Beruflich Dokumente
Kultur Dokumente
“The Scientist”
Ashley Ockler
7/10/18
For me, I found this project extremely challenging. Ever since I was small, I’ve loved making
art. My earliest works were usually free-handed pencil drawings of cartoons or Pokemon cards,
drawn to much larger scale than its original was drawn to. When I started high school, I began
exploring oil painting and grew to love it more than any other medium I’d tried. After
graduation, I was finally brave enough to try watercolor and it is now my medium of choice. All
my life I’ve practiced art in the traditional mediums typically found in our mainstream school
systems; drawing, ceramics, painting and photography. And so, this project challenged every
creative bone in my body, as I came to realize that none of these mediums could be utilized in
producing my sculpture. I was in the dark for the first time in a long time, while I tried to create a
piece of art to my liking. It was hard at first, but I dealt with this issue by changing my state of
In my original thought process, I had wanted to use more naturalistic elements such as leaves,
branches, flowers, pinecones, etc. I originally created what I thought looked exactly like a
chicken (which was my intention) out of iceberg shrubs, aspen leaves, a corn cob, a pink rose, a
pinecone, a butternut squash and the atlas bone of a cow. As I took pictures and showed the piece
to my family, I realized I was the only one who saw it for what it truly was. I learned that the
problem with using “fresh” and natural items in art, is that it eventually loses integrity and wilts
into something unrecognizable. I’d also created the sculpture from a bird’s-eye-view (no pun
intended), the only view that my intended audience (you) would not be seeing the sculpture
from. The idea I’d started with, had become lost in translation and I decided I needed to start
human figure, and use much more stable ingredients such as metal, rubber, and plastic. As I
gathered supplies from the neighborhood I live in, I began to picture in my mind, the exact
design I would use for my sculpture. As I found items, I examined their shapes and imagined
their playabilities as I decided whether or not they would help me achieve my idea. My design
finalized itself in my imagination, only after I’d collected my intended items. Once I had all the
supplies I believed I’d need to assemble my sculpture, I began by using pliers and rubber gloves
to handle and shape the chicken wire I’d found. I decided the gender of my human would be
male, as I was making him out of man-made products. These items also played a role in the
I first started with the legs, as I was concerned most about creating a stable base for my sculpture
to support itself on. Once I’d created a flat base, I started to mold the legs but cutting the wire
and bending it together to create two, tower-like shapes. The abdomen had molded into a nice
little pot belly shape while making the legs, and so I then added a little bit of hip definition to the
sides of the man. For the arms, I knew I wanted to use utensils and so for the right arm I curved a
large metal spoon in such a way that it would rest on the hip, while the left arm was a metal fork
molded into a thumbs-up. For the face I wanted this man to be kind and welcoming, so I chose
large golden bolts with small silver screws slipped inside for his eyes to portray that bright-
encouragement and positivity. For the mouth I wanted to use something flesh-like and malleable,
so I chose a popped pink balloon that would make smiling lips on my sculpture’s face. Small
silver bolts at each end of his balloon lip line, serve as dimples. I then used the handle of a bottle
washer for a long and wise-looking nose. I wanted to further illustrate my subject’s identity by
giving him a white mustache made of white bristles, which had been taken off the bottle washer,
to indicate that he was later in years. I then finished my sculpture’s ensemble with the top of the
bottle washer consisting of a blue sponge in the shape of an “X”, placed under his chin, to make
a bow-tie of sorts, while adding a square-shaped metal teaspoon measurer over his left breast, as
a pocket protector. Once I’d had a moment to stand back and take in the sculpture’s attitude, I
decided to name it, “The Scientist”. This was mostly inspired by the fact that I’d used common
scientific elements to create my figure but also by the “outfit” I’d given my character. I kept
hearing a catch-phrase in my mind to explain his personality and it went something like,
“Although his pocket-protector only holds one teaspoon, the heart behind it has megatons of
love”.
As I before mentioned, the challenges of this project were many for me. I have been trained to
use traditional art mediums whenever I channel my creativity and so having to scavenge for
supplies that would ultimately be combined in an abstract way to create a mundane character of
the natural world, was completely foreign to me. Finding objects that possessed the shapes I
needed was quite the challenge, but I enjoyed expanding my horizons by trying something
completely new. Although I had to dig deep at times to see the ways in which a certain item
could aid in completing my sculpture, I came out on the other side with a new perspective of
items we may label as “junk” in our world. I marveled at the way in which such rudimentary
items could be brought together to create something that not only made sense but had a
personality. Although I may have suffered a few blood blisters and scrapes, I liked the process of