIONS
organizacija Zavod za zaštitu spomenika kulture grada Beograda
autori: Svetlana Ivančević, arhitekta, Milana Jočić, arhitekta, i Bojana Ibrajter Gazibara, istoričar
umetnosti, fotograf Snežana Negovanović, dizajn Unibrand
Galerija Off-space, Beton hala, Karađorđeva 2
2 - 8. jul 2007.
Znamo da imate veoma malo vremena, zbog toga i ovaj tekst mora da bude kratak.
Želimo da uočite i prepoznate detalj na spomeniku kulture. Znate, to je ona zgrada pored koje prolazi vaš
autobus svakoga dana. Sićušni fragment vašeg prezauzetog dana. Slika u odblesku stakla na vratima koja se
zatvaraju.
Želimo da priđete bliže i bacite drugi pogled.
Osnovan 1960.god, u svom dugogodišnjem postojanju Zavod za zaštitu spomenika kulture grada Beograda
otkrio je, prepoznao i od zaborava sačuvao veliki broj objekata čijeg smo postojanja svesni tek onoliko koliko ih
sagledavamo i doživljavamo krajičkom oka.
‘Another view’
organization Cultural Heritage Preservation Institute of Belgrade
authors: Svetlana Ivančević, architect, Milana Jočić, architect and Bojana Ibrajter Gazibara, art historian,
design Unibrand
Gallery Off-space, Beton Hala, Karađorđeva 2
July 2nd -July 8th 2007.
We know that you have a very little time. That is why this text must be very short.
It is our intention that you observe and recognize a detail on this monument of culture. You know, this is that building by
which your bus passes every day. A very tiny fragment of too busy day. The picture reflected in a glass of the door which
is closing.
We would like you to come closer and take a look.
Founded in 1960, the Cultural Heritage Preservation Institute of Belgrade, during its long-time existence has discovered,
identified and saved from oblivion a great number of structures of whose existence we are aware only to the extent to
which we observe them and experience them out of the corner of our eye.
37
Poslovni prostor, Beč / Project Office Penthouse Meidlinge Hauptstrasse, Vienna
Fotografija/ Photo ad Copyright: M. Spiluttini
IZLOŽBE
‘Koncentracija grada - nadogradnja krovova u Beču’ sa predavanjem EXIBITIONS
autor Hajnc Luter, arhitekta, Beč
o3one galerija, Andrićev venac 12
2 - 8. jul 2007, predavanje 2. jul 2007. u 20.30 časova
Nadogradnja krovova i visokih zgrada je sporno pitanje u Beču. Bez sumnje je da nadogradnja prostora na
krovovima ima mnoge prednosti: nema potrebe za izgradnjom dodatnih puteva, građevinskog zemljišta
ili infrastrukture. Dodatno izgrađeni prostor ima svetliji, bolji pogled i najzad, ali ne najmanje važno, bolji
potencijal u pogledu situacionog plana.
Pod kojim opštim uslovima je moguća nadogradnja krovova u Beču?
a) Zakonski uslovi i b) Zahtevi vezani za estetski oblik
Ja sam za sebe razvio četiri pristupa projektovanju nadogradnje krovova.
1. Rekonstrucija u okviru postojećeg omotača zgrade. Ovde se jedina izmena omotača, na primer, sastoji od
umetanja krovnih terasa i isturenih krovnih badža.
2. Zgrada dobija nov oblik krova koji se projektuje u skladu sa glavnim oblikom i strukturom zgrade.
3. Podiže se nezavisan objekat na vrhu glavnog oblekta. Ovde glavni objekat služi kao osnova za krovnu
konstrukciju koja formira glavnu karakteristiku zgrade.
4. Projekat novog krova se integriše u prvobitni krovni omotač da bi se obezbedilo spajanje novog sa starim.
Hajnc Luter, arhitekta
Hajnc Luter, arhitekta (1945) živi i radi u Beču.
‘City concentration - Building on the roofs in Vienna’ with lecture

author: Heinz Lutter, Vienna
o3one Gallery, Andrićev venac 12
July 2nd - July 8th 2007, lecture July 2nd 2007 at 8.30 pm
Building on the roof and high-rise building are contentious issues in Vienna. There is no question that adding space on the
roof has many advantages: there is no need for additional roading, building land or infrastructure. The added space has
more light, good views and, last but not least, a better potential concerning lay out.
Under what general conditions are roof extensions possible in Vienna?
a) Legal requirements and b) Aesthetic form requirements
I have developed, for myself, four approaches for the designing of roof extensions.
1. Reconstruction within the existing building envelope. Here the only change to the envelope is, for example, insets for
roof terraces and the projections of dormer windows.
2. The building is given a new roof form of which is developed from considerations of the main building’s form and
structure.
3. An independent object is erected on top of the main structure. Here the main structure serves as a pedestal for the roof
structure which forms the main feature of the building.
4. The new roof design is integrated into the original roof envelope to provide a merging of the new with the old.
Heinz Lutter, architect
Heinz Lutter, architect (1945), works and lives in Vienna.
39
PREDAVANJA
‘Istorija supermodernizma’ i promocija casopisa ‘A10’ LECTURES
urednik i izdavač: Hans Ibelings, Holandija
29. jun 2007. u 20 časova
Većina trendova u savremenoj arhitekturi traje samo jednu deceniju.

Postmodernizam je cvetao od kasnih sedamdesetih do kasnih osamdesetih, dekonstruktivizam od sredine
osamdesetih do ranih devedesetih, a supermodernizam od kasnih osamdesetih do kasnih devedesetih. Ono
što se u početku čini novim, svežim i interesantnim brzo se pretvara u istrošenu fomulu, koju treba zameniti
nečim najnovijim. Ovaj brzi proces ne utiče samo na arhitekturu već i na pisanje o njoj. Ako je moj esej
o supermodernizmu ikada uopšte i bio opis aktuelnih tendencija, on je gotovo deceniju nakon svog prvog
objavljivanja već postao istorijska knjiga. Ova prezentacija gleda unazad, na jučerašnjicu, stavlja arhitekturu
opisanu kao supermodernizam i eponimsku knjigu u kontekst kasnog dvadesetog veka i odražava ono što bi
mogla da bude sledeća velika stvar u arhitekturi.
Hans Ibelings (1963) istoričar arhitekture i urednik i izdavač časopisa ‘A10 - Nova evropska arhitektura’. Autor
je nekoliko knjiga, uključujući ‘Supermodernizam: arhitektura u doba globalizacije’. Živi i radi u Amsterdamu.
‘A History of Supermodernism’ and ‘A10’ magazine promotion

editor and publisher Hans Ibelings, The Netherlands
June 29th 2007. at 8 pm
Most trends in contemporary architecture only last about a decade.

Postmodernism flourished from the late-seventies until the late -eighties, Deconstructivism from the mid-eighties until
the early nineties, and Supermodernism from the late eighties until the late nineties. What seems to be a new, fresh and
interesting in the beginning rapidly turns out be a worn-out formula, to be replaced by the latest new thing. This rapid
process not only affects architecture, but also the writing about it. If my the essay on Supermodernism has ever been a
description of current tendencies at all, almost a decade after its first publication it has certainly become a history book.
This presentation looks back at yesterday’s present, places both the architecture described as Supermodernism and the
eponymous book in the late twentieth-century context and reflects on what could be the next big thing in architecture.
Hans Ibelings (1963) Amsterdam-based architectural historian and critic editor and publisher of ‘A10 - new European
architecture’. Author of several books, including ‘Supermodernism: Architecture in the Age of Globalization’.
41
Palata `Zepter`, Beograd/ Palace `Zepter`, Belgrade
Arhitekti/ Architects: Branislav Mitrović, Vasilije Milunović
PREDAVANJA
‘Arhitektura Beograda 80-ih i 90-ih godina XX veka’
LECTURES
mr Ljiljana Miletić Abramović, istoričar arhitekture
Predavanje o arhitekturi Beograda osamdesetih i devedesetih godina XX veka ima cilj da predstavi kompleksnost,
višeslojnost, kontradiktornost i dihotomiju beogradske arhitekture koja je nastajala u vrlo nepovoljnim
tranzicijskim društveno-istorijskim okolnostima. Beogradska arhitektura ovog perioda vrlo precizno odslikava
kulturnu i civilizacijsku alhemiju beogradske sredine - polet, živost, otvorenost i poseban vid demokratizacije
kulturne scene tokom 80-ih godina, ali i krah, kontroverze, destruktivnost i civilizacijsko iskliznuće tokom
90-ih godina.

Zaposlena kao kustos Odseka za arhitekturu Muzeja primenjene umetnosti u Beogradu (od 2002). Od ranih
osamdesetih godina bavi se istorijom srpske arhitekture novijeg doba. Autor je većeg broja radova iz ove
oblasti.
‘Architecture of Belgrade in 80’s-90’s of 20th century’

Ljiljana Miletić Abramović, Historian of Architecture
The lecture on Architecture of Belgrade in eighties and nineties of the 20th Century is aimed at presenting complexity,
multilayer quality, contradictions and dichotomy of Belgrade architecture which has emerged in very unfavorable social and
historical conditions of transition. The Belgrade architecture of this period very precisely reflected cultural and civilization
‘alchemy’ of the Belgrade environment - dash, vivacity, openness and special form of democratization of cultural scene
during eighties, but also a collapse, controversies, destructiveness and civilizational skid- off during nineties.
Ljiljana Miletić Abramović, MA, Historian of Architecture

Curator – Museum Advisor of the Department for Architecture of the Museum of Applied Arts in Belgrade
She has been employed as a curator in the Department for Architecture of the Museum of Applied Art in Belgrade
(since 2002). Since early eighties, Ljiljana Miletić Abramović has been dealing with the history of contemporary Serbian
architecture. She is the author of number of papers in the field.
43
Srđan Jovanović Vajs & NAO, Stadion kulture – kuda.org, Novi Sad, 2005.
Srđan Jovanović Weiss & NAO, Stadium of Culture – kuda.org, Novi Sad, 2005.
PREDAVANJA
‘Skoro arhitektura’ LECTURES
Srđan Jovanović Vajs, arhitekta, Bazel
3. jul 2007. u 21 čas
Kolika je uloga arhitekture u procesu demokratizacije društva i tokom naglih političkih promena?
Predavanje nudi niz odgovora u formi istraživačke arhitekture i projekata objavljenih u knjizi Skoro arhitektura
u izdanju Merz&Solitude + kuda.nao.
Autor će prikazati selekciju iz produkcije svog biroa Normal Architecture Office i odabrane primere iz saradnje
sa Herzog & de Meuron arhitektima iz Bazela, Švajcarska.
Srđan Jovanović Vajs, arhitekta iz Srbije, osnivač Normal Architecture Office u Njujorku i predavač na
Pensilvanija univerzitetu u Filadelfiji, SAD.
‘Almost architecture’
Srđan Jovanović Weiss, Architect, Basel
July 3rd 2007. at 9 pm
What is the role of architecture in the society democratization process and in the period of rapid political changes?
The lecture offers a series of answers in the form of research architecture and projects published in the book titled
‘Almost Architecture’ published by Merz&Solitude + kuda.nao. Author will show a selection from the production of his
Normal Architecture Office and selected examples of the cooperation with the Herzog & de Meuron architects from Basel,
Switzerland.
Srđan Jovanović Weiss, architect from Serbia, founder of Normal Architecture Office, New York and lecturer at Pennsylvania
University in Philadelphia, USA.
45
PREDAVANJA
Okrugli sto ‘100 godina modernosti’ LECTURES
moderator: Darko Marušić, arhitekta, član UO Društva arhitekata Beograda
4. jul 2007. u 19 časova
Učesnici okruglog stola sa temom ‘100 godina modernosti’:

1. prof. Ješa Denegri, istoričar umetnosti - UVODNA REČ
2. Bojan Kovačević, arhitekta, direktor Muzeja Beograda - ARHITEKTURA DO I OD POJAVE MODERNE
Početak moderne arhitekture u Srbiji nije moguće jasno locirati događajem ili nekom građevinom, projektom
koji je prosvetlio graditeljsku misao. Može biti određena samo uža vremenska zona sebepredrugojačenja
(sichanderswerden), da upotrebimo pojam pozajmljen iz nemačke filozofije. Po Beogradu su tokom treće
decenije delali neki graditelji vrhunskog modernističkog kova i neovdašnjeg rejtinga, poput Huga Erliha, koji
je proveo dve godine u prestonici Jugoslavije, ostavivši nam izvrstan objekat banke u ulici Kralja Petra, ili
pak Nikole Dobrovića, koji je izbombardovao usnulu evropsku periferiju svojim projektom Terazijske terase
na samom kraju dvadesetih. Ipak, opšteprihvaćen je stav da je početak moderne arhitekture u Srbiji vezan za
pojavu Grupe arhitekata modernog pravca (GAMP). Četvorica beogradskih arhitekata Kojić, Babić, Dubovi i
Zloković osnovali su grupu 1928. godine.
3. Milorad Jevtić, arhitekta, publicista - IDEJE MODERNE U ARHITEKTURI BEOGRADA

U DRUGOJ POLOVINI 20. VEKA
S obzirom na to da je prethodnih sto godina proteklo u znaku moderne, dat je osvrt na arhitekturu Srbije
kroz razdoblja povezana sa terminom modernost, kao što su moderna, postmoderna, neomoderna i na pravce
i strujanja tokom druge polovine XX veka poput high-techa, brutalizma, metabolizma, dekonstruktivizma,
skulpturalizma...
4. Vladimir Mitrović, istoričar umetnosti - IDEJE MODERNE U ARHITEKTURI NOVOG SADA

Moderne tendencije u arhitekturi nastaloj na teritoriji Vojvodine tokom XX veka brzo se smenjuju.
Secesija se pojavila i vaskrsla u okviru samo jedne decenije. Međuratni akademizam trajao je kratko da bi
potom moderna postala vladajući stil. U posleratnoj arhitekturi sledi kratak period socrealizma pa umereni
modernizam, u kojem je preovlađivao funkcionalistički pristup arhitekturi, nasleđuje regionalni modernizam.
Početak sedamdesetih obeležili su odjeci britanskog brutalizma, potom visoki modernizam pa postmodernizam,
a devedesete godine označavaju naglo zamiranje modernističkih procesa s pojavom nekritičkog folklorizma.
Od 2000. uočava se pojava novog modernizma.
5. mr Aleksandar Keković, arhitekta, potpredsednik Društva arhitekata Niša - IDEJE MODERNE U ARHITEKTURI
NIŠA 1920-1941.
- Vremenski okvir nastanka moderne u Srbiji i Nišu
- Uzroci pojave moderne u Nišu
- Istorijsko-politički uslovi pojave pokreta moderne u Nišu
46
PREDAVANJA
LECTURES
6. Tatjana Stratimirović, arhitekta, član grupe ‘Neoarhitekti‘ - MODERNA ARHITEKTURA I TRAG VREMENA
- novo i moderno
- nasleđe i modernizam
- rekonstrukcija i modernizacija
7. prof. Darko Marušić, arhitekta, član UO Društva arhitekata Beograda
Roundtable ‘100 years of Modernism’

moderator Darko Marušić, Architect, Member of Executive Board of Association of Belgrade Architects
July 4th 2007. at 7 pm
Participants of Roundtable with the topic ‘100 years of Modernism’:
1. prof. Ješa Denegri, Art Historian – INTRODUCTIONARY NOTES

2. Bojan Kovačević, Architect, Director of the Museum of Belgrade - ARCHITECTURE BEFORE AND AFTER MODERNISM
The beginning of the Modernism in architecture in Serbia cannot be clearly located by an ‘event’ or some building, project
that had ‘enlightened’ the public opinion. It can only be a narrow time zone of sebepredrugojacenja (sichanderswerden),
to use the term borrowed form German philosophy. In the thirties there were few architects with high modernistic profile
that worked in Belgrade. Hugo Erlich, who spent two years in the capital of Yugoslavia, leaving us with a splendid building
of a bank in Kralja Petra street, or Nikola Dobrović who ‘bombarded’ the drowsy European suburb with his project of the
Terazije terrace at the very end of the 1920-ies. Nevertheless, there is a generally accepted position that the beginning
of modern architecture in Serbia is linked with the appearance of the Group of Architects of Modern Movement (GAMP).
Four Belgrade architects Kojić, Babić, Dubovi and Zloković founded the Group in 1928.
3. Milorad Jevtić, Architect, Publicist – IDEAS OF MODERNISM IN ARCHITECTURE OF BELGRADE IN THE SECOND HALF OF
THE 20TH CENTURY
Considering that the last century has passed under the sign of Modernism, the insight of Serbian architecture will be given
through the periods in relation to the term modern such as Modernism, Postmodernism and Neomodernism as well as
movements in the second half of the 20th century - High-tech, Brutalism, Metabolism, Deconstructivism, Sculpturalism…
4. Vladimir Mitrović, Art Historian – IDEAS OF MODERNISM IN THE ARCHITECTURE OF NOVI SAD
The modern tendencies in architecture that had appeared in the territory of Vojvodina during the 20th century changed
quickly. The Secession appeared and resurrected within just one decade. The Academism between two World Wars lasted
shortly in order for Modernism to become the ruling style. In the post-war architecture there was a short period of socialist-
realism, followed by the so called moderate modernism in which the functional approach to architecture, which inherited
47
PREDAVANJA
LECTURES
the regional modernism, prevailed. The beginning of the seventies was marked by the appearance of the reverberation of
the British brutalism, followed by high modernism and post-modernism, whereas the nineties meant a sudden extinguishing
of the modernist processes with the appearance of non-critical folklorism. Since 2000 there is a visible appearance of new
modernism.
5. Aleksandar Keković, MA, Architect - MODERN MOVEMENT IN NIŠ 1920-1941.
- Time frame of appearance of Modernism in Serbia and Niš

- The appearance of the Modern movement in architecture in Niš
- Historical and political circumstances of appearance of the Modern movement in Niš
6. Tatjana Stratimirović, Architect, member of the group ‘Neoarhitekti’- MODERN ARCHITECTURE AND TRACES IN TIME
- new and modern

- heritage and modernism
- reconstruction and modernizing
7. Darko Marušić, Professor, Architect, member of the Executive board of Association of Belgrade Architects
48
PREDAVANJA
‘Ušteda energije u stanogradnji’ LECTURES
mr Dejan Vasović, direktor Građevinske direkcije Srbije
prezentacija pilot projekta `10 oko 40` - Naselja Sunčana strana u Novom Sadu
Kao najveći graditelj stanova u Republici Srbiji, Građevinska direkcija Srbije je odlučila da svoje napore usmeri
u pravcu afirmisanja potrebe za štednjom energije ne samo u izgradnji novih stanova već i rekonstrukcijom
postojećeg stambenog fonda.
Građevinska direkcija Srbije je pokrenula pilot projekat izgradnje energetski efikasnog naselja Sunčana strana u
Novom Sadu. Izgradnja ovog naselja sa oko 1.000 stanova započeta je 2000. godine na vojnoj lokaciji poznatoj
pod imenom ‘Jugovićevo’. Namera je da ovo naselje bude ogledno u svakom pogledu. U tu svrhu angažovano je
10 priznatih arhitekata (u svojim četrdesetim godinama) i timova koji su svojim idejnim projektima dokazali da
energetski efikasna arhitektura može da bude kreativna i raznovrsna.
Građevinska direkcija Srbije osnovana je odlukom Vlade Republike Srbije radi upravljanja projektima od značaja
za Republiku, prvenstveno, za upravljanje investicijama u građevinarstvu.
Građevinska direkcija Srbije se aktivno uključila u program energetske efikasnosti u Srbiji, prepoznajući ga kao
jedan od strateških programa od izuzetnog značaja za Republiku. Direkcija je osnivač Fonda za uštedu energije
u stanogradnji; učesnik u dva naučnoistraživačka projekta iz oblasti energetske efikasnosti koje finansira
Ministarstvo za nauku i zaštitu životne sredine.
‘Energy efficiency in housing construction’

Dejan Vasović, director Building Construction Agency of Serbia
presentation of Pilot project ‘10 about 40’ - Sunny Side Project in Novi Sad
As one of the biggest builders of flats in the Republic of Serbia, the Building Directorate of Serbia has decided to direct
its efforts towards affirming needs for energy saving not only in new housing construction but also by reconstructing the
existing housing stock.
The Building Directorate of Serbia has initiated a pilot project of construction of the Sunny Side energy efficient settlement
in Novi Sad. The construction of this settlement with about 1,000 flats commenced in 2000 on the military location
known as ‘Jugovićevo’. This settlement was intended as a pilot project in every aspect. For this purpose, 10 renowned
architects (in their fourties) and their teams have been engaged. With their conceptual designs they have proven that
energy efficient architecture may be creative and diverse. The Project 10 around 40 is a unique undertaking on the territory
of the Republic.
The Building Directorate of Serbia was founded by the decision of the Government of the Republic of Serbia for the purpose
of managing projetcs of importance for the Republic, primarily, for managing investments in the building industry.
The Building Directorate of Serbia has actively engaged in the energy efficiency program in Serbia, identifying it as one
of the strategic programs of exceptional importance for the Republic. The Directorate is a founder of the Fund for Energy
Saving in housing construction. It is also a paprticipant in two scientific and research projects in the field of energy
efficiency which is funded by the Ministry of Science and Environmental Protection. 49
PREDAVANJA
‘Sveobuhvatno uređenje prostora: razmišljanja o javnom prostoru u XXI veku’ LECTURES
Miodrag Mitrašinović, arhitekta, Njujork
5. jul 2007. u 21 čas
Knjiga ‘Sveobuhvatno uređenje prostora, tematski parkovi, javni prostor’ bavi se tematskim parkom; identifikujući,
izdvajajući i opisujući osobine PROPASt(i) – privatnog javno dostupnog prostora na tematski način – hibridnog
oblika javnog prostora koji nastaje u urbanim sredinama širom sveta. Mitrašinović ne predlaže da su tematski
parkovi – PROPASt (niti da će ikada postati) – poželjna supstitucija za demokratski javni prostor, već namerno
prikazuje ‘model tematskog parka’ sa namerom da razume princip sistematske celine koja se primenjuje kada se
takav model koristi za revitalizaciju urbanog javnog prostora u Sjedinjenim Američkim Državama, Aziji i Evropi.
Mitrašinović snažno uverava da je jedini način da se razume kuda vodi nedostatak adekvatne javne politike i
aktivnog učestvovanja građana u tome da se pažljivo sagledaju mehanizmi produkcije sveobuhvatnog uređenja
prostora.
U ovom odlučnom stručnom doprinosu, (ponovnom) razmišljanju o arhitekturi i urbanom projektovanju XXI
veka, Mitrašinović marljivo gradi argumente za neophodnost metadisciplinarnog koncepta veštačkog tako što
sintetizuje brojne raznovrsne izvore iz oblasti arhitekture, projektovanja, planiranja, urbanih studija, geografije,
ekonomske teorije, marketinga, vojne teorije, antropologije, društvenih nauka, teorije filma i studija o kulturi.
Miodrag Mitrašinović je arhitekta, autor i vanredni profesor na Novoj školi dizajna Parsons u Njujorku.
Autor je knjige ‘Sveobuhvatno uređenje prostora, tematski parkovi, javni prostor’ (Ašgejt 2006) i ko-urednik
knjige ‘Putovanje, Prostor, Arhitektura’ (zajedno sa J. Traganu) koja izlazi iz Ašgejta 2007.
‘Total Landscape: Reflections on Public Space in the 21st Century’

Miodrag Mitrašinović, Architect, New York
Total Landscape, Theme Parks, Public Space employs the theme park in identifying, dissecting and describing the properties
of PROPASt - privately-owned publicly accessible space in a themed mode - a hybrid form of public space emerging in urban
environments worldwide. Mitrasinovic does not propose that theme parks and PROPASt are, or will ever become, desirable
substitutes for democratic public space, but deliberately cuts across the ‘theme park model’ in order to understand the
principle of systematic totality employed when such a model is used to ‘revitalize’ urban public space in the United States,
Asia and Europe. Mitrasinovic forcefully argues that the only way to understand where does the lack of adequate public
policy and active citizen participation lead is to look closely into the mechanisms of the production of total landscape.
In this decisive scholarly contribution to the (re)thinking of architecture and urban design in the 21st Century, Mitrasinovic
assiduously builds the argument for the necessity of a meta-disciplinary conception of the artificial by synthesizing a great
variety of sources from the fields of architecture, design, planning, urban studies, geography, economic theory, marketing,
military theory, anthropology, social science, film theory and cultural studies.
Miodrag Mitrašinović, Architect, author and Associate Professor at Parsons The New School for Design in New York City.
He is the author of ‘Total Landscape, Theme Parks, Public Space’ (Ashgate 2006), and also co-editor of ‘Travel, Space,
Architecture’ (with J. Traganou) forthcoming from Ashgate in 2007.
51
PREDAVANJA
Okrugli sto ‘Odnos urbanističkog i strateškog planiranja razvoja teritorije - LECTURES
SIRP pristup izradi strategija razvoja gradova u Srbiji’
učestvuju predstavnici: Ministarstva za kapitalne investicije / infrastrukturu, Arhitektonskog,
Geografskog i Ekonomskog fakulteta Univerziteta u Beogradu
moderator: Ratka Čolić, koordinator opštinskih aktivnosti UN-HABITAT SIRP Programa
UN-HABITAT SIRP Program pruža podršku lokalnim upravama i stručnjacima, koji deluju u oblasti planiranja
razvoja, uvođenjem participativnog i integralnog pristupa planiranju, kao upravljanju teritorijom, i primenu
teritorijalnih informacionih sistema, uvođenjem strateškog planiranja, a u cilju bolje vokacije teritorije i
definisanja ciljeva i prioriteta lokalnog razvoja. Kao posebne teme za diskusiju u okviru okruglog stola izdvajaju
se: šire sagledavanje strateškog planiranja u odnosu na urbanističko planiranje i upravljanje urbanim razvojem,
jačanje institucionalnih kapaciteta i politička podrška lokalnom / regionalnom planiranju razvoja.
UN-HABITAT Program ljudskih naselja Ujedinjenih nacija sprovodi SIRP Program stanovanja i trajne integracije
izbeglica u Srbiji u saradnji s Ministarstvom za kapitalne investicije RS. SIRP Program finansira Vlada Republike
Italije i sprovodi se u sedam gradova i opština – Niš, Kragujevac, Kraljevo, Valjevo, Čačak, Pančevo i Stara
Pazova.
Barbara Galasi,
UN-HABITAT SIRP Beograd
Roundtable ‘Relations between urban and strategic planning for the territory development
– SIRP Approach to the Development Strategies for Cities in Serbia’
participants Ministry for Capital Investments/Infrastructure, Faculties of Architecture, Geography and Economics of the
University of Belgrade
moderator Ratka Čolić, Municipal Coordinator of UN-HABITAT SIRP Programme
UN-HABITAT SIRP Programme is supporting local authorities, experts and professionals in the sphere of development
planning, introducing the participatory and the integrated approach to territorial development management, territorial
information systems in local communities, strategic planning, assisting municipal partners in identifying the vocation of
the territory and the objectives and priorities of local development. Specific issues that will be addressed by the round
table are: the broader sense of strategic planning related to urban planning and urban governance, as well as strengthening
institutional capacities and political support to the local/regional development planning.
UN-HABITAT, the United Nations Human Settlements Programme, is implementing the Settlement and Integration of
Refugees Programme SIRP in Serbia, in collaboration with the Ministry for Capital Investments of the Republic of Serbia.
SIRP is financed by the Government of Italy, and implemented in 7 Municipalities, namely Kraljevo, Valjevo, Čačak, Pančevo,
Stara Pazova, Niš and Kragujevac.
Barbara Galassi,
UN-HABITAT SIRP Belgrade
52
PREDAVANJA
‘Arhitektura i nacionalni identitet u estetskoj misli Valtrovića i Milutinovića’ LECTURES
dr Vladimir Mako, dekan AF
Likovna galerija, Kulturni centar Beograda, Knez Mihailova
6. jul 2007. u 21 čas
Tema predavanja je usmerena na estetičke stavove o pitanjima nacionalnog identiteta u arhitekturi uobličene
u pisanim dokumentima Valtrovića i Milutinovića. Posebna pažnja biće posvećena vezama koje ovi stavovi
ostvaruju s nemačkom estetikom toga vremena, kao i posebnostima traganja za nacionalnim identitetom u
različitim sistemima ovakvih estetika Odnos teoretske misli i arhitektonskih ideja Valtrovića i Milutinovića
posebno je značajna za ovo predavanje. Ovaj odnos najposle može reflektovati suštinu ideje isticanja ideala
nacionalnog srpskog izraza u kontekstu daljeg razvoja arhitekture u novoj državi, kao i pojedina pitanja
savremenog arhitektonskog stvaralaštva. U tom smislu, razmišljanje o estetskim parametrima savremene srpske
arhitekture može razviti novo dublje shvatanje njenih izvornih vrednosti kao i njene posebnosti u okvirima
evropskog stvaralaštva. Kroz razdvajanje formalnih i suštinskih komponenti estetske komunikacije ovaj cilj
može biti brže i sadržajnije dosegnut. Cilj predavanja je da se upravo ove ideje približe kroz razmatranje
posebnosti nacionalnih komponenti srpske arhitekture i njene estetske komunikacije.
dr Vladimir Mako, redovni profesor

Od 2006. godine, Dekan Arhitektonskog fakulteta Univerziteta u Beogradu. Od 2005. godine, redovni profesor
za užu stručnu oblast Istorija i teorije arhitekture i umetnosti, Estetika u arhitekturi i umetnosti, Istorija
savremene umetnosti i dizajna.
‘Architecture and national identity in aesthetic thought of Valtrović and Milutinović’

Vladimir Mako, PhD, Dean of the Faculty of Architecture
The theme of the lecture was focused on issues related to aesthetic attitudes on matters of national identity in architecture,
which are shaped in written documents of Valtrović and Milutinović. Special attention shall be paid to the links which
these attitudes realize with aesthetics of that time, as well as to the specific features of searching for national identity in
various systems of aesthitic thought. The relation between the theoretical thought and architectural ideas of Valtrović and
Milutinović is of particular importance for this lecture. This relation may, after all, reflect the essence of the appearance of
the idea to emphasize ideal of national Serbian expression in the context of further development of architecture in a new
State, as well as some issues of contemporary architectural creativity. In this sense, thinking about aesthetic parameters
of contemporary Serbian architecture may develop new more profound understanding of its original values, as well as its
specific quality within European creativity. By separating formal and essential components of aesthetic communication,
this goal may be achieved more rapidly and more meaningfully. The aim of this lecture is to bring closer these very ideas
through considering specific features of national components in Serbian architecture and its aesthetic communication.
Vladimir Mako, PhD, Professor

Since 2006, Dean of the Faculty of Architecture of Belgrade of the University of Belgrade. Since 2005, professor in the
field of History and Theory of Architecture and Arts, Aesthetics in Architecture and Arts, History of Contemporary Arts and
Design.
53
PREDAVANJA
Okrugli sto ‘Kultura stanovanja’ - dijalog štajerskih i srpskih arhitekata LECTURES
moderatori: Ivan Kucina, docent i Jovan Mitrović, arhitekta
Nedelja arhitekture, u okviru izložbe ‘Smisao arhitekture’, organizuje dijalog na jednu od tema koja pokreće
ovu izložbu. Okrugli sto će biti prilika za dijalog najnovijih arhitektonskih ostvarenja. Savremenost i kulturna
sučeljavanja pomažu razvoju ideja, misli i unapređenju građenih sredina.
Učesnici gosti - arhitekti iz Graca (Austrija), članovi Upravnog odbora Društva arhitekata Beograda
Roundtable ‘Culture of Dwelling’ – dialogue between the Styrian and Serbian architects
moderators: Ivan Kucina, Assistant Professor and Jovan Mitrović, Architect
The Architecture Week within the exhibition titled the ‘Sense of Architecture’ organizes a dialogue on one of the themes
initiated by the ongoing exhibition. This will be a dilogue of the latest architectural achievements. Modernity and cultural
confrontations help developing ideas and thoughts, as well as improving the built environments.
Participants: guests from Graz (Austria), members of the Executive Board of the Association of Belgrade Architects
54
AKCIJE
Šetnje kroz arhitekturu Beograda - `Gradske vile` ACTIONS
Zoran Lazović, profesor
okupljanje: Infopult - ugao Knez Mihailove ulice i Trga Republike
U kratkoj istoriji srpske arhitekture, od ponovnog ustanovljenja srpske prestonice, projektovanje vila odvijalo
se u početku pod uticajima francuske i bečke škole, od klasicizma do secesije, da bi u određenom romantičnom
periodu pokušalo da se odgovori nacionalnim stilom, zatim je došlo do pročišćavanja od elemenata akademizma
i eklektike u savremenu modernu arhitekturu, pa u trend postmoderne, da bi danas ona dobila sve moguće
uticaje i oblike od neoklasičnih do savremenih i aktuelnih. Projektovanje vila je posle Drugog svetskog rata bilo
isključivo privilegija posleratne vlasti i stranih diplomatskih službi.
Prvi retki noviji primeri u našoj sredini, u periodu devedesetih godina, primećeni su u radu Branislava Stojanovića
i Svetlana Lekića na zemunskoj vili Čelar, zatim na dvojnoj vili Darka i Milenije Marušić na Dedinju i naselju
‘Cvećara’, i na vili Nikole Đulizibarića na Voždovcu koja je rad arhitekte Josipa Pilasanovića. To su bili ujedno
ponovni počeci projektovanja porodične kuće i vile.
Hiperinflacija ove autorske arhitekture, koju obeležavaju različiti rukopisi, a koji su kao uvek u kratkoj istoriji
srpske arhitekture bili posledica brojnih uticaja, izbacila je nova i mlađa imena srpske arhitekture i donela
brojne raznorodne artefakte i kompilacije, u okviru kojih mogu da se prepoznaju određene struje. Moglo bi da
se kaže da su gotovo svi arhitekti uspešno savladali aktuelne formalne jezike i sve to možda govori o vrsti nove
eklektike, u kojoj nema pravih tragova regionalnosti, a ni prave stvaralačke autentičnosti.
Nekoliko godina kasnije može da se konstatuje da u najnovijoj seriji porodičnih kuća i vila ima novog i rafiniranog,
otmenog i savremenog, u vilama autora Sanjina Grbića, Branimira Popovića, Ružice Božović-Stamenović i
Dragana Stamenovića, Gorana Vojvodića, Ružice i Jovana Sarića, Blagote Pešića, Dejana Miljkovića i Jovana
Mitrovića, Zorana Radojičića, Maše Blanuše i Lava Vratuše i drugih.
Iz praktikuma: ‘Šest beogradskih vila’, Zoran Lazović, AF Beograd, 2003.
Prof Zoran Lazović, šef Departmana za arhitekturu Arhitektonskog fakuklteta Univerziteta u Beogradu. Autor
više publikacija i samostalnih izložbi u zemlji i inostranstvu, član redakcija vodećih domaćih časopisa.
55
AKCIJE
ACTIONS
Šetnje kroz arhitekturu Beograda - `Gradske vile`

Walks through the Belgrade Architecture - ‘City Villas’
AKCIJE
ACTIONS
Walks through the Belgrade Architecture - ‘City Villas’

Zoran Lazović, Professor
Meeting point: Info counter - corner of Knez Mihailova street and Trg Republike
June 30th 2007. at 11 am
In a short history of Serbian architecture, from re-establishment of the Serbian capital, designing villas was at the beginning
influenced by French and Viennese schools, from Classicism to the Secession, them in a certain period of Romanticism the
attempt was made to respond with the national style, which was followed by purification from elements of Academism
and eclectics into contemporary architecture, then into the Post-modern trend, to get today all possible influences from
neo-classical to contemporary and current ones. After the Second World War, designing villas was an exclusive privilege of
post-war authority and foreign diplomatic services.
The first rare examples in our country, during nineties, were noticed in the work of Branislav Stojanović and Svetlana Lekić
on villa Čelar in Zemun, then on semi-detached villa by Darko and Milenija Marušić at Dedinje and settlement ‘Cvećara’,
and on the villa of Nikola Đulizibarić at Voždovac, which was designed by architect Josip Pilasanović. These were at the
same time restart of designing family houses and villas.
Hyperinflation of this author’s architecture, which was marked by various handwritings, and which was, as always in
the short history of Serbian architecture, a consequence of various influences, brought about new names and younger
architects as well as numerous various artifacts and compilations, within which certain currents may be recognized.
It could be said that almost all architects have successfully mastered the current formal languages, and it may be that
all this speaks about a new kind of eclectics, in which there are neither true traces of regionality nor a true creative
authenticity.
It could be concluded that several years later in a more recent series of family houses and villas there has been the new
and refined, stylish and modern in villas by authors Sanjin Grbić, Branimir Popović, Ružica Božović-Stamenović and Dragan
Stamenović, Goran Vojvodić, Ružica and Jovan Sarić, Blagota Pešić, Dejan Miljković and Jovan Mitrović, Zoran Radojičić,
Maša Blanuša and Lav Vratuša, as well as others.
From Textbook: ‘Six Belgrade Villas’, Zoran Lazović, Faculty of Architecture of Belgrade, 2003
Zoran Lazović, Professor, Chief of the Department for Architecture of the Faculty of Architecture of the University of
Belgrade. He is the author of several publications and one-man exhibitions in the country and abroad, member of editorial
boards and member of editorial staff of leading local magazines.
57
Palata Federacije, Novi Beograd / The Palace of Federation, New Belgrade
AKCIJE
Šetnje kroz arhitekturu Beograda - ‘Obilazak Palate Federacije’ ACTIONS
Biljana Mišić, istoričar umetnosti
Palata Federacije u Novom Beogradu, jedno od najreprezentativnijih ostvarenja posleratne arhitekture Beograda
i Jugoslavije, sagrađena je u vremenskom razdoblju od 1948. do 1961. godine. Prva etapa izgradnje, koja
je prekinuta 1949. godine, izvedena je prema projektu zagrebačkih arhitekata Vladimira Potočnjaka, Antona
Urliha, Zlatka Najmana i Dragice Perak. Konačna realizacija objekta izvedena je prema zamisli beogradskog
arhitekte Mihaila Jankovića i projektnog biroa ‘Stadion’ u periodu od 1955. do 1961. godine.
U okviru posete Palati Federacije prvi deo šetnje obuhvatio bi obilazak objekta sa ciljem da se sagledaju i
obrazlože njegove arhitektonske i urbanističke vrednosti. U drugom delu šetnje posetioci bi imali priliku da
vide jedinstveno unutrašnje uređenje zgrade, s tim da bi akcenat bio stavljen na reprezentativne prostore:
ulazni hol i stepenište, osam svečanih sala sa foajeima ispred njih. Šetnja bi se završila u sali Jugoslavija, kao
najreprezentativnijem i istorijski najvažnijem delu objekta.
Biljana Mišić, istoričar umetnosti, zaposlena u Zavodu za zaštitu spomenika kulture grada Beograda od 2003.
godine na poslovima u okviru Dokumentacionog centra.
Walks through the Belgrade Architecture - ‘Visit to the Palace of Federation’

Biljana Mišić, Art Historian
The Palace of Federation in New Belgrade, one of the most representative realizations of the post-war architecture in
Belgrade and Yugoslavia, was built in the period from 1948 to 1961. The first phase of construction, which was interrupted
in 1949, was executed according to the design of Zagreb architects Vladimir Potočnjak, Anton Urlih, Zlatko Najman and
Dragica Perak. The final realization of the building was executed according a concept of the Belgrade architect Mihailo
Janković and the ‘Stadion’ Design Bureau in the period from 1955-1961.
Within the visit to the Palace, the first part of the walk would include visiting the building with the aim to observe and
explain its architectural and urbanistic values. During the second part of the walk the visitors would have an opportunity to
see a unique interior of the building with the accent on representative spaces: entrance hall and stairways, eight reception
halls and vestibule in front of them. The walk would end in the ‘Yugoslavia’ hall as the most representative and historically
most important part of the building.
Biljana Mišić, historian of art, employed in the Cultural Heritage Preservation Institute of Belgrade since 2003 at the
Documentation Center.
59
Šetnje kroz arhitekturu Beograda - ‘Ulica kralja Petra’
Walks through the Belgrade Architecture - ‘Kralja Petra Street’
AKCIJE
Šetnje kroz arhitekturu Beograda - ‘Ulica kralja Petra’ ACTIONS
Bojana Ibrajter Gazibara, istoričar umetnosti
Ulica kralja Petra u Beogradu oduvek je imala trgovački karakter. U ovo područje se ulazilo kroz Varoš kapiju,
gde su se sticali prilazni putevi iz raznih pravaca, te su gotovo sve kuće duž ove stare beogradske čaršije imale
stanove na spratu, a u prizemlju ugostiteljske lokale i dućane. Ova važna gradska transverzala predstavlja
poprečnu vezu između Save i Dunava, Kosančićevog venca i Dorćola, nekadašnjeg srpskog i turskog dela
čaršije.
Značajna po svom položaju i karakteru, Ulica kralja Petra oduvek je bila poznata po reprezentativnim građevinama
kroz koje se danas može pratiti smena različitih stilskih koncepcija od balkanske arhitekture preko istorijskih stilova,
akademizma, secesije, modernizma do savremene arhitekture. O posebnoj vrednosti koju je ova ulica u prošlosti imala
i koju danas ima svedoči i veliki broj spomenika kulture, među kojima su neki od izuzetnog značaja za Republiku Srbiju.
Bojana Ibrajter Gazibara, istoričar umetnosti konzervator od 2003. zaposlena u Zavodu za zaštitu spomenika
kulture grada Beograda, mlađi stručni saradnik na poslovima istraživanja, proučavanja i valorizacije kulturnih
dobara i dobara koja uživaju prethodnu zaštitu.
Walks through the Belgrade Architecture - ‘Kralja Petra Street’

Bojana Ibrajter Gazibara, Art Historian
July 1st 2007. at 11 am
The Street of Kralja Petra in Belgrade has always had a commercial character. In this area people entered through Varoš
kapija (a gate) where access roads from various directions ran in, so that almost all houses along this old Belgrade part
of the town had flats on floors, while restaurants and shops in ground floors. This important city transversal represents
connection between the Sava and the Danube, Kosančićev Venac and Dorćol, once Serbian and Turkish part of the town.
Important because of its position and character, the street of Kralja Petra has during replacement of worn-out building
fund required construction of representative buildings through which we can today follow the changes in various style
concepts from the Balkan architecture, through historical styles, Academism, Secession and modernism to the contemporary
architecture.
Bojana Ibrajter Gazibara, Art Historian, since 2003 was employed in the Heritage Preservation Institute of Belgrade as a
historian of art - conservator, junior researcher engaged in researching, studying and evaluating cultural assets and cultural
assets which are under previous protection.
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AKCIJE
Šetnje kroz arhitekturu Beograda - ‘Kolektivno stanovanje‘ ACTIONS
prof dr Tanja Damljanović Konli, arhitekta
Tematska šetnja ‘Kolektivno stanovanje’ zamišljena je s ciljem da približi raznovrsnost jednog od najobimnijih
zadataka arhitekture Beograda posle Drugog svetskog rata. Prevashodno shvatana kao sinonim perioda
socijalizma, ideja kolektivnog stanovanja u Beogradu ostala je mahom istrgnuta iz šireg konteksta, koji
obuhvata čitavu Evropu od početaka industrijske revolucije, pa tokom progresivnih avangardnih pokreta od
početka do sredine 20. veka, a ponajviše nakon Drugog svetskog rata, prkoseći uvreženoj ideološkoj podeli
između Istoka i Zapada. Tematska šetnja obuhvatiće raznovrsne pristupe ideji kolektivnog stanovanja koji su se
pojavili u teoriji i praksi posleratne stambene produkcije, a pokušaće da sagleda i evoluciju u shvatanju ovog
koncepta od prvih, komunistički koncipiranih projekata nastalih odmah posle Drugog svetskog rata, preko
stambenih blokova koncipiranih po načelima Atinske povelje do pokušaja s kraja 1970. i 1980. da se arhitekturi
kolektivnog stanovanja ponovno udahne duh mesta i pripadnosti susedstvu.
Dr Tanja Damljanović Konli, savetnik u Republičkom zavodu za zaštitu spomenika kulture Srbije. Njen istraživački
rad je usredsređen na arhitektonsko nasleđe XX veka u regionu srednje i jugoistočne Evrope. Autor je brojnih
radova i knjiga.
Walks through the Belgrade Architecture - ‘Apartment Buildings’

Tanja Damljanović Conley, PhD, Professor, Architect
June 30th 2007. at 11 am
The thematic walk under the name of ‘Apartment Buildings’ will be aimed at bringing closer the diversity of one of the most
extensive tasks of Belgrade architecture after the Second World War. Primarily understood as a synonym of the socialist
period, the idea of collective dwelling in Belgrade has mostly been taken out of the wider context spread throughout
Europe from the beginning of industrial revolution, then during progressive avanguard movements from the beginning up
to the mid 20th century, and mostly, after the Second World War in the entire European space, defying the established
ideological division between the East and the West. The thematic walk will include diverse approaches to the idea of
collective dwelling which emerged in the theory and practice of the post war housing production, and will also review
evolution in comprehending this concept from the first, communistically conceived projects which emerged immediately
after the Second World War, then residential blocks conceived according to the Athens Charter principles, all the way
through to attempts at the end of 1970 and 1980 to bring in the architecture of ‘collective housing’ a ‘spirit’ of place and
belonging to the neighborhood.
Tanja Damljanović Conley, PhD, Senior researcher at the State Institute for the Protection of Cultural Heritage of Serbia. Her
research is mainly focused on the 20th century architectural heritage in the region of Central and South Eastern Europe.
She is the author of numerous articles and books.
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AKCIJE
Šetnje kroz arhitekturu Beograda - ‘Kopitareva gradina’ ACTIONS
Šetnja Kopitarevom gradinom omogućiće da se zainteresovana publika upozna sa ovim ambijentom kao
višestruko značajnom kulturno-istorijskom celinom.
Bogate arhitektonske i ambijentalne vrednosti ovog dela Beograda omogućavaju da se sagleda celovit stilski i
tematski razvoj beogradske stambene arhitekture tokom XX veka. Pored toga, Kopitareva gradina je značajna
i kulturološki i istorijski; kako po autorima građevina, tako i po ličnostima iz naše kulture, nauke i istorije koji
su na Kopitarevoj gradini gradili kuće i živeli.

Zaposlena kao kustos Odseka za arhitekturu Muzeja primenjene umetnosti u Beogradu (od 2002). Od ranih
osamdesetih godina bavi se istorijom srpske arhitekture novijeg doba. Autor je većeg broja radova iz ove
oblasti.
Walks through the Belgrade Architecture - ‘Kopitareva gradina’

The walk through Kopitareva gradina will be oportunity for interested public to learn more about this important cutural
and historical ambience.
Through rich architectural and ambience values of this part of Belgrade one can to observe the overall style and theme
development of the Belgrade residential architecture during the 20th Century. Besides this, Kopitareva gradina is also
culturally important both by its architects and by figures of our culture, science and history who have built houses and
lived in Kopitareva gradina.

Curator – Museum Advisor of the Department for Architecture of the Museum of Applied Arts in Belgrade
She has been employed as a curator in the Department for Architecture of the Museum of Applied Art in Belgrade
(since 2002). Since early eighties, Ljiljana Miletić Abramović has been dealing with the history of contemporary Serbian
architecture. She is the author of number of papers in the field.
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Stambeni objekat Kumanovska 18, Beograd / Residential Building Kumanovska 18, Belgrade
Arhitekta / Architect: Branislav Mitrović
AKCIJE
Šetnje kroz arhitekturu Beograda - ‘Arhitektura interpolacija u Beogradu’ ACTIONS
Branislav Mitrović, profesor
Projektovanje u najužem gradskom jezgru - interpolacija ili ugradnja između zatečenih objekata suseda - jedan
je od najkompleksnijih i najodgovornijih projektantskih zadataka. To je arhitektonska intervencija u prostoru
- kompleksna i inspirativna, zbog zatečenog konteksta, a odgovorna i rizična, zbog postojećeg graditeljskog
nasleđa i kontinuiteta građene sredine.
‘Dijalog sa zatečenom geometrijom u prostoru intervencije ili princip kontrasta vode ka uspešnom arhitektonskom rezultatu
pre nego postupak mimikrije ili prostog oponašanja zatečenih objekata ili ambijenata, makar oni bili i sa istorijskog i
sa arhitektonskog aspekta veoma vredni. Različitosti, ako pojedinačno poseduju autentičnu vrednost nadjačavaju tokom
vremena početno iznenađenje ili otpor prema novom objektu, uspostavljajući potom jedan složen odnos, upravo kao potvrdu
kontinuiteta suprotnosti. Često novo, na koje perceptivno nismo navikli, izaziva na početku nepoverenje i sumnju. Izraženi
individualitet, koji sadrži u sebi iskrenost, istinsku vrednost, transponovani dobri duh, etičku formu, postaje s vremenom i
sam vredan u okviru odabranog skupa.’
Iz časopisa ‘Izgradnja’, br. 10, 1999: ‘Konstrukcija od nerđajućeg čelika palate Zepter u Beogradu’, autori prof. dr D. Buđevac,
prof. B. Mitrović
Branislav Mitrović, profesor na Arhitektonskom fakultetu u Beogradu, dopisni član Srpske akademije nauka i
umetnosti. Nosilac najznačajnih nacionalnih priznanja u oblasti arhitekture.
Walks through the Belgrade Architecture -‘Architecture of Interpolations in Belgrade’

Branislav Mitrović, Professor
Designing in the inner city area – interpolation or building-in between the existing buildings of neighbors, is one of
the most complex and most responsible designer’s tasks. This is an architectural intervention in a space, a complex and
inspiring one, due to the existing context, while responsible and risky because of the existing architectural heritage and
continuity of the built environment.
‘The dialogue with the existing geometry in the space of intervention or a principle of contrast leads to a more successful
architectural result rather than the procedure of mimicry or a simple imitation of the existing building or ambience,
even though they may be very valuable from a historical and architectural aspect. Diversities, if they individually have
an authentic value, overpower in course of time the initial surprise of or resistance towards a new building, precisely as
a confirmation of continuity of oppositeness. Often, the new, to which we have not yet perceptively get used to, at the
beginning arouses distrust and doubt. Expressed individuality, which in itself contains frankness, a true value, transposed
‘good spirit’, ethical form, becomes in time valuable itself within a selected cluster.’
From magazine ‘Izgradnja’, no 10, 1999: ’Stainless Steel Construction of the Zepter Palace in Belgrade’ authors D. Buđevac,
PhD, Professor, B. Mitrović, Professor
Branislav Mitrović, Professor at the Faculty of Architecture, University of Belgrade, corresponding member of the Serbian
Academy of Sciences and Arts. Received number of significant national awards in the field of architecture.
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Zgrada ‘Doma Štampe’, Trg Republike, Beograd
‘Press Center’ Building, Trg Republike, Belgrade
AKCIJE
Šetnje kroz arhitekturu Beograda ‘Beograd 50-tih, 60-tih, 70-tih’ ACTIONS
Ivan Kucina, docent
Želja je da se iz opuštajućeg ugla noći sagledaju neočekivane vrednosti moderne arhitekture u centru starog i
novog Beograda. Posetiće se sledeći objekti - od Kulturnog centra Beograda do Muzeja savremene umetnosti:
- Dom štampe, Ratomir Bogojević, 1957;
- Stambene zgrade u Braće Jugovića, Mihajlo Mitrović, 1964;
- Filozofski fakultet, Svetislav Ličina, 1967;
- Stambena zgrada u Pariskoj, Miroslav Jovanović, 1956;
- ‘Jugoslovenska banka’ u Kralja Petra, Grigorije Samojlov i Borivoje Nanić, 1963;
- Stambeni blok u Kralja Petra, Milorad Macura, 1953;
- Poslovna zgrada ‘Energoprojekta’ u Brankovoj, Milica Šterić, 1957;
- Zgrada SDK u Pop Lukinoj, Petar Vulović, 1967;
- Restoran na Savskom keju, Mihailo Jovanović, 1957;
- Muzej savremene umetnosti, Ivan Antić i Ivanka Raspopović, 1961.
Ivan Kucina je arhitekta, docent, član Upravnog odbora Društva arhitekata Beograda i saveta Oktobarskog
salona, član ‘Stealth Group’ iz Roterdama i ‘School of Missing Studies’ iz Njujorka, inicijator istraživanja,
izložbi i radionica posvećenih neformalnim procesima transformacije urbanog sistema Beograda i formalnim
procesima reformisanja postojećih institucija.
Walks through the Belgrade Architecture - ‘Belgrade 1950’s -’60s -’70s’

Ivan Kucina, Assistant Professor
July 1st 2007. at 11 pm
The public will experiance the unexpected values of modern architecture in the center of old and new Belgrade, by night.
The following buildings will be visited - from Belgrade Cultural Center to Museum of Contemporary Art:
- ‘Press Center’ Building, Ratomir Bogojević, 1957
- Residential buildings in the street of Braće Jugovića, Mihajlo Mitrović, 1964
- Faculty of Philosophy, Svetislav Ličina, 1967
- Residential building in the Pariska street, Miroslav Jovanović, 1956
- ‘Yugoslav Bank’ in the Kralja Petra street, Grigorije Samojlov and Borivoje Nanić, 1963
- Residential block in the Kralja Petra street, Milorad Macura 1953
- ‘Energoprojekt’ Business Building in the Brankova street, Milica Šterić, 1957
- SDK Building in the Pop Lukina street, Petar Vulović, 1967
- Restaurant on the Sava quay, Mihailo Jovanović, 1957
- Museum of Contemporary Art, Ivan Antić and Ivanka Raspopović, 1961
Ivan Kucina is an Architect, Assistant Professor, member of the Excecutive Board of the Association of Belgrade Architects
and the Council of the October Salon, member of the ‘Stealth Group’ from Rotterdam and the ‘School of Missing Studies’
from New York, initiator of many researches, exhibitions and workshops dedicated to informal processes of transforming
Belgrade urban system and formal processes of reforming existing institutions.
67
AKCIJE
Razgovor o dokumentarnom filmu ‘Moj arhitekta - u potrazi za Luisom Kanom‘ ACTIONS
uvodna reč Ivan Kucina, docent
4. jul 2007. u 21 čas
U dugometražnom dokumentarnom filmu, koji je nominovan za nagradu Oskar 2005. godine, Natanijel Kan,
američki režiser i sin slavnog arhitekte Lui Kana, pokušava da bolje upozna svog oca, koji je umro 1974. godine,
kada je njemu bilo samo 11 godina. Istražujući arhitektonska dela Lui Kana i razgovarajući sa ostalim članovima
porodice, sin otkriva večne vrednosti kojima je bio obeležen i potčinjen život njegovog oca, jednog od najvećih
arhitekata dvadesetog veka.
Disscussion on documentary film ‘My Architect – in search for Louis Kahn’

Introduction by Ivan Kucina, Assistant Professor
In the feature-length documentary film, which was nominated for Oscar in 2005, Nathaniel Kahn, an American director
and son of famous architect Louis Kahn, searches to understand his father who died in 1974, when Nathaniel was 11 years
old. Researching architectural works of Louis Kahn and talking to other members of his families, the son has revealed
the eternal values to which his father’s life was subordinated, who was one of the greatest architects of the twentieth
century.
68
AKCIJE
`Prodavnica arhitekture` - besplatni saveti arhitekata ACTIONS
5.jul 2007. u 18 časova
‘Nedelja arhitekture’ pruža mogućnost građanima da ostvare neposredan kontakt sa arhitektima i da kroz
opušten razgovor pronađu put ka rešenju konkretnog prostornog problema ili dobiju odgovor na neka pitanja
o uređenju i razvoju grada. Svaki zainteresovani pojedinac treba i može da iskaže svoje mišljenje o gradu i
njegovoj budućnosti i navede na nove teme za razmišljanje i akciju.
Arhitekti: Tanja Damljanović, Jelena Ivanović-Vojvodić, Bojan Kovačević, Ana Kovenc-Vujić, Ivan Kucina, Darko
Marušić, Dejan Miljković, Vasilije Milunović, Mustafa Musić, Branimir Popović, Branislav Redžić, Ivan Rašković,
Ružica Sarić, Aleksandar Stjepanović, Marijana Strugar, Vesna Tomić
‘Shop of Architecture’ - Pro bono sugestions by architects

During the ‘Architecture week’ the citizens have the opportunity to get in touch with the architects and find both solutions
for their problems and answers on some of the questions related to the design and development of the City. Every interested
individual would be able to express his opinion about the City and its future and to point out new topics related to this
issue.
Architects: Tanja Damljanović, Jelena Ivanović-Vojvodić, Bojan Kovačević, Ana Kovencz-Vujić, Ivan Kucina, Darko Marušić,
Dejan Miljković, Vasilije Milunović, Mustafa Musić, Branimir Popović, Branislav Redžić, Ivan Rašković, Ružica Sarić,
Aleksandar Stjepanović, Marijana Strugar, Vesna Tomić
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Akcija označavanja zapuštenih prostora grada
Action of Marking neglected City spaces
AKCIJE
Akcija označavanja zapuštenih prostora grada ACTIONS
u saradnji sa SO Savski Venac
okupljanje ispred SO Savski Venac, Kneza Miloša 69
Uz učestvovanje zainteresovanih građana, u okviru ‘Nedelje arhitekture’, u saradnji sa SO Savski venac biće
izvedena akcija označavanja bloka kod Deligradske ulice. Ovom akcijom stanovnicima Beograda skreće se
pažnja na neiskorišćeni kapital javnog prostora. Serija sličnih akcija koje će organizovati ‘Nedelje arhitekture’
treba da posluži da se izgradi svest o značaju uređenja javnog prostora za podizanje kvaliteta života u velikim
gradovima.
Action of Marking neglected City spaces

in cooperation with the Savski Venac Municipality
Meeting point in front of the Savski Venac Municipality, Kneza Miloša 69
July 7th 2007. at 12 am
Together with interested citizens and in cooperation with the Savski Venac Municipality, the organizers of the ‘Architecture
Week’ will carry out action of marking neglected urban spaces within the area of Kneza Miloša Street. Through this
action citizens will focus their attention on unused potential of public spaces of Belgrade. A serial of similar actions to be
organized by the ‘Architecture Week’ should serve to raise awareness about importance of designing public spaces for the
better quality of living.
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Rad dečje radionice 2006./ Work at the Children Workshop, 2006
RADIONICE
Dečje radionice WORKSHOPS
vode: Slađana Rackov, nastavnica i Magdalena Perišić, pedagog
Dečji kulturni centar
Platforma - ugao Knez Mihailove ulice i Trga Republike
U cilju podsticanja dece da osveste aktuelne probleme s kojima se susreću u svojoj okolini i svome gradu
(nedostatak zelenih površina, deponije, grafiti na fasadama zgrada...) planirano je njihovo aktivno učestvovanje
u kreiranju i menjanju životne sredine. U okviru pomenutog programa predviđena su četiri susreta:
‘Pogled sa mog prozora’, 2. jul 2007. u 17 časova
Diskusija i ilustrovanje (različitim likovnim tehnikama) onoga što se deci dopada/ne dopada kada pogledaju
kroz prozor svoje sobe, a tiče se fasada zgrada, mešanja stilova u arhitekturi, odnosa ljudi prema sredini u kojoj
žive.
‘Parkovi i igrališta u Beogradu’, 3. jul 2007. u 17 časova

Dečji predlozi i idejna rešenja o tome kako bi parkovi i igrališta u Beogradu trebalo da izgledaju.
‘Idealni grad‘, 5. jul 2007. u 17 časova

Posmatranje i analiza trenutnog izgleda Beograda u cilju koncipiranja idealnog arhitektonskog rešenja grada iz
dečjeg ugla, uz pomoć različitih likovnih tehnika.
‘Beograd 2100. godine‘, 6. jul 2007. u 17 časova

Izrada makete Beograda u budućnosti, uz pomoć ekoloških materijala i ambalaže predviđene za reciklažu.
Children Workshops
held by Slađana Rackov, teacher and Magdalena Perišić, pedagogue
Children’s Cultural Center
Platform - corner of Knez Mihailova street and Trg Republike /Children’s Workshop
In the course of the Workshop children are encouraged to take active part in creating and changing their environment for
the purpose of rasinig awareness of problems in the City (lack of green areas, waste deposits, graffiti on building walls...).
Within the mentioned program, four encounters are scheduled:
‘View from my window’ , 2nd July, 2007. at 5 pm

Discussion and illustrating (using various visual-art techniques) of what children like/dislike when they look through the
windows of their rooms, and which concerns building facades, mixing of styles in architecture, people’s attitude towards
the living environment.
‘Parks and play grounds in Belgrade’, 3rd July, 2007. at 5 pm

Children’s proposals and concepts on how the parks and playgrounds in Belgrade should look like.
‘Ideal city’, 5th July, 2007. at 5 pm

Observing and analyzing current appereance of Belgrade, for the purpose of conceiving ideal architectural concept of the
city from the children’s point of view, by using various visual-art techniques.
‘Belgrade in 2100’, 6th July, 2007. at 5 pm

Making a model of Belgrade in future, by using ecological and recycled materials.
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Maketa sa radionice/ Model from the Workshop
RADIONICE
Radionica za srednjoškolce ‘Redefinicija poligona ili ko kvari kvadrate’ WORKSHOPS
vodi: Marija Bulatović, arhitekta i edukator
Uvodi se kvadrat kao apstraktna geometrijska slika u proces konceptualnog misljenja, u priču o prostoru kao našoj
svakodnevici, kao volumenu, kao ‘zarobljenom’ vazduhu i priči o korišćenju tog ‘praznog’. Posmatra se tok, ritam
i oblik prostora u zavisnosti od procesa nastajanja tog istog prostora, odnosno, radi se analiza transparentnosti
prostora sa aspekta veze novonastalih inteligentnih oblika i samog procesa njihovog nastajanja.
Analizira se dinamika kvadrata kao i njegove granice. Postavlja se pitanje sta sve kvadrat hoće, a šta može.
Kako kvadrat zauzima prostor, a kako ga ograđuje. Kako se kvadrat otvara prema prostoru, a kako ga uvlači u
sebe, odnosno, da li kvadrat ima samo površinu ili ima i volumen. Kako se kvadrat ponaša kad je sam, a kako u
grupi. Da li je to obavezno kvadratni raster kada je u ravni i da li je to isključivo kocka kada je u prostoru..
Marija Bulatović, (1970), arhitekta i edukator

Bavi se prostorno-umetničkom edukacijom sa ciljem osavremenjivanja vizuelnog razvoja atipičnih starosnih
grupa - predškolci, osnovci, srednjoškolci, studenti neumetničke orijentacije.
Workshop for secondary school students ‘Redefinition of polygon or who is ruining the squares?’
held by Marija Bulatović, Architect and Educator
July 4th, 2007. at 5 pm
A square is introduced as an abstract geometrical figure in the process of conceptual thinking, in the story about the
space as a part of our everyday life, as a volume, as ‘imprisoned’ air, as well as in the story about using this ‘emptiness’.
The flow, rhythm and shape of the space is observed depending on emergence of this space, that is, an analysis of the space
transparency is made from the aspect of newly emerged intelligent forms and the very process of its emergence.
The dynamics of a square is analyzed, as well as its boundaries. A question arises on what the square wants, and what it
can. Thus, the square occupies the space, but how it encloses it. How does the square open towards the space, and how
does it draw it in itself, that is, whether the square has only the surface or whether it has a volume as well. How does the
square behave when it is single, and how does it behave in a group. Is it obligatorily a square grid when in a plane and is
it exclusively a cube when in space...
Marija Bulatović, (1970), Architect and Educator

Marija Bulatović deals with spatial artistic education aiming at modernizing visual development of atypical age groups
- preschool children, primary school pupils, secondary school pupils, students of non-artistic orientation.
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PREZENTACIJE
PRESENTATIONS
`Potisje Kanjiža` - covering roofs with roofing tiles

2nd July 2007 at 2 pm
`Tarkett enteriors` and magazine Ènterijer`

2nd July 2007 at 7 pm
`Porcelanosa` - ceramic tiles and bathroom equipment

3rd July at 12 am
`Soltec` - sun protection systems

4th July 2007 at 12 am
`Henkel` - paints and adhesives in building industry

5th July 2007 at 12 am
`Xella Srbija` - Ytong blocks in building industry

6th July 2007. at 12 a.m
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PREZENTACIJE
PRESENTATIONS
‘Potisje Kanjiža‘ - pokrivanje krovova crepom

‘Tarkett enterijeri‘ i časopis ‘Enterijer‘

‘Porcelanosa‘ - keramičke pločice i opremanje kupatila

‘Soltec‘ - sistemi zaštite od sunca

‘Henkel‘ - boje i lepkovi u građevinarstvu

‘Xella Srbija‘ - Ytong blokovi u građevinarstvu

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ORGANIZACIJA
ORGANISATION
ORGANIZACIJA DRUGE MEÐUNARODNE NEDELJE ARHITEKTURE

ORGANISATION OF THE SECOND INTERNATIONAL ARCHITECTURE WEEK
ORGANIZATORI / ORGANISERS
Društvo arhitekata Beograda
Kulturni centar Beograda
ORGANIZACIONI ODBOR / ORGANISING COMITEE

Jelena Ivanović Vojvodić, Društvo arhitekata Beograda, predsednica
Danica Jovović Prodanović, Kulturni centar Beograda, direktorka
Članovi upravnog odbora Društva arhitekata Beograda / Members of the Executive Board
of the Association of Belgrade Architects:
Ružica Sarić, Ivan Kucina, Darko Marušić, Tanja Damljanović, Bojan Kovačević, Branimir Popović,
Vesna Tomić, Ana Kovenc Vujić
Stručni saradnici Kulturnog centra Beograda / Program Assistants of the Belgrade Cultural Center:
Zorana Đaković, Stefan Mladenović
STRUČNI SARADNICI / EXPERT ASSOCIATES

Ana Janković
Bojana Ibrajter Gazibara
Srđan Jovanović Weiss
Nataša Šljivančanin
VIZUELNI IDENTITET / VISUAL IDENTITY

petokraka.com
Dizajn izložbe ‘Arhitektonski konkursi 2006-07’ i Platforme ispred Kulturnog centra Beograda:
Aleksa Bijelović i Milica Maksimović
Dizajn i oprema kataloga: Bogdan Maksimović, Plakat i video u galeriji o3one: Una Momirović
TEHNIČKA PODRŠKA / TECHNICAL SUPPORT

Branko Tošić i Ana Glavički, Društvo arhitekata Beograda
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ORGANIZACIJA
ORGANIZATION
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IMPRESUM

ZA IZDAVAČA FOR PUBLISHER

DIZAJN I OPREMA DESIGN AND LAYOUT

LEKTURA PROOF READER

TIRAŽ PRINT RUN

Beograd, jun 2007. godine Belgrade, June 2007

Povod druge međunarodne Nedelje arhitekture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Organizacija druge međunarodne Nedelje arhitekture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78

prof dr Tanja Damljanović Konli

Tanja Damljanović Conley, PhD, Professor

Dogradnja: uklapanje ili kontrast?

Anamarija Kovenc Vujić, arhitekta

Extension: Harmonization or Contrast?

Anamarija Kovencz Vujić, Architect

23.00 Šetnja kroz arhitekturu Beograda Utorak, 3. jul

Učestvuju predstavnici Ministarstva za kapitalne

19.00 Likovna galerija, Kulturni centar Beograda,

7pm Gallery Artget, Belgrade Cultural Center / Lecture

2nd July 2007, Monday 4th July 2007 Wednesday

6th July 2007 Friday

12 am Art Gallery, Belgrade Cultural Center / Promotion

5:30pm Info counter - corner of Knez Mihailova

7pm Gallery Artget, Belgrade Cultural Center / Roundtable

9pm Gallery Artget, Belgrade Cultural Center / Lecture

7th July 2007 Saturday

12 am Action of marking neglected City spaces

7 pm Gallery Artget, Belgrade Cultural Center /

8th July 2007 Sunday

7 pm Art Gallery, Belgrade Cultural Center / Roundtable

Zašto konkursi preko Društva arhitekata Beograda

Kako smo to postigli

Šta smo uradili

Kako izgledaju realizacije arhitektonskih radova dobijenih konkursom

Jelena Ivanović-Vojvodić i Ivan Rašković,

‘Architectural Competitions 2006-2007’

Why compete through the Belgrade Architects Society

How was that achieved

Execution of architecture obtained through competition

Jelena Ivanović-Vojvodić and Ivan Rašković

a house corbels outwards,

Izgrađene i neizgrađene stvari od arhitekata Karamel

‘Caramel Lounge’ with the lecture ‘Forever Young’

a house corbels outwards,

built or unbuilt stuff from caramel architects

Violeta Vujović Salhofer, arhitekta, Beč

Exhibition ‘Architectural photographs: Attics and Superstructures in Vienna’

Violeta Vujović Salhofer, Architect, Vienna

Izložbu pripremili studenti Arhitektonskog fakulteta u Beogradu: Atanacković Jelena M 06/281,

Curator: Charlotte Pöchhacker,

‘Sense of Architecture’ - Contemporary Architecture of Styria

Zašto u Beogradu i zašto na Arhitektonskom fakultetu?

‘Architecture and architects of Szczecin’

Why in Belgrade and why at the Faculty of Architecture?

Želimo da priđete bliže i bacite drugi pogled.

We would like you to come closer and take a look.

Hajnc Luter, arhitekta (1945) živi i radi u Beču.

‘City concentration - Building on the roofs in Vienna’ with lecture

Većina trendova u savremenoj arhitekturi traje samo jednu deceniju.

‘A History of Supermodernism’ and ‘A10’ magazine promotion

Most trends in contemporary architecture only last about a decade.

mr Ljiljana Miletić Abramović, istoričar arhitekture

‘Architecture of Belgrade in 80’s-90’s of 20th century’

Ljiljana Miletić Abramović, MA, Historian of Architecture