Beruflich Dokumente
Kultur Dokumente
MUSIC
Only Theatrical Newspaper on theJPacific Coast
it is
"Song o' My
Heart," on Satur- the Appellate Court hold- ess:
State
American methods to the point of It looks like cold storage for day, April 19. ( 1
1
ing Nasser Bros, and the Allied Dispenses with the necessity
such utter simplicity that construc- the wide screen, at least for the The fadeout of "Phantom of the 1.
What it will mean to the pro- will be left entirely to spare time better than average and the best in mechanical staffs possible.
down by Superior Judge
J. J. Tra-
Reduces location work 90
fesional performer is something in the research laboratories. Shoot- showing of the week. bucco. He had ruled that theatres
5.
that can only be conjectured. It ing with the wide film has been The Boulevard went places with did not have to carry out their
per cent.
may mean the centralizing of en- discontinued, and all current work the film "Let's Go Places" and contracts with the musicians who 6. Shortens production time at
tertainment production to such a is to be confined to the standard F. & M. Varieties, grossing $4969. were ousted by advent of the
least one-half.
point that unemployment will be width. Average for this house runs talkies. However, the Appellate 7. Greatly reduces volume of
even greater than Onit Exhibitors are breathing a sigh
is now. •
around $8000. Court ruled that employment con- lighting required.
the other hand it such of relief over the situation. Prac-
may mean The Egyptian was $3000 below tracts are binding and must be 8. Improves sound recording,
an impetus to production and such tically none of them were ever the previous week and a thousand carried out, since "the law does indoors or out.
a widening of demand that it will convinced of the merits of widies, below average on the Garbo not permit one law for the em- 9. Tremendously simple.
be necessary to keep a continuous and all they could see in it was "Anna Christie," taking in $10,- ployer and another for the em- Practically all shooting can be
but with- 785. F. & M. "Changes Idea" was ployee,"
flow of new entertainment on tap another financial burden, according to the latter done without leaving the lot,
brought in support.
day and night, providing increased out the increased box-office court's decision. and a cast can be planted in
employment and wider oppor- by the talkies. Warner Brothers' Hollywood The fight first began over a year Cairo, Constantinople or Connecti-
Cameramen, however, are still house, in the third and last week ago when the theatre owners cut without cutting out, in or
tunities.
a hobby. There "Hold Everything," grossed ousted musicians, when talkies double exposing, and as convincing
Whatever the exact nature of playing with it as of
are many shortcomings to all of $20,700, just about average for the were installed. The plaintiffs, rep- as if filmed on actual location, ac-
the development, however, it is
the present methods, especially in house although considerable of a resented .by Walter A. Weber, cording to the inventor.
true beyond all argument that the
short angle distortions. A man 15 drop from the 'business this pic- president of Local No. 6, A. F. of Dean has prepared demonstra-
changes brought about on the en- ture has been doing. The Down- M., and Albert A. Greenbaum, sec- tion film showing airplanes crash-
feet up-set, walking into the cam-
tertainment ma*p during the past town Warner house, for the third retary, with Milton Sapiro, at- ing into buildings, the leaning
era, enlarges in such proportions
fifteen years will be made to ap- week "Texas torney, filed suit to hold the the- tower of Pisa crashing to earth
with each step that he seems to and closing of
pear insignificant in the face of bear down on the audience like a Moon," drew $16,900, six grand atre owners to their previous con- and the Statue of Liberty waving
the sweeping changes now on the cyclone and dwarfs all the figures below average and the previous tracts. her torch in greeting, and he
threshold of the industry. remaining in the background. week's business. The musicians' suit against the claims ability to produce scenes
The Eastman company has pre- "The Benson Murder Case" theatre owners is the first time
that do, or do not, exist anywhere
pared a great deal of the new wide brought 'business at the Paramount labor, in the West, has ever gone in the world, without leaving the
raine La Val featured, and a sup- the Orpheum now and packing a lot of money to the village.
Eleanor Jackson, Josa Melville, them to the murals. on live
Ernst Murray, porting group of Etta Dalmas, Colored light effects
Joseph Challen,
steam brought the oos-and-ahs in
Elwyn Daton, Byron Alden, Lydin William Ruhl, Don Wilson, Al
Aldrich, Louise Bowden and Leslie SAVOY PLAYERS FINISH volume, and the verdict was that
Knott. was the biggest street stunt
John Hill's Pacific Coast pro-
Thomas. FIFTH SAN DIEGO YEAR it
Thursday in a new Publix unit in BOOK ORANGE SHOW ywood delegation attended.
ing as pianist with the band at Annual meeting and election of which they
the Manchester will be featured. This
Theatre, is now officers for the
devoting all of his time board of directors new unit will open on May 1 Patrick and Marsh, for the tenth JOINS S. F. STOCK
to th" of the M. P. T. and successive year, are to book the
BBB Cellar Cafe in Hollywood O. of South ern will be at the Paramount Theatre
Valencia Orange Show. There will
ana writing original song California is slated to be held in in New York for the Jack Foss, juvenile, left this
numbers. Los Angeles May 5. week begin- be 55 vaude acts and a different week to join the stock company
ning May 15.
10-piece band every day. at the Playhouse, Salt Lake City.
PAGE FOUR INSIDE FACTS OF STAGE AND SCREEN SATURDAY, APRIL 19, 1930
The semi-annual checkup time for Hollywood, turns on such tie-ups. It's a wise move to keep Apart from these two, M-G-M's product so far
the month of June, is rapidly approaching, with together funsters who foil each other well in m 1930, has been mainly good average stuff. The
much accomplished since the last stock-taking dialogue. class house releases
period at the end of the year. Then the possibility * * * *
included a second Ramon
Novarro and a second Marion Davies, both of
of operatic voices was a conjecture; the effect of Of the three stellar debuts during the period, which proved disappointing. With the many ex-
wide film was a thought for agitaton and there ; one was sensational, one was what was expected, cellent voices which have sung since
yet remained to win judgment at the mike the and the third was disappointing. Novarro
warbled the beautiful "Pagan Love Song," his
three stellar luminaries, Greta Garbo, Douglas Greta Garbo's had been the most anticipated voice in "Devil May Care" was not as exceptional
Fairbanks, and Norma Talmadge. In addition, the of all, and when she brought her alluring deep as it seemed at the time of his first sound picture,
Radio Pictures of RKO had hardly become defini- tones to the screen in "Anna Christie," she lost nor is he a particularly effective talker. Marion
tive of the place that studio was to occupy, due to not one whit of the screen charm and mystery Davies' second talker was "Not So Dumb," a
the limited number produced by it up to that time. which has kept her at a pinnacle of popularity. typical Davies vehicle directed by King Vidor, who
As Inside Facts will have a midyear issue in Doug Fairbanks, who had in a former picture was mentor of some of Miss Davies' best silent
June in which detailed surveys of the 1930 ac- spoken briefly in introduction, revealed fully a pictures. The film served to prove that Miss Da-
complishments, first half, will be scrutinized, only typical Fairbankian voice in "The Taming of the vies is among those who, excelling in pantomime
highlights will be touched upon here. In our mid- Shrew," and, with the resources at his command in the silent days, have lost ground
under the
year issue we will have a discussion of the rela- to manufacture the right kind of dialogue for him, changed standards of more restrained delivery now
tive meries of the product emanating from the it is likely he will retain his present place on the
in vogue.
various studios, their box office and artistic sen- screen. Paramount has had no such outstanding sen-
tience, and other phases of picture-making of par- Norma Talmadge's first talkie, "New York sations on its program as "The Rogue Song" and
ticular interest to our exhibitor circulation. Addi- Nights," was widely ballyhooed on the angle of "Anna Christie," but its general high level of
tionally we will have features of particular interest "at last —
the perfect screen voice." This was very entertainment brought it up to where general
to the picture colony, including a name-by-name poor generalship on the part of the studio, as, no averages of the two studios are about the same,
rating of the work done by all players who have matter how flattering it might be to Miss Tal- M-G-M's supers included. Of course Paramount^
appeared in pictured reviewed or previewed by madge, it was an obvious over-sell to the public. like the others, had its weak moments, the most
Inside Facts between the first of the year and the Her voice and line delivery, as revealed in "New woeful of which was the Ziegfeldian "Glorifying
date of the issue. This name-by-name feature was York Nights," was not good. the American Girl." Offsetting this and a couple
first published in our post-holiday edition last Barbara Stanwyck, playing what amounted to more of the not-so-good ones, however, were such
December, and, because of the response thereto, the star role in Columbia's "Ladies of Leisure," good entertainment as "Street of Chance," "The
it was decided to make the feature a regular turned in one of the most sensationally good per- Love Parade," "Seven Days' Leave."
semi-annual department of the paper. formances of the period. Miss Stanwyck, who is Fox's best picture since the New Year has been
The most striking development of the period the wife of that Frank Fay who m. c.'d Warner "Romance of the Rio Grande," a follow-up on "In
frnm the first of the year up to the present time Brothers' "Show of Shows" and did the lead in Old Arizona." Whether due to the trouble over
lias been the general levelling up and levelling their "Under a Texas Moon," revealed a different the Fox control or not, Fox activity toward
down process which has been going on. The rapid type of personality, a screen appeal, and a sure- numerous A-l pictures seemed to slack up for a
succession of sensations which had started with ness of portrayal in "Ladies of Leisure" which while, and the first run Fox houses set over to
AI Jolson's "The Jazz Singer" quieted down to a should carry her far. get their releases from M-G-M.
negligible number, being no greater than a nor- Beryl Mercer, who had stolen some good 50 RKO's Radio Pictures were just so-so during
malcy for a smimlar length of time in the silent per cent of the acting honors in U. A.'s "Three the period, with "Hit the Deck" the only signifier
days, which prima facie is to be construed to Live Ghosts," further cinched her right to a place in the March of the Titans, as promised. They
mean that talkies have settled down to their long in the foremost ranks of character actresses by had an artistic triumph but a box office flop in
stretch of competition on merit rather than on her scrub-woman of Paramount's "Seven Days' "The Case of Sergeant Grischa." But apart from
novelty. Leave," from J. M. Barrie's "The Old Lady Shows that was the extreme mediocrity of "Tanned Legs,"
For outstanding developments during the pe- Her Medals." Dance Hall," "The Delightful Rogue," etc.
riod we had the debut of Lawrence Tibbett, and Another extraordinary performance of the pe- Warner Brothers put out in the ne plus ultra
the sensational rise of Marie Dressier to be the riodwas that of Winifred Westover in U. A.'s in lavish revues in their "Show of Shows," but
comedy queen of the talkies. Miss Dressier had "Lummox." She did the part to perfection, leav- apart from this have failed to come across with
scored well in Rudy Vallee's Radio Picture, "The ing not the slightest question of her ability, but anything startling. Their late release, "Hold
Vagabond Lover," but it remained for her char- only a question as to how many suitable parts Everything," has a double-barreled draw in the
acterization of the drunken prostitute in Greta can be found for a woman of the type, in which laughs promised by the Winnie Lightner-Joe E.
Garbo's "Anna Christie" to make her sensational, she shines so brightly. Brown comedy team and in the chance of seeing
* * * *
and this she followed by another howl in the Georges Carpentier do his ring stuff. All box
William Haines picture, "The Girl Said No," and No studio turned out a 100 per cent record of office.
still another in "Chasing Rainbows." Up to the good pictures during the period, though talkie Except for the Richard Barthelmess pictures,
time of the Garbo picture, Winnie Lightner had path-finding apparently had settled down to that First National sticks pretty close to a general
appeared to be the premier talkie comedienne, but level where absolutely worthless ones also are no level. For good measure in recent months, it had
the field now lines up with these two bunched, longer to be expected. Marilyn Miller, and Marilyn and Dick did vir-
Marie leading. Noticeable in this respect is the M-G-M had the most sensational offering in its tually all the elevating of the F. N. program.
return of comedy teams, former popularity of "The Rogue Song," introducing the operatic voice * * * «
which faded even before the silent era ended. of Lawrence Tibbett, far and away the greatest With the way things are stacking up these
M-G-M is putting forth Dressier and Polly Moran miking voice of any to date. days, exhibs should be 100 per cent more careful
as a team, while Warners' "Hold Everything" is In addition to this picture, M-G-M had no less than ever before as to whose programs they book.
gettin gaway heavy due to the teaming of Winnie uf a sensation in the talking debut of Greta Garbo. As June is a verdant month for contracts, Inside
Lightner and Joe E. Brown. The public is laugh- Box office records fell as La Garbo made her Facts will issue its mid-year number in that
hungry right now, and all signs point to big* re- talkie bow, and critics raved. month to give such guidance as it can.
LLOYD FIGHTS FIRE DIRECTOR SANTELL'S Brown is just back from New says the Tiffany franchise plan
WIFE GIVEN DIVORCE York, where he attended the is working wonders. Everybody
Harold Lloyd and several promi-
nent guests leaped up from their Mrs. Ruth S. Santell now pos-
FILM ROW opening of "Journey's End." They happy.
are all set in the big burg for a * * *
dinner one night last week to stage
an impromptu and non-movie
sesses an interlocutory decree of year's run says he. — Columbia's division manager,
fight.
fire
divorce from Film Director Alfred By FRED YEATES * * * Jack Tillman, left Saturday for an
A stubborn blaze, that started Santell. C. N. Peacock, manager of the extended tour of his territory. By
in the rear of
The decree was granted last L. A. Paramount exchange, left George Caldaras, local exchange auto. They report being busy
from an incinerator
expensive Beverly Hills
week by Superior Judge J. S. this week on a vacation automobile manager, reports biz active, and very.
Lloyd's
Gans here after a dramatic climax tour of Yosemite. His wife and
home, occupied the distinguished
to what started as a sensational boy are with him.
party until Beverly Hills fire-fight-
marital separation battle. * * *
ers arrived to do battle. Damage
was estimated at $5000.
Mrs. Santell, very near the verge
of collapse, several times, during
the trial, 'Suddenly closed her eyes,
The <boys of the United Artists
exchange, including the boss, are
GEORGE— HICKMAM BROS. —PAUL
Rumor and WRITERS
COMEDIANS
MASQUERS REVEL SET while the director's attorneys an- mysteriously out of town.
hath it they are in San Francisco,
nounced an agreement had been Yes, We've Trouped With Medicine Shows, Burlesque, Minstrels,
The Masquers announce their an- reached for a property settlement but a wall of impenetrable silence Circuses, Biggest and Best in Vaudeville. And not forgetting
nual public revel for the El Cap- and that they would present no
incloses their activities. Dirty our own big Musical Comedy Success, "WHO STOPPED THE
itan Theatre, Hollywood, Saturday evidence.
work at the Golden Gate? FERRY BOAT?" Our telephone number is GRanite 1S5S.
BEAUMONT STUDIOS
SCENERY
$500 monthly alimony for five
years, agreed to when the pair
separated 18 months ago.
joy in
newsreel
said
so-and-so
camp over the gains in
showings, which it is
quadrupled in the last
have
weeks. A class house
EARLE WALLACE
Always Busy Developing Dancing Stars but Never Too Busy
Drops, Curtains, Drapes SAN FRANCISCO. April 17.— showing is expected in downtown to Create and Produce
RENTALS Jack Kay opens this week as L. A. within two weeks. Original DANCE ROUTINES and REVUES That Sell
Los Angeles, Calif. master of ceremonies at the Lido * * * Belmont Theatre Bldg., First and Vermont
400 W. 96th St. YO. 8346 Cafe. Kay doubles on instrumental The boys and girls of R-K-0 Phone Exposition 1196 Los Angeles, Calif.
music, sings and dances. are readying for a big convention
for May 18. This will iaclude
salesmen of the Western division,
and exchange managers from
GEORGE and FLORENCE over the country. The boys are
gathering up phone numbers and
all
in Australia's Largest Theatre * * * 3636 BEVERLY BLVD. — Los Angeles — TsL DU. 6721
THE STATE, SYDNEY Hugo Strickland, sheik of San.
"NOW, IN HOLLYWOOD." fatuated with Pearl, who then had Policies under discussion in-
technique for the presentation of stories, music, lyrics, or even —
named Gladys Turner, cluded a straight long-run all- better technique. Therefore, pos-
In this meeting two very active a roommate was
real entertainment through audible
Consideration your "answers" your
members of the club were present, a former dancer for George White.
talkie plan. pictures, then impart his knowledge sibly article
Well, the reverse English married given to various plans for in-per- editorial.
a certain Larry Ceballos, who has to the industry, and thus lead the
director, and son support to the picture features.
been head man at Warners, in the Pearl to a musical way toward higher artistry. He Yours very truly,
dance department, since before we were the best man, and "NOW, With indefinite run films it was —
must understand and I might add
Warners' stock could be traded in IN HOLLYWOOD," -we still no* feasible to play the regular
"feel" —
what you refer to as the WEDGWOOD NOWELL.
for a lollypop. have the same wife, Gladys Idea units and for a time there
"tune of the story."
Turner, with a red-headed daugh- appeared to be a possibility that Los Angeles, Calif.
Well, Larry took us back to His innate sense of showman-
ter named Martha, who isn't bad special prologues would be staged April 15, 1930.
1913 when we were with a Win- ship, keen knowledge of audi-
his
looking either. And they are all under the Fanchon and Marco Editor, Inside Facts,
ter Garden show, called "The
Whirl of Society." Larry was do-
"IN HOLLYWOOD, NOW." banner. ence psychology, should instinctive-
ly sense not only the high-brow
Los Angeles.
So we cannot refrain from men- Ultimately, however, the loca- Dear Sir:
ing an acrobatic waltz with his "rhythm" of the entertainment as a
charming sister, and a pair of tioning Pearl's ex-brother-in-law, tion of the new house and its large concrete whole, but likewise the
If it is in order
a reader of 'for
members of that cast, who are Oscar Levant, who writes music seating capacity seemed to justify true boxoffice probabilities, which,
Inside Facts to make
a suggestion
"IN HOLLYWOOD, NOW," are to Sydney Claires lyrics at the the weekly change as being the while not high-brow in character,
I would make
one, and that
like to
Al Jolson and Fanny Brice, seen RKO, where Pearl is the head best policy and a definite an- are obviously of supreme impor-
is that somebody, either the musi-
at the stadium Friday. lady, dance director, and doing nouncement along these lines may cians' union or your paper, put on
crreat. Oscar was all burnt up at be forthcoming shortly. tance. a course in showmanship for or-
As we looked around there was Surely this man should prove
that decision Friday night. chestra leaders.
Lew Brice, Fanny's best imitator, Plenty of dancing masters and
This will mean a change in pol highly valuable, for he must of ne-
who took us back to another Win- icy for the Egyptian, which now This is meant well. The musi-
hoofers at the stadium, Carl Mc- cessity be widely experienced in
ter Garden show we were with in operates on the weekly change cians are spending a lot of money
the gentle art of showmanship; he
"Maid in America." Lew Bride, who is with
Larry Cefoallos advertising to the public for en-
Bennett at basis and the F. & M. Ideas. The
1915,
must possess an unusual knowl-
was hoofing, which made us re- at Warners, and Dave Egyptian policy would simply be couragement for flesh and blood
member a marvelous eccentric Paramount, whom we worked with switched to the new house, and edge of the "public mind"; he must orchestras, and one way to back
dancer who stopped that same on "The
Dream Girl" for Shuberts know the reactions of Mr. and Mrs. that up is to have the bands now
the Egyptian would go to a policy John W. Public better than they in theatres deliver more showman-
show with the drunk dance at in 1923 in N. Y.
Right behind us sat Sammy Lee. of long-run pictures. do; incidentally, he must be ex- ship, especially in leaders.
11:20 p. m., none other than our
dear friend James Clemons, who Do you
remember North and Lee? The matter of whether stage ceedingly well versed in art, litera-
— The way some of those fellows
isn't doing badly at Warners' What a man, what a dancer. At presentations would be used to ture, music, drama and most of
beat time, they should be set in
studio.
present Sammy is directing at support the film offerings in the all, in life itself. That's the sort of
front of a garage wall with a paint
The other boy friend at this
M-G-M studios. latter house has not yet been de man, or men, who are needed! brush and then they might do a
There's Georgie Raft who was cided. The Howard Hughes pro- Now that we are agreed, let us fair
Masquers meeting was Ben Bard. with us in N. Y. with "Texas job of painting or whitewash-
Ben took us back to 1922 when Guinan's Padlocks." He is hot, duction of "Hell's Angels" is turn back one page of this issue of ing. Their motions are awkward
we were stage directoring a Win- spoken of as the premiere picture INSIDE FACTS. Here we find
and about all most of them seem
too. Billy Grant we had in the for the new policy at the Egyp an article, just as straight to the
ter Garden Sunday night concert, able to do
beat one-two, one-
is
Winter Garden, 1914; he is at
and a team called Bard & Pearl Paramount studios, and Max tian, and according to announce point as is the editorial mentioned two, anyway. A graceful conduc-
came over from the burlesque merit issued by Hughes this pic- above. This article, headed "Pro- tor, with personality, can pretty
Sheck, we worked with on "The ture is to be supported
house for a showing. Two acts by an tection Needed," etc., and referring near sell any band, and the boys
Last Waltz," just finished at War- elaborate prologue staged to the dearth of story material and
that night were given the well- by Sid ought to take their work more
directing dances. Grauman
known bird, and Jackie was about ners' studio,
There were a couple of dance con- Whether, however,
wherever it is shown the necessity of providing some seriously. It would pay.
to run out of the theatre, tout Ben the prologue sincere means of protecting writers Yours with interest,
tests right in the stadium ring,
had the "Guts" and talked Jack policy would be continued at the who submit original plots and ideas G. Lloydwell.
and they're "ALL IN HOLLY- Egyptian
into going on. The team did, and after "Hell's Angels" to the industry, is a topic, surely,
was a riot, stopping the show and WOOD. NOW." closed is something that has not worthy of deep consideration. Hollywood, Calif..
then playing about eight consecu-
Once a week, a pun if you
don't mind, because it's "IN HOL-
yet been decided. Your assertion that "those who April 13, 1930.
tive Sunday night concerts at the don't know the right contacts are
The new theatre will be opened Inside Facts,
Century and Winter Garden, and LYWOOD, NOW! A hoofer
who Editor,
came out on speculation, complain- in May, definite date depending keeping many a golden plot buried Los Angeles, Calif.
are "IN HOLLYWOOD, NOW." for fear of having it stolen" reflects Dear Sir:
ing how tough it was to get in, on when the contractors turn the
Ben is doing pretty good, hap- told me at fites Friday that hun- building over to the operators. an alleged condition which can well Enclosed find check for renewal
pily married, and about to take a
dreds like him have gone broke be applied to not only "plots" but of subscription for one year. Can't
flyer in vaudeville, assisted by waiting to land something. So likewise to lyrics, music and espe- begin to tell you how I enjoy
Bobbie Callahan, another who likes with a few hundred dollars he has cially to ideas for general improve- your weekly news and how eagerly
the Hollywood fites.
left he is going into the busi-
Right back of Bricey was Bobby ness of manufacturing pool balls, News Notes of
ment.
Just who, for instance, would
I look for it each week.
It's a great paper and I con-
gratulate the entire editorial staff
North all het up over the Payne- and make nothing but "8 balls" care to play that dual role of Co-
for the good work they are doing.
McDonald decision. That took us and sell them at cut rates to those
back to a burlesque show called other unfortunates. And even this Dance Studios lumbus and Moses for one "pri-
vate conference" only and later — Sincerely,
Helen Ware.
the "Merry Whirl," owned by gag is made "IN HOLLYWOOD, on realize that there existed with-
Gordon & North. We were play- NOW." (I quit.) in the industry no sincere desire to
ing a touch jockey part, in 1912. Band boys here are going for utilize his proffered capabilities
North was just getting rid of the hoofing, according to Bud Murray,
grease paint, and Cliff Gordon was
MUSICIANS ADVERTISE head of the Bud Murray School of
openly, but that there did exist a
HERBERT'S
;tion
v j£
upils, Wills claims.
(or has it passed on to him) the censure that follows a drop take steps to prevent emasculation a little salt from sea water. les?
of good story material by the
in box office receipts. Although a weak picture is sufficient Wonder what they would Because in every vacant lot
"sure-fire" doctors, adapters and
justification, rather than resort to alibi he will exert himself editors that infest many studios.
have done to Lot's wife for are signs that read, "Destroy
to the limit of his ingenuity to keep the returns up to the turning into a pillar of salt? all weeds."
It is a problem that will require
average. a firm hand and a clear-seeing
The independent exhibitor, being freer to exercise his own eye to solve. U. A. EXECS ATTEND
The creator of believable and S. F. SALES MEETING
judgment, and being in closer personal contact with his fol- convincing fiction is due for a
lowing than the average chain house manager, generally is much bigger place in picture pro- SAN FRANCISCO, April 17.—
wiser about these things and follows the dictates of com- duction than he has had until now.
The self-respecting and United Artists held its annual sales
mon sense, conserving his advertising appropriation as well public-
legacy coming —
or a split-
business did it.
There are letters at the Los
SPRINKLING SYSTEMS, LAWNS, DOUBLE GA-
It's all the same these
week.
days. STAYS WITH SHOW Angeles office of INSIDE RAGES, UNIT HEAT, ELECTRIC REOPERATION,
FACTS for the following: TILED KITCHENS, 3 BEDROOMS, 2 TILED BATHS,
P. 8. — The CELLAR at
Tove Linden, known to Hono-
ATES, Roscoe REAL FIREPLACES AND BEAMED OR BARRELLED
CEILING IN LIVING ROOMS.
is
Oobhio StreetHolrywood
and lulu society as Mrs. Dick Wilbur,
Boulevard between Vine of the Wilbur Plavers, who came BIDMEAD Bros. CALIFOR-
CLOSE TO SCHOOLS, UNIVERSITY OF
. . .
8AM
. .
KRESS BLDG.
Harold J.
Manager
PHONE DOUGLAS
Bock
2213
SAN FRANCISCO 935 Market St.,
Office Suite 504
currently in.
Holy Week and several days of holding the screen.
ken has at the Fox this week on
and picture palaces felt the re- "Under rainy weather. Again "June Moon" Capital and Tivoli both dark.
First week of Warner's Metro-Goldwyn-Mayer's 'Divorcee,'
ligioustrend keenly. at the Geary topped all else in
a Texas Moon" at Wagnon's Em- a flicker made from the recently
Again it was "Ingagi's" week, continues "Ex- town for its second week, the Ring COOGANS VISITORS
bassy did $10,000 and published and sensational
that animal picture holding to a
Throughout its entirety Lardner comedy
Ed Hor- Wife." grossing approxi-
for another seven days.
steady pace in its second week at ton in "The Aviator" weak at the trailer stresses the fact that the
mately $13,000. Holds on until
SAN FRANCISCO. April 17.—
the RKO Orpheum with $21,000
$7500 for Wagnon's Davies. House book, which was banned, has a
Monday night when "The Criminal Mr. and Mrs. Jack Coogan, with
showing on the cash register. Pic- this week makes a change of pol- flock of snappy lines and actions
Code" comes in.
their youngest son, Robert, were
ture is good for at least two more All Duffy houses got by okay, here this week visiting Mrs. Coo-
icy shifting from a 65-cent top to and that the picture is hardly less
weeks, after which Radio Pictures' 50 cents and showing two pic- spicv. the first week of "Elizabeth Sleeps gan's mother, Mrs. Junior Dol-
"It just gets by the cen
"Cuckoos" with Bert Wheeler and
Woolsey due. a
tures. sor." the trailer reads. And does Out" doing $5000. The President liver.
Bobby is It's
Ackerman & Harris' Casino with it excite audience comment? Well, with "The Blue Ghost" in its sec-
"Ingagi."
funny
W.
thing about
Wagnon, operator of the
B.
this
Billie Dove in "The Other To- we should eskl ond stanza took in $5100. Across
the bay in Oakland, initial week
OUT FOR WEEK
morrow" and a stage show that, * * *
Embassy and Davies Theatres, had for two days had Primo Camera UNSOLICITED of May Robson in "Helena's Boys"
an agreement to show the film at
INTERVIEWS took a gross of $4000. OAKLAND, April 17.—Joe Pet-
in at a thousand bucks a day did
one of his local houses for a re- Hurryintr into the sanctum of
Camera was a compara- Charles (Publix Coast Supervisor") The Curran was dark this week ley of the Arthur Petley act was
ported consideration of $1750. He $10,500. out of the last half of the week at
tively good draw despite unsavory Kurtzman. we startled that indi- with Lillian Albertson due to
turned over his contract to the the R-K-O Orpheum, due to stom-
publicity arising from his fracas vidual with the querv, "Do you bring in "New Moon" on Sunday. ach trouble. Arthur Petley, aided
Orpheum, which house has been
with Chevalier, the Negro pugilist. think there will be many old peo- by two remaining members of the
taking a mighty sweet profit since
its capacity opening two weeks this year?"
ple act, continued without the other
ago. "Publix Theatres are leaders in member.
field." he retorted, smilinerlv.
their GREED STREET PUY
its
stage,
The Fox had two
deck
and
in on
Eddie
on
Buster
ace cards
Peabody
Keaton
in
MiDIN CAFE IN "I mean, wVi.it dn von think will
Vtannen to Bolivia if Kolster Radio
BARNES SHOW DATES
rices?" we continued, nonplussed.
screen in M-G-M's "Free and SAN FRANCISCO, April 17.—
"Why, rln vou know that in 1929 The Al G. Barnes circus opens
F a n c h o n and Marco's
Easy."
"Coral Idea" and Walt Roesner's
S. F, GOES FLOPPD Puhlfa Theatres, west of
Rockies alone, plaved to more peo-
the
here April 24 for a four-day stand.
concert orchestra aided in bringing
ple than there are musicians in fa-
SAN FRANCISCO, April 17.—
the total gross up to the $42,000 SAN FRANCISCO, April 17.— vor nf the talkies?" After four trials and two grand MARIE VISITS S. F.
mark. There is no doubt of the Mandarin Cafe folded Sunday night, beinqr aware of that fart, we
Not jury indictments, Sid Goldtree has
fact that the banjo-plunking Pea- leaving debts of $6600 to be ad- retreated. As we left the office, in again resumed "The Peephole" at SAN FRANCISCO, 17.— April
body is a draw in this town justed by the Board of Trade the left-hand pocket of our coat we his upstairs Green Street Theatre. Marie Dressier, comedienne of
There were good houses through- among approximately sixty cred- discovered this notation neatly pen- And again, it is expected, Police "Chasing Rainbows" and other
out the week to substantiate that itors. Since December 30, 1928, eiled in the" fine Italian hand of Captain Arthur D. Layne, exponent Metro-Goldwyn-Mayer p c t u r es, i
Norma Shearer in "The Divorcee' the downtown night spot on the Mr. Kurtzman: "Publix Theatres of all that is good and pure in the was here this week on a short va-
is the present week's screen at- edge of Chinatown has dropped theatre, will haul Goldtree and his cation.
are leaders in their field."
traction. about $18,000, according to the at- * * * troupe before the courts on charges
Metro- Goldwyn- Mayer's "Mys- torney for Dr. Kane, owner of the Not only do stenogs c:o into "Off
of giving an immoral and indecent MOTHER IS DEAD
terious Island" came
near being building. performance.
to Buffalo" between dictation, but
submerged at Loew's Warfield. A few months ago Paddy Dillon college studes fall for the pedal
The original cast, with the ex-SAN FRANCISCO, April 17.—
House dropped down from a eased out of the place, leaving it in ception of Jack Phipps, was in the
The mother of Selby C. Oppen-
aeilitv in a big way. University of
usually good gross to the figure the hands of Bill Muldoon, who is reopening show.
night's Phipps heimer, concert manager, died at
Californiaites have taken up the
of $13,000. However, big things currently attempting to settle the art of tapping to such an extent
was replaced by Arthur Welling- her home here this week.
are expected of "The Rogue place's financial difficulties. that the U. has instituted a course
ton. Remainder of the cast in-
Song," M-G-M's smash hit with The place had two floors, the cludes Joe Kemper, Hugh Metcalf,
Lawrence Tibbett, which opens first being used as a cabaret where
in that gentle pastime.
* * * Carol Winston, Taylor Graves, CRABILL IN HOSPITAL
Saturday. a floor show and Ray Tellier's or- Connie Carlisle, Betty Blossom,
In the ranks the Para- chestra provided entertainment. Up-
Publix
SPOTLIGHTS Judy Swanson, Gene West, Mau- SAN FRANCISCO, April 17.—
George Nickson buying pajamas ren Fleurnoy, Bruce Payne and Ralph E. Crabill, Publix exec,
mount fared
best of all with stairs on the third floor the Whoo- gorgeous Russian ones
. . . . .
Larry Cook. was confined to the hospital for
George Bancroft the screen attrac- pee Club opened at 1 a. m. and
.
Abe Bloom 'Tuttin' on the Ritz" In defending Goldtree before three days last week by an opera-
tion in "Ladies Love Brutes," Don featured ginger ale and entertain-
. Radio singers panning vaude
. .
Judge S. J. Lazarus, Attorneys tion on his tonsils.
George and orchestra, Harold ment. players and vice versa
Ramsay at the organ, and Nina . . . . . .
Hugh McKevitt and Morris Op-
Frellson's kiddie revue. The house STAR'S CHINESE DATES
Helen O'Neil ultra busy with her penheim branded the series of po- W. G. GORMES DIES
Pepper Box program over KTAB lice raids on the Green Street The-
had an intake of $18,500. "Vaga-
bond King," after a run at the St SAN
FRANCISCO, April 17.—
. . but still finding time to look atre as persecution rather than SAN FRANCISCO, April 17.—
ttractive Arthur Ward taking . . .
prosecution, and requested Capt. William G. Gormes, stage hand,
Francis, comes in here for a week Mei Lan-Fang, Chinese portrayer
an early morning hike on the beach Layne to clean up this city's liquor died April 8 at his home here.
at pop prices. Fanny Brice's "Be of women's roles, is due to show with this kolyumist Carlton . .
and redlight districts instead of
Yourself" bowed out at the St. the night of April 23 at the Tivoli, .
"SURE SHOT
Al Sather and Larry O'Dowd
. .
ceeding Jerry Forsyth.
still at it . . . wonder where Ron "A LITTLE SMILE"
Jonson was Eddie Holden
giving us a bust
. . .
ken and Joe Sinai post-mortemiz Food Fit For a King Artistic Scenic Advertising
ing everything in general Don . . . Curtains
E. Gilman taking issue with Carl
Haverlin's recent story in this pub-
By Far the Best in America
lication on radio surveys
Rosenberg in from L. A.
Lew
Graf
.
.
.
.
.
.
LOUVRE CAFE CURTAIN PRIVILEGES
BOUGHT FOR CASH
OR SCENERY
Bros, hustling on their new record- THE PROFESSIONAL HEAD-
ing plant ... Jo Mendel hustling QUARTERS NEAR THE
Chas. F. Thompson
PEABODY
on his new night club four ac . . . WARFIELD THEATRE
tors hustling away when we sug
gested "how about an ad" ... the 972 MARKET ST. Scenic Co.
gag in "June Moon": "I'll sue her SAN FRANCISCO 1215 Bates Avenue
for alienation." "Oh, you can't do Phone OLympia 2914
that; she was born in this coun-
EDW. MITCHELL, Prop.
Hollywood, Calif.
"The Big Draw" at the Fox try." . Stop , . me if you've heard
this one.
San Francisco, last week
CARNERA AT
SAN FRANCISCO.
$1000 HOTELTURKGOVERNOR
AT JONES
April 17.—
THE TRUMP ACE THAT TAKES
Primo
heavyweight, Acker-
Camera, Italian
appeared at
giant SAN FRANCISCO
man and Harris* Casino on Tues- THE HOME OF ALL THEATRICAL PEOPLE
EVERY HAND day, Wednesday and Thursday at
PLAYING SAN FRANCISCO
a reported salary of $1000 a day. SPECIAL RATES TO PROFESSIONALS
House boosted its price to 50 cents JACK WOLFENDEN, Prop. BERT HENDREN, Asst. Mgr.
for the added attraction.
KJEi V IE* W9 J
J
a rilATTFD
COMMENT By FRED YEATES
NEWS
*
K
'
ve credit to * h « original of the
,
character they imitate, and in fact
sister still singing double voice in the original gains prestige and ad-
The last appearance of this im- rect guides toward our develop- ating poetry about birdies and
vaude? vertising from the impersonation.
ments, but they have been used
portant query occurred in connec- The pirate, however, gives no
by other institutions directly and babbling brooks, plugging phono-
* * *
symphony programs credit and unashamedly steals the
tion with the George Simons, new lyric tenor indirectly connected with radio and graph records made by his friends,
originator's stuff. It is against such
of a nationally prominent oil com- on the staff of KHJ, gives an in- have been accepted by them as and assuring us that all's right
performers that the ire of the cre-
teresting light on the proposition sound analysis of the situation,"
pany. with the world. They say he gets ative artist is aroused
com-
of foreign vocal training. He says Gilman said.
A case in point is the instance
I
plete programs," ran the question. in Italy at a total expense of $900, pecially to an article published re-
fift y
"Why cut up a beautiful sym- which includes transportation each centlybv Inside Facts, which quot- .
8:25 a. m. KM
TR— Bill Sharpies such a following for bis original
style of presenting his entertain-
phony, like Beethoven's in C minor, way and two lessons daily from a ed Carl' Haverlin, of Earl C. An- that e b « cam e one of the
Los Angeles. DiaTogue* Al" and" Al'gyT apparently .^
Why maestro while there, and all living thony, Inc., at J"*"*
I .
into a group of excerpts? introducing a new series of skits. highest paid entertainers on Pa-
KMPC—
expenses. "As the name of the National Coast radio. Another enter-
confine yourselves to so many fa- " ... do
cific
* * * Broadcasting Company was used 8:30 a.m.
tainer copied his style and pre-
miliar and threadbare pieces Why KHJ is broadcasting an appeal in connection with this article, I you know the value of exercise?"
sented a program from another
not 'go modern' once in a while for eggs. This, officially, is on be- feel it necessary to state that this saith a man. Then a piano playing
station. Immediately a flood of
and give us Stravinski, Resphigi, half of Easter, but there are un- company is of contrary opinion," "You Gotta Get Up," followed by
telephone calls came to the studio
Schoenberg. De Falla and Bartok?" official musings as to whether there Mr. Gilman declared. "At con- a "preacher without a pulpit . . .
asking "who is that on the air
The answer is that radio is any idea of mating these eggs iderable expense, we have had did I stick to the creed?" He ad-
is now"?
skirting Scylla and Charibdis. On with the daily parade of hams to surveys taken which would indi- mitted he believed in it, anyway, The the and
the one hand, it has the element this station. Lindsay MacHarrie the interest of the radio au-
ate [
and he was grateful for well, for — turned
girl tallied
in the gross as "applause
calls
of time to contend with. Time is wears a hungry look these days. dience in various types of pro- something or other calls," not understanding that the
more precious to radio than space * * * grams and reveal as well the de- 8:35 a.m. "The Rosary" KTM— public was merely wondering if
is to newspapers. There is also gree of interest in radio genef- on a steel guitar, then Marillah had changed
the social element of education.
A
series of records are now be-
allv. Olney's voice talking about fash-
their favorite original
The however,
ing broadcast on the subject, "How his station. result,
On the other hand, it faces the "The Pacific Division of the Na- ions, then a phonograph record of was that the imitator landed a
and exorbitant de- to Talk Better English." These Broadcasting Company two
extravagant tional t h e Schubert "Ave Maria." good contract and is today con-
are sponsored by a Chicago organ-
mands of copyright license fees.
No doubt without the
years ago made a survey to de- 8 40 a m> .
Lawn mow- KFWB— tinuing to peddle the other fel-
Examining these points one by ization. termine the interest of women in ers ( w hat an unpleasant thought so I
low's "stuff as his own
one, we have: sanction of Mayor Thompson, who daylight programs and to learn the early ) «
Xhe Marathon dance is Unfortunately there is no way
In a program of one hour, refuses to endorse anything Eng- type they preferred, Mr. Gilman re d uce d to n ne couples, now in
1. j for the creative artist to protest his
to play an entire symphony of 30 lish. And, no doubt, the method continued 'After this survey was thejr no0th hour » pian0) « If I' m mannerisms and style of delivery
to 40 minutes' duration would be teaches staccato delivery. completed, we instituted what has Dreaming » Poultry market ad; from use by others, and all they
injudicious and would not elimi- * * * proved an extremely successful fea- knitted sport things< can do at present is just wonder
nate tab-end pieces. Speaking from KFWB
introduced a pleasing ture and one which is recognized g 45 N X "Paramount .
K — | what can be done about it.
the side of the purist, there are Hollywood note into its Sunday by its users and accepted nation- pjct Ex- Los Angele8 Evening
few symphonies or operas which night First National hour when ally by advertisers and ibroadcast- ^ ation
would,- not gain by judicious edit- some back-sound-stage atmosphere an ***^*2g^& do you know
. ,
RADIO COLUMNIST
a beautiful tunnel being
This Siof
is
ing. There are innumerable in- was injected into what ordinarily sound commercial medium "Hollywood" column is to be
marvelous property A
entire plan of broadcast was done over KFI, three times week-
stances of this from musical his-
tory. Not only have classics been
edited, but they have been re-ar-
is just
There was room for improvement,
of course, but it is the beginning
another
program. radio
vekxped from a. survey. . .
de-
I
^^ ly, by Will E. Wing, veteran film
K MIC-Lot of voices scenario writer and author of a
shouting and laughing around some syndicated Hollvwood column.
\
ranged, abridged,
re-instrumented, of something that might well be with the scientific surveys and an-
ad plugs St. Louis Blues by
amplified, and remodeled from the alvsis knows how to discount spot
developed into a significant asset. We request, lot of names mentioned,
time of Palestrina to that of Wein- A little thoughtful preparation goes opinion and hasty decisions.
have relied consistently upon ex- 9:01 a.m. KGFJ— Records. Ad off with "Goodnight" and a plug |
gartner.
programs a long way, and really, it is not too c rnm ana1v«M<; and to for awnings. More records, for S. and W.
2. Radio symphonic annoying
much to expect a picture program
rha? we atTribute niuch of ow sue- 9:05 a.m., KHJ-Savings bank Most radioists are I
and new as a Japanese print is to likes an audience reaction, even blue skies down by the Rio
T
. . .
that 100,000 people hear an intel- night, while preparing to talk over down by the Rio Grande save
SAN FRANCISCO . . .
condensed version of a national network originating here, up your pennies in the family sock
ligently
Beethoven's symphony in C minor, he saw a lot of people rubbering
than that 1000 trained enthusiasts through the studio doors. He KHJ'S STAFF IDE down by ...
. ..
Comes the Voice of
Yeates.
hear a beautifully conducted entire waved them to come in and be
performance. This is a social duty seated, and told them not to bother Further staff changes are an- CHAS. W. HAMP Greta Gahler
of radio: Preferably to familiarize about keeping quiet, and seemed nounced at KHJ this week. A KFRC
all humanity with our heritage of much more at ease than when lyrictenor has been added, in the
San Francisco
beauty in music, than to please a alone before the mike. Old trouper person of George Simons, brought This is "30 minutes of sun-n-n-n- ALWAYS ANXIOUS TO PLEASE
selected group of critics. Conse- blood will tell, out here from Chicago, WMAQ, shine » as con ducted by Charles
quently, the most music we can
cram into one hour, or two or
* * *
Coal and Coke, local blackface
by Erno Rappe for picture work W. Hamp, whose radiant
While waiting for picture work to personality makes him one
ether George Nickson
of the
three hours, the better for us. This broadcasting team, invite fan mail break, Simons will work over the outstanding radio singles and
TENOR SOLOIST
. . .
in no sense means distortion or Dy promising listeners a souvenir Don Lee station. SAN FRANCISCO
mutilation of the music given.
local incidentally one of the highest sal- KYA -
jf triey will write for it. Said sou Elinor Rennie, for some time the aried ... on the Pacific Coast.
Organizations, combinations ven r turns out to fc e a |j tt i e contralto at KHJ, has re-
3. j
p ece j staff has a zippy style all his own
He
and monopolies of musical works of coa i and djtto coke signed and her place filled by Mil- TUNE IN ON
copyrights, some- in conducting S. and W.'s half
which control * * » dred Ware. Miss Ware was for- hour of coffee plugging, And it's DUD
—better say frequently ~ —
times to
demand such extravagant fees for
the performance of certain works,
f
Our frequent i
cracks at the qual-
of the symphony orchestra pro
mer soloist with the Mormon Choir
and has been frequently heard over
a cinch he sells plenty of those
green cans.
WILLIAMSON
MASTER OF CEREMONIES
ra broadcast ™\
over KFI during various Los Angeles stations. The time is given to requests
that it would be economically un-K Alice Forsythe Mosher will be
and STAFF ARTIST
the winter under the sponsorship and in answer to them he plays his
wise and even ruinous for a broad- heard warbling soprano, while KYA SAN FRANCISCO
caster to use those works. All of
of an oil company, have been an- own piano, sings, whistles and
swered by a pleasant little article Eloise Kirkpatrick is vacationing at I
"Z"tt his own individual
Puccini, for instance, is still under
penned by Jose Rodriguez, and Palm Springs. Miss Mosher was JJX"™
copyright. And Puccini as already RADIO'S
music which he dehciously titled "Radio's formerly staff soprano at this sta- This a Cockeye d World?"
a familiar name and his and now in pictures. PERSONALITY GIRL
should be heard everywhere. Musical Job Is to Make Art Dear tion is |
& comedy nove i t y, scored heavily
Some of the most interesting to People, and Not to Please Little
ADOHR
.for him and then he did "Woman JEANE COWAN
and significant moderns are still Groups of Critical Gentry." Jose ALICE GENTLE In the Shoe," in a different style. Daily At
under copyright. Even some of himself was for some time one o STAR FOR PROGRAM Went through "If You Believed
KFWB
the humblest and least meritori- that little group of Critical Gen In Me," "Let's Do Something
ous jazz composers are burdened be found else
try. The article will
kin otof tv,- new Different," "You Darlin'," signing
The opening bill tne i
ciety and a symphonic orchestra Niles' new trick tie Ken ap- . . . him milk is figuring heavily
. . .
On
Here were five hours of the preciating the spirit more than the the diet of these radio folks
Lem
.
. .
a milk
. Dick
. . . *n' Lafe
no superiors. Before this single quaffing Up Lindsay Mac
Harne dispatching six meals per
.
.
KFRC, S. F.
Have A Little Faith In Direction Chic Arnold, Care of
. . .
radio "plums" of the year in ant program director to Helen Tenth and Main may come back broadcast proposition is marking movement ito subsidize non-adver-
the
to life within the next 30 days, time pending the lining up of
went to KJR when the Se- O'Neill and press agent for the programs over key radio
according to reports current this sponsors for the time. A two-hour
Seattle tising
station. Fred Yeates, the program is on the cards, which is stations throughout the country
attle radio station obtained an ex- Pickwick week.
for the season to
Los Angeles radio editor for this When KNX was moved to its a lot of time for any one sponsor was first revealed in Inside Facts
clusive contract
publication, doesn't need to think
baseball games new home and wave length, under to tackle. It is expected that it recently, are now getting down
broadcast all thehe has a corner on all the nice
par- looking publicity women in radio, a new license, the old plant simply will be necessary to line up from detail, according to an-
in which the Seattle Indians ceased operating and no steps two to four advertisers for periods to definite
for right here is competition for
,
ticipate. . . were taken to cancel its privileges. of the time, and the main problem nouncement this week.
The contract was signed by his L. A. lookers. * * * It is believed that broadcasting is to assemble the right combina- The first move is to assemble
Thomas F. Smart, manager or
More than 6000 microphone ap-
could be resumed without formal- tion for best results. KMTR is radio talent in Los Angeles, who
KJR and general manager of the pearances were made in the NBC ity, and report has it that the sta- expected to be the broadcast me- will prepare and thoroughly re-
Northwest Broadcasting System, hearse programs which are to be
studios during the tion will be transmitting programs dium for the first series.
and William Klepper, owner of San Francisco shortly. electrically recorded on 15-minute
last month, it is revealed by the
the Indians. The theatre is being completely discs, in which is included a brief
Ken will
Stuart announce the announcers' reports. remodelled inside and furnished discussion of the aims and ob-
WhenStuart moved from Instrumentalists and orchestral
games.
parade to the with a new front for operation by jects of the association.
KOL to the baseball games conductors lead the
KJR, Miller amusement enterprises. These records will be distributed
mike, according to Bill Andrews,
moved with him. One of the pro-
to major stations for release on
responsible for the report.
visions of the exclusive contract who is time paid for by the association.
states that Stuart should announce
Their appearances totaled 3964. Ted Maxwell has instituted over
all the games.
Singers made 713 appearances and
The total
NBC has, in its few short weeks HEARST NEWS TIEUP Program manager in charge of
these preliminary efforts is Con-
national players 347. of life, blossomed out into a popu- rad Hays, brought here from New
reached 6371. lar ether feature in San Francisco.
WARNER SONG ACTION * * *
Maxwell, who master of cere-
OAKLAND, April 17.— After a York for the work. Further an-
NOT FELT HERE YET dispatches from Washing- News nouncements as to talent to be
monies the two hours of enter- period of devoting itself to per- used, program policies and other
D. C, state that Senator Dill
ton, tainment, has some of the sta- sonal pluggings, KFWM, Oak- details will follow meetings being
The reported action of Warner has prepared for congress a
legis-
tion's best known artists working land, seems likely to do an about held this week in Los Angeles.
placing non-
Brothers in withdrawing certain lative proposal for on it, among them being Peggy face. The station has tied up with
in
theme song numbers this week controversial radio
legislation
Chapman, Irving Kennedy, The Co- the Oakland Post-Enquirer, Hearst
from use by the National Broad- the hands of a director
of radio. —
quettes Marjorie Primley, Imelda daily, and is readying plans for AMOS AND ANDY SIGN
casting Company has no local Under the plan, the radio director
would receive an annual salarv of
Montagne and Annette Hastings new studios and equipment both FOR RKO SUPER FILM
significance, at as yet, ac-
least Bobbe Dean, Walter Beban and in Oakland and in Berkeley.
cording to officials of the Anthony $9000 a year and would make his Musical Musketeers, Charles The Hearst tie-in is merely for
stations here which release NBC recommendations on licenses, su- Marshall, Harold Peary, Capt. Bill It and other new
The golden voice of the talkjes
news service.
have lured two radio stars to Hol-
pervise inspections provided for Powers, Johnny
programs. Royle, William are expected to build the
features
effect will be that they stations and take over virtually all O'Brien, The Hillbillies, Dick Le lywood.
The only up considerably. In San
station,
will not be heard here on network radio regulations now exercised by Grand and Rufe Klawans.
Francisco Hearst's Examiner is "Amos and Andy," the senti-
Department of Commerce, mental blackface team that has
programs originating on that sys- the
with some functions now under
* * * associated with KTAB
while his
catapaulted to radio fame, have
tem. The numbers have not as Highlights on KTAB's Pepper evening paper, the Call-Bulletin, is
withdrawn from use on the Federal Radio Commission. signed a contract in Chicago by
yet been
* * * Box program of last Wednesday connected with KFRC.
thev will be starred in a
locally produced programs. comedy sketch, Until now has been which
KFWM
Did you hear the Marvelous night include a sharing the air with KFWI, San
million-dollar Radio Pictures mu-
Marin program over KYA Satur- "The End of
a Perfect Flirtation,"
sical comedy drama this summer.
day night? miked by Helen O'Neil and Sam Francisco, but a recent change of
"Check and Double Check" will
Attractive, Lovely, Pleasing, Hayes; the music of Walter Ru frequency gives the former station
* * * be the title of the talking screen
Tuneful, how prominent war 2000 watts power on unlimited
KFRC's staff baritone, Fred- dolph and orchestra; the pop witty
is
show. It is taken from their
radio artists praise bling of Jimmie Currie; the time and shifting from 930 to 740 "Amos
crick L. Brown, is lying seriously drawling radio dialogue.
"AM I THE ONLY ONE ill in Letterman hospital, San wise cracking of Dinty Doyle, ra kilocycles.
'n' Andy" are expected in Holly-
Francisco, as the result of mon- dio critic of the
Oakland Post-En Special
FOR YOIT wood within thirty days.
oxide poisoning, further compli quirer; the sing of KTAB's voice PORTLAND,
Ore.— Radio KOIN
dressing rooms are being furnished
ensemble; Ernie Smith's descrip proved a mecca for radio fans dur
Fox -Trot Song cated by a touch of pneumonia. for them on the R-K-0 lot.
* * * tion of the Stanford studes steal ing the opening of the enlarged
Adv. Song Copies Now Ready The William Morris agency has ing the ax from U. C.J the so and beautiful studios in the New
Watch for Orchestration advised all radio stations that the pranoing of Madeleine O'Brien, Heathman Hotel. The station en ANNOUNCER CHANGES
songs of Harry Lauder, whom new staff member. tertained with a two-hour presen-
* * * tation of the Portland Symphony Bob Nicholls. former chief an-
MANAOIS MUSIC PUB. Morris manages, are exclusively
Dana returned orchestra, Warner stone and his nouncer for KJR, Seattle, is
now
Lauder's and not to be broadcast. E. Harold has to
1619 J. St. San Diego, Calif * * * NBC's San Francisco studios after orchestra, McElroy's Greater Ore- announcing on KFRC, San Fran-
The Saturday night frolic that a year's
I
absence. gonians and the Rose City Beavers cisco.
WILD WOMEN!
it 11 UNBELIEVABLE!
AT
MUSIC BOX CONGO PICTURES, LTD. BLUE MOUSE
AT
MOMBASA, BR. E. AFRICA NEW YORK
PORTLAND, ORE. U. S. HEADQUARTERS, 1105 N. WESTERN AVE. TACOMA
RECORD SMASH HOLLYWOOD RECORD SMASH
A. K.
VANCOUVER,
REPRESENTATIVE
B. C.
--NORTHWEST <*
WA SHIN GTON JEAN ARMAND district manager I DAHO
PORTLAND, ORE.
F. K. Haskell
REPRESENTATIVE
OREGON 502 EASTLAKE AVENUE MONTANA
901 Bekin. Bldg. Seattle, Wash. Postoffice Box No. 16
Division Offices Phone: Capitol 1932
tivity around the theatres last more members of the homespun is off for the bank John to do with bringing pressure on
everyone family from Arkansaw with them spot at Bitter Lake, just north of
. . .
week, with practically Bowles is among those not around the immigration authorities to keep
suffering. this season, was responsible for the city limits. Paul Whiteman and his Band and
The picture "Such . Helen Kruse wears a big
. . '
Tumble Bug, the Dodge-'em, the Wee" Coyle waxes the floor authorities enforce the act under
Case" was nice and profitable. nothing to complain of, the fans Red Bug. the Merry Mix-up. Sea- Harry Ponselle dances with a radio the labor clause.
.
Stanleigh Malotte at the organ and depositing liberally and in increas- R. E. Chinn,
plane, Crazy House, Merry-go- singer And Billie Landers local representative of the Music
Arthur Clausen's Paramounteers ng numbers at the b. o. Round and other such parapher- gets the break
. . .
took the lead of this operator's a split' week policy, with Gloria Marc Winans uses the typewriter Happyland date, stated that his
danciner pavilion also will be in at a rival station Bert Fisher company had 70 Canadians em-
two stands with $7750 for the sec- Swanson in "The Trespasser" the operation on the grounds.
. . .
The entire lay-out was con- Williams takes care of the standees
with $5500. "Ingagi," wild life
with Charlotte Greenwood in "So structed and designed by C. E.
the Blue George Pampel all wraooec
.
30th houses doing well. came from the East especially for
Everett
at the
Horton in
Music Box
"Wide Open"
opened satis-
Business in the suburban spots this venture.
continued to hold up, all the houses Leo F. Smith, president of the
Buckley bounces out in new soring
finery Nick Schmitz still re . . .
CAROLYNNE
lating about the robbery Dave . . .
factorily. being wired. Washington Amusement Company, Himelhoch forgetting about it
The New Fox. showing "This * * * will serve as managing director of
.
. . .
SNOWDEN
band, with a pleasing concert, un-
"The Rogue
Royal.
* * *
is treasurer. All three men come Shelby Cole nowheres around . . . OPENS MAY 3rd
doubtedly helped. from the Jantzen Beach amuse- Glen Scholine admits an arduous
Song" comine for an extended The local show shops Tiad stren- ment park of Portland, Ore. day Ken Schoenfeld down
run starting next week. uous competition several nights of early for an appointment Joe
. . .
.
Regal Theatre
ENTERTAINS
.
BAND
.
Erlanger's Metropolitan was the current stanza. Thursday night Cooper passes out membership
given over to concerts and road Gus Sonnenberg, wrestling champ, cards . . . And Dorothy looks for
Chicago
show attractions the past week. headlined a card which packed the SPOKANE, Wash.— Henry San- apartments . Roy Cooper out of
. .
Moroni Olsen players, standard fa- Auditorium, in a grunt and push trey's Soldiers of Fortune, a 17- the hospital and feeling better Indefinite Engagement
vorites here, practically a sell-out event. Friday night the Boston piece orchestra, during their en- Sam Green watches the cus-
for two-day, Fn'dav and Saturday, Bruins met Vancouver, Pacific gagement this week at the
•
RKO .
tomers flow
. .
politan. ice arena. land Empire Education Associa- Merrill professes his hunger . . . for
Night life biz didn't seem to * * * tion meeting. And he has lots of company . . .
the Civic Auditorium. Vic Meyers' al Concert Band, made up of 35 Pearl Harris Jim Clemmer . . .
at
Club Victor, featuring Meyers' former PORTLAND, Ore., April 17.— signs checks Frank McCor-
and members
of the local,
own recording orchestra
all
musicians of local theatres pre- Although
originally scheduled for mick hurries to the bank, and then
. . .
CLUB VICTOR
Carolvnne Snowden, showed plenty vious to the advent of the talkies. closing here some weeks ago, to breakfast Kent Thompson
Duffy's Duffwin Theatre,
. . .
SEATTLE
of activity Will Edmunds is conductor.^ They Henry pleased over the attendance . . .
The Washington-California crew are advertsiing in local publications under the management of Bill Mc- Eddie Zollman taking the missus
races on Friday brouerht plenty of that they are prepared to accept Curdy, is still forte with the pa- out on a spree .
folks into town. Tinv Burnett and bookings for garden parties, broad- trons. Howard Miller and Leona
his band in the Olympic Hotel's Powers are currently featured in
Venetian Gardens also going great
with consistent biz.
casting, or any other event.
* * *
Alterations and new theatre con-
the leads of this popular troupe
that is getting heavy play from
FEATURING BLUES— DANCE
MARIE DICKERSON COFFEE DAN'S, SEATTLE
Coffee Dan's, popular pricec local audiences. Closing now post-
struction in this territory include
spot, now getting into the proper poned indefinitely.
atmosphere, with the theatre folks
the new F. P. C. Corporation
house on Broadway costing $450,- THE CROONING WALTZ HIT!
in town giving the spot a play Prince Albert,
000, the Edward Guest house on will be erected at
livening up the place. Dick Buck- Roth- "ROCK-A-BYE TO SLEEP IN DIXIE"
Granvile south, now under con- Sask., cost not stated. A.
ley, as m. c, well liked, handling Winnipeg building a
the show in nice fashion. Marie
struction, costing $225,000. A bal- stein of is
1
— VOCALS — QUARTETTES
cony is' being added to the Em- theatre at Saskatoon, Sask., to be Send for Orchestrations
Dickerson and Elsie Jewell, fea F. P. C. C. are
tured entertainers, plugged along
press, Kamloops, to increase seat called the Roxy.
S. L. CROSS MUSIC CORP. Seattle, U. S. A.
$15,000. buildincr an $80,000 house at Ross-
;ith Gordon Kilbourne's band inc capacity at a cost of Strand land, B. C
Looks good forcontinuer profit. A new theatre called the
HERMAN KENIN
AND BOYS
THANKS TO
FANCHON AND MARCO
Fox Broadway Theatre AND
Portland FLOYD MAXWELL
INSIDE FACTS OF STAGE AND SCREEN PAGE ELEVEN
SATURDAY, APRIL 19, 1930
17.— prices, get heavy play. Al Franks, a tab show of seven principals and is on the lookout for material, both month tour that took the unit into
PORTLAND, Ore., April
announces lavish
part musical comedy favorite in these
six line girls,
for the coming venture and his class radio, hotel and night club
Continuous activity on the plans for expansion. These are
parts, is currently, in at the Capi- current show. work, both here on the coast and
of the many amusement impres-
tol with his tab show. Seven expected to take place within the in the east. Currently, Kenin and
principals and six line girls click near
town finds business future.
sarios of this Edward Sloman has been signed his boys are featured as the house
heavily here with the troupe, now
Franks, in discussing local con-
at the many spots continuously on to a long-term contract by Para- band in the Fox-Broadway The-
ditions, laments the lack of talent
the uDzrade. in its forty-fifth successful week mount. atre here.
at the Capitol. Only musical com-
hereabouts and confesses his need
Fox-West Coast and Publix are
edy here, and, although Franks
the foremost operators of the
and his people are handicapped
town, each holding one of the two
key spots, with R-K-0 Orpheum
and John Hamrick each getting
their share of the biz at their
respective
The
stands.
Fox-Broadway
Publix-Paramount, directly on op-
posite sides of the street from each
and the
by lack of stage and equipment,
put across entertainment that has
built a big following.
Night life, with the single ex-
ception of the Indian Grill in the
Multnomah Hotel, at a low ebb.
Dwight Johnson's Orchestra, fea-
tured here for the past fifteen
months, draws heavily at this class
HENRI ABEL *T3
al?*
5 t
a. 9
W
DWIGHT
not consistent.
house, featuring Fanchon and Cole J. "Pop" McElroy has the
Marco "Ideas," possibly is the
dance biz of Portland corraled.
scene of the most consistent ac-
His Spanish Ballroom, featuring
tivity, although the Paramount
his "Greater Oregonians," a con-
house, with its big films and added
entertainment, which includes sistent money maker and very
popular with the fans.
Layne and Gordon in the lobby
Jantzen Beach, on the Columbia
and Ron and Don at the organ,
River front on the outskirts of
gets plenty of heavy play.
town, readying for spring open-
R-K-O's Orpheum. with a di-
JOHNSON
ing, always gets big play, with
versity of film product and the
the sponsors looking for a bigger
standard fare of vaude, is con-
tinually showing an increase.
than ever year this season. The
Oakes, another amusement park,
John Hamrick's two stands, the
pretty well forgotten about, al-
Music Box, formerly West Coast's
Liberty, and the Blue Mouse, with
though what biz is garnered is
practically all profit, the invest-
first run releases of Warner
ment having been
Brothers' product, are naturals for
consistent profit. Seldom, if ever,
years ago.
written off
AND HIS
a red mark here.
Although possibly a trifle over-
Publix's seated, and the way the owners
Rialto. -formerly the
Helig, has been doller up and set- have spent their dough in building
ting right on the main drag within pretentious houses, Portland is a
two blocks of the bigger houses, good town for those already here.
gets lots of drop-in trade. With Only city of any size in the state,
the bigger stuff getting nice ex- and its drawing power reaches
ploitation, this house getting along
into every corner of the state, es-
Multnomah Hotel ORCHESTRA
very nicely. pecially into small towns adjacent,
West Coast's remaining stands, including Salem. Corvallis, Ore-
the United Artists, and the Alder, gon City, Astoria and others. "A Handful of Boys With a Band Full of Melody"
have been completely renovated
recently and are getting big plav.
Although a little off the main PERSONNEL
stem, these houses get big play I LATE
with the big films. The* TJ. A.
IN
houses first showings of the more
colossal films, after which they DWIGHT JOHNSON, Leader
go into the Alder for extensions.
The W. C. organization also has
SEATTLE GOES 0
a group of suburban stands which CLAIRE HARTMAN, Piano DON SHOWALTER, Cornet
are getting along first rate. Of PORTLAND, April 17.— Preceded
these, the Hollywood gets the most by a heavy advance sale, both CLIFF BIRD, Sax- Vocalist BILLY PRIEST, Guitar
attention from J. J. Parker and through the mail and over the
Floyd
West
Maxwell, local chiefs for counter,
Coast. The balance
Paul Whiteman's ap-
faring pearance here Monday night with
GORDON HOOD, Trombone EDDIE MAYER, Sax
band was a big success.
his
Brought here by Cole J. Mc- BOB PILKINGTON, String Bass
Elroy, local dance hall impres-
The Toast of the Coast' sario, the noted maestro was fea-
tured in a grand concert at the
Civic Auditorium that was a prac- NOW IN OUR 65TH WEEK!
RUTH tical sell-out.
was scaled from one
The 5000-seat hall
to three dol-
lars.
COLE ELROY
and his
PARAMOUNT^
PERSONALITY PAIR ORCHESTRAS
Just Completed
14 WEEKS
PARAMOUNT THEATRE GREATER COLUMBIA RECORDING
SEATTLE
OREGONIANS ORCHESTRA
Now — Indefinitely
McELROY'S SPANISH BALLROOM McELROY'S SPANISH BALLROOM
PARAMOUNT THEATRE PORTLAND
PORTLAND, ORE.
SEATTLE
»
PAGE TWELVE INSIDE FACTS OF STAGE AND SCREEN SATURDAY, APRIL 19, 1930
of endeavor, I doubt if it exists bers and in recordings. However, retailers this week. ing of current pop solos and his
Ayres, trumpets; Gale Claggett
with such intensity of feeling a? it
and Bud Jenkins, trombones; there are no sensational sales in A while ago it was the rule vocalizing of refrains through his
does among musicians and the kin- any numbers just at present. Here that if a song number was not
Frank Don, bass, and Ray Wat- console microphone and amplifiers.
dred arts. During the past decade is how they tally: spotted in some picture it had no
kins, drums and tympani. His appearance was greeted with
there has developed a strange psy- 1. "Springtime In the Rockies" chance to make a place among the
* * * welcoming applause, and he opened
chology of conscious avoidance of —Villa Moret. ,
best sellers, but while it is true
with "What Is This Thing ^
"Happy Days"— Ager, Yellen that song leatured Called
ai,c "
the manifestation of such jeal- The Arbor, popular summer 2. tnat a son*? featured in a picture t n » .r
ousies. dancehall in Phoenix, opened on and Bornstein.
"With You"— Berlin.
will sell if it has merit, other num-
bers not so featured now have a
V°Zj>
Love" from ^S^S?
the
"Blossom
S
^.* °J
Time,'
"The truly great do not criticize schedule this year, notwithstand- 3.
slipping smoothly from one combi-
something of the ing the freely circulated petitions 4. "There's Danger In Your fair chance with the public.
their inferiors" is
unwritten formula in the minds of of the neighbors to keep it closed. Eyes" Berlin.— Credit goes for this to radio.
nation to another and exhibiting
some unusual effects.
our brother-craftsmen. It has The permanent orchestra for the 5. "What Is This Thing Called Artists like Bob and Monte plug- He
ele-
vated each of them to pinnacles of season has not yet been named.
Love?" Harms. — ged their' own "Utah Trail" into closed with "There's Danger
Cherie," to a big In Your Eyes,
6. "Should I?"—Robbins. sales well over the hundred thou-
equal height and has given one and * * * payoff. His methods are not spec-
7. "When I'm Looking At You" sand mark, and are credited with
all a perspective that allows them
to look down upon the rest. It is
Warner Stone and his Capital — Robbins. starting "Springtime In the Rock-
tacular but most pleasing,
there is no doubt that his croon-
and
City Orchestra are now being fea- "Under a Texas Moon"— ies" on the way to its preesnt sen-
perhaps a progressive step. tured over Radio Station in KOIN
8.
Remick.
t ing
!"« baritone
sational leadership over scores of
U U,IC woum win him a
would
I
"" . ,
mm
The rank amateur is the most vo- Portland, Oregon. Static notwith- larg€ Allowing on the air e '
9. "The One I Love Just Can't themies. Among phonograph rec- ever took
ciferous in his criticisms. Those to radio. It is a novel-
standing, Warner has a nice band. Be Bothered"— Leo Feist. ord leaders, only half are record
ty that Paramount fans seem to
who constantly waver between me- * * « 10. "Sing, You Sinners"— Fa- ings of talkie hits.
like.
diocrity and excellence are the most mous. There is also another reason for
bitter and sarcastic. Tolerance and What a whale of a difference a
Close behind in popular sales the decline in themie sheet sales
sympathy, after all, may only be f. w men
make! Take Earl Burt-
are: "When the Little Red Roses For a while the home folks rushed
found at the top. seems to be a nett's Biltmore Orchestra, for in-
It Get' the Blues For You,' '"I Never from a picture to a music store
stance.
human characteristic to be tolerant
* * * Dreamt," "If I'm Dreaming, with the spell of a song number
only when competition is eliminat- "Lucky Me, Lovable You" and still on them, but when they tried
ed. Failure and disappointment Hank Halstead and his orches- "My Love Parade." it on their own piano with their
breed vituperation. By some proc- tra have signed with the Music own
fingers, somehow it did not
Corporation of America. Hank Recordings
ess the profession seems to have sound just the same. The ama
and his band are now at the Cos- 1. "Happy Days"— All record- teur home version sounded noth-
absorbed the idea and acts accord-
ingly. We hear but little of the old- mopolitan Hotel in Denver, Colo- ings. ing like the picture presentation, TACOMA, April 17.— Phil Bax-
"Springtime In the Rockies'
time bitterness and odious criticism rado, and are scheduled to return dressed with a big orchestral back ter'sorchestra, booked in by the
-All recordings.
based on personal spleen. to the Adolphus Hotel at Dallas ground, elaborate sets and the ro- Music Corporation of America, is
3. "Sing, You Sinners"— All re-
Tacitly? Well, that is different. June 1. mantic influence of the story scheduled to open at Lund's
* * * cordings.
* * *
"Putting On the Ritz"— All
And so the habit wore off. They "Oakes" dance pavilion on Satur-
4.
De Lara and Lolita, Apache Max Bradfield, veteran m. c, is recordings.
now resist the hypnotic spell long day evening of this week,
wielding the baton at the Fox —
enough to give other numbers a
team, are the proud parents of a now 5. Under a Texas Moon" Co- chance and the independent soners Lund, who also operates the
Colorado Theatre in Pasadena. Coliseum, downtown arena and
healthy baby boy born recently in lumbia.
Max was recently m. c. at the Wis- and stage musical comedy hits, dance hall, is currently giving
Los Angeles. Accept our congrat- 6. "Love Parade"— Victor. heard over the family radio set,
consin Theatre in Milwaukee. Baxter heavy billing around town,
ulations, Tommy and Lolita. * * 7. "What Is This Thing Called are getting a break.
* * *
*
Ray Valiga the new orchestra
Love ?" — Columbia Band"— All
three-sheeting the village
boards heralding Baxter as one
with
Herb Meyerinck and his orches-
is
8. "Strike Up the
IN NORMAN'S ACT
leader Belasco and Curran's
at of the co-composers of "Piccolo
tra are clicking nicely with the recordings.
Geary Theatre in San Francisco. Pete" and "Harmonica Harry."
customers at the Cafe Marquard
*
9. "Dancing Domlnos"— War- SAN FRANCISCO, April 17.— Baxter is scheduled for six
* *
in San Francisco. Herb and his ing's Pennsylvanians (Victor). Mildred Doughty, pianist in the weeks, or more at the "Oakes."
gang succeeded Eddie Rose and his Everett Hoagland and his or- 10. "Eleven-thirty Saturday local De Sylva, Brown and Hen Whether he will move into Seattle
aggregation. Meyerinck opened at chestra are building up big at the Night" Burtnett (Brunswick). — derson has departed to ac-
office, 1 for an engagement at John Sav-
the Cafe Marquard about a month Rendezvous Ballroom at Balboa In demand also are "Stein Song" company Karyl Norman when he age's Trianon and Butler Hotel
ago after a long run at the Man- Beach. (Rudy Vallee), "Cooking Break- opens this week for R-K-0 at Salt Rose Room, could not be ascer
darin. * * * fast For the One I Love" (Fanny Lake. tained. Savage is currently tied
* * * Take the second ending. Brice), "Nobody's Sweetheart" to a contract with M. C. A. for
Dwight Johnson and his orches- (Paul Whiteman) and "Rose of AT ROOF GARDEN the latter organization to furnish
tra are playing to popularity at the KAULL JOINS ROESNER Tralee" (McCormack— from new him bands during the coming year.
Multnomah Hotel in Portland, Ore- picture) Record sales generally SAN FRANCISCO, April 17
reported as slow at present. SAN FRANCISCO. April 17.—
gon. The personnel includes Billie SAN FRANCISCO, April 17.— are new of "Song of the
Norm Anderson has been engaged
Priets, banjo; Cliff SlimClarence Kaull arrived here this
Bud, sax; A recording by Gus Oliva as entertainer at the Jack Gurgen, maestro of the S S.
Islands" is doing a flurry.
latter's Roof Garden Cafe, working Harvard, was in town for a few
Brant, trombone; Don Showalter, week, coming from the Capitol,
trumpet; Bob Pilkington, bass; New York, to act as arranger for SAN FRANCISCO in front of Val Valente and band. days this week. '
Clare Hartman, piano; Eddy Ma- Walt Roesner at the Fox. Kaull It was "Woman In the Shoe's"
ker, sax, and Dwight Johnson, formerly was with Roesner when week, that Robbins tune climbing
leader.
* * *
the latter was at Loew's Warfield
here a few years ago, and was
up over a list of competitors
tween sixth and second places.
ORCHESTRAS MAKE MUSIC
Three new ditties, "Blue Is the And Music Makes the Orchestra. That's Why Everybody
Lyol "Spike" Thayer, reported as more recently with the latter when
Night," "Cottage For Sale" and Enjoys Dancing to
going MCA, hadn't signed on the he m. c.'d at the Capitol.
dotted line as late as last week. "Stein Song" are in the list, which
Lyol and his aggregation closed at
the Hotel Westward Ho in Phoe-
ARRIVES POLLOCK follows:
1. "Springtime In the Rockies JOHNNY HAMFS MUSIC
nix and Lyol has been in San composer, —Villa Moret. in the Ambassador Hotel
Lew Pollock, song
"Woman the
At the Cocoanut Grove,
Chrome
at that place and via KNX, Are
In
Diego the past week. and remembered as the writer of 2.
The Hamp Harmonists,
* * * "Charmaine," the first theme song, Robbins. Exponents of Metro-Goldwyn-Mayer-Robbins Song Hits, Such as
3. "Danger In Your Eyes,
Owen Sweden's Sweet Band at arrived in Hollywood yesterday, to
the Fox Theatre
Arthur Kloth, Larry Smaltz,
is composed of assume
violin, Brothers,
his
to
duties for
whom
Warner Cherie"— Berlin. I?"— Robbins.
he is under 4.
5.
•Should'
"With You"— Berlin.
"SHOULD r
trumpet; Whitney Tustin, violin, long-term contract.
"Blue Is the Night"— Rob
6.
bins.
7. "Happy Days -Ager, Yel- "WHEN I'M LOOKING AT YOU"
Entertaining With Novel Specialties and len and Bornstein.
—
8. "Cryin' For the Carolines
Selling a Brand of Dance Music That Draws Remick.
GLEN BUCEY
And His POM POM HI HATTERS
1. "With You"— Johnny Mar
David Bryant, sax; Steve White, sax; Jimmy
Bal-
vin (Victor). With Ellis
2. "Springtime In the Rockies deras, piano; Leo Hagan, trumpet;
William Alexander, banjo
James, piano.
Russell Harrison, trombone, and Jean
—All recordings.
"Danger In Your Eyes — and guitar;
Indefinite
All
3.
recordings. Pom Pom Night Club, Hollywood
4. "Stein Song"— Rudy Vallee
(Victor).
S "Should I?"— All recordings.
"Puttin' On the Ritz"— Leo
6.
Reisman (Victor).
vin
7. "Happy Days"— Johnny Mar-
(Victor).
WILL PRIOR CONDUCTOR
8. "Moon Is Low'— Guy Lom-
bardo (Columbia). „ . NEW STATE THEATRE, SYDNEY, AUSTRALIA
9 "What Is This Thing Called
Ix)ve ?»_Leo Reisman (Victor).
10. "Sing, You Sinners"— All
recordings.
Hollywood, Calif.
LOS ANGELES, CALIF.
SATURDAY, APRIL 19, 1930 INSIDE FACTS OF STAGE AND SCREEN PAGE THIRTEEN
IS PROBABLY THE MOST VERSATILE AND FUNNIEST COMEDIAN ON THE STAGE TODAY
COMING TO R-K-O, LOS ANGELES
the oldest ballroom men in the Picked at random from the many
state, knows the racket throughout numbers the boys offered this
Orchestra and his manner of conducting this evening, were found: "Cuddle Up Unsolicited
spot is a sign of his ability. a Little Closer," in which Gordon
ENERY DRAPERIES
management of Barney Poetz and
the good dance music of John
Wolohan responsible for packing
'em in.
Poetz, one of the oldest, if not
DESIGNED MADE UP AND PAINTED BY THE LAPGEST AND MOST
RUDOLPH N. EFFICIENT STAFF OF SCENIC APTIST5, DESIGNERS AND DRAPE
BY
SCHRAEGER
PREMIER ORGANIST
EXPERTS IN AMERICAS LARGEST AND MOST BEAVT1FI/L STUDIOS
Chinese Theatre, Hollywood
INDEFINITE Los Angeles Scenic Stvoios Inc AFFILIATED WITH OlA5 F THOMPSON SCENIC CQ
WM. (Billy)
SOLO ORGANIST
KNOX BATES
1215FOUNTAIN
AT
AVE.
NEAR SUNSET AVE. BLVL\
and a good one. Went big ior work, using a fast novelty finish. had Brower joining him in a num- neat precision drill of tap dancing,
Another four-act bill of the nov-
an encore on an extra verse. The stunt of having line girls work ber, and then Weston had to en- which took a big hand. They en-
elty type now apparently being
Tyler and Sinclair, xylopnone act on both sides of a scrim gave core. cored, in tuxedos, with some fast
tried out on this circuit.
in one, opened with a pop med- the effect of dancing before mir- Picking up his baton, Brower put
Opened by the Lime Trio, full precision work that clicked.
iey then went to some gags built rors and won applause. the band through its paces in "Just
stage dumb act, two men in over- episode which fol- A tin-type
on song titles, then a "Gypi>y Joe Livingstone and his Orches- Can't Be Bothered With Me," that
alls carrying a box which falls customers "The developed into another one of this had the entire troupe, 12 lowed,
sweetheart." The tra accompanied the* show.
open and shows the third man done snowed how well they like that, Other Tomorrow" with Billie Dove m. c.'s masterpieces of hoke. It girls and 6 men, on.
us as a rag dummy; aero rou-
to The black
contortions,
men were given an oldtime med- was the picture. was one gag after another that an d white costuming was effective,
tine of leg twisting, I
and dressed in a plain black cos- closing. One is straight, one black m his second week at this spot, fox-trot time chorus, in which both
tenor down to join them for a re
tume. The act needs a smart face and one fern. They mixed opened the stage fare with his con the reeds and brass were heard to
frain. This number went over for advantage, brought "The
evening gown and better lighting. gags with numbers played on vari-
the opener cert, commencing with a heavy rade" to a close. Kenin Love Pa-
She sold for good returns. ous brass instruments, and their is a ca-
music was best. They wound up Bert Foye singled here, clowning 1 rendition of a standard overture pable leader, getting the most out
Next to closing spot featured
offering a banjo
in full-dress bags, and going into "Nola," novelette, of his men, ajl of whom are able
Bob Hope, in one, starting as a with "Happy Days" on two trump- and harmonica number, then going Le Bel understands his organ, and musicians.
single with a line of gags and a ets and a side drum, and collected I
into a trick dance on his 34-inch i a thorough showman. Hector's Dogs preceded the
song or two. girl sneaked on very fair returns.
A Fanchon and Marco's "Marble" finale in an act that's good enter-
The Arabians closed, their py shoes, changing from the bags to
and fed him some gags, then an
And how he used Idea, with the new house orches- tainment for both the kids and
ramiding and whirling cart-wheels gob uniform.
exit and three bows; back to pick tra, Herman Kenin and his Vic- the adults.
scoring for a furore. Some of the those big shoes, clogging and stilt- The canines are well
up a couple of girls planted in
tor Recording Band, in the pit, trained, and there's nothing con-
ing for a panic and being called
the audience for some burlesque boys and the two girls used
to
help were a back for another finish. opened with Roy Smoot on for a ventional about their tricks. Lots
singing, then the act went full stage dress the act little
prac Scrim up then, and Georgie Stoll song number, working in one be- of laughs throughout.
for a dissolve into the closing stiff as though a little out of fore the braille. The curtain went The finale of the unit had Roy
show, Harry Webb's Entertainers. tice. Costumes were flash but the forward to m. c. the entrance of
up to reveal a girl on a swing for Smoot sinking as the two adagio
Hope m. c.'d this act, Webb's pale blue back-curtain negatived milkmaids and a milkman, the girls
a song as two adagio teams, one teams worked down stage. The
boys doubled in straight orches- the colors somewhat; would have doing a Dutch clog dance and the
on each side of the stage, per- line girls had some more ballet
tral and vocal numbers, inter- flashed beter with a more color- man (Steve Moroni) doing acro- formed some neat tricks. The line work before a triple adagio team
spersed with Hope's comedy, and ful stage setting. Yells and band batic stunts in a center spot, in-
girls came on for a ballet routine unfurled some fast work that
specialties by a girl hoofer and support worked the customers up cluding some nifty hand-walking
to close the opening ensemble. wound up the show.
singer and a colored boy stepper. for a big payoff. and springing. This brought a
Al and Jack Rand, a pair of Picture was "The Golden Calf."
The straight numbers sold big and Ronald Phillips and Band fur good hand, and Moroni singled for com c hoofers, garbed' as war vet
j (Continued on Page 15)
included "I'm In Love With You," ished the music. Screen offering a spin finish for more rewards.
"Love Made a Gypsy Out of Me," was Gary Cooper in Paramount's Georgie Stoll then introduced
"Old Man River" (scenic), "Di- "None But the Brave," a first Vernon Stiles and put him under
nah" and "Lovable and Sweet." run. House was near capacity.
A burlesque spring dance rolled
the customers for a panic. The
Yeates.
a handicap by comparing him with
Lawrence Tibbett. Stiles,
ever, made good on his own mer
how- PATRICK and MARSH (AGENCY)
act was hoked every minute, and CASINO its, singing "Your Eyes Have Told
from the returns was just what SAN FRANCISCO Me So" to good returns. VAUDEVILLE—ORCHESTRAS
the audience wanted. (Reviewed April 10) Stone and Lee appeared in one
The R-K-Olians and the organ Opened with chorus routine fol- here, as professor and girl reporter
WANTED!
Eddie Eben, hooked together
ist,
for a "Chocolate Soldier" overture
lowed by Grant and Wallace hoof —
in a bughouse interview, lots of ACTS SUITABLE FOR PICTURE HOUSE PRESENTATION
that was well done.
chatter and gags, although the
Screen fea- ing trio, with two males and Gladys girl's verbosities did not always
AND CLUBS
ture was Columbia's "Vengeance," Kane in a short and snappy of— come over clearly. They mixed in WHITE— WTRE —OALL
with Jack Holt and Dorothy Re- fering. Jacqueline Brunea scored some song and trombone work and 607-8 Majestic Theatre Bldg., 845 South Broadway, Los Angeles
vier. .
|
jj^' with selections from "Student retired to a fair hand. Phone TUcher 214*
Yeates. Prince" and her delivery was ex- The Sunkist girls on for a taps
cellent. A unique routine with routine, then Noree making an en
MILLION DOLLAR the girls fencing and then Sylvia trance as a comet, coming down to
LOS ANGELES and Clemence, dressed in costumes solo in a contortion number that
(Reviewed April 11) NNN reminiscent of the nineties and sing- went over very big. All on then
The customers of this house ing parodies on old time ditties for a fine finale, girls perched on
seem to be taking to their vaude fared well. Jean Mute followec stars, with friction-spark displays
Business with Oriental dancing working in for the big flash close
Walter Trask
like nobody's business. WANTS STANDARD ACTS and ENTERTAINERS for
is building and everything goes front of the line. Screen fare was Buster Keaton's THEATRES, CLUBS, LODGES and SMAROFF-TRASK
over big. St. John Brothers, aero duo, spe- "Free and Easy." PRESENTATIONS
The six-act bill of the third week cializing in hand balancing, took Yeates
of the new policy opened with the several hands and then the Near WALTER TRASK THEATRICAL AGENCY
Bell Duo, adagio-strong arm act ing Sisters, who are rapidly build- FOX EL CAPITAN 1102 Commercial Exchange Bldg.
staged on a high table in three, ing up a following here, harmon- SAN FRANCISCO Lea Angela*
which sold for returns through- ized on "Congratulations," inter- (Reviewed April 13
414 West Eighth Street
Telephone TUcher 1AM
out the act and a pair of bows for polating
hoofing. Sylvia a little
and
returned to Clemence
do It's a pip the way this guy Mel
payoff.
Howard and Winsom, in Ritz" and over Hertz can make 'em sing.
one, "Puttin* On the When
had the deuce spot. A harmony his rising Wurlitzer console comes
AL WAGER THEATRICAL
AGENCY
batic dancer, for a number.
George Munson stepped off the
bandstand to lead the boys through
(Artists' Representative)
221 Loew's State Bldg. Phone VAndike 3619 Los Angeles, Calif.
his conception of Ted Lewis in
"St. Louis Blues," in which Mun-
son sang and clarineted for the
folks to nice returns.
In one of their best routines in
LYNN YOST
Artists "Manager
some time, the 16 sweethearts
Meiklejohn Bros. scored. It was eccentric tap work,
requiring a lot of precision work,
and the offering took a big hand
ASSOCIATED VAUDEVILLE MANAGERS and an encore.
Fourth Floor, Spreckels Bldg. From here on it was one cinch Telephone GRanite 8410
after another. First Brower intro-
Phones: 714 So. Hill St. duced Johnny O'Brien, NBC har-
TRinity 2217, TRinity 221* LOS ANGELES monicaist, who did two tunes on
his wheezebox and was so well Address: 522 Taft Building
VAUDEVILLE AND PICTURE HOUSE liked he had to do three more.
ENGAGEMENTS AVAILABLE Then the travel-wearied hoofer,
Corner Hollywood Blvd. and Vine St.
FOR STANDARD ACTS Scotty Weston, just back from 15
months on the road in Fanchon
and Marco's "Gobs of Joy Idea,"
Diehl Sisters
DENVER, COLO.
Ta or Grand
"Peasant" Idea
(17)
General Ed Lavine
Pearl Hoff
OKLAHOMA CITY
Alene & Evans
Orpheum Theatre
"Baby Songs"
(21-24)
Idea
STONE and LEE FEATURED IN
Jhnson & Duker June Worth Penny Pennington Rose Valydu
"HOLIDAY" Belcher Dancers Pearl Hoff Alene & Evans FANCHON and MARCO'S
HOLLYWOOD PLAYHOUSE
(Reviewed April 13) use to heighten dramatic effect and
"Holiday" is one play that would enliven with movement.
be better box office for pictures
there
At this premiere
was evident a
performance
curious lack
"MILKY WAY" IDEA
Nevertheless, Phillip Barry earns of strength in the characterization
than for legitimate production. It
is a most interesting study of the
praise for giving us an unsophisti- of all the principal roles. A be-
feminine obsession for chaining a cated play about sophisticated peo- wildering may
man down to a treadmill, robbing ple and handling a sex problem
him of his ideals and making him without
introducing sex, although
sluggishness
have been intended for the suppo-
sititious ennui of the creme strata
that
SIX GALENOS
authentic.
Briefly, the story hinges on the
GYMNASTIC NOVELTY ideals of a young man who nurses
the theory that one should extract
CASINO SAN FRANCISCO the most possible from life in the
Permanent Address: INSIDE FACTS ever present now, rather than wait
for the fruitage of business success
and conventional old age leisure.
<<
THE ACES OF THE ACROBATIC WORLD"
It is his resolve that the moment
ALLES
MA. 1681 -224 E. 4th St., Los Angeles-
PRINT
MA. 1682
life, indulge in travel and taste
the joys of living while still young.
He came from obscurity, worked
his way through college and law
school, and at the time tTie play
opens he is not only on the thresh-
Direction Jack Curtis, New York
PAGE SIXTEEN INSIDE FACTS OF STAGE AND SCREEN SATURDAY, APRIL 19, 1930
PERSONNEL OF WEST COAST FILM STUDIOS Permission to use, all or pari; must be secured from Inside Facts Publishing Co.
Director of Department of Musio Marion Harris Duncan Renaldo Chief Studio Executive _ Robert North Robert Lord Art Director q. D. Hall
Nathaniel Finston Hedda Hopper Benny Rubin Harry Cohn, Vice- Supt. of Laboratory and Sound
Assistant to Mr. 8elznick... .Harold Hurley Lottice Hawell Dorothy Sebastian President in Charge of Production OO-EXECUTIVES IN CHARGE OF —
PRODUCTION -- - — 0. Roy Hunter
Story Department Editor.... Edw. Montagne Leila Hyams Sally Starr Executive Assistant to Harry Cohn Camera Department.....
Scenario Editor Geffrey Shurlock Kay Johnson Lewis Stone _ Samuel J. Briskin 0. M. Glouner
Helen Johnson Ethelind Terry General Studio Manager
lal B. Wallis 0. Graham Baker Purchasing Dept _A. W. Klinordllnger
PARAMOUNT STABS Dorothy Jordan Raquel Torres Milton E. Hoffman
SCENARIO EDITOR Location Manager Sigmund Moos
Richard Arlen Maurice Chevalier
Oharles Kaley
Puul Kavanaugh
Ernest Torrence
Fay Webb
Assistant General Studio Manager
_ Marion H. Kohn Al Cohn
Musical Director.
Technical Department
— David Broekman
George Bancroft Gary Cooper Carlotta King Roland Young Production Unit Mgr Samuel Bischoff Archie Hall
Clarn Bow Dennis King Louis Mann Production Unit Mgr Bud Barsky STARS AND FEATURED PLAYERS ElectricalDepartment -...Frank Graves
Evelyn Brent Morau and Mack Assistant Production Manager Art Title Department
Nancy Carroll William Powell SONG WRITERS Joe Cooke Corinne Griffith Daphne Pollard
Max Cohen
Chief Sound Engineer John Lividary Richard Barthelmess Wm. Jannev Zoo Department _ Charles Murphy
Ruth Chatterton Charles Rogers
Fred Ahlert Howard Johnson Recording Engineer John Gray Alice White Cornelius Keefe Ranch Department E. E. Smith
FEATURED PLAYERS Lon Alter Jack King Amplifyng Engineer Edward Habn Alexander Gray Leila Hyams Accounting Dept
Camera Department Head. ...Ted Tetzlaff -...Graydon B. How*
Martin Broones Reggie Montgomery Bernice Claire Olive Brook
Andy Rice Laboratory Chief -George Seid Ladies' Wardrobe Johanna Matbieson
Jean Arthur Barry Norton Herb Nacio Brown uiier Pidgeon Noah Beery
Mary Astor Stanley Fields Gus Edwards J. Russell Robinson Property Master Edward Schulter Doug. Fairbanks, Jr. Grant Withers Men's Wardrobe., -...Edward Wars
Mary Brian Harry Green Fred Fisher Herbert Stothart Art Director Edw Jewell Lois Wilson Lila Lee Transportation Dept.„Maurlce E. Kurland
Virginia Bruce Paul Guertzman Arthur Freed Roy Turk Asst. Art Director Harrison Wiley Billie Dove James Murray
Casting Director Clifford Robertson Marilyn Miller Wilfred Lucas Police Department Dick Solberg
Kay Francis Neil Hamilton Clifford Grey George Waggoner
Mitzi Green Phillips Holmes George Ward Dimitri Tiomkin Location Chief Joe Cooke Otis Skinner Vivian Oakland Prop Shop _ jc,.
a. Johnson
Dorothy Mackaill Louise Fazenda
Jeanett MacDonald June Collyer Scenario Editor Jo Swerling Jack Mulhall Raymond Hackett Nursery _ .„._ _ Walter Taner
Lillian Roth Paul Lukas DIALOGUE AND SCENARIO WRITERS Story Editor D. A. Doran Allan Prior Inez Courtney Scenic Dpartment _ James Holroyd
Fay Wray Fredric March
Ralph de Alberich Gene Markey Music Department Head Bakaleinokoff Loretta Young Montagu Love Property Dept .Russell A. Gausman
William Austin Nino Mattini Sidney Blackmer Betty Compson
Clive Brook Jack Oakle Maxwell Anderson Sarah Y. Mason Film Editor Ben Pivar Hospital _.Dr. Stanley Immerman
Alired Block John Meehan Frank Fay Hallam Cooley
Paul Cavanaugh Guy Oliver Director of Publicity Abe Marks Eddie Nugent DeWitt Jennings
Morgan Farley Eugene Pallette Al Boasberg Bess Meredyth Geneva Mitchell DIRECTORS
Purchasing Agent J. Greenstone Monte Blue
Richard "Skeet" Frank Rons Frank Butler James Montgomery Joe E. Brown
Gallagher Stanley Smith Lenore Colfee Charles MacArthur Chief Studio Electrician... .Denver Harmon J.Murray Anderson Harry Pollard
Stuart Erwin Regis Toomey Arthur Caesar Fred Niblo. Jr. Comptroller Al Brandt DIRECTORS Wm. James Craft John Robertson
Leon Errol Marion Schilling John Colton Jack Neville Paymaster „ G. A. Sampson Henry MacRae Ray Taylor
Rosita Moreno Mitsie Cummings Samuel Omits Transportation Manager Joe Cooke John Francis Dillon Frank Lloyd Lewis Milestone William Wyler
Salisbury Field Frank Partoa Mervyn Lo Roy William A. Seiter John M. Stahl A. H. Van Buren
PARAMOUNT DIRECTORS Martin Flavin W. L. River Clarence Badger Howard Hawks
Madame do Gresac Madeleine Ruthven Michael Curtis William Beaudine PLAYERS
Ueorge Abbott Rowland V. Lee Paul Dickey Richard Sehayer WARNER BROTHERS WRITERS Lew Ayres "Sunny Jim" (Law-
Dorothy Arznar Ernst Lubitsch Robert Hopkins Raymond Schrock
Ludwig Berger Lotliar Mendes
Victor Schertzinger
Wm. Hurlbut Zelda Sears 5842 SUNSET BLVD. Francis Faragoh Henry McCarty
John Boles*
Kathryn Crawford
rence McKeen)
Joan Marsh
Otto Brower John B. Hymer Samuel Shipman HOUywood
4181
Edward Sutherland Bradley King Forrest Halsey Robert Ellis Ken Maynard*
John Cromwell Hans Kraly B. Sil-Vara
Julian Josephson
Frank Tuttle Anthony Jowett May StrauB Paul Perez HootGibson* James Murray
George Cukor Executives Earl Baldwin Humphrey Pearson
Edwin Carewe Josef von Sternberg John H. Lawson Lawrence Stallings Otis Harlan Mary Nolan*
Waldemar Young F. Hugh Herbert Merna Kennedy
Louis Gasnier Richard Wallace Albert Le Vino Sylvia Thalberg r
lce President and Production Execu-
.
Joseph Schildkraut*
Perry Ivins William Wellman Lew Lipton A. E. Thomas Barbara Kent Nancy Torres
tive Jack L. Warner CASTING DIRECTOR Scott Kolk Glenn Tryon*
Edward Sloman Josephine Lovett Wanda Tuchock Associate Executive In Charge of Pro-
Willard Mack Dale Van Every duction _ Darryl F. Zanuck Wm. Maybery Lupe Velez* Helen Wright
PARAMOUNT WRITERS Mrs. W. Mack Edward Welch General Studio Manager ...Wa Koenig
Frances Marion P. G. Wodehouse Publicity Director George Thomas WARDROBE DEPARTMENT |
* Indicates player is star.
T. J. Ahearn Percy Heath
Zoe Akins Grover Jonds TITLE WRITERS PLAYERS Edw. Lambert, Head of Department WRITERS
Doris Anderson Patrick Kearney Edward Stevenson, Costumes
Guy Bolton Edwin Knopf Ruth Cummings Joseph Farnham John Barrymore Lois Wilson Tom Reed Matt Taylor
Norman Burnstine Herman Mankiewics Lucile Newmark Al Jolson Patsy Ruth Miller
DANCE DIRECTOR Winifred Reeve Paul Gangelin
Walton Butterfiald Jos. L. Mankiewicz Dolores Costello Bob Wyler Sherman Lowe
James A. Clark George Marion, Jr. CASTING DIRECTOR Monte Blue Rin-TinTin Larry Ceballos Edward T. Lowe, Jr. Jed Kiley
Denison Cliit Wm. Slavns McNutt Grant Withers Tully Marshall
ART DEPARTMENT Charles Webb Gene Towne
Bartlett Cormack Alice D. G. Miller Ben Thau Myrna Loy Edna Murphy Charles Logue Elinor Carlisle
Lloyd Corrigan Edw. Paramore, Jr. Marian Nixon Marion Byron Jack Okey Anton Grot H. La Cossitt Len Fields
Howard Estabrook Wm. N. Robson II RKO STUDIOS Frank Fay Alice Gentle John J. Hughes Win. Houston Branch Ernst Laemmle
John Farrow Daniel N. Rubin Betty Compson George Arliss Albert De Mond Lew Collins
Oharles Furthmann Viola Brothers Shore
780 GOWER Lila Lee Vivienne Segal MAKE-UP DEPARTMENT Well Root Garrett Fort
Gerald Geraghty John V. A. Weaver ST. Louise Fazenda Pauline Frederick
Zane Grey Waldcmar Young HOUywood 7780 Noth Beery Winnie Lightner Pure Westmore, Hairdreasing CAMERAMEN
H. B. Warner Lotti Loder Mel Burns, Make-up
CONTRACT CAMERAMEN EXECUTIVES Claudia Dell Joe E. Brown Hal Mohr Arthur Edeson
Edward Everett Horton MUSIO DEPARTMENT Frank Booth Walter Cline
Farciot Edouart Henry Gerrard Vice-Pres, Charge of Production
in Jack Whiting George Robinson Gilbert Warrenton
Harry Fischbeck William Rand — William Le Baron Louise Closser Hale Leo Forbstein, Direotor Al Jones Jerry Ashe
Asst. to Mr. Le Baron Olsen and Johnson Jerome Kern-Otto Harbach
Pandro Berman Edwin Warde and Al Bryan
MUSIO DEPARTMENT Associate Prducer Louis A. Sarecky CARTOONISTS
Richard A. Whiting Newell Chase MUSIO DEPARTMENT Harry Akst and Grant Clarke
Associate Producer Myles Connolly Con Conrad, Sidney Mitchell and
Leo Robin Frank Harling Walter Lantz William 0. Nolan
Ballard Macdonald Associate Producer Henry Hobart Robert Crawford, Executive in Charge Archie Goettler
L. Wolfe Gilbert
Abel Baer Dave Dreyer Associate Producer Bertram Milhauser Al Dubin and Joe Burke
General Studio Manager O. D. White
Erno Rapee. Director-in-Chief M. Jerome and Harold Berg
Sam Caslow Grand Clarke
Harry Akst Studio Superintendent Major Fairbank Louis Silvers Sidney Mitchell Michael Cleary, Ned Washington and TEC-ART STUDIOS
Art Supervisor Max Ree Oscar Straus Archie Goettler Herb Magidson
CASTING DIRECTOR
Fred Datig
Director of Publicity
Assistant Treasurer
Don Eddy Oscar Hammerstein DUeorge W. Mayer
Sigraund Romberg Harry Akst
BRONSON AND MELROSE
L. B. Smith
Casting Director Re X Bailey Jerome Kern Grant Clark President - Alfred Mannon
FASHION CREATOR
Travis Banton
Asst. Casting Director....Harvey Olaremont
Production Manager
Otto Harbach
Joe Burke
Eddie Wards
Al Bryan
PATHE STUDIOS First Vice-President and Treasurer
L. G. Ransome „ J. BoyceSmlth
Al Dubin Lou Pollack
SOUND DEPARTMENT
Scenario Department
Purchasing Agent
Betty Roberts
Richard Wild M. K. Jerome Mort Dixon CULVER CITY Vice-President .Maurice De Mond
Albert DeSart, Technical Director of Construction Supt Earl McMurtrU Harold Berg Walter O'Keefe EMpire 9141 Secretary and Studio Manager
Sound Chief Electrical Dept Bud Green Bobby Dolan _ „ Jrvlng Meiliken
William Johnson Mitohell Cleary EXECUTIVES
Chief Property Dept.- Sam Comer Sam Stept Technical Director Albert D'Agostlno
WARDROBE DEPARTMENT Ohief Wardrobe Dept Joe Young New Washington
Walter Plunkett Harry Warren Herb Magidson General Manager in Charge of Produc- Genl. Purchasing Agent.. ..Harry Englandsr
Frank Richardson (Head) Chief Camera Dept. William Eglinton E. B. Den-
tion Chief Electrician _ .Leslie Traoy
Chief Scenic Dept
DANCE DIRECTOR Holt Lindsley Personal Representative for J. P .Ken-
Location Department Herb Hirst Charles E. Sullivan Publicity Director Wilson B. Heller
nedy
David Bennett Chief Drapery Department .Frank Vert
RCA Photophone Chief Engineer on
METROPOLITAN STUDIOS Producer William Conselman Assistant Publicity ...Natalie Adelstein
Producer _ Ralph Block
SPECIAL EFFECTS DEPT. H Auditor .Florence Hinkle
Oren W. Roberts (Head)
Coast
Silent and Foreign Versions
_.R. .Townsend 1040 LAS PALMAS AVE. Production Manager George Bertholon
Carl Hovey Properties - G. Altwels
GR. 3111 Literary Editor
-- .Leon D'Urseau Chief Title Writer „ John Krafft Scenic and Paints Larry Sorenson
STUDIO PUBLICITY DIRECTOR Head of Miniature Dept Don Jahrau. President Harvey Leavitt
Arch Reeve Charles H. Christie Studio Superintendent Draperies W. S. Hepburn
Chief Cutting Dept William Hamilton Carroll Clark
CUTTING DEPARTMENT Chief Sound Department Carl Dreher Treasurer and General Manager
.Wm, Holman
Art Director Transportation . — O. E.
Oharles Henkla
Norstrum
Photo Effects Lloyd Knechtel _ S.
PLAYERS Outter.^a _
James Wilkinson (Head) General Representative Phil L. Ryan Chief Engineer RCA ..Ernest Rovers
STARS AND FEATURED PLAYERS Studio Manager Leo Cahane Helen Twelvetrees Recorder. l -L. E. Tops
FOREIGN REPRESENTATIVE William Boyd
Auditor „ „ H. P. Ratlff Ins Clairs
Geoffrey Shurlock (also Scenario Editor) Clayton
Ann Harding
(Under Contract) Chief 8ound Engineer R. S. Eddie Quillan Harry Bannister
Bebe Daniels Assistant Sound Englneer....A. M. Granich
Richard Dix
Rita La Roy
Art Director C. L. Cadwallader
James Gleason CHAPLIN STUDIOS
METRO-GOLDWYN- Rod La Rocque Renee Macreody Construction Supt Sam E. Wood
Wally Oettel
DIRECTORS
1416 N. LA BREA AVE.
MAYER Betty Compson
Olive Borden
Bert Wheeler
Joel McCrea
Chief Electrician
Chief of Props _ F. W. Widdowson
Paul L. Stein
Monte Carter
Tay Garnett
Wallace Fox HEmpstead 2141
Ivan Lobedeff Rudy Vallea Following are the companies renting Fred Guiol Frank Davis
CULVER CITY Hugh Trever June Clyde space at the studio: Robt. De Lacy Alfred Green President, Director and Star ~
EMpire 9111 Sully Blane Marguerita Padula Harold Lloyd Corp. Edward H. Griffith . Oharles Chaplin
Roberta Gala Franker Woods Caddo Co., Inc. Vice-President and General Manager
EXECUTIVES Polly Walker Roger Gray Bono Art Prod., Inc. DIALOGUE DIREOTOR Alfred Rssvss
Lloyd Hamilton Prod. Treasurer -Lois O. Runser
Louis B. Mayer
Irving G. Thalberg
Hunt Stromberg
Bernard Hyman
Helen Kaiser
Dorothy Lee
Audree Henderson
Wynne Gibsou Christie Film Co., Inc.
Associated Artists Prod.
Richard Boleslavsky Chief Cinematographers
Rollie Totheroh and Gordon Pollock
— —
Harry Rapf Laurence Welngarten AUTHORS AND WRITERS Fine Arts Pictures, Inc. Photographer „ Mark Marlatt
Mannix Paul Bern Broughton Prod. Director of Publicity and Advertising
E. J.
Albert Lew in John Russell Ben Hecht
Cliff
Edward Small Prod. TIFFANY PRODUCTIONS _ - Oarlyle Robinson
Eugene Walter J.Walter Ruben Halperin Prod. Script Department - Delia Stasis
DIRECTORS Wallace Smith Hugh Herbert James Cruze, Inc. SUNSET BOULEVARD Executive Secretary
_
Kathleen Pryor
Oonsuelo Jackson
James A. Creelman Beulah Marie Dix Italotone Film Prod OLympia 2131 Communication
Clarence Brown Sammy Lee Robert 0. Bruce Outdoor Purchasing Agent Joseph Van Meter
Lionel Barrymore
Harry Beaumont
Robert Z. Leonard
Edgar J. McGregor
George O'Hara
Charles MacArthur
George Abbott
Jane Murfin
Vina Delmar
Samson Raphaelson
Talking Pictures, Inc. President - A Yonng Property Master
-
Laboratory Chief -
— Hal Atkins
~Val Lane
Executive Vice-President.... Grant L. Cook Assistant Henry Bergman
Charles Brabin Marshall Neilan Tom Geraghty -
David Burton Fred Niblo Chief Studio Executive -Phil Goldstone
Still Department — Ed. Anderson
Jack Conway
Cecil B. DeMille
William Nigh
Robert Ober
DIRECTORS DARMOUR STUDIOS Comptroller - Ira E. Seidel Chief Electrician
Milton Gatiert Foreman Carpenter
Frank Tmtera
William Bogdanoff
Purchasing Agent Allan Garcia
Wm. deMille Charles Riesner Luther Reed Frank Craven - Casting Director
Sidney Franklin Mai St. Clair Bert Glenroa Herbert Brenon
5823 SANTA MONICA BLVD. Director of Publicity »-
Arthur Q. Hagarman
Jacques Feyder Victor Seastrom Mai St. Clair
Rupert Julian
HO. 8704
Art Director Herrey Llbbert PLAYERS
Nick Grinds Edward Sedgwick Lambert Ilillyer ..Lewis Myer
George Hill
Albert Kelley
W. 8. Van Dyks
King Vidor
Paul Sloane
Wesley Ruggles
Reginald Barker
Mel Brown
President and Supervision
„_ - Larry Dsrmour
Head
Head
of 8ound Dept
of 8et Dressing Dept — Geo. Bawley
Al Short
Virginia Cherrlll Harry Myara
Albert Austin
Cameraman James Brown, Jr. Musical Director
Sam Wood Norman MacLeod
Scanned from the collection of the
Warner Bros. Corporate Archive
Coordinated by the
Media History Digital Library
www.mediahistoryproject.org