List AA6C3EC7 E517 A7CF 7B5D 3992A4591838 Bibliography

11/15/16 Cinema and Difference: Film and the Social Construction of Images |
University of Kent
Cinema and Difference: Film and the View Online

Social Construction of Images
Bruzzi S, ‘ “Tempestuous Petticoats: Costume and Desire in The Piano” ’ (1995) 36 Screen
‘ Film Index International ’

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T_M&C=Film Index International >
‘ Pages 21-24: Cinema Journal’ (1987) 26 Cinema journal 21

T_M&C=Cinema journal >
‘ Pages 25-28: Jump Cut’ (1986) 32 Jump cut 25

T_M&C=Jump cut >
‘ Pages 275-281: Screen’ (1997) 37 Screen
‘ “Scared of the Dark: Race, Gender and the ‘Horror Film’” ’ (2004) 40 Genders
Society for Cinema Studies , ‘Pages 31-34: Cinema Journal’ (1994) 34 Cinema journal 31
Aaron M, ‘ “Boys Don”t Cry Debate: Pass/fail’ ’ (2001) 42 Screen 92
Aaron, Michele, Spectatorship: The Power of Looking on, vol Short cuts (Wallflower 2007)
Abel, Elizabeth, Christian, Barbara and Moglen, Helene, Female Subjects in Black and
White: Race, Psychoanalysis, Feminism (University of California Press 1997)
Abu-Assad, Hany, ‘Paradise Now’
Ai-yu Niu Greta , ‘“Womanliness as a Masquerade and Imitation of Life” ’ (2005) 22

Quarterly review of film and video 135
<http://df7sm3xp4s.search.serialssolutions.com/?C=Quarterly review of film and video
&s=AC_T_B&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10>
Arzner, Dorothy, ‘Christopher Strong’
Bambara T, ‘ “Rereading the Signs, Empowering the Eye: Daughters of the Dust and the
Black Independent Cinema Movement” ’, Black American cinema, vol AFI film readers
1/14
University of Kent
(Routledge 1993)
Benshoff, Harry M. and Griffin, Sean, America on Film: Representing Race, Class, Gender,
and Sexuality at the Movies (Blackwell Pub 2004)
——, America on Film: Representing Race, Class, Gender, and Sexuality at the Movies
(Blackwell Pub 2004)
Berg, Charles
Rami
́
rez, Latino Images in Film: Stereotypes, Subversion, Resistance, vol Texas film and media
studies series (University of Texas Press 2002)
——, ‘Pages 14-37: Latino Images in Film: Stereotypes, Subversion, Resistance’, vol Texas
film and media studies series (University of Texas Press)
Bernardi, Daniel, Classic Hollywood, Classic Whiteness (University of Minnesota Press

2001)
——, Filming Difference: Actors, Directors, Producers, and Writers on Gender, Race, and
Sexuality in Film (University of Texas Press 2009)
Bhabba H, ‘ “The Other Question - the Stereotype and Colonial Discourse” ’ (1983) 24
Screen
T_M&C=Screen >
Bhattacharya S, ‘ “Pale Imitation- Pain and Passing in a White World Revisited” ’ (2001) 4
Bfm : black filmmaker
T_M&C=Bfm >
Bigelow, Kathryn, ‘Blue Steel’
Bihlmeyer J, ‘ “The (Un)Speakable Feminity in Mainstream Movies: Jane Campion”s The

Piano’ ’ (2005) 44 Cinema journal
Bobo Jacqueline, ‘Reading through the Text: Black Woman as Audience’, Black American
cinema, vol AFI film readers (Routledge 1993)
Bobo Jacqueline , ‘The Color Purple: Black Women as Cultural Readers’, Female
spectators: looking at film and television (Verso 1988)
Bobo J, ‘ “Reading through the Text: Black Woman as Audience” ’, Black American cinema,
vol AFI film readers (Routledge 1993)
Bobo, Jacqueline, Black Women as Cultural Readers, vol Film and culture series (Columbia
University Press 1995)
2/14
University of Kent
——, Black Women as Cultural Readers, vol Film and culture series (Columbia University
Press 1995)
Bould, Mark, The Cinema of John Sayles: Lone Star, vol Directors’ cuts (Wallflower Press
2009)
Brody JD, ‘ “Boyz Do Cry: Screening History”s White Lies’ ’ (2002) 43 Screen 91
T_M&C= Screen>
Butler CB, ‘The Color Purple Controversy: Black Woman Spectatorship’ (1991) 13 Wide
angle : a film quarterly of theory, criticism and practice
T_M&C=Wide angle : a film quarterly of theory, criticism and practice>
Cameron, James, ‘Avatar’
Campion, Jane, ‘Jane Campion: Three Short Films’
——, ‘The Piano’
Codell, Julie F., Genre, Gender, Race, and World Cinema (Blackwell Pub 2007)
Cohan Steven , ‘“Censorship and Narrative Indeterminacy in Basic Instinct: ‘You Won’t
Learn Anything From Me I Don”t Want You to Know’ ’, Contemporary Hollywood cinema
(Routledge 1998)
Cook P, ‘The Woman’s Picture from Outrage to Blue Steel’, Contemporary Hollywood
cinema (Routledge 1998)
Cooper, Merian C. and Schoedsack, Ernest B., ‘King Kong’
Cottingham, Laura, Fear Eats the Soul (Angst Essen Seele Auf), vol BFI film classics (BFI
2005)
Courtney, Susan, Hollywood Fantasies of Miscegenation: Spectacular Narratives of Gender

and Race, 1903-1967 (Princeton University Press 2005)
Cowie E, ‘Women Representation and the Image’, The Screen Education reader: cinema,
television, culture (Macmillan 1993)
Cowie, Elizabeth, ‘Chapter 5 from Representing the Woman: Cinema and Psychoanalysis’,
Representing the woman: cinema and psychoanalysis (Macmillan 1997)
——, ‘“Fantasia”’, Representing the woman: cinema and psychoanalysis (Macmillan 1997)
——, Representing the Woman: Cinema and Psychoanalysis (Macmillan 1997)
Dabashi, Hamid, Dreams of a Nation: [on Palestinian Cinema] (Verso 2006)
3/14
University of Kent
Dapkus J, ‘ “Antithetical Quests for Self-Actualization in Jane Campion”s Film The Piano and
Henry James’s Novel The Portrait of a Lady' ’ (1997) 25 Film quarterly 177
T_M&C=Film quarterly >
Dash, Julie, ‘Illusions’
——, ‘Illusions’
——, ‘Daughters of the Dust’
——, Daughters of the Dust: The Making of an African American Woman’s Film (New Press
1992)
Davies, Jude, Smith, Carol R. and British Association for American Studies, Gender,
Ethnicity and Sexuality in Contemporary American Film, vol BAAS paperbacks (Keele
De Lauretis, T., ‘“Desire in Narrative” ’, Alice doesn’t: feminism, semantics, cinema

(Indiana UP 1984)
Dearden, Basil, ‘Sapphire’
——, ‘Sapphire’
Deleyto Celestino , ‘ “The Margins of Pleasure: Female Monstrosity and Male Paranoia” ’
(1997) 21 Film criticism 20
T_M&C=Film criticism >
Diawara, Manthia, ‘ “Reading through the Text: Black Woman as Audience”’, Black
American cinema, vol AFI film readers (Routledge 1993)
——, ‘ “Reading through the Text: Black Woman as Audience” ’, Black American cinema,
vol AFI film readers (Routledge 1993)
——, ‘ “Space and Identity” ’, Black American cinema, vol AFI film readers (Routledge
1993)
——, Black American Cinema, vol AFI film readers (Routledge 1993)
——, ‘Black Spectatorship: Problems of Identification and Resistance’, Black American

cinema, vol AFI film readers (Routledge 1993)
Doane, Mary Ann, ‘ Chapter 11: Dark Continents: Epistemologies of Racial and Sexual
Difference in Psychoanalysis and the Cinema’ ’, Femmes fatales: feminism, film theory,
psychoanalysis (Routledge 1991)
——, ‘ Dark Continents: Epistemologies of Racial and Sexual Difference in Psychoanalysis

and the Cinema’ ’, Femmes fatales: feminism, film theory, psychoanalysis (Routledge
1991)
4/14
University of Kent
——, ‘Dark Continents: Epistemologies of Racial and Sexual Difference in Psychoanalysis

and the Cinema’, Femmes fatales: feminism, film theory, psychoanalysis (Routledge 1991)
Dyer R, ‘ ’White’ (1988) 29 Screen
——, ‘ “Four Films of Lana Turner” ’ 25 Movie

T_M&C=Movie >
Dyer, Richard, White (Routledge 1997)
Dyer, Richard and British Film Institute, Seven, vol BFI modern classics (British Film
Institute 1999)
Dyson L, ‘ “The Return of the Repressed? Whiteness, Feminity and Colonialism in The
Piano” ’ (1995) 36 Screen
Elsaesser, Thomas, Fassbinder’s Germany: History, Identity, Subject, vol Film culture in
transition (Amsterdam University P 1996)
Erhart J, ‘ “Memoryscapes: Daughters of the Dust” ’ (1996) 38 Camera obscura

<http://df7sm3xp4s.search.serialssolutions.com/?C=Camera obscura
&s=AC_T_M&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10>
Falcon R, ‘ Sight and Sound ’ 12

T_M&C=Sight and sound >
Fanon, F., Black Skin, White Masks (Paladin 1970)
Fassbinder, Rainer Werner, ‘Fear Eats the Soul’
——, The Anarchy of the Imagination: Interviews, Essays, Notes, vol PAJ books (Johns
Hopkins University Press 1992)
Fincher, David, ‘Seven’
Fischer L, ‘ “Lifestyles of the Rich and Famous: Imitation of Life” ’ (1991) 10 Post script 26
T_M&C=Post script >
Flitterman-Lewis, Sandy, ‘Introduction from To Desire Differently: Feminism and the French
Cinema’, To desire differently: feminism and the French cinema (Columbia University Press
1996)
Ford, John, ‘Fort Apache’
——, ‘Seven Women’
Franklin J, ‘ “Method and Message: Forms of Communication in Fassbinder”s Fear Eats the
5/14
University of Kent
Soul/ Angst Essen Seele Auf’ ’ (1979) 7 Film quarterly

T_M&C=Film quarterly>
Fuller, Samuel, ‘White Dog’
Gabbard, Krin, Black Magic: White Hollywood and African American Culture (Rutgers
Gallagher T, ‘ “White, Douglas Sirk” ’ (1998) 34 Film comment

T_M&C=Film comment >
Gertz, Nurith and Khleifi, George, Palestinian Cinema: Landscape, Trauma and Memory
(Edinburgh University Press 2008)
Gibson-Hudson C, ‘ ’The Ties That Bind: Cinematic Representations by Black Women

Filmma’ 15 Quarterly review of film and video
T_M&C=Quarterly review of film and video >
Giles, Jane and British Film Institute, The Crying Game, vol BFI modern classics (British Film
Institute 1997)
Gillet S, ‘ “Lips and Fingers: Jane Campion”s The Piano’ ’ (1995) 36 Screen
Gooding-Williams R, ‘Black Cupids, White Desires- Reading the Representations of Racial

Difference in Casablanca and Ghost ’, Philosophy and film (Routledge 1995)
Grant, B K., Planks of Reason: Essays on the Horror Film; Ed B K Grant (Scarecrow Press
1984)
Griffith, D. W. and Lanchberry, John, ‘The Birth of a Nation’
Grist L, ‘ It’s Only a Piece of Meat': Gender Ambiguity, Sexuality and Politics in The Crying
Game and M. Butterfly' ’ (2003) 42 Cinema journal 3
Guerrero, Ed, Framing Blackness: The African American Image in Film, vol Culture and the
moving image (Temple University Press 1993)
Gull R, ‘ “The Crying Game and the Destabilisation of Masculinity” ’ (1996) 3 Film and
philosophy 176
T_M&C=Film and philosophy >
Gunning, Tom, ‘Theory and History: Narrative Discourse and the Narrator System’, D.W.
Griffith and the origins of American narrative film: the early years at Biograph (University
of Illinois Press 1991)
6/14
University of Kent
Haggis, Paul, ‘Crash’
Halberstam J, ‘ “Boys Don”t Cry Debate: The Transgender Gaze’ ’ (2001) 42 Screen 294
T_M&C= Screen>
Handler K, ‘ “Sexing the Crying Game” ’ (1994) 47 Film quarterly

Hartsough D, ‘ “Cine-Feminism Renegotiated: Fassbinder”s Ali: Fear Eats the S’ (1990) 12

Wide angle 18
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Haynes T, ‘ “Personal Pick: Ali Fear Eats The Soul” ’ (1992) 5 Premiere
Haynes, Todd, ‘Far from Heaven’
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Hill, John and Gibson, Pamela Church, ‘ “Film and the Postmodern” ’, The Oxford guide to
film studies (Oxford University Press 1998)
Hitchcock, Alfred, ‘Vertigo’
Holmlund Chris , ‘Cruisin’ for a Brusin': Hollywood's Deadly (Lesbian) Dolls' ’ (1994) 34
Cinema journal 31
Holmlund, Chris, ‘Cruisin’ for a Brusin': Hollywood's Deadly (Lesbian) Dolls' ’, Impossible
bodies: feminity and masculinity at the movies, vol Comedia (Routledge 2002)
Hooks, Bell, Outlaw Culture: Resisting Representations (Routledge 1994)
Hsu H. L., ‘Racial Privacy, the L. A. Ensemble Film, and Paul Haggise’s Crash’ (2006) 31
Film criticism <http://df7sm3xp4s.search.serialssolutions.com/?C=Film criticism
&s=AC_T_B&V=1.0&L=DF7SM3XP4S&submit=Find&C=&S=SC&N=10>
Humm, Maggie, ‘ “Black Film Theory, Black Feminisms” ’, Feminism and film (Edinburgh UP
1997)
——, Feminism and Film (Indiana UP 1997)
International Association for Audio-Visual Media in Research and Education , ‘Pages

367-376: Historical Journal of Film, Radio and Television ’ (1994) 14 Historical journal of
film, radio and television 367
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7/14
University of Kent
_A&C=Historical journal of film, radio and television >
Ise D, ‘“Private View: Dizzying Blondes” ’ (2002) 12 Sight and sound

James N, ‘“Interview with Todd Haynes” ’ (2003) 13 Sight and sound 14

Jayamanne, Laleen, ‘ “Postcolonial Gothic: The Narcisistic Wound of Jane Campion”s The
Piano’ ’, Toward cinema and its double: cross-cultural mimesis, vol Arts and politics of the
everyday (Indiana University Press 2001)
Jordan, Neil, ‘The Crying Game’
K.A. A, ‘ “No Bad Nigger”: Blacks as the Ethical Principle in the Movies’, Media spectacles
(Routledge 1993)
Kaplan, E. Ann, Motherhood and Representation: The Mother in Popular Culture and
Melodrama (Routledge 1992)
——, ‘ “Healing Imperialized Eyes: Independent Women Filmmakes and the Look” ’,
Looking for the other: feminism, film, and the imperial gaze (Routledge 1997)
——, ‘ “Healing Imperialized Eyes: Independent Women Filmmakes and the Look” ’,
Looking for the other: feminism, film, and the imperial gaze (Routledge 1997)
Kazan, Elia, ‘Pinky’
——, ‘Pinky’
Keesey D, ‘ “They Kill for Love: Defining the Erotic Thriller as a Film Genre” ’ (2001) 56
CineAction: a magazine of radical film criticism 56, 44-53 44
Knight, Arthur, Disintegrating the Musical : Black Performance and American Musical Film
(Duke University Press 2002)
Kobena Mercer, Black Film, British Cinema (ICA Documents) (Institute of Contemporary
Arts)
Kuhn, Annette, Women’s Pictures: Feminism and Cinema (Verso 1994)
Kydd E, ‘ “The Ineffaceable Curse of Cain: Racial Marking and Embodiment in Pinky” ’
(2000) 15 Camera obscura
T_M&C=Camera obscura >
Lang, Robert, The Birth of a Nation: D.W. Griffith, Director, vol Rutgers films in print
(Rutgers University Press 1994)
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University of Kent
Laurie S, ‘ “Performing in Disguise: Ideology and the Denaturalization of Identity in Theory

and The Crying Game” ’ (1999) 43 Velvet light trap: review of cinema 51
T_M&C=Velvet light trap>
Lehman, Peter, Masculinity: Bodies, Movies, Culture, vol AFI film readers (Routledge 2001)
Lippard, Lucy R., Mixed Blessings: New Art in a Multicultural America (New Press 2000)
——, Mixed Blessings: New Art in a Multicultural America (New Press 2000)
Lott E, ‘ “White Like Me: Racial Cross-Dressing and the Construction of American
Whiteness” ’, Cultures of United States imperialism, vol New Americanists (Duke University
Press 1993)
Magowan K, ‘ “Blood Only Means What You Let It” ’ (2003) 57 Film quarterly 20
Margolis, Harriet Elaine, Jane Campion’s The Piano, vol Cambridge University Press film
handbooks series (Cambridge University Press 2000)
Mayne, Judith, Cinema and Spectatorship, vol Sightlines (Routledge 1993)
——, ‘“The Subject of Spectatorship” ’, Cinema and spectatorship, vol Sightlines

(Routledge 1993)
McCabe, Janet, Feminist Film Studies: Writing the Woman into Cinema (Wallflower 2004)
McGee, Patrick, ‘Chapter 3 of Cinema, Theory, and Political Responsibility in Contemporary

Culture’, Cinema, theory, and political responsibility in contemporary culture, vols
Literature, culture, theory (Cambridge University Press 1997)
McGlothlin E, ‘ “Speaking the ‘Mind’s Voice” : Doible Discursivity in Jane Campion’s The
Piano' ’ (2004) 23 Post script
T_M&C=Post script >
Middleton J. I., ‘Talking About Race and Whiteness in Crash’ (2007) 69 College English
T_M&C=College english>
Modleski, Tania, ‘Chapter 6: Feminity by Design: Vertigo’, The women who knew too much:
Hitchcock and feminist theory (Methuen 1988)
Morris, Chris, ‘Four Lions’
Mulvey Laura , ‘ “Visual Pleasure and Narrative Cinema” ’ (1977) 16 Screen
Mulvey, Laura, ‘ “Fassbinder and Sirk” ’, Visual and other pleasures, vols Language,
9/14
University of Kent
discourse, society (Macmillan 1989)
——, ‘Visual Pleasure and Narrative Cinema’, Visual and other pleasures, vols Language,
discourse, society (Macmillan 1989)
Negra, Diane, Off-White Hollywood: American Culture and Ethnic Female Stardom
(Routledge 2001)
Nishime L, ‘ “The Mulatto Cyborg: Imagining a Multiracial Future” ’ (2005) 44 Cinema

journal 34
Oliver, Kelly and Trigo, Benigno, ‘Mad about Noir’, Noir anxiety (University of Minnesota
Press 2003)
‘Pages 193-205: Screen’ (1996) 37 Screen 193
‘Pages 20-42: Film Criticism ’ (1997) 23 Film criticism 20

‘Pages 31-39: Jump Cut’ (1994) 39 Jump cut 31

T_M&C=Jump cut>
‘Pages 64-72: CineAction: A Magazine of Radical Film Criticism’ (1995) 38 CineAction: a

magazine of radical film criticism 64
Paterson S, ‘ “Fassbinder”s Ali: Fear Eats the Soul and the Expropriation of a National
“Heim”’ ’ (1999) 18 Post script 46
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Peirce, Kimberly, ‘Boys Don’t Cry’
——, ‘Boys Don’t Cry’
Pidduck J, ‘ “The 1990s Hollywood Fatal Femme: (Dis)Figuring Feminism” ’ (1995) 38

CineAction: a magazine of radical film criticism 64
——, ‘ “Boys Don”t Cry Debate: Risk and Queer Spectatorship’ ’ (2001) 42 Screen 97
Polan, Dana B. and British Film Institute, Jane Campion, vol World directors series (British
Film Institute 2001)
Rafelson, Bob, ‘Black Widow’
Rigney Melissa, ‘ “Brandon Goes to Hollywood: B” ’ (2003) 28 Film criticism 4

10/14
University of Kent
Rocchio, Vincent F., Reel Racism: Confronting Hollywood’s Construction of Afro-American

Culture, vol Thinking through cinema (Westview Press 2000)
Rony, Fatimah Tobing, ‘King Kong and the Monster in Ethnographic Film’, The third eye:
race, cinema, and ethnographic spectacle (Duke University Press 1996)
Sayles J, ‘“Lonestar Script” ’
Sayles, John, ‘Lone Star’
Sayles, John and Smith, Gavin, Sayles on Sayles (Faber and Faber 1998)
Scherr R, ‘ (Not) Queering “White Vision” in Far From Heaven and Transamerica’ ’ (2008)
50 Jump cut
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Scott, Ridley, ‘Thelma and Louise’
Simpson, Mark, Male Impersonators: Men Performing Masculinity (Cassell 1994)
Singer, Ben, ‘Meaning of Melodrama’, Melodrama and modernity: early sensational cinema
and its contexts, vol Film and culture (Columbia University Press 2001)
Sirk, Douglas, ‘All That Heaven Allows’
Sirk, Douglas and Hurst, Fannie, ‘Imitation of Life’
Smelik, Anneke, And the Mirror Cracked: Feminist Cinema and Film Theory (St Martin’s
1998)
Smith, Valerie, Not Just Race, Not Just Gender: Black Feminist Readings (Routledge 1998)
Snead J, ‘Spectatorship and Capture in King Kong: The Guilty Look’ (1991) 33 Critical
quarterly
T_M&C=Critical quarterly >
Snead, James A., MacCabe, Colin and West, Cornel, White Screens, Black Images:
Hollywood from the Dark Side (Routledge 1994)
——, White Screens, Black Images: Hollywood from the Dark Side (Routledge 1994)
Spielberg, Steven, ‘The Color Purple’
——, ‘Munich’
Stahl, John M, Sirk, Douglas and Hurst, Fannie, ‘Imitation of Life: Two Movie Collection :
[1934 and 1959 Films]’
——, ‘Imitation of Life: Two Movie Collection : [1934 and 1959 Films]’
11/14
University of Kent
Stam R, ‘From Stereotype to Discourse: Methodological Reflexions on Racism in the Media’

(1993) 32 CineAction: a magazine of radical film criticism
——, ‘Stereotype, Realism, and the Struggle over Representation’, Unthinking

Eurocentrism: multiculturalism and the media, vol Sightlines (Routledge 1994)
Stewart, Jacqueline Najuma, Migrating to the Movies: Cinema and Black Urban Modernity
(University of California Press 2005)
Strain, Ellen and VanHoosier-Carey, Gregory, ‘Griffith in Context: A Multimedia Exploration

of The Birth of a Nation’
Sultze K, ‘ “Rewriting the West as Multi-Cultural: Legend Meets Complex Histories in La

Frontera in John Sayles” ’ (2003) 33 Film & history
T_M&C=Film & history >
Tarr C, ‘ “Sapphire, Darling and the Boundaries of Permitted Pleasure” ’ (1985) 26 Screen
34
T_M&C=Screen >
Tasker, Yvonne, Action and Adventure Cinema (Routledge 2004)
Taylor C, ‘The Re-Birth of the Aesthetic in Cinema’ (1991) 13 Wide Angle: a film quarterly
of theory, criticism and practice
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_A&C=wide angle>
Thomas A, ‘ ’Gendered (dis)pleasures: Basic Instinct and Female Viewers’ (1999) 2 Journal
of popular British cinema 4
T_M&C=Journal of popular British cinema >
Thornham, Sue, ‘ “Rereading Difference(s) 2: Race, Representation and Feminist Theory” ’,

Passionate detachments: an introduction to feminist film theory (Arnold 1997)
——, ‘ “Rereading Difference(s) 2: Race, Representation and Feminist Theory and Female
Spectators” ’, Passionate detachments: an introduction to feminist film theory (Arnold
1997)
——, ‘ ’Postmodern Scepticisms’, Passionate detachments: an introduction to feminist film

theory (Arnold 1997)
——, Passionate Detachments: An Introduction to Feminist Film Theory (Arnold 1997)
University of Warwick Arts Federation, ‘Interview with Samuel Fuller Discussing White Dog’
(1984) 19 Framework: the journal of cinema and media
Verhoeven, Paul, ‘Basic Instinct’
12/14
University of Kent
Vidor, Charles and Bergman, Ingmar, ‘Gilda’
Von Sternberg, Josef, ‘Morocco’
——, ‘Blonde Venus’
Watkins, S. Craig, Representing: Hip Hop Culture and the Production of Black Cinema
(University of Chicago Press 1998)
Weiner, Matthew, ‘Mad Men Season One’
West J and West D, ‘ “Borders and Boundaries: An Interview with John Sayles” ’ (1996) 22
Cinéaste 14
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White P, ‘ “Boys Don”t Cry Debate: Girls Still Cry’ (2001) 42 ‘The class character of Boys
Don’t Cry’ 217
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(University of California Press 1998)
Williams, Linda, ‘Anti-Tom and The Birth of a Nation’, Playing the race card: melodramas of
Black and white from Uncle Tom to O.J. Simpson (Princeton University Press 2001)
——, Playing the Race Card: Melodramas of Black and White from Uncle Tom to O.J.
Simpson (Princeton University Press 2001)
——, ‘The American Melodramatic Mode’, Playing the race card: melodramas of Black and
white from Uncle Tom to O.J. Simpson (Princeton University Press 2001)
Williams, Linda Ruth, ‘Chapter 3 from The Erotic Thriller in Contemporary Cinema’, The
erotic thriller in contemporary cinema (Edinburgh University Press 2005)
Willis, Sharon, High Contrast: Race and Gender in Contemporary Hollywood Film (Duke
Woodward K, ‘ ’European Anti-Melodrama: Godard, Truffaut, and Fassbinde’, Imitations of

life: a reader on film and television melodrama, vol Contemporary film and television
series (Wayne State University Press 1991)
Young, Lola, ‘ “Miscegenation and the Perils of Passin” in Young, Lola 1951’, Fear of the
dark: ‘race’, gender, and sexuality in the cinema, vols Gender, racism, ethnicity (Routledge
1996)
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——, ‘Chapter 2: Notes on the Discourse of Race’, Fear of the dark: ‘race’, gender, and
sexuality in the cinema, vols Gender, racism, ethnicity (Routledge 1996)
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University of Kent
——, Fear of the Dark: ‘Race’, Gender, and Sexuality in the Cinema, vols Gender, racism,
ethnicity (Routledge 1996)
Zilliax A, ‘ “The Scorpion and the Frog: Agency and Identity in Neil Jordan”s The Crying
Game’ ’ (1996) 35 Camera obscura
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11/15/16 Cinema and Difference: Film and the Social Construction of Images |

Cinema and Difference: Film and the View Online

‘ Film Index International ’

‘ Pages 21-24: Cinema Journal’ (1987) 26 Cinema journal 21

‘ Pages 25-28: Jump Cut’ (1986) 32 Jump cut 25

‘ Pages 275-281: Screen’ (1997) 37 Screen

Aaron M, ‘ “Boys Don”t Cry Debate: Pass/fail’ ’ (2001) 42 Screen 92

Abu-Assad, Hany, ‘Paradise Now’

Ai-yu Niu Greta , ‘“Womanliness as a Masquerade and Imitation of Life” ’ (2005) 22

Arzner, Dorothy, ‘Christopher Strong’

Bernardi, Daniel, Classic Hollywood, Classic Whiteness (University of Minnesota Press

Bigelow, Kathryn, ‘Blue Steel’

Bihlmeyer J, ‘ “The (Un)Speakable Feminity in Mainstream Movies: Jane Campion”s The

Cameron, James, ‘Avatar’

Campion, Jane, ‘Jane Campion: Three Short Films’

——, ‘The Piano’

Cooper, Merian C. and Schoedsack, Ernest B., ‘King Kong’

Courtney, Susan, Hollywood Fantasies of Miscegenation: Spectacular Narratives of Gender

——, Representing the Woman: Cinema and Psychoanalysis (Macmillan 1997)

Dabashi, Hamid, Dreams of a Nation: [on Palestinian Cinema] (Verso 2006)

Dash, Julie, ‘Illusions’

——, ‘Daughters of the Dust’

De Lauretis, T., ‘“Desire in Narrative” ’, Alice doesn’t: feminism, semantics, cinema

Dearden, Basil, ‘Sapphire’

——, ‘Black Spectatorship: Problems of Identification and Resistance’, Black American

——, ‘ Dark Continents: Epistemologies of Racial and Sexual Difference in Psychoanalysis

——, ‘Dark Continents: Epistemologies of Racial and Sexual Difference in Psychoanalysis

Dyer R, ‘ ’White’ (1988) 29 Screen

——, ‘ “Four Films of Lana Turner” ’ 25 Movie

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