Beruflich Dokumente
Kultur Dokumente
STAGE
SCREEN
PRICE lO CENTS RADIO
Only Theatrical Newspaper on the Pacific Coast MUSIC
INDES RUSHING IN AS
SLUMP RE-OPENS FIELD ¥
mm
Prologues will be a regular feature
of the Orpheum Theatres, both in Los
puted, to be,
The reason is. that the screen comic is currently
,
Metz, who was pinched on the right eye lid by a lob- Angeles and. San Francisco, starting rehearsal December 6. It did an extremely brief run,
with the atmospheric prologues which
ster as he stooped to pick up another. will open in both houses February
and then closed.
6 with the feature film, “Cim- RKO The Equity bond was oke and so would everything
arron,” else have been had Hatton not claimed an extra night’s
When announcement was- first made wages of $68 on his $600 a week salary. He attached
by Inside Facts two weeks ago that the bond, and now everything is temporarily held up.
the spots would go back to stage-and-
scraen policy it was not definitely
known whether there would be a re-
IS FIELD
(Continued from Page 1)
BflS
etrd-Goldwyn-Mayer’s Portland
office came in fourth on their sales
to- wit: men with a bit of money drive, pulling down a $2500 cash
M
version to all-screen policy after the
one picture.
However, it is understood that it is
now planned to keep stage shows as
Portland
By ART ROGERS _
ME
a regular part of the offerings for the
which they use to ankle in upon a award. Manager Louis Amakcr was future.
John Egan, manager of K.WJJ, BV OHtSIHE SPOT
good proposition, or to jump into ably assisted by Mac Rubenfeld Bud Murray, prominent L. A. stage makes his own cigs his own
— —
the breach of 'Some money-making and Joe Warren, salesmen. Office director and head, of the Bud Murray well John made KWJJ
field not- seen by less shrewd managers, bookers, cashiers every- — School of the Dance, has been signed
friends
first station in LT S. to. present F. Hiding away on the county si rip
.
up until the crash. But when the M-G-M, is recovering from an at-
L. A. Orpheums.
be the orchestra
Carlton Kelsey will
leader at the local
chey
think
smiling girls of
—
fast -work fast go home — KWJJ hibitions of the local municipal
,
panic came and money got tight tack of flu and will be back on the alone — street car trailer in all the-
ordinance which forces Los An-
ride — cheap? —
spot.
around the stock exchanges, they job in a few days. Staffs for the two houses are being
atres —2 /< cents a
geles cafes to stop all dancing and
music at one o’clock week nights
found the going dead. And many * * engaged, on a permanent basis.
Chicago it’s by-by
fc and at midnight on Saturdays.
—
of them turned and more arc now Club saw a preview of M-G-M Th(T opening prologues will be at-
*
This is a break for this cafe and
* *
turning— to the picture game as Dufwin Theatre getting great can be credited for. most of. such
Joan Crawford’s new one, “Dance, mospheric; featuring a male chorus
about the best gamble in the
Fools, Dance.”
U. S.
These are pleas- of 40, with a total cast of 60. A num- crowds here town going .for stock business as the spot does, as other- —
today. ant evenings for M-G-M employes. ber of full-blooded Osage Indians company in a big way— why not wise the greater attractions at com-
Another big ace for the growing Pre-release have been signed by Murray. Featured look at the names— (Guest Stars) peting cafes doubtlessly would take
showings
ranks of hides is the low salaries filled out the program.
of shorts
Pauline Frederick— May Robson a serious cut-in on —
at which they can obtain tried and * * * 1
Caucasian talent includes Picric White
and Otar Sbi'let. Leo Carrillo—others on the wa}' which has Marie Dcvoll — the La Boheme,
as the
boxoffice talent. Writers, actors, to the Duf-winer— Money— Money
Branch Manager George Naylor Scenery will be by Harry Billheim- Money. only floor attraction and a small
directors; have been hit by the
all
of Universal is at Murietta Hot er and William McConnell of the * * * orchestra under direction of Clar- -
Bank of Hollywood elevator with a ingTAiramount Theatre changes open- giving it the once over: something
they
all
monopolized production, but
* *
Jack Sinfcr, United Artists dis-
%
nice new script tucked under arm
day now it’s Friday anything in the wind hope it will mean — — —
tiow old reliable stabilizer is
the can happen under the heading of work for the people that are laying.
manager, has been confined in
trict- Dull evening at Henry’s. Not amusement.
coming back. The Plays group
. .
.
off.
Seattle because of illness. He’s a single holdup or attempted mur- 4 * *
threats and even blacklisting loses * -i- -r-
just about ready to get back to der all night Adele Windsor
some, of its terrors when there are business again. sitting with a tall, attractive blonde
. . .
night show which will be. held Feb- from Sid’s opening at the Mayan, took the last curtain in Chicago, Here goes for a review;
which Richard Thorpe is directing; ruary 21. It’s a worthy benefit af- pulling a rave Charlie Chaplin 111 . . .
some great stuff. wonder if she will also' be on the Fox Broadway doorman helping
Disney Brothers have their popular * * * “Round the World Jaunt” after the aged lady leaving theatre—to eat- Mr. and Mrs. Harry English, popu- '
Not a bad Wallace Beery telling- of his latest Del Milne and his band opened at guest, Mrs. John A. Herne of New
. Elmer Clifton is directing; the break all around; thrill while working “Hell Divers,” the Hotel Multnomah with a bang. York. She is the widow of J. A.
Fashion Features continue produc-
tion; and the G. C. Reed Produc-
* * * .Navy air story, in which he dives Mel! Blanc comedy was a riot Herne, manager and producer of note —
Salesman Tom Kitching is mak- —
10,000 feet rat a target— and re- this boy will be in lights some day years ago, who was brother to James
tions is doing a series of: detective ing a good showing with All
shorts;
Star. leases a bomb before leveling off — —
Miss Giilhouse was there all in A. Herne, author and featured player
He’s' -got regular weekly bookings each time the “gunner” or rear seat white and believe me a class enter- of ‘'Shore- Acres” and “Sag Harbor.”
In preparation are a Nick Stuart in over 20 cities in Arizona for his gets the ride and turns black from tainer— looks like Del will will be Mrs. Herne is responding to Califor-
feature to be rhade by the Holly- organization.
the sudden loss of blood from his .at the hotel a long time K. G. W. nia's well known sunshine in getting —
wood Syndicate, under direction of head Back-stage to see Harry is the broadcaster from hotel. rid of a case of arthritis.
Bruce Mitchell; and a Charles
.
* * w .
Hutchison picture featuring Ran- room' these days should be like Visiting the Highland Tavern YEAR’S ON CONTRACT
. . .
dolph
These
Scott.
Can
pictures,
Sell
and those of
Fallon In It will be the most popular spot
you will find most anyone from the
“In Hollywood Now”- Excuse it, theatrical world putting on the feed — The Allisons, who are a feature in
bag even me- I go for at least a the first Fanchon and Marco — —
please, Mr. Bud Murray ... In vaude-
other inde producers are not cup of coffee.
all
intended for the state rights mar-
ket or its equivalent. General be-
Opening at the same place, Georgie Stone
Peter the Hermit gesticulating in
* * *
ville unit, have been signed until 1932.
. . .
KELLEY ON TRIP
.
band and they double with the Pacific Coast, is one of the of “Svengdli.” j
-
The big flag is out for Abe Ly- effectiveness of a 12-piece out- busiest entertainers in town.
man, draping over the Boul outside fit, four violins, four saxes, John
Kelley, secretary andJ. Eddie opened big at Rudy MOTHER ILL
the Roosevelt Hotel. It’s the first Jour brass, and he has a repu- treasurer of the Theatre Managers Vallee’s Villa Vallee, scoring
time this class hostelry has hung tation for putting over novel- Association, left for San Francisco a riot with the customers of Mrs. Kuhn, whose daughters, the
out the rag for the music-makers ties and specialties that lias on a business trip Tuesday. this ace spot. Peabody has Kuhn Sisters are a well known
within. Abe and his band opened won a little reputation for it- complete charge of the Villa vaude team, is seriously ill with
last week at the Roosevelt, doubl- self, also. CULLEN TAKES LEASE while Rudy is on the road for plural pneumonia. Her recovery is
ing the new spot and the Carthay. Owen and his band have Paramount. expected soon.
He succeeded Pee Wee Byers. It just closed a solid four years William P. Cullen has a lease on In addition to this, Eddie is
understood Abe’s aggregation at the Cinderella Roof, where Hollywood Playhouse. Harry
is
was also wanted ‘‘Once they drew tremendous busi-
the also doubling in the Fox U. SIGNS DOOLEY
for In a Green’s “The Ambulance Chaser,” houses and getting over for a
Lifetime,” but the Roosevelt offer ness. isgoing to be- held over an extra million there. Bill Dooley, screen comic, has been
prevented. week due to the business it is doing. signed to a contract by Universal.
Saturday, January 31, 1931 INSIDE FACTS OF STAGE AND SCREEN Pag^e Three
opened with the show. with the projection of color. Hawley’s sketch "The Bandit,” and locally by Dickson Morgan.
In addition to the prospective list
of new shows set forth in last In Projector other acts, but was penniless at the Morgan will take the play into
week’s issue of Inside Facts, this
'
Frazee has been working on 'his time of his death. the Hollywood Music Box for spe-
week it was reported, that Margaret! patents for three years, approach- N. V. A., West Coast Theatres and cial matinee showings February 24,
Anglin -will be brought here ,bvj ing the third dimension problem Bobby Stewart of the Bert Levy? of- 26 and 27, with a probability of a
.
Ralph Pincus.to do one. of- the New! from an entirely different angle fice, made collections for the funeral. night run to follow at some other
York Theatre (jirild plans; aikl that; Than -that taken by other so-called Alexander Pantages, Browder’s for- house.
Arthur Grevrlle Collins Will produce; third dimension processes in process mer employer, was the largest con- “Waterloo Bridge” is planned as
“Napoleon Had It, Too.”. of development since inception of tributor. the first of a series of special mat-
the talkies. inees Morgan- will produce, the sec-
A1 Singer, former lightweight His third dimension is entirely in ond tentatively selected being Eu-
champion of the world, arrived in the projector, as differentiated from gene O’Neill’s “All God’s Chill un.”
T Los Angeles Saturday on a visit, the many which have sought the
and is scheduled to leave for Miami missing dimension through the
Gypper Is In Cast’
Casting of “Waterloo Bridge”
Tuesday. camera. has been completed, the four prin-
TO BE UNBONED A1 took a workout in a local The
theory upon which he is
gym, and when the fight promoters working, and apparently he is fun-
Busy Along cipalsheading the cast of 12 being
Doris Lloj-d, Miriam Scegar, King
—
saw his condition right in the damentally correct, is that light Kennedy and Ethel Griffies. Mor-
SAN FRANCISCO,
Fox West Coast
Jan, 29.—
scrip goes into
—
pink they made him several offers waves on the screen should be
for fights, among other offered bat- given their same velocity to round
Film Row gan will direct.
Scale will be $1, $1.50 and $2.
the discard February 1 in spite of a tles being ones with Billy Petrolle out objects as is automatically done The Music Box management and
successful sale on the tickets since and Tod Morgan. But they couldn’t by the eye when looking at an ob- Film Row 7
issuffering from Civic Repertory group have been
their inception several years .ago;
.
come anywhere near meeting Al’s ject, person or scene. He now has", 7 the invasion of the racketeers. cooperating with Morgan in giving
under the guidance of Harold B. figure, their offers being between his process up to 490,000 light pul- A man is going to the exchanges, him access to the house, but the
Franklin. $2,000 and $3,000. For meeting sations as compared to 500,000 to -
getting film, giving checks on production is entirely under his
Sales for 1930 reached a higher fighters of the Petrolle or Morgan the eye, the difference being so banks where he has no account, own management.
peak than in previous years. No ;
class A! would get $10.00 or more negligible as not to demand further and then leaving tow n with the-7
FWC laid- out a lot of dough; several, picture offers, but at that
He explains it thus; him under several 'other aliases. ices of Irving Pitchell. who is now
.about a month ago, putting out a time his fight dates wouldn’t per- He is five feet nine and has
$2.50 book containing $3 worth of mit him to accept. However, it
"The human eye constantly has under contract to Paramount as a
.
Nifty Idea
from Oklahoma City for the opening. the 45-degree mark there w as Bates Post’s next play. The latter 7
to get anything on her. She has kept her face singularly clean to place the machine on the mar- years, in charge of comedy produc- nifty syncopaters, and the fact
and in no instance has anyone been able to found his insinuations ket through his own capitalization. tion for William Fox. and .an in- that the Gardens was Holly-
in proof. This is remarkable to a degree,, for temptation in the As his 'plans are to place the ma- dependent producer in his own
way of tips for one so high in her profession would no doubt repre-
.
wood’s only dance hall run-
chine's with houses On the basis right. ning.
sent a very nice income. Professional jealousy is at the bottom of of a small installation charge and His company is known as the Gould well known among
most efforts to unseat Louella. She shows rare astuteness and a small yearly rental, he does not Frazee Motion Picture Technical
is
good judgment in not picking up any of their gauntlets. dance patrons, having played
feel that he needs any enormous Laboratories, and in addition to his over radio and at the beach
The great error the trade papers have made in training their
barbs on. Louella lies in their mistaking her for a critic.
amount of money to hit the gold third dimension invention, be op- resorts during the past seven
mine which he believes his process erates around the studios on trick- years.
is He has had several offers for shots and special photography.
Page Four INSIDE FACTS OF STAGE AND SCREEN Saturday, January 31, 1931
“LITTLE CAESAR”
Pictures ‘ONCE IN A LIFETIME” W. B. Picture
Mayan Thearte V/ARNER BROS.’
(Reviewed Jan. 28) HOLLYWOOD
“THE BAT WHISPERS” This a natural, right in the middle of Hollywood’s sunken bathtubs. Hollywood without a
is
(Reviewed Jan. 29)
UNITED ARTISTS stitch onand the whole world looking through the transom. So ridiculously sensible and so sensi-
it
A lot of interest has stirred in
(Reviewed Jan. 26) Holiywod over the. phenomenal suc-
The tummy muscles of those bly ridiculous it may be called -reason gone rollicking mad; prophesy and history engraved in folly.
cess of Caesar” in New
“Little
watching this mystery thriller, “The “Once in a Lifetime” should enjoy a run. If it doesn’t hold up as long as there are adults in Cali-
York. Far down the schedule of
Bat Whispers,” tighten like iron fornia within a street car ride of the boxoffice, then the legitimate theatre is dead both ways from Hollywood’s series of gang pictures
Lands. A suspense and tremble the orchestra pit. If this show fails to hang up a record, I will post an obituary for the speaking and falling naturally under the
producer de luxe from the start.
stage under the Shubert real estate window every Wednesday afternoon at half hours until Carl brand of “just another” gang pic-
When the hinged fireplace slowly
ture many wondered what phase of
swung to, imprisoning the sweet Laemmle, Sr., runs out of relatives.
underworld life it could represent
blonde heroine in the secret room, “Once in a Lifetime” is satire, Shavian in its status, and with the added advantage of universal that it should rate all of this in-
fifty women in the audience swal- appeal. It is nose-thumbing of Gilbert & Sullivan in the language of today. The most
the artistic terest. Curiosity was well satisfied
lowed an ef-
their handkerchiefs in
delightfullynonsensical bit of high burlesque that has reached the stage since Weber & Fields. at the premiere last night. The an-
fort to choke back screams. That swer to it was in a combination of
was just one of many scares legiti- Moss Hart, the author, if lie survives the frowns of Hollywood, will go down in the annals of the
good story, appreciative direction
mately secured and without ugly stage as the man who restored a lost art. He has brought to the theatre in “Once in a Lifetime” and fine performance. It is a Very
gruesomeness. When the bat came a type of entertainment that is toxin long needed to energize and revitalize a body stricken with a fine picture for the very reasons
down the long maguafilm stircase strange and mysterious malady. Patrons of the theatre have long clamored for the needle of satire. that “The Doorway to Hell” was
full tilt at the audience a swell
"Once in a Lifetime” parades a Hollywood that is passing on. Those whom it discloses will be NOT a fine picture, even though it
brunette let out a scream and ired but they will vent a spleen that has dried in the glands. The juniors of production, the second made money. “Little Caesar” does
generation will see the humor and the art of this thing. They will take Sid Grauman by the hand audience to accept a
clutched the writer around the not ask the
neck. That is a way of saying and compliment him on its mounting and presentation. romantic “baby faced killer with
this picture is a swell break for the
— Ted Price. the power of a czar” as fine drama.
bachelor. “Little Caesar” gives me great
glee. It gives me a good! oppor-
A good mystery picture is also a his Everybody was for
brother. or happiness. Branding the boy tunity to crow a little louder that
break for a guy with a blind date. Barber John. They were all at the with the dye of viciousness is pour- fine drama is bigger box office than
It breaks the ice. The brunette station to meet him. John's boy names; that good pictures make
took one look at this writer and let
out a louder scream than she de-
That's one
alone alibied himself out of going
to the station. The sympathy for
Picture ing ink on mud.
names oftener than names make
Alan Divan and Leuore Coffee, good pictures. “Little Caesar” grabs
livered for the Bat. two very intelligent craftsmen, a record without a big name as
Barber John was so great that the
scream the Bat would not ordinari-
ly get —
a break for the theatre.
was some small compensation to
It
son’s
made him
like an
inability
ass.
for
to join
many sequences
in with it
look LEADERS fumbled an opportunity here to 'names” nowadays rate. No
carve themselves
Ernest
Lubitschs, no Emil Jannings, no
an impressive Zane Greys in thi» opus. Just Le-
the management
they extend me.
for the courtesies
At first glance one would
son’s indifference to his
attri- For the Week niche in the movie hall of fame. To Roy,
a certain degree this story was epi- carry
Robinson and Burnett to
this little Caerar of the
come and thrillers go,
Thrillers
bute the “THE ROYAL FAM- which might be offered
cinema, gentlemen.
father an error in writing and direc- sodical as
Those who were hopped up on
and some make money. The ush- tion; that the director and continu-
ILY OF BROADWAY,”
ers won’t worry about the Saturday
ity writer might have justified the PARAMOUNT, AND an excuse for
Sawyer” was
its jerkiness.
series of
“Tom the virtues of “The Doorway to
Hell” did another kind of hopping
episodes,
_
Saturday, January 31, 1931 INSIDE FACTS OF STAGE AND SCREEN Page Five
Harold Bock
MANAGER
RUBE COHEN
J.
Representative
SAN FRANCISCO OAKLAND, SAN JOSE, SACRAMENTO
KRESS BUILDING
©35 Market St.
Phone Douglas 2213
I i
[
Market Street Gleanings
s E
SAN FRANCISCO, —-Jimmy
OUT S 57,11 FOB
. Jan. 29. Haley is the new head of Sherman Clay’s employees’ asso-
ciation . . . George Beale now here as United Press rep . , . Tiger Thompson and frail inspecting the
new Paramount with Dick Spier and what a classy joint that will be Rufus Freiling has trans-
ferred his stage doorman activities from the Fox to the Warfield Frank O’Neill busted out with
. . .
,
. . .
. . .
B. 0. II
a new prop mustachio last week ... it is thought that Bob “Three Door” Gilmour was at the Whit-
SAN FRANCISCO, Jan. 22.— comb last Saturday night but there's no proof. Bob Tolies, doorman at the Golden Gate, tus-
. . . . .
SAN FRANCISCO, Jan. 29.—
After a straight sound policy for sled with a taxi and lost he’ll be back to work this week . . . . . .
While other houses held to an av-
about a year the Orpheum goes Emil Umann back in town and fit as a fiddle. Bill Wolf and Jack Gross in a weighty confer- . .
flesh February' 7 with opening of ence re “Cimarron” Vic Heras (Iieras and Wallace) and Larry Ceballos are old childhood bud-
. . .
erage pace, the Fox jumped out of
Radio’s smash flicker, “Cimarron.”. dies May Sewall
. . is now secretary to Selby Oppenheimer
. she was formerly at the Pantages . . . the ranks and turned things topsy-
Bud Murray, Los Angeles dance . . Herb Rosner of the Columbia Theatre is in L. A. with “Lost Sheep” for a couple of weeks
.
. . .
turvy with a smashing business on
director, will stage a prologue with Jim Yoman is always on time you can set your watch on his arrival at the Capitol Gus Temps
. . . . . .
chestra will be in the pit under the Gene McCormick now sports a naked upper lip anybody like to buy a half interest in a pee . . .
but -withan impressive condensed
baton of Uzia Bermani. former con- wee golf course? ... a local booking office is selling coffee as well as acts A1 Pinetti, Val Va- . . . version '“Faust” conducted by-
of
cert orchestra director at the Pal- lente and Bill Foy in a huddle at the Roof Garden as to whether or not Tommy Harris should work
ace Hotel,
Walt Roesner. House was packed
in a spot Joe Mealy’s smiling countenance again graces film row at Educational
. . . Walt Roes- . . .
ner’s trick chair in his dressing room at the Fox gets another sucker early in the afternoons and nights
Orpheum, operating on a straight “Buss” McClelland replete . . .
sound policy, has fought a losing from bowler to spats doing a slide in the stage door to make schedule Torrey “Buttercup” Rob- . . .
allweek long and §57,000 was the
business battle since RK.O bought erts gazing at the tall buildings after his return from up-country Joaquin Garay proudly playing . . . figure.Mighty sweet. “Reducing’^
the house from- Pantages but with a recording of his voice, just another good banjo player gone wrong Don Waite histing his daily . . .
Dr.
SAN FRANCISCO,
Charles D.
Jan. 29.—
Pantages in Los Angeles.
* * * AM
PICTOGBAPHS
i BUSY?
——
McGcttigan, the new and
physician, known also for
local
his -au-
F Leo Carrillo .returns Oakland to novel in portraiture is a busi-
February 1 in “Mister Antonio” at ness. My art department- being on
thoring “Quien
of Sabe" and the verge of strike from over-
the Fulton.
‘'Spurs,” both comedies, and co- * * t-
work and my own nerves (?) be-
authorship of “Happy Days,” a ing worn to a frazzle. Inciden-
musical comedy, died at his home Hermie King will return in three tally. can use a few representatives
|
HOTEL IS DIRECTOR
There” owned by the Winship Estate. “Regards to our many friends in Los Angeles”
room by Johnny Tisserand’s or-
chestra. House is still dark.
SALES
RENTALS
COMPLETE STAGE EQUIPMENT
SCENERY — FABRICS
PRESENTATION SETTINGS
STAGE PRODUCTIONS
RIGGING — SCREENS
Paee Six INSIDE FACTS OF STAGE AND SCREEN Saturday, January 31, 1931
One Year -
Published Every Saturday
- $4.00 Foreign - $5.00
Guy
a legit show,
thored by
Gallaher
are. planning
“Empty
the latter,
production of
Bottles,” au-
it was re- I
I
Advertising Rates on Application
ported this week.
Established 1924 Plans for rtie production are still
Art That Is Not Good Boxoffice
.As a weekly publication Entered as Second Class Matter, April in an extremely early stage, with
:
29, 1927, at the" Post Office at Los Angeles, California, under the Act neither date nor place set.
By TED PRICE
of March 3, 1,879.
The play was written by Guy a Mingling with the learned people raised' to the level of an art in
Published by year ago, but at that time he could of the non-professional world, the ‘The Birth of a Nation.’” “What
INSIDE FACTS PUBLISHING CO. not find a backer for it. It deals powerful minority who shape the about Charles Chaplin’s stage pan-
230 Bank of Hollywood Building, Hollywood, Calif. with racketeers and bootlegging, thoughts of those who make pic- tomime of a night in an English
Telephone HEmpstead 8797 the locale being backstage. Now ture production profitable, I ant music hall? That tid-bit preceded
with the ever-increasing interest in constantly reminded that the audi- the D. W. Griffith spectacle by
Downtown Office: 809 Warner Bros. Downtown Theatre Building many
racketeering, both Guy and Galla- ble motion picture is not consid- years, as did many other
JACK JOSEPHS - - President and Editor her consider the time fully ripe for ered art, just boxoffice. Usually I screen pantomimes considered ar-
ALAN EDWARDS Secretary and Business Manager giving the show a break. am the lone showman
in the midst tistic.”.“But Chaplin is a clown,”
Sol Magnus is working with of august non-pros, and their
the is the reply. Then skillful clown-
VoL XIII Saturday, January 31, 1931 “No. 4 Guy on rewriting the show to give argument, carrying weight of num- ing is not an art because it is
it the latest racketeer twists. bers and vast scientific knowledge, clowning. If this be true then
Gallaher is stage director of leaves my idea of art badly bruised only the serious is artistic and
Harry Green’s “The Ambulance and my defense of cinema art un- those comical Dutch paintings
Chaser.” Frankie Guy was form- convincing. Just the same, I in- hanging in the. Royal Galleries are
erly a writer for Fox Pictures. tend to carry on in the belief that imposters. It would be silly to
the talking motion picture is today discuss art in this vein.
the finest and most flexible medium Skill and skill alone determines
through which the art of the drama the status of any medium of ex-
has so far been presented. Any pression. Shaw in print reaches a
Cyrus H. K. Curtis, president of the Curtis Publishing- thought pro or con on the subject high level in the art of satire.
Company, is a man to whom one listens with respect. Such will be welcome. When the satire of Shaw emerges
is the power of success. My argument is that a picture from print to appear on the stage,
Therefore, we herein reprint sentiments he expressed this
[ must he art to be good boxoffice. no amount of bungling in the de-
To strengthen my position I sought livery of his wit can detract from
week at a businessmen’s meeting in Philadelphia. Picture Receipts the definition of art as it applies to his individual rank as an artist. His
‘
The moral of Curtis’ talk is' that advertising will make Paramount and “Blue Angel” took the stage and screen. Immediately art can be augmented by skillful
direction, performance and mount-
fortunes. the lead for the week with the sur- a broad, basic definition of “Art”
prise figure of $31,000 for the Jan- was requested from these fine peo- ing and the composite boosts Shaw
"Everything that is done is built on advertising and in-
nings-Dietricb combination. The top ple an impenetrable intellectual fog
to the highest level of art. To the
telligent advertising will make your fortunes,” he told the take for Specials went to Grauman’s descended. Brows went up. Scalp degree that he is skillfully present-
gathering. Chinese with “Trader Horn.” The lines twitched profoundly. Brows ed his is an art.
check-up was $37,344, which is con- pushed higher, but the fog did not Many Disagreements
Curtis concluded by declaring that the policy of some We do not all relish the same
sidered excellent business for this lift.
advertisers to save expenses by cutting down on their ad- house. Ttie second gross under the Many Opinions
things: Degrees of understanding
vertising is “foolish.” determine our likes. Ibsenites quar-
wire was “Passion Flower,” featur- “Art is a symposium of the beau- rel with the disciples of Shaw.
Kay Francis and Charles Bick- ing
tiful and the damned,” said one. Every form of entertainment gath-
ford under the Loew's State banner
“No,” protested another, “Art .is ers its own protagonists. There is
for $24,809, which is not considered
the essence of human conflict dra- no accounting for tastes. An audi-
good business for this house. matized.” “No,” objected a third, ence vehemently pro-Shavian will
“Mother’s Cry” and “Man to Man,”
“dramatic art is a great thought in manifest a healthy disgust for any-
two Warner Brothers’ productions the brain of a great, gay, sad man.” thing that pretends to approximate
that were touted for big money failed
“No. Art is emotion given mean- Shaw. The Little Theatre, the
deliver “Mother's Cry” took $9,600
The saddest commentary made on Hollywood for some to ;
ing.” “No. Art is truth.” “No, temple of Pure Art, has many
for the Downtown and “Man to Man”
time was the notation by certain local daily paper critics did only $10,100 for the Hollywood art is illusion given reality.” “No, times failed miserably to interpret
that the picture magnates and higher execs seemed to enjoy house. Last week the Hollywood house Ibsen is art.” “No, the talking Shaw. They failed to arouse a fa-
picture lias not raised the drama to
“Once iti a Lifetime” and were not angry at its satirical did $17,000 and the Downtown $16,000, the level of an art.” “Nuts!” some- vorable reaction to their portrayal
which reveals a decided drop for the one said, and left of his satire. Their -intentions were
thrusts. « for a movie, fol- lofty, yet one cannot sincerely per-
closing bills,
What then did they expect? Newspapermen certainly en- lowed by lofty frowns.,,; mit them to assume the pose of
“Bat” Held Over
joyed “The Front Page,” and no one expected them to be “The Bat Whispers,” a mystery There need be no confusion over artists merely because they have
angry gangsters are said to be -enthusiastic patrons of thriller featuring Chester Morris, the definition of art. There is noth- associated themselves with Shaw.
;
ing vague or illusive about it. The Thus skill is the measure and the '
gangster plays, both dramatic and comic, and show people holds for another week $17,000 was word has a tangible, basic and gauge of art. As for Art and Box
;
great? The answer is easy: upon the fodder of adulation, Anne Hard-
lias enjoyed a long run.
vessing, and that inherent ego that has driven them to ing and “East Lytle” move in. RKO
business success. But the soil has been the verdant soil of with the “Royal Bed,” featuring Low-
world.
—
Hollywood and like unto it there is nothing else in the ell Sherman, and Vaudeville did $10,
848 for the week. Pantages and Ruth
Chatterton in “The Right to Love”
The Stock Market
grossed $14,490. The Criterion did
$6,752 for the last week of Gaynor- By H. F. CHRISTY tion.
Farrell reunion in “The Man Who Banks, Huntley & Co. Whatever may
A Lilliput Crew Came Back.” “Beau Ideal," the sequel
“Beau Gest,” at the RKO Orpheum door sport of forecasting price
did $8,912.
to
Although not considered movements in the stock market is,
The profession, vocation, or in-
this article
velop into as time goes on, we shall
endeavor to keep it from degenerat-
ing into anything in the nature of
de-
a holdover it will carry on at the Or- at the present time, just about the is. pos-a tipping service. So far as
Vet why carp, split hairs and cavil at the peculiarities of pheum until the premiere of “Cimar- worst overworked calling known to. impres- sible it will mirror our own
the Cinema Capital? The little critics, both professional and ron.” mankind. Amateur Babsons and of the broader trends and sions
amateur, who come with pea-shooters in one hand and Moodys have sprung up in almost longer range aspects of the stock
shooting their spitballs at a juggernaut which neither Heaven Plerbert Brenon’s next RKO 5724 Sunset Blvd. Hollywood, Calif.
picture will be “The Next Cor-
nor earth can halt. So why waste so much ink? ner.”
Saturday, January 31, 1931 INSIDE FACTS OF STAGE AND SCREEN Paue Seven
San Francisco
calls
are a
themselves, pardner, and they
colorful,
.
musical
roundup. FOX EL CAPITAN gag line in his “cra-a-zy” accom-
hits
dios. In addition
stu-
he had a great Phone OLympia 2914
Hollywood, Calif.
Franklin 2562 The maestro of this bunch brought SAN FRANCISCO
panied by ail upward swooping mo-
Acrobatic, Stage, Tap, Rhythm, on Don Cummings, the w. k. rope (Reviewed Jan. 24)
Ballet and Ballroom Dancing twirler, and he filled his spot full Show was wrapped, tiedup and
B«tttirfes for the Theatrical People
Private Lessons by Appointment of the things that surprise audi- carried away tb.y jay Brower, who
Children’s Classes Saturday, ll ences. Marietta, acrobatic dancer, did a pair of. comedy offerings that
Young People’s Clases, Eves., 8 to 11 came on for a routine of bending were absolute show stoppers, dem-
that she seemed to be poured into, onstrating, not only Brower’s popu-
Ann Hofmann
Dance Studio
or floated through or something.
She worked that apron with the
most difficult back bending tricks
and with apparently as much effort
as. waving a greeting to her mother.
larity in this house but his ability
as a creator of laughable comedy.
Elis first was a burlesque on oper-
atic medlies, all lyrics of which
were written by Brower and done
Tommy Harris
Wotta dancer. The Fred Evans by several of the. band boys. It Roller Skating Nightly from
THELMA CROCKER girls were conspicuous again with started out seriously enough but
Tap and Chorus Routine their talent and rhythm. Not a when the m. c. started to play a
Andrew McFarland
thing wrong with this show. ’cello— and not a very good one at
that —
the laughs started heavily and
KFRC to the ROOF GARDEN
Acrobatic Tumbling LOEW’S WARFIELD grew as they went. He had to en-
SAN FRANCISCO core and could have done so a sec-
ond time. Second contribution fol-
SAN FRANCISCO
1151 Market St. (Reviewed Jan. 22)
lowed an Apache sequence and had
SAN FRANCISCO Backed by a plentitude of cur- and Giving All the Publishers a Break
the diminutive Brower with the
Phone UNderhill 1122 rent publicity, Clara Bow in Par’s
husky Pic Smith in a slapstick
for Appointments "No Limit” dragged them into this
rough and tumble affair that was
showhousc for beaucoup returns
apple pie for the Missionites who
like their hokum with a capital H.
Show, staged by Peggy O’Neill,
TED HENKEL
MUSICAL PRESENTATION
had Johnny Morris and Edna
Towne" in their familiar comedy
turn; Rudolf and Chiquita in a pair
of dances, Jimmie Barr singing
EINSTEIN DISCOVERED
“Song of the Fool” and Marvin
Jensen a brace of hoofing num-
in
Relativity But Who Will Discover That
CONDUCTOR
CAPITOL THEATRE
AND
Sydney, Australia
DIRECTOR bers. Sweet Sixteen Sweethearts
did several dances.
Flicker was “J list Imagine”
(Fox). Mel Hertz whammed home
with another of his immensely pop-
HAP HAZARD
Pit Orchestra of 30 Stage Band of 20
ular community signs.
Bock. IS
PARAMOUNT A No. Transport Pilot
1 Rotten Sax Player
SEATTLE Ditto Bridge
(Reviewed Jan. 23) (14 Years Flying. 4 Years
TEL. Not a Rope Spinner
Last week's “Espanola Idea” was Flew All Vodvil Jumps) Writer of Own Material
a hard spot to follow, nevertheless
6121 the “Moonlight Revels” troupe per-
A Great Wire Walker Needs An Agent
DljNKSBIf,
formed a pleasing stage show.
Thecast included the Melvin Finishing 4 Years RKO at St. Louis March I5tn Week
Brothers, a trio of fine acrobats
N.Y.—STAGE and DANCE DIRECTOR and PRODUCER— L. A.
«FACULTY—Bud and Gladys Murray, Byron Cramer— BALLET —Mary ( I
who earned the plaudits of the
Frances Taylor fans, Freda Sullivan, one of
and Owner of Stinson-Detroiter Cabin Plane
PRACTICAL DRAMATICS AND STAGE DANCING the hardest working acrobatic danc- Co-Pilot Mary Hart—Can Handle Plane But Not the Co-Pilot
TAP, Off-Rhythm, “Modernized” BALLET & Acrobatics ers seen here in a long time. Freda
presented a full body twist in her
Only AUTHORIZED "Bay
SCHOOL. 127 Marine St.,
District
— —
Branch” JANICE SPRAGUE
Ocean Park Tel. Santa Monica 63115
presentation and landed solidly
with the folks out front. R.K.O. Hill Street Feb. 12. Wk.
MURRAY SCHOOL” George Broadhurst did some
‘THE ORIGINAL
oF NEW YORK. CHICAGO AND LOS ANGELES snappy stepping and could have en-
JIMMIE AMES
At LOEWS STATE, LOS ANGELES, Week of February
THE SINGING VAGABOND
1 1th
My Sincere Apprecition to FANCHON and MARCO, RUBE WOLF, HARRY WALLEN, GEO. FLAHERTY
and LARRY CEBALLOS
P.S. WATCH ME GROW
1
Page Eight INSIDE FACTS OF STAGE AND SCREEN Saturday, January 31, 1931
Ramblin’ with Vi Li
Joseph H. Hazelton, an eye wit- The so-called “big name” draw Over-commercializing of radio pro-
ting set- oil preparations for the new
.
* * *
from 10 to 10:15 over KFRC. This
on Santa Mon- for radio is definitely dead, at least grams has come in for its deserved is in addition to their appearances
station. to be erected
ica and Cahu'enga, operating on 1,000
Leigh Ilarlinp and Baron Keyes insofar as the coast is concerned. share of panning but there is one
on the Jamboree- and other pro-
watts. They will be equipped with have a waltz that is about to come
. What lingering tendency there other aerial feature that is equally
the latest refinements of radio into its own. “Valley of Broken annoying, yet seldom receives men- grams.
all-
gadgetry, not to mention the 250 feet Dreams” that’s the tune's title. — was to grab off stellar stage and tion. That is comedy.
screen names for the air was. laid
* * * Up and down {he coast, east and
•
high towers. Now everybody- can look to rest 1 by' the Hoover hard times. Riuji Nakayama, managing direc-
Several new people, and old ones west, there are' hundreds of pro-
forward to a weekly U. A.hour. While the- radio probably felt the grams sent out daily, many under tor of the' Broadcasting Corp, of
*, * * in. new jobs at KIIJ. Leo Tyson is
general business depression as lit- the
the new director of public relations.
,
guise of comedy offerings, yet Japan, was here this week confer-
Etheopian Supper Club, meaning '.'8 tle as. any major industry in the
While, this position contacts every- offhand we can name only two or ring with Don Gilman of NBC. .
Ball,” Frank Bull, Uncle Herb, etc., nation, still the money tightness three outstanding big
‘
times bugaboo. ’lifted from vaude acts some Gene Sullivan is announcing over
casting. Felix Mills is a new mem- tion, and the assurance of a. more
. . .
Lynn, who has written many lyrics now the first question asked is. the weakest feature of the aerial
Max Dolin returns to Feb-
ing to remember that on a half-hour ruary 1, not. as a station artist but
. . .
day nights -with his cello, appearing “It easier to make a radio
is the air thrice weekly for 15 min-
ducted in the Dixon office.
at other times in Justin Johnson’s a series of musical sketches. They
name into a picture favorite than utes at a time with Tom. Mitchell
String Ensemble. have a new angle for family stuff.
it is to make a picture name into vocalizing and pianoing. He’s on
REGGIE TO WRITE
* * * All is rosy and the world is just
a radio, favorite,” he declared. “We Mondays and Saturdays at 8:15
Johnny Murray, feature one big apple pie.
KFWB Can you imag- Reggie Montgomery, who is work-
feel that the time is definitely here m. and Wednesdays at -9:15.
ten. -, has had a thorough musical ed-
ine that? There’s a new Chap- p.
ing with Marian Harris, sails for Lon-
when, the screen will look to radio
ucation that he finds- valuable in many man’s Ice Cream broadcast to start for
7- ready-made favorites, and that Newest entries into the local ra- don this week. Prior to leaving they
phase; of his career. Musical com- Wednesday, too.
the time when things were the con- will broadcast over the N. B. C. chain
* * * dio field are Chico and Jewel, mu-
edy, m. c.-ing, voice doubling and trary is washed up.” sicians and singers. They are ca- on the Fleischman Yeast hour.
playing the trumpet are a few of the Collyer, brother of June Buddy Of course, it--.was explained, this naries owned by the Boston Dance
angle he’s played about with.
, is replacing Freddie Furt- Coliye'r, does not apply to single programs Academy and broadcast from KYA. MGR. AT RKO
V. *
one of the Three Cheers.
* sch as but only to instances where the
Understand Jerry Joyce had some Hale and Derry complete the trio. broadcast is to be a series. Doakes and Doakes in “Songs SAN FRANCISCO, Tan. 29-
plain and fancy trouble with a flat Don Wildinghas been appointed
tireon his new car. The radio gag- production manager of KPO suc-
sters say that the best remedy for ceeding Merton Bories, who was
anything like that is to get an Austin transferred to the commercial de-
and carry a few rubber bands in your partment. Wilding has been on the
wallet for spares. staff as an announcer but a short
* * * time.
1
i!#Jj
New it’s Gallic Holden, KFWB
dance leader, who has one of those KNX In Life” and “Song of the Blues,” ears of fandom, ever on the alert,
24-hour-a-day schedules. Not only- 7:15-7:45 P.M. Jan. 24. vocal solo, were capably offered. ready to receive something out of
does he play the trombone for many This half-hour never reaches the
Schapp’s Restaurant
8- the general run of air fare.
orchestral programs, but he has the fusing point, but then, who wants KFI QUALITY FOOD
job of, writing musical arrangements to burn up all the time?
Hamp played around with a
Bill 8-8:15 P.M. Jan. 24. medley of pop tunes, but the big- Member I. A. T. S. E. 128
to keep him from worrying about Hatch and orchestra gave a smooth “I Could Go For You In A
gest feature was “Wedding of the Sam Hochfeld
other things should he find a few mo- enough account of themselves with Great Big Way” was George Birds” that got its special kick 211 Vo B’way Portland, Oregon
ments for idle thumb twiddling. the new favorite “Just Gigolo,” A Grandee’s opening song. Lay your from a whistling cadenza into
* * * “Drifting,” “Blue Again,” et al. money on Georgie when he gives which the estimable artist inter-
Wedgwood Nowell, m. c. of the at- The KNX
Girl, June Pursell, is out patter, melodies like “Methus- polated our well known musicians’
mosphere, broadcasting the fashion re- a natural for the mike. “It Must lah” or “Take the Whole Durn razzberry. These brief moments Behrendt-Levy
vue at the Auto Show through KECA, Be True” and “Fall In Love Farm.” Piano medley was in the wherein Charlie Hamp kids him- Co., Ltd.
came out with a record of 250 words With Me” were two of her vocal okay class too. Closed with two self are subtly done and have General Insurance
a minute. That’s telling ’em, and do- specialties that came over effec- musical, comedy selections in which helped to build him into the Insurance Exchange Building
ing tively. straight vocalizing also ran.
it . fast. unique entertainer that he is. .
VA. 1261
* * *
(Continued on Page 10)
Robert Hurd (Paul Roberts), KFI KECA
director and popular tenor, is recover-
KECA
4-4:15 P.M. Jan. 24. 8 P.M, Jan. 23.
ing from a long illness. Hope he’ll and Highest, prices for Diamonds,
be back on the air soon.
Gertie Jacobs is an agreeable substitute A
feature replacing Jewelry, etc.
* * *
Norman Pringle and Gayle Whit-
little warbler of blue, hot, or sweet Eddie
melodies.
Armstrong, vocal soloist,
And besides she’s a proved an outstanding contribu- WE PAY CASH Private Office— Confidential Dealings
A. KIRSH
tuneful ivory exponent. Not bad. tion. Anne Blackwell did it with 822 Metropolitan Bldg., 315 W. ,5th St., hetw. Hill and Bdwy., Les Angeles
ney who play “Bull” and “Slim” in that old player piano imitation of piano nifties, “Melancholy Rhythm”
are the reinforcements sent up by Jack the hoary chestnut “Kiss Me and “Baby's Birthday Party.” She
Lewis, creator. of the skit, who plays Again.” “If I Could Be With gives a snappy and at the same —
Rep airing -Remodeling
the “Lieutenant.” You” had all the rhythm manner time musicianly performance, de- Special Attention, to Profession
* *
vocal twists and “To Whom
It pending less on tricks than most
EarleC. Anthony,- KFI-KECA, May Concern” simply oozed gooey ivory specialists. S. SAVITSKY
notes that big stations are deluge^ sweetness all over mv kilocycles. Manny Stein’s El Vaquero Or- 812 IiOew’s State Building Los Angeles
with .requests for time and service of chestra might venture, something
stations by “Genteel Racketeers” original in the way of presenta-
who want to take this public means KNX
of promoting their “altruistic” prop-
ositions. But they are promptly-
greased down a direct skid-way to
7-7:15 P.M. Jan. 24.
Eddie Holden a n d Ambrose real radio run.
tion now and then.
Baby
“Tears” is like
Barker as Frank Watanabe and most waltzes that survive the rig-
Back
’’Walkin’
Home” is getting
My
a
EARLE WALLACE
Always Busy Developing Dancing Stars but Never Too Busy to
the waste basket, because radio and the Honorable Archie are welcome ors of competition w t h that i
Create and Produce
rackets don’t mix. to the wave lengths over to hardier musical form, the fox-trot.
ride
* * *
my dial as long as they keep their It has a real melody. “What A Original DANCE ROUTINES and REVUES Thai Sell
Chckcty-Clack and the Air-Castle snappy little continuity up to its Fool I’ve Been" cord'd just as well Belmont Theatre Bldg., First and Vermont
Family continue to be a KFI feature. present diverting standard. The be filed in the wastebasket. Phone Exposition 1196 Los Angeles, Calif,
When the L’nion Oil Co. discontinued simple (not stupid) Japanese house .
KNX
* * * gliug of what used to be the-
PERFECTION BAKING
CO.
9 P. M. Jan. 23.
Frederick Stark, KHJ stall arrang- And speaking of
er, lias replaced Scott Bradley as as-
King’s English.
the King's English, Hon. Archie
Bert P.utterworth and Gang The biggest cafe business
usually give a snappy, informal
KHJ is the one and only mona’cled; geni
sistant
tra, He
director of
has had wide experience
the orches-
on the air who doesn’t overplay
show,
•presented.
with advertising smartly
Unlike so many broad-
in San Francisco • •••••
wielding the baton over large orches- his linguistic hand. respects, My
casts that play up the carefree -and
tras both here and abroad., Archie.
casual line this group goes through
* * *
its paces without a n y “stage.
Credit Dick Creedon, publicity di-
rector of KHJ
with transposing the
General Pershing war story, running
currently in newspapers, into dialogue
KFWB
ST. HELEN’S
CO.
6:30-7 P. M. Jan. 25.
Waits. 7 The Optimistic Do-Nuts
haven’t any holes in their pro*
PETROLEUM
gram. It all measures
very acceptable level,
Up to a
TOPSY’S ROOST
suitable for radio. It’s quite a job with
The attraction or female' har-
because nearly all the characters are
still alive and ready to start kicking
mony singers is debatable when KHJ
the moment one little line of fact is
you can’t see their pretty little DR. STRASSKA’S TOOTH-
heads cocked close together and PASTE
sacrificed to dramatic effect.
MacIIarrie plays General Pershing.
'*
*
Lindsay
mically around by dainty white
arms. But if you do like fern
their billowing skirts flipped rhyth- 7:30-7:45 P. M. Jan. 23,
Charlie Hamp, radio’s mello-o-
oh-ow voiced king pin with the
Clyde “Red” Lockwood's
KHJ has some specials going out harmonists, the Locus Sisters are
over the ether soon. Edward Moly- right there all along the line.
neaux, international style creator, Jerry Joyce’s Quintet is a peppy
sunshine personality and Howers-
that-bloom-in-the-spring patter line
is the big rave of the air. His
Orchestra
who look as intriguing as his fas- oufit of instrumentalists. “Fail In vibrant crooning and nimble piano
,
—
cinating frocks watch for this one, Love With Me,” “Little Things accompaniments delight the jaded
: — . ;
Saturday, January 31, 1931 INSIDE FACTS OF STAGE AND SCREEN Page Nine
“LOST SHEEP”
Leaders CHOICE POSITIONS WOODY IS STOCK WSE
BILTMORE THEATRE The Music Corporaiton of Amer-
George Waggner and Richard J. SAN FRANCISCO, Jan. 29.—
(Reviewed Jan. 27) LOS ANGELES ica continues to hit a high pace of Powers have joined forces and Former Players’ Guild Theatre on
If one knows a great actor per- End of the month slump is tak- activity. They have assumed man- merged into one publishing house. Sutter street has been taken over
sonally, one takes a greater inter-
ing its toll at the music counters They have offices over Morse Prec-
agement of Earl Burtnctt and his by Bruce Payne and Larry Cook
as usual. "I Surrender, Dear” and man’s music store; regular offices
est in his welfare. If he appears Biltmorc Hotel Orchestra, and plan
“You’re Driving Me Crazy” still with outside men and a girl ’n’ and renamed the Gaiety and will
in a stage play that carries some
going for all they’re worth, which to take that unit back East for a everything. open February 12 as a stockhouse.
suggestion of ill effect upon his ca- is plenty, according to sales.
reer, the personal element causes short summer run, or else to the The 572-seat house will have two
Ten best sellers for the week are:
one to be more apprehensive of
harm. Many
years ago Leon Errol
1. “I Surrender, Dear” Powers.
cisco.
—
Mark Hopkins Hotel in San Fran-
Burtnctt is playing the at
Just, a word for Sammy Epstein
the Kress counter. He’s the
shows nightly, at 7 and 9 p, m.,
2. “You’re Driving Me Crazy” ,
this is the proper place for that 6. “It Must Be True” — W'agg-
kind of humor. “Lost SHee'p” is, ner.
“I’m All Alone” —Witmark. SEATTLE, Jan. 29. Art Schwartz —
broadly speaking, the story of the 7. of Witmark’s was in town to look
traveling salesman and the farmer’s 8. "Little Things In Life”— over the sheet music biz, and re- H. E. BILLHEiMER
daughter in three acts. Berlin. ports that things arc on the up-
One tittilatcs to this opus the 9. “Crying Myself to Sleep — and-up. Adams of the Brunswick-,
moment the three daughters enter Berlin. Warner Bros, merger also was in
the scene. Of course the ensuing 10. "I Surrender, Dear — Powers town doing biz on the new two-bit CONSTRUCTION CO.
action is whoopeed and burlesqued record, “Melotone.”
to a high degree, but there are SEATTLE SPECIALIZING IN BUILDING SCENIC PRODUCTIONS
moments when wavers danger- Leaders for the week here were:
it
ously close to the edge of a. preach- 1. “You’re Driving Me Crazy” — FOR LEGITIMATE THEATRES
ment, a sermon. This thing is Donaldson. Situation In 6122 Salem PI.
—
daring- too daring, if you ask me. 2. “Little Things in Life”—
And I was once in burlesque.
must be the Hollywood influence.
It Berlin.
3. “Cheerful Little Earful”
Music Bad HOIIy 0738 Hollywood, Calif,
Sid bins.
Gold.trec got his greatest uation made
it too tough for
“I’m Alone Because I Love
break on this forthy farce when the 7.
Chronicle busted out with a scath- You" Witmark. — Damascus Gallur, former San
Quentin prison band director
CRYSTAL ROOF BALLROOM
ing denunciation of the Green Street 8. “Sweet Jennie Lee” Donald- — and well known as a musi- LONG BEACH LONG BEACH
its "play's of plain inanity and son.
.
dirt”
, .
Page Ten INSIDE FACTS OF STAGE AND SCREEN Saturday, January 31, 1931
In Hollywood « Now
(Continued from Page 9) By BUD MURRAY
(Continued from Page 8) KFOX clever act that started in one with
this “Speed” program an effective them. Then they went through some During intermission we did not hear one dissenting
Claude Sweetens RKOlians built
push-off the whole tiling, petered rube stuff with the same results, even
;
up from 10 men to 14 did “Rhap- voice, and many- "wise-cracks” were made, yet it
out to a well meaning but anemic, when one of them went falsetto. A seemed like everyone took the “razzing” -good,
was nothing, better choice of numbers would add sody in Blue” as an overture, scor-
half-hour. There
.wrong, with the music, thanks to, much to the entertainment value of
ing heavily. Augmented band —
naturcdly The two writers wrote plenty of dia-
sounded great and gave able sup-; logue, and what speed these actors used to emit
successful activity, that’s been go- the program. their words, sometimes we thought a little too fast
port to the acts, Walt Sullivan, pi-
ing on in Tin Pan Alley and Sam for the balcony or last ten orchestra rows Maybe —
anist. drew featured spot in the
Wineland’s neat orchestral organ-
KFWB overture. the actors will -slow, up a bit after their first nite
ization, and soloists were okay,
but the dialogue material was just;' Edgeworth Tobacco Co.
Fox’s “Oh, for a Mail” was the —
-nervousness wears off Who wouldn’t be nervous
so much blah. Laughs were prac- 8:30-9 P.M. Jan. 27
acting in a play “razzing”, you to your face You
——
1
picture.
Old time melodies and .Art Pabst’s Bock. never can tell when a bomb mite be thrown Is it
tically non-existent. No one could ,,t
-please. Bunch of Daisies,” that’s what they RKO scores heavily this week with Bud Murray fool We thought these particular actors deserve
especial mention for their interpretations Charles
want, and that's what they get. A laughs. Vic Oliver and Irving Ed-
prize contest is on, for original lyrics wards deliver it in heavy bundles. Lawrence, Alice McMahon, Russell Topton, and Louis Sorin and we
KFWB to “It Ain't Goin’ To Rain No More” These gentlemen are equally clever as noticed in the cast one of our ex-George White’s Scandals show girls,
10:30-11 :30 A. M„
Jan. 27 gagging poetically with names of comedians and laugh honors go to who played Miss Leigh to a “T,” and we mean Mary Mulhern, now
Morning Melodists are guided by cities, etc. The entrants are respond- Edwards only because bis is the larger
—
Mrs. Jack Fickford Little Leo Morrison and a few other big shot
all the parts with the possible
His little ing with their usual enthusiasm, but He cercmonied agents during the intermission re-cast
the expert Jerry Joyce. share of the work. actors, who were allegorically
.orchestra of five pieces plugs. the some of it is pretty hard on the inno- the Friedland revue which constituted
moving picture industry magnates and
impersonated— We noticed oh, so many of the motion picture and stage
pops with plenty of vim and vigor. cent bystander hanging around the a good two-thirds of the allotted time. Harlow in all her blonde
world that we could go on forever;
Jean
-“The River and Me” and “I’m No radio. “The Agemos,” bamboo pole acro-
beauty (and our pup'll) Mr. and Mrs. Hal Roach Mr. and Mrs. Ed- —
Account Any More” were offered
with syncopating appeal.
bats, start their, snappy turn off where
the average act of like character;
—
mund Lowe (Lillyan Tashman) and for once, we spy the entire firm
KHJ 1
and the colossal Ninth were, Revile” got away with a talking pic- We almost forgot another opening last week which was a pleasure
KTM outstanding artistic achievements. ture of Anatolc Friedland selling the
inasmuch as our boy friend Harry Green showed his tru’e histrionic
Pacific Greyhound Lines “Kreutzcr Sonata,” “Moonlight merits of "the, flesh” against the pic-
8-8:30 P. M.—
Jan. 27 Sonata” and “Pathetique” were su- tured virtues of eye value in femmes. ability in a very entertaining play called the “Ambulance Chaser A
From a concert arrangement of “I perbly interpreted" by Maestro,
The talkie does a moving shot of the large audience attended including some old friends we noticed— Con
Surrender, Dear,” with vocal chorus Paige.
chorus headed for the, footlights and Conrad— Rita Gould—John Swor, formerly Swor and Mack and now at
by Don Allen, to Moskowsky's "Ser- the flesh tears its way through the Kox Studios Mr. and Mrs. Herman Playe, who seem to be at all the
ienata” and Brahms' Dance No. 5,
.Salvatore Santaella guided his excel-
SYNCOPATING SUCCESS screen in a line of beauties on stage openings— B.B.B.— Armand Kaliz— Morrie Cohen, manager of the Pasa-
that have. a lot of look stuff. “
dent Fite Club, and his shadow, Dave— Bob Armstrong— Skeets” Gal-
-
lent musical unit. Santaella is a brill-
The Crystal Ballroom at Long Plenty of talent in this show and
iant pianist and clever leader whose
Beach has a band now that’s bring- well received. lagher and Jack Oakie, both Harry’s colleagues at Paramount Studios—
versatile programs make a radio high-
ing in the customer, s old and Then to a meeting at the RKO
offices with Cliff Work, Western Di-
light out of these Highway High-
lights broadcasts. Austin Graut’s
young. Jack’s Bachelors, Jack RKO visional Head of the Orpheum Circuit, and Harry Billheimer and Bill
—
on the stage any stage York and
King the talk of this town or any
— —
and don’t forget Jimmy Gleason Here is a real trio of witty gentle-
men— IN HOLLYWOOD NOW.
In the Heart of Hollywood is broadcasting over station KGER —
town picture, Cohens and Kellys While out to RKO
Studios looking the “Cimarron” picture over,
E. E. KENT, Managing Owner at present attracting air fans.
Africa was good But York and
in — a very dear old colleague, Max Steiner,
into we formerly whom
Every Room With Combination King was the b. o. draw — Biz — S.
rail
worked with oil several Noo Yawk revues— Max is now “next to the
Tub and Shower Bath
*
R. O. Head iiia.it” in the RKO
music deparament
ALL OUTSIDE BOOMS Art Rogers To the Olympic Rites we run into Sam Kramer for the first time
Telephone Hollywood 6181 since his European sojourn Redmond Wells, who worked for us last
Half Block from Paramount, KNX NO W. B. CUT year in “Oh, Susanna,” and is contemplating a short vaudeville tour if
and RKO Studios
Melrose at Van Ness Ave.
Vic De Lory Correcting a story which appear
someone here doesn’t gram him quickly Joe Keno, who raised, that
—
darling Mitzi Green Mr. and Mrs. Macklin Megley Chuck Reisner, —
cd in last week’s issue of Inside a Fox film director with his old boy friend Bryan Foy, an ex-Warner
Facts, information is phoned us Brothers’ director Dave Bennett, stage and screen dance director—
that the new Warner Brothers Harry Gribbon and Billy Arnold, a couple of Masquers and last but —
Theatre* in San Pedro maintained not least, Dolly Nelson and Lee Summers, like two peas in a pod.
The MITZ1 GIRLS a price
opening.
scale
The
of
F. story had it
I.
50 cents upon
shirt
Strolling up the boulevard, we see Jack Oakie wearing a new sweat
Sam Hardy drives his Ford with much gusto Walter Wills, —
Six Beautiful and Exquisitely Costumed Girls, who dance that the house cut to 25 cents. The whom we worked with some eighteen years ago in eastern musical
as a unit or in teams. Doing the latest dance creations. same informant stated that it was comedy stock companies, when Walter was Head man and we played
the Fox house that cut to 25 cents the “What-Jiave-you?” parts; Walter runs a darn good dancing school
AGENTS: Include this group in your next entertainment. when the W. B. spot opened. IN HOLLYWOOD, too.
To the Hollywood Legion Fites run by the genial Tom Gallery,
PRODUCED BY BUSY BAND who has hit upon the four-round bout scheme of the old Vernon days,
and business seems to be good and the patrons like it Rite 'next to us —
Some, of these bands keep busy an ex-Winter Gardinte, John. T. Murray, now in talking pictures,
and
AlJtF
TEACHERS OF SUCCESSFUL^ every minute of the day or night. formerly a peach of a monologist and we
cannot refrain from mention-
Kelly, who can tell the
—
VEVVCff
HZ WfetH.St. LONG BEACH CAUf.
Brick English and Hoot Gibson’s ing another of the same ilk, Judge Walter C.
outfit are very much among the
stories to fit the occasion, parlor or stag Bill Farnum, always in the
same seat Nate Stein trying to compile some list of film celebrities
busy syncopatcrs. They are a
feat-
ure attraction at the Balboa Dance
during the bouts The Dummy Newsboy, thoroughly disgusted with the
class of fites B.B.B., for some unknown reason, was seated on the oppo-
Hall, have a United Broadcast, and
site side of the house, and we couldn’t hear his sweet, melodious voice
are on the air over and KGER A
flock of film directors who are always rite down in front
SEE THE NEW KFWB regularly,
Oh, yeah?
—
are A1 Ray and Norman Taurog Dave Butler and William Wellman
Then we notice two of our finest dance directors, Busby Berkely and
CHEVROLET CONVERTIBLE CABRIOLET Joseph I. Schnitzer, president of
Radio Pictures, has arrived from
—
Sammy Lee Sammy is now head man with Fanchon & Marco, staging
ideas as fast as they come Margaret Padula, the girl with that “big
— That
,
New York. voice” Walter Weems and Ernie Hilliard betting on corners
ON DISPLAY AT lady-killer Ray Hallor being kidded by Jed Prouty, whom we haven’t
TRY THE seen for ages —Why hasn’t he worked after the start he got in “Broad-
Saturday, January 31, 1931 INSIDE FACTS OF STAGE AND SCREEN Page Eleven
who
Play staged by Hugh Metcalfe
is
played the lead.
also Belle
Foster and Betty Blossom carried
Route List of “Ideas
while Mirni Gressier was Marguer-
ite.
sary f to question the quality or wise
choice of vehicles upon which the
Question of whether or not Pasadena Community Play.housu. has
the leading fem roles and other
straight opera in a picture house is
members, of the cast were Ray Ed-
.
Following is the Fanchon and Marco SPRINGFIELD (6-12) ridden to its present enviable repu-
munds, Rollon Parker. Gerald Ideas route schedule, with the opening dates, Palace Theatre good theatre can easily be dismissed tation. But somebody
is going to
H.c.itln r. indy Swanson, Jessie
( all of the current month, in parentheses “Doll Follies” Idea by recording that applause was tre- start to before long if they slap on
,
beside the name of. the town Les Klicks La Safld and Mack
.King, Ed. E.awrcnce and Larry
,
.
PASADENA Ramon and Virginia* Bebe Siterman mendous, Roesner and orchestra,:
Cook. (Story concerned a man .who.
(5) ;
FEATURED IN
balance.
Overture was in direct contrast
to the picture, Metro’s “Reducing,”
comment are any barometers, then Fanchon and. Marco’s AFRICANA IDEA with Dressier and Moran. Business
this policy is a cinch. Roesner, Her-
capacity.
man Kersken and all others asso-
PORTLAND (6-12) NEW YORK (3-5) Bock.
ciated the assembling and pro-
in Paramount Theatre Audubon Theatre
duction of this offering can step “Icy-Hot” Idea “Wild and Wooly” Idea
right, up and take a brace of bows
for the results of their efforts.
Even the Roxy, with all its im-
pressive production and great facili-
Three Le Grohs-
Harris and Wallace
TACOMA
Broadway Theatre
“Topical Tones” Idea
Betty Lou Webb
Sunkist Ensemble
(6-12)
Kirk and Lawrence
Hart's Krazy Kats
Ray Arigwin
'
Bud
Aussie and Czech
Bud Murray Girls
PHILADELPHIA
Fox Theatre
“Wild and Wooly” Idea
(6-12)
Carell
and Renova
ST. LOUIS
F.ffx
“Idea
Mitzi Mayfair
Theatre
in
(5-11)
Blue”
KARELS
SCHOOL DANCING OF
There was a Moro and Yaconeplli Sunkist Beauties Harry Savoy Webster and Marino
color and lighting. 7377 Beverly Boulevard OKegon 2688
vocal ensemble of thirty, a ballet of
NIAGARA FALLS (6-12) Paul Russell Sunkist Ballet .
Alines
'
PORTLAND, OREGON
Los Scenic Stvdios Inc
affiliated with ChasT Thompson SCENIC Co.
Scenic CO.
HEATHMAN HOTEL
*3113
^
BATES
1215FOUNTAIN
AT
AVB.1
NEAR SUNSET AVE. BLVE\
PHARMACY
Max Factor’s Headquarters
r7rT II - HOLLYWOOD
Pitone Olympia.2914'
FAT FOLKS
A
Our Reducing Treatments
Are the Talk of L. A.
26 Treatments, $10 DROP CURTAINS iVnic^ue EFFECTS ^AsETTINSS THE MODERN STAGE
MME. NELL E. ANDERSON PICTURE SCREENS
Suite 305-7-9-11
315 S. Broadway MAdison 3793
PROLOGUES UNUSUAL FABRICS i DRAPERIES noiseless
CINEMAS STAGE TAPESTRIES -WALL HANGINQ5 CURTAIN TRAVELERS
SHOW FOLKS’ HOME CYC LORA MAS OPERATED by
THE ASBESTOS CURTAINS MU PAL DECORATIONS! REMOTE CONTROL
HIGHLAND TAVERN
187 Broadway
Best Eats
F’ortland, Ore.
¥
!
Page Twelve INSIDE FACTS OF STAGE AND SCREEN Saturday, January 31, 1931
Event
of the
Season
PEABODY
NOW BEING FEATURED AT THE
VILLANEWV ALLEE YORK
Many Thanks to My Pal Rudy Vallee
Karl Thiede
Coordinated by the
Media History Digital Library
www.mediahistoryproj ect.org