Beruflich Dokumente
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colour space
The CIE 1976 (L*, u*, i,*) system, abbreviated CIELUV, and the Swedish Natural Colour System
(NCS) have b e e n compared. The data for the NCS was transformed to Cr~.UV; the
transformation involved taking the CIE tristimulus values of the nominal NCS notations, i.e.
the colorimetric aimpoints representing the NCS, converting these values to Cr~.UV and
plotting them in the CIELUV space. All the data has b e e n calculated using CIE standard
illuminant C and the 1931 standard observer. Although the data shows that no simple linear
relationship exists b e t w e e n the NCS and CIELUV systems, the systems may nevertheless be
considered closely related. Of the existing colour order systenm, i.e. NCS, Mummll etc., the
NCS is closest to Cn~.UV. As NCS represents the perceptual and cognitive aspects of colour
better than CIELUV, the NCS may be considered as highly appropriate for a descriptive
specification of colours for VDUs.
During the last decade, perceptually based colour spaces Colour order systems that have been applied to com-
have come into use for colour selection and presentation puter graphics and image processing are the Munsell
in computer graphics and digital image processing appli- System j, the OSA Uniform Color Scales', the CIE 1976
cations. Traditionally, the RGB (red green blue) space (L* u* v*)2-5 and CIE 1976 (L* a* b*)5 sysI~ems~abbre-
has been used for digitally controlled colour television viated CIELUV and CIELAB, respectively, and the
monitors. Although it is computationally easy, colours Swedish NCS system5. As found by Berk, Brownston
and colour differences defined in terms of digital RGB and Kaufman 6-7, for interactive colour selection, the best
values are not closely related to the appearance of col- colour space would be a space where colours are defined
ours. Colours defined in numerical RGB values are not according to fundamental attributes perceptually as well
related to the perceptually relevant dimensions hue, as linguistically. The CIELAB and CIELUV correlates
chroma (chromaticness, saturation), and lightness of lightness (L*) and chroma (C*,~, C*,,) are close to
(blackness, brightness). natural variables of perceived colour. Hue angle (h~,
h,,), however, is not as close to natural language colour
As the appearance of colours on a display is a major characterization as the NCS hue notation. As NCS well
function of variations in perceptual dimensions, knowl- represents perceptual and cognitive aspects of colour,
edge about these is of extreme importance for a success- it may be considered highly appropriate for the specifi-
ful and effective use of colour for VDUs. Considering cation of colour appearance. It is now being used for
the fundamentals of colour perception, there is thus a notation of colours and interactive and/or automatic
need to translate RGB values into a colour space where selection of colours for VDUs s.
colours are defined in terms of perceptual attributes and
where colours expressed in terms of these attributes are The NCS, as developed by H~rd, Sivik, and Tonnquist ~-~2,
uniformly spaced. is a purely perceptive colour system in which colours
are easily described by graphical illustrations as well
National Defence Research Institute, Man and Informa- as by letter-digit notations. As a practical illustration
tion Systems, FOA 53, Box 1165, S-581 11 Link6ping, of the system, the SIS/NCS Colour Atlas 9 has been avail-
Sweden able since 1979 as a Swedish standard. From 1984, it
184 DISPLAYS,OCTOBER1987
NCS BLACKNESS O0 NCS BLACKNESS 40
550
Ve
550 Y
0,6 600
)
650
_ 0
500
0,4
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uI
I I I U'
0,2 0,4 0,6
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0A 0,4
B
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0 l I u' 0 u'
o / 0,2 0,4 0,6 o / 0,2 0,4 0,6
b 450 d 450
Figure 1. NCS data plotted in the CIE 1976 (u', v') diagram for NCS blackness of 00, 20, 40 and 60; the slightly
curved radial lines are loci of constant NCS hue; the concentric contours are loci of constant NCS chromaticness
from 10 up to a maximum of 100
become slightly curved and the hue triangles do not re- as well as with chromaticness. In order to find the most
main equilateral. Thus, there is no simple linear relation representative CIELUV hue angle for a certain NCS
between the two systems, although the two systems seem hue, the mean CIELUV hue angle was calculated for
closely related. For a comparison between the two sys- each NCS hue triangle, i.e. iso-hue triangle, by
tems, the dimensions NCS hue/CIELUV hue angle, NCS calculating the mean hu, of the datapoints of each hue
hlackness/CIELUV lightness, and NCS chromaticness/ triangle. The means and SDs of huv are given in Table
CIELUV chroma were analysed separately. l, in which the values of huv, L*, and C*~, are also
given for the extrapolated colours of chromaticness
NCS hue/CIELUV hue angle equal to 100.
As can be seen from Figure 2, for each NCS hue (~) The transformation of NCS hue to the mean CIELUV
there is a shift in CIELUV hue angle (h~,) with blackness hue angle is shown in Figure 4.
vW y v-W
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i Y
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b d
Figure 2. NCS data plotted in the CIE 1976 (u*, v*) diagram for NCS blackness of 00, 20, 40 and 60; the slightly
curved radial lines are loci of constant NCS hue; the concentric contours are loci of constant N C S chromaticness
from 10 up to maximum 100
NCS blackness/CIELUV lightness hues Y, R, B, and G, and the purely grey colours. The
lightness curves for the other NCS hues are all similar
As shown in Figure 3, lines of constant NCS blackness to those shown in Figure 5. They all fall between the
(s) are not horizontal in the CIELUV chroma-lightness curves for Y and R.
diagram. The slopes of the lines vary with NCS hue.
For all hues, there is a systematic decrease in CIELUV
lightness (L*) with increasing NCS chromaticness. The NCS c/uomaticness/CIELUV chroma
mean and SD of lightness (L*) were calculated for each
level of blackness (s). This was done for each hue and In Figure 3, lines of constant NCS chromaticness are
for grey colours. not vertical. In order to find a relation between chroma-
ticness and chroma, the mean and SD of CIELUV
The SDs of lightness varied between 2 and 19 units chroma (C*,v) were calculated for each level of chroma-
and they were generally higher for the lower levels of ticness and for each NCS hue. The SDs of chroma varied
blackness than for the higher levels. In Figure 5, mean between 2 and 16 units. In Figure 6, chroma is plotted
lightness is plotted against blackness for the four unique against chromaticness for the four unitary hues Y, R,
186 DISPLAYS,OCTOBER1987
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188 D I S P L A Y S , O C T O B E R 1987
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D I S P L A Y S , O C T O B E R 1987 189
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190 D I S P L A Y S , O C T O B E R 1987
Table 1. The means and SDs of CIELUV hue angle (h.,)
for the colours in each NCS hue triangle, and the CIELUV
hue angle (h,,), lightness (L*) and chroma (C*.,) of
the extrapolated NCS colours with chromaticness of 100
B, and G. The curves for the other NCS hues all show
hue angle, lightness, and chroma were calculated for
trends similar to those in Figure 6.
the different NCS hues, levels of blackness and chroma-
ticness respectively. The NCS unique hues R, Y, G, and
SUMMARY AND CONCLUSIONS B have CIELUV hue angles of about 14", 70", 154" and
236" respectively.
The CIE colorimetric aimpoints representing the NCS
colour space were converted to the CIELUV space. The Although the data does not show any simple linear
NCS data were plotted in a CIELUV metric chroma relations between the basic dimensions of the two spaces,
diagram (u*, v*). The datapoints for every tenth NCS the two systems seem closely related in their spacing
hue triangle Y, Y10R . . . . G90Y were plotted in a of colours. In an earlier study, the NCS and CIELAB2°
CIELUV chroma-lightness diagram. Mean CIELUV systems were compared. The spacing of individual NCS
Figure 6. Mean CIELUV chroma ( C*~v) plotted against 14 Hering, E Outlines of a theory of the light sense.
NCS chromaticness (c) for the NCS colour triangles Y translated by Hurvich, L M and Jameson, D
( D ) , R ( © ) , B ( + ) , andG (A) Harvard University Press, USA (1964) (originally
published 1920).
colours when plotted in either a (u*, v*) diagram or 15 Johansson, T 'Characteristic properties of colour
a chroma-lightness diagram are more regular and and colour combinations' Revue d'Optique Theori-
uniform compared to corresponding plots in CIELAB. que et Instrumentale Vol 28 (1949) pp 241-246
The CIELUV system is usually considered to be more 16 Hesselgren, S Hesselgren's colour atlas Color
appropriate for the descriptive specification of the ap- Center, Sweden, (1968)
pearance of VDU colours than the CIELAB system, 17 Tonnquist, G 'Description of colours in video dis-
and this suggests that the NCS may also be useful for plays' Displays Vol 7 No 4 (1986) pp 161-165
the specification of VDU colours.
18 Tonnqulst, G 'Comparison between CIE and NCS
colour spaces' F6rsvarets Forskningsanstalt, FOA
report C 30032-E1 Sweden (1975)
192 DISPLAYS,OCTOBER1987