1 Above Suspicion 49 Didn’t Mean To 96 Hungry for Fire (Social

2 Aeros Love 50 Discipline 97 Debate)

3 Afternoon of Life 51 Disconnected 98 I Can’t Breathe
4 Anastasia 52 Don’t Burn My Picture 99 I Did
5 All About Love 53 Don’t Crash My Car 100 I Love this Girl
6 All Your Love 54 Don’t Cut off My Head 101 I Won’t
7 Angry at Love 55 Don’t Erase Me from Your 102 If You Go Out
8 Animal Kingdom (Life) 56 Heart 103 If You Say Yes
9 Armored Star 57 Don’t Say Goodbye 104 I’m Going Out
10 Atlantic City 58 Don’t Touch the Fire 105 In Your Head
11 Baby be Mine 59 Double Trouble 106 Indiana
12 Be With Me Tonight 60 Ease Your Pain 107 Iron Gates
13 Bedclothes 61 Easy Action 108 Island Earth
14 Behind these Bars 62 Egg-ball 109 Jealous Girl
15 Best of You 63 Every Doorway 110 Jet Black
16 Birthday Party 64 Evil Mood 111 Jet Set
17 Bitch (Twitch) 65 Faces of Love 112 Julia’s Painting
18 Black Leather Girl 66 Falling in Love 113 King fish
19 Black Widow 67 Feeling of Love 114 Kiss and Kill
20 Blemished 68 Fireflier 115 Kiss Me in the Cage
21 Blood on the Bars 69 Fire-power 116 Last Time’s Enough
22 Blood Sun and Earth 70 Fly by Night 117 Liberate Me
23 Blue Romance 71 Flying Deeper into the Sky 118 Like a Movie
24 Blue Rumors 72 Flying Lower 119 Like it or Not
25 Boston Beans (Brown 73 Foreign Girl 120 Little Viper
26 Dog) 74 Fortunes of the Dead 121 Look what they’re Doing
27 Boy Meets Girl 75 Fountains of Youth 122 Lotta Nerve
28 Brainwashed 76 Fourth Rite 123 Loud Dreams
29 Broadway Showboat 77 Freezing 124 Love and a Stranger
30 Broken Arm 78 Get Lost 125 Love and War
31 Chasing Rainbows 79 Get Rescued 126 Love Has to Stray
32 Circle of Danger 80 Give me a Ticket 127 Love Headache
33 Cold Hearted 81 Gloria 128 Love Liar (1)
34 Color My World 82 Great Wall 129 Love Liar (2)
35 Conscience 83 Gypsy Baby 130 Love Sick Jazz
36 Consequences 84 Hard to Get 131 Love Systems
37 Council of Nine 85 Harder to Run 132 Love-a-phobia
38 Court of Lies 86 Having a Talk 133 Lovers and Others
39 Cross My Heart 87 Hear the Words 134 Love’s Me Not
40 Crossing a Line 88 Heartache Train 135 Lucky
41 Cry Wolf 89 Heart in Chains 136 Lust (What’s in a Word)
42 Dancing on Your Grave 90 Heartache City 137 Mad Marie
43 Dayglow 91 Here and Now 138 Method to Madness
44 Days of the Week 92 Hero’s 139 Miss Understanding
45 Dead End Street 93 Hold Out 140 Modern Man
46 Death Dance 94 Hour by Hour 141 More Life
47 Death Trap 95 How Wild is the World 142 Mudhouse Blues
48 Deep in the Eyes 143 Murder in Monte Carlo
144 My Shadow 192 San’s Your Love 240 Until the Last Day
145 My Valentine 193 Secret Season 241 Victims of Society
146 Name Your Poison 194 Selfish 242 Waco Song
147 Nervous for You 195 Sexy Roulette 243 Waiting for Midnight
148 Never End 196 She Calls Me to Heaven 244 Walls of Sound
149 Never Say Thank You 197 She’s a Handy 245 War Machines
150 New World 198 Sheiks of Manhattan 246 Way We Think
151 New York Shy 199 Shout for Release 247 When it Comes to Love
152 Nights of Fury 200 Sick in the Head 248 Wicked Child
153 Nine o clock Train 201 Silent Night 249 Witchunt
154 No Emotion 202 Skin Deep 250 Women’s Shoe
155 North November Winds 203 Some Other Time 251 Wounds of Love
156 Not of this World 204 Something on Me 252 Write it in Blood
157 Not Sorry 205 South of the Boarder 253 Xavier
158 Oh Cindy 206 Spirits of Egypt 254 Your World
159 Oh Crimson 207 Sport Fishing 255
160 Oh India (Oh Israel) 208 Stacey of Her River 256
161 Old San Juan 209 Stairways of Desire 257
162 On My Way 210 Star Crossed Lovers 258
163 One Door (Every 211 Sticks and Stones 259
164 Doorway) 212 Stop by go By 260
165 One Other Girl 213 Strong Walks a Man 261
166 One Thursday 214 Sultry Boyz 262
167 Oneway Man 215 Sunset Killers 263
168 Only Words 216 Switchblade Billy 264
169 Other Side 217 Talk of the Town 265
170 Other Side (02) 218 Talk to Me 266
171 Paris Winter 219 Tarnished Angel 267
172 Part of Me 220 Tell Me Again 268
173 Party Shoes 221 The Alligators of Florida 269
174 Perfect Chance 222 The Court of Laws 270
175 Perfect World 223 The Inca Song 271 INDEX THAT OF
176 Persecuted 224 The Puzzle 272 SACP AD REG@ MAT
177 Point Blank 225 There’s Oil 273 Steve Arroyo
178 Police Your Heart 226 These Freeways 274 AKA
179 Portrait of a Rebel 227 Third Time’s a Charm 275 Steven Van Schofer
180 Prestige 228 This is Real 276 Compiled May 28 2016
181 Private Thoughts 229 Thousand Letters 277 From Adventures of Love
182 Pure and Simple 230 Three Shades of Red 278 Copyrighted
183 Push Me Home 231 Together 279 Compilations-
184 Puzzle 232 Trishus D. 280 Reg.@1983-2016
185 Question a People 233 Truck Driving Man 281 iamstevearroyo@gmail.co
186 Red Handed 234 True Love 282 iamantzee@gmail.com
187 Red Nights 235 Tuesday’s Lover 283 15432 Jackson St 304
188 Rembrandt in the Rain 236 Turn the Corner 284 Midway City Ca 92655
189 Rhyme and Reason 237 Two Beating Hearts
190 Ride the Carousel 238 Two Cadillac’s
191 Run Run Run 239 Underground
Above Suspicion Reg@ SACP SA Music 1987- 2016

Cruising down the road with my stereo on going to sing my song...

Brainwashed by society stone cold sobriety and nothing’s wrong./
My house use to be a tree-what does that make me?.

I was just like you, when I was young its true-

Never let them say, how we use to play, in East LA-

Never let ‘em tell you:

You’re Above Suspicion, Above Suspicion,
Above Suspicion, Above Suspicion

Cruising down the road with my radio on going to sing my song

my house used to be a tree what is that make me?

It was just a war- never promised to be more-

You were a nurse in the war, and helped me get better-

Never let them tell you you're above suspicion..

Above Suspicion, Above Suspicion-

So you want to play the part of the sultry one… I can make it..
A firm decision. Let the horses run free-

Don’t rehearse for me, just be glad to see-

That we can talk about it, your tittle tattle now
Don’t flaunt it unless you’ve got it. You can’t illuminate me-

Don’t rehearse for me, just be glad to see-

We can talk about it- your tittle tattle-
A whispering campaign- I’m kind of quadrant-
You can’t unlock my locks; I’m Greek to Greek-
I’m expertise and youth-
Bird to mouth, snake to grass,
Out of hand, in the twilight hour-
Keep it posted now, be abreast of everything
Its worth everything—everything-

Cruising down the road with my stereo on, going to sing my song.
Brainwashed by society stone cold sobriety and nothing’s wrong-

It was just a war never promised to be more-

You were a nurse in the war- and helped me get better-

So you want to play the part of the sultry one, I can make it-
A firm decision in my private chambers,
Who’s calling who a liar, who’s calling who a liar-
From a high chair, reminding me you care-
So you want to play the part of the sultry one-

When the water isn’t cold, and the icicle’s dripping’ down-
Never let them tell you- yes you are- Above suspicion,
Its hopeless hear me now-don’t come near me now-
You’re Above Suspicion, Above Suspicion,
you're hopeless hear me now, don’t come near me now-
Above suspicion yes you are.
Aero’s Love Reg @ SACP Sam SACP 2015

My dark-side, those hard lines;

on this road of survival it's do or die...

They throw stones, we break bones-

Our parents don't want us to be alone
and we’re alone so alone.

Aero’s told us to fly, higher than this world-

She calls me to heaven and I can’t turn away-
She calls me to heaven-
And I can’t change my plea-//
She calls me to heaven,
When she calls me//when she call me-

We'll hitchhike to Venus,

or be anything we want or anyone or everything;
Be my movie starlet, my Egyptian queen-
I'll be your limousine, come ride with me to our love.

Aero’s told us we could fly-higher than the world-

It’s gotta be something-worthy of praise-
Bigger than ignorance, fighting and shame-
Flying- deeper into our sky(s)

Another place:

Julius painting, her brushes are stiff and worn

doorbells are ringing, in the house of Dorian Grey,
She looks a bit closer and it has her eyes-
Tables are turning as the spirit’ comes alive-
For me and you-

In Julias Painting, ships are cruising down the river slowly

like a cast on the Nile,
In Julias Painting, your face is coming through light;
transmission from another world.

See how they run- see how they fly-

Julius painting comes alive...
In Julia’s, in Julia’s. In Julius painting:
maybe you never knew how much you meant to her;
in Julius in Julia’s’ ‘ your face is coming through light-
Transmission from another world//
A colorless vision from beyond your life-//

There were days I thought it crazy, to believewe ever were-

Life’s hard enough to question the lessons too well learned-
Humanality is an issue on the chopping block
Its military, dive into a cage of sharks-..

Aero’s told us we can fly- higher than the world-

Your husband and wives, your cowboy’s in white,
With the heat of tomorrow, the flight of the storm-
Stay a bit longer, be forewarned-

From the books they wrote to the story’s told-

Our parents don’t want us to be alone-
Afternoon of Life

Steve Arroyo Curt Phillips Reg.@ SACP SA Music 1987 - 2016

ABD
Would you still be by me—in the Afternoon of Life—
all this pain and sorrow -doesn’t mean that much to me—
if you’re not there standing by me- in the Afternoon of Life—
oh standing by me- in the Afternoon of Life—

We drive for an hour- and every song they play-

Reminds me of you in some way-
but it’s all gonna’ be alright—if you hold my hand –
and try to be with me—in the aftermath of life—

Oh—It’s not that crazy—it’s not that tough—

you got to get me a jump start—get me going-
‘we almost drive up to the edge,
then again I remember what you said-

I’m on—I’m on- I'm on it-the Afternoon of Life-

I'm on, I'm on, I'm on- the Afternoon of Life-
We're getting higher. we're getting loose-
Standing by your blues-

I don’t need this complication-

I’m too much under pressure—
It the business sense and nothing more
And nothing less and on the door-
I’m too much under pressure—
if you can’t learn—if you can’t learn,
if you can't learn a lesson—
you better go and tell the teacher—
you’ve got some gum under the table—

I'm down in Angel Town, She Dreams,

of Love and War, Love Systems, Look What they're
Doin', Loud Dreams, I'm on Location,
Nervous for You, Little Viper, Last Time's Enough-

If I appear sick and I can't be moved-set my alarm-

Get me up at the crack of---at the crack of Dawn-
If you see me walking' kind of sideways, don't pull me up--
If I appear sick, if I appear sick, if I appear sick,
don't disturb me, don't disturb me, don't disturb me--

(Extra Bridge)

On this afternoon—we go on the boats—

Let your bones out of the box-
Be egmatic-run the gambit-
Take your boss to lunch-

Oh—It’s not that crazy—it’s not that tough—

you got to get me a jump start—get me going-
my heart is getting tired-my lips are getting lose--
If you can’t tell me forever-don’t even bother—

I’m on—I’m on- I'm on it-the Afternoon of Life-

I'm on, I'm on, I'm on- the Afternoon of Life-
We're getting higher. we're getting loose-
We all will be there soon-

On the Afternoon of Life-

the Afternoon of Life-
the Afternoon of Life-
the Afternoon of Life-

A/// B/// D/// A/// (D7//// A7//// 3x-s) G// F// E////
Anastasia Reg.@ SACP S A Music 1987-2016

Words—if you want to see me die—

Just wait a minute-I’ve got a lot to do today—
Many things to keep me busy--
I’ve got to get out of my bed—
‘try to wash some dishes—
Won’t you listen-won’t you listen—

I’m lazy-but I’m busy—

I’ve got a lot ta things to do-
‘you can do them with me too
if you’d like to play the game—

‘Oh look at the busy boy—

he’s fixing the car and mowing the lawn—
hey look at that busy man going off to work—
I could have been Mr. America, but you think,
That you can marry me-

Three fingers to the east and the lady stands on my hands-

and makes me say-I’m not someone?

Look at this mockery—

don’t mock me in my mockery—
macramé—corn bread—
give a blessing to only a few-
It comes easy for you-

Everybody’s looking for a hero—

but hero’s don’t know any more than you—
and you know life ain’t fair—
for me or you-not for me or you—
yes its true not for me or you-

Mr—I’ve seen you walking—

down the river slowly, you come from the Nile—
if all those kings of Egypt couldn’t understand your plight—
how could I help you—

I’m lazy, but I'm busy- I don’t have any gas—

you know I’ll take out the trash if it will make you happy—

Here comes Anastasia,

oh Anastasia that’s where she wants to be-
Oh Anastasia won't you come-
I promise you a ring and I,
promise not to sing, out of key---

Anastasia- Anastasia- Anastasia-on the 78 bus,

going chug chug chug, on the bus stop-
won't you listen, won't you listen—

Anastasia- Anastasia- Anastasia

Out___ A6// F#m Dmaj7 A aug 7 C maj7 /

G aug 7 Bb maj7 F aug 7 A 6//
All About Love
Steve Arroyo Curt Phillips Reg.@ SACP S A Music 1987-2016

Love’s like a bloody Dino Ferrari—

they both can drive you insane—
I’d like to meet a girl sometime-
who don’t want to change her name—

Love’s death—love’s hot—love loves in vain—

I’d take a trip around the world-
if somebody would explain—

All About Love—when I’m with you—

All about Love—when I’m next to you—
All About Love—when I’m in your arms—
All About Love—when I feel your charms—

Time-passion-on a hill-side—teenage memories-

Like watching the old Humphrey Bogart movies that I see—

I shoot—I win—but can I keep it up—

or is losing-just another way of telling-
me to shut up—cause-it’s:

-All About Love--when I’m with you-

All About Love-when I'm next to you-
-All About Love-when I'm in your arm—
All About Love- When I feel your charm-
All About Love—when I’m in your heart—
All About Love—When I’m not—
When I’m all alone-
When your far from home-
(E7/ A7/ 8X-s) (G/ C/ 4X-s) (E7/ A7/ 4X-s)
(B/ D/ A//// B/ F/ A//// 4X-s) G
All Night Long Reg.@ SACP S A Music 1987- 2016

Well she'll tell your story for the fastest wheels.

Take your bet before she deals.

You want love she was fun;

you flaidle your money before she runs.

She wants out like another notch on a Cardinal gun;

She wants out but she's into deep
and she's having too much, too much fun.

Now you walk away again;

and those voices in your head.
All night long going round and round
in and out upside down.
Too much drive on the passion side,
too much hope and not enough time.
All night long going up and down,
going in and out upside down.

Too much drive on the passion side,

too much hope and not enough time-
She wants out like another notch on a burning gun;
and you can't say no, no no no-

That's what I am, wash me off if you can-

The tears on my face last call collect
I’m falling from grace,
I'm desperate and clean.

Two hours away freedom awaits

prayer for desire with platinum taste.
I've got to move more shadows and I’ll change your mind-
I've got to grab your handles on the other side-
I know I'm walking but I'm walking blind-

The tears on my face, last call collect,

I’m falling from grace, I'm desperate and lean-
Two pictures away on a moonlight cruise-
you can watch the tunes/cartoons//
in the afternoon with me.

Move the shadows see them fall,

see the pictures on my wall,
hold me tightly before I fall,
and then you know what I mean-
Walking away to another place,
over the hills and far away,
you can see them run, you can see them run-

I can trade that story in for,

A chain of gold-
Wear it around my neck-
Now your storys been told-

As we come closely now to the Last Supper...

Well she'll tell your story for the fastest wheels,

she'll take your bet before she deals.
All night long going in and out and upside down;
too much drive on the passion side—
All Your Love Reg. @ SACP S A Music 1987-2016

Soft caresses in the night—let me know your near—

Moving swiftly-out of sight-gently through my ears—

All Your Love-I need you all the time-

All Your Love—you’re by my side—
All Your Love-I need you all the time-
All Your Love- All Your Love-

Enchanting the dreamers

feeling words we dream at night—
Cast away the thousand stories—
why do we fight—
It’s not that I feel that we can believe us—
we were told we could—
By the stories, the morals—
the fables of each his- we mis-understood—

All Your Love-I need you all the time-

All Your Love—you’re by my side—
All Your Love—I need you all the time—
All Your Love—All Your Love—

There’s another place you can go,

another place you can be found.
Take a look round any street you want,
tried to live up and down.
Say anything it don’t matter to me-
I won’t I won’t I won’t know;
take no chances, I won’t I won’t,

All Your Love-I need you all the time-

All Your Love—you’re by my side—
All Your Love—I need you all the time—
All Your Love—All Your Love—

Solo___

Soft caresses in the night—let me know your near—

Whisper something softly, out of sight-
gently through my ears—
It’s not that I feel that we can believe us—
we were told we could—
By the stories, the morals—
the fables of each his- we mis-understood—
All Your Love-I need you all the time-
All Your Love—you’re by my side—
All Your Love—I need you all the time—
All Your Love—All Your Love—

Solo----------Out—
A// F// C// G// F#m//// E//// D//// F////
Angry at Love Steve Arroyo –

Curt Phillips Reg.@ SACP SA Music 1987-2016

When –Bm-clouds are raining negative water-D—

your –A-voice is loud—but still drowned out—I’m-Bm-
voting for you—D-A—

Bm-Off the beaten trails we go-D—-

A-Out to find our mistress—-
Bm-whatever it –be-D—
our country tis of thee-

A-G-D-- --I’ll vote for you-A-Gadd-6-Fadd-6--- --yeah—

A--if anything you are-Bm-
I’ll be-D- happy just to-A- vote for you—
Just walk –Bm-away-inside your –D-light-
if –A-anything was ever real----

you’re a star-Bm-D-—you’re a –A-star—

you’re a star-Bm-D-A-—-
you’re a star-Bm-D-—you’re a –A-star—
you’re a star-Bm-D-A-—-

F-C-when –G-clouds are –D-raining—F-C- -negative water-

-G-D--your voice is-F- loud but –C-still drowned out—
G-I’m –D-voting for you-F-C—-E-standing by your blues—

A-Off the –Bm-beaten trails we go-D—A-out to find—

our-own-Bm- ministry—D-whatever it might be-
A—anything-Bm-D-anything you are-A—Bm-D –A-AB-G-F#-

A-Ab-Hold on—G-F#—F-I’m coming up with something—

A-hold on—-Bm-hold tight—D-ya hold on—-
A-ya hold so tight—A--hold on-Bm-D-E--hold tight—
A-make you drown, -Bm-D-you know you’re a-A- star—
‘could make you –C#m-build a –Bm-brick house—-
D-you can see that – F-C-Abraham Lincoln-G-A- -F-C—

you’re a star-G-D-—-F-C-your log cabin and brick thing—

like my negative ……black jack made me look--

G-D—F-C-such a star-a –G-D-handsome sight—

F-C- you’re a star—G-D-you’re a star—F-C--
hands of a –G-side-D- man tools of the trade,
holding my laughter-F-C—
brings a good man –E-down—Eb-D-
I-Wasn’t born of the-Bm- Jackal—D
I know left from –A-right—
in the –A-boot we’re all –Bm like a heart attack-
—at the –D-club-we all go to-A- Mexico—

Where there’s-A- always a place for –Bm-you—-

D-touched by patience—A-virtue and tears-A-Bm-D-A-
Stop by go by fly low say no-
—_F-C-G-D---
such a star—a handsome sight-F-C-G-D—F-C-G-D-F-C--E-
--there’s still a place for you –there’s still a place for you—

Two is seven, three is sixteen,

See’s candy’s is sweeter//our love is pure as heaven-
That flows from a stream-

These freeway are jamming for the weekend strong--

sit in his driveway on the-F-C twenty first day of –G-D-January
—F-C-G-D-F-C-G-D-F-C-E twenty five years till I’m out of here-

Wait for me, you gotta wait for me—

wait for me-F-C-G-D-—wait for me-F-
C-G-D--hands are beside me—
F-C-G-D-hands –F-C-are beside me-

Bm-D-Jimi shot corn and-A- I don’t care—

A-Polaroid-A--wait for me-you got to- Bm-wait for me—-
D-I’ll pawn another ticket-A- in your name—

Wait for me, you gotta wait for me—

wait for me-F-C-G-D-—wait for me-F-
C-G-D--hands are beside me—
F-C-G-D-hands –F-C-are beside me-

Wait for me, you gotta wait for me—

wait for me-F-C-G-D-—wait for me-F-
C-G-D--hands are beside me—
F-C-G-D-hands –F-C-are beside me-

E7-we’ll do a Mexican Dance—

we’re all gonna go to jail—

Out____________
Animal Life Reg @ 2015 Steve Arroyo & SACP Music SA Music

Stanza--
Transfuse this place; try to run away,
if not too far, you won't get too far,
oh the brilliant sky, I've got a cure for this world;
cold water moves you,
you know the treatment is good;
cross firing night's, all that glitters is gold-

Animal life, energizeme tonight.

Addiction comes, it’snot surprising now.

So I'm feeling; you're put to sleep;

a little ill humored; so elite.
Wager a bet on your ancestors’ story now;
the ante bodies all in the Animal Kingdom-

Get so wild; it so amusing now,

look in the archives, look at disaster-

Drop the anchor now were off

the political streets of Alaska,
walking down through the
analytical classifications
with the ambidextrous bosses, amnesia,
and the ambivalent winds of desire.

Answer your communications,

put up with your justifications,
the music is louder than we remember it used to be.

Aphrodite's, beautiful women, the goddess of love, apathy,

anxiety, your appendix has to be removed.

On and on, armored force, armored cars and divorce;

all your weapons of attack, don't push me on my back,
the ashes of falling again push them aside-

Your artificial heart is dying now;

put all your astrology's,
put off all of your dying genes-
at any rate you're gonna feel better-
take two of these-

I've got to think so fast;

I've got a way to go- underneath the overpass-
Illustrations and marmalade,
What’s to dispose of and what’s to save-

And the audio-

I'm at war with you- I'm not in love with you tonight,
it's not going to prove a difference,
you're unorthodox and you're not religious-
I've got a way with words,
I've got to play my cards so well,
I can say anything and make it
aquaint yourself with me

If I'm just a babbling brooks-

if I'm just walking the hooks-
You got a bakery, bake me a muffin real quick-

You kind of barbaric, the way you mouth that mouth-

you're kind of in service, the way you push that clout-

I've got a bear down on you, even if it takes all night,

it's all right, baby we've got all night-
You've got a bad attitude,
but it's not good make you prove your point,
its alright, that's how your garden grows.

Out_________

E7////////BB/A/G/E//E7//B//A/G/E//
B//D7//B//A/G/E7////-------------
Armored Star Reg.@ SACP S A Music 1987-2016

They summoned for an army of passive non-believers-

to prove that mission on; they move those battle lines-
If nothing but pure boredom could set their minds afire,
this can be the day---and the warnings have expired-/-
(to exist from the flames),
this can be the day and the warnings have expired-
Armored Star—Armored Star-

Unlock the shackles, overtake the castles,

denounce the answers-adhere to the standard cause-
/beware of the Armored Star

They were obsolete and sure’- desolate and pure-

Designated procurer- Beware of the Armored Star—
/we’ve already gone to far-

The decline of the family unit-

brings armies of bad luck kids-
setting off to fortune city’s,
never knowing what they’ll find-
Tuesday’s out of laughter
when they move the hands of time-
Hard luck and misfortune; Misfire ---

All good rebels fall into the lines—

All good rebels fall in to the lines—
Oh oh oh oh oh oh oh oh-

Armored Star, the walls too tall—

they can't climb over-
The walls to thick- they can't go under-
The walls too small
they always drown-

Beware of the Armored Star-

//We’ve already gone too far-

Armored Star -unlock the shackles,

over-take the castles,
denounce the answers;
beware of the Armored Star;

they were—obsolete and sure—

desolate and pure—
Designated procurer;
Beware of the Armored Star.

She was just a maiden, un hassled and unladen-

by the heat upon the day; there wasn’t much to say;--
looking 'round the corner, fearing nothing more-
the face of values change, and it’s reflecting the day;
the face of values change and its driving them away…

Armored Star -unlock the shackles, over-take the castles,

denounce the answers; beware of the Armored Star;

They were—obsolete and sure—desolate and pure—

Designated procurer; Adhere to the standard cause-.

Healing metal statue museums of the hated…….

Keep smashing every record-
of our wants and their desires-
looking 'round the corner, fearing nothing more-
the face of values change, and it’s reflecting the day;
the face of values change and its driving them away…

Armored Star-Armored Star-Armored Star-

We’ve already gone too far-

Out__
Atlantic City Reg @ 2015 Steve Arroyo & SACP Music

Atlantic City killed me with a 45,

couldn't pay my debts back to society.
Even when I rolled the 7-Eleven's on the table,
there was a blonde I ain't no James Bond.

Hello you are what I believe.

Hello you are what I conceive of you.
Hello you are what I need, hello you are

Pay my rent pretty little darling-

down the river, ‘ goin’ to Mississippi river boat, -
you can’t hang me on the roaps
you can see me from that roaming eye-
that comes from the stars and tries to look at you,
tries to look at you- tries to look at you, and say:

Got a little book in my pocket;

got a little number in my head;
try look it up again,
but I can't call you.

Got a $.25 dollar, that won't pay a nickel-

for your dollars, that won't pay a nickel for your
speeches yeah yeah yeah.

I don't want to be yelled at by you,

I do want to be entrusted anyway you do-
I could see that there's nothing left of ours –
nothing left in the stars.

Streetlights are looking down on your face,

and they show a different side of your human race-
you can't pretend that you're not from outer space,
your lady won't debate-Can you relate-

Paint my walls, with your paintbrush;

make it something kind of influential, influential.
you can see me from that roaming eye-
that comes from the stars and tries to look at you,
tries to look at you, and say:

Hello you are what I believe.

Hello you are what I conceive of you.
Hello you are what I need, hello you are…

Stuck a man on the moon flying low,

it's aloof it’s a way,
He can say how to seek the truth-

He put his cart before the horse

and turned the opposites on down,
Turned the table, turn the bluff and
Called it pigs in a blanket I can’t eat no meat-

I’m-running in clouds, I’m-I’m running in clouds,

You can see me from that roaming eye,
who ‘try to look at you-
Tried to look at you and say-

Atlantic City killed me with the 45-

couldn't pay my debts back to society,
even when I rolled the 711's on the table,
there was a blonde; I ain't no James Bond-

Hello you are what I believe,

hello you are what I conceive of you-
Hello you are what I need-
Hello you are-

Out___
Baby be Mine Reg @ 2015 Steve Arroyo & SACP Music

Waste my time; drink the Kings wine.

Put me in handcuffs, just button up your lips.

I've got a story to tell, and I'm not so well,

but I'm gonna try to make you mine.

Baby be mine, baby understand,

you've got the power, to make me a man-

Walked down the sidewalk; pick it up,

‘ya try to pick it up,
as the streetlights change from red to green-

I see the red red light,

I'm gonna gonna have to stop,
what is it mean if it's green
and that lizard is dancing on my head-
Get that lizard, it makes me kind of weird,
get that reptile- and put him in a box.

Mealworms on me, mealworms on me,

they kind of crawl crawl crawl,
they kind of itchy itchy gew;
we got this itchy itchy goo goo –
mealworms on me, mealworms on me
I'm going dancing I can eat no meat.

Bridge

Waste my time, drinking Kings wine,

put me in handcuffs, just button up your lips.
I've got a story to tell, and I'm not so well,
but I'm gonna try to make you mine.
Baby be mine, baby understand-
you got the power to make me a man.

Ad Lib Out___
Be with Me Tonight
Reg @ 2015 Steve Arroyo & SACP Music

You gotta be with me tonight, you know it's gonna be all right,
you want to be with me tonight, gonna make you feel all right.
You gotta be with me tonight, you know its gonna be alright-
Take ride r-i-d-e- r-i-d-e my position, my position is lonely-

Shoot falling star, over the hills from the years;

don't complain if it doesn't go right;
I've got an answer to anything,
but nothing I can really explain,
to you, to you.

I got a car that goes 55, gotta make it out here alive-
C’mon be with me tonight-gonna make you feel alright-
I’ve got a mission to decend upon and nothing you can do
Can hurt me-Nothing you can do can hurt me-no-
It don’t matter what we say or do-
It don’t matter what we say or do-
My position is lonely-

Take a r-i-d-e—r-i-d-e-

I talked for years when I listen;

I hear voices from the clouds,
I can describe anything you can become,
now that it's all said and done,
we can decide-you can decipher everything I say-
, it's gonna be a brand-new day,
and you know, yes you know,
we’re not heroes-lies are not everything-
On this path of easy luck-
I offer you a diamond ring-

Be with me tonight, you gotta be with me tonight,

it's gonna be all right stay with me tonight.

Ad lib Out___
Bedclothes Reg.@ SACP Steve Arroyo Curt Phillips S A Music
1987-2016Key of A minor Intro Standza
(Am-F Am6-G-C-D-A6th-D6th-C6th-Am6)

Horseshoe Patty came to me –

on a two dollar bet, on a horse called Lying C’ –
this is a story, I’m not quitesure how it goes;/
it was at a racetrack outside ofDelmar
/--Oh Oh Oh; On these walls of confusion, -
we find ourselves torn apart.//estranged

Verse 1

Well I went to a pub, where I use to go,

She can stay over all summer//she’s such a pretty girl//,
//then something blows/and nobody knows; -//

She was mine –all mine //I was thinking about us-
I asked her to go home-it wasn’t enough-

//she was mine, all mine a little Barbie dolls brain-

/I asked her to go home-again and again and again

Refrain

Meanwhile in/ to- my apartment-

we hung around and drank some more;
we’ll have tea and maybe it’s Lipton you see;
she put the tea bags in a cigarette pack-
Sometimes I’ll even fall off the track
I'd give you a dollar if you walk away,
don't turn your head and say you want me tonight;

Hey girl you hew... really got something on me,

yeah, you got something on me, something I'm me, yeah-

I like the way you talk, the funny things you'd do-
the way you color your hair, the funny dress you where-
and the way you drive, you drive so fast-
you try to pick me up hut...you try to make me laugh,

Another place; we’re dreaming -under the moon-

Feeling aligned, we’re feeling in tune-
I’ve got a lot in in common-I’ve got a line on hold-
This is what they call true love-and that ain’t all-

To my apartment we hung around and drank some more,

we’ll have tea and maybe its different you see-
She put the tea bags in a cigarette pack-
Sometimes I’ll even fall off the track
I'd give you a dollar if you walk away,
don't turn your head and say you want me tonight;

Even when there’s a sale at Sax 5th Avenue-

I guess that’s not what I really meant to say-

I'm not combative, I'm not aquatic

I'm not advantaged, I'm not ecstatic for you,
I just want to see you-

I'm not authoritative, dictating, governing,

impersonating, anyone but me,
it's not your anniversary, just your life-

To my apartment-we hung around and drank some more-

This is truly another place to be-
‘You got better things to do,
And I’m watching the telephone-
And it rings all night long-

Call the doctor, call the preacher-

Call your mother for some apple pie-
No-one home in the bellfree,
no morals or common sense-
Its so obvious to see-obvious to see-

Well I went to a pub where we use to go,

Every day I worship on your throne-
there we were on top waving by and bye;
Escaping with you mile after mile after mile-

To my apartment we hung around and drank some more;

we’ll have tea and maybe it’s different you see ;
she put the tea bags in a cigarette pack,
kind ofawkward and practiced now-
kind of inside outside upside down-

You’ve got better things to do –

‘then to talk on the telephone-
And it rings all night long-

use to ease some slack-

come up for breath-try’d to relax—
rest easy-do your best-let it down-
push it off-call it a day-

in this easy life-

You’re just passing away-
on this holiday-

Bridge
Horse shoe patty: don’t ever leave me,
I’ll be so blue, so blue over you;
I’d bet on lying C; I’d even by you that stupid,
kicking horse; have its mange
cut off and have it autographed by Reno.

Verse Solo

F/E/F Am F Am F Am G F
Am F Am// F// Am// F// Am// F// Am/ G/ F//// (repeat 4’s—out)
Behind these Bars Reg. @ Steve Arroyo and SACP Music 2015

Cry’s an ugly word, from the mouths of babes-

you convicted me I didn’t have a say:
All I ask for is another chance but I can’t prove myself-
I can’t prove myself from behind these bars.-

Went out looking for trouble,

I hope that it would come my way;
Girl of my movies, my life, my life-
Tackle my problems- keep us in line-
An open plane, I’m not afraid-

Silence cures/kills -the wounded heart, but I can’t love you-

Silence cures/kills the wounded heart, but I can’t love you

From behind these bars, behind these bars-

Vs1-

I can make amends to you, I can make amends to you;

but I can prove myself, from behind these bars.
Open those iron gates-I can hardly wait-

I can make amends to you, I can make amends to you;

but I can’t prove myself, from behind these bars.

Ad lib Out___
Best of You
Reg @ SACP 1987-2016 Steve Arroyo & Curt Phillips SA Music

You talk me badly, you talk too rough;

I’ve got my conscience., you’re not that tough-//
If that ain’t good enough-

Now you're losing me, now you're losing me,

you should be nicer to me girl.

I've got the best of you, I know it's late it's true,
you don't know what you're putting me through,
this wave of fools I don't mind-

You've got suspicions; I’ve got my name-

I don’t have enough time, to keep us both in place.
You say it's 10 o'clock, its only two--
Your love has a charming effect on me-girl-
what am I supposed to do ?

I've got the best of you - I know it's late it's true,
you don't know what you're putting me through,
this wave of fools I don't mind-

You drive me away then you say,

you drive me away then you say,
you drive me away then you say –
come closer, come on hit the gas....

You drive me away then you say,

you drive me away then you say
you drive me away and then you say,
come closer, come a bit closer...

It's not that I don't love you;

I think you really need me;
I think you really want me-
SometimesI act strange-
sometimes I act strange-
and then you drive drive me away-
come on hit the gas,

you drive me away then you say come closer,

come on hit the gas, come a bit closer-
‘you drive me away then you say-
You drive me away then you say-
You drive me away and then you say-come closer-
Come a little bit closer-
In Paris I danced, in London I played,
but always I’m dancing, dancing in the rain-
you drive me away…………ad lib Out__
Birthday Party Reg @ 2015 Steve Arroyo & SACP Music

Yeah yeah yeah we've got a celebration;

Its your birthday baby-
Yippie yay yay yea,yippie yay yay yea,-
Its your birthday baby-
Yea, yea-I've got a present for you-

It's not big, it's not small, it's not round,

it's not tall, what it is I've got a present for you-
Try to get through on this Wednesday night-afternoon-
Hey its not big as you, hey its not strong as glue-
Get a scissor, try to shape it -
Get a hammer you can’t break it-
Yea-yea-
I’ve got a present for you-

It's not big, it's not small it's not round,

Its not tall it's not how you can shape it-
shake it up,

it's got pretty wrapping on it,

pretty wrapping on it-
Any way you see it-
its not going to be what you think it is-
Yeah it's not big as you-
yeah it's not strong is glue-
what it is I've got a present for you.

Get your scissors-you can’t shape it-

get a hammer-you can't break it-
try to get through on this Wednesday night afternoon,
what it is I’ve got a present for you-

Tear the wrapper off, tear the wrapper off,

you've got to tear the wrapper off.
It looks like a present to me,
it's your birthday you see,
yeah yeah-the gifts you give to me-

Get your scissors-- get a hammer-

You can’t shape it- you can't break it-
try to get through on this Wednesday night afternoon,
Anyway you see it –it won’t be what you think it is-
And the price is for free-it's your birthday you see.
Twitch-Twitch-Twitch
Steve Arroyo-Curt Phillips-Reg@ 1987-2016 SACP

Can’t win for losing—can’t please em all—

she gets abusive—every time I call—
that’s nuts cause all I do
is sit around your doorstep—and wait for you—

When I go to love her, she’ll act so nice-

When I go to leave her Friday night-
When I buy her flowers, she’ll just say alright-
All she really wants to do is twitch-

She got a secret—she won’t tell—-

down in the shipyard-s of a wishing well-
How can we discuss this when you’re only gonna lie-
I gave her every single thing— I gave her everything-

Buy her flowers— on the hour—

some are sweet-some are sour-
Everything I did just came out wrong-
I’m a man-I got my needs—I work all day long—
All she really wants to do is twitch—

So don’t waste my time ‘

cause I don’t have much time to waste-
You can bend my ears for a while, and laugh in my face-
But don’t make me walk to long cause my legs are tired-
Maybe I should stand up for my rights-
Maybe I’d be better off without a fight-

When I go to love her she’ll act like shes—dead-

Sometimes I paint her in blue green and red

When I go to love her-she’ll act so nice—

when I go to leave her-Friday night—
when I buy her flowers she’ll just say alright—
All she really wants to do,
all she really wants to prove-
cause all she wants to do is twitch—

Dreams are for rulers—dreams are for fools—

she gets abusive—she broke the rules—

Love is not a cheap thing its worth its weight in gold-

time to time it needs some nurturing,
Call her on the phone-
She’ll take it easy on the town—
she’ll scream and yell and tell my friends, I’m not around-
that’s nuts-cause all I do—
is sit around your doorstep and wait for you—

I waited for an hour—all night long—

I waited twenty days—all night long—
I waited for your breath—I waited for your lips—
all she really wants to do is twitch-
all she really wants to prove is this-

When I go to love her she’ll let it go to the head—

sometimes I paint her in blue, green and red-
some could say it was crowded, some could say we’re aloud
-I gave her everything-

(E// D/ E/ - E// G/ E/ - E// D/ E/) (G//// F#/ F/ E/)-

/B////C////B////A////B////C////G////E
Black Leather GirlReg @ 2015 Steve Arroyo & SACP Music

You're the kind of girl, I think about every day.

You're the kind of girl, I think about in every way.

And why do you, keep making up all these lies.

I could see right through, that phony thin disguise.

Black leather girl, I need you every day,

black leather girl I need you every way-

Black leather girl can't untie your shoes-

Black Leather Girl I can make amends with you-

You think you are, a special kind of girl.

Round your neck, are some cheap shot jewelry pearls;
and why do you, keep making up all these lies;
I can see right through that phony thin disguise-

Ad libs___
Black Widow Steve Arroyo—Curt Phillips Reg.@SACP 1987-2016

Dark night-full moon—I was walking home—

‘heard a voice out of an alley that whispered—
Don’t be alone—I walked in-and she sighed—
as I fell in to her web—I was on my best
behavior and she just squeeze me tighter and said—

She kiss me like a Black Widow-can only kiss—

‘her eyes were as cold as winter-
And she kiss me like a hungry Black Widow—
‘out for the thrill, she was getting her fill-

Broke away-caught my breath—

eight legs wrapped around me again—
pulled me back into the
web-then she went for the kill—
such a passionate thrill—
paralyzed hypnotized the fine arts of love-
savored every lesson and every venomous touch-,

Whew—gimmie-gimmie-gimmie-gimmie—
Black Widow—Black Widow—

Dark night full moon—I was walking home—

‘heard a voice out of an alley that whispered—
don’t be alone—‘tried to break away—
I stayed anyway—savored every lesson-
and every- venomous touch—

And she kissed me like a Black Widow can only kiss—

if it’s a game I’ve crowned a winner—
again and again—she was doing me in—
and she sucked my blood-huh—

E// F#m E// C#//// (C#7//// Ab7////

F#7/// C#7//// 2X’s) Ab7//// F#7////
Ab7/// F#7//// E// F#m// E// C#7////
Blemished Reg @ 2015 Steve Arroyo & SACP Music

Blueblood icon, walking home,

takes your pencils out, write me down.
I'm going blow for blow I'm going blown up-
Seek the passages aside by which to feel damaged-

You're so Bohemian it hurts me;

you're so down in the boiler room-

Change your answers- and I’ll change mine-

Don’t lie to us- or waste our time,
See the picture, hear my notes,
free spoken words can leave you feeling damaged-

It appears to cover up, it appears to mouth and rag,

it appears on the tribunal, it's blemished-

Become happy , get excited with the words,

process all your thoughts inside your hammock-

You walk with the walk and you talk with your name-
and you look with your eyes you're so boring-

Pay me extra, gifts and Godsend-

student black books, connoisseurs of wine.

Brace yourselves now-feel the heart beating proud-,

Scatter brain- the business sense-brass wind melodies,-
money , memorials, and opulence-

It appears to cover up, it appears a mouth and rag,

it appears on the tribunal, it's blemished-

Become angry, become sad- get excited with the words,

it's an easy touch and go on this manifesto-

Disobey, it's not a word you say-

its not a thing to teach- a cheerful melody –

Ad lib Solo__Out__
Blood on the Bars—Steve Arroyo Curt Phillips
Reg. 1987-2016 @ SACP

E B7 E B7 E B7 E
Violent city—violent man—looking to get by—
gonna rob that liquor store—looking to
B7 E B7 E B7 E B7 E
get high—

little boy—little man—growing up is tough-

on this path of fate we should lie--

C# D E C#
Coda--There’s lots of violence in the air—
something I can’t explain—
lots of urgence D E everywhere—
I wonder who’s to blame— C# D E B7

(There’s Blood on the Bars—

There’s Blood on the Bars yeah 2X’s)

E B7 E B7 E B7
Cast your vote- to the hat—
cause that’s where it’s gonna lie—
I could tell it to myself some time
we try and try and try-
E B7 E B7 E B7 E
Then you hold on to everything and anything you have—
B7 E B7 ‘now this aint what you wanted—
and then you’re going mad—Coda--
Solo—E//// B7////

--Coda—VS 1—(repeat end of Coda 4’Xs)

Blood Sun and Earth Reg @ 2015 Steve Arroyo & SACP Music

If there’s blue, not me not you,

don't call me up I'm not home;
on this moon I'll be flying, you can see me go,
I'll be lying in the winter snow-

Now you go away, nothing to say it's all over today;

Brown clouds fly over the hills of Mexico a couple hours were gone-

All the blood southern earth, we all will be there soon,

oh the blood sun and earth in the month of June-

Oh the catamarans in Jamaica, the fishing boats coming in,

the little kids playing on the sand,
and the angry man looks away-
towards a newer day;

Oh the blood southern earth,

it won't hurt if you know no pai-
oh the moon and the stars and the wicked sky
that goes by my way-

Catch a ride, on an alibi you can't hurt me if you try,

walk around the world surround,
you can't fall off unless you die-

Blood southern earth it never hurts when you move-

June or July over the sign of the Capricorn side –
the slowly rolling Tide that go by my way-

ad lib__Out__
Blue Romance Steve Arroyo Curt Phillips
Reg @ 1987-2016SACP

Recited our pledge’s allegiance—

prayed to golden idols of faith—
Him or her both great people-
and if it bothers you then who cares-
Golden is the silence that two share-- in Blue Romance-

We wrote a book not a story—

we walked until they were blind—
half way back-- we realized—we never left your mind –
Blue Romance—comingthrough tonight—
you know there’s Blue Romance—

We traded our dreams for the silent truths—

things that weren’t here today—
You could say that we’re sorry—
you could say they over stepped they’re bounds—
Some could say it was crowded—
Some could say we’re allowed—

Blue Romance—We’re waiting and holding out—

for another chance—

Blue Romance—half the times you worried,

about half the times you sad-
paranoia in Pacoima, adultry in Milan-

the love that you gave us would only last a day—

in Blue Romance—can the pain go away—
in Blue Romance—we painted today—

We wrote a book not a story—

traded our dreams for the truth—
Shouldered love and vengeance—
reminded only of you—

Blue Romance—Coming through—we waited so long—

Blue Romance—like a picture sent from heaven—
Blue Romance—some could say it was crowded-
Some could say we’re allowed—
Blue Romance- We’re waiting and holding out—
for another chance—
Blue Romance
—we saw kaleidoscopes blinding
All the others that wouldn’t look away—

Blue Romance—behind our backs—

we heltered and sheltered —
Can the pain go away—we painted today-

There’s a light up ahead,

that cuts through a checkered past—
Sometimes we had to turn the pages—
sometimes we had to look at the black—
Sometimes we had to turn the pages—‘ clear as day—

Siit back and gasp—golden is the silence that to share

in Blue Romance—Blue Romance—Blue Romance—
Golden is the silence that to share in Blue Romance—

I’ve got many—different ways to dream—

I’ve got a million ships on the shore—
they are ready to leave—
my gold is your discovery—
I’ll give it all away—you know I’ll –
Bm--give it all away if I—- can—

Recited our pledge’s allegiance—prayed to gold idols of faith—

Siit back and gasp—golden is the silence that to share
in Blue Romance—Blue Romance—Blue Romance—
Golden is the silence that to share in Blue Romance—

—do a do a dud a dud u dun—

We wrote a book not a story—

traded our dreams for the truth—
But I build for another religion—Holy water falls—

Shrinks read our confessions –

n bloggersof our peers—
sit back and gasp-
golden is the silence that two share—

God send—God send us—

I get up—God send- God—God send—
but golden is the silence that two share—
in Blue Romance—
Blue Romance yeah-- nothing less—
In Blue Romance--we got crosses to bear-
places to share—things we never can find—
Our conscience behold a dagger,
That cuts through a checkered past-
Golden is the silence,
That two share-In Blue Romance-
Ad lib Out___

#A tuning—
C/ D/// F/ D/ C/ D/// C/ D///// G//// ////
F//// E//// Eb//// D//// ////
G//// //// F//// //// G//// ////
F//// E//// Eb//// D//// ////
Blue Rumors Reg @ 2015 Steve Arroyo & SACP Music

Don't pretend that you don't know me;

don't roll your eyes and discussed;
I've heard all your famous stories;
and were running out of luck-

I wont hear these blue rumors all day long;

I hear these blue rumors and the lies that you tell-
It's 40 miles to your house I know the traffic getting late
but you're bound to get it right if you talk to me.

There's a fraud in here, stuff in a box;

there's a fraud here; in a voting machine;
he can't be elected, a little neo-suggestive;
a little opportunists you see, blue rumors-

There's advice on the wall, it can't be frowned upon;

mischievous and the jokester just call me;
in the Civics, there are iron mules, and the principles,
are setting rules------.

Oh there must be two of you,

inside that face, oh there must be to have you
inside that face; you might get dirty,
hanging around me you might get dirty-
if you polish that hardluck-

Shippers come, to ring the bell,

down in the shipyard, of the wishing well ,
nailed the boards down , so they won't go slip slip,
I'm going to fall through the
cracks- if you don't catch my drift.

I've got a porthole I can see you coming-

down through the trees like a monkey's uncle..
it all comes together in Indiana where the fields grow

so don't pretend you don't know me,

don't roll your eyes and discussed,
I've heard all your famous stories, and now
you're running out of luck.

I won't hear these blue rumors all day long-

I won't hear these blue rumors;
bouncing off the walls ,R,
I won't hear these blue rumors,
tell me all about it,
tell me all about it, blue rumors,
blue rumors, blue rumors, blue rumors.
Boston Beans Reg @ 2015 Steve Arroyo & SACP Music

Don't waste my time, I don't have that much time to waste;

you can bend my ears for a while and laugh in my face;
don't make me walk too far, oh my legs are tired;
and rather ride air-conditioned Chevy anyway.

Wait a minute, what's happened to the stick;

-go take the nails out of the stick;

You can't catch butterflies all day long with a net.

put little clips in their wings they’ll make good pets,-

Our love is pure as heaven that flows down a gentle stream-

Our life-s is like a ship that sails out to sea-
Here we are in September-only met in May-
They call me Reno and the Kingfish, cause-
That’s my name-

The restaurant’s always open, if you’re love is ready to eat-

I know I have some different thoughts-
but don’t hold this against me-
Black sheep rebels, victimized and blamed-
Combusted and disgusted, exploding into flames-

The red lights glow, but you want to go-

The green light’s on- but love hangs on-
Of all the girls in LA, San Francisco too-
With a girl like that- you can’t lose-

Hey those Boston beans are cooking;

hey there gotta burn on the grill;

you've got a lot to learn;

you can't let them burn;

at any rate you’re gonna feel better-

take two of these-

Solo-VS- Solo___Coda__Out___
Boy Meets Girl -Steve Arroyo Curt Phillips –Reg. 2009 _

-A-G-A-She’s got a path that’s right and rabid—

G-a smile that would warm your-F- heart—A-
He only wants her to want him--F-
before the night’s –G-too –A-old—-

F-Boy Meets Girl on –A-dead man’s curve—

F-everything seems –A-right—F-
Boy Meets Girl in a –A-darkened world-
that –F-shines a –-lovers –A- light—

D-Thoughts are racing like-C- horses—

D-these words are nervously –C-spoke—D-

they both know what is –C-coming—Bb-

Two ships crashing in-- the –A-night—
Brainwashed Reg @ 2015 Steve Arroyo & SACP Music

I've been in the business so long;

I don't know what's up or down;
and sometimes I get nervous,
and drive my Cadillac all over town.

We can be together every night and every day-

but sometimes I get crazy
and cruise my Cadillac all over town—

I'm brainwashed I'm brainwashed

at the way you're treating me,
I'm brainwashed brainwashed can't you see... 2xs__

I've been in the business so long-

I grew up feeling kind of paranoid,
But sometimes I get nervous-
and drive my car all around—
Broadway Showboat –How wild is the World
Reg @ 1987- 2016 Steve Arroyo & SACP Music

Broadway showboat, let your bones- out-of-the-box;

be a fire truck- be enigmatic, run the gambit,
take your boss to lunch-
fashion parade yourself on the stage,/
I’m gonna get so wet in the rain-
and its coming down hard-

This is aint what they calltrue love, true love-

On a holiday, got a pumpkin- like a Saturday -Halloween,-

I'm gonna get so wet in the rain, and it's coming down hard;
You can always count on me to be a friend,
‘but I’ve got a question for my girl-

How wild is the world-I want to know how wild is the world-
How wild is the world-but I’ve got a question for my girl-

I’ Got an army coat from 52, stared at the ceiling-

and thought of you-
Tryin a get a bus load- I’m headed for a heavy load-
See yourself in heaven, on this planet earth-
When things only get you down-‘try not to be so hurt-
‘But ‘I got a question for my girl-

I do some tricks in Manhattan;

I’ll be jumping off in Stanton
Tryin a get a bus load-
I’m headed for a heavy load-

Its not that, we’re gonna live together,

Its not that we’re gonna be together-
‘But I’ve got a question for my girl-

How wild is the world, let your bones out of the box-
How wild is the world, be egmatic-run the gambit-
Your love has a charming effect on me-
Its not upon our reality,
‘but anyway-I’m not afraid of you-

Take me away-

A drive along the coast-songs on the radio-

promise rings, old photographs-dreams of solid gold-
I’ve got many different- different ways to dream-
I’ve got a million ships on the shore-they’re waiting to leave-
See yourself in heaven-on this planet earth-

We wrote it on paper- we read it in the skies-

‘talked about it for hours- until we died-

Your love has a charming effect on me-

Its not upon our reality, ‘but anyway-I’m not afraid of you-

Screamin’ cops screamin babies my oh my oh my-

Wonderin what’sgoin on we cry and cry and cry-

Cops do this man, and cops do that, do I have a chance-

Holding all the broken pieces in my little hands-
‘But I’ve got a question for my girl-
‘But I’ve got a question for my girl-

Solo____Ad-libs___ Out__
Broken Arm Reg @ 1987-2016 Steve Arroyo & SACP Music

I got a pain; I got this satirical,

I feel kind of sick, I’m still here-
I can’t float in this marshmallow pond,
because I've got a broken arm,

Didn't we go to the beach- we try to swim-

you brought your dinosaur,
Now hewouldn't swim-

I can't float in this marshmallow pond–

cause I've got a broken arm-

Broken arm mama- broken arm daddy –

I can’t float in this marshmallow pond-
‘cause I’ve got it’-

Another place—

You want to take me, so you want a feel,

blackout alley’s, knock, knock, knock three times;
you see them coming again,
In ping pong I can't win -with his broken arm.

Solo guitar..

But I'm going to get there fast- I'm running out of juice,-
my electricity is wild, but you can plug me in any time-
look at here it's my arm-what you say it's my arm;

broken arm mama- broken arm baby-

I can't float in this marshmallow pond
because I've got a broken arm...

I used to see you -we used to jump in puddles when it rained-

Oh I don’t know your name--You walk behind me that day-
there were lampposts-some of the lights were out-
I couldn’t find my car or my psychiatrist-

I know I’m north of here; and South of there…

Speak to me.
Speak to me my dear-

Half a yard means half a mile,

half a day-half a life- half a breath-
half a loaf half –east to west,
 its in my trunk or inside my vest-
then you tell the DA what I did-
Speak to me my dear-I’ve got a broken arm-
speak to me my dear-Ad lib Out _____
Chasing Rainbows Reg @ 2015 Steve Arroyo & SACP Music

A million days an hour girl were lost inside ourselves,

don't know if its right or wrong who cares-

Now that we exist as one.-I only want to say-

Don’t share your life with anyone
anyone unless you know their name-

We’re free spirits running through the night-

We’ll make it to the light, it's our life ;
We’re free spirits anyway you see, I’m only there for you-
You’re always there for me- it's our life-

Then I see you walking down the path of life

how can I exist as one when you touch me deeply-

We’re chasing rainbows, underneath the stars-

No matter where you are- I’ll see you once again;
Chasing rainbows anyway see it's always you and me-
it's our life-

Now when you get that pot of gold and find a leprechaun-
You find a leprechaun before twilight;
and if he offers you a million dollars- share that half with me-
I'm only there for you; you're always there for me-

Free spirits running through the night-

we try to make it right it's our life-
Free spirits underneath the stars-
anywhere you are I’ll see you once again-

In Manhattan somewhere,
there's a lady standing cold;
she wants you to hold her tightly,
get her through the night-
down in Southhampton, it's only at the end-
it's only at the end-free spirits my love it's only at the end-

Ad lib- Out___
Circle of Danger Reg @ 2015 Steve Arroyo & SACP Music

Circle of danger, nobody knows;

do you proceed as a stranger,
every garden grows in the midnight hour-

Every body sees them walk, in and outside their lives-

who can say they're wrong or right walkin’ in tonight-

I'm in:Circle of danger you let the Joker in-

this is like a masquerade ball,
with those faces on-

You see them walking tall-

never said a thing at all;
how could you pretend it's not,
everything you say is wrought-

Everybody's worried they’ll see the other side,

The bad and the good seed is stuck into your eye teeth;-

I've got Sasquatch in my forest,-

I'll grow a pumpkin in my garden-
I can find my way around walking in tonight-

Gimme gimme Circle of Danger, Wo oh oh-

I'm in a Circle of Danger, Wo oh oh-

Ad libs Solo-

It's a Circle of Danger my friends-

the journey never seems to end.

I’m in a Circle of Danger-

Out___
Cold Hearted Steve Arroyo Curt Phillips Reg. SACP 1987--2016

A//// A7//// 4x’s

I feel a chill in the room—
it makes me shiver—deep inside—
fatal attraction and perfume
—she’s gonna tell another lie—

D// F// C// E// 4x’s

But as the words are flowing free/
world is flowing free—it’s so obvious to see—
there’s not any heat under the ice—

A//// A7//// 4x’s

She’s Cold Hearted—my bloods about to freeze—
She’s Cold Hearted—she blame it all on me—
She’s so cold—she’s so cold Cold Hearted—//
Talk to those women-
She’s so cold—she’s so cold-Cold Hearted—

D// F// C// E// 4x’s

She dealt the cards and played—
without a sense of shame—
and now she’s trying to blame it all on me—
but I’d rather let her go—than-sit here in the cold—
burn that wicked spell in gasoline—

A//// A7//// 4x’s

I feel a chill in the room—I feel the knife sinking in—
but those back stabbing days are through—
this is a game she’ll –never win/have to lose-

A//// A7//// 4x’s

She’s so cold-- Cold Hearted-talk to those women—
tell them to pump their own tires up—
hotel room on my wedding night—
hotel room on my wedding night—
she don’t care a thing
about me—she’s so cold—Cold Hearted—

I feel a chill in the room-

It makes me shiver deep inside-
Fatal attraction and perfume-
She’s gonna tell another Lie-

Ad libs __ Solo__ Out___

A//// A7//// 4x’s D// F// C// E// 4x’s
Color My World—Steve Arroyo—Curt Phillips—
Reg 1987- 2016 @ SACP

Dm7 Am7 Dm7 Am7 Dm7

She moves with a silent ghost—
she talks like she knows the most—
I’m not that good of a host-
Am7 Dm7 Am7 Fm7 Cm7 Fm7
or I’d let her stay overnight—

She wears dresses of all colors—her eyes are as

Cm7 Fm7 Cm7 Fm7 Am7
pure as gold—my heart is sinking low—
I don’t need this—

Dm7 Am7 Dm7 Am7 Dm7 Am7

You could play your music—
songs from my own past—
I’ll know every word you say—
Dm7 Am7 Fm7 Cm7 Fm7 Cm7 Fm7
Every night you played, every Saturday—

This heresy is weird, astronomically strange-

Chronologically arranged on my table-
Cm7 Fm7 Cm7

Dm7 Am7 Dm7 Am7 Dm7

It’s not that I don’t love you—
It’s not that I-don’t have the time—
but now the world is crying-
Am7 F G Am F G Am
and I’ve got tears on my mind—
I’ve got your tears on my mind—

Dm7 Am7 Dm7 Am7 Dm7 Am7

Color my World red—
Color me over and out—
write on my carport your name—
I’ll draw your face in the rain

F G Am Dm7 Am7 Dm7

It’s not that I can’t see you—
or make some space in my car-
I’m the one whose gonna make it-
I’m the one whose going far—

Dm7 Am7 Dm7 Am7 Dm7 Am7 F

Red is the color- You showed me too much-
I tried to be patient-It wasn’t enough-

Dm7 Am7 Dm7 Am7 Dm7

She moves with a silent ghost—
she talks like she knows the most—
I’m not that good of a
Am7 F G Am Dm7 Am7 F
host—process and believe-
My heart is full of angry tigers—
and you just might get bite-
G Am F G Am
I don’t want them to bite you-
Am7//// Dm7//// Fm7////
Cm7//// F// G/// Am////-
Conscience Reg@ 2015 Steve Arroyo Music (SACP)

If I feel misguided won't you help me-

sometimes my wings can fly so good I'm falling;

hey I've got some time, if you want to drop a dime,

my ears are open, to all you say-

Do you want to meet me on the beach—

do you want to meet me on the road,
do you want to meet me in a bar-
I'll be there if you call-

Yeah, I've got a conscience; it's driving me mad-

yes I've got a conscience---
the best I ever had, the best I ever had-
Yes I've got a conscience-it's driving me mad-
Yes I got a conscience, can't get you out of my head.

Do you want to tell me about your other friends,-

I try to make amends with you,
but I can't stand talking/walking for too long-
If this is gonna go on forever- we better me in peace-
Roll up close to me-- I've gotta conscience just like you-

On the beach on the sand, try to tell a story;

Maybe I’ve been a new age man-
baby I've been in your glory-
So many times I don't want to shout-
so many fingers that am running out-
but I'll just listen for a while-

I got a need to talk to you-

I got enough to share
I could tell it to myself some time-
and it really wouldn't matter-

there's a lot to life to lose-

without playing silly games-
without running a charade-
and I got a lot to lose too,
these words are true,
I got a conscious just like you-

If you want to drop a dime –

you can call me,
if you want to waste your time—
you can stand right by me-
if you're feeling rather lucky-
or if bad luck’s all you got-
come on, now baby come on.-

I got a need to talk to you,

I got a lot to say-,
I can tell it to myself sometime-
and it really would matter,
there's a lot to life to lose-
without playing silly games-
without running a charade,
and I got a lot to learn too-
I’ve got a conscience just like you----
Consequences Steve Arroyo Curt Phillips Reg. @ 1987-2016

Can you hear the Shaw man,

speaking in many tongues—
he’s tall and near- undaunted—
his heart is numb—

Everybody’s looking for a hero—

but hero’s don’t know any more than you—
than you—life ain’t fair—you know it’s true—
life’s ain’t fair------ for me and you—

Man wants a lady—lady craves a man—

some want the romance—
but they all want the same—

Give a blessing to only a few—

it comes easy for you—

Everybody’s looking for that moment—

but moments that they seek are really rare-
and you know life ain’t fair—
not for me or you—
not for me or you---- ---- ---

When you claim a heart—

surrenders in your hand—
offer no resistance—
hold it tenderly—it’s only human—
It bleeds before it dies---

Do you know the Consequences—

do you know the pain involved—
if you can’t control your anger/nightmares—
You better stop playing-//
With my country, with my heart-
Ands with this perfect chance-
Take this—you-

better sleep alone—sleep alone—

Don’t tease with bad intentions—across the lines—

when you claim a heart—surrenders in your hand-- --

Do you know the Consequences—

do you the pain involved—
if you can’t control your anger—
better sleep alone—better sleep alone—

yeah, yeah-- Consequences—oh no—Consequences—

yeah, yeah—the Consequences are after you—after you-- --

The world is on welfare—the kids are on dope—

whaling blue spray paint is making us nervous-- --
-control is the issue now—
Humanality’s an issue on the chopping block

Our days are all Consequences—

do you know what their calling for—
If you can’t control your anger//nightmares—//
better sleep alone—better sleep alone-- -- -
- gonna get hit—better sleep alone—take a hint-- -- -- -

ewe ew ew wo oh oh—
Key of A maj. 7th

_ad lib—Out________
Council of Nine-- Steve Arroyo Curt Phillips
Reg.@ SACP—1987-2016

From the books they wrote—to the story’s told—

all the Prophet’s know—it’s gone—
From the Andes mountains—
to the depths of the sea—you and me—survival—

All the Devil’s strength can enter your mind—

when the truth is wrong and the parrot’s gone-

lighting candles with you—

I’m meditating the mood—
we can live our lives in the spirit of mortals-

This atomic plague—

can’t pinpoint the problem,
gonna teach you a lesson-
I’m kind of quadrant- keep an eye out-
yeah a whispering campaign-
the sentence always came before the trust-

-of 9—of 9—of 9—I’ve got my special orders intact,

stick around to see-
-all this for the counsel of nine-
of nine- of nine of nine-

There’s nothing you can learn-

from living in a swamp of worms-
all the rest sits in their hands-under a brilliant sky-
Supreme court Judges- the IRS-
Every hero or bum-
Would flunk that test-
1-2-3-4-5-6-7- 8-9 go to heaven-

There’s nothing you can learn

from living in a swamp of warms—
The truth is wrong, the parrots gone-
and I’m channeling in a new direction-

Lighting candles with you-

I’m meditating the mood—
humananality’s an issue,
on the chopping block-
who’s in charge of the solarium guinea,
stain glass houses
and anti-‘equations—

‘Take em on two by two—

nothing to gain—nothing to lose-
-all this for the counsel—

of 9—of 9- of 9 of 9
Stick around- let spend the night-
special orders- sleep tight-sleep tight-
You can see the distance between senses-

In another way we come to understand

-love love is this love-under the bridge-
the truth is wrong-the parrot’s gone-love love –is this love-

Council of Nine—your reservation’s been cancelled—

if you can’t afford to get back home-
‘you can say alright—special order’s—sleep tight—
all this for the Council-

Ad—lib--
-Coupe Deville going up the hill—
Becky can’t make it—Becky can’t make it—
gonna turn it back—
you’re the youngest Cadillac I’ve ever met—
you’re the youngest Cadillac I’ve ever met—
right off the showroom floor baby—
I think you’re coming of age with me—
I see you’re coming of age with me---
‘Take em on two by two—
nothing to gain—nothing to loose-
all this for the Council of nine_Out__

E//// (////) C// B// E// G// C// B// E////

C/// B/// A/// G//// A// G// E////
Court of Lies Reg. @ Steve Arroyo and SACP Music 2015

They taught us in school about the Big Bang,

said if we spoke out they’d call us dirty names.

And now it’s tomorrow and the flowers have died,

we’re gonna have a field day talking up the court of lies.__
They’re going to have to tell the truth, court of Lies,
man I’m telling you.

Listen to the piper while he pleads his case,

stand up and be counted or be silently erased;
no more passive monkeys,sit in on the side-
were gonnahave a field day talking/taken’
up the court of lies.

The bailiffs laughing at the verdict,

the criminals are dancing on the victims,
The only truth that we can get-
Is our conscience and our fears-//
everyone gets away with murder,
in Uncle Sam’s USA.

The California Cub Scouts, are questioning God-

our very own existence, may mean nothing at all.

The world’s is on welfare the kids are on dope-

we need a stronger flag just to feel a bit proud.

Court of lies, yeah, they’re gonna have to tell the truth,

court of lies, man I’m telling you;

the Judge’ is sleeping with the jury-

the criminals are dancing on the the victims,
the lawyers getting away like—
speed demons in Ferrari’s
in uncle sam’s usa-
Show me a piece of tomorrow ‘
and I’ll bet my rights-on a falling star,

Court of Lies___
There gonna have to tell the truth’-
Court of lies—now I’m telling you-
Cross My Heart Steve Arroyo Curt Phillips
Reg. @SACP SA Music 1987-2016

E C#m A B 4’X’s
Blue night sing—a melancholy sound—
don’t be worried baby—don’t be sad—
ya see I’m sorry I forsake—solid ground—
but too much drinking—and wishful thinking—
for –E--here and now and forever-
it was all—F#m-- a foolish act—E--I Cross My Heart—

E C#m A B E C#m
For here and now forever it was all another game—
I Cross My Heart—yeah—I Cross My –A--Heart—B—

E
You’re of my persuasion—a diamond for a man—
writing love letters—in my hand—F#m--

for us I’ll bathe—A--under bitter moons—

F#m--the doors will open --when –A--peace is –
B--spoken—E--I Cross My Heart—I Cross My Heart—

(F#m E 4’X’s)
For here and now forever—
I know it’s not too late–it’s not too late—
for here and now
she’ll see you through tomorrows gates—
‘ Cross My Heart-- D --I Cross My Heart--C—Cross My Heart—E
(Cross My Heart—I hope to die —stick a needle in my eye)
E C#m A B E
Blue nights sing—a melancholy sound—
don’t be worried—don’t be sad—
I’m sorry I forsake you know I’m your man-
Here they go at eleven o clock- riding down the snow—
see the red lights flash their hungry don’t you know—
you’re my persuasion a diamond for a man--B—

now it’s too late—A—G--E—I Cross My Heart—

Solo-s between verses as ad libs__

Crossing a Line Steve Arroyo Curt Phillips
Reg. @ SACP SA Music-s.

A C B 4’X’s
Crawling over barbed wire—
spitting back at the guillotine’s blade—
as malicious tongues hang dry in the after math—
plotting out our freedoms—
through the eyes of a microscope—
challenging the leaders of a soon forgotten world--

A F#m G 4x
—Crossing a Line—on the edge/
walls- of a new horizon—
---Crossing a Line—
Standing on the other side—
Crossing a Line—
of a prophecy-love or survive-

Wiping up the differences that left us-

Picking locks on forbidden doors-
As malicious tongues hang dry-
In the aftermath-

—Crossing a Line—on the edge/walls-

of a new/true- horizon—
---Crossing a Line—
of a prophecy-
standing on the other side—

—Crossing a Line— of a prophecy-love or survive-

They come in cring virgin-

On and on armored force-
In between the pages-
Waging petty wars-
When you see the light-you better follow-
If they let you through-
You’ better run-

And if you have a chance-

To do another dance-
Let us know how its done-

—Crossing a Line—on the edge/walls-

of a new/true- horizon—
---Crossing a Line—
of a prophecy-
standing on the other side—
—Crossing a Line—
of a prophecy-love or survive-

And they promised us heaven- all of our live-s –

they promised us heaven-all our lives-
they promised us something-
What we get isn’t very clear-

Crawling over barbed wire—

spitting back at the guillotine’s blade—
as malicious tongues hang dry in the after math—
plotting out our freedoms—
through the eyes of a microscope—
challenging the leaders of a soon forgotten world--

—Crossing a Line—on the edge/

walls- of a new/true- horizon—
---Crossing a Line—
of a prophecy- standing on the other side--
—Crossing a Line— of a prophecy-love or survive
Every day brings on another voice so it won’t get boring-
See the people snoring – goin’ cryin blood and guts,
And uppercuts and homicide and homicide-
The world can drive you mad-
If it’s the best thing you ever had-

A C B 4’Xs
--Crossing a Line—on the walls of a true horizon—
Crossing a Line—of a prophecy—love or
survive—love or survive—and flourish on the other side—
Crossing a Line—G—F--E
They flourish on the other side—
and we can’t look back, no--
A C B 4’Xs C B
—Crossing a Line—on the edge of a new horizon—
Crossing a Line—love or survive—and
flourish on the other side—Crossing a Line--
A F#m G solo--Extr ad libs-
A C B 4’Xs
—picking locks on forbidden door—laughing at the fools that
promise hope—and fail to give— A C B 4’Xs
--Crossing a Line—on the walls of a true horizon—Crossing a Line—of a prophecy—love or
survive—love or survive—and flourish on the other side—Crossing a Line—G—F--E
They flourish on the other side—and we can’t look back, no—
A C B 4’Xs
Crawling over barbed wire—
spitting back at the guillotine’s blade—as malicious tongues
hang dry in the after math—
plotting out our freedoms—
through the eyes of a microscope—
challenging the leaders of a soon forgotten world—

ACB
—Crossing a Line—on the edge of a new horizon—
Crossing a Line—love or survive—and
flourish on the other side—Crossing a Line--
A F#m G solo--
Cry Wolf Steve Arroyo Curt Phillips
Reg. 2009 Rsvd.

E7
My coals to blow—displays a target—
lost and need of help—
with leopard skin and razor eyes—
that loosen up the belt—
C#m Em C#m

They’re the virgins of remorse—

blue souls with vodka breath—
if what you seek becomes a lie—
Em--promise that you’ll—E-- never Cry Wolf—E--
E7
Squeezing through freaks and tunnels—
holding torches of our faith—
demanding drops of serum—
from the fangs of women snakes—
C#m
We are lonely mannequins—Em--of water—
C#m -- --Em --but rest assured-
we’ll never—Em--
Bm—A—E7-- Cry Wolf. Never cry—never cry—
Dancing on Your Grave—
Steve Arroyo—Curt Phillips Reg. PAu 659-890
Dbm B Dbm
You pulled out my heart muscle-
with your very hands—
ate it for your dinner—‘said I
B A B Dbm A/ B/ Dbm/
wasn’t worth a damn—
I wasn’t worth a damn—
Dbm B Dbm
Now, was it last winter(Christmas)—
you lit black candles low—
your head was in to B A B Dbm A/ B/
Black Sabbath—I heart was running cold—
I was just as cold-
-Now Dbm B Dbm I’m dancing—I’m dancing—
can’t you see me there—
Light a crystal bal-and then you said-
B Dbm B A
then you’ll see me near—
Dancing--Dancing—I’m chanting in the rain—
I’m Dancing on
B Dbm A B Dbm Your Grave—
I’m Dancing on Your Grave—
Solo--
Dbm B Dbm B
I’ll send you flowers—I’ll send you flowers—
I’ll send you flowers—every day—I’ll do
Dbm B A B Dbm A/ B/ Dbm/
the two-step—the watusie baby—
anything to keep us- wild-
Dbm7th B Dbm7th B Dbm7th B A B
Stanza--Dreams are for losers—
Dreams are for fools—dreams are for losers—
when Dbm A/ B//// Dbm//// you’re wild at heart
Dbm B Dbm B
D—is for your dinner—A—is for your way—
N-‘s a lucky number—-you’re only
Dbm B A B
here to say—I’m dancing –I’m dancing—
can’t you see me there—I’m Dancing on Your
Dbm
Grave—
Dayglow Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
I see thing in the night-
reflections that move me in to the light—
I thought about old movie’s that I saw—
but it wasn’t right—
I know it’s different now—she agreed—
we should leave tonight-carefully—
and maybe not ever-- return—

oh ho- speak to the truths of the sky—

she loves the green lights—
speak to the truths of the sky—
the truths of the sky and—
she loves the green lights-- --
Dayglow—she called it—
Dayglow—Dayglow-- she called it—
Dayglow--she loved the green lights—
Dayglow—she wanted it—she loves the green lights-- --
Dayglow on my front porch—
she was asking me to think—
that it wasn’t that late at all—
the pictures they showed back
reminded me of all of the times
she wasn’t so bright and
the color green-- --

Day ay—Day ay—Dayglow—--

could you bring her back—I hope you bring her back—

‘cause her favorite color -reminds me-

of a summer night- behind me –
I can think of all the times—
and maybe I should have stayed-and listened-
when she showed me the voices louder on the way—
she pointed their- and said to come –
I was scared—
but I remember-she said she’ll be back—

when the night turns three—Dayglow-

she’ll release her back to me—
and I’ll tell her—I didn’t miss her—
but I got a whole stable of pictures in the mean time—
run off with some darn flying saucer—thanks a lot—
cause Dayglow is like poster-ed colors from 1970’s—
D// A// C// G// F//// //// G//// F//// //// A//// ////
Eb//// C//// 4x’s to A///
Days of the Week
Reg@Steve Arroyo Music & SACP 2015
Monday was different I had so many thoughts in my head.
With my day I wash my car, washed my hands and then I said;
now Tuesday is coming soon to me,
I’ve got to pay my taxes and my rate you see –

The days of the week seem close to me,

they even felt like family, /reality-
I gave with them, I paid with them
and I will live and psych for them –

Now were at Wednesday and the paddy wagon comes-

He wants his money and chewing gum,

Thursday I’ve got to pay the rent

I don’t care is just money spent-
it doesn’t really matter at all-
Chorus
the days of the week seem close to me
I don’t know if it’s reality –

Friday seemed so infuriating to me-s

I see-s them as an contemplation time,
There just the days of the week-

Now we’re at Saturday party day,

all my friends will be there
in their funny rock ‘n roll clothes,
put on your party shoes,
put on those party shoes-
We’ll dance like catching jelly fish-
You ‘I’m not aused by-
all my friends will be there-

I traveled a mile, and I’ve looked for your smile;

sometimes it’s rising behind me;

Now were at Sunday and church,

we love Jesus that’s for certain,
From the books they wrote, to the stories told-

Monday was different-

I had so many thoughts in my head,
with my day I wash my car washed my hands-
and then I said ha ha, ha ha
Dead End Street Steve Arroyo Curt Phillips

My heart is calloused—my feet are sore—

I’ve got me a diamond and worries galore—your

hair sparkles while your words explore—

I love that we don’t have to live no more-
on Dead End Street—no-- on Dead End Street—
Dead End Street--no more—

I’ve seen the picture-and I’ve known some crime—

the world’s brain is ugly unlike yours

and mine-I bought you a rose—it bought us some time –

we’re hanging on so far and free away—
You know we don’t have to lve more-
On Dead End Street-Get some relief-
Get some relief-DeadEnd Stret-
Live for tomorrow—live for today—
we’re living our lives out far and free away from Dead

End Street—get some relief—

get some relief—from Dead End Street-- --
Not under the gun anymore—not fighting a losing war
//You were a nurse in the war and helped me get better-

If yu say leave, if you say go-

‘there was a time when we suffered you know—
Dead End Street it was always old--—and quiet
the birds and the children seemed far, far away—-
-They put in the stop lights and they took out the phones—
it was so much quieter then it felt like home—

Dead End Street—We’re living our life’s out—

far and free away from –Dead End Street—

Dead End Street—

Maybe they’ll suffer-
maybe that’s what our path should be—
should it be that way—
should we have to work harder day after day after day—

My heart is calloused—My blood runs cold—

but I feel the fire—and the warmth from your heart—
we developed quite a situation here—
but as long as you’re close to me dear—
Uncle Sam’s going to hit you for 20,
if it’s not legal California
My heart is calloused—my feet are sore—
I’ve got me a diamond and worries galore— your

hair sparkles while your hands explore—

I love that we don’t have to live no more-
On Dead End Street—no-- on Dead End Street—
Dead End Street-our love stifles and it goes—

Dead End Street—you walk around—you never touch the ground—

I’ve seen your shadows—and they flow in the wind—
I’m not ashamed to say—I can’t lose or win—
there’s death in the alley—Dead End Street—

A//// C#m//// G//// Bm//// A/// G/ F////

SACP Reg. 07 Dead End Street
Vs
My heart is calloused, my feet are sore;
I’ve got me a diamond, and worries galore;
Your hair-it sparkles, while your hands explore
I love that we don’t have to live no more,

Coda

On Dead End Street, we’re living our lives out,

far and free away, from Dead End Street.

Vs. 2
I’ve seen the picture and I’ve known some crime,
The world’s brain is tailored-/troubled unlike yours and mine.
I bought you a rose and it bought you some time,
We’re hanging on so far and free away:

From Dead End Street; Dead End Street;

I love that we don’t have to live our life’s no more on-
Dead End Street; we’re living our lives out far and free away,
From dead End Street;

Coda

Get some relief, from Dead End Street;

get some relief, from Dead End Street.

Bridge

Not under the gun anymore; not fighting a losing war/

Sharing the same shadows we never done before—
I’ve untied my heart; I won’t be coming back for more.

Vs. 3

Do you remember when we talked things out,

and we tried to talk things over,
It didn’t seem like it was such a waste of time/
needs a verse 3 4 5 like 1 & 2
Coda Vs.4 Coda Vs.5 out.
Death Dance @Steve Arroyo SA CP music 2015

I love when you do I love when you do your death dance;

it makes me sweat, I love you to death.

In a haunted jail cell hold not far away,

you stalk the living wrapped up in chains;
He’s here to inherit the planet-
The bodys and the brains-

I love when you do

I love when you do your death dance;
it makes me sweat, I love you to death..

The wind is cold just like your breath;

your dancing with death;
and the moon shines brightly down;
but there’s darkness all around.

I love when you do I love when you do your death dance;

it makes me sweat I love you to death (2x’s)

Solo-s

You don’t have eyes but you can see

the evil that waits for me,
‘cause in your lair no one escapes,

Dry your eyes shed your fears away-

Death Trap Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890

The curves come fast—the curves are long—

I hit one-‘eighty—before long—and I think
about you back in my hotel room—
and I know the press will be there pretty soon—

Well—I won’t get caught in your Death Trap—

I won’t get caught in your race—I won’t get
caught in your Death Trap baby—get out of my face— --

go in down—red flag go in down—

Look out now here comes bum fly—
over heating the hills—
It goes so fast—I can’t comply—
I can see the clouds roll by—
and every one of my wheels is gonna go pop—pop

Death Trap—yeah—my friends said—

Death Trap to see your face—Death Trap—
my lawyer –s advised me—not to sign the papers—

I’m going to race for you—

Death Trap—Death Trap—Death Trap—
Death Trap—I’m out of gears—
First turn furnace burns there you are on my mind-
I could race a gto and listen to my tires blow-for you-
Put it in reverse now baby—we got to talk it over—
I told you I love you every night—
I’m 4 tires ready to wear out on my pavement
If you call me up I’ll get the job done-

It goes so fast—I can’t comply—

something follows me in the sky—
first turn—furnace burns—there you are on my mind—
They said they got a rhyme and a reason—
they said—they’got a phone to call—
some one’s waiting on a heavy message—‘
I don’t get no message at all—
They come racin at Indy- there and san Antone
You know they must be half crazy-
- happy just to get out alone-

I won’t get caught, I’ll never get caught in your Death Trap-
I won’t get caught, I’ll never get caught in your Death Trap-
Eighty five miles an hour—I’ve got the power
Please please please- a million dollars at ease-
Don’t want to fall victim—I’m not another victim—
Please—please—please—every body—want to feel—
a million dollars at ease—
please—please—please—a million dollars at ease—a
million dollars at ease— I’m not another victim-
E/// D//// C//// D//// E//// A//// C//// D////
Deep in the Eyes—
Steve Arroyo—Curt Phillips Reg. 2009 PAu 659-890

Em F Em
-How low can you go-when you’re down in the ruts—
how low can you go when your down on your—F-- luck—Em-
-how low—can you go—

ACFA
Vs-1--Deep in the Eyes—there’s a wildcat massacre—
the hard luck that’s been endured—
C--the time bombs- we’ve –F--never heard—A—
Deep in the Eyes—C--try to read them –F--carefully—
the plot unwinds so—A--viciously—C—
on the love sick –F—prodigy—

Em G A C C11 Em G
Stanza--On the students black board—
he’s way past all the lessons—
stating theory’s of the burning –A----
C C11--gun, (angry ones)—Em—
the betrayals are—G-- in decise—A—
where you can –C C 11--never leave—Em-
the blackboards are//in indescreet
-when you look deep—Em—
how—G-- low –A--can you—C--go—C-11—
Em F Em
-How low can you go-when you’re down in the ruts—
how low can you go when your down on your—F-- luck— Em—
how—G-- low –A--can you—C--go—C-11-

Bridge-1—D--Strange violence beating madly—C—

temperatures rising—B—when you look deep—C—B—
just wait and see—C B C B Em—
how—G-- low –A--can you—C--go—C-11—

Deep in the eyes here’s a portrait of a woman and child-

With passion set in-
-there’s a struggle across the treacherous mile—
-the hard luck that’s been endured—
the time bombs never heard—

Deep in the Eyes—see how they love to snide—

at another sacrifice-there’s a million wars to fight-

Em G A C C11 Em
I know a song that I can sing for a thousand dollars-
If you wait a minute try to think and unbutton your collar-
The method to the madness is for real, button up your lip-
If you’re Marlene deitrich where’ s my oscar-???

DCBCBBCB
Chronicles will tell—she’s not feeling that well—
but I’ll /she’ll take the money—oh that money--
the root of all evil—the root of all evil—
I’ll /she’ll- take the money on the cuff and run—

Em F Em F
Goldfish swimming in a swimming gold bowl—
look how low-how low can you go—
if you’d only know—if you’d only know—
if you’d only know-
how low you’d go-

-the messages are blurred—

my words can be heard—when you look deep—

hypnotize you into thinking-

you were off to some breaking point—
don’t harp on my animals—
they mean so much to me—
whose gonna be there girl—
whose gonna be there—
not you or your fishing hooks—
landing//slamming every man—
deep in the corner—I don’t understand—
when you look deep—

Ad libs Solo_________Out_________
Didn’t Mean To
Steve Arroyo Curt Phillips Reg. @SACP SA Music 1987-2016

There’s been many times—I often wondered why—

I didn’t mean to make you—I didn’t mean to make you—

I’ve walked around—I’ve seen the faces-

I Didn’t Mean To make you—I Didn’t Mean to hurt you—

Don’t cry tonight-- don’t shed a tear –

just wipe your eyes and say—
how much you mean to me—
and if this is not an apology—

you know it’s not me—I would never do those things—

Remember how we walked about and tried to talk it out—

remember our thing—---
I bought you a ring—put it on your finger—
‘said that you would marry me—you got to marry me –

And I didn’t mean those things—and I’d never talk that way—
I’d never lie to you—I’d always be nothing but true—
and I didn’t mean those things-I’d never talk that way—
to you—to you---

And I’d never do those things—I’d never talk that way—

I’d never lie to you—I’d always be nothing but true—
and I didn’t mean those things—
I’d never talk that way— to you oh—
to you—

--I fought for days—I thought for hours—

tried to make some sense—tried to make you
happy—but it didn’t mean a thing—

C add 6//// G//// C add 6//// G////

Dm//// C//// Dm//// G add 7////
Dm//// C//// Dm//// C//// Dm//// G add 7////
Discipline-
Reg. @ SACP SA Music 1987-2016Steve Arroyo Curt Phillips

Suburban brats in black Corvettes;

scaring the world half to death-
Blowin off steam- working up sweat-
you ain’t seen nothing yet-//

(Tripping in sin, dripping in gold,

can’t act human, you must be scolded).

You all need / could use -some discipline;

you naughty boys with evil grins-
Enlighten my intelligence-
my family- and my friends-
Ain’t in no-way a sin-
You all can use a some Discipline-

Grieving on the pretty, what a feast-

Breathing on the sinner-spreading disease-
Tripping in sin-dripping in gold-
Can’t act human, you must be scolded-

You all need / could use -some discipline;

you naughty boys with evil grins-
Enlighten my intelligence,
my family and my friends-
You all can use a little Discipline-

Every day brings on another day so it doesn’t get boring-

see the people snoring-
driving up their blood and guts, and uppercuts-
homicide homicide-
Teachers at the high school feeling guilty,
Teachers at the high school feeling guilty-

I’ll give you some discipline, you naughty boys with evil grins
We all can use some discipline, a little bit of discipline.
We all can use some discipline, a little bit of discipline
A little discipline, some discipline

Caught a piece of life by its shirt and tail-

Dueling with the marshal-s at the County jail

Discipline--
2nd Version-
Discipline Steve Arroyo Curt Phillips Reg 2009 Rsvd. PAu 659-890

Suburban brats in black Corvettes—

scare-in’ the world half to death—drip-in-- in gold—

trip-in-- in sin—can’t act human—you must be scolded-

You all can use some Discipline—
you naughty boys with evil grins
Grieving on the sinners—what a feast—
breathing on the pretty—spreading disease—trip--
in-- in sin drip in –in gold—
can’t act human—you must be scolded—
Look-in at girls in fast Corvettes—
scare-in the world—half to death—drip-in—in gold—

trip-in—in sin—can’t act human—you must be scolded—

Disconnected Steve Arroyo Curt Phillips
Reg. 2009 all rights rsvd. PAu 659-890

(E7)(A) (E7)Ah ha I’m Disconnected(4X’s)-

In the nerve of the city- (Bm)I’ got faces in mind-
(A)No dirt sticking to me- (Bm)Like a moth to a line- (A-G-E)

Angels are fighting, for a piece of the head-

eyes are all darting- (B)My emotions aredead-
(A)I’ve (G)got to get it-(E) I’m flippin the switch- (A)
I’m kina (G)Disconnected again.

(E)- A Chastising karma- I’m biting my nails-

I’m a true hurdy gurdy- (B)I sleep on the rails-
(A)white knuckle finger, (E)where they bleed on the glass-
(B)These late night(A) memories rise from the past-(G) (E)

I’m Disconnected, Ah ah I’m Disconnected, ah ah

I’m Disconnected,

(B)got to turn on the switch- Got to make it through- (A)

Yeah
(G)Yeah, a Get me back (E)on,
you gotta get me back on(G)- yeah(A)yeah (E)Disconnected

(C#m)Now your gonna please me (C)for a while,

I know,(B)you can stay all night,
(A#)you can stay all night-
(C#m)Girl you’re pleasing me (C)like I need you to,(B)
I can’t thank you-enough for doing that-
Morning comes with a breath of fresh air,
the night has memories to clear……..

(E)In the nerve of the city,

I’ve got faces in mind- no dirt sticking to me,
like a (B)moth to a line-

(E)Angels are fighting for a (Abm)piece of the head, (A)

eyeballs are darting, (F#m)emotions are dead,
(E)yeah (B)and I’m Disconnected(E)- (B)(E9)
(5bars)Yeah, yeah, whew alright-I’m
Disconnected, disconnected alright- (B)

(E)Angels are (Abm)fighting for a (A)piece of the head,(F#m)

(E)you know it’s (B)time to get through-(E)(B)
(E7) I’m Disconnected, I’m Disconnected from you-
I get rejected, cause you put me (B)through-To much,
(E) you put me off with your (Abm)problems and then
you (A)let me down with your (C7) lies,
I’m (E)(B)(E)busy tonight-(B)(E)(B)(E)
Alright- Disconnected baby- (E)
(B)(repeat 6X’s to solo) (A)(C)(Eb)(F#).
Don’t Burn My Picture Reg@Steve Arroyo Music & SACP 2015

I didn’t take advantage of you a little barbie dolls brain-

listen to your mother, stop calling me those names.
Who bought who that Halston, who got you that part,
I bail you out of your town, you put a pin into my heart…

Don’t burn my, don’t burn my picture tonight;

don’t burn my, stop this burning my picture.
In Louisiana you are a star;
pouring drinks at Rubies

getting tipped at cars

you are so grateful, you do anything;
I got your notice, your back again…

Chorus don’t burn my, don’t burn my picture;

stop that burning stuff this burning my picture.

I didn’t take advantage of you but nothings changed-

The red lights glow, the environment and the rain-

in Louisiana you are a star,

pouring drinks at rubies,
getting tipped at cars.
You’re ever so grateful you do anything;
Sometimes I’m kind of heartless-
Sometimes I’m kind of vain--

And she’s back again throwing knives at my head,

and she’s back again I know I know.

Maybe it wasn’t all that bad,

she’s the best thing I’ve ever I’ve ever had
Don’t Crash My Car
Steve Arroyo Curt Phillips Reg 2009 Rsvd. PAu 659-890

A7 E A7
You can promise me all your love—that’s alright—
you can hock that engagement ring and go party all –E--night—
if you—A7-- leave me—I’ll really take it –E--hard—
and you can –G--scream my friends if you—A—want
but—Don’t Crash My—E-- Car—

A7 E A7 E A7
‘Take me for anything—you want—
‘you can act like a high class debutant—
oh—lie to me like the gutter trash you –E--are—
you could –G--spread it to the—A-- world—but Don’t
Crash My –E--Car—Don’t Crash My Car—

DCEDCE
You’re a low down dirty little rattle snake—
I don’t weight your body down—in a lake—
if you can’t—D-- see me for the –C--man I—E-- are—
G--don’t you—never—never—A--Crash My—E-- Car—
A7 E A7
You can promise me all your love baby, that’s alright—
you can side that engagement ring
and go party all –E--night—all night long—
if you—A7-- leave me I’ll really take it –E--hard—
and you can—G-- scream at the world if you—A-- want—
but Don’t Crash My –E--Car—
A7 E A7 E
Baby-baby-baby-baby—Don’t Crash My Car—
Baby-baby-baby-baby—Don’t Crash My Car—
Don’t You Crash My Car—A7—
wreck it in to a –E--telephone poll—
and the –G--police come and red lights on –
A--see this picture its —G--—
Don’t Crash My Car—E whew—
hew—G—

AGE
I ain’t got no insurance—and its got bald tires—
no-no-no-no-no-no---(soloA7—E3’Xs) to—
G//// A//// G//// E//// G//// A//// G//// E////

A7 E A7 E
Baby-baby-baby-baby—
Don’t Crash My Car-- Baby-baby-baby-baby—
Don’t Crash My Car—Don’t
You Crash My Car—A7-- wreck it in to a –E--telephone poll—
and the –G--police come and
red lights on –A--see this picture—
G--—Don’t Crash My Car—E —(9th
chords)

A7 E
Its got a four twenty seven with an attitude—
it’ll light up the tires when I give it
the juice—A7--out run anything on the street—
if you –E--scratch the paint you’re gonna be dead meat—

if you can’t—A7-- take me for the man I –E--are—G---

Baby-baby-baby-baby—
A--Don’t Crash My—E-- Car—oh no—G—
Don’t Crash My Car-A7--oh no Don’t Crash My –E--
Car- no no—oh oh—(ride-- E --4 measures out)
Don’t Cut off My Head REG@Steve Arroyo S ACP music 2015

Treat me like a fool treat me mean and cruel but love me.
Take my very heart tear it all apart-
but want to love me I would beg and steal.

My up is down my left his right in Phoenix;

I’m gonna eat breakfast if I want some sardines-
I look at the waitress coming over with biscuits;
I’ll have some more coffee, don’t cut off my head.
Don’t cut off my head- I got to think a while –
I’m gonna need it, make some good decision,
I know there’s not much in there but rocks and dinosaur bones;
don’t cut off my head -just put me to bed.

The truck broke down and got a flat tire in Boston;

on the way to the world’s fair last night
I tried to fix it together with your conscience
but this won’t fix the damage it’s too big.

Don’t cut off my head in Dallas

I’m going to need it make some good decisions
just give me a cheer and come here and try to make some sense;

don’t cut off my head anymore I’m going to need it

‘Just take me around your town…

Ask you for some dinner -you offer me some cheesecake;

I’m getting too fat; my raccoon skinhat is kind of trippy
don’t cut off my head anymore.

Don’t cut off my head I’m gonna need it, I gotta do some thinking,
I got add up some numbers, I know that two and 2 is four.

I’m going to sleep on the floor in Vegas;

Don’t cut up my head anymore.
Oh yeah we’re waiting and holding out in Las Vegas,
I’ve been shooting 7-Eleven’s on the table;
pulling one armed bandits -hit me three jacks in a row,
kick me down $20 in Nickels-

yo pit boss; turn me a line

don’t you know I’m running out of time;
now that I’m calling I’m gonna
ring a ding ding ding ding ring a ding ding ding ding;
telephone line operator answer
nobody home call Western Union kick me down $2000.
Ad lib.
Don’t Erase Me from Your Heart
Reg.@ Steve Arroyo and S ACP music 2015

I’m warm to the core; I down in the barn;

my expiration date is going to cave in;
I’m breaking up with you in the fall.

Don’t erase me from your heart,

don’t let it spoil like a fruit;

your erase me from your heart;

you’re the nearest dearist coldest leading women-
don’t dynamite my life..

Blow to pieces, split apart, s

eparating babies, my Rusty cranker car;
and you erase me from your heart –
don’t dynamite my life-

Don’t erase me from your heart,

don’t eliminate my trust in you,
your archaic life is drowning in the wind
and I’m at the elbows again, over you.
Refrain__solo__bridge__verse one__out.
Don’t Say Goodbye
Reg. 2009 Rsvd. Steve Arroyo Curt Phillips PAu 659-890

Complicated messages unfold—

if this was meant to be we’d surely know-
-how can we disscus this when your only gonna lie-

- don’t say goodbye – when you want to leave-

Don’t say good bye and turn and walk away-
You melt this golden candle a thousand different times-
Words don’t mean a thing when you’re alone-

Words can become bullets from the heart-

rings of gold mean nothing/ when the rivers part//
when we are far apart-
Goodbye’s can be forever, hello’s just for a day-
here we /are/stand with nothing left to say---

When the stars align in the sky’s-

And you can’t decide left from right-

Chords—C6-7maj

There’s nothing you can’t say or prove-

And/when/ you can’t see the distance between senses-
Tears of wisdom-from the start-
words of wisdom broken hearts-
I want to hear from you-

//(this Brooklyn boy’s got no place to be, then with you-

I’m feeling lonely)//Ex line-

Don’t say goodbye, when you want to leave

Don’t say goodbye and turn and walk away-
I know you’ need this if you come a little bit closer-
and say hello—

-I can race a gto in to the night-

listen to my tires blow for you, that’s right-
the freaks fire rockets in the -sky—
they blast your name -on the fourth of July-

Walked a million miles to see your smile-

touched a million faces just to feel your fingers-
How could we disscuss this when you’re only gonna lie-
Here we are with nothing left to say-
Ask you for a cigarette, I don’t smoke,-
ask you for a dollar it wouldn’t buy me much anyway-
These one way streets in ‘Frisco get me kind of down-
//here we are with nothing left to say—

Tears of wisdom-from the start—

words of wisdom—broken hearts—
nothing really matters when it’s all come apart-
—Don’t Say Goodbye—
C#m// B// A// - C#m// B// A// - C#m// B// A// C//// E////
C#m//D// E// - C#m// D// E// - C#m// B// A// C//// E////
A 12th aug////A 12th aug add 6 E7//// D7//// C7////
Don’t touch the fire Reg@ Steve Arroyo and SACP music 2015

Life is strange in many ways you’re walking on quicksand,

play it safe don’t hesitate to keep the upper hand.

Don’t touch the fire or you might get burned,

don’t touch the fire until you learn.

Sometimes it’s wise to close your eyes and see no evil ,

and don’t believe all you see from distant dreamers;

and don’t go looking for amusing things that you will see,
because if you see too much you got to have company.

Don’t touch the fire you might get burned

don’t touch the fire you never learn

solo__chorus__

life is strange in many ways regardless of where you stand,

play it safe don’t hesitate to keep the upper hand.

Extra words__

fast lanes and hotshot lovers, have their day,

whiplash world is crazin’ and and there gotta have to pay.
Chorus__4Xs__fade out__
Double Trouble Reg@Steve Arroyo and S ACP music 2015

I was running through the streets at the age of 12,

driving cars at 15;

I had lots of fun man I didn’t care,

I was part of the scene.

Little did I know at night,

when I fell asleep,
double trouble waiting there,
lying next to me.

Double trouble everywhere I go, double trouble for me,

double trouble everywhere I turn, double trouble you see.

Trading faces changing names,

will last for a while,
jumping in and out of world’s,
leaving with a smile;__

chorus

she bit bit bit bit bit bit bit me,

she bit bit bit bit bit bit bit me,

she told me she lied, she told me she lied,

she told me she lied.

Girls are pretty girls are fun,

when you’re growing up,
but nowadays I’m getting older,
and I can’t get enough__
ad lib. Or/// I’m throwing up__

chorus_

verse one_solo__chorus__out.
Ease Your Pain Reg@ Steve Arroyo and S ACP music 2015

You’re kind of easy, you got a rough,

you kind a down, you’re kind of tough;

you got red hair, I can see through your shadows

I could see through your lies…

Come here don’t make it so rough I can help you;

I said come your darling don’t get mad I can help you out-

It’s weird- sometimes it’s really strange-

sometimes I’m kind of heartless,
sometimes I’m kind of vain__

now there’s something you can use,

you gotta keep my views away__

sometimes it’s hard, sometimes it’s rough,

sometimes it’s strange, can’t get enough.

Come here darling don’t get mad I can help you out,
I can let you know if it’s right or wrong I can help you out.

This mission is like an open book you gotta keep my views away.

Stop right there, don’t look back, you see trouble, I’m your act;
grab your acts, easier mind-come my way,

I’m your act.. New line you got me running

like I don’t know how and this is what I mean-
I got your damage list in my head and I can ease your pain.

Look in the window, what do you see-

a couple of eyes staring back at you-
look at the stormy sky, what you hear-
this trouble coming after you;

here those siren scream, you got to hear just what they mean,
‘ police on your trail, make those sirens wail-

I got it you know I got something to hide-

you know this mission is like an open book
and I can ease your pain, ha ha ha ha, ha ha ha,ah…
Easy Action Reg.@ Steve Arroyo and S ACP music 2015

Easy action all the time, you don’t have no boundary lines,
your girl and I’m a guy and I know you not too shy.

Spilling blood is not for me, take a spin and then you’ll see,
what I want to give me free, my love for you makes me believe.

I don’t want your money, I want your car;

you know that I want you, just the way you are;
I want your money, I want to car,
tell me that I need you, just the way you are.

Easy action, they’re calling me, easy action thereafter me,

easy action thereafter me easy action, easy action.

You don’t have to wait in line, all good things will come in time,
so many things for you to see, my life is full of mystery.

You don’t have to blow a fuse,

just to keep my heart amused,
Just baby hang on to yourself,
remember there’s nobody else.

Bridge__chorus__solo__

easy action guarantee, you’re the thrill that’s right for me;
so many things for you to see, my love for you makes me believe.

and I know you not too shy, and I know you not too shy-

ad lib.__
Egg ball held me on the wall,

she wouldn’t listen to it, I tried and tried all night;

Mrs. egg ball, she’s got a brain to spare,
I can’t be excited by this anymore!

Oh I’m running down the walls; I

’m trying to paint all the cracking balls -wrecking balls;
hey you what you say,
Mr. egg ball is going to take me away-

Sister King fish, came back into my,

came back into my tented hat,
I can’t wear these socks that you bought for me,
it’s only Christmas in January,
how can this be a may foo April dream in June;

and not that soon or late, take me into your cast iron gate.

Mr. walrus help me swim along until I drown drown drown;

Mr. walrus help me swim along until I’m gone gone gone;

I’m picking fruit from within the garden;

I’m picking fruit from within the garden…

Held me on the wall, he wouldn’t listen to it,

I cried and cried all night;
Mrs. egg ball, she’s got a brain to spare,
I can’t be excited by this anymore__ad lib..
Every Doorway

VERSE 1
Time is only a state of art, on this path of faith we should lie;
Catch a ride on an alibi-you can’t hurt me if you try’’
CODA
Every doorway, every doorway every doorway you walk through,
better look before you run to the other side, every doorway;

VERSE 2
On this path of easy luck everyone is for hire;
Search the recipes of Saints, you’r nothing but a liar-

One sea runs to the water,- one fountain runs cold-

One man lives forever; one man lives foreve-
one man lives forever; behind every door-

And every floor

CODA 2
Highways, side ways distractions;
superbelations, lowered ceilings crawling down-
as if to find the door---

The red lights gone, but nothings changed;

the environments, the promise and the rain;

One Door leads to another when you’re walking

through the halls of life, when you’re walking through
the winds of time and all you see is a door
Evil Mood Reg.@Steve Arroyo and S ACP music 2015

The stars on Sunset Boulevard made me kind of wild,

I see a pretty dressed up girl in Holsten’s,
let’s go baby let’s go__

I’m in an evil mood, I I I am an evil mood; this can’t go on forever-

.
You know there are some other weird guys on your street,
but I’m not like that,
give me a chance let me buy you a flower,
take you out dancing just for an hour,

I’m not gonna proposition anyone-

but you, yeah you yeah you..
Add Lib…
Faces of Love Reg.@2015 Steve Arroyo and SACP Music

Faces of love come to me, before I go to sleep;

past offers creeping softly into my deepest dream;
you and I have seen them so many times before,
I can’t be excited by this anymore-

Oh I’m running down the walls

‘m trying to paint in all the cracking balls-
Hey, what do you say,
Mr. Eggball is going to take me away-

Time is an angel with no certain cause-

patiently resisting on the hours that have gone-
craving you at midnight or any time at’all-
Ands I can’t be excited by this anymore-

I’m picking fruit from within the garden-

Held me on the wall-
She wouldn’t listen to me;
I cried and cried all night-
Mrs Eggball Shes got a brain to spare-
I can’t wear these clothes you bought for me-
Its only Christmas in January-
How can this be an April dream in June-

Andoh not that soon or late-

Take me into your cast iron gates-

Chorus__coda__solo
I traveled a mile, and I’ve looked for your smile;
sometimes it’s rising behind me;
like a mirror in the desert, reflections in the pond,
I know it’s your face, no Angels can be wrong.
Verse one__chorus__coda__out__
Falling in Love Steve Arroyo Curt Phillips Reg. 2009 PAu 659-890

Every time I think I found someone—

I wonder who they are—
their faces say so many things—
how easily they charm—

Is it just the thing they put in movies—

Frames of celluloid revolving reels—

(coda’s-2X’sCan’t there be just one—

all I need is one –
(2x’swho’s not afraid of) Falling in Love)— -

These seasons have a conscience—

only wind pain and snow—
You can imagine anything at all-
Writers have a book about novels-
Words don’t mean a thing when you’re alone—

When the summer comes-when the fall is done-

You know ours, this is our-s-- secret season—

Can’t there be just one all I need is one-who’s not afraid-

I’m not afraid, you’re not afraid, we’re not afraid-===
Of falling in love----

Poetry is a high ball for the dreamers—

conjured up by fools with broken hearts
You and I have seen them so many times before-
Its hard livin’ when your giving all that you got-

Can’t there be movies, frames of celluloid revolving reals-

Can’t there be just one- movies, in Louisiana you were a star,
Pouring drinks at ruby’s, getting tipped at car,
You were ever so greatful- you ‘do anything-
I got your notice--------

Can’t there be just one all I need is one-who’s not afraid-

I’m not afraid, you’re not afraid, we’re not afraid-===
Of falling in love----
Ad lib—

Poetry is a high ball for the dreamers—

conjured up by fools with broken hearts
I warned you once for now on in a thousand different times-
Every Saturday, every time you played-
seasons have a conscience—only wind pain and snow—
You can imagine anything at all-
Writers have a book about novels-
Words don’t mean a thing when you’re alone—

Hearts/heads if you see the messages on the screen-

Its not that I feel that you can leave me blue ,I’d be so blue over you-

Wrriters have a way within novels

words don’t mean a thing when you’re alone—

coda—solo--------
Poetry is a high ball for the dreamers—
conjured up by fools with broken
hearts2X’s------Can’t there be—movies—
frames of celluloid revolving reels—
coda—

Falling in Love 3x’s-don’t be afraid—

don’t be afraid—can’t be afraid—
now you can’t be afraid—

Poetry’s a highball for the dreamers

conjured up by fools with broken hearts—if you see

the messages on screen—solo run—

bridge—vs-1—Falling in Love yeah—Falling in Love—
Ah ah ah ah----I’m not afraid—
you’re not afraid—we’re not afraid—don’t be afraid of

Falling in Love-- of Falling in Love

B// Ebm// A// C#m// B//// D// Db// B// B// A// Abm//
Feeling of Love Reg.@ Steve Arroyo and SACP Music 2015

Times can be lonely, times can be sad;

people may leave you they don’t understand;
try to hold on now it’s only a phase;
you going to need some time to rearrange:

stand up tall wiped the tears from your eyes,

it’s all going change in a little while,

we all need that feeling of love, feeling of love.

Difficult dreams that we have day and night,

hunting romances from some other time,
all the mistakes he made in the past,
you gotta let go give you new life a chance:

when it all seems wrong, when the nights too strong for you,
we all need, that feeling of love, feeling of love.

Solo__

The feeling of love leave you out in the cold,

the feeling of love will leave you on your own,
turn a laughing face into stone,
we all need that feeling of love, that feeling of love-

Santa Ana Freeway,grid spills her guts,

And she rolls on in to Marck C Bloome,
but she doesn’t have a dollar to pull the nails out,-

so put $.50 and the record machine,

when it all seems wrong,
when the nights too strong,
when the DJs gone;

we all need that feeling of love, feeling of love.__Out.

Fireflier Steve Arroyo Curt Phillips—Reg. 2009 Rsvd. PAu 659-890

This battle of life—when no-one wins—

I fought em all—yeah-beat me up—
I’ve twisted metal giants in my hand—
this battle of wits—that we understand—

there’s nothing we can say or do—

there’s no one left-here except me and you—
I’m not a liar—I’m a Fireflier yeah—I

speak from the heart—where the Marshall’s/lizards crawl—

and then again so will -- I speak from the post—
I’m not of this world—and then again neither am I—

there’s notthing we can’t say or prove-

Not me not them, not him or you
I’m not a liar I’m a fire flier-
Fireflier fly away—

You saw them coming-with their beaty eyes-

‘telling what to do-not me not them not him or you-
Exposing every truth-

This battle of life—yeah we can talk—

we pulled em up—yeah torn apart—
I’ve twisted metal giants in my hands—
This battle of words we understand-

I’ll be there when the red lights glow-

I’ll be there when you want to go-
I’ll be there when the green lights on-
And the same goes on and on-
My Inca’s falling off my wall-
When the pellets turn to glass-//
Behind the concrete and glass//

this battle of wits yeah we can talk—

we pulled em up—yeah split apart—
we twisted metal giants in our hands—
this battle of life—that we understand—
I’m not free—I’m not a jerk—I’m no buttons on your shirt—
I’m no liar—I’m a Fireflier yeah—

This battle of words—yeah we can talk—

we cut em down—yeah fell apart—
we twisted metal giants in our hands—
this battle of life—we understand—

there’s nothing we can’t say or prove—

not me not them not him or you—
I’m not a liar—I’m just a Fireflier yeah—fly away

I speak from the hole—where the red lights glow-

Down in the in the shipyard of a wishing well-
Nail the boards down so they won’t go slip slip slip-
I’m going to fall through the cracks if you don’t catch my drift--

you see them come—with their beaty eyes—

telling what to do—exposing every truth—

you know—there not what you think they are—

they’re not why we can drive the car—
I’m not a liar—I’m just a Fireflier—
(Fireflier—4X’s) whew ew whew ew

whew ew—ya-ya-ya-ya----ya-ya-ya-ya—
G// F// E//// B//// C//// B////
A//// B//// C//// G add 6 //// Em////

I’m not no button on your shirt,

I’m not the pain I’m not the hurt;
I’m not a liar I’m a Fireflier
Firepower ;
Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890

(Vs-1-You don’t take no—you might say yes—

the winning prize gets you a new dress—

who’s gonna be their for your needs—Firepower—

don’t have the blood to bleed yeah) —(coda-1

You think you are a very special girl-

‘round your neck are some cheap shot jewelry pearls-
And why do you keep tellingvall those lies-
I can see righy through that phony thin disguise-

-You’re asilentgirl and I know you got—Firepower—2x’s)

No mortal guy keeps up to you—Firepower—
I don’t think Superman could too-k-k-kew, k-k-,kew, —
what’s your power good for—I don’t understand—
Firepower baby-- don’t need any man—

You don’t take no—you might say yes—

the winning prize gets you a bet-
—whose gonna be there for your needs—yeah Firepower-
-I don’t have the blood to bleed—
You’re a hard girlto please—but I know what you need—
Firepower- Vs 1 (coda 1—2x’s)—I don’t mean maybe—

show us what you got—Solo

G//// D/ A//// A/ G//// A/ G// D/// A////
Fly by Night—
Steve Arroyo—Curt Phillips--Reg. 2009 PAu 659-890
DFDF
Under the early morning hour of the afternoon—
you dig, dig, dig with the shovel and you’re gonna’ get
DFDFD
the job done soon—

hey you—what you want—what you want to do--

Gm Am Ab Gm Am Ab C

Hey there gonna be there on Saturday—

any way you do—is alright baby—
DFDCD
Fly by Night—Fly by Night—Fly by Night—we’re gonna-- Fly by Night—
Gm Am Ab Gm Am Ab C
Hey there gonna be there on Saturday—
any way you do—is alright baby—
DFD
Fly by Night—Fly by Night—Fly by Night
DFDF
You screw, screw, screw the light bulb in—
give you light to see your world—every thing
DFDFD
has come undone—I am yours—you are mine
Gm Am Ab
Bomp—she—bomp—bomp—bomp—bomp on Saturday—
Gm Am Ab C D F D F D F D
Anyway you do is alright baby—just—Coda

Fly by Night—Fly by Night—

Fly by Night—we’re gonna’ Fly by Night--
Flying Deeper Into our Sky
Reg. @ Steve Arroyo and SACP Music 2015

Carving a stone with only our conscience to guide us,

searching the ground for anything worthy to find:

chorus:

flying deeper into our skies,

We’re flying deeper into our skies-

Treasures of hope buried along with their names,

what is it mean voices that call us away:

flying deeper into our skies,

were flying deeper into our skies:

There’s always a church with the door –

The hard luck that’s been endured-

This is our life, this is our life-

there’s always a war we can lose-

winning is only for fools-

This is our life-this is our life

Carving a stone with only our conscience to guide us,

searching for peace worthy to find:

____chorus__

There’s gotta be something worthy to die for-

or worthy to side/find-
Flying Lower Reg. @ Steve Arroyo and SACP Music 2015

You don’t know what I can tell it’s half an hour late,
were running for the gates to get away.

You see red and icy blue, it’s always up but not to you,
but it’s okay now we’re alright.

Flying lower than we’ve ever gone, and high on the way,
flying lower than we’ve ever gone,
and we still see the light in the sky.

Here we go-over and under- we’ve got our opinions-

it don’t mean nothing to you;

-always laughing I’ll be relaxing-

I’m not the fool you think I am;

Flying over the skies, we don’t live or die,

it’s all up to you, it’s all right, it’s all right-

All right, it’s not gonna be that long from now,

all right, it’s not that far away-
tonight were gonna see or make it through,
it’s all what we do and not what we say-say---

Telegraph keys going pound for pound in the night

messages coming through the phones all right-
the the black lights shine from within your mind-
it’s always up- but not to you-no distractions-
can’t be distracted-

it’s all right it’s all right;

Oh oh oh oh oh wo oh 2Xs

You don’t know that I can tell it’s half an hour late,
We’re running for the gates to get away-
you see red and I see blue it’s always up-
but not to you –address advise and call attention,
to and give command, Sam-
Foreign Girl Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890

I don’t know why I called you—

Love loves in vain-

Am I something to you-/
/I wish you wpould explain//

am I something to you—
should I—should I—should I feel the same—
//do you fel the same/

or I’m wasting my time with a Foreign Girl—

yeah I’m wasting my time with a Foreign Girl—
I’ve been losing my mind with a Foreign Girl—
whew-ew-ew-whew-ew-ew Foreign Girl—

Do you like America—

//from sea to shining sea—
(//do you like the scene//)
and I’d give you-- big money /
And fine designer jeans-

(but you live so far away— )

Am I the one you picked—

in a one way lottery—
or just a lucky number-
someone for you to tease-

or I’m wasting my time with a Foreign Girl wasting my time—

A// C#m// A//// 4x’s to Dm C// G// F//// 4x’s to Dm-
Solo-
If I’m wasting my time with a Foreign Girl—I don’t care—
If I’m wasting my time with a Foreign Girl—I can change my hair—
I don’t speak French—oh no-I don’t speak German—
-we communicate so well—Foreign Girl—

With a Foreign Girl yeah yeah—

with a Foreign Girl yeah—yeah—
Doncha be so difficult when I try-
Doncha be this jealous girl in my mind-

Oh Italia and the cars

Those blond bombshell’s that blow are mind
‘they wear those mini skirts at the bars-
Don’t touch them, don’t look-
There’s something you hadn’t planned for-
All the way from Manhattan-
There’s two kinds of lady’s-

Some are sweet some our sour-

She calls every hour-
She calls every hour-so sweet-

While the others were ready and hot-

‘to take ‘everything and lave-
‘this one’s special and true-
‘see you in an hour or two-

Who’ could show his face shed your fears away-

Shower you with love-like I do-
And I do-

I got a passport to your heart—

and I’ve got a passport to your heart—
I tried to make you happy- I tried to set you free-
Don’t be a jealous girl, - a jealous girl to me--
A// C#m// A//// 4x’s to Dm C// G// F//// 4x’s to Dm-
Fortunes of the Dead Reg. @ Steve Arroyo and SACP Music 2015

His body return to earth today-his soul has lost its way,
he complained of feeling meaningless a shell without a name,
cut crystal adorned his Avenue path his servants are on the take,
with empty head he’s going mad to us he can’t relate.
Bm////F#m//// Em////////G////D///A//// Em/G
These are the fortunes, these are the fortunes-
No more limitations, these are the fortunes-
you’ve waited for-

With continental limousine you know that is here to stay,

a delegate from outer space save us from our things,
with these gifts he’d love to live a full on fitting friend-
playing out through//with// pleasant eyes/hands-,
well-respected man-

(These are the fortunes these are the fortunes of the dead,)
‘You’re acting sought of here—

Green lights of the galaxies keep moving time ahead,

lovers and//of philosophers and fortunes of the dead,
steady hand that picked the notes, music from our minds,
if I don’t make it in this world/life, I’ll come again with/ in time.

Watch them turn around now it’s almost 4 AM,

these are the fortunes you waited for,__out_
Fountain of Youth Steve Arroyo Curt Phillips
Reg. 2009 PAu 659-890

There’s a wild eyed child inside you—

who still carries so many dreams—
of sailing ships and pirates—
and first love fantasy’s—

Then she turns to light -and she’ll be loving you-

looking all around her—and it all will come true//
but you’re never going through

I like the way you talk-the funny things you do-

The way you color your hair-the funny dress you wear-
And the way you drive-you drive so fast-
You try to pick me up—you try to make me laugh-

Lets talk about Suzie-how she greets the world-

She can stay over all summer-She’s such a pretty girl-
Everybody is watching you and we are too-

She’s such a pretty girl’—who renters a gentlemen’s game—

you can offer her furs and diamonds—
so she don’t forget your name—
See her loving smile—from the end of the hotel room—
looking all around her—but you’re never going through-

Then she turns to light—see the colors change—

you bathe in the cool waters- and set sail down the Fountains
of Youth, when you sail, when you sail—Set sail—set sail—
when you sail, when you sail—Set sail—
set sail—On this Immortal cruise-this fountain of youth-

Time holds no answers—for what they have in mind—

take a deep breath and join them—let the Captain be your guide—
he’s always on your side—when you-set sail—set sail—
and if you do that-you’re gonna run run run away-

you’re gonna run for the cool waters-

You’re gonna run run run away-
you’re gonna run for the cool waters-
and set sail, set sail for the fountains of youth—

when you sail, when you sail—Set sail—set sail—

B//// Bb// A// E7//// (2X’s F#m//// E7////) F#m//// A//// E7////
Fourth Reich Reg. @ Steve Arroyo and SACP Music 2015

From country to country limb by land,

we’re gonna run the world with an airtight plan.
Hitler was evil but no were not that way,
listen to the band you know we’ve got something to say:

A real life philosophy, were playing for keeps,

were out for the vote of the youth,
where the fourth Reich the People’s band,
where the fourth Reich give us a hand.

Not like the Beatles before us, or the Rolling Stones,

were not going away, we won’t leave you alone;

it’s the rock in the 90s, and were proud to say,

you know are kicking it off
you know where leading the way /
blowing their fannies/away.

Chorus__solo__verse one__verse two__chorus

I can count up to one, I can count up to two,

I could count up to you on the stairs, I fought for the UN,

an airtight plan the People’s band

put on the uniform and give us a hand.
Freezin Reg. @ Steve Arroyo and SACP Music 2015
Stop at the light, turn up your face turn off your face,
turn off your face and get weird.
I got a plan, I got a plan, I got a dollar in my hand;

your freeze in, your freeze and come on out of the cold,
your freeze in its reason die before you get old…

The come outside, come off the streets,

they come through the pages of the books;

we read it on paper, we wrote it in the sky,

we talked about it for hours, till we died-

‘don’t mean you’re not gonna live,

it don’t mean you’re not going to die,
it’s just like believing something you can’t really see,
night visions from the sky.

It’s freezing it’s freezing, come on in from the cold,

it’s freezing I mean it it’s freezing,
you better come out in from the cold.

You can keep up, you can’t slow down,

you can turn your head, you can turn your head around;

you can’t understand it, but it’s kind of scary,

and the chases you like a monster,
through the park at night;
gotta get away got a get away got a runaway;

it’s freezing its freezin come on in from the cold,

I mean it its freezing , live before you get old-

It don’t mean you’re not gonna live,

it don’t mean you not gonna die,
it’s just believing something you can’t really see,
night visions from the sky.
Get Lost Steve Arroyo- Curt Phillips Reg. 2009 PAu 659-890

Your disbeliefs make me nervous—

package and believe-believe—your annoyance upsets me-
pack your bags and leave—just leave—
this sensation is kind of blemished when all hope
is lost—you’re dis-respectful baby-Get Lost—

I believed you-- when you told me you loved me—

and I would listen- any time at all—
But you intrude on my mind-
and it makes me aggravated—
so just-get out of here- baby Get
Lost—

Green’s the color you adore so I bought you-

I bought you—we walked on the sand and I
wrote your name down twice—so nice—
you’re annoying—quite annoying—and I don’t need you

—so baby pack up your bags and Get Lost----

uh hew hew ewe ew—eh hew hew ew--—

you make me nervous I’m reading poetry-moments-

I’m kind of itchy –you make me nervous-
I’m reading poetry—moment-I get an isotope headache—

pack your bags and I’m aggravated—

I don’t need this --and I’m complicated—
Baby--just pack your bags and Get Lost—
I said baby-just-pack your
bags and Get Lost—

It’s hopeless here me now-

don’t come near me now baby-Get Lost—
It’s hopeless here me now-
don’t come near me now baby –Get Lost—

My hopes are shattered –

what does it matter-Get Lost 4X
whew hew hew hew-Get Lost---- --

A//// //// F#m//// //// 2X’s D//// E//// A////

Get Rescued Reg. @ Steve Arroyo and SACP Music 2015

Gonna get rescued, then will be home;

gonna get rescued then will be home.

Don’t lift a finger, it’s a false alarm,

a five minute warning a lucky charm.
With the heat of tomorrow, the flight of the storm,
stay a bit longer, be forewarned.

Coda__

Gonna get rescued, gonna get rescued, then will be home;

gotta get rescued, a dingdong daddy, then will be home.

You know it’s going to be so good, when the rain starts pouring;
that little bit on the head, in your neighborhood__coda

I’m a Gun cowboy, chick a boom,

chick a boom, oh on the range where the Buffalo roam;
oh on the range where the deer and the antelope play,
oh in the forest, where the trees grow tall,
and the leaves come down in the fall in the fall__

verse one__coda__

don’t lift a finger, it’s a false alarm,

a five minute warning, a lucky charm;
with the hail of tomorrow, the flight of the storm,
stay a bit longer and be forewarned.
Give Me a Ticket Reg. @ Steve Arroyo and SACP Music 2015

If you say go, if you say leave,

where will I be, if I can’t be with you.
Oh, say you want me, if you say you’re there,
how can I be stranded on this Boulevard, on this Boulevard-

Give me a ticket, make me wait in line,

give me a reason I can find some time,
give me your conscience let me decipher;
what is to be a man, to be a man, to be a man,
give me your reasons, give me your conscience,
give me your dreams, give me your dreams,
give me your dreams-

In the cold I was drinking, I was thinking about us,

while we had to yell, why we had to scream,
it’s not like I feel that you, can leave,
don’t leave me blue, I’d be some blue over you.

Yesterday’s a mystery, and of days gone by,

I don’t know why she doesn’t see it like I do,
you can imagine anything at all,
I don’t see why it matters if we fight tonight-

Join me in the hallway, join me on the stairs,

in my cheese soup , I’ll be floating there,
down the rivers of the Nile, and through and through,
your love love love__verse one_if you say go__
Gloria Reg. @ Steve Arroyo and SACP Music 2015

coda__

Gloria, Gloria, why do I want to, why do I care;

Gloria, Gloria if you’re not happy what you hang around?

You wanted my ride you wanted my car,

you wanted a house with a pool in the yard,
you wanted everything under the sun so far;

Hey you what can I do-

I’m only one man I’m only one man,
hey you what can I d-
I’m only one man you need at least two,

coda__

I won’t go dancing because I don’t dance

but you can come over and watch cartoons in
the afternoon with me,
hey you what can I do, hey you what can I do,
I’m only one dance
you need at least two.

Ad lib__
Great Wall—Steve Arroyo—Curt Phillips Reg. 2009 PAu 659-890

South of the border there were stains in the glass—

there was something in your eyes
that kept me awake tonight—

I hear feedback on the shore—

I’m not sure who you are any more—
like a whisk of sand-a fate of hand—
nothing I can say could make it any different—
unless you changed your hair color—
and moved in to India my friend—

Off the coast of Bengal there’s many tigers waiting—

they’re usually colored-orange and white—
I can notice but there’s color in the stations—
the Great Wall of China tonight-

There’s so many bodies buried in the Great Wall of China—

seems the workers got tired
and there was no place else to put them—
So there further as we make our way up north
to the Atlantic Oceans and the sniveling sarcophagus –

I see the walrus float and turn into a wheat field—

I see the Martians landing—
F#m add 6th//// G// F#m 6//// -(Bm// E// A// D/ C#/ 3X’s) Bm// E//-
(F#m add 6th// G// F#m 6) G// F#m6
Bm// D// A// E// / F#m//6 G/ Bm// D// A// E//
Gypsy Baby Reg. @ Steve Arroyo and SACP Music 2015

Downstairs from my room when my eyes captured you-

is sequined dress you hair was a mess your glittered and taboo.

And all the boys hanging around-

tried to pull their money out,
but to slap their face and winked at me-
and charmed me with your clout.

So malicious that I wrong, so funny, I can’t be wrong-

she’s just kinda crazy, a little bit off the chair,
she’s my Gypsy baby, living without a care-/going everywhere.

Gypsy baby, Gypsy queen,

Gypsy lover, and a rockers dream;
Gypsy baby, my my my, Gypsy queen,
Gypsy starlet and a rockers dream-

We went out romancing she talked about her past, __ad lib
From the futures past through the walls we crashed
there are mama was Gypsy, really hard as nails,
She liked to read their fortunes ad lib
Footnote see live versions for additional lyrics?
Hard to Get Reg. @ Steve Arroyo and SACP Music 2015

I don’t know why I had done the things I did,

and then one day I saw a light,
it was bright as a camera flash;

Writing a space machine,

like a flying saucer you know what I mean;
kinda hard to get it landed in front of me;

I became a little worried when I saw a hatch open;

at a ladder descended; that I saw two people,
who looked very human,
they slightly resembled the Japanese.

There was a moment of silence,

then they began to speak to me;
they explain what I couldn’t see about a flying machine;
they said they speak the languages,
and said they created life in our image;

Oh yeah and I was pleased,

I became worried when they pointed fingers at me;

and said something was lost in translation;

all thereligions are laboring,
bringing to their needs, their messengers, messengers.

And I was so pleased, yes I was so pleased-

when they looked at me and said,
hey, you’re one of us, you’re one of us.

600 messengers came round the bend

everyone thought it was hard to get;
hard to achieve, hard to get; so hard,
so hard, so hard, so hard to get.

Dashing through the countryside,

skipping over the land and sea;
I could hear it fading in the wind
your name you see. ad lib__
Harder to Run Reg. @ Steve Arroyo and SACP Music 2015

Try to find someone that will be loving,

solid as a rock to hold you up;
but even if you thoughts are kinda messy,
they can’t overlook when it’s too much,
it’s just too much__

yeah I’m just a man kicked me down the road

with only my clothes are crying,
if I’m just a breeze, send me to the cold,
with only my clothes for lying?
We come in cry and versions go out pretty hard,
in between the pages, waging petty wars;
when you see the light follow through the lines,
if they let you in you better run;
and if you have a chance to do another dance,
please let us know how it’s done-

Walking time bombs, what are you on,

self-esteem is low, nightmares scream no;
Look at pictures, oh great pictures,
they are not your face, it’s not your face:
Yeah it’s getting harder to run,
yeah yeah, yeah it’s getting harder to run,
harder to run:
do you know them, or forgive them;
who’s in your bed, or in your head,
higher power, voice is louder,
deadly potion, killing motion;

yeah it’s getting harder to run,

yeah it’s getting harder to run,
and your as good as they come,
yeah it’s getting harder to run;

slay the dragons one by one by one,

arrange the pieces, as they come; harder run;

walking time bombs, what are you on,

self-esteem is low, nightmares scream no;
look at pictures, those great pictures,
they’re not your face is not your face;
yeah it’s getting harder run,
yeah it’s getting harder run,

slay the dragons one by one by one;

arrange the pieces as they come; harder run.
Having a Talk Reg. @ Steve Arroyo and SACP Music 2015

Streetcar named desire is one I never seen,

what you think of me on this odd night.

You say it’s for the best, I say put it to rest,

at least we do agree upon one thing:

having a talk but I’m so ready open,

I’ll put words in your head,
having a talk with my baby again;

having a talk but I’m not ready for lustfull sentiments,

have a talk with my baby again.

Steve was invited by UFOs your views are unique –

but they’re putting me to sleep wake up and count the sheep;

the wars in Bosnia, your favorite soup du jour

it’s the thing that we can teach.
See the white tears flow and,
see them down your cheek,
see the white tears flowing,
I’m just having a peach;

streetcar named desire is one I’d never seen-

what you think of me on this odd night.
just having a talk, just a little talk,
we’re just having a talk, with my baby__solo__

Talking too much, yet were talking too much,

I do want to talk about Bosnia I want to talk about the war,

I want to talk about the clouds above, I want to talk about heart ache city.

I don’t want to see those white tears flowing,

I don’t want to see those white tears:
you say it’s for the best I say put it to rest-
at least we do agree upon one thing.
Hear the Words Steve Arroyo Curt Phillips Reg. 2009 PAu 659-890

There’s fire in the sky—I see it coming—

It kind of burns my eye-it kind of makes me
seek water—I’ve got to run for the mountain—
I’ve got to run for the sea—I’ve got to get
away , any way I can-this is coming to fast—

(coda 1 Hear the words of the mortals-

Hear the words of the damned-Hear the words of
your disciples—Hear the words of a man oh yeah, of a man)—

He tries to tell you to be honest—

He tries to show you what your doing wrong—
He tries to warn you of the coming reign-
He tries to hold you—
(coda 2 Hear the words that he’s saying—
Hear the words from his mouth—

I’ve got understanding- no distractions baby—

Don’t be distracted)—Solo-

I tell you what—what-what-what is a man-

I tell you what- what- what is a man—

He speaks from a conscience—He speaks of his truth—

He’s got a message he’s tryin’ to
save—Give love a chance-

Vs 1- vs-3 out
A/// C/ A/ A/// F/ A/
Heart ache Train Reg. @ Steve Arroyo and SACP Music 2015

If I could rewrite the movies, this devoted life I’ve lived,

I make a lot of changes, and have you in my head;
of all this magic voodoo at of semi should forget,
it all would’ve a lot safer with you here,
so let’s fly to a safer world. /place-

There’s a million reasons to want you,

a million more to leave-
soI’ll be getting my things together,
if you can’t tell me why I should stay:

You see you broke my walls,

you smashed up my favorite TV,
but the last straw came when you couldn’t say,
you couldn’t say, you love me;

I can’t live in the psycha ward,

I won’t be a guinea pig for your games,
I warned you once from now on in 1000 different times,
I’m running to the tracks, leaving on the heart ache train,

leaving on the heart ache train

/I’m jumping the tracks/leaving on a heart ache train-
I can’t live in this psycho award.

Remember when we were high school sweethearts-

and my love was really parched,
thinking about the way you hurt me, breaking my heart-

I use to seek dark sarcasms-

the way you made fun of my hair-
it seems that in love, nobody’s really there--
it seems that in love nobody really cares-

But times with you seemed so different-

Pleasant times spent with you on some Saturday-
Heart in Chains—
Steve Arroyo—Curt Phillips—Reg. 2009-Rsvd-- PAu 659-890

I’m a man of structure-these chains are tough-

‘hey I’ve got bolt cutters if that ain’t good enough-
I tell you there’s something-
That really grates on my fence-
I’ve got enough worries-
Without you making any sense-

You really do have a hold on me—

you’re the sweetest girl—I ever did see—
but you run away—when I call your name—
and why do you have to lie to me—
I can feel a lack of sincerity—
do you even care—or did you ever care—

If you can tell the future-tell me mine—

c’mon little sweetheart/darling—
I’m running out of time—
I’ve got to—I’ve got to know—

Heart in Chains—when I call your name—

you got my Heart in Chains—and I call your name—

I really do wish you’d set me free—

before my heart begins to bleed—
do you even care—or did you ever care—
and why do you have to lie to me—
I can feel a lack of sincerity—
do you even care—or did you ever care—tell me true—

‘Cause I can’t stand being in the cold—

if you want me honey—got to let it show—
I’ve got to—I’ve got to know—

Heart in Chains—when I call your name—

you got my Heart in Chains—and I call your name—

There’s going to be a railroad coming through your town—

hey I’m the conductor—so don’t let me down—

One time I was standing lonely—two times I was out of luck—

I’ve got to—I’ve got to know—

If you can tell the future-tell me mine—

c’mon little darlin’—I’m running out of time—
I’ve got to—I’ve got to know—
Heart in Chains—when I call your name—
you got my Heart in Chains—and I call your name—

Heart in Chains—Heart in Chains-4X’s out--

Key of E tuning--
E// B// D// A// E// B// G// D// E+11th
Heartache City
Steve Arroyo—Curt Phillips Reg. 2009 PAu 659-890

Things known and un-known—

I’ve found reality is best when decided within—
Heartache City-in-Heartache City—
Heartache City-Heartache City—

looking in your clouded eyes—

looking in your clouded eyes-
you see that it’s no surprise—
Heartache City yeah—
Heartache City-yeah—

In Heartache City—you’ll have to move along—

in Heartache City the heartaches are all gone—
(coda 2-too strong) (Coda 3-too strong)—
in Heartache City—it’s the same old song and dance—

Looking in your lovers eyes you---worry—(vs 4-wonder)—

if she’s ever been with you at all—
and after all the time that’s been invested—
she turns the other way and never bothers to explain—coda 2—

Looking in your lovers eyes you tremble—

and you see another man inside-
and after all the time that’s been invested-
she turns the other way—
and never bothers to explain—coda 3—
You want to dance—you dance all night—
you’re dancing with my friends—you’re dancing
with my wife- and you’re looking at me like I’m some kind of weirdo—

Looking fast in to your lovers eyes—you see it’s no surprise

In Heartache City-The heartaches are too strong-
In Heartache City-We’ll have to carry on-
In Heartache City it’s the same old song and dance my friends-
You put your fingers on the maps-
You put your finger on the maps-
I don’t think the white coats like that
I don’t think the white coats like that-
Heartache City’s not a bubble world

We painted dark sarcasms blue over the axis of love-

Do you remember Samual Adams?
Em//// G// D// A//// C// D// A9
Here and Now—
Steve Arroyo—Curt Phillips—Reg SACP@.—1987-2016

Am7// Dm7//
Hey Bubu-get clean—you know this ain’t your scene—
tried looking around—never found what it means—
Wasted women—wasted time—
spend your money—spent your dime—
You kind of aggravate me—
I’ll just sweep you under a rug—

F#m G F#m G
It’s a fiery zealous time-- for me and you—
don’t be playing with my mind—leave it behind—

Am7 Dm7 Am7 Dm7 Am7 Dm7 Am7

You’re so malicious-- and I ain’t wrong—
so funny— I can’t be wrong-

locate your heart—establish my ground—

knock three times if you want me to come down—

F#m G F#m G
It’s kind of aggravating—the way you comb your hair—
It’s kind of infuriating—the way you stand there—

F#m G A G F
Proudly at the sun—I can see it come undone—
I am Here and Now—Here and Now—
Am7// Dm7//
Solo-- //// ////
Hero’s—Steve Arroyo—Curt Phillips –Reg. 1987—2016@

Too many wars about religion—

Too many suffering-the fate of the dark—
Too many kings making decisions—
holding cards and lives—
others weep while others die for—

Hero’s—

Feeling no conscience out in battle—

be it on Wall Street or the dirt of Tehran—
Another hazy Babylon begins to fall—
//and our backs’ against the wall//
//holding cards and lives//—
others save and others die for— //
others weep while others cry//

Hero’s—I don’t understand—

why our- Hero’s- are unfit to command—
Our Hero’s would like you to believe—
Everyone is grateful on their knees—

Would like you to believe—

everything is going as you please--peacefully—

Solo—
You’re gonna have to face the facts some day—
when you wake up and you understand-

The faces are every where-you don’t care—

what they say--you can sell em as a story—
sell em to the night—sell em to the left—sell em to the right--
A// G/ F/ C/ B/ G////
Hold Out Steve Arroyo Curt Phillips Reg. 1987-2016 SACPAD

AGAGAGFE
There’s a light up ahead—I can see it shining—
there’s another one that’s not a part of you—
You see them—A—coming—G-- again—A-
-they’re trying to –G--free your angel—
its –A--another –G--page in a –F—
book you never –E--read—

G7 F7 E G7 F7 E
‘I said—Hold—Hold Out for me—
hard luck sure comes on fast—never free—
never—it’s never free—G7—F7—E—
nothing comes for free
——G7—F7—E--
AGAGAGF
You better hold out—
‘you know they’re coming your way—
They’re tryin to change your life--
the way you –F—live-- the way you –E--see—

you –A--better –G--Hold Out—--A—

they’re –G--coming again—A-
-they’re –G--not your friend—F—
Hold Out for –E--dreams—

FEFEFEE
Oh they’re coming again—‘I can see it landing—
they try to make contact---I can’t understand the way I feel—

G7 F7 E G7 F7 E
Hard luck sure comes on fast—never free—
all the future holds is at your feet—your point
of view— G7 F7 E oh-oh oh --- G7 F7 E --oh- oh- oh—

AGAGAGFE
You better Hold Out—evil witches are coming—
you can see them try to turn away from life—A—G—
be on the look out—lookout—A—
I think they’re coming—G-- your way—A—
you know they’re trying to –G--change your—F—E-- life—life
—--F—E--let em change your life—F--

E—‘change your life—( G7 F7 E 4x’s)

A G A G A G You better Hold Out—
I think they’re coming your way—
don’t let them try to change your—F—E-- life—
be on the—A—G-- lookout—A—
they’re –G--after you –A—G—F—E-
-run away—F—E--you better run away—F—E—F—E—

G7 F7 E G7 F7 E
Hard luck sure comes on fast—
try in to hold on to the future’s past—
the future’s past— your point of view--
G7// F7 // E////- Uh-uh-huh----uh—uh—huh—
Hold Out— G7// F7 // E////-you better Hold Out
for me—F—E—

F—E-- F—E -- G7 F7 E
I see another light in the sky—
it’s turning from red to green—red to green—

G7 F7 E G7
The yellow monster’s staring—in to the car—
you got to—drive-drive-drive-drive-drive-drive—
F7--drive real—E-- fast—
You got to—G7--get-get-get-get-get get get—
F7---away—E--fast—F—

there’s another light in the—E-- sky—it—F—

follows you so closely—E—
the—F-- infrared –E--eye of the monster is staring –
F--into your head—

what do you think—E--—don’t think a thing—

AGAGFEAG
They’ll never know—they’ll never know—it’s all a game—
December 12th you’re driving—A—
down the—G-- 405 and hiding—A-
-there’s –G--bigger fish---
you’ve got to –F--lay low—
Hold Out—lay low—Hold Out I know—A—
Hour by Hour Steve Arroyo Curt Phillips Reg. @ 1987-2016
Bm/C G F#m Bm// D// C// A// Bm// A// Bm//

Bm C
If you can’t wait for a while —I can’t wait for you—
if it doesn’t matter what we say—
it doesn’t--Bm-- matter what we do—

‘ got a picture in my pocket—

‘ got rain in the clouds—
‘s got a –C--reason for your existence now—Bm-
‘the same go’s on and on-

G F#m Bm G F#m Bm
Hour by Hour—day by day—
you’re conscience is stronger—I’m on my way—

Bm C Bm C Bm
You’ve got—all the pieces placed—
and you’ve got me—in your hand—
now-I can’t move in your presence—
no—C-- matter how I try—Bm-
-I’ve got to get out –A--alive—on this –Bm--plane—

A Bm A Bm A Bm
Hour by Hour—you come and move me—in to different seas—
Hour by Hour you come and move me into—G--in to—F#m-
-my—my—Bm--yeah—it’s my--C—my—my—Bm—A—
Bm--light—my my—

A Bm A Bm A
Watch the people dance—it ryhmes with blue- romance—
you’ve got to field before you—Bm-- fly—
you got to—G--walk before you—F#m-- hide—

Kind of awkward and practiced now-

kind of upside, upside down-
kind of flip flopped in my town-
guess you're not just ships that 'run aground
This is what you wanted-
This is what you needed-

C Bm C
Check out this place—
I know we’ve been here before—
in an astro-plane from Venus—
I –Bm--saw you through the door—‘
might have –C--been from Egyptology—
might have been—Bm-- the realms of astrologies
—of—C—
or-life before we knew it—as we are—
Bm--A—as we –Bm--are—

C//// D3////(3rd fret C chord)2x’s

C D3 C D3 C D3
Walk before you fly//field before you dance//
Check out true romance
Dance before you sigh-
you’ve got to dance before you—tie/cry/die-
ew hew hew—ew hew—hew—ew hew—

C-- hew—D3

Bm C Bm C
I’ve got many—different ways to dream—
I’ve got a million ships on the shore—
they are ready to leave—
my—Bm-- gold is your discovery—C—
I’ll give it all away—you know I’ll –
Bm--give it all away if I—C-- can—

Bm A Bm7 Bm A Bm7 Bm A
Nothing we can say means it—
nothing we could say could mean it—
nothing we can do can—Bm7-- change it—Bm-
-any way we—A-- are we’ll—Bm7--face it—
SOLO--
(A—Bm 4’xs)

Bm C Bm C
Spirits can follow—any track they find—
through a million streets—up and down your spirit—
Bm--now we come to—the—C-- anti’-pas of love—Bm—
we see it’s not so—A-- different from –Bm--before—

Bm //// C//// 4’xs Bm A Bm7 4’xs to Bm to C 6x’s to Bm out--

Ew hew ah ah ha 4x’s give me a reason to live—
gotta give me a reason to be—give me some
substance to walk on—
/-I can’t walk on this water you see—

(Bm to C –6x’s)--it’s like ice falling from the mountain—

it’s like steam coming from the sky—
Its like a missile rain in October-
Tell me the truth about lies-don’t ask why-
—this is what you wanted-
This is what you needed—

-(-oh yeah 2’x’s)A-Bm 4X’s-

Bm C Bm
Rainy November, distant March—clouding my eyes—
clouding my vision now—the streets are cold and lonely—
your face is in the light—
I—C--follow but I can’t prescribe-
to this –Bm--imagination—
How Wild is the World
Reg. @ Steve Arroyo and SACP Music 2015

Screaming cops and screaming babies by a mile my,

wondering what’s going on we cry and cry and cry;

coda

Go in to the rooftop, just you and me;

Were gonna make the people happy just you wait and see,
were gonna be together were gonna live forever;
but I’ve got a question for my girl:

How wild is the world, I want to know how wild is the world;
but I got a question for my girl__

Politicians and preachers dance and right on stage,

wondering what’s going on I slowly turn the page,
cops do this and caps do that man do I have a chance,
I’m holding all the silent pieces in my pretty hands,

coda__chorus__solo

verse one coda chorus ad lib.__out__

Social Debate Song-
Reg@ Steve Arroyo and S ACP music 2015

old/my records/are old and pretty scratched-

and sometimes I’ll even fall off the track,
but I still find ways to rock ‘n roll,
singing to my mirror//friends//boss//
and a silver a poll--//can’t let go/
we don’t even know—
Golden ashtrays and satin hats,
what I get/want in my life sublime,
and I don’t care what it takes,
an open concert arena a/free// outrageous debate
I want that scene that’s where I’ll be/
Front page of the times and the silver screen,
silver screen yeah.

Rhyme and reason you’re gonna take me down-

You can’t stand still-you can’t turn your head around-

Everybody wants it—(A7)everybody needs it-

Everybody calls it nobody stops it-
I want that scene-that’s where I’ll be-

//Carnal knowledge taught the lesson-

Your secrets are my prise possession-//

old/my records/are old and pretty scratched,

and sometimes I’ll even fall off the track,
but I still find ways to rock ‘n roll,
singing to my mirror and a silver a poll—

Everybody wants iteverybody needs it-

Everybody calls it nobody stops it-
Carnal knowlede taught the lesson,
your secrets are my prize possession-
the(E7)night has memor-ies to clear.

And I don’t care what it takes-

political outrage social debate,
I want that scene that’s where I’ll be,
front page of the times and the silver screen ,
Repeat_chorus__verse one__chorus__ad lib.__
give me prestige, give me prestige,
a little prestige, PRE ST IGE prestige
don’t take it too slow, don’t take it too fast, ad lib.__
I Cant Breathe Reg@Steve Arroyo and SACP music 2015

I am a street gang monkey an adolescent flunky,

I do a mean black widow dance at your feet;

of a sex starved teaser, a reptile pleaser,

gotta run for the highest office, yes I’m elite.

Got to catch a flight to Manila, they think Im a sci fi thriller

running from the law and society-

I can’t breathe, I can’t breathe,

can’t breathe, I can’t breathe .

Got an arsenal of weapons,deep inside my mind,

like to talk to Congress, about genocide,
and the ranks of power, would stop me in my tracks,
I stole the golden key, and they want it back-

Coda__solo__coda__

Better take a train to the country,

you know I’ll be there Sunday,
gotta go to church and let out a scream.

There are to me for ransom, I’ve got a killer’s passion,

they better set me free__coda solo__verse one__coda__out__’s.
I Did Reg@ Steve Arroyo and SACP music 2015

We heard those voices, we saw the ships

you ran and ran and ran but you know that I did,
I really did, I really did,/you know the idea, I really did;

submerged in void land, unglued from luck,

he/she/pulled another one, it wasn’t enough,
but I did yeah I really did, you know the idea, I really did-

Crashing and smashing those walls of doubt,

crying out to the books they wrote-
lifting those Golding cows, how now, how now.

Changes will never hurt you baby,

changes will never hurt you babe a…?

Ad lib.___ad lib.__solo__verse one__coda__out

If You Go Out Reg.@ Steve Arroyo and SACP music 2015

if you go out looking for a way to the world you know,

you’re likely to find-
‘that if you can’t bring back something home don’t worry,
it’s going to be all right.

I’ve got hands across this nation,-

hands to set you free,

and if it’s not what you want you scream for justice,
but don’t turn your eyes at me-

Now there’s clouds hovering over the rainforest,

as a rod and they burn away,

Uncle Sam’s going to hit you for 20,

if it’s not legal California ,

One false move then you’re goin down down down-

Down to the ground, we gotta go up, higher higher ,
want to turn around and go up, higher higher.

Not kinda spiritual, just kind of you and me,

not kinda spiritual, just kind of’s you and me;

We both gotta stay on this plane, -

ands turn around and try to fly-
‘ands see how far you get without asking permission-

‘try to walk inside a circle and step outside a line-

They’re gonna beat you up ands-
I can see it dripping down your cheek –

a poor baby, pretty pretty pretty pretty mama’s baby,

don’t cry, you better not cry;

You better stop playing,

you know you better stop playing,
with my head, with my country,
with my life and with my Cadillac limousine.

You better stop__better stop-look around-

tell me what is real to you tonight-
if you think it’s only pink perfume,
you can squeeze a rabbit,
but you never gonna make it-eat a carrot-
you never make a poor man-
produce silver in your hand in the land of Israel-

You better stop playing- you better stop playing-

With my head with my life with my country,
And with my Cadillac limousine__

so if you go out looking for a way to the world,

thatyou know you’re likely to find-

Uncle Sam is going to hit you for 20,

if it’s not legal, California IA__

ad lib.__solo__depends on ad lib. version__

Version 01 E/B/E/B/E/B/E/B/ D/A/D/A/D/A/D/A/ C#M////A// C#M//A/B

Version 02-C/G/C/G/C/G/C/G/ D/C/G/D/C/G/D/C/G/D/C/G

A/F/C/G/ A/F/C/G/
If You Say Yes Reg@ Steve Arroyo and SACP music 2015

It’s been a rough year so very hard, Be discouraged now,

‘ round the corner good luck shaking up this lonely town.
Help me change all this black is to blue,
I will go if you need some .//discount you, and discount me, //
groove, hit the groove--//

If you say yes I’ll confess-

I’m not the easiest guy to please you can believe;
but if you say no I will leave tonight on the latest flight,
if you say no I’ll be out of your life on the latest flight;
but please say yes, please say yes, don’t say no, tonight;

Every time the evening strong, it makes me wonder,

you’re gonna shake it up, shake it up;
I don’t see why you can’t see it to- too-too,
will you help me change//
this black to blue//your point of view,

but if you say yes say yes,

if you say yes don’t say no, no no no__

Every time the evening strong,

it makes you wonder, you’re going to shake it up,
I don’t see why you can’t see it too,
can you help me change this black to blue-
but please say yes,
please say yes, don’t say no, don’t say no__

ad lib._solos_refrains_out_
I Love This Girl Reg.@ Steve Arroyo and SACP music 2015

There, I was just walking around,

I didn’t have a care, I put on somebody else’s hat,
and they showed me to breakfast.

Oh I didn’t need some gum,

but I didn’t know she was standing there-
she was working at a diner on 42nd St.
when I came in for a little bit to eat,

I just couldn’t-you know she was a nice girl

and it just wouldn’t be right-

What time she get off work-

well I guess it was about nine that night,

we went out dancing home

I wore her wages had we went out.
Oh it was something when someone had
stole the hubcaps off her car;

she didn’t get back for a while

I told her I could help you find some__
she was much obliged –

so we got back to my house, I invited her inside-

because she was so obliged-and I said-
you know my cousin is in the business,
I might be able to set you up with something
and I wouldn’t report this-
to the insurance company if I was you-

I wouldn’t want to make you walk home in the rain

even if it’s not raining-

let me check on the inventory of hubcaps

and see if you can get some cash?

(Clears throat), be right back__

so I was looking around the corner-

and found some other girly outside,
now she seemed to be lost, -

Miss the buss or something, and I’ve got one inside,

one outside, put caps on this one,
ands this one’s trying to hit me with her purse-

I baa__I wasn’t doing nothing there’

s some alligators down the sewer,
subway train-rats get in the way__

Anyway, it was kind of ugly-

I get back to the love of my life, my girlfriend-

guess what honey,

we’ve come up with some hubcaps for your car;

my’ wont you give me a little kiss on the lips;

we’re going to sell you some hubcaps nows
and get back to your car.

You only need may be $10 each-

Now if you and your friend like to meet my cousin, myself-

that wouldn’t be so bad maybe—

she’s got a car too, yeah what year would that be?
A 63, that’s all right with me-

‘Cause I love this girl in the coffee shop that I met,

because I love this girl in the coffee shop that I met,

such a sweet thing, nice car too,

you know sometimes she lets me

borrow it on the weekends.

Out___
Im Going Out Reg@ Steve Arroyo and SACP music 2015

I’m going out, I’m on the loose and I’m after you I’m out-

If you got the time baby-

you know I’ve got something for you,
it may not be that really blue the way you want it.
But if you’re kind_baby_ I’ll be there with you,
I’m gonna be so innocent tonight –
you’re gonna think I’m someone else.

I’m going out now I’m going out on the town,

blow my money out,
I’m out, ew hew ew hew;
I got your picture, I got your name,
I got enough time to spend,
I got enough things to
worry about__

I got enough time to spend with you,

I’m on the loose in them after you__

I’m going out till I can’t see straight_

till I come home late, waiting for you_

don’t be angry-don’t be angry-

don’t get mad-don’t be unjust.

__Position a solo/optional/repeat verse one coda out_

In Your Head—
Steve Arroyo-Curt Phillips (Reg. 1987—2016@SACPAD)

Up and down your stairs—I climb—I’m getting higher—

Your religion-- is wilder than my imagination—//
You’re strange Imagination makes me tire-//
how can I be like you-if you don’t like me—
how can I stand by you if you don’t stand beside me—

(I’m in Your Head-- I’m in your Head again--)

I’m In Your Head—oh In Your Head—

I’m stuck deep inside—In Your Head—

Your freeway burns like a--million candles in high sea’s—

how can I //climb-climb into your mind-
(how can I drive—drive into your mind—)

In Your Head—when I don’t want to be there—

In Your Head—I’m in Your Head—
when I can’t really see it—
I can see it coming—---- from above-
hitting me like a sledge hammer baby—

In Your Head—that’s where I want to be—

In Your Head when I can’t be sleeping—

In Your Head—In Your Head—and I can’t be dreamin-
—In Your Head— That’s where I want to be-

Knock three times-on the door-make an Indian sound—

I hear the voices—I feel the flute-
of an Indian burial ground—

raise your spirits—take me higher—let me down easy—

I know you’ll be there in an hour oh take me in—

You pound down the street lights- let’s go—

hey it’s green—hurry up—dye your hair—color your lips—
light frosting--here comes the president—he’s dressed in a suit—
hey there Lincoln—free the slaves—

I’m not brainwashed—I’m not brainwashed—

(A/ F#m 8X’s) B// D// A/ F#m A/ F#m E7

Indiana Reg@ Steve Arroyo and SACP music 2015

It all comes together in Indiana-

where the fields grow tall –
and the rivers flow-
under my big nose-
and the Chicataw bow
and the Chicataw Indians go wew wew wew wew wew wew…

Old Indiana, looking for quails,

gonna grow some soft soft fruit,
on their slippery tales,

and I might me some metal bars and build me a jail,

cause I’ve been a bad bad boy-

Indiana,’ that’s where I live –

And the Indians go
wew wew wew wew wew,
the United States of America-

Indiana and the Chicataw Indian’s-

Smoke signals rise from east to west-
over and over again-
peace signs fly and their smoking on the pipe.
Iron Gates-2 (IG)@ Steve Arroyo and SACP music 2016@

You’re dressed in Holsten’s-you bathe in sin,

you walk a mile--- pure as honey __

you open these iron gates, -I can hardly wait

You got my number---open my tune/tomb-

call me sugar /made me groove/
hit my blackjack— made me look—
hey I’m crazy for your good book’s,
(take a secondhand look;)

Open those iron gates-

Cause I don’t have that much time to waste-
‘by this time on the marrow-
I’ll be, I’ll be—

Won’t you learn to tell the truth-

I’ve been warned about girls like you-

(From a high chair her parents just stare-

It’s a fine line a very fine line between-
Love and war-)

(You’re asking for something while-

Demanding so much more-)

Our future’s deadly as a head--on crash,

we see it coming but we can’t move past,
were both running on broken glass,
reckless in the fires of life.

You open those iron gates-- I can hardly wait.

Standing in the spirit of mortals,

imprisoned for crimes we didn’t commit,
suffocated by cancers, Aesop’s fables
just don’t seem to do the trick anymore,
We almost touched the other side-
when we go out there-
riding the dark-
the open those iron gates—
because I can hardly wait to see.

Island Earth Reg@ Steve Arroyo and SACP music 2015

Oh yeah,

Oh you know it know it know it know it babe a 2xs

You got a red----red red light–
You place it on your dashboard and drive
you look at all the green lights go by, I’m hitchhiking.__

Now it’s gonna be a while till you call me,

gotta be a while until you call,
I’ll be there waiting with my hands open for you__

it’s just another day, as the clouds roll by,

it’s just another day yeah yeah:
on island Earth, on island earth,

just another day when you call my name,

you walk away and probably speak,
I bought you that Houston,
you look so good in high heel shoes-

Now that were going to all the old places, places;

now that were going to all the old places_’s

it’s another day__island Earth__yeah island Earth.

Is just another day when you play that game-

you walk away and probably speak.

Island Earth you can warm me, you can be my wife;

island Earth, you can plant a garden, you can be all right.
Solo__

you got your Chevy baby, you drive it fast,

you’re running but you won’t last,
but it’s gonna be a better day you know-
when the rain starts pouring—
and you swing like a parachute from the sky,
fly my kite so high, so high:
oh you know it know it know it know it baby__2Xs
Island Earth you can warm me, you can be my wife:

island Earth you can plant a garden,

you can be all right. 2Xs out__

I Wont Reg.@ Steve Arroyo and SACP music 2015

There’s another place you can go,

another place you can be found.
Take a look round any street you want,
tried to live up and down.
Say anything it don’t matter to me-

I won’t I won’t I won’t know,

who’s telling the truth,
who’s guiding our youth,
I won’t I won’t I won’t know;
take no chances, I won’t I won’t,
‘at the Council of war, standing alone-

When we get up in the morning-

will we have our breakfast in bed,
or is there a loud annoyance in your head-
or does she only want to play on your hands of fate?

‘When I go to heaven I just might want to see you there,

Leave a deposit there with my name on it,

will you meet me halfway will you meet me halfway,

had to take a coffee break, everybody moves and shakes,
this is what we can’t debate, our love, I won’t know:

I won’t know, who’s driving your ship,

who’s giving who lip;

take no chances, take no chances, I won’t I won’t.

They run with the path that ill and faded,
who’s in charge of the solarium, Ginea-
powwow world stain glass houses, and anti-equations,

Solo__verse one__coda__out__
Jealous Girl Reg
@2015 Steve Arroyo music SACP
So respectful in your very own special way and hard-edged,
‘never take no bad talk, this is the end-

here and now I'll tell you don't worry about my honesty,
here and now I’ll tell you don't you worry about it.

Don't be a jealous girl no I know you'd like to,

Don’t be a jealous girls you know, ‘I’d like to keep it that way-

Here and now now we've come-

to a very special place-
I've got enough money to keep us happy-
for another couple of days,

I know you're so respectful in your mind and attitude,

Never take no bad talk baby- --let us move.

Don't be a jealous girl-

when you want to see me shine-
don't be a jealous girl-
it's hard to imagine sometimes-sometimes-

Sometimes it gets hard to imagine- how we make it-

and different strokes for different folks-
you can't hardly take it-

don't mind this conversation it's going nowhere,

so respectful, so neglectful, everywhere-

Don’t be a Jealous Girl-

I know you got more than that
Don’t be a Jealous Girl-
ya know I know you better than that-

I tried to make you happy-I tried to set you free,

don't be a jealous girl a jealous girl to me-

Don’t be ew hew’’ a Jealous Girl-

Don't be, --a jealous girl

you've got the right,

you've got the complicated mind,
you've got your systematic-
flow-you kind of make the bedroll go-

Don't be so difficult when I try-

don't be this jealous girl in my mind-
Solo__

You've got a lot to love, you got a lot of places to be,

you want to be a doctor—a dollar-an orthodontist-
and put your braces on-
you try to walk up the stairs at midnight-
you kinds push my doorbell sweetly-,
it makes noise, ding ding ding-

Don’t be a jealous girl,

don’t be one of those things-
Don’t let it go in to your head-
And you shuffle it around-

Don’t be- don’t be- so complicated-

Don’t be-----

Ew ew hew ew ew ew hew-
owe- ew ew-Jealous Girl-Xs

Solo-s--
OUT__s
Jet Black Reg .1987- 2016 @ SACPAD music

She's a party scene she's out to please-

she's everyone you want to know-
she's really wild and super styled-
anywhere you want to go-

when she moves she is right on time-step in really high-

with all the diamonds and the frills-
she doesn't have to try/lie.

Coda: She might be your baby, she might be your friend,

she might be your lover-again and again and again,
Jet Black oh oh Jet Black-Jet Black oh oh Jet Black.

Talk to her in the summer time-when she's feeling hot,

ask her if she knows your name-well maybe she forgot,
buy her things now pretty things well maybe she'll love you back,
then turn around to look at her-she's fallin' off the track-

Coda__
she dyes her hair, Jet Black,
the clothes she wears, Jet Black,

she's a party scene-she's out to please

-she's everyone you want to know-
she's really wild and super styled-
anywhere you want to go.
Guitar solo
verse one
out__
Jet Set Reg .@2015 Steve Arroyo music SACPAD

I am an international Journal thief on the run,

I socialize with movie stars and guns-
and if you want to know about my game-
come with me aboard my private plane.

Coda

I'm in the jet set and you know my name-

I'm in the jet set and you know the play-
I'm in the jet set and I don't feel any pain,
any pain__

I've got diamonds round my neck and hands-

yes I am quite an influential man-
and I'm going out to have some fun-
help me baby help me get it done.

Coda

Never get busted never get harassed-

I keep my future/-only in my past-
and if I would do it all again-I wouldn't change a thing-
I'm laying out my cards and diamond rings.

Julia’s Painting—Reg @ 1987-2016 SACPAD Music

Ew hew—

Vs 1-
Julia’s Painting—what you and I can’t see—
her canvas is vacant—
her brushes are stiff and worn—2x’s

—Voices are talking—nobody’s there—

Images of tragedy bleed through—
Look a bit closer—it has your eyes—
a colorless vision from beyond your life—

Julia’s Painting—yeah—in-Julia’s Painting—

Sylvia’s nervous—she can’t explain a thing—
doorbells are ringing—in the house of Dorian Gray—
she looks a bit closer-- -- and it has your eyes-
Tables are turning—as the spirit comes alive—

We see they run—and we see how they fly—

Julia’s Painting comes alive-

V s-1-- --

In- Julia’s Painting oh oh—ew hew---

Julia’s Painting oh oh –hew hew—
In Julia’s Painting—maybe you didn’t
know how much you meant to her—

In Julia’s Painting yeah-yeah—

maybe you didn’t know how
much-how much you meant to her—

In Julia’s Painting—
ships are cruising down the River slowly—
like a cast on the Nile—

Julia’s Painting—your face is coming through light—

transmission from another world-- -

-In Julia’s Painting—yeah—yeah—yeah—

in Julia’s Painting—oh-oh oh oh-in Julia’s-in

Julia’s--in Julia’s-Painting-- --
she stops at nothing—brushes or not—

Their were days I thought it crazy

to believe we ever were—
life’s hard enough to question-
the lessons to well learned—-

A man can handle power with a women in his arms—

two can feel im-mortal underneath the eyes of God---

Maybe you didn’t know me—

should our paths had never crossed—
maybe you didn’t know me—
should the best of all intententions,
been istilled against the grains’’-

Selfish, stop acting so selfish-

What’s all this I’m hearing about you cop an attitude—

play those tricks on this boy—
you’re only gonna lose—
got no where to go but - out-alive it ought to be a crime—

My dark side—those hard lines—

on this road of survival—its do or die—they through

stones—we break bones—

our parents don’t want us to be alone-
We’ll hitchhike to Venus—
be any thing we want—or any one—
be my movie starlet—my

Egyptian queen—I’ll be your limousine—

come ride with me to our love--
Aadd6//// C6//// modulate----G//// C////
King fish Reg . @ 1987-2016 SACPAD

Three days ago seems so long-I waited for you-

I built the railroads-watch the trains go slow-

‘Your name always smokes in the air-

Rain clouds fly Indian tribe-

They come down low-very low-lower than you know-

Down the Mississippi through the Gulf of Mexico-
//how low can you go-//
it's in the boot you see like a heart attack-

King fish King fish King fish Reno and the King fish –

now back in that fishing boat,

going down to Davy Jones locker,
where I left my girlfriend,
like in the last story I was tell you about-
a song or two before-
Reno-Reno-Reno and the King fish-

Everybody was happy-

when the band started to play this song-
it wasn't very long-solo
Oh it was raining in the forest where the echo clouds go-
oh yeah it was raining in the forest where the echo clouds go:
wow wow wow wow wow wow wow wow wow wow-
straight up King fish-

Dan the man-had a plan every garden grows-

couldn't resist the scent of her kiss-
he walked away a proud man-

then he saw the secrets –

in the books and round the trees-
and he said these words to me-like this-like this-

An Indian tribe-I seen the wind blow-

walking around again- the railroad coals-
three days ago-
the smoke signals blow downwind-
and go East to West- and start all over again-

repeat adages__as solo__ad lib.

Kiss and Kill Steve Arroyo Curt Phillips Reg.
F#m//// //// A//// F#M//// ////
A//// (A/ Ab/ G/ F#m bass notes on guitar)

F#m A F#m
When I hold this—it makes me come alive—
there’s something underneath my –A--skin—
and it says I’m wasting
–F#m--time— A//// (A/ Ab/ G/ F#m)

BDAEB
Now the passion in you has turned cold—
I’m feeling left out side alone—
begging you to –D--listen to my –A--plea—
E//// (A/ Ab/ G/ F#m)
A Ab
Don’t Kiss Me and Kill Me—
Don’t Kiss Me and Kill Me—
don’t—G--Kiss Me and Kill Me—F#--
I’m too much under pressure-—2’X-s

F#m A F#M
We met under a secret moon—
Cupid shot us in the night—
fell in love a –A-- bit to soon—
why do wrong things –F#m--seem so right—
A//// F#m//// (A/ Ab/ G/)

BDAEB
Now the passion in you has turned cold—
I’m feeling left out side alone—
begging you to –D--listen to my –A--plea—
E//// (A/ Ab/ G/ F#m)
A Ab

A Ab G
I feel betrayal—from the start—
your lips are deadly—as they part—
How can we discuss this when you’re,
Only gonna lie--

A Ab
Don’t Kiss Me and Kill Me—
Don’t Kiss Me and Kill Me—
don’t—G--Kiss Me and Kill Me—
F#--who ever you are—2’X-s
BDAEB
When I go to leave her—
it makes me come alive—
there’s something under—D--neath my –A--skin—
and it—E--says I’m wasting time—B—
we met—D-- under a secret—A--moon—
Cupid—E-- shot us in the –B--night—
fell in love a—D-- little bit to—A-- soon—
why do wrong things—E-- seem so right—
I could tell it to myself’ a thousand different times,
And it wouldn’t even matter-

A Ab G
I feel betrayal—from the start—
your looks are deadly—as they part—
She only wants to-tear the locks down-

A Ab G
Don’t Kiss Me and Kill Me—Don’t Kiss Me and Kill Me—
don’t--Kiss Me and Kill Me—F#--who ever you are—2’X-s
Kiss Me in the Cage Reg .@2015 Steve Arroyo music SACPAD-

If you want to know me- don't spend your time-

In pop bottle soda stops-
with a flat tire trying to fix your car-

When the water isn’t cold enough

and the icicles dripping down-
‘you can drive four more hours
And get to South Lake Tahoe-

she doesn't want to- when the chains break

-when she doesn't respond to your moves-
when she doesn't even know who you are-
or who you pretended to be-

you're not my brother-

you can't remember even your own name-

she doesn't want to__

Tear the locks down-

She’s gonna bite through the bars-
and she'll kiss me--and she'll kiss me-

She tried to call me on Tuesday had a flat tire-

‘tried to plug it up with the discount coupon from Mars-

Ten percent off gives you a holiday-

and you can go by my way if you try’-

if it's a baby you want-

you can put training wheels on its carriage-
if it's a baby you want you can take me back home yeah-

' Can't play with you tonight-

this Brooklyn boys got no place left to be but with you-

Impulses broad with color-late at night at the strike of 12-

absolute in every way-no one knows no one dares-
reflecting shadows in your heart-

I'm sacrificing glory-

your puzzle is now complete inspiration-

Phone calls break the silence-

concentrations gone-
here we are in September-only met in my
the abstinence you'll see and then your gone-

and I'm higher-no one knows no one dares-

no one knows no one dares-
verse one_
_solo_ad lib. options__out_
Last Times Enough Reg .@2015 Steve Arroyo music SACP

Been through this love so many times-

now I'm wondering that it so unkind/
now I'm wondering what's on your mind /2//

I'm keeping hopes and I'm keeping dreams-

so if you really want me why not set me free-

coda
Last times enough, last times enough,
last times enough for broken dreams-

I'm custom tailored just for you-

so if you ever see it through-
and how could you love another man-
destroying everything, everything we have-

coda-
ad Lib-- I've had enough-last times enough –

guitar solo__coda

been through this love so many times-

now I'm wondering that it so unkind-
I'm keeping hopes in keeping dreams-

//now you know how I feel –

when you say everything is real/
so if you really love me when it set me free_

coda__repeat__fade__ad lib.
Liberate Me Reg .@2015 Steve Arroyo music SACP

Kind of frustrating in my head-

your devices are making me sad-
behave yourself I said, you can't be,
running around the tracks like that, dress like that-

this government says you got a be home.,

by 10 o'clock-fetch me a bone-or something like that-

Hand-in-hand, iron hand, and the whistle starts to blow-

put your hat in the ring and I'll try to punch them up-
your political, theological, and their the workmen go
on the 5 o'clock train- never give an answer
don't even know your name-

Your authorative nature is kind a keeping me high-

and the softness of the summer shines on my broken-

at the Council of war-standing alone-

put the court in recess- and go where the ad hocs go..

Liberate me, authenticate me,

with your freehand attitude-
and the workmen go on the 5 o'clock train-
never get an answer don't even know your name-

Man got the power to take his need he got the beat‘
and she got the lead-

everyone is happy on the nine oclock train-

never get an answer don’t even know your name-

And the same goes on and on-

My Inca’s falling off my wall-__
ad lib.__out__
Like a Movie Reg .@2015 Steve Arroyo music SACP

You deal from the deck-you got it in a strange crowd-

' trying all night long just to talk to you-

I'm the author-Georgia-on gallery’s-one false move-

you can't lure me-or delude me-
one false move- one false move and then you're going down-

and this molehill-you sure talk big-

it's a marvelous, you're so marvelous to me.

Hey am thinking of rolling the dice- don’t think twice

Hey I’m walking on thin ice, don't think twice-

put your hooks on my swimming fish-

one false move and then you'll be my dish-

one false move-one false move-

one false move and ‘you will be my dreamer-
one false move-you will be my dreamer-
nothing but dreamer now-dreamer now-

leading woman in the cinema- hear it formal-callous love-

on the gallery there shooting arrows-
un-earth the plot it's kind of thick-
comedies and ideas on the stage-
makeup movies its all the same-

See this picture, it's overflowing-

with every villain, and everybody-
extricate them, don't negate them,
great ideas-Western movies-
Comedy’s and ideas on the stage –
on the sidewalk on the sidewalk drive in-

Now the movies are calling pictures –

when they move the hands of time
ha

I sprang the river right at your feet-in showbiz now activate-

in your spacecraft it's not the same-all your answers are vain-
kind of narrative, side writing through the dictionaries-
that the covers come undone-

you're really not that undesirable

you're just like a movie to me-
every word you say, every Saturday,
you just like a movie to me-

it's hard to follow when you reading right-

it is like a movie to me-
You move from one side to another side
I am here in between-
don't direct me-

you're really not that undesirable

you're just like a movie to me-
when you play the part Garbo-
you're just like a movie to me-
Every word you say-every Saturday-

you're just like a movie to me__ad lib. solo_ad lib.

Like it or Not Reg.@ Steve Arroyo SACP Music 2015

hey wait up for a minute, I got a bad idea,

let me pour you some water, everyone will think tonight.

Let's talk about Susie, how she greets the world,

she can stay over all summer long, oh a,
she is such a pretty girl, such a pretty girl.

Now you keep it simple, you keep it loose,

keep a thick head attitude, ad lib.

Everybody is watching you, everybody is watching you,

and we are too,

like it or not, were going to take over this place,

like it or not, were going to win the race,

like it or not we're going to take over this place,

like it or not we're going to win the race
I don’t know why we have to worry-

You know we re doing so well-

I can’tlook in to the future-
But it sure looks bright from where I stand-

Like You Like Me-

We can build a sunrise out of gold-
Like You Like Me- we can climb the stairways
and forget the cold-

Its not (just) an avergae day that passes by-that we don’t try-
So lets build a Higher mass a stronger flag a
High School dance-

Like You Like Me-

We can build a sunrise out of gold-
Like You Like Me- we can climb the stairways
and forget the cold-

Its not an average day that we don’t try

It’s a funnier game with funnier rules-

It’s a walk on the grass in the afternoon-

I don’t know why we have to worry-

You know we re doing so well-

I can’tlook in to the future-
But it sure looks bright from where I stand-

Like You Like Me-

We can build a sunrise out of gold-
Like You Like Me- we can climb the stairways
and forget the cold-
Little Viper—Steve Arroyo—Curt Phillips
Reg.—2009 Rsvd.--PAu 659-890
You thought it was so funny—so funny—
Little Viper—Little Viper-- set me free—Little

Viper—don’t you stick your fangs in me— you know

You thought it was so funny—
to make your old boyfriend jealous—
you really hurt and abuse me—
and know I’m getting tired of your tricks—
tired of your lip—tired of your way
and your finger tips at me—

Little Viper set me free—

c’mon-Little Viper—Little Viper—
don’t put your fangs in me—
Little Viper—pretty please—
Little Viper—don’t stick your fangs in me—

When I took you out to the movies—

you said you had a really good –really good--time—
you really shocked and abused me—
and I had to take you home early—

Listen Little Viper—set me free—

Little Viper—don’t wrap your coils around me—‘cause
they hurt me—Little Viper—set me free—
Little Viper—Little Viper let me be—

The way you slither around—all over town—

makes me kind of jealous—
the way you pull up and down—all over town—
all I ask—is to be held—

Little Viper—ring my bell—Little Viper—set me free—

Little Viper don’t sink your fangs in me—
Little Viper—Little Viper—Little

Viper—Viper—Viper—
A//// E//// A//// E//// B// D/// Eb/ E////
A//// E////
Look What They're Doing
Reg.@ Steve Arroyo SACP Music 2015

Well my grandparents, aunts and uncles, sisters brothers,

suit case too, wonder what they used to do,
sometimes they pick' cotton just to cure the blues,
don't you wish you had them to do too?
And all the shops and stops and locks and cops and cars,
we trawled them off, to our favorite park/bar,

your aunt and uncle's sisters brothers suitcase too,

what do you want to, what do you want to do?

Coda

Look what they're doing today,

the running in the fields jumping on the hay,
like what they're doing today,
look what were trying to say;
I say hey hey hey/
they're eating sushi on San Francisco Bay.
Up in San Francisco I take me a vacation,
walking down the streets with other people,
I don't know why you can't see it too,
can you help me change this point of view.

Coda
Lotta Nerve Reg.@ Steve Arroyo SACP Music 2015

We look out up and down-

but we know we know it won't last for long-
And we see for 1000 years and
we think it's really something and we know,
we know it can't last for long-

Yeah we know it's going to be difficult,

in these dreams we live and seek,
yeah we know it's going to be difficult,
we'll make it somehow.

We turn over rocks, and looking under the doorways,

and we know it's going to be all right-

yeah were looking over spyglass Hill,

and tryin' to find our way and thrill,
it's kind of thrilling,
it's going to be all right-

I don't see why we have to think so much,

you know that we always discover,
discover something here-

I know that you and me, will be a part of everything,

it's all what we do and not what we say,
it's all what we do and not what we say,
it's all how we prove and not what we say;
it's all how we prove, git geh-

move with the baby turn me up

and I'll be back there in a while-
move with me baby turn it up
and I'll be back with you in style-

replace your heart with mine,

try to make it all worthwhile,
tell me its alright and I'll be true, I'll be true,
nothing gives and nothing takes-
everybody moves and shakes-
this is what we can't debate, our love, our love.

I'll give you anything, if you don't lie, if you don't lie-
I give you hearts of gold and I'll make you smile,
make you smile- you've got a lot of nerve,
you've got a lot of nerve 2Xs
whew hew hew 3Xs
Loud Dreams Reg. 2009 Rsvd.-
Steve Arroyo Curt Phillips PAu 659-890

Distant memories are in my brain—

re-occurring nightmares causing pain—
I couldn’t through away the key—
I’m opening doors just to see—

Loud Dreams of Silence –their always chasing me-

Loud Dreams of Silence-their chasing me- yeah—
(Coda- silence, silence, silence, silence-
Loud Dreams-Silence, silence, silence, Loud
Dreams, silence, silence, silence, silence Loud Dreams)—

I live in constant mystery- I couldn’t hear a thing I see—

Now why am I backed against the wall-
that I don’t understand at all—

coda—
solo-now shut up—
Coda—solo

I’m on a mission—and they don’t know and they don’t know—

and the ranks of power, would stop me in my tracks—
I stole the golden key and they want it back-Loud, Loud Dreams-

Loud, Loud Dreams-Loud, Loud Dreams-Loud, Loud Dreams

A//// Am//// D7//// A7//// E//// Bm//// G//// D////
Love and a Stranger—
Steve Arroyo—Curt Phillips--Reg. 2009—Rsvd. PAu 659-890

Love and a Stranger –when you’re-- Love and a Stranger----

yeah—oh ha-ha –yeah—yeah--Love and a Stranger ah ha—

It’s a difficult night—when she won’t respond to your moves—

then you know –yeah—yeah-it’s a bad situation—so bad—

Don’t fall in love—for only an afternoon—

you’re only passing by—needless to blame-

Don’t try to make excuses—someone always loses—

when you make love-- to a stranger-

She’s a soothing girl—to mend your troubled mind—

she’ll lend you a cold shoulder to cry on—
and more—if you need—if that’s what you need—
she’ll give you warm body to lie on if
that’s what you need—so willing to please—

But you want out—and you’re sorry that life ain’t fair—
and two are one for a brief affair—

Don’t try to make excuses—someone always loses—

when you make love to a stranger

—solo—

Try to make it last—for more than an afternoon—let it fall away—

you knew all along—she’d never stay—
Don’t try to make excuses—someone always loses—
when you make love to a stranger—

(Love and a Stranger 6X’s) –

when you’re lovin’-lovin’-lovin’—when you’re

lovin’-lovin’-lovin’---Love and a Stranger—

F// G// F// G// F// G// A//// //// A///Bb/ A7/// ////
Love and War Reg.@ Steve Arroyo SACP Music 2015

Isn't she something, isn't she cute,

add her to a million/attitude adjustment-
in a business suit- from a high chair,
her parents just stare;
Fresh past the age you’re playing-
‘So brilliant baby-‘eyes are blue-
Can’t fit his shoe-

a weird little panic, what do you know,

can you tell us how to stop, the// rain and snow,//snow
in Iceland, from melting on the new land//
//from falling on the new land.
Coda
It's a fine line, a very fine line, between love and war-
you're asking for something, while demanding so much more-
heat and passion, meeting secretly, behind immoral doors-
it's a fine line, a very fine line, between love and war-

Half the time you're worried, about half the times you sad-
paranoia in Pacoima, adultery in Milan
she's fresh in past the winds of fate, in a New York minute,
She'll unbalance your weight's, to see it through tomorrow gates,

(send you through the Hercules Straits downloading his mind,

only pushing, 45 eyes are blue, can't tie his shoes, love and war.)

Marriage vows before the gods are tongue-in-cheek,

the pre-signed honeymoon contracts, are promises we keep-
so don't ask us about the love we've had-
you'll never see the world unless you're mad.
Coda

it's a vintage wine, love and war,

it's a serpentine love and war,
you're asking for forgiveness, while demanding so much more,
heat and passion meeting secretly, behind immoral doors,
and it's a fine line, a very fine line, between love and war-
Half the time you're worried, about half the times you sad-
paranoia in Pacoima, adultery in Milan-
biting all your bullets, you're going to shoot off your tongue,
you gonna whisper out loud, and if you do that,
you gonna run run run, love and war. Ad lib.

Love and War –

Steve Arroyo Curt Phillips—Reg. 2009 Rsvd.—Pau 659-890

Isn’t she something, isn’t she cute—

add her to a million, in a business suit, from a
high chair, her parents just stare—
hey little panic, what do you know-can you tell us
how to stop the snow in Ice land , from melting on the new land—

(Coda and It’s a fine line, a very fine line between love and war
asking for something while demanding so much more—
hate and passion meeting secretly behind immoral doors,
it’s a fine line love and war)—

Marriage vows before the God’s are tongue in cheek-

but presigned honey moon contracts are promises we keep—
so don’t ask us about the love we had-
you’ll never see the world unless you’re mad—

Coda—

Half the time you’re worried, about half the time you’re sad-
paranoia in Pacoima, adultery in Milan—
biting all your bullets--unloading your mind only pushing forty five
in a New York minute she’ll unbalance your weights—
to see you through tomorrow’s gates-
built to last see you through the Hercules straights –

Coda—Solo—Vs-1-Coda- Love and War.

D// C// A//// F//// G//// A//// D////

F//// A//// F// G// A//// F// G// A//
F// G// E////
Love has to Stray
Reg.@ Steve Arroyo SACP Music 2015

You try a little bit too much,

you try just a little bit too much,
you are always in my way,
you can be there every day-
now I can't remember a thing, it's always in the dark
just a little too much for me tonight-

this Brooklyn boy has no place else to be-

then with you,
just a little too much for me tonight
I've got something in store for you,
something you can always use,

just a little too much for me tonight-

can't be with you tonight, just a little too much-
Don't try to remember how it used to be,
always running from me to you,
on this planet of life, there is a meaning
we pass every day, I don't know why, I don't know why,
love has to stray-

Love has to stray away, when love has to stray away,

when love has to walk, hitchhike-

love has to find its way to me,

I can't pull out of flag, the car/hearts are/ is broken-

love has to find its way to me,

something you could always use,
you are always in my way,
you can be there every day. Ad lib.__
Love Headache (All the Aces)
Reg.@ Steve Arroyo SACP Music 2015

You got a life of excuses, you think you're superduper-

everything are a diamond, all gifts from me-

is it something I'm doing or something I've done,

your hot and cold is confusing, my simple mind-
my simple mind can't cope-

I don't want to face it you've got all the aces,

goodness gracious yeah, I've got a love headache over you-

When you catch influenza,

I wave hand and foot-
when your engine is missing-
I'm right there under the hood-
and every day is a lifetime, of loving you so-
why do you do it, chronicles will tell, ///,
I keep an open mind__

I don't want to face it you've got all the aces

goodness gracious,
I've got a love headache over you-
you know it's kind of crazy
and it's making me lazy-I can face it-
I've got a love headache over you-
over you du du du.

Love headache, my head aches,

kind of makes my minds open,
it's going to make me react,
you're like a heart attack-

Give me some aspirins,

pass the Excedrin's please,
love headache over you,
love headache do do do I'm going to make it,
lower your voice leave me alone;
goodness gracious you've got all the aces-
layin' em down.

Love is such an angry word sometimes,

I've got a love headache over you-

That was love headache by Frankie in the Billy boys
on KK BQ you your own station for Africa
and all the continents in between-
migrate to the left as you leave-
ad Libs__add solo__rearrange as necessary__
Love Liar (new)—
Steve Arroyo—Curt Phillips—Reg.—2009—Rsvd PAu 659-890
Intro E7//// B7/ E7//// ////
E7
Red is the color—you showed me too much—
I tried to be patient—
but it wasn’t B7 E7 A C E B E B enough—
I look in the mirror—and I see it today—
You’re nothing but a liar—
E7 B7 A B E
Love Liar—Love Liar—telling me different things—
you’re such a Love Liar—
won’t you give me E7 B A B back that ring----
You’re a Love Liar—every thing you say—
every thing you do—every E7 thing about you-- --
Abm A F#m
I woke up from the crash—in the bottom of a lake—‘
said we were running out of gas— B7
Abm A but I really should of think—
but you didn’t like me—you only took my bread—
took my F#m B7 D E7 head—
and now I’m drowning for you honey—

whew—won’t you learn to tell the truth— B7 A B E

I’ve been warned about girls like you-- --Love Liar

E7 B7 A B E Abm
Do I sit in front of the moon—
Just thinking about the things you told-- --
I use to walk A F#m along the streets seeking your name—
singing you praise—
every dress I saw in the store
I B Abm A wanted to buy you—
who-who-who-who—
but when you saw that I was such a little F#m B7 D puppy dog—
you went for your fill—you went for the thrill—
and left me high at the hog—

E7 B Bb A B E
oh Love Liar—such a Love Liar
—Love Liar—I’m through—I’m through—

Love Liar B A B E7 E7 riff-- such a Love Liar—

Won’t you learn to tell the truth-- --

you were with some other guy—

Love Liar(older) Reg.@ Steve Arroyo SACP Music 2015

they came into the room offering nothing,

that we could see through-

Every lie they said, I've been in

Lived in many hospitals,
the Brea neuropsychiatric Wards,
told me there wasn't love on this plane.

I know my life comes from somewhere else,

maybe a spaceship, maybe myself.

Love love, is this love,

we turn our face to this stars, love love;-

Will the red lights turn green-we move on the red-

any thing that says stop, we still go on and on and on;

love love, why do you talk to me, in so many dirty lines,

love love, is this love?

Read about those flying saucers in your magazines-

where I have transmission from a outer space friends-

You're not a lady that I see-you're in disguise-

I showed you my children love liar-love liar-
your pants on fire, love liar-

Who yeah yeah yeah you yeah yeah yeah love liar,

your pants on fire, just like the guys we find in comic books;
Love Sick Jazz—
Steve Arroyo—Curt Phillips Reg. 2009 Rsvd.--PAu 659-890

There I was-just walking around—

I didn’t have a place to go—
I put on somebody else’s hat—
and they served me breakfast in bed—

Oh I didn’t need some gum—

but I didn’t know she was standing there-- --
oh-she was working at a diner on forty second street—
when I came in for a little bit to eat—

‘I just couldn’t—you know-she was a nice girl-

and it just wouldn’t be right—but-what
time does she get off work—
well I guess it was about nine that night—
We went out dancing—
yeah-I wore her waitress hat—
We went out romancing—
it was something when I
stole the hubcaps off her car—

I told her-I can help you find some—

She was much obliged—so we got back to my house—
I invited her inside because she was so obliged—and I said—
you know my cousin is in the business
and he might be able to set you up
with something just as cheep
and I wouldn’t report it to the
insurance company if I was you—

--I wouldn’t want to make you walk home in the rain—

even if it’s not raining—but let me
check on that inventory—
the hubcaps-and see if you got some cash—(cough2’xs)—
be right back – So I looked around and
I found some other girlie out side—whew
—lord lord—now she seemed to be lost—
--missed her bus or something—
now I’ve got one inside—one outside—

lost the hubcaps on this one—

now this one—try to hit me with her purse—whew-hey babe-
ba—I wasn’t doing nothing-
there’s some alligators down the sewer
-subway train—rats get in the way—anyway

It was kind of ugly—I get back to the love of my life—

my girlfriend—guess what honey—
we’ve come up with some hubcaps for your car—
my customers home—won’t you give me a
little kiss on the lips—
and we’re gonna sell you some hubcaps—
and we’ll get back to
your car—you only need maybe ten dollars each—
now if you and your friends would like to
stop by tomorrow night and meet my cousin—
myself it wouldn’t be so bad—

Maybe she’s got a car too—

what year would that be—a sixty three—
that’s all right with me—
cause I love this girl in the coffee shop that I met—
I love this girl in little coffee shop that I met—
such a sweet thing --nice car too—
you know sometimes she lets me
borrow it on the weekends—

C7//// G//// E//// Am// G// F// E

Key of C
Love Systems Reg.@ Steve Arroyo SACP Music 2015

Love Systems 3Xs.

Looking out upon the full moon night,

feeling tired and lonely I will fight,
the scent of love that's in the air,
reminding me that you're really there/near /care-

coda

because I've loved you for so many years,

the Luigi boys are telling me your near.
I feel your presence close to me,

your love has a charming effect on me,

now were living out impossible dreams,
the key to life is our reality.

Wo oh oh, they are my love systems, love systems,

love systems, love systems 2Xs
looking out before you fade away,
the clouds look very different today,
and a scent of love still fills the air,
reminding me that you really care.
Love-a-phobia—
Steve Arroyo—Curt Phillips—Reg. 2009 Rsvd.—Pau 659-890
A7//// // E//// A7// D/// F//// A/// E/// A7/// E////
A7
Red is the color—you showed me too much—
I spent all my patience—
you know it E A D F A E wasn’t enough—
I try to be willing and benefit doubt—
I try to be loving—you bottom me A E out-

A7 E
I look in the mirror—I’m not want of your praise—
tomorrow is nearer—let it shoulder A D F A E the pain—
remember our fever—the crash of our waves—
the bonding the spirit—the A E digger—the grave—
A7
Moments of truth undeniably—Love-a-phobia—
spoiling the fruit—indescribably-- E A D F A E yeah—
by this time on the ‘morrow baby—I’ll be coming home—
oh—oh-ya-- Love-a- A E A7 phobia—Vs-1—

Again you go with the crying—always acting so hurt—

why do I sit E A D through this movie so many times—
Moments of truth undeniably—spoiling the fruit- F A E A
indescribably—yeah—Love-a-phobia—

A7 E A7 E A7 E A7
Make me a hero—I’m not want of your praise—
tomorrow is nearer—
let it shoulder the E A7 E A E A E A D F Ab B pain—
that’s too bad—Baby that’s too bad—that’s too bad—

A7 E7 A7 E7 A7 E7 A7
Moments of truth undeniably—
spoiling the fruit—indescribably—

Love-a-phobia—why
E7 A7 E7 A7 E7 A G F A are you crying—
acting so hurt—
why do I do this—
additional dirt-- -- -- --Love-a-phobia-

C# G out—

Lovers and Others

Reg.@ SACP Steve Arroyo Curt Phillips Reg. 2016
E/A repeat 4 bars 4 measures
Silent vows—old promises—never meant to keep—
coming close to a new vibration wallowing –on the brink—
streets of golden never spoken words beneath your feet—
light as air—plain as day—as far as the eye can see—//
light as air—floating there--- far in front of me—
B
Never any answers to the questions that we ask—
only morals to the story’s behind the looking glass—
E/A repeat 4 bars 4 measures
Potions in bottles lady’s in brothels daring the piper on—
life is never consummated knowing not what side to stand on-
Kinda practiced now in a memory isn’t easier said then done—
Soon to be a blemish spot on Aphrodite’s sun—
B
Words are spoken—hearts are broken—
with this guarantee—
If you promise to live and-
You promise to give they’ll be no apology
//its nothing on me—its all the way we see-
DBD
Lovers and Others—sisters and brothers— B
Lovers and Others—I think I can hang with- you-
I’m –A--sure I can hang—G—yes I’m sure I can hang-
I guess I can hang-‘can you hang with me too?
Yes I can hang , I’m sure I can hang-
Can you hang with me too-?
Solo—
E/A repeat 4 bars 4 measures
Lovers and Others—under the covers—resting in catacombs—
passing sacred messages—between the cracks and bones—
The world can drive you mad, if it’s the best thing you ever had;
I know its not a problem, you just come along---

Words are spoken—hearts are broken—with this guarantee

Its all up to you, its nothing on me, its all the way we see-

Crying wolf in sheeply clothes on innocent and old-

Bribing them to stay and then begging them to go-

Lovers and Others—sisters and brothers—

Lovers and Others—I think I can hang with—B-- you—
I’m –A--sure I can hang--yes I can hang—G—
(-A/E 4 bars)-come on and hang with me too—
E/A repeat 4 bars 4 measures

Love Me Not
Steve Arroyo Curt Phillips Reg. 2009 PAu 659-890

She makes me feel good—she makes me feel like a man—

she makes me hungry for her—and this I just can’t understand—

She make me feel lovely—she make me feel hard—

she make me feel distant—feel my charms—
and She Loves Me—She Loves Me Not—She Loves Me—Love—

there was a difference of opinion under the bridge—

I almost bought her roses that day—
when she took my Chevrolet away----

It was cloudy-we almost exchanged vows—

almost made love so proud—
we could have even made a difference—
but then She Loves Me, She Loves Me Not,
She Loves Me, She Loves Me Not—
but She Loves Me, She Loves Me Not-

I can’t play pedal games all day-

how many pedals you got to play—

I kiss her pretty cheek—I stumble to her knees—

I tell her she’s lovely—but I can’t go home—
It’s not that I don’t love her—
but I wish she’d make up her mind—
when she says one way love affairs are so crazy---

and She Loves Me -she keeps me guess in’—

she’s got me under her thumbs—
puts me on the highest pedestal—
I even brushed up on my French—

She Loves Me, She Loves Me Not-

-when she says one way love affairs are no fun—
And She Loves Me not—She Loves Me—
She Loves Me Not—She Loves Me—
I kiss her pretty cheek—I pucker up her lips—
I’m going to be lonely tonight—

She makes me feel good—

she makes me feel like a man—
she makes me hungry for her—
and this I just can’t understand—

She loves me-when she can—

and I need her-need her bad-
she loves me when it rains—
I can hear the raindrops falling-
on the window pane of love—

She Loves Me Not--She Loves Me—

She Loves Me not--She Loves Me—
She Loves Me Not—She Loves Me-
She Loves Me Not—
I’ve got a fifty, fifty chance—a fifty, fifty dance—
an ant zee dancee dance—

I kiss her pretty cheeks— stumble to her knees—

I’m going to be lonely tonight—

but seriously—take me out- to the night

where I can’t be alone even when you’re with me—
but I want you with me—

She Loves Me Not—She leaves me alone—

Cause then She Loves Me --She Loves Me not
it’s a fifty, fifty I’m gonna make it with her-

but then She Loves Me—I said She Loves Me Not—

She leaves me alone—She Love Me-- She and Loves Me Not—
I’ve got a fifty, fifty I’m gonna make it alone—
She Loves Me.

A//// C#m// G// F#m// F/C/A// F/C/A// F/C/D/A/ F/C/A//

Lucky Reg.@ Steve Arroyo SACP Music 2015

lucky plays the horses down at the track,

he drives his Corvette a little too fast-
and you know he brings his girlfriend,
she's got blonde hair,

and she wears a ruby necklace around her neck-

Oh it's a Saturday for them really kind of muggy,
oh it's a Saturday for them—

oh it's a Saturday for everyone who wants to play-

and I don't see it that way-

they call him lucky, hey lucky your girlfriends in rubies.

Now lucky runs his boat so fast he drives it on the lake,
telling sad stories to eat and drink and celebrate-

2 PM, nobody is home and

you won't be cooking biscuits too long,
hey lucky, your girlfriends in rubies__ad lib.
What’s in a Word Steve Arroyo Curt Phillips Reg. 2016

D C Bm D C Bm D
I love what you do to me—
you sense me with shock—
no others appeal to me—
a golden chain –C--whip—you—Bm--spoil me with pain—
and a—D-- top secret—C-- alibi—--
Bm--makes you feel--safe—

A C A C A C G D Bm
‘Cause—L, is for lucky—U, is for you—
S—is so sexy—my T’s for two—
Whats in a word we use to describe-

How wild is the world-how wild is the world-

I want to know how wild is the world-
‘but I got a question for my girl-

We’ve been up and down all around-

Hanging out with our selves-
We think so differently-
we’re together constantly-

You know its not like that-

Within the bounds but not that far away-
The balance wheel
We think so differently-
we’re together constantly-
When it all seems wrong
D C Bm D C

From the futures past—

nature takes its toll—
we’re free and un-chained—a new—Bm-- warrior slave—D-
Tears of wisdom from the start-
Words of wisdom broken hearts-
-run away from it all—C—
and then you’re –Bm--back at the gate—
with –D--passion set –C--in—
we’re—Bm-- free and un-chained—

A C A C A C G D Bm
‘Cause—L, is for lucky—U, is for you—
S—is so sexy—my T’s for two—whats in a word-

D C Bm D
What’s in a four letter word that you use so easily—
what’s in a word--that you--C— use –Bm--against me—
What’s in a—D-- word that you –C--use to –Bm--control me—
Within the bounds and not so far away-from
The balance wheel
craving you at midnight or any time at’all-
Ands I can’t be excited by this anymore-
--D——C-- love—Bm--
Solo—Bm//// ( D C Bm (repeat) 8’X-s )

A C A C A C G D Bm
‘Cause—L, is for lucky—U, is for you—
S—is so sexy—what do you do-

D C Bm D C Bm D C
I love what you do to me—
you’ll make it in my heart—you see—
Its not that were gonna be together-
Its not that were gonna live forever-
But I’ve got a question for my girl-

‘Try to hold on its only a phase-

—and a –D--top secret—C-- alibi—
Bm--makes you feel safe—don’t it-

—D--make you feel—C--safe—Bm--don’t it—D-

-make you feel –C--safe—Bm--don’t it—D-
-make you feel –C--safe—Bm--don’t it—

I—D-- love what you –C--do to –Bm--me—

Mad Marie SACP 07

This girl is scarred from a million wars-

the one the ones she won;
her home is filled with souvenirs,
she keeps in her dresser drawer,
You say its for the best—I say put it to rest—
At least we both agree upon one thing-

I’m in love –I’m in love-

I’m in love with mad Marie-
she squeeze me, she please –
Mad Marie Mad Marie—
Mad Marie Mad Marie—
She tease me- she please me-
I’m in love with Mad Marie-

You’re so malicious-- and I ain’t wrong—

so funny— I can’t be wrong-
locate your heart—establish my ground—
knock three times if you want me to come down—

Craving you at midnight you at midnight-

Or any time at all-
She wants her knight in armor-
To mend that broken heart-

That’s why I call you call you//

that’s why I call call call you-
Mad Marie-

Girls at war-forbidden doors-

A battle in her head-
She would say she aint that way-
But we knew she always was-

She’ll give up quarter from here to eternity-

Girls at war picking locks on forbidden doors-
Its obvious to see-
This is truly another place to be-

It’s kind of aggravating—the way you comb your hair—

It’s kind of infuriating—the way you stand there—
Its not that, we’re gonna be together-
Its not that we’re gonna be together-
Like birds of a feather-
Solo—s--
I’m in love, I’m in Love, in love with Mad Marie,
she please me, she tease me, in love with mad Marie,
Mad Marie Mad Marie—
Mad Marie Mad Marie—
She tease me- she please me-
I’m in love with Mad Marie-
and I know she’ll leave it up to me Mad Marie Mad Marie.

Its not the way that you push me around-

Its not the way that you turn me around-
She wants her knight in armor-to mend that broken heart

All is fair in fun and dreams--

when she doesn't even know who you are-
or who you pretended to be-
and I know she’ll leave it all to me all to me-

Mad Marie. Mad Marie

I’m in love, I’m in love, in love with Mad Marie;

she squeeze me, she please me –
that’s where she wants to be-
Every finger a diamond-
All gifts from me-
‘’Won’t you learn to tell the truth-
I’ve been warned about girls like you-
Mad Marie___-
Method to Madness Reg.@ Steve Arroyo SACP Music 2015

Sleeping on a summer my lady I love her-

your face has escaped, you're gone and beyond-

a hat full of heart aches-black oceans of mistakes-

the potions we both drank, delivered us down-

Talk about lies, we'll/you'll never know why,

there's a method to our madness-

(ad lib.
crispy greenery let's change the mood)...

Yesterday I'm walking, today I'm a believer,

tomorrow a dreamer, a healer by proxy-
drunk at the Roxy, you left me a picture,
a picture of you.-

We set fire to the pages of time-

escape the heat in the afternoons,-
I love was ageless, pure and intense,-
could've last forever, forever—

Talk about lies don’t ask why-

I don’t want a blue romance
Talk about lies don’t ask why-
I don’t want a blue romance-

Our summers never seem to change

Our falls never seem to shine-
Try to make it all come true-
I love you and you love me-
Tell me the truth about lies, don’t ask why-
I don’t want a blue romance 2X-
Solo-s--

Take me away-
A drive along the coast songs on the radio-
Promise rings, old photographs, dreams of solid gold-
Tell me the truth about lies, don’t ask why-
I don’t want a—I don’t want a-
Blue romance-

The method to our madness is for real-

Out___
Miss Understanding Reg.@ Steve Arroyo SACP Music 2015

Don't disturb me-only bad karma hits-

when you least expect it, drown your love and wine-

hey that's not me on the fence post,

you can't hang me on the ropes,
I've got enough to do without you on my mind-

Don't be Miss understanding--,

don't you be Miss understanding love –

when I take you out on the Boulevard,

you kinda shake and shiver the guys-

you want a real cat fight on the street's now (baby)-

I'm getting kind of paranoid;

hey there take me out take me 'round

anyway you see it it I'm on the ground now baby-
don't be Miss understanding love-

Doncha be a little un comprehensive baby,

don't you be misunderstanding love-

I try to go out, I try to stay home-

no matter what happens, I'm all alone-

hey you walking down the street-

without enough to eat
without enough meat on your bones-
you look like a toothpick baby-
No distractions, can’t be distracted-(baby)-

give me good times, give me good lovin',

I ain't no baby__solo_bridge__ verse one
don't be misunderstanding,

you want a real cat fight on the street tonight-

let's go dancing--
Modern Man Reg.@ Steve Arroyo SACP Music 2015

If Venus is too high-if we can't make it-

I’ll fly another pan-I'll try to fake it-
I'm just who I am-I am a modern man-
I've got enough to get me by..

I'm gonna fly to Venus, I'm gonna walk on the moon,

I'm getting go to Pluto, you want to be there-
take a ride in my spaceship,
keep off the walls of your life-
This iron curtain-can’t be for certain
in the corner of a tree,-
pinch me hard if I'm dreaming now-
this puzzle is kind of upside down-
Make it right for all the world to see-

and I'm a little impeded,

but I'm not going to stand in your way
and this outstretched hand,
is closing in on my barricade-

Keep off the walls of your life,

don't be discouraged now-

The muskrat needs a little bit of water,

I can take it from you and he's got his 45’s
running off to New York, running off to the sky,
he's kind of sacred, no one questions, no one question-, why-

Coda

he's got you, in his grip,

he's got you, in his hip-pocket,
he's got an answer, you don't know.

Bird to mouth, snake to grass, scientific teaching,

condition of absorb, in the twilight, a whispering campaign,
don't rehearse for me, just be glad to see,
we can talk about it- and your tittle tattle,
you’re- gonna _dish the dirt-
you’r gonna whisper out loud—

You’re gonna grab you’re rifles-

You’re gonna shoot off your tongue-
And if you do that-you’re gonna-
Run run run-ad lib.__

If Venus is to high, if we can't seem to make it,

I'll fly another pan, I'll try to fake it-

I am a modern man you know it,

you've seen the pictures on the wall and it shows it-

I'm a modern man and I’m glow-in for you__

modern woman too—

I'm going to fly to Venus, I'm going to walk on the moon-

I'm stopping off at the Pleiades constellation's, don't be left behind-

soon will be on the special enrollment list,

and blast off to every star –
until there's nothing but to protect the higher__

honesty, anxiety, the chances for liberation,

things that are put together with screws,
things like woman that are held,
together with modelling glue-

And I'm glowin glowin and you know it-

You've seen the pictures on the wall and it shows__ad lib.
More Life Reg.@ Steve Arroyo SACP Music 2015

Too much heat from the red lights,

I want to burn my tires on a wild night,
exhausted from ignorance, fighting and shame-

I held down the forts on the front lines,

with the bleeding heart and a red wine,
walk on the coals, taking the pain-
Coda
I need more life, deeper meaning,
an understanding I can believe-

Don’t rehearse for me-

Just be glad to see-
gotta a be something worthy they crave,
bigger than ignorance fighting or shame-
ow woo oh it's true-

I need more life, deeper meaning-

and understanding, I can believe-
More Life-More Life----

I didn’t take advantage of you you’re just the greatest name-

listen to your mother, stop calling me those names.
Who bought who that Halston, who got you that part,
I bail you out of your town, you put a pin into my heart…

I need more life, deeper meaning-

and understanding, I can believe-
More Life-More Life----

In Louisiana you are a star;

pouring drinks at Rubies

getting tipped at cars

you are so grateful, you do anything;
I got your notice, your back again…

Too much heat from the red lights,

I want to burn my tires on a wild night,
exhausted from ignorance, fighting and shame-

I held down the forts on the front lines,

with the bleeding heart and a red wine,
walk on the coals, taking the pain-
Coda
I need more life, deeper meaning,
an understanding I can believe-

Don’t rehearse for me-

Just be glad to see-
gotta a be something worthy they crave,
bigger than ignorance fighting or shame-
ow woo oh it's true-

I need more life, deeper meaning-

and understanding, I can believe-
More Life-More Life----
Mudhouse Blues
Steve Arroyo / Curt Phillips Reg.@SACP 1987-2016

In a mud pond we look different

You can decipher everything I say-

My connections are burned to the wire, connect me up-

You’ve got your burning trees, you’ve got you’re burning trees;

I walk the line for your love.

Walk a day for your lips;
turn away your hips;
Sassafras Sally, comes down,
buys some melodies; melodies;

I’m a Mallard duck; say quack quack quack baby;

Myboat exploads, put some gas in my nose

I’m a fish for your love and I can’t expire,

No matter how I try I can’t fall down;
You were nothing till I met you;
you’re just a blond girl with red eyes
And I suppose you’re in love;

In a mud pond we look different

You can decipher everything I say-
My connections are burned to the wire,
I’m falling down, connect me up-

Mudhouse bricks in my carport make me feel like I’m a puppet

And then you pull my strings when I won’t look at you and say-
anything is something and less than that is nothing-
and what you want is something yea yea-

A square block of cheese,

money memorials and opulence’s hereas I came,-

I’m a pet shop for your love-

Sitting here in your cage,
sitting here in your cage; don’t touch me;
sitting here in your cage, sitting here in your cage…

Murder in Monte Carlo Reg.@ Steve Arroyo SACP Music 2015

Dreaming tragic murders,

that I canremember,
but all that came to me last night-

I Can't put it all together,

but I saw hitmen wearing blackjack leather,
and they seem to have me in their sights-

Bridge__

then something took me by surprise and I really can't explain,

something hit me in a dream and I'm really /quite afraid-

Silencers and silence,

now I'm really scared,-
don't know if I'm getting into deep,
I blacked out playing Bacarat-money on 21,
then I woke up bloody on the sheets-

Bridge__

chorus__

There's murder in Monte Carlo, murder in Monte Carlo,

murder in Monte Carlo tonight 2Xs-

ad libs. (there's murder murder murder murder

murder murder murder murder murder
murder in Monte Carlo tonight)-
solo__bridge_verse one_verse two_chorus_4Xs out_
My Shadow Reg.@ Steve Arroyo SACP Music 2015

My shadow holes so many things, we don't even know-

my shadow holes so many things, can't let go-

hold on to my shadow, hold on to my shadow-

I'll fly 100 years, I'll sail the stormy seas,

my stars align in your eyes, see me as a really am-

give me wind , fill my sails,

take a spin, help me flail
I'm on a trip, catch my drift-
I'm coming down, to your level ground,
I'm going to talk to you, we're gonna make it through.

Wo oh oh oh oh
My Valentine (Cat of 9 Tales) Reg @ 2015 Steve Arroyo & SACP Music

I could be a virgin for you, smart and innocent;

if you promise not to tell, I might even repent my sins,
I've been around this block so much I need some discipline.

Woe ow ow
One time I was standing lonely-from now on-
by next February 14th your mind I’l be too far gone.
We’ll celebrate our evenings –till we come home late-
We’ll celebrate our evenings ‘till we can’t see straight-

Be mine all mine carnal femme fatale

be mine all mine sweet little Valentine.

I love what you do to me –

you sense me with shock-
No others appeal to me-
A golden sea in my heart

Moments of truth so delightful and thrilling-

Spoiling the fruits so delightful and thrilling-

Want you more than champagne-

We’re gonna go the limit-

Why is our words so delightful and thrilling-

Kat of nine tales, I think we met our match-

Kat of nine tales you’re digging in my back-//and it bleeds
Kat of nine tales spit those hair balls out-
Kat of nine tails I think you’re ready to pout
On my stairs-

Your honesty is a blessing, your upfront -to your face

I would like to sweet surrender-
to the heat of your warm embrace-

Your eyes glow red

When I’m in your head
want you more than champagne-
where going to go the limit.

Name Your Poison—

Steve Arroyo Curt Phillips—Reg. 2009 Revd.—PAu 659-890
E7
They’ll try so hard to hold you down—
you’ll have to kick and scream—show em-
A7 E7
who’s the clown—It’s not a game-- that you can lose---
you got to take em by the bars—
change the rules—

B7 A7 E7 B7 Name Your Poison—Name Your Poison—

be counted and be seen—
Solo— --same as Vs-1 Chords 2’X-s
E7
Are you held up captive by some old devices—
are you your own attendant-spiking your
A7 E7
own drinks—Is there a loud annoyance bug in your head—
or does she only want to play on your hands of faith—
B7 A7 E7 B7
Stop—turn around face your music going around
—Name Your Poison—you got to name it—
E7
It’s called arsenic—it’s called gasoline—
it’s called anything—you’re a mix like au
A7 E7 B7
juice—like a shot in the night—
it’s like a bird that won’t fly—try to pin it down—

get out A7 E7 B7 your pen and paper--write it down—

Name Your Poison—
E7-A-
Well they’ll try so hard to hold you down—
you’ll have to kick and scream—show em
A7
how—they’re the clown—
it’s just a game a game you see—
you got to take em by the
E7
bars—change all the rules—
If they see that it doesn’t matter how they play your skin—
B7 A7 G/A E7 B7 A7 G/A/ E7 B7 A7 E7
Name Your Poison—yeah—
Name Your Poison yea-—get geh—it’s kind of rude going
G/A/ E////
down—

Nervous for You Reg.@ Steve Arroyo SACP Music 2015

It was a late-night dance club setting,

when the principles came in-
I was feeling ready to jump right outta my skin-
Two AM is coming now what am I going to do,
the one I love is leaving and I'm sitting here with you-

chorus__
because I'm in love with someone who doesn't know,
I do anything to steal the show,
and I'm nervous for you,
Nana Nana Nana Nana nervous for you,
you make me nervous for you I'm nervous for you-

I want you really bad, but it's so hard to say,

the way I feel about you in my heart,
but if you only stay, I take you far away,
what I need is just a brand-new start-

Chorus__solo__course__

I'd do anything to steal the show_ad lib._repeat out__

Never End Reg.@ Steve Arroyo SACP Music 2015

We saw a river, it ran so quick,

over rocks and sand, chartered our course-
we floated pass houses, farms and lots of friends,
told our inner child, that this will never end-

Now I don't know where you are and I can't forget of thing-
but each night before I go to sleep I can still see your face,
you'll always be my eternal first love—

We set fire to the pages of time,

escape the heat in the afternoons,-
I love was ageless, pure and intense,
could've last forever, forever-
Now I don't know where you are in a can't forget of thing-

Every day I kick myself, for not meeting you in the park,
that's the last time I had the chance,
to put the future in my hands_

liberate me authenticate me,

when your looking for something-
liberate me authenticate me-
when your looking for more than you got-

man got the power to take his need,

you got the music –she got the beat-
verse one_
Never Say Thank You Reg.@ Steve Arroyo SACP Music 2015

You crashed my car, you broke my walls,

you flatten my tires, and that's not all-
You won't say thank you, you won't say please,
you slam on my pancakes, past the biscuits please,
pretty please-

I can't thank you, I can't thank you, for doing that,

I can't thank you ow no, I can't thank you, thank you enough-

You call me a bum

and you push me down the stairs,
you call me a bum with your hands in the air-
you call me a bum but you want
me to be with you every night-

I'm not dumb I won't put up with that,

I'm not dumb I won't put up with that,
I'm not dumb I won't put up with that,
I'm gonna kick the cat, meow,
I'm going to kick the cat-

you never say thank you when I call

you never say thank you at all
you never say thank you, when I kiss you-

when I kiss your lips, shake your hips,

do a backward flip-

You never say thank you when I call,

you never say anything at all-
you never say please, you never offer sugar-

that's how you are, that's who you are_

You never say thank you when I call,

you never say thank you at all,
I can't thank you enough for doing that,
I can't thank you enough for doing that,
that's how you are that's who you are__ad lib.

New World—Steve Arroyo—Curt Phillips Reg. @SACP 1987-2016

-D--If I’m breathing hollow—C--Girl of my –Bb--movies—D-

-tonight or—C-- tomorrow—Bb—my-- life--A— D—
Tackle my-C- problems—Bb-keep us in—A-place—
spoil me –D-rotten—C-bake me a –Bb-cake—A—

They’ll try so hardG-to put you down-in the New World-

You’ll have to kick and screem show em their the clowns-
-if you’re –A-on the line or just-G- standing—A-- by— --------

My heart’s –D--pumping—C--ew-
my ancestors –Bb—bloodlines yeah—
the good and the—D-- bad seeds—C----
every hero and—Bb-- bum—
I’m alive and—D-- kicking-ing—C—

this sleeping –Bb--madness—

An open –A—plane—Bb--—
I’m not –A—afraid—Bb--—A
Its not a game that you can lose—
you gotta take em on the cuff-and change the rules--

--D--I’m sleeping,--I’m –C--sleeping with –Bb--fear-ear—

I’m –D--sleeping—C--sleeping with –Bb--fear—
(solo—A—Bb—A—Bb—A--)
Vs-1— + A----Bb----A----Bb----A----Bb-- A----
G----F----E----F—E----F—E----D—C-- D—

My heart’s pumping –C--madly—Bb—

oh-my ancestors—A-- bloodlines—
the—D-- good and the—C-- bad seeds—--Bb—
every hero and—A-- bum—D—
I’m alive and –C--kicking—--
now-this –Bb--angel or –A—Devil—D—
sleeping with—C-- angels and
I’m –Bb--waking up with—A-- fear—--Bb—oh—A—
waking up with—Bb-- fear—A—Bb—A-- --D—
Divided by culture bonded by greed- ---
Your freeway burns like a million candles in high seas-

Don’t rehearse for me just be glad to see-

It's always Sunny, it's always blue,

and I know I want you to be there too, to be there too

I know you’ll say we've been together forever,

and I can't force someone- in stormy weather,
like you oh oh oh yeah like you-
the decade of decadence is coming-

If I’m breathing—C-- hollow—Bb--girl of my –A--movies—D—

tonight or –C--tomorrow—Bb—my life D—
tackle my –C--problems—Bb--keep us together—A----D—
spoil us –C--rotten—Bb--make me –A—again--Bb—
and –A—Bb--again—A--oh-and –Bb--again—A----Solo

—D----C----Bb----A---4-X-s--Bb

If you’re—A—alive--Bb—if you’re—A—alive-
-Bb—if you’re—A-- alive—
D----C----Bb----A---4-X-s

In the New World—In the New World—

in the New World—oh ho-ho oh-oh oh-
In the New World—wo-oh-oh-oh-oh-oh-oh-oh—
yeah—ah-ah-ah-ah-ah-ah-ah-ah—In the New
World-- --In the New World—

EXTRA WORDS OPTIONS----

crystallize the Peditry, solidify geography,
mineralogy-and physics,
cry Wolf, so troublesome and now
troublesome and now, trouble some-

here comes the harvest hitting hurting-

injure in describe leave undone,
and liquefy the notch and open up your ears,
pain and punish rarefy,
rebut, repotify and sculpture all the way back home-

turn off the cheap laughter it won't get you any cheer,,
your fashion statement is can a weird.

Break a charistic sharpening the crack to back degrees,

discount one discount two discount you, and discount me,

groove, hit the groove, or impair me with or on Saturday,

admonish me-

Purity and enlighten me in-

black and blond and cloudy complexion-
dark coloring and honesty and-
evil grinning ignorant rejection's,

my dancer dances for me when the weather is good,

my dinosaur has to leave when the weather is good-

the growing ranks accuse me, de- falsify the orders,

the devil is in buckets, this land is growing up words,
criminals and killers refrain hopeless and in troubled-
mad and recklessly in their bottomless pit,
that's where they fit-

oh that again, deflect, dispose and loosen up-

so you don't cut your hands man,
conciseous and departure
devour and decapitate your hand man,
reduce reactify everything in sight-
it's nothing but a diligent night,
address advise and call attention
to and give command Sam-
the disasters in the air__
New York Shy—Steve Arroyo—Curt Phillips Reg. 2016

Shy, shy, New York Shy--shy, shy, shy, shy –

baby yeah, shy shy,-New York Shy,--shy, shy, shy, shy—
Take you out to the country—baby—load you in my car—
I’ll make you feel like a movie star—
and you can even drive back home—
all the way from Manhattan—
don’t let the papers see—
but you’re so shy—ew--baby shy on me—

I said you’re shy, shy, shy,--New York Shy—my-my—

Shy, shy, shy, shy, shy—

the way you dance on the floor tonight—

I almost lost my mind-my-my-my-mind—
‘Cause this New York City is getting me late-
I’ll pick you up next Thursday at eight—

Stay a while—c’mon,-
take your shoes off –cut some rug—
yeah I might be— might be a thug
—this is not where you put your thumb
—this is not where you left your coffee mug—

hey, hey I’m your guy—

and you’re-you’re-New York Shy—

C’mon down to Manhattan—to my penthouse suite—

Madonna lives next door—Mick Jagger lives down two floors—
I got the band in my—back pocket—
you want to give me—a silver locket—

hey the doorman says—he’s seen you too—

it’s funny how—what a little girl like you can do--

Hey you—in those satin shoes—where you going tonight—

I got a car—you got a job—I know we’ll do alright—
Cause I’ve met so many girls around the world—
but you –are too shy—New York—New York—New York shy—
don’t be coy—cause I’m your boy—I’ll keep you up tonight—
I’ll even show you off like some precious painting-

A7//// //// D7//// //// A7//// E//// D//// A//// /// E7

Nights of Fury Reg.@ Steve Arroyo SACP Music 2015

Living to love, forgettin to hate,

Past the sugar Man, past the plate,
all's not fair in this love and war today-

Tomorrow's lies, are the present truths,

gather up all your Your courage, and choose,
give us your territory boys, cause now we want to play.
Coda

On these nights of fury will ride the waves,

learn to barter taken in trade_

on these nights of fury, were riding the astral plane-

breaking your backs, down in the holes,

trusting those bosses, while cleansing your souls,

give us your territory now boys, cause we want to play-

Tune in, tune out locking horns, locking horns-

I cared a lot about you but you didn't care thing about me,
the canons of the outpost locking horns with destiny__

tune in, tune out, feel like hanging on-

looking down on everyone-
I cared about you, but you didn't care for me-
the canons of the outposts, locking horns, locking horns-
Eating at the restaurant-ordering French wine or champagne-
on that line dancing with you, written in your name,
on the path above, I see it coming
like raindrops falling from the sky-

Try to see it now-try to understand-

try to look around you everyone,
tried to curb it up like the deepest end before you die.
It's only natural, these books we love to read, it's only natural,
on the way we slide and go it's only natural, it's you and me-
now the trapezoid__ad lib.
ad lib. solo__versus__coda__repeat_out_

Nine o'clock Train Reg.@ Steve Arroyo SACP Music 2015

You made me lots of promises,

you kind of broke my heart in two
I can't take enough lip now,
baby won't you saw me in two.

This ain't nothing but play time,

you just want to play house,
I won't be in your distraction path,
I'm leaving on the 9 o'clock train,
I'm leaving on the 9 o'clock train

Now listen, I play some cribbage, I play some pool-

I shoot the shotgun, like a fool-
I've got no stars in my eyes,
only pockets, and surprise',-

Free was an ancient theory's, hustlers in gold teeth-

lies and October which is on Christmas Eve,
monsters that live under beds, 25 years to the day I've waited-
now I believe that apologies are in order-
only after an act of deliberate malice,
therefore I won't apologize for being human or undecent?

You made me lots of promises,

you kind of broke my heart in two
and I won’t be in your destruction path-
I'm leaving on the 9 o'clock train,
I'm leaving on the 9 o'clock train

This ain't what you wanted, this ain't what you needed,
this in no way to treat your man now said to me,
I can't be there by Saturday,
you know I'll only be home by noon on Tuesday,
you can hold it back from me,
cause I can see right through your hypocrisy-

and I'm going, yes I'm going, all the way,

you know I'm flying, I'm flying on PSA-
Solo-----
I'm leaving on the 9 o'clock train,
I'm leaving on the 9 o'clock train
Just pass me some peanuts-wont to hand me a drink-
better wipe my mouth off, I don't have time to think-
you know this one-way man, got no place to be,
your hypocrisies, are boring me-

Step up to the walk, step up to the mic,

if you can't decipher what's wrong with the picture,
don't tell me what's wrong or right-
this one-way man has a notion, he's got a pocket full of mold,
he's got a harebrained idea for saving, you’re very sold-

I'm leaving on the 9 o'clock train,

I'm leaving on the 9 o'clock train

You made me lots of promises,

you kind of broke my heart in two

I can't take enough lip now,

baby won't you saw me in two.

This aint nothing but play time-

‘you better roll the dice again-
And if they’re flying off the table’-s’
You better be prepaired to win-

I'm leaving on the 9 o'clock train,

I'm leaving on the 9 o'clock train
I’m jumpin’ the track-
‘ leaving on the 9 o'clock train,
I'm leaving on the 9 o'clock train-
Out__

#E /E7////D/A/E/D/A/E/ D/-A/G/C/////F////E--
No Emotion- Reg. @ ADSACP 1987-2016

Break out get free-

‘light a fire under the Christmas trees-
‘the counterfeit love-the bloodless cuts-
Feeling, No Emotion-

Cold turkey on dead Monday-

Now that lady drinking//selling//
embalming fluids-
‘to get the job done-
Chill the bosses son-
We’re feeling feeling –
No Emotion- Yeah we’re
Feeling feeling-
No Emotion-

No pencils no books-
no teachers giving us dirty looks-
Dropped out of school-
‘Made our own rules-
‘Feeling, we’re feeling-
No Emotion-

Motorcycles rumbining ready to roll-

‘Nightclub bands spinning rock and roll-
Street kids freezing in the bitter cold-
‘the fast lanes going way to slow-
Week of the beast-the harder to please-
Feeling- you know we’re feeling-feeling-
No Emotion-
Feeling we’re feeling-
No Emotion-

No no no no No Emotion
No no no no No Emotion-
Dropped
North November Winds

Reg.@ Steve Arroyo SACP Music 2015

I'm sitting all alone, wondering all alone,

‘still thinking about a time I/we used to have

it was only yesterday, I was chearful bright I'd say,

and I'd never worry much about my past-

because God saves little children, and little children's dream’s,

when you count from one to twenty three

I remember North November winds,

it was when my sister used to pull me in my sled,
and I'm a hoping and praying that she will again
/I'll see those days again,
and I remember North November Winds-

I'm sitting all alone, wondering all alone,

thinking about the time I/we used to have
got nowhere to go but out alive,
it ought to be our crime,

See it rain, see it snow, see it sprinkling on the ground-

Whether it be ‘your coming or going round and round-
When the summer comes, when the fall is done-
You know we don’t even need to have a reason-
because God saves little children, and little children's dream’s,
when you count from one to twenty three

I remember North November winds,

it was when my sister used to pull me in her sled,
and I'm a hoping and praying that she will again
/I'll see those days again,
North November Winds-

repeat verse__add solo__repeat coda__ad lib.

Not of This World Reg.@ Steve Arroyo SACP Music 2015

erupting volcanoes, red-blooded ways,

Behind the pictures of malice,

the bedroom doors,/portraits of freedom and more
silence is ringing out louder, than ever before/can't be ignored-

life is a flash in a master plan

it begins and ends with the scream-

landscapes of power, grows hungrier yet,

tossing and turning, screaming in content,
divided by culture-in the corner of a tree-
pinch me hard if I'm dreaming now,
this puzzle is kind of upside down,
hold on hold on to my shadow

Too many nights we planned and argued,

to the fires and never bargained,
and all the differences that left us:

‘riding down the coast on a warm afternoon,

I see the clouds that roll by
and think of you with every song-
on the radio-on the radio-

And every song they play,

reminds me of you in some way;
‘we almost drive up to the edge,
then again I remember what you said-

I know you’ll say we've been together forever,

and I can't force someone- in stormy weather,
like you oh oh oh yeah like you-
the decade of decadence is coming

I know a Charmin, entice and deceive

When left is right you better question,
lifes of flash in a dirty pan,
it begins and ends with the scream,

and they promised heaven, all of our lives,

and they promised us heaven, all of our lives,
what we get is not very clear,

keeping your spirits, a Barbie dolls brain

erupting volcanoes, red-blooded ways,

behind the pictures of malice, portraits of freedom and more,

silence is ringing louder, can't be ignored-

My heart is pumping madly, my ancestors bloodlines,

the good and the bad seeds, hear a hero and bum.

Oh , this world, notice world,

yeah we see everything is not like it seems,
get the faction, a little reaction,
and you know it begins and ends with the scream__
ad lib. verse__coda__solo__coda_verse_out_options_
Not Sorry Reg.@ Steve Arroyo SACP Music 2015
She doesn't care if I'm late,
she doesn't care at all if I'm late,
should wait for me an hour and cry,
wash her hands and so will I;

I'm not sorry, I'm not sorry, you're not sorry to,
it's so clear now, we're going over the edge, going so fast,
we can drive it for a while, drive-in movie's, in the back,
I'm not sorry, you're not sorry, we're not sorry to,
if you see it my way baby, you'll be sorry too-

Back in a flash, I'm burning down the wires,

calling am up and they never go home,
in the back of the truck it's cold and tired now,
and it's rough, turn the radio up a ha you'll be sorry too;

It's a long road back to Phoenix,

you know it's a long road through the night,
the moonlight guide, Indian spirits,
coming up through the swamp,
hey I can be back in New York by eight
a very important date,
on this holiday you'll have some turkey
gobble gobble gobble,
you'll be sorry too.
I'm not sorry if you can't be there,
will be having fun you know
you'll be sorry, if you can't make it,
and we can't wait for you.

Shift those gears down the borderline,

now I'm going back to Mexico,
where the days of long and the nights are cool,
you can drive by and join our fish fry, you'll be sorry too.

Then we'll go back high and

low and talk about the weather,
turn the radio up a notch
and pass me my blue sweater,
don't throw anything down the drain,
there sold rocks in those dinosaur brains,
ah ha you'll be sorry too-
oh it's gonna be another one of those days,
when nobodys going to show up-
oh another one of those days__
ad Libs__
Oh Cindy—
Steve Arroyo—Curt Phillips Reg. 2009 Rsvd. PAu 659-890

Dm7 C G Dm7 C G
Oh Cindy-my Cindy-why did we part-
Oh Cindy-stop Cindy-breaking my heart-2’Xs
CGCGCG
I seen you at the country club—with some other guy—
why do you go out with him—
CGCGCGCG
how could you lie—
remembering we’re lovers only tears me apart—
why do you always
C/ B/ A/ G
keep breaking my heart—
Dm7 C G Dm7 C G
Coda--Oh Cindy—my Cindy—why did we part—
oh Cindy stop Cindy breaking my heart 2’X-s
CGCGCGC
Why do you always run away when I come to call—
I’ve got lovin’ for you and girl-that’s
GCGCG
not all—

You’re the sweetest girl I’ve ever met

dark hair and blue eyes--(summer to C G C/ B/ A/ G fall2)—
c’mon little darlin’ – come get your surprise—
Coda—Dm7// C// G////

Am F G Am Am F
The roads to Dallas were filled with girls like you—
you don’t know what you’re putting G Am F G/ Am Am F me through—
you leave me out in the cold—in the cold of the dark—
No matter what you do G —

CGCGCGC
Saw you in Chicago –on a blue Paris stage—
teasing drunken sailors nearly two times G C G C G C your age—
you promised to be honest girl—now something’s not right—
I heard you’re G C/ B/ A/ G gonna be there—next Friday night—
Coda 2-X-s Dm7// C// G////
Dm7 C G

–Coda—out—Dm7/ C/ G////

Oh Crimson Theme Reg.@ Steve Arroyo SACP Music 2015

Come on down, I am home

don't call me on the telephone-
I'll be there by the couch,
look through the window and see me smile,
come over for a while, bring some of your wine,
liquefy the notch and open up your ears,

I'm not combative, I'm not aquatic

I'm not advantaged, I'm not ecstatic for you,
I just want to see you-

I'm not authoritative, dictating, governing,

impersonating, anyone but me,
it's not your anniversary, just your life-

Accuse me be sickening grown object to everything-

put up you resistance put away those diamond rings;

It's the business sense and nothing more and nothing less,
and on the door and knock and knock
and knock and I just will come,
if you call me up I get the job done-

Accumulate D cyst now, and falling down and on the stairs

and walking round, and searching now and looking over
Windows, shoulders and backs-
don't stab me in the back-

If you could assemble all the parts,

come to agreement with me now –

this current heat wave, it's kind of hot,

have some refreshments,
or refreshments not, we need a rest room on this long road.

Contrary to popular belief I'm not a mistletoe,

(I'm just a crab sinking low2Xs), I am not seafood-
Throw the craps in crappy birds running around
and lovers coming forward, pull it back-
sounds of thrills and ointments and cleaning agents-
best performed and makeup Vaseline-
in creeping slowness- pull it back,_

oh Crimson, deter me, when letter comes on Saturday, --

-admonish me;
the crystal balls are coming soon –
round and round they'll be by noon,
are you ready for lunch dry your own milk_

crystallize the Peditry, solidify geography,

and mineralogy-and physics,
cry wolf, so troublesome and now,
troublesome and now, trouble some-

here comes the harvest hitting hurting

injure in describe leave undone,
and liquefy the notch and open up your ears,

pain and punish rarefy, rebut, repotify

and sculpture all the way back home-
turn off the cheap laughter it won't get you any cheer,
your fashion statement is can a weird.

Break a charistic sharpening the crack to back degrees,

discount one discount two discount you, and discount me,
groove, hit the groove,
impair me with a superhero’ on Saturday,
admonish me-

Purity and enlighten me in black and blond

and cloudy complexion-
dark coloring and honesty
and evil grinning ignorant rejection's,

my dancer dances for me when the weather is good,

my dinosaur has to leave when the weather is good-

confusion translates astonishing

and lying confusing me to go light-
down in Davy Jones locker it's so cold down here,
I can't find my fish and I can't find my beer-
you're a dead ringer for Marlon Brando-

decrease and beautify the staggered scenery,

DK, regenerate and look at me;
the choice of judgment and legal actions is all yours,
and nothing's going to stop this faith that you have found-

the decade of decadence is coming soon,

I'm not a crackpot like you thought,

the growing ranks accuse me, de- falsify the orders,

the devil is in buckets, this land is growing up words,
criminals and killers refrain hopeless and in troubled-
mad and recklessly in their bottomless pit, that's where they fit-

oh that again, deflect, dispose and loosen up

so you don't cut your hands man,
conciseous and departure devour
and decapitate your hand man,
reduce reactify everything in sight
it's nothing but a diligent night,
address advise and call attention to
and give command Sam-
the disasters in the air__
Oh IndiaReg.@ Steve Arroyo SACP Music 2015

between me and you,

there’s something we really don't talk too much about-
you know my point of view-
is something we really need to know-
hey there it's different-- don’t be irrevert-
Super hero’s in mourning are-s-Tuesday’s’
calling out with the state of mind-

My law depends on you,

your heart is waiting for something new,
I've seen you come and go away on Saturday,
I've got to say-

The difference between me,

and the distance between you,
every word you say-
Every time you played-
25 years to the day –
I’ waited I’ve got a say-

don't be sarcastic, give a reason to prove,

don’t let certain disasters come and eupherize me too-

Hey there it's different -hey there its heaven sent

The world surround is calling out with a state of mind
Three fingers too the East
and the Lady stands on my hands and says

My law depends on you,

your heart is waiting for something new,
I've seen you come and go away on Saturday,
I've got to say-

Hey Mr. politician dancing right on stage-

do I have a chance---as I turn the page-
it's hard to relax, use to ease some slack,
push it off, come up for breath, , call it a day-
Brace yourselves now-feel the heart beating proud-,
Scatter brain- the business sense-brass wind melodies,-
money , memorials, and opulence-oh my US decorations
here ye here ye it appears to cover up-
it appears on the tribunals-
‘ an easy touch and go on this manifesto-

I hear feedback on the shore—

I’m not sure who you are any more—

Pay me extra, gifts and Godsend-

student black books, connoisseurs of wine.
I'm never going to put you down,
I'm never going to put you down,

December 11th may be the 12th, I walked and talked

with the infraered eye o the sky
that comes from the stars in sky sky sky,
it's my life, it's my life-

five fingers to the east -

and the lady stands on my hands,
and makes me say love love love
I'm never going to put you down,
never going to put you down-
it's my life, it's my life,
I'm never going to put you down-
I’m never gonna put you down-
‘never gonna put you down-

See the picture, hear my notes,

free spoken words can leave you feeling damaged-

If you should save, or return

or should listen or should learn-
I was hearing voices inside my head,
I never really heard a thing I said-
hey Mr. can hear me, I'm talking to you__

D/C B A#/A D/C___

A/D/A E? F/C C/F/G D/C/B/Bb/A
Inquiring D/C /D/C/ C/D/C/D/A/Bm/G
If you should save A/C#m/D/A/C#m/A?__
Old San Juan Reg.@ Steve Arroyo SACP Music 2015

Tune in, tune out locking horns, locking horns-

I cared a lot about you but you didn't care thing about me,
the canons of the outpost locking horns with destiny__

Gone with the quick stick, gone to the mission,

look out for the swallows, down in all San Juan2Xs
sing-along, ole San Juan-

tune in, tune out, feel like hanging on-

looking down on everyone-

I cared about you, but you didn't care for me-

the canons of the outposts, locking horns, locking horns-

Eating at the restaurant-ordering French wine or champagne-

on that line dancing with you, written in your name,

on the path above, I see it coming

like raindrops falling from the sky-

Try to see it now-try to understand-

try to look around you everyone,
tried to curb it up like the deepest end before you die.

It's only natural, these books we love to read, it's only natural,
on the way we slide and go it's only natural, it's you and me-
now the trapezoid__ad lib.
On My Way Reg.@ Steve Arroyo SACP Music 2015

The nights are cold and lonely the streets are filled with crime,
the California air is polluted, just like every Californian's blind-
the bars can make me thirsty and my love is really parched,
thinking about the way you hurt me, breaking my heart-

On my way to you I miss you-

if you want to drop a dime I miss you-
On my way to yo u If you want to stand in line
I didn’t even kiss you-

the message on my machine said, I better come to decide,

lots of good men want you and I'm just mad enough to try-
on my way to you, on my way to you, on my way you-

Bridge
I know when I hold your face, I know when we get embraced,
the words of wisdom that we'll make is worth everything,
it's worth everything-

the way you mouth that slanderous' mind pure and evil,
I wasn't cheating you, we had broken off, pure and simple-

Free was an ancient theory's, hustlers in gold teeth-

lies and October witches on this Christmas Eve,
monsters that live under beds,
twenty five years to the day I've waited-

Now I believe that apologies are in order-

only after an act of deliberate malice,
therefore I won't apologize for being human or undecent?
you give me owies-
now remember that time your friends kicked me out,
of your house because that chick got mad-
well she came on to me first hollow_
you give me owies, owie, owie owie
-you give me owies hollow-
Now here's an autobiography
-I'm a pickling ingredient used by the east Indians,
when preparing a special rice dish- mauiee wauee

You give meowies, I am a cap gun cowboy_

_
ad lib.__fit ins__solo_repeat verse__repeat coda__out__

One Door Steve Arroyo Curt Phillips Reg. 2016 @ SACPAD

Time is only a state of art-- on this path- of fate we should lie—

Every doorway, every floor way- every time you fly—
better look before you run—before you run—Every doorway

—--One sea runs to the water—one fountain runs cold—

One man lives forever—Highways, sideways, distractions—
ceilings crawling down—oh down—until you find the door—

One ocean runs to the city—one light goes dark—

the red lights glow—
but you want to go—
the green light’s on—but nothing’s changed—
the environment, the promise, and the rain----
One Door leads to another—

when you’re walking- through the halls of life—

oh-through the winds of time –
and all you see is a door—

wo-oh oh One Door, One Door, One Door—

(no more4x’s)wo-oh-—One Door—
One Door leads to another—in the state of art—
on the path of fate-we lean to the other side—
come to rely upon-come to and side upon
through the vagabonds—
the highways, and the sideways-
distractions-superb elations—

ceilings, lowered ceilings—

preparing to love—preparing to be alone—

through the outs of One Door—hey—One Door—

(Vs-4--Time is only a state of art-don’t fall from grace too fast—

when you’re young—you gotta let go, give your new life a chance

Every Door opens a fiery zealous time-- for me and you—

don’t be playing with my mind—leave it behind
Every doorway—

On the street of easy luck every one’s for hire—

search the recipes of Saints—on your stairways of desire—/set a
One Door leads to another-better look before you go in—

Every doorway, Every doorway you walk through—

better look before you run—Vs-4—

One sea-runs to the water—one fountain runs cold—

One man lives for ever—behind —behind Every Door—
One ocean goes through the city—one light goes dark—
One hand reaches for mercy—
one hand reaches for mercy-
one hand reaches the door----

and every floor—and every bar and every street—

The red lights glow-but you want to go –
the green lights on—and the same goes on and on-

One Door leads to a One Door-anyone-and every where—

you don’t care—what you got—

you know it’s so easy-to figure it out—

you know it’s not easy getting out—
Am7//// //// Dm7//// Am7// C//// B/
A#/ A/ C//// B//// C//// Dm//// F////
Ab//// Am7//// Am7////
One Other Girl
Steve Arroyo Curt Phillips Reg 2009 Rsvd. PAu 659-890

A/ D/ A/ C/ F/ C/ D/ G/ D/ (3’Xs)
On a mad street—in a red Ferrari-she turns it up—
she likes to take on the scene that Hollywood Blvd.
movie dream and the Sunset Strip—
they all know her name—they all know her game—
you better not cry—I’m gonna tell you why—

A G D (repeat) Coda—
She’s just-- One Other—just--One Other—Girl—
she’s just-- One Other—just-- One Other Girl—

A/ D/ A/ C/ F/ C/ D/ G/ D/ (3’Xs)
After the strike of twelve—she comes alive—it’s no surprise—
she’s taking all those local boys uptown for a ride—
she//they// won’t come down—
she’s playing uptown you better not shout—
you better not cry—I’m gonna tell you why—
Coda— A G D (repeat) G F E Eb D (repeat) Bridge—

You won’t see her running you down—

when you’re going uptown—
you won’t see her crying out—/
/you won’t see her without a doubt//
she’ll get what she came for—came for—

A/ D/ A/ C/ F/ C/ D/ G/ D/ (3’Xs)
Rock-a-bye—and we’re going out on the scene tonight—
another delight—she’s a friend of mine
and every one else in the band—
they all know her name—they all know her game—
you better not cry—I’m gonna tell you why—Coda-- A G D (repeat)

GFGFG
Bridge 2—And the way she acts—
she’ll give you a heart attack—
there’s no use in –F--turning back—E—
she is going to—Eb-- get you –D--yet—
A/ D/ A/ C/ F/ C/ D/ G/ D/ (3’Xs)
In a Badhouse dream she’s at your door and back for more—
And they look at her like they never seen her kind around before-
She rolls down her window and motions, come here-
don’t try and touch her—‘if you do—
you know that she’ll be fooling you—

A/ D/ A/ C/ F/ C/ D/ G/ D/ (3’Xs)
Of all the girls in L. A. she’s just—One Other—
Of all the girls in Newport Beach- she’s just One Other
San Francisco too- what could you do-
With a girl like that- you can’t lose-
You can’t lose, you can’t lose-

of all the girls in New York City—she’s just—One Other—

don’t try and touch her—‘if you do-
you know that she’ll be fooling you—
One Other girl—yeah—yeah—Coda 2’Xs-- A G D (repeat)

Extra bridge-
Not like all the rest, she’ll put you through the test-
‘gonna get you yet-
and the way she acts so difficult, she’ll give you a heart attack-
‘Just no use in turning back, shes gonna get what she came for-
One Thursday -- Steve Arroyo--Curt Phillips—
-Reg. 2009 Esvd. PAu 659-890
A//// C#m//// Bm//// F#m//// (2-X-s)
The morning sun—shine brightly through a cloud—
last night was rough—when you said I wasn’t love—

One Thursday—I woke up all alone—

One Thursday-- --One Thursday—
I cried myself to Bm sleep--One Thursday—
C G6(3rd fret) C G6
Your pretty hair—the way you walk along that path—
is it unfair-- to say I wanted C G6 C everything—
Cupid is blind—he must missed your heart—
fate’s is unkind-to leave me here wanting you G6 this way—

A//// C#m//// Bm//// F#m////

One Thursday—One Thursday—
One Thursday—I cried myself to sleep—
One Thursday—One Thursday—
One Thursday I cried myself to sleep---

Bm F#m Bm F#m Bm
The morning sun—shine brightly through a cloud—
last night was rough—when you F#m Bm F#m
you pushed me out of luck—

A//// C#m//// Bm//// F#m//// (repeat)

One Thursday—One Thursday--I woke up all alone—
One Thursday-- --One Thursday—
One Thursday--I cried myself to sleep—
A//// C#m//// Bm//// F#m//// (repeat)

Your pretty hair—the way you walk alongthat path—

was it unfair to say I wanted everything-
Cupid is blind—he must of missed your heart—
fate is unkind to leave me wanting— you this way
solo A// Ab// G// F#// (bass notes) 4-X-s Bm//// F#m////

Bm F#m Bm F#m
It wasn’t so bad—I didn’t miss you that much—
It wasn’t so sad—I hadn’t kissed you Bm F#m that much—
Wednesday will come soon enough—yeah

A//// C#m//// Bm//// F#m//// (repeat)

One Thursday—One Thursday—One Thursday—I woke up all alone-
One Thursday—One Thursday—One Thursday—I woke up all alone—
Solo A// Ab// G// F#// 12-X-s out

One Way Man Reg.@ Steve Arroyo SACP Music 2015

I got a hundred thrills- a hundred bills-

a hundred dollars, for a hundred shrills-
I got a hungry mind-and I follow em down-
‘gonna go on the road-yeah-
til I can't see tomorrow, I can't see tomorrow__

I was gonna fly a ship-

I was gonna dream of mountains,
I was going to rock your world,
I was going to meet a girl-

But I'm going nowhere, nowhere fast-

and I feel like the time is slipping through my hands-

Now I look in the mirror--//

I got a thing and a mission-
I get halfway home-
I feel kind of loose/tired- now-
I feel sort of old-

This is not what I planned no no no-

I'm a one-way man, with noway home-
I’m a Oneway man oh you know-
I’ve got no-where-no-where to go-

Now listen, I play some cribbage, I play some pool-

I’ve untied my heart- like a fool-
I've got no stars in my eyes-
only pockets, and surprise',-

This ain't what you wanted, this ain't what you needed,
this in no way to treat your man now- said to me-

I can't be there by Saturday-

You know I'll only be home by noon on Tuesday,
‘you cant hold it back from me-
cause I can see right through your hypocrisy-

And I'm going, yes I'm going, all the way-

You know I'm flying, I'm flying on PSA-

Just pass me some peanuts-wont to hand me a drink-

better wipe my mouth off, I don't have time to think-

You know this one-way man, got no place to be,

your hypocrisies, are boring me-

Step up to the mirror, step up to the mic,

if you can't decipher what's wrong with the picture,
don't tell me what's wrong or right-

This one-way man has a notion-

he's got a pocket full of mold-
he's got a harebrained idea for saving-
now your story’s been told-//

I'm a one-way man 4Xs__coda__solo__ad lib.__fit ins__

EX words possibilities---
Nine oclock, waiting on the phone-
Twelve midnight-nobody’s home-
I’m a Oneway man oh you know-
I’ve got no where- nowhere to go-
I could trade that story in for a chain of gold-
‘Wear it around my neck now your story’s been told-

From the books they wrote- to the stories told-

One time I was standing lonely-//all alone
Two times I was out of luck
Only Words Steve Arroyo / Curt Phillips

Everyday I keep talking to you,

you’re telling me things I know they ain’t true,
You’re a liar and that’s a fact,
cause I seen you with him in his brand new Cadillac-
There only words, their only words, only words;

It’s a long road that never ends-as the clock unwinds-

is being honest such a lonely crime-
If you want to be, with someone else,
cut me lose and I’ll make it by my self;

You’re tellin’ me you love me,

you tellin’ me you care, you telling me you need me,
But your never there-

There Only Words, there Only Words

Only Words Only Words-

Everyday i hear talk'n bout you-

Sayin those things you shore would'nt do—
'cept your a liar fact's a fact i seen you with him..
a kiss'n him back –words- there only words!
Words-there Only Words-

‘Tell'n me you want me tell'n me you care,

‘tell'n me you love me-
While strutti'n off somewhere –
only wooooooooords only words !

‘Ten o'clock wait'n alone –

Twelve midnite nobodies home –
It’s not that I can’t see you—
or make some space in my car-
I’m the one whose gonna make it-
I’m the one whose going far—

tell'n me you want me, tell'n me you care-

tell'n me you love m while fuss'n 'bout your hair-
only wooooooords yea, only words !
I was there in the subway and the tokens are gonna slide—
GFGFGFGFG
here they go-underneath and the rats are going to die—
then Only Words,-can decide—F
-get off on Fifth or Seventh out of here alive—

A Bm C#m D
You try to make me happy—you try to take me home—
everyday I worship—on your throne--
EGF
throne—(Only Words 4’s-)

GFGFGFGFGF
Everyday I keep talking to you-
you’re telling me things I know ain’t true—
you’re a liar G F G F G F
and that’s a fact—
cause I seen you with him—in his Cadillac—

A Bm C#m D
You try to make me happy—you try to take me home—
everyday I worship—on your throne--E G F throne—
(Only Words 4’s-)

GFGFGFGFGF
Everyday—I’m still talking to you—
you’re telling me things I know ain’t true—
you’re a G F G F G F liar-and that’s a fact—
cause I seen you with him-in his Cadillac—

A Bm C#m D E
Nine o clock—waiting all alone//I won’t be alone—
twelve midnight—nobody’s home— G F G F G F
I was there in the subway-
and the tokens are gonna slide—G F G F G F G F G
here they go-underneath and the rats are going to die—
then Only Words,-can decide—F
-get off on Fifth or Seventh out of here alive—

Coda-1--You’re telling me you love me—

you’re telling me you care—
you’re telling me you want me—
but you’re never there—
Only Words—yes they are—
Only words –Only Words—Only Words—
(They’re Only Words6’Xs-) G/ F/
(Extra chords 14th fret A maj 7th to 12th fret D Maj 7th)

Other Side v1 Reg.@ Steve Arroyo SACP Music 2015

I know you'll go to the other side-

you know it's not like that,
you know its not fair
all the hours and days we spent,
running our fingers through the air,
through the air-

I know you'll see what I'm talking about,

and I can't be sure, if you don't mind the difference-
it's not what we wanted to do, it's not where we're coming from,
all the days are different now-and its getting harder to run-
Coda
It's always Sunny, it's always blue,
and I know I want you to be there too, to be there too-

I know you’ll say we've been together forever,

and I can't force someone- in stormy weather,
like you oh oh oh yeah like you-
Bridge__
It's not how we dreamed it would be on this sunny day,
it's not how we dreamed it would be on this sunny afternoon-

Follow your heart's intentions, follow your best inventions,

you can remember how we never should have,
how we never should have-tried,
There's a path for you- there is a road to choose,
answer all your deep blue dreams-
higher power, voices louder-

there's silver lining there's a road to choose,

others save while others die
others weep while others cry-
solo__
And I know, you care- but it doesn't mean that we can,
believe in everything, -that we set out to conquer,
this whole world, -this old world-together,
and walk the silver lining-

Follow your heart's intentions, follow your best inventions,

as a path to you, a there is road to choose,
if you try, if you try__
ad lib.__coders__bridge__verse__out__

Expertise and Youth- Reg.@ Steve Arroyo SACP Music 2015

You think your immortal, a weapon of thought,

the members so classed, well I think not-
Your ego's a lesson, caught in a web,
lost on this planet, you see them coming again-
Well I get news for you black as the print on the New York Times,
Aint it funny, hey buddy, you’re no lady in my eyes-
You’re in disguise-
Well you captured the feeling, landed the role,
From the books they wrote- to the stories told-
That Cadillac theory, don’t flaunt it unless you got it-
your husband wives, your cowboys in white-

California's sunny and you really need a life-

Aint it funny hey buddy,you can't unlock my locks,
I'm Greek to Greek, I’m expertise and you(th),
with your thick head attitude,
get loud, you're a mystery, get loud-

You're a tough nut to crack hut, get loud,

with your complex had, with your counterpoint words,
you got a squint to see me, I'm kind of like a ghost

Kind of frustrating-- in my head-

your devices ---are making me sad-
behave yourself -I said, --you can't be,
running around the tracks like that, dress like that-
California's sunny and you really need a life-
Aint it funny hey buddy, you’re cryptic and receptive-
And I don’t know why-

Well I get news for you black as the print on the New York Times,
Aint it funny, hey buddy, when it all goes right, tonight-
word for word,

I'm not an illustrated man, I'm not a piece of glass,

you can't unlock my locks, I'm Greek to Greek,
an expertise and you(th), with your thick head attitude,
get loud, you're a mystery, get loud,
with your complex head, and your counterpoint words,
you got a squint to see me, I'm kind of like a ghost,
E/A E F#m/ A/
Ab/ G/E B/D/B/A/Ab/G/E
F#m/ A/A/Ab/ F#m / A/Ab/G/E
Fit Solo-s-

Paisley Parade Steve Arroyo Curt Phillips Reg. SACP @ 2016

Debby loves Michael—

they dance and sing—
-to all the old records
of their parents day—

turn on the black lights tell me the news—//

let yourself groove//
gonna get changed with an attitude— //
play the Beatles forward,
and backwards too//

Everybody likes to dig that scene-

Put on those favorite designer jeans-//
Everything’s colored and the flowers bloom-
It all happens inside your rooms—//

Nothing is groovier than to stay—

all day long at the Paisley Parade—
Everybody likes to dig that scene,
but on those worn-out faded jeans,
nothing is groovier than to stay,
all day long at the Paisley Parade-

If you watch the poster—

Jimi will play for you—
light a pack of incense
and get in the mood—
talk about peace—
make laws not war—
so out of sight—
feeling alright—

Coda—
All day long—all day long--all day long—
put on your wig hat-say it don’t matter-
-all day long try to let loose—

Debby loves Michael-here’s the news –

Debby and Michael—just grew up to soon—
I think it’s 1969 you can say alright—
Peace signs fly in the paisley night-
Some could say it was crowded-
Some could say we’re allowed-

You talk about peace make laws not war-

So outa sight, you’re feeling alright-

turn on the black lights—let yourself groove—

play the Beatles forward and play thembackwards too—

I think it’s 1969, it’s a hazy charade—

oh the sounds of the Paisley Parade—
make you wan to stay all day—a little overcast on my mind--
Turn on the black lights tell me the news,
gonna get changed, with an attitude
Ad lib.__
Decrease the staggered scenery,
criminals and killers refrain mad and hopelessly-
inside their bottomless pit, that's where they fit
Em// C7// Em/ G/ D/ C/ Em//// //// C7/ Em/ C7/
Paris Winter Reg.@ Steve Arroyo SACP Music 2016

I was standing in the south of France,

Hello baby I’m your man-
and a blond girl came right up to me,
and asked me to dance-

I didn't know her name,

and no one's quite to blame-
We’re waiting and holding out –
for another chance-

coda
Paris here we come I can see it come undone-
Proudly at the sun- you're all I care about today-

Love drifting transisting the two of us-

I’m waiting for you Paris Winter-

Anyone can see, there's two kinds of ladies,

some are sweet, and some are sour,
she calls every hour, she calls every hour-

I'm going out, till I can't see straight-

I’m going out-'til I come home late,
I’m going out ‘till I can’t see straight-
waiting for you-

So be mine all mine

sans your love-
I would wait every day for you-//
I can be true//2X

Solo-

Love drifting transisting the two of us-

I waiting for you Paris winter-

Nails in my religious youth-

Still instill some guilty thoughts-
But I through my GI Joe-many childhood hopes ago-
Wanted back my Vietnam army clothes-
That I wore so proudly when I saw-
Paris winter-Paris Winter-

Love drifting transisting the two of us-

I’m waiting for you-
I’m waiting for you-
Paris here we come I can see it come undone-
Proudly at the sun- you're all I care about today

You’re kind of easy, you got a rough,

you kind a down, you’re kind of tough;
You got red hair, I can see through your shadows
I could see through your eyes…

Come here don’t make it so rough I can help you;

I said come here darling don’t get mad I can help you out-
It’s weird- sometimes it’s really strange-
sometimes I’m kind of heartless,
sometimes I’m kind of vain__
now there’s something you can use,
you gotta keep my views away__

Sometimes it’s easy, sometimes it’s rough,

Sometimes it’s strange, can’t get enough.

Paris here we come- I can see it come undone-

Proudly at the sun- you're all I care about today

This mission is like an open book-

and we see it's not so different from before-

I wanted back my Vietnam army clothes-

The ones I wore so proudly when I saw-
Love drifting transisting us-
I’m waiting for you-
Paris winter-Paris Winter-
Part of Me Reg.@ Steve Arroyo SACP Music 2016

I've got many things that I don't need-

many things that I don't need, but I want you-
I can call you up at night,
I can make you restless at night,
many things that are need, but I want you-
This ain't your average love affair,
this ain't your romance in the air,
this ain't your magic, this ain't your magic,
and I can't wait another day-

You know it's really, you know it's really,

you know it's really you,
you know it's really, you know it's really,
I've got a lot to do,

I've got some magic we can talk about,

and nothing keeps me from you-

And then you touched me deeply,

touched me softly,
you're all I care about today-

You know it's coming like you'd never seen,

I can't wait another day-
you know when it's hot now,
you know when it's cold now,
you know when it's going round
in circles, going in circles-

Now I go to sleep and I can't live-

how can I be something when you're gone-
here it comes like you've never seen,
and you know what you mean to me,
You know it's coming like you've never seen,
you know what you mean to me-
you know when it's coming round and round the bend,
you know how to make it end-

This ain't your average love affair,

this ain't your romance in the air,
this ain't your magic, this ain't your magic
and I can't wait another day-
You know what you mean to
you know what you mean to,
you know what you mean to me-
ad lib.__versus_coda_add solo_
Party Shoes Reg.@ Steve Arroyo SACP Music 2015
Another goodbye, it's so boring,
last night I'm on the news,
Dirt and dirty shoes-

I'm bigger then your day,

real life isn't real, bigger than your day-
put on your party shoes and
we’ll dance like catching jellyfish-

‘You I'm not amused by, all you say and do,
I can't remember you, why do I like you-
Why do I care-
put on your party shoes-
We'll dance like catching jellyfish-
‘You I'm not amused by- all you say and do-
When the nights too strong for you-
put on your party shoes-
put on your party shoes and dance-

Another good day, it seems so boring,

I don't have something to do,
I'm going to build on your shoes-
I've got more than, I've got more than I can use,
I'll give it all to you, I'll give it all to you, yes I think-

And we'll go buy Christmas presents,

pretty Christmas presents for you-
put on your party shoes-
put on your party shoes and dance-
on the ballroom floor with the
shimmering lights shining down-

Solo-s
Another good day, I don't have much to say,
nobody has an answer, it's time to clean the garden-

I've got a lot to, I've got a lot to do, with you-
Real life isn’t real-what does it mean-
Is it a dream-
Put on your party shoes, burn those shadows on the ground-
You’ve got a thousand shadows
A thousand shadows on the ground-

put on your party shoes;

put on your party shoes
and dance.. Fit Solo___Out__

Perfect Chance Steve Arroyo Curt Phillips Reg.@ SACP 1987-2016

Let me be the first- Let it free your soul-

From the chains of ages- Mortal mans control-

Let me share the love that you need so bad-

Just open up your arms and take this Perfect Chance-
Perfect Chance-take this, make this be your Perfect Chance—

I know you feel loneliness cause I feel it too-

Disbeliefs or, romance again, dreams that never came true-
Pressure’s are from all the world, very hard to take-
but together we are stronger, oh that great escape-

Won’t you take, won’t you take-

You gotta take this Perfect Chance-
c’mon now take, take it- gonna be your last-//
Get it while you can-

When the fantasy is real,

‘all the world to see-
you gotta take this Perfect Chance-
and I’ll take one you see-
with these gifts he’d love to share-
a sound philosophy-
playing out with welcome eyes/hands,
well-respected man.

I know you feel the loneliness,

I know you feel it too-

(When you take, take it baby,

take this perfect Chance 2X’s)
gonna be your last, take, take
take this Perfect Chance- take it from me
There’s two kinds of lady’s- some are sweet,
some are sour; you gotta take you gotta
take- Take this Perfect Chance

(E//// A/ E/ A// E 2X’s). B//// E/// B// E// A//// B/ E/

Perfect World Reg.@ Steve Arroyo SACP Music 2015

Bird to mouth, snake to grass, out of hand,

scientific teaching-
condition absorb, in the prime,
gonna teach you a lesson,
you got a nose for news,
yeah keep an eye out,
a whispering campaign,
I'm kind of quadrant-

Don't rehearse for me, just be glad to see,

we can talk about it and your tittle tattle,
you're gonna dish the dirt, you gonna whisper out loud,
you gonna grab your rifles, shoot off your tongue,
you gonna run run run,
if you do that, you gonna run run run-

Acquaint yourself with me, have some ESP,

store that data in your brain-

Enlightened my intelligence,
my family and my friends,
write it on your paper in your books-

Tables turning down, keep it posted now,

don't flaunt it unless you got it,
you can't illuminate-

‘Yeah it's out of hand-

yes it's out of hand, now it's out of hand-

And I am gonna run run run,

‘till I get to the open fields,
where I have transmission's,
for my outer space friends,
run run run with telepathy,
I hear feedback on the shore—
I’m not sure who you are any more—

Your cryptic and receptive but I don't know why,

don't apologize for your metaphorical abominations-
don't be sarcastic, give a reason to prove,
don’t let certain disasters come and eupherize me too-

Word for word with a special light, word for word,

I'm not an illustrated man, I'm not a piece of glass,
you can't unlock my locks, I'm Greek to Greek,
an expertise and you(th), with your sick had attitude,
get loud, you're a mystery, get loud,
you're a tough nut to crack hut, get loud,
with your complex had, with your counterpoint words,
you got a squint to see me, I'm kind of like a ghost, poppycock-
yeah I know it's clear, it's clear-cut baby, there's no secrets now,
I got a get over to you, we better meet in peace roll up close to me-
ad lib.__mix versus__
Persecuted Steve Arroyo Curt Phillips Reg. 2016@ SACP

I feel emotional—but I don’t want to die—

I feel devotional—but I don’t want to cry—
but I walk—try in to climb the ladder to you—
wu—hu—hu--it’s kind of tough—live in—in the zoo—

The clock strikes eight—‘I’m kind of hungry—

I’m kind of needy—but I’m deserving—
If there’s any thing I wouldn’t do—that’s hurt you—
I wouldn’t hurt you—off the wire I climb—under the night—
look in on past the needles edge—

Under the night—I’m gonna feel Persecuted

Under the night—I’m gonna feel Persecuted—
you got that right— Like Moses’—down on the Nile—
‘try’ to part the river—
‘try to pull the snakes up from the ground—
I’m feeling that way—with you--

You take my love and fly it down the street—

like some kind of old wig hat you can’t wear—
you take my love and fly it down the street—
like some kind of old wig hat you can’t wear—
under the night—I’m gonna feel—Persecuted—
under the night—I’m gonna feel—Persecuted—

I owe it to you—
cause’ you make me feel this way-- wu—hu—hu—
it’s kind of tough—live in—in the zoo—
I got some place to be—
and it’s tough live in—with or without you—

You part the rivers with your hand—

you make it rain on dry land—
you set your sail against the wind—
you escape the evil —once again
and again—
I owe it to you—
cause’ you make me feel this way-- wu—hu—hu—
it’s kind of tough—live in—in the zoo—
I got some place to be—
and it’s tough live in—with or without you-

The clock strikes eight—‘I’m kind of hungry—

I’m kind of needy—but I’m deserving—

If there’s any thing I wouldn’t do—that’s hurt you—

I wouldn’t hurt you—

off the wire I climb—under the night—

look in on past the needles edge—
under the night—I’m gonna feel
Persecuted—you got that right—
Am////// Dm//// Am//// F// Em// Am// E7////
Point-Blank Reg.@ Steve Arroyo SACP Music 2015

Locked up in my cell I can't get away-

I live a living nightmare baby baby day by day-
I only killed the rebel man I shot them dead-
how would you feel my love,
with a bullet in your head-

chorus

point-blank let me out I've got to get away-

point-blank let me out I've got to fade away-
(ad lib. I've got to get back to bed)

I'm just a Johnny guy, caught up in society-

I need some time alone, I need some time to breathe-
I've been around the block 1000 different times-
I've got to get away I need some peace of mind-

chorus__solo__bridge

do you remember living on the edge,/(the overtures)

do you remember the gun pointing at your head
/(Russian roulette)
verse one__
chorus 3Xs__ad lib.__
out__
Police Your Heart Steve Arroyo / Curt Phillips

you gotta give me me what it takes-

So fast sometimes it's hard to get you,

my lights flash but you just pulled away,
it's so cruel playing hard to get, hard to get__

I can praise your body, worship your brain,

complement your everything,
handcuff you to the stage,
I don't know where to start-

but I can’t police your heart

when you’re looking uptown

and all these things are turned around—
I can never get home on time—
I can never make the words seem to rhyme—
If I ever wanted to—was hold your hand
maybe and go to the movies too—

I might look easy in your eyes-

but don't turn your back to many times-
you don't think I'm hard as nails,
you better check the odds-
I’m on fire; one chance is all you get now;
You know you lost your thrill ride—
I can teach you to drive—I can make you mine-
I can teach you to drive-I can make you mine
I can give you away—I can mail you today—
but I G E can’t change the way you think about me-

I can sacrifice a million things-baby all night—

I can move from the west of the city— A7 E7
shake it down alright—
I could watch you move through the crowd like a butterfly—

Now pull over—you need a ticket—

You’ve got roving eyes-
you’re looking at the other guys—
You’re suppose to be looking at me—
that’s against the law—fifty dollar fine—
you’ve broken the law—

I can give you away—I can mail you today—

but I G E can’t change the way you think about me— E7 E7

I
when you’re looking uptown
and all these things are turned around—
I can never get home on time—
I can never make the words seem to rhyme—
If I ever wanted to—was hold your hand
maybe and go to the movies too—

E7 A7
Now pull over—you need a ticket—
You’ve got roving eyes-
you’re looking at the other guys—
You’re suppose to be looking at me—
that’s against the law—fifty dollar fine—
you’ve broken the law—

I can buy you cars

and I’ll sing sing sing to the stars—
Police Your Heart—Steve Arroyo—Curt Phillips—Reg. @SACPAD
E7 A7
Well-I’m on fire like a million dollars baby—
You know you lost your thrill ride—
In the E7 A//// E//// back seat of my car—
I can teach you to drive—I can make you mine— G A Coda-1-
Well I can’t—baby It’s getting so hot—no-I can’t—
you know it’s getting so G E G A hot—no I can’t—
Police Your Heart—

I can give you away—I can mail you today—

but I G E can’t change the way you think about me— E7 E7

I can sacrifice a million things-baby all night—

I can move from the west of the city— A7 E7
shake it down alright—
I could watch you move through the crowd like a butterfly—

Coda-1-G//// A//// G//// E//// ////

I Can’t Police Your Heart—I Can’t Police Your Heart—
when you’re looking uptown
and all these things are turned around—
I can never get home on time—
I can never make the words seem to rhyme—
If I ever wanted to—was hold your hand
maybe and go to the movies too—
Coda-1-
E7 A7
Now pull over—you need a ticket—
You’ve got roving eyes-
you’re looking at the other guys—
You’re suppose to be looking at me—
that’s against the law—fifty dollar fine—
you’ve broken the law—

I can buy you cars

and I’ll sing sing sing to the stars—
and I’ll go out on the town tonight—
you better treat me right—
you better treat me right—
I see the red red lights-
We’re gonna gonna have to stop-

you better treat me right—

you better treat me right—

Police your Heart-

I can’t Police Your Heart

G//// A//// G E
Cause I’m going to do it—I’m going to do it—
cause I’m the police and the National Guard—
I can give you away—I can mail you today—
but I can’t change the way you think about me—
Police Your Heart—

It’s getting’ so hot—yeah it’s getting so hot—

no I can’t --Police Your Heart-

Your fast—sometimes it’s hard to catch you—

my lights flash—but you just turn away—
You’re so cruel—playing hard to get now—
Hard to get—hard to get,,
GAG
I can praise your body worship your brain—
compliment your everything—
handcuff you to the stage—-E—
I don’t know where to start—
I can buy you cars—teach you to drive—
to the stars, (give you money), my oh my—
I love you but I can’t—Police Your Heart—

I might look easy in your eyes—

but don’t turn your back too many times--
You’ve got roving eyes—you’re looking all around—
Portrait of a Rebel Reg.@ Steve Arroyo SACP Music 2016

I'm a crazy/genius //kid with great ideas,

I'm a genius in my own right, some call me weird-
I'll fight against society if anything's strange,
I got a tell my story now I just can't wait,
I'm a portrait of a rebel yell and I've got the coolest hair-

I'm I head of my time, I got a fiery mind,

no one tells me what to do, not him or him or you,
I fight for a cause if it fancies my taste-
I'm a rebel for the power of the whole human race-

I always have a cause for anything I do-

I'm gonna fix the whole place-
and let it lean on you-

I'm the kid who set the campfire in elementary school-

I'm the one who wore the leather jacket just to look cool-
I could race a gto—or make some space inside my car-
I'm the one who's gonna make it I'm the one who's going far-
I'm a portrait of a rebel a portrait of a rebel ,
and I've got the coolest ideas-

I'm ahead of my time I've got a fiery mind,

no one tells me what to do now to him or him or you-
I fight for any cause if it fancies my taste-
I'm a rebel for the power of the whole human race-
never have a story for anything I do,
can you help me change this point of view?

Ad lib.__solo__versus__out__
Prestige—Steve Arroyo—Curt Phillips—Reg. 2016@SACP
E/B/E//
Give me something nice—don’t think about it twice—
give me what I want but don’t D/A/D// make a scene—

You could tell me how I’m cool—but don’t tell me I’m a fool—
there’s other guys that don’t go by your broken rules—

C#m A C#m A C#m

Don’t play games with the man on the move—
Nothing to say, nothing to proove—
give A B me what I want but don’t make a scene—

E/ B/ E/ E/ B/ E/ E9
For a little Prestige—a little Prestige—

E/ B/ E/
You can sell your daddy’s car—
you can take me to a bar—
I know you know—what I really need—

D/ A/ D/
You can bring your mama too—
she’ll keep an eye on you—

I( can’t be seen with a girl you know-

When its goin round in circles
E/ B/ E/ D/ A/ D/ E-9ths C#m A C#m A B
Private Thoughts Reg.@ Steve Arroyo SACP Music 2015

The lights are bright in the city it's almost 3 AM,

she's not looking for pity, she really needs a friend-

We sat down and talked a while, I offered her a drink-

she asked me how my life was going, I really had to think-

I want to know all your private thoughts-

I want to know what you're thinking of-
I want to know all your private thoughts-
private thoughts, private thoughts-

Your blossom in my heart tonight –

everything will be all right,
I was really falling for this girl and I'm glad-

she told me she had things to do, and I had to leave,

but I know there's something hiding, upper sleeve-

Love is not a cheap thing it's worth it's weight in gold,

time to time it needs some nurturing, call her on the phone-
let her know your heart aint wondering, said to me-

Coda-I want to know all your private thoughts___

I want to know what you're thinking of-
private thoughts, private.__

ad lib.__mix versus__add solo__out__

Pure and Simple—
Steve Arroyo—Curt Phillips Reg. @ SACP 1987-2016

A/ C#m/ Bm/ C#m/

A C#m Bm F#m A C#m Bm F#m
I wasn’t cheating you—we had broken off—
at least a week or two—
it was a wasted A C#m Bm F#m A C#m Bm talk—
I’ve untied my heart—‘got it beating again—
you sure left your mark—
now I’m F#m high and low—
A Abm D Db A
The way you move—that slanderous smile—
it’s Pure and Simple—
And there’s no love Ab G F#m lost—
it was a wasted talk—it’s-Pure and Simple—

A C#m Bm F#m A C#m Bm

The message on my machine said—
I better come to decide—
lot’s of good men want Bm F#m A C#m Bm F#m you—
I’m mad enough to try—my car broke down in the alley—
you’re getting tired— A C#m Bm F#m
escaping with you mile after mile—after mile—after mile—

F#m Am F#m Am F#m Am

The way you move—Pure and Simple—
all through the night—things you say that are Pure
F#m Am G//// F//// E//// Am.//// C//// F/./// E//// Am C
and Simple—I love you –tonight--—

Pure and Simple-oh oh— you------

you and -me and F E A C F E the way it’s got to be—
it’s a golden sea in your heart—

Solo Am//// C//// F//// E//// 4X’s

I wasn’t cheating you—we had broken off—
at least a week or two—it was a wasted talk—
I’ve untied my heart—‘got it beating again—
you sure left your mark—now I’m high and low—
Solo
The way you move—Pure and Simple—
all through the night—things you say that’re Pure and Simple—
I love you –tonight--—
Pure and Simple-oh oh—in you—
you and -me and the way it’s got to be—
it’s a golden sea in your heart. Out___
Push Me Home Reg.@ Steve Arroyo SACP Music 2016

You can push me home, you can push me home-

you can hear my tires blow, you can push me home-
I've got somewhere to be, I've got somewhere to be-

Push me home, push me home yeah push me home-

push me home, push me home, push me on-

I don't know why I called you -but I'm lonely tonight-

I don't know why I dropped the dime
in the phone won't you answer?

Hello baby, hello baby, I'm your man-

hello baby what you doing tonight?

Do you want to go out, with me-

do you want to go dancing-
Da da da da-Da da da da

I know your home-I know you there-

I know you're lonely-I know you care-
I call you up, I'll take you out, I dress real fine-
,
here we go, on the run, there we are, having fun,
there we go out on a Saturday night-

I've got something to say, I've got a message to relate-

I got a feeling in my mind, I want to buy you everything,
I want to buy you everything-

here we go-on the run- there we are-having fun-

push me home, push me home,

push me home, push me home-

I can race a gto and listen to my tires blow for you-

here we go, on the run, there we are having fun-
hello baby, hello baby, I'm your man-
hello baby, what are you doing tonight?
Ad lib.__change combinations__solo__if applicable__

Puzzle Reg.@ Steve Arroyo SACP Music 2016

Have some on me, a little bit of honey-
Full of love, and under statesman-
it's got a be something, a heartfelt something-

Over and over the pieces fit-

superheroes on Saturday,
by 10 o'clock we’ll faint,
held over by popular demand,
a Norman Rockwell stand-
gotta be something- a heartfelt something-

Take the pieces slowly out of the box-

Sitting here in the rain,

the heads go on but the bodies wonder,
working the puzzle,we’re not to blame—

Now there's going to be a phone call-

from India and the Cosmic seas-
Seize the ships and the bounties are calling-
but the money is no good- the moneys no good-

It's gonna be something a heartfelt something-

In the rain, on the floor, where the pieces fit-

the heads don't go on straight-

the bodies and the brains,
and the pieces in the rain,
can never be explained-
How can you make it all go wrong-
when all goes right, yeah tonight-

Have some money a little bit of sugar honey-

Superheroes in mourning-
by 10 o'clock we’ll faint-
held over by popular demand-

it's gotta be something-

a heartfelt something-
Got to be a place where the pieces fit-
the heads go on straight-
but the body’s wonder-

Stop by the Creek and write it down in your books

Keep it posted now-you can’t illuminate me-,
ad lib.__
Hey Mr. you're not really here-
I seen you in a movie once before,
the lines you recited are meaningless-
but you won't be ignored- you won't be ignored-

And all we can do is sit here working the pieces-

And try to put the heads upon the bodies,
All the million parts in little pieces-
but they never go on straight, they never go on straight-

Superheroes on Saturday-
by 10 o'clock were gonna faint-
Held over by popular demand-
a Norman Rockwell painting in the sand-
it's gonna be something-a heartfelt something-
gotta be a place where the pieces fit-

ad lib.__augment versus__out__
Question a People Reg.@ SACP SA Music 2015

Question a people who bury their problems,

suffer a lifetime and ridicule all-

Aspiring to madness-
we sailors of sadness-
burdened by cargo will never unload-

Wait, there's a fly in the ointment- breakout a wall-

Say don't resurrect losers awake in disguise –
shatter a sky burn up alive-

I said wait, there's a fly in the ointment breakout a wall-

shatter a sky talk about lies-

Sifting through ashes of bitter mechanics-

shimmering raindrops and spoiled by death-
revolving and building fresh houses for spirits-
Histories claiming a piece of your head/heart-

Wait don't resurrect losers awake in disguise-

shatter a sky, burn up a lie-
A/G/B/G B/F#m/D/A E/ C#m/B C#m/B/A/G/F
Red-handed Reg.@ SACP SA Music 2016

Who wants a story without an ending-

who wants a lawyer without a heart-
how can you stop the rains from falling-
how can you move the hands of time-

She was young enough to grab, old enough to have,

and I was a caught-red-handed-red-handed on the line-
abandoned every moral,//she was immoral-//
‘how can you stop the hands of time

The lesson isn't in the learning-

they couldn't teach it all in school-
there's never a passion without the yearning-
So I'm gonna/keep her if I can/keep it cool.

She was just annoyed-

‘ a little scared and paranoid-
She wanted so bad to please-
When you count from one to twenty three-

She was young enough to grab-

Old enough to have-
and I was a caught-red-handed-

How can you decide-

When you can’t even close your mind-
I was caught on the line-she was immoral-
Red-handed on the line,
On the line, on the line, on the line,
she was hopeless hear me -
‘don’t come near me - my my kind-

who wants a story without an ending-

who wants to go flying without a parachute-
who wants to charter a boat without an anchor-
who wants to go swimming with the sharks all day long-

Better stop hassling you,

better stop hassling you-
that parrots flying all around my room-
and the elephants too-
and they talkin’ about the love-
and the linga above-and the
birds and the bees-
are gonna cut you off-
Better stop hassling you-they’ll cop an attitude-
that parrots flying all around my room,--

So I beat the cops cars over the County line,

And they can arrest me in my prime,
I've got many other things to do, ‘there’s other girlies left for you-
Its East or West- or in my vest-
‘someone tell the DA what I did.
A/A# A/F A/G F A/A#
Red Nights Reg.@ SACP SA Music 2015

Do you dream out loud-of places you have been-

do you count the sheep before your eyes-

Listen to me now-throw away the clowns-

there's not gonna be a place for you to hide-

You can count the pictures on the wall,

one is missing one has fallen-
You know that I can't stand the bright daylight-

Red Nights, Red Nights,

I need some time alone-
Red Nights-

What could make today-just like any other day-

There’s always a war we can lose-

Stick around to see-what's become the scene-

Winning is only for fools-

I don't think that's much too much to ask-

You can count the pictures on the wall,

one is missing one has fallen-
You know that I can't stand the bright daylight-

Red Nights, Red Nights,

I need some time alone-
Red Nights-

It was just a war- never promised to be more-

You were a nurse in the war, and helped me get better-

Red Nights, Red Nights,

I need some time alone-
Red Nights-
Coda-Solo Verses- Coda Out__
F#m/E D/C#m/Bm/A/E

Rembrandt in the Rain Reg.@ SACP SA Music 2016

She'll cast a picture, of the stormy love affair-

about a cool lady/vixen,
and a millionaire/and a guy so debonair-
you'll cry, It'll make you cry-
she's just another Rembrandt passing by-

When you see her in the movies-

She looks oh so square and groovy-
‘Loves to play the part at-
The Boul-abasco square-
She like to wash her feet by the seaside bay-
She’s in love with an entire
/navy/nation somewhere-
What does she care-

She’s just another Rembrandt-‘

Another foolish Rembrandt-
Just another Rembrandt in the rain-

Just another Rembrandt

Another crazy Rembrandt-
‘Too many brushes in the paint-
So shy- it’ll make you cry-
she's just another Rembrandt passing by-

She paints colors everywhere-

‘loves to see them-float in the air-
So shy- it’ll make you cry-
she's just another Rembrandt passing by-

She talks of life set, in a gallery of love,

pointing out mistakes-
she hopes will never come your/her/ way-

She paints flowers everywhere-

‘loves to see them bloom and then cry-
She’s just another Rembrandt passing by-
When you see her on the movie screen,
with a cigarette holder standing there,
she looks so serene-
So sad/so sane, but she can't complain-
she's just another Rembrandt in the rain-

Writing the foreign movies, love's hitting on the lines,

the never ending stories/sagas-of hideous war crimes-
so sane/she proudly explains/planting fresh bouquets,
she's just another Rembrandt in the rain-

She likes to wake up alone-

she doesn’t want no one no one to know-
what she thought about last night-

She's like Bette Davis on the cinema screen-

with the cigarette holder standing there-
she looks so serene-
a- lot like the Maltese falcon, in the park-
she' paints pictures in the dark-

You can’t be allergic to water-

She'll cast a picture, of the stormy love affair-

about a cool lady/vixen,
and a millionaire/and a guy so debonair-
you'll cry, It'll make you cry-
she's just another Rembrandt passing by-

du du du du, whistles-
verse__out__
Rhyme and Reason
Steve Arroyo / Curt Phillips Reg.@ SACP SA Music 2016

Sitting on a boat on a foggy afternoon;

I can’t talk much; I can’t be with you;
Give me good lovin’, get me back home;
Get me back where I started from-
Oh No Rhyme and Reason, no, no, no-
no Rhyme and Reason-
Whispers from the cave the machinery has endured-
she whispered to me softly, I am yours.
Get me past Monday, get me head start-
get me half way where I’m falling apart-
No no, noRhyme, no Rhyme or Reason-
No Rhyme or Reason;
zombies taken up the phone-
the heat of tomorrow, the flight of the storm-
Stay a bit longer- be forewarned-
They got the bills and they never paid it-
They got their bills and they couldn’t face it-

Rhyme and reason you’re gonna take me down-

You can’t stand still, you can’t turn your head around-
Every body wants it, everybody needs it-
everybody calls it, nobody stops it-
Everybody talks tou you-
Everybody talks to me-Solo-s-
First there were three and then there were four-
The rest of them came by boat and hit the shore-
Talkin’ that she was just a waste of time-
looking at my past lives- just a waste of time-
Walking on the street's and I’m gonna say you mind-
everybody wants it, everybody needs it-
everybody calls it, nobody stops it-

You get the fluff out, I know there's nothing left to lose-
There’s no Rhyme and Reason-
Everybody looks at me, everybody looks at you-
There’s no Rhyma and Reason-

Sittingon a boat on a foggy afternoon-

I can’t talk much, I’ll be back home soon-
there were books in the corner-pages ignored-
things in the fire that I never could afford-
There’s no Ryme and Reason-Rhyme and Reason- Out___-
(A//// G//// E7//// (4X’s)- -
(A//// G//// B7//// A//// G7//// E7 ////)-

Ride the Carousel

Steve Arroyo Curt Phillips Reg. @SACPAD 1987-2016

Stay awhile—go to sleep—

It’s swirl in ‘round and ‘round again—
‘Send you to the bottom—of Davy Jones locker—ohoh
Coming on and beating down again—

Trip the scales in your jumping springs—

and I’ll take the plunge with you—
your belly whopper dive—crash diving through—

Get the stones and let me go ‘around again—

it’s gonna come back up and see the wheel start to spin—
You’re sailing me-right—you’re sailing me-right—
you’re sailing me –right over my head—

Ride the Carousel round and round—

‘like a globe on this earth spinning ‘round-
don’t get your head stuck in your-
own driving luck-when you’re-
crash diving baby and see you’re out of luck--

All your circumstances—all your remedy’s—

you can juggle them any time—
the energy’ is coming ‘round in circles-
Its going to the sign-

Don’t suffer for me-don’t suffer for me now-

Don’t suffer for me-I seen you in the shadows-

Brother of death—take this test—

ease up on your reigns—
you’re—heavy eyed—
can’t stay awake—
go by night—go-
close your eyes-eyes-
feel tired
deep sleep, deep sleep again-
feel tired-deep sleep, -deep sleep again-
Son of this able-dewof the summer
Feel the nigh slide in your blunder nigh-
Ease up on it-
Kind a snewzle in dreamland-
rest easily—do your best—‘call it a day—

Take your freetime

Rest easy call it a day-

Slap back helter skelter—of your garden grove—

See the signing founder—and the plazabelow—
it’s all for you—

on this Holiday— You’re a holiday

The eyes of Morpheus—and SamuelDaniel—

Sleep is why we make it down???—(ad libs)

Take a Holiday—take a break—

and put the rest to sleep ???

In the land of Mathew—it’s kind a relax—

use to ease some slack—let it down- push it off—
come up for breath—call it a day-
Rest easy-do your best-call it a day-

You’re a holiday----take a holiday-

Popped around on your couch-nothing to do-

In your easy life-you’re just passing away-- on this holiday-
Listless,--c’mon Hancock, hurry down, ya’ helter skelter ma’
Don’t make haste and wait, send it by mail, on this holiday-
Kind a leisurely in your leisure suit-
E//// C#m//// F#m//// B//// E////
C#m//// Abm//// C#//// F#m//// B////
E7//// D7//// C7//// E//// C#m////
F#m//// B//// E//// C#m//// E////
Run Run Run
Steve Arroyo Curt Phillips Reg. @1987--2016
E7// B// E// Abm// A// C// E7// B// E7//////

Ya make it Run, Run, Run, Run, Run—

Run, Run, Run, Run, Run----ya make it Run, Run, Run,
Run,-- Run—ruhu-un—

I got a distant cousin—I got my car on the road again—

Now I’m off, down the highway—
going’ back to the roadhouse—

Can’t drive in the snow—

when your heart’s feeling mad and low—
yeah-you just—Run, Run, Run, Run, Run—
ya just Run, Run, Run, Run, Run—

You know it’s not too far to Dallas-

but its pretty far from where I been—

but I can’t play in the snow—

when your heart’s 40 below, oh, you got to
Run, Run, Run, Run, Run, Run,

Run—
I’m feeling’ lonely for my servant—
bo, hu, hu, c’mon

baby—you know wipe these tears away

and a bu, hu, hu—
I'm feeling lonely for my servant-

E7// B// E// Abm// A// C// E7// B// E7//////

San's Your Love Reg.@ SACP SA Music 2016
I would wait every day for you-
walking down the sidewalk dressed in/// blue-

All the times I hoped and prayed-

that you'd never leave me- that you always stay-

Sans your love, I don't want love at all-

without your love I don't want love anymore-

(Sans votre amour ,

je ne veux pas l'amour à tout-
sans ton amour ,
je ne veux pas aimer toute plus-)

I felt your presence from the start-

and I felt to love and in my heart-
and I know it isn't very long from now-
and I know our love will/can grow-

coda-solo-coda-

I still wait every day for you-

walking down the sidewalk feeling blue-
and all the times, I still pray-
that you'd never leave me-
that you always stay-

Sans your love, I don't want love at all,

send you love I don't want love anymore-

when your wild at heart-

when you're close at heart-

D/A/C/G/ F////D//F///A////
Secret Season—
Steve Arroyo—Curt Phillips Reg.@1987-2016
D/ C/ G/ A/ D/ C/ G/ A/

Some peoples winter snow—

some get so cold--—I’ll call you up—
D/A/ F#m/G/
Drive so fast, you crash into the fence-

You know it’s going to be so good,

when the rain starts pouring;
that little bit on the head-
in your neighborhood-
you might listen to me anyway—
this is ours—
this is our Secret Season now —winter spring and fall—that’s all—
you know this is our Secret Season —winter, spring and fall—
any time at all—
D/ F/ D/ C/
Drive so fast, you crash into the fence-
Time is an angel with no certain cause-
With the hail of tomorrow, the flight of the storm,
stay a bit longer and be forewarned

D/ A/ F#m/G/
This is our Secret Season now—
winter spring or fall—any time at all-
This is our Secret Season now—
winter spring or fall—any time at all-
(Optional)
D/A F#m/G
(I hear feedback --------on the shore—
D/A F#m/G
I’m not sure who you are-any more—
like a whisk of sand--a fate of hand-----
nothing I can say could make it any different—)

This is our Secret Season—winter, spring or fall—

any time you call—this is ours—we
don’t have a reason—this is our Secret Season—

G//// F#m//// G//// F#m//// G//// F#m//// G////F#// A////

See it rain—see it snowing—
see it sprinkling on the ground—
whether it be you’re coming or going—
round and round—and round and round—
when the summer comes—when the fall is done—
you know our season—our Secret Season—
D/ A/ F#m/ A/
You said I looked that bad at you—
but that’s not where we wanted to be—

I don’t think it’s really going to matter—

I’m mad as a hatter—
we don’t need a reason—
this is our Secret Season—
I don’t know why it’s kind of pleasing—
this is our Secret Season--
Yeah, yeah, yeah, yeah—

don’t lift a finger, it’s a false alarm-

a five minute warning, a lucky charm-
with the hail of tomorrow-
the flight of the storm,
stay a bit longer and be forewarned

Fit Solo-s untested transpos-__Out__

Selfish-Get what it Takes- Reg.@ SACP SA Music 2016

Arrest me with your empathy I didn't check out the cast-

and when the phone rings at 2 AM, Howdy answer to that?
Hey you it's not on me, hey you it's not on me-
Get what it takes, you gotta get what it takes-

There were days I thought it crazy to believe we ever were-

life is hard enough to question, the lessons to well learned-
a man can handle power with the woman in his arms-
two can feel unearthed underneath the eyes of ours-
-
Maybe you didn't know me no no,
should our paths have never crossed,
should the best of all intentions
been instilled against the grain?

Stop acting so selfish, stop acting so selfish,

so selfish all the time-
stop acting so selfish, stop acting so selfish,
it ought to be a crime-

What's on this I'm hearing about you, cop an attitude-

play these tracks on this boy, and you're only gonna lose-
got nowhere to go but out alive, it ought to be our crime,
stop badmouthing me, you're so selfish all the time-

Selfish, your so selfish, selfish all the time-

listen to the anger, block it out of mind,
its military, humanality is the issue on the chopping block-
dive into a cage of sharks/heart-
hey you it's not me, hey you it's not on me-
you've got to get what it takes, yet what it takes-

Ex VS Solo- when can-Out______

Sexy Roulette
Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
(A/ Bb// B//// B/ Bb/ A/ 2-X’s) E//// A7//// E//// B7////
E A7 E A7 E A7

C’mon baby—knock it off

I can tell that you’re not so hot—
if you are c’mon—lay it down
—and if you’re—E-- not—get –A--out of town—
Cause—Bb--‘I –B--seen you in –Bb—A7--casino’s—
lay in down your bet—A—Bb—B7—
I seen you in casino’s—B---Bb—A7--gonna get you yet—

Sexy Roul—E--ette—that’s why I –A7--call you—

Sexy-- E--Roulette—B7

E A7 E A7 E
Red money rides on twenty one—
you know the--black money rides on twenty one—
and if I win—I’m winning—A7-- you—E—
I can play guitar—A7--just like you—Bb—B7--I
seen you in casino’s—Bb—A7--lay in down your bet—Bb—B7—
I seen you in casino’s—Bb—A7--acting like some pet—so I—E—
call you--Sexy –A7--Roulette—that’s why I –E--call you—A7—
Sexy Roulette—that’s why I –E--call you—
Sexy –A7--Roulette—now spin me–E--around—B7—

E A7 E A7 E
I see the bars here—drive me crazy—
the roulette wheel is going to make me crazy—
I want to land on twenty –A7--one—
I want to land on—E-- red—
you sexy—‘you sexy—‘you –A7--Sexy Roulette—
A—Bb—B7-—B—-Bb—A7--the red money’s good—
A—Bb—B7—
the pit boss is going to kick—B---Bb—A7- you out—E—
I don’t have no –A7--doubt—you know all these—E-- boys
anyway—B7 –
E A7 E A7 E A7
C’mon baby—knock it off/give it up—
I can tell that you’re not so hot—
if you are c’mon now —lay it down—
get your—E-- fives—and your tens and your—A7-- twenty’s—
get out of town— E--sexy—sexy—A7--I call you---E—
that’s why I call call call you—
A7--Sexy Roulette—E--sexy—sexy—A7—
that’s why I-- call you—E--—A7--Sexy Roulette—sexy—
you’re lay in down your bet—B/
Bb/ A/ A/ Bb/ B/ B---Bb—A7
The bars spin around—you make me dizzy—
I think the bars spin around—you make me—E--
dizzy—
you spin the—A7-- pit boss around—E—sexy—
Sexy –A7--Roulette—you –E--sleep
with all the—A7-- pit bosses in town—
but I got a—E-- pit dog that’s gonna –A7—
bring you down—
that –E--dogs’ gonna –A7--chomp—
and the –E--parrot’s gonna –A7--fly—

E7th out
It’s not the way that you push me around—
it’s not the way you turn me around—

Sexy Roulette SACP 07 PAu 2-659-890

I could tell you’re not so hot;
tryina lay it down with the whisky boys-

C’mon baby knock it off,

I can tell your not so hot;
if you are won’t you lay it down,
if you’re not get out of this town;
I seen you in casinos layin down your bets,
I seen you in casino’s gonna get you yet

Sexy Roulette, yeah Sexy Roulette.

Red money rides on 21, black money rides on 21,
if I win I’m winning you,
and if I lose it’s up to you;
I seen you in casinos layin’ down your bet,
I seen you in casinos gonna
get you gonna get you yet-------
c’mon baby, I know you’re not that rough-
you gotta give it up –give up your stuff-
C’mon baby knock it off, I could tell you’re not that hot;
It’s not the way that you’re pushin me around,
you know it’s not the way you turn me around;
whew hew hew Sexy Roulette Sexy Roulette-

C’mon baby knock it off, I can tell that you’re not so ho-
you know you’re not so hot you’re kind of sexy down low
cause I seen you in casinos layin down your bet;
cause I seen you in casinos, and I’m gonna get you yet-
Sexy Roulette-

Red money rides on 21, you know

the black money rides on 21,
if I win I’m winnin’ I’m winnin’ you;
I could play guitar just like you
‘Cause I’ve seen you in casinos,
you’re layin down your bet,
’I’ve seen you in casinos your acting like some pet;

So I called you Sexy Roulette, that’s why I call call call you-
you Sexy Roulette; that’s why I call you Sexy Roulette –
now spin around,

I see the bars here they drive me crazy,

the Roulette table is gonna drive me crazy, I
want to land on 21-- I want to land on red,
you’r sexy, sexy, you sexy roulette;
the red money’s good- the pit boss is gonna kick you out,
I don’t have no doubts you know all these boys anyway-

C’mon baby knock it off- I can tell that you’re not so hot-
If you are, c’mon now lay it down,
get your fives and you’re tens and your twenties,
get out of town; sexy, sexy,

sexy roulette, that’s why I call you,

sexy, sexy, sexy, roulette, sexy, sexy, sexy roulette,
that’s why I call you sexy roulette,
you’re lay it down, your bet;

and the bars spin around, you make me dizzy,

I think the bars spin around, you make me dizzy,
you spin the pit boss around, yo Sexy Roulette,
you sleep with all the pit bosses in town,
but I got a pit bull that’s gonna bring you down,
that boss is gonna chomp and the parrots gonna fly;

you make me dizzy, you make the bars spin around,

you make me dizzy, I think the bars spin around,
you make me dizzy (repeat as necessary the last

verse) out---

She Calls me to Heaven Reg.@2015 SACP SA Music

C#m7 Abm7 C#m7 Abm7 C#m7 Abm7

Red nails scratched in my weakness—

driving my soul into shock—
showing two sides of C#m7 Abm7
every theory—having those beautiful eyes-
F#m Abm A
I swore she accounts to her parents—
to have our baby and work-
baking soda can’t numb it—
B
this romance can’t walk a straight line—

F#m Abm
Coda-- She Calls Me to Heaven, and I can’t turn away-
when she calls me, when She Calls Me-
A//// B//// C#m7Abm7 4X-s to Heaven-
I -can’t change my plea-
when She Calls Me-- She Calls Me to Heaven)—
C#m7 Abm7 C#m7 Abm7 C#m7
Now the brick in the hand of our patience—
told the mentors where to go file—
and paintings of Abm7 C#m7 Abm7 granddads religions-
are dripping rhetorical vile—

F#m Abm A B////C#m7 Abm7

Tuesday’s a first degree murderer-
waiting painful for all—
reverence in sickness and karma,-
C#m7 Abm7 C#m7 Abm7 C#m7 Abm7
as my Testimony unfolds-coda-
then she calls me—
She Calls Me to Heaven-She Calls Me to
C#m7 Abm7 C#m7 Abm7 Heaven—
after all this time—

She Calls Me to Heaven-

and we’re not fighting-solo-vs1-vs2-
Coda-out

She Dreams Reg.@ SACP SA Music 2015

The chains around her body are held by mental locks-

she wants her knight in armor to mend her broken heart-
girls at war, teenage words, a battle in her head,
she would say that she aint that way,
but we knew she always was-

I tell you she dreams, she dreams, she dreams,

of everything we said,
she dreams, in Technicolor red-

The high school walls had ricocheted,

the standard of their peers-
she loved in secret hiding places,
oblivious to fear-

She’ll give up quarter from here to eternity-girls at war-

teenage doors- with the spirit hell-
-I guess the Dr.is in-

Dispel that knowledge-

she dreams, I tell you she dreams,
come on, come on, come on-
she dreams, oh of everything we said,
the chains around her body,
are held by mental locks,
she wants her knight in armor, to mend her broken hearts-
she dreams of total war, she's a teenage door,
that wants to get in my head-
keep dreaming-

__fit solo if and as__Repeat VS Coda__Out___

She is a Handy Reg.@ SACP SA Music 1987-2016

On the Fortuneless, the sinister,

the voodoo jinx, the whammy man-

don't be discouraged, don't turn your cheeks,

don't stop prevention, let it go to the head-

It's just stumbling blocks, don't get bottleneck now,

feel the breakwaters come now, just a piece of the earth,
feel the bear trap now, and the back of the backstop-

This Iron Curtain, won't be for certain;

keep up the walls of your life, don't be discouraged now,
it's only a handicap, a little bit cramped-

I'm at my wits end, I'm kind of battle perplexed,

in the corner of a tree-
pinch me hard if I'm dreaming now,
this puzzle is kind of upside down,

and I'm a little impeded,

but I'm not going to stand in your way-
and this out stretched hand,
is closing in on my barricade-

Keep off the walls of your life,

don't be discouraged now,
Its only a handicap-

she's a jack of all trades, she sits well with the banker,
she's a chef hors d'oeuvre, and the Shakespeare maître d',-
feel the breakwaters come, just a piece of the earth,

ad lib. out__

D/A/C/G B/G/ F#m/A/D/C/D/C /A#/C/

A#/C/D/C/D/C/D/C/D/C/D ____
Sheiks of Manhattan—
Steve Arroyo—Curt Phillips Reg. 2009 Rsvd. PAu 659-890
Dm7
Ohhh—was an army coat in ‘fifty two—and
I stared at the ceiling and I thought of you—
G F Dm7 G
staring me back in the eyes from another life—
holding me close—

But I walked away to F Dm7 G A the café inside

looked in the pond-- where the deputies lie—
I wished for angels—that Bb Cnever arrived—
I had something on my mind—
Dm7
You couldn’t walk away and see the stars that easily—
there was something in the clouds—
it was just to dark to see—
airplanes were flying round-
but you were back at work—underground—

G F Dm7
Digging out the books-that I asked you for—
they were from the First World War—

GFE
something about the guns in the skies—
you were a nurse in the war
and helped me get Eb Dm7 better—
but I won’t fight again—
cause you’re not a nurse now—

Dm7 G A Bb
You talk about things that you don’t understand—
Sheiks of Manhattan—don’t you see C the signs on the roof
Dm7
We’re not our world now—
Its two thirty now—its two thirty later—

Sheiks of Manhattan— G F Dm7

See the signs in the sky—oh can’t you—
can’t you see them flying by—
we’re are world now—we’re not world—
says--a world’s gone gangland—
Dm7
Sheiks of Manhattan—we’ll be in the front row—
with our body guards right below—
we’ll be looking to the skies and sinking far below—
underneath the sewers and the man hole covers----
we’re not our world –
The Titanic crashes again-
The thing went array when the waters fell off-
Shout for Release Reg.@ SACP SA Music 2016

For me and you, both breaking out paper-

that's a fact if it bothers you then who cares-
you're nothing in my eyes-half the time it's do or die-

We want power-shout for release-

stone cold power-called the police-

Him or her, him and them,

both great people, and that's a fact-
if it bothers you then who cares about facts,
I've read the papers, you gonna shout?

We want power, still cold power, for me and you-

you're nothing in my eyes-half the time it's do or die-

black sheep rebels, victimized and blamed-
combusted and disgusted-exploding into flames-

were not carnage on the chopping block-

were not here just to punch a clock-
the unknown soldier fighting for a name-
tormented long enough, it's time to show your stuff-

for me and you, both great people and that's a fact-

and if it bothers you who cares, who cares-
the unknown soldier fighting for a name-
tormented long enough-it's time to show your stuff-

Ad lib.

half the times you worried, about half the times you sad-
paranoia in Pacoima, adultry in Milan-
Ad lib. arrangement__
Sick in the Head Reg.@ SACP SA Music 2015

She drives so fast and reckless,

the white lines turned to one-
she said so well connected,
the flatfoot's just too dumb-
her eyes started twitching,
the psycho game she's played-

One road leads to another-

Better look before you go in-//
Human like people-
Babied like men

no one is home in the belfries,

no morals or common sense-
it's so obvious to see,
she sick- sick in the head-

This is truly, another place to be,

I've got a gallon of wine,
for you, just for you,
you got better things to do,
and I'm watching the telephone,
and it rings, all night long-
no one is home in the belfries,
no morals or common sense,
it's so obvious to see,
she said, sick in the head-
Verse 1___
Coda__
no morals or common sense,
see the doctor, get yourself fixed up-
better go down to the free clinic,
try to get some penicillin-
your search, sick in the head-

Call the doctor, call the preacher,

call your mother for some apple pie-
better take a ride to Daytona Beach,

this is truly another place to be-

you've got better things to do, a
nd I'm watching the telephone,
and it rings, all night long-

Out__

Silent Night—Steve Arroyo –Curt Phillips Reg.@ SACPAD 2016

Every finger, pointed right at us-

Filthy, guilty delinquent radicals-
The sentence alays cane before the trust-

No more being pushed around-

We’re not gonna take this lying down-
The underdog has its day-

Silent Night since we’re gone-

Silent Night from now on-
All the fighting’s over on this Silent Night-

When we were just younger—we had no jealousies—

we cared a lot for each other—you cared a lot for me—

Now season’s come to passing-

and the coldest winter’s gone-
And I will be relaxing from now on-
Looks like I’m going to sleep tonight-
I’m going to see the light-

Silent Night since we’re gone—

Silent Night-from now on—
All the fightings over on this Silent Night-

Every finger pointed right at us, fuilthy, dirty,

Delinqyuint radicals-the sentence always came-
Before the trust-unless you’re ruthless-

No more being pushed around-

We’re not gonna take this lying down-
The underdog has its day-

Silent Night since we’re gone—

Silent Night-from now on—
All the fightings over on this Silent Night-
Silent Night—since we’re gone—
Silent Night—from now on—
gonna hitch hike on a falling star- with you-with you--
we’ve got power—stone cold power—yeah

All the fighting’s over I never thought it would end—

the way we care for each other it seems so different—
now it’s gonna change--we’ve gone our separate ways—
we’re gonna sleep tonight—we’re gonna see the light—

Silent Night—since we’re gone—

Silent Night from now on-
no more being pushed around—
we’re not gonna take this lying down—
All the fighting’s over on this Silent Night

F#m//// Bm// D/ F#m- Bm//

D/ F#m// A/ Bm// A// F#m—E////
Skin Deep Reg.@ SACP SA Music 2016-

Visions of stories, freeways from above-

in college campuses throughout the United States-

Some people in the puzzle sin discovered

that they just don't fit-
there's always rotten apples in the bottom
of the barrels we swim-
rapscallion swift double talkers
were working out another routine-
like a Mississippi riverboat gambler
with an ace up his sleeve-

In the traps of rack and ruin-

the betrayals are in decise-
Where you can never leave-
The blackboards are indescrete-
When you look Skin Deep-
//
I wished for angels that never arrived-
I had something on my mind-//

Underneath the fires malicious tongues-

indulged in play-
Drawing up a contract-
you might just step through the gate-

Vs 2
Poachers of the highest order wallowing in sweat-
with roller coaster eyes –you aint seen nothing yet-
Crying wolf in sheeply clothes//cutting in their baby teeth//
on innocent and old- bribing them to stay-
and then begging them to go out and tease:

there was chaos in the belfries,

as the master lady roared-
walking through the caverns
you might step through the doors-

My mother always told me-

beauty’s always in the eyes of the beholder-
like I told you- Skin Deep-

solo—

Three days in the caverns, from now to the judgment day-

everybody says everyone, has something to say-
but we knew it as a trio, as the master lady roared-
Silence is ringing out louder than ever before-
-‘just can’t be ignored-

It’s an old tale of trickery saved for passers by-

take a look inside the books and tell us what you find-
little actors playing parts for sympathy and wine-
you can’t believe we’ve come a million miles-

I wished for angels that never arrived-

I had something on my mind-

VS Solo-s as nec Coda Vs Out__

Some Other Time Reg.@ SACP SA Music 1987-2016

G7 C G7 C
Vs-1--If you don’t talk you know I’ll never tell—
and if you can’t keep a secret it won’t
G7 C G7 C
do any help—

Love lost leaves you bound-—ain’t it the truth—

I can’t take this back no G7 more——
I can’t take it from you
Em A C G Em A
Coda-1--I was just like you—when I was young its true—
‘had another point of view un-
C G7 Em A C G Em A
like no one—Some Other Time—
I’m gonna make you mine—
Some Other Time—I’m C G////
gonna make you mine
CGC
Vs-2--Life can be cruel-but its hard to tell—
yes its hard to tell—
you know we beat the G C odds and
we’re doing so well—yes we’re doing so well—
Love hangs on a moment, a G C G promise,
a feeling an attitude—
loaded in the minds of the futures past and I can’t
forget about you—
Em A C G Em A
Coda-2--I was just like you—
when I was young its true—
‘had another point of view un-
C// G// Em A C G Em A
like no one—Some Other Time—
I’m gonna make you mine—

Some Other Time—I’m C G Em A C G Em A

gonna make you mine—Some Other Time—
Some Other Time—we’ll be so fine—Some C G
Other Time—gonna make you mine—

Some Other Time-- C G C

Vs-3--Love hangs on a moment, a promise, an attitude--—
I can’t take this back no more—I
can’t --take it from you—
its- nothing that you can’t debate,
reflecting the Golden age,
I can’t see why—G--why its true—
Em A C G Em A C G
Coda-3--I was just like you when I was young—
I know it’s true there’s no-one—who –
understands me like you-do—
Some Other –Em--Time—A--Some Other –C—G--Time—
as we turn the page reflecting the Golden age-
Feeling in pursuit, so headstrong,
will have to carry on and on-

Life can be cruel, but it's hard to tell,

you know we beat the odds, our doing so well,
love lost, leaves you bound, ain't it the truth?

loaded in the mind of the futures past-

and I can't forget about you-
some other time, some other time,
gonna make you mine, some other time-
Whew hew 4Xs
Em/C/G/Em/A.C/G/ Em/A/C/G Em/A/C/G
One night or another, we’ll wind up under cover,
call your sister, call your brother-
some other time I can –carry a locket-
with your picture on it-reflecting the Golden age
and -say I forgot it—Em—

When the world is –A--right—C--when they hate to –G--fight—

I won’t mind—Em—A--Some –C--Other –G--Time—
Some –Em--Other –A--Time—we’ll be so—C- G- fine—
Some Other Em—A-Time—C—
gonna make you-G-mine—Some Other Time—
Something on Me Reg.@ SACP SA Music 1987-2016

I know you can see me, I know you been watching-

walk up and down the streets at midnight,
hey baby don't catch me-

I'd give you a dollar if you walk away,

don't turn your head and say you want me tonight;

Hey girl you hew... really got something on me,

yeah, you got something on me, something I'm me, yeah-

I like the way you talk, the funny things you'd do-
the way you color your hair, the funny dress you where-
and the way you drive, you drive so fast-
you try to pick me up hut...you try to make me laugh,

I like the things you do, I like the way you groove,
oh I like the way you dance, you've gotta give me your hands-

it's all up to you, it's nothing on me,

it's all the way we see, it's all up to you,
yeah it's nothing on me,
it's all the way we see,
our pain and love, our pain in love-

You talk gibber, jibber, gibberish; gibberish-

our pain and love,
it's all the way we see, our pain in love__

You got a one way smiled, you can turn me lose-

you get me kind of reckless, you kind of settle my groove-
I got an open can, don't let the worms out-
they kind ago wiggle wiggle wiggle on the floor-
when you let em' go-

it's all up to you, it's nothing on me,

it's all the way we see-
our pain and love,
it's all up to you, it's nothing on me,
it's all the way we see-
Ad lib. verse___solo__verse__solo verses out__
A/G/D/A _______F7 / G7__F7/D7/A

South of the Border Steve Arroyo Curt Phillips

Reg. 2009 all rights rsvd. PAu 659-890
(D7) On the border but you (C)never know how (A7)cold—
(A7)Sideways, highways, distracted by a point of view-
(D7)calling, falling-(A)between the threats-(E7)
Reaching for stars (D7)over, (A7)preparing to love-
getting- (South of the Border line you know –
I’m South of the Border line, 2X’s)-(D7)

shattered glass reminders of a (A7)childhood-

(E)archipelago barbed wire memories(D7)(A7) ---(A7)
in side their self inflicted trauma-and
silhouette of sorrow—
(A7)South of the Border line you know
I’m South of the Border line-
running down the scene and I’m South of the Border line—
all against the odds at the clubs and I’m

South of the Border line—Del Mar race track—

standing in an in crowd—
(D7)Highways, (A7)sideways-(E7)---(D7)-(A7)—(A7)
Calling, falling, hanging by a threads

reaching out for lucky stars, oh ba preparing to love—

(D7)getting under tomorrow lost in reminders—
(A7)shattered glass of a childhood archipelago-(E7)barbed wire
(D7)melodies in an out of a (A7)self inflicted coma-----
In clown town—In clown town—
(D7)I’m on the edge of clouds—(A7)
morning comes with a breath of fresh air—
the(E7)night has memor-(D7)-ies to clear—
I (A7)didn’t mean it those threats of broken glass—

blackout alley’s, overflowing tears---

hit em in a bottom with a hammer—l
ower than faith can take you—let you down—
hope you understand every minute—
life isn’t charmed, when you’re on the edge of clouds—

(D7)face of clouds, forgetting storms,

in the face of distorted admissions—(A7)
Human like people babied like men—
Odorless obstrosities keep teaching us sin—(E7)
casting out witches and they have no say—(D7)
pointing cruel fingers we all burn at the stake
(A7)at charlatan house—no, let me tell you about charlatan house—
feeling desert winds as they mush your golden hair—
Steve’s notes: A7= ////(A) /(C) /(B) ////(A) /(G) /(A)

Spirits of Egypt Reg.@ SACP SA Music 1987-2016

Catching a glimpse of the pyramids through an astro-plane—

ancient questions being locked up within and never explained—
brushing the high priestess hair-- there's an old romance-
in the Cairo air:

Enchanting the dreamers-condemning the seekers-

Controlling the weaker//
untangling rumors- Spirits of Egypt—

Roaming the streets through the cities of need mystics watching—

teasing cobras shunning-danger—
clutching to coins that are made to believe-
so uncertain-no more limitations—

reaching up with blistered hands,

building castles out of faith and sand--
Watching the cats—pulling their claws out of their hats—
old King Tut--, as an Eastern sun beats down the river Nile—

Condemning the seeker- destroying the weaker-

cursing the evil-believers in heathen—
enchanting the dreamers-they were dismaying the losers-
untangling rumors- boy kings and peasants—

Highly advanced minds from above lent them brilliance---

no more limitations
Virtueless greed led the weak to believe they were servants -
Golden cats guarding tombs with emerald eyes—
as an Eastern sun beats down the river

Nile-
Watching the cats—pulling their claws out of their hats—
and the golden calves, and the angry God's, Moses grab your staff -part the seas-

Condemning the seekers, controlling the weaker-

cursing the evil, boy kings and peasants-
discerning the message, untangling rumors
heeding the vengeance ignoring the penitence-

__solo between versus__out__short version__or add:

Watching the cats pulling their claws out of their hats- top hat now,
I saw up parrot land on my head -
Moses, grab your staff, part the sea, turn the waters into wine,--
and they built the calves of gold-nothing be told Egypt—
-----guide us tonight—and every night--Old King Tut, Ramses.
Dm-G-A-Bb-C-Dm G-F-E-Eb-Dm

Sport fishin' Reg.@ SACP SA Music 2015

Sport fishin', Sport fishin',

we're sport fishin' down the coast-
you want an alley cat a fast time shot,
flashing signs, so what-

Mike claws are dirty, flirty, filthy-

take a fortune cookie put it in your mouth,
so what's the point-

Who wants you, who wants to be screwed over;

who wants you, nobody but you-

We're sportfishing, yeah sport fish in,

sportfishing like you sport fishin-
off of Cabo San Lucas---
get your worm on tight, get your worm on tight-

Move your queens checkmate in the cards-

move your kings, cheese fondue-
you want an alley cat, fast time shot-

who wants you, who wants to be, screwed over

and over and over again-
sportfishing, yeah sport fishing,
grab your hook line and sinker,
grab your hook line and sinker-

In your boat I'm trying to go off the deep end,

I can see the trout from here-
In the bar and grill-

The sun has red hot eyes, try to make me suffer,

try to make me forget,
everywhere I go and Davey Jones locker they
try to make me suffer, try to make me forget –
no one but you, no one but you, at the bar and grill-
I couldn't find your number, at the bar and grill, I'm on-

Hey look at you, you're covered in Elmers glue-

my furnace burns and
if I could ever find my way back home-
I'd realize I was never alone-
at the bar and grill, I'm on-
I'm on- in your dresser drawer,
I couldn't find your number-
I'm eating sushi with your sister,
at the bar and grill-
at the bar and grill-
She tells me there is something
that we don't talk too much about-

and if I could ever find my way back home,

I'd realize I was never alone-
sport fishin, grab your hook line and sinker,
sportfishing, hey look at you-
Ad lib.__solo__versus__out__
Reg. SACP 2007 If Any Stacey of Her River

She drops tears in her lovers wine

‘never gonna waste anybody’s time;
She’s got a hot car living on the block;
You can’t take her out to the park-

Stacey of Her river just loves to fly away;

Stacey of her river just loves to play that way;
Stacey, Stacey, Stacey of her river;
Stacey, Stacey, Stacey, Stacey of her river-

She’s got Master Cards and gold hair;

Runs around the river, I’ll be floating there;//
Runs around the sceen saying ‘I don’t care”
She’s got a hot Continental, and a Cadillac dream;
coming down at the scene, she’s busting at the seams,

Never second chances, counting her/old// romances,

she won’t leave you; When she goes to crying-
she won’t say she really knows you, owes you-
See the ways that she’s offering;
When you make some peace by the riverside-

She drops anchor in her lover’s wine;

chases black bats raises white lies;
What murder, she wouldn’t hurt a fly;
6 oclock, 7 o’clock, 8 o’clock, nine.

‘Tried to run but she couldn’t walk away

from her problems; all the rest sit under a
brilliant sk She tried to find or contact a
higher power, Stacey;
all the rest sit in her hands,

Solo---

‘Try to eat an apple, but it had a big worm,

‘try to tell every body, she had a permanent hairdo
but it was a green colored red-
we’ll be waiting there by the las-
corner of your mind-

Stacey of her river, what do you see?

A miniature porcupine scratching a tree.;
Hey there girlie don’t you shout at me;
You better cast out your line and
pull up a craw fish you see;

She’s got an old hiding place she keeps her old man;
Said the crawfish to Stacey, and she beats him with
a frying pan-

If you got a question Stacey got an answer,

she won’t change, you know the rest are gonna pay,
Let them see the things that she’s offering-
When you make some peace by the riverside-

Baby come back-ten years to the day said-

the crawfish to Stacey as he floated down the bay,

Stacey of her river, what do you see?

A miniature porcupine scratching a tree.;
Hey there girlie don’t you shout at me;
You better cast out your line and
pull up a craw fish you see;

She’s got an old hiding place she keeps her old man;
Said the crawfish to Stacey, and she beats him with
a frying pan-
If you got a question Stacey got an answer,
she won’t change, you know the rest are gonna pay,
Stacey of Her River just loves to play all day-,

She’ll bounce on her couch, alone in her house-

nothings gonna stop her when she can’t come down;
If you got a question Stacey got an answer,
she won’t change, you know the rest are gonna pay,
Stacey of hr river loves to fly away-
Stacey of Her River just loves to sing and play, .

Telling sad stories of lost wealth and fame,

Brainwashed by society-stone cold sobriety’s-
Sayin whose’ to blame?
let her see thewords that she’s offering-
when you make some peace by the riverside.

Stairways of Desire 2 Reg.@SACP SA Music 1987-2016

A// Ab// G// F#m 4-X’s

Don’t pretend that you don’t know me—

among the early hours of the afternoon—
Don’t know if it’s right or wrong—
you may be gone—you may be long—

B// D// A// E 4-X’s

Help me to be kind—leave me on the line—
velvet shades are true—I know I heard from you—

A// Ab// G// F#m 4-X’s

Help me to be kind, leave me on the line,
I feel velvet, I see velvet with you-
Kind of awkward and practiced now-
kind of upside, upside down-
kind of flip flopped in my town-
guess you're not just ships that 'run aground-
now I've got a way to the world,
compromise and be born-

You really gone your out of shape,

one touch just let me play,
mischief or stranger, hero or a bum,
left-handed gyros under my thumb-

I'm not that big or that small,

I'm not that talk or that tall,
kind of flip-flop in my town,
‘guess you’re not just ships that of run aground-
and your stairway now, another stairway now-

I’m not the chicken that wound up missing-

you're out of touch and your out of shape,
put that foot in that clownish mouth-
knowing not what side to stand on-

And I'm not going to fly away,

I'm going to make up my mind and stay_here-
I won't go any higher,
on your stairways of desire-yeah
stairways of desire yeah, stairways of desire yeah-

Now take an iron hand-but on steel gloves,

for heavy man-
autocracy, dictatorship, disposition,
selicynism, tyranny, domineering,
heavy-handed administration,
Hand-in-hand you'll hold my sanctions,
you're out of touch and your out of shape,
put that foot in that clownish mouth-
knowing not what side to stand on-

And I'm not going to fly away,

I'm going to make up my mind and stay_here-
I won't go any higher,
on your stairways of desire-yeah
stairways of desire yeah, stairways of desire yeah-

B// D// A// E// 4-X’s

On the Stairways of Desire—locate your heart—
knock three times—if you want me to come

down—
Solo— A// Ab// G// F#m 4-X’s
A// Ab// G// F#m 4-X’s
Kind of awkward and practiced now—
kind of upside—upside down—kind of flip flop in my
town—guess your not ships run aground--
B// D// A// E// 4-X’s
Help me to be kind—leave me on the line—
I see velvet—I feel velvet with you—
A// Ab// G// F#m 4-X’s
You’re really gone—you’re out of shape—
one touch—just let me play—
mischief or Devil—hero or bum-
left handed gyros under my thumb--
B// D// A// E// 4-X’s
Now this is not that bad—
no this is not going to be said—
now I’ve got a way to the world—compromise and be born--
A// Ab// G// F#m 4-X’s

Pet the goose that laid that golden egg—

you’re out of touch and you’re out of shape—
put that foot in your clownish mouth—
knowing not what side to stand on—
B// D// A// E// 4-X’s
I’m not that big—or that small—
I’m not your man to be around—
give a look every where—work on another—
and your stairway now—on your stairway now—
on your stairways now –
A// Ab// G// F#m 4-X’s
Kind of awkward and practiced now—
kind of upside—upside down—
kind of flip flop in my town—
guess your not ships run aground--
B// D// A// E/ 8-X’s
And I’m not going to climb away—
I’m going to make up my mind and stay here—
I won’t barge in any higher—
on your Stairways of Desire yeah—
Stairways of Desire—yeah—
Stairways of Desire yeah—ew-hew-ew—

E7
Now take an iron hand—put on steel gloves—
for a heavy man—autocracy—dictatorships—
disposition—celycanism—tyranny—domineering—
heavy handed administration— B// D// A// E/--
hand in hand you hold my sanctions—
never mind the anabolic plankton –solo—over
Star Crossed Lovers Reg.@SACP SA Music 1987-2016

I remember the cold winter nights in my car-

we had fun playing games under shooting stars-

But we'll never separate, no matter where we are-

we'll never separate, we're married through the stars-

Dreams are real if you feel they're made for all-

and I believe that you and me have climbed the wall-

but we'll never separate, we'll never separate,

no matter where we are-
We'll never separate, no one ever separate,
we're married through the stars-

We're starcrossed lovers were starcrossed lovers oh__

we're starcrossed lovers, starcrossed lovers,
we're married through the stars-

And we're dreaming under the moon,

feeling aligned and were feeling in tune-

and you'll be close to me until the night-

when I'm thinking of you, shoot falling star,
if it doesn't go right, starcrossed lovers,
we're married through the stars—

solo__versus__
Get your telescopes on, get your telescopes on,
there might be some aliens my dear,
get your telescopes on, get your telescopes on,
you might be an alien my dear under the moon-
ad lib.__solo__versus__out__
Sticks and Stones Reg.@SACP SA Music 1987-2016,

One road leads to nowhere,

then another leads to life-
it's so hard to decipher which one is wrong or right-
Sticks and stones they might break my bones-
but the words will never harm you-

But the change your life's, each and every night-

sticks and stones may break your bones-
but the words will never harm you-
sticks and stones-

One road leads to nowhere,

then another leads to bliss-
it's so hard to discover, which one is this-

The world can drive you mad-

if it's the best thing you have,
I know it's not a problem, you just come along-

sticks and stones will break your bones-

but the words will never harm you-
I know it's not a problem,
you just come along-

Ad lib. versus__solo__versus__out__
Stop by Go By—
Steve Arroyo—Curt Phillips Reg. 2009 Rsvd. PAu 659-890

Solo F#m//// E////

F#m//// E//// 6Xs to-- D
You’ve got a story to tell—you’ve got a million eyes—
I’ll walk on the coals for you—I
F#m//// E//// 6Xs to-
can be true—

every hour—but I talk a while—

D C#m D C#m
I run down the street—looking for you—
you’re no-where to be found—its true—
so D C#m E true—
I’m not lonely anymore—I’m not lonely—
F#m//// E//// Repeat--to—

Stop by Go By—fly low, say no—

this that—that thing doesn’t mean a thing—
now you come and tell me—every thing was just a joke--
Strong Walks a Man Reg.@SACP SA Music 1987-2016

Up there at LAX, waiting by the telephone,

New cuniform and heels,
I hope you won't be too long/stoned-
while the others were ready and hot
to play guitar just like you-
this one's special and true,
I'll see you in an hour or two—

Who could show his/her/their// face to , shed your fears away,

shower you with love, like I do, and I do,

Strong walks a man, like I do like I do,

strong walks a man like I do, like I do-
who can show his face, shead your fears away,
shower you with love each day, strong walks a man,
strong walks a man—

You want some fortune lady, your needs are so bizarre,

nothing escapes you’re detail, for too very long-

I've seen crackpot lawyers//shysters/// and con men selling trash-

Girl of my movies- you’ve struck gold at last-
who could show his face, shed your fears away,
shower you with over-dubs like I do__
Ad lib.__solo__versus__out__
Sultry Boyz Reg.@SACP SA Music 1987-2016

If it's really opportunity you want,

if you like a little taste of success,
if you’re tired of working all day to you drop,
let's see if you can pass the test-

When you see the other girls with their boyfriends,

and you're wondering what it is they have that day don't-

showing off their gifts are so expensive,

why you wear this imitation fur coat,

When you change your answers I’ll change mine,

don't lie to us or waste our time,
and if you're very good you can have the exclusive company;
of the sultry boys, were the sultry boys-

verse one__
just put on your best face and tell us the news,
don't try to impress us with an attitude,
and I'll entertain the thought,
of letting you hang around,_

we're the sultry boys-- sultry boys--

sultry boys__
solo__verse_ad lib.__out__
extra ad lib.__

so you want to play the part of the sultry one?

A firm decision when you show us what you got—
Sunset KillersReg@SACPAD MUSIC 1987—2016

I see them walking down the Boulevard,

you can promise me all your love, but don’t crash my car-

And all the publications know my name,

but no ones ever figured out my game;

Violent city -violent man- you guess the rest,

Sunset Killer’s just one caress-
Sunset Killers, easily your friend,
ya know he’s killing once he’s gonna kill again’s
he’s hanging out by the local schools,
he doesn’t have a moral book of rule.
//I’ve seen him in the shadows-
And the County Jail-
Sunset Killers your gonna hear those sirens wail-

Circle of danger, nobody knows-

Do you proceed as a stranger?
Every garden grows in the midnight hour-

Sunset Killers easily your friend,

he’s killin’ once, he’s gonna kill again-
Hangin out by the local school-
doesn’t have a moral book of rules-

And-s I see them walking down the Boulevard floor

Standing there when all the streets are dark;
and they’re not aware he’s waiting in the park-

Yo go Cahuengs Blvd, you got Melrose Ave, Vermont Place,

there on the Sunset Strip- back to Ortega by noon
Sunset Killers easily your friend.
Switch Blade Billy Steve Arroyo Curt Phillips Reg. 1987-2016

Got a bullet in my teeth—

diamonds around my neck—
the quickest gun in Tombstone-
don’t dynamite my life--

I’m Reno and the Kingfish—hot and mean—

I’m Reno and the Kingfish—the ace of spades-- -

-Our love is pure as heaven that flows from a stream—

our love is like a ship that sails—out to sea—

Here are we in September—only met in May—

They call me reno and the kingfish—cause that’s my name—
that’s my name-- -- --

The restaurant’s always open if you love is ready to eat—

Eat, leave a tip on the counter-wipe your dirty feet-//
I know I’ve got some different thoughts-
but don’t hold it against me—

Your archaic life is drowning in the wind-

And I’m out at the elbows again-over you-
And you erase me from your heart-

Our love is pure as heaven that flows from a stream—

our life-is like a ship that sails—out to sea—
Here are we in September—only met in May—
They call me reno and the kingfish—cause that’s my name—
that’s my name-- -- --

I can count up to one-I can count up to two-

I carry a- grudge on my shoulder—
don’t let it bother you—
it’s the way that I look you over—
and I’m looking down
Our love is pure as heaven that flows from a stream—
our love is like a ship that sails—down the drain—
it’s fun time for the monster—
and he’s ready to stake his claim--
(B// D// A// B// 4x’s) G//// F#7

Talk of the Town Reg.@SACP SA Music 1987-2016

you know I dress politely, yeah I've got the moves-

whenever I go out at night, I'm in the morning news-
I drive a Lamborghini, no problems with the girls-

I tell 'em lots of stories

and I rock around the world-

With all my friends around me-

I proudly wear a crown-
everybody knows-
I'm the talk of the town-
so watch what you say to me
and watch what to think-
lets sit around and talk over a drink-

I've got everything I want,

fast girls fast cars, I'm a debutante-
and you know I really get around-

with lots of friends/cars and diamond rings,

yeah you know I've got almost everything;
And you know I really really get around-

I'm the talk of the town, yeah, talk of the town-

with a top hat here and a top hat there-

Ad lib.__solo__

You make me dizzy, you make the bars spin around-

you make me dizzy you make the bars spin around-
you make me dizzy you spin the pit bus around-
and you know I really really get around,
I'm the talk of the town, yeah,
on the talk of the town__

Repeat__
Talk to Me -Reg.@ SACP SA Music 2015

Our love is like sweet caviar, spoiling in the sun;

Our night life’has disintegrated, to the point of none;
We argue about the weather and all the hockey teams,
You tell me that I’m getting fat-
I tell you that you’re getting to lean.

We’re bound to get it right,

we can stay up through the night;
If you Talk to Me- c’mon and Talk to Me-//
If you talk to me c’mon //
We’re bound to get it right:
we can stay up through the night:
If you Talk to Me-
//I know it’s going to be alright if you talk to me//
Sone peoples ideas of love aremuch too hard to believe
If you Talk to Me—you never never Talk to Me//

Your parents think I’m lazy, I’m a no good worthless bum;

As they throw the tantrums and insult everyone-
But I bring home the bacon, each and every day;
‘ why do you tease the local boys in your sexy cheverolet-

We’re bound to get it right,

we can stay up through the night,
If you Talk to Me;
We’re bound to get it right;
we can stay up through the night
If you talk to me, you never never talk to me//
we can do it for a year-
we can do it for a//beer// cheer if you talk to me.

So I sent you for some therapy-

And you know it didn’t help-
after 10 minutes in his office-
you were jumping’ off the shelf,
and that pre arranged penthouse-
aint what it was cracked up to be-
 and the doctor seems to think
you should stay away from me-

We’re bound to get right if you talk to me-

and that Cadillac that you drive
our credit card bills are piling to the sky.
Some peoples ideas of Love are much to hard to believe-
but we’re bound to be alright we can stay up through the night
if you Talk to Me.
Tarneshed Angel
Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890

AGAG
When you find a lover—who seems true and good as gold—
you really get your hopes up—
A--‘float above the floor—‘
when you go to G--see her—‘down by the river side—--A-
-every time you see the stars—G--she arrives—A--

DCADCA
She’ll love you like no other can—
she’ll take you out in to the promised land—
she’s got a—D-- reason—to –C--keep her –A--plans—
she’s a Tarneshed –G--Angel—oh—uh uhG—A--
Tarneshed Angel –G--uh—wo—hu—

AGAG
‘Try to tell yourself those stories are a pack of lies—
as she’s pleading with you—
there’s teardrops in her –A--eyes—G—
but the picture –A--plainly shows—another –G--darker side—A—
‘should you take a chance—you’ll be—G-- taken for a ride—A--

DCADCA
She’s not one for foolish plans—
she’s got another way to take your hand—
she’s got a reason to keep her plans—
she’s a Tarneshed Angel—Tarneshed Angel –uh—woo—
Solo

AGAG
Now how do you find your lover—
when you can’t get off the floor—
every time you see her
—you want a little more—
plan in out the future—forget in about the past—
then you get a phone call—this love will never last—
DCADCA
She’s a Tarneshed Angel—
she don’t shine—shine—shine—for you no more—
she’s got another side to live her life—
she’s never shown before—
In the pillars you can see her light—
every one can see it to—

DCADCA
She’ll love you like no other can—
she’ll take you out in to the promised land—
she’s got a reason—to keep her plans—
she’s a Tarneshed Angel—Tarneshed Angel uh—wo—hu—

AGAG
When you find a lover—who seems true and good as gold—
you really get your hopes up—
A--‘float above the floor—
‘when you go to G--see her—‘down by the river side—--A—
every time you see the stars—G--she arrives—A--

DCADCA
She’s a Tarneshed Angel—
she don’t shine—shine—shine—for you no more—
toot—toot—4’X-s
out—
Tell Me Again Reg.@SACP SA Music 1987- 2016

Am G Am
What’s the matter—what’s the cause—
I can help you get through this melancholy,
‘fix a broken dream—if it –G--hurts you—
and it hurts you—Am—

look at us we’re not together—G—

I know we can wail this stormy –F--weather—
oh--you’re a genius—G-- straight from
your broken lip—

Dm7 G C F
Coda--Tell Me Again—how you love me—
Tell Me Again—how it’s gonna be—Tell Me –Dm7--
Again—how we’re gonna—G-- make it through the –C--night—F-
-night—

Tell Me—Dm7-- Again—I’m not –G--suffering—C-

-I’m gonna make it through the very next F--day—Dm7--wo—G--
yeah--Tell Me –C--Again—

Am
I know there’s some girl out there—just—G--waiting to be held—
Am--you can tell me for ever—how you—G-- need me—F—
I don’t care—G--I’m not there-- -- --You got to:

Dm7 G C F
Coda--Tell Me Again—how you love me—
Tell Me Again—how it’s gonna be—
Tell Me –Dm7--Again—how we’re gonna—G—
make it through the –C--night—F--night—

Tell Me—Dm7-- Again—I’m not –G--suffering—C—

I’m gonna make it through the very next F--day—Dm7--wo—G--
yeah--Tell Me –C--Again—

Am G Am G
Now there’s nothing we can’t talk about—
nothing left to say—my train’s moving out—--
Am--‘packed my bags last night after our –G--argument—F-
-‘try to make you happy—it don’t—G-- make no common sense—

Ew-ew-ew-yeah—you got to Tell Me Again—

Ew-ew-ew-yeah—if its not what you wanted—Ew-

ew-ew-hew--you got to Tell Me—Tell Me Again—

Bridge—C//// B//// Bb//// A////

Tell Me Again—Tell Me Again Dm7// G// C// F//
Dm7 G C F Dm7 G C
Ew-ew-ew-yeah—you got to Tell Me Again—
Ew-ew-ew-yeah—
if its not what you –F--wanted—
Dm7--Ew-ew-ew—G--hew--you got to—C-
- Tell Me—Tell Me –F--Again—
Dm7 G C

Am G Am G
Now there’s nothing we can’t talk about—no
thing left to say—my train’s moving out—--
Am--‘packed my bags last night after our –G--argument—F-
‘try to make you happy—it
don’t—G-- make no common sense—

Dm7 G C F Dm7 G C
Ew-ew-ew-yeah—you got to Tell Me Again—
Ew-ew-ew-yeah—if its not what you –F--wanted—
Ew-ew—Dm7---ew—G--hew--you got to—C-
- Tell Me—Tell Me—F-- Again—Dm7—
I’ll be back on the—G-- next train—Tell Me—C-- Again--
_______
(Tell me Again-extra versus_2nd versions)___
___________
What's the matter, what’s the cause I can help you through it-
The methods to our madness are for real-

You blossom in my heart tonight, everything will be alright-

I don’t care I’m not there-

tell me again how you love me,

tell me again what you are feeling inside,

Try to make you happy,

It don’t make no common sense-
You're gone till the very next day,

You turned me around, then

You tell me I'm gone till the very next day,

I know there's something left there;

You can’t tell me forever, how you need me-

If you respect our feelings tried to be-

try to be- try to be fair-try to be fair-

But please tell me again how you love me,

Tell me again how you feel-

Tell me again how you want to always be there;

And I will be there for you-
A but please tell me again,-tell me again,
tell me again-tell me again-tell me again-

There were oceans we tried to swim through;

we could not find our way,

there were many places they said they knew you,

and wouldn't let me in-

I had to wait outside; it was cold out there,

I had to lose my ride home-
A but looked at you through the window dancing-

Tell me again how you'll never leave me-

never break my heart;
just tell me again, tell me again__
___________
Tell Me Again-Loves Me Not Version 3

Too many nights we planned and argued,

to the fires and never bargained,
and all the differences that left us:

‘riding down the coast on a warm afternoon,

I see the clouds that roll by
and think of you with every song-
on the radio-on the radio-

And every song they play,

reminds me of you in some way;
‘we almost drive up to the edge,
then again I remember what you said-

Two hearts beat as one tonight,

two hearts beat as one tonight,
again and again and again,
tell me again, tell me again-

The picture books that we through away-

The things we did only yesterday again-

Tell me again- how you’ll never leave me-

Never break my heart- Tell Me Again-

(Version 3) Another place:

She loves me not, she loves me not,

She loves me not, even when it starts to rain,

I've got a 50-50 chance were gonna make it any way-

But she loves me not, she loves me not,
I got a 50-50 chance to make it with her, with you-

Love’s me not, she love’s me not-

I got a 50-50 chance to make it ready or not;
Love me not, she loves me not, a 50-50 chance-
‘Better than the Vegas odds with the pit boss- Huh’.

Fit solo after versus--especially version 1 after bridge__

The Alligators of Florida Reg @ 2015 Steve Arroyo & SACP Music

We can fly in the sky; we can fly so I...

We can land in the swamp;
where the alligators go chomp chomp..

And they'll be chomping on your body,

now they're chomping on your soul,
the alligators of Florida are hungry,
hungry don't you know.

I'm flying to Boston going to get some bread

say those Boston beans are cooking, there
gonna burn on the grill, you've got a lot to learn,-
you can't let them burn at any rate
you re going to feel better.

Hey there sticky where you goin'

I know you kind of broke;
you need a dollar to buy a sandwich,
you wanna make me choke.

Another place, I've been laying down the dice,

I'm’ve been rollin the craps on the table,
I’ hitting 7-Eleven's; I'm going to win it track,
you know my horse is coming in; I'm
going home and limousine-
unless you're with me you gotta be with me.

Here comes Santa Claus in his sled-

he got some presents for you
if you want to listen or to listen-
We can fly in the sky; we can fly so high-
We can land in the swamp
when the alligators go chomp chomp chomp-

They'll be chomping on your body,

they'll be chomping on your soul,
the alligators of Florida, are hungry don't you know
The Court of Laws Reg @ 2015 Steve Arroyo & SACP Music

Thank you, welcome back;

we've had a short intermission,
I'm sure everybody's been refreshed, their ideas have
been checked, that's good,

right now would like to talk about another edition as we get

into other areas of the fourth part of our seminar,
if everybody's ready with their pencil and paper...

The court of law is lucky times;

don't be nervous just because it's late.
The natural world on a crimson theme
I'll down back home any time you leave..

I'm not ecstatic; I just fall short;

Hey you want the rise to be anyone-
anyway anywhere you want,
I'm just right here and I'm just right there-
and maybe a swimming pool by noon-

We can hang around the backyard on June-

because I'm just kicked in the head a little
bit spiffy when going to bed-
of the summer has come along due to do do do do...
On the beaches off the coast-
I remember the stories you told me the most;
hey we can try it again go for a while-
take a little walk look at me and smile;

you don't smile...

Hey you’re not the girl next door that I know –

that I brought those flowers every day;
you're not the one that made me laugh,
you 29 a I am 29 b, 29 a and 29 b.
The Inca Song Reg@ Steve Arroyo at SA CP music 2015

I got a/the freeway of my mind-

I can drive up to Phoenix and be there in no time,
Pass me a sign or a, air conditioned Chevy-

you go through my clothes looking for numbers, numbers,

you can call me up any time,

I’m your speed, turn me on –

Light my fuse-on and on

There’s donut shops to the left and to the right-

.25% off gives you a dollar tonight-

Give me some breakfast –

and let me seek the truth-
Pour some water on me
I’ll represent youth;

You can’t imagine anything-

‘going up Market Street in San Francisco-
My cable car-

My impression, your recession,

my tale so tall, like the Inca man on my wall-
Green and tarnished in gold-
‘There’s a brown man next to him-
‘My heater runs hot and cold-

I’m on market Street in San Francisco,

cable car, cable car

My American flag shines on the roof of my Pinto wagon,

yeah I support, George Bush and I will be hanging you down,

you gotta hang around, you gotta turn around,

there is filling stations to the left and to the right,
$.25 off gets you a dollar tonight;
my impression, your recession,
you got to get around, you gotta get around
I’m your speed, turn me on, light my fuse
, the same goes on and on and on.

And the Inca man on my wall-

green and tarneshed in gold,
there’s a brown man next to him-
my heater runs hot and cold,

give me something kind of influential-

and let me seek the truth?
Pour some water on me- I represent youth,
you can decipher the difference it doesn’t really matter
going up market Street in San Francisco my cable car;
your my cable car, turn me on-
light my fuse, plug me into an AC adapter-
110 may be 215 in Europe,
my shaver don’t work and I can’t shave,
gonna get you every night and day,

trade my bicycle in,

for your //air conditioned Chevy//

//gto in the night-

‘listen to my tires blow for you that’s right//
And the same goes on and on__
My Inca’s fallen off the wall__ __
ad lib.__repeat__verse one
The Puzzle Reg.@ Steve Arroyo SACP Music 2015

Have some on me, a little bit of honey-

full of love, and under statesman-
it's got a be something,
a heartfelt something-

Over and over the pieces fit superheroes on Saturday,

by 10 o'clock will faint, held over by popular demand,
a Norman Rockwell stand, gotta be something-

Take the pieces slowly out of the box-

Sitting here in the rain,

the heads go on but the bodies wonder,
working the puzzle, and

Now there's going to be a phone call

from India and the Holy/cosmic sees,
seize the ships and the bounties are calling,
but the money is no good-

it's gotta be something a heartfelt something-

In the rain, on the floor, where the pieces fit-
the heads don't go on straight, the bodies in the brains,
and the pieces in the rain, can never be explained-

How can you make it all go wrong,

when all goes right, yeah tonight-

Have some money a little bit of honey-

superheroes in mourning,
by 10 o'clock will faint held over by popular demand-

it's gotta be something a heartfelt something-

Got to be a fit to put it on, where the heads go right,
and the bodies wonder, who is in charge of the solarium,
guinea, stained glass houses, and anti-equations-
Stop by the Creek and saw your hooks,
don't let the tow missiles fly,
ad lib.__
hey Mr. you're not really here,
I seen you in a movie once before,
the lines you recited are meaningless,
but you won't be ignored-
and all we can do is sit here working the pieces,
and try to put their heads upon the bodies,
all the million parts in little pieces-
but they never go on straight,
they never go on straight, they never go on straight-

superheroes on Saturday,
by 10 o'clock were gonna faint,
held over by popular demand,
another Norman Rockwell painting in the sand-
it's gonna be something, a heartfelt something-
ad lib.__augment versus__out__
There’s Oil—Steve Arroyo Curt Phillips
Reg. 2009 Rsvd. PAu 659-890
Intro: Dm7//// Am7//// 3’X-s—F//// Am////
F Am F Am F
There’s Oil—you’re quick to speak—
I’ve got some secrets too—
If you- take a minute—--Am--‘try to think—F-
-don’t be dramatic or –Am--crude—

--F--We tried to love—we tried to hate--Am—

we –F--tried it in a twist of fate--Am—Dm7

--All in all—no matter what we do—Am7--—Dm7—

we’re no stranger to pain—Am7—Dm7--All in
all—no matter what we –Am7—Dm7--do—Am7-
-we’re no stranger to pain—
F Am F Am F Am
A year ago we said some things—
on a night of passion and promises—
it’s so easy—or –F--hard to break—

Am—A6—Am—A6—Am—A6—Am—A6--
Solo— Dm7th//// Am7th//// 3’X-s
Bridge— Am/ Abm/ Gm/ F#m/ Am/
Abm/ Gm/ F#m/ F// E// F// E// Am
Dm7 Am7 Dm7 Am7 Dm7 Am7 F

Slick as oil—so quick to speak—

I’ve got secrets too—take a minute-try to think—
don’t be dramatic or –Am--crude—F—Am--F –
a simple dance can shove it all –Am--away—--F—
we’re no strangers to –Am--pain—
we –F--tried to fight—we’d –Am--do it every night— refrain

chords-- --
C#m C B Bb C#m
A year ago we said some things—
on a night of passion and promises—
it’s so easy—or --C--hard to break—B—
hold me tightly just because--just –Bb---because—
F Am F Am F
We’re no strangers to pain—
-and a simple dance can drive it all away—in the heart—

we’re not the—Am—F--//// Am//// same—

--solo 2—F//// Am//// 4’Xs to—A/ Bm7/ Dbm7/ D//

A/// A//// Ab//// G//// F#////

A Ab G F#
We tried to love—we tried to hate—
we tried to fight and go away—
no strangers—you know—
we –A--tried to win—we tried to lose—it –Ab-
-doesn’t matter what we do—G—F#—

A//// Ab//// G//// F#//// oh-oh-oh-oh-oh –oh-oh—

— A//// Ab//// G//// F#//// whistles

//// //--— A//// Ab//// G//// F#//// oh-oh-oh-oh-oh –oh-oh—

These Freeways Reg.@ SACP SA Music 1987 - 2016

It's coming on hard-

these freeways are jamming-
for the weekend strong-
where money is king?

Love's a sloppy second-

what do you need?
A drug and a blonde?

I've been casing out the joint for a long time,

but there's nothing left worthy to steal,
every treasurer is looted, every treasurer is fake-

nothing's for real, nothings for real- nothings for real-

now it's a rip off you better believe it, nothings for real,

but if you livin' with me I might try- I might try-

the heroes are/have fallen, crime's a running joke-
Third Time’s a Charm .v.02 Reg.@SACP SA Music 1987--2016

EBABE
If I had a diamond ring for every girl that said to me--I love you—
I’d be a happy man— So many times I wined and dined—
so many women-made me cry—so I’m going to sing this
farewell song—
CECEC
I don’t know why you walk with me—
you worship me like a crown—still—I’I got a place—
E--inside my heart—C--every time you –
B--turnaround—A--knock em down—G—F#m--turn around—

AGAGAG
At my feet you are an angel—
every time you worry to the heart—
the freaks fire rockets in the –A--sky—
they blast your name –G--on the fourth of—F-- July—E

E
—bought her a sweater—made you feel better—
made you run into the tree—‘try to make love
and try to make birds and bee’s—(A/ Ab/ F#/ E/ B//// 2’Xs)—

you can’t just create any thing you want-- A/ Ab/ F#/ E/ B////
in an afternoon—standing under tree’s and saying—
B—D--I love you—
EBA
You can’t create any thing you want in an afternoon—
Third Time’s a Charm—yes the Third

Time’s –B--a Charm with—E-- you--

_________
Third time's a charm__version 1__

Every time I said to her, it doesn't mean a thing to her;

all the people said she never would-
but I know better, by her sweater;
and she can't get back to some money;
just like I knew she would, like I knew she would-

If I had a diamond ring for every girl that said to me,

I love you, I'd be a wealthy man-
cause too many times I wined and dined,
too many girls have made me cry;
so I'm gonna write this farewell song-

Third times a charm you'll have to lose,

You’re only number two so move along-,
when the price of love is higher than the cost of paying,
you know I can't explain,
it'll come out wrong, it'll come out wrong-

You see your the baby I'm the babysitter,

and if you bad I keep you after school,
I thought about it so many times I'm hungry,
so many times let me show you the rules-

The first time I fell in love/heard I love you,

coming from an average girl,
it didn't mean that much to me-
but when they tell me 'bout the new
s, I better look twice and choose, I'd be a lucky man__

The second time I laid eyes on you,

I didn't know much what to do,
but I sure thought I could do better-

I don't know why you walk with me,

you worship me like a town-,
still I got a place inside my heart,
everytime you turn around-
you knock 'em down, knock 'em down-

Third times a charm you'll have to lose,

your only number two so move along,
when the price of love is higher than the cost of pain,
you can explain it will come out wrong__

Fit solo between versus__out_

The first time I fell in love with you-well,

The Third Time’s a Charm its true-
Gonna make you mad,
Gonna drive you away-
When the Third Time’s a Charm-

If I had a diamond ring-

for every girl that said to me “I love you”.
I’d be a wealthy man-

Too many times I’ve wined and dined-

Too many girls have made me cry-
‘So I’m gonna make one final stand-

‘If the Third Time’s a charm, you’ll have to lose-

‘You’re only number two, ‘ so//move along-
If //when the price of love is higher then the cost of pain,
‘then you just can’t explain, It’l come out wrong-

Cause anything you can do-I can do better-

//Any way you move I’ll wake up-
You got an undiscernable pension for black leather-
and if you’re bad I’ll keep you after school-

___Out___
This is Real Reg.@ SACP SA Music 1987-2016

The fruit of my wisdom, the pain in my heart-

Keeps me wondering about your words,
are they real or just tear me apart-

I've got feelings like any man, and this I can't understand;
how could you lie to me, how could you lie to me?

This is real and I know it, this is real today,

I love is pure and growing, okay-

We walk for an hour, we stand by the peer-

you lot out over the ocean and I hold you dear-
but that aint enough for these problems,
you know we fight too much-

I try to tell you how I need you-

you try to tell me I’m not enough-
This is love as I see it, this is love in my hands-
I've been feeling special, I try to be your man,
I try to be your man-

I'm your mentor and we have golden words,

our sufferings been a problem,
but never mind about that-
we walk for 100 hours, we talk for 1000 years-
but anything I say never, throw away the tears-
A/G/F/A/G/ F/G/F/G/F/G/A G/A
/G/A/G/A/F/G/F/G A/G/A/A G/A/G/A F/G/F/G/A
Thousand Letters
Steve Arroyo Curt Phillips Reg 2009 Rsvd. PAu 659-890

Lover I feel sorry, for the two of us-

and dearest how I wonder how you’ve been—

And all the silly lines-

wasted paper and wasted times—
I must have wrote a thousand
letters saying how I feel—

Crying on my pillow didn’t seem to help—

I’d be better off throwing them all away,
somewhere else-

(coda-- I just can’t forget-

the night we fell in love and kissed (met2)).-

I must have wrote a Thousand Letters –saying how I feel--

Yea-they’re all for me- send them back to me—
55 letters-25 letters-send them back-

I can take it 45 letters- please send them back to me

-na-na-na-na-na-na--coda2-
Dearest there’s an angle to everyone-
but the give and take in ours, was never their-

and lover I feel sorry, so very sorry

, so very sorry, so very sorry, come back to me- I

can take it coda 2- vs. 3—out

Key of E tuning
Three Shades of Red—
Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
A7//// D7// A// E7// D7// A/ E7////

Three Shades of Red—and I can’t even touch you—

Three Shades of Red—it’s not fair—
three or two—or four or five—
three shades and I’m coming alive—

Didn’t I hold you baby—un-conditionally—

didn’t I let you cry—shed your tears—
wasn’t I there to hold you—when he let you go—
all along I waited—all along I waited—
for a chance-- just a chance—

Then I saw—Three Shades of Red—

I can’t even touch you—
Three Shades of Red—baby it’s not fair—
three-not two—not four or five—
Three Shades of Red and I’m coming alive—

He drove Moseratti’s—you said I was a bore—

and she got pretty hair do’s—
while I went to Betty Ford’s—
how can I forget all the time’s that you forgot—
(I hocked my stereo for you-
and worked around the clock)--
I saw—Three Shades of Red—
I can’t even touch you—
I saw Three Shades of Red—
baby-it’s not fair-- --

Three Shades of Red—four or five—

I only want to hold you—tonight--
I only want to touch you—
I just want a chance—
when you let him go—

nothing I do don’t change the night—

dry your tears and shut your eyes—

Three Shades of Red—not blue—

Three Shades of Red—don’t mean I’m untrue—
three-not two—not four or blue—
Three Shades of Red and I’m after you—

Three Shades of Red—and I can’t even touch you—

Three Shades of Red—it’s not fair—
three or two—or four or five—
three shades and I’m coming alive—

Not one, two or four or five—

not six, not seven, not eight, not nine—
I can count them on my fingers,
one, two three—

don’t waste your time with the birds and bees—

doesn’t really matter if your for or blue—
Three Shades of Red—and I’m after you—
A7//// D7// A// E7// D7// A/ E7////
Together—
Steve Arroyo—Curt Phillips Reg. 2009 Rsvd. PAu 659-890

Am// Dm7//// Am7//// Em7// Dm7// Am7// E7////

So we don’t know—where our journey ends—
all the time that we’ve been Together—//

One day we’re partners and then estranged-

I don’t know if I feel the same-
As our love grows in so many different ways-//
Together we stand –divided we fall—

We’ve been up and down—all around—

hanging out with our selves—
we think so differently—
we’re together constantly—
it doesn’t matter to me at all—oh, oh, oh, oh—

I wonder why we even met—how we stayed together—

we just seem like pets—birds of a feather—
that’s ok with me is it all right with you—
we’ll be Together—

‘Caught in a world full of broken dreams—

broken hearts—and I won’t scream—or fall—
I won’t fall for you—as long as we’re Together—
Together as long as we’re together-

You said hello—who are you—

I’m a recording artist singing the blues—
we’re gonna be Together through the newspapers
and all the Saturday night news—
I said high—I said high—I said high—
Trishus D. Reg.@ SACP SA Music 1987-2016

She had a haircut above her eyes,

I said a Trishus D-- look at the way she walks and sighs, Trishus-

she's got a haircut on her head,

doesn't really matter what she said,
She's a friend of mine anyone can see,
Trishus Delicious on my mind, on my mind-

Anyone can see, there's two kinds of ladies-

some sweet and some sour;
and I know what she's talking about-

She calls every hour, calls every hour-so sweet-

everyone can see, Trishus Delicious, on my mind-

Trishus Delicious girl you're on my mind—

There's two kinds of ladies,

some sweet & sour,
I know what I'm talking about,

she calls every hour, she calls every hour-

Trishus Delicious always on my mind--
To Perfect Chance_
Truckdrivin Man Reg.@ SACP SA Music 1987-2016

Well I'm on the road again stopped by a tire store,

now back on the road again-

you know it's not that far to Dallas,

but it's pretty far from where I've been-
Truckdrivin man- Truck drivin’ man-

I'm an All-American truck drivin man-

give me a hand, I'm number one-
I am an All-American truck drivin man,-truck drivin man-

Now back on the road again, start over at Ontario-,

pick up some sandwiches and have a ice cold cup of coffee-

stopped by go by and say hello-

to sassassfras Sally, she said any friend of Reno’s-
is a friend of mine-

I'm an All-American truck driving man-

doing what I can to get by-
gotta get, gotta get gotta get by-
in this crazy world of a guy needs to make a dollar-

and a man can’t be a man if he can't work all day

and shift those gears across the border at night-

Stop by the docks to load up-

I tell you I'm an American man-

got my flag on the side of my truck,
got my Garfield's hat by the window-
don’t erase me from your heart-

Treat me like a fool-

Treat me mean and cruel-
Take my very heart- tear it all apart-
Doing anything to get by-
I'm driving down the 405 faster than light,
don't you see me passing by, under the night

the red lights glowbut you want to go-

and you never know- know where you are-

Hey Mr. Officer I wasn't speeding you know-

Just stopping to go and get on down your road-
if anyone asks him to be polite-
you can bet your dollar he'll be just fine-

so fine, so fine, he really really gets by just fine;

so fine, so fine, he really really gets by just fine;

Now he's driving off to Albuquerque,

he thinks is a contracting agent for some man in a box-

You know he doesn't care where he goes, what he unloads

he doesn't really care-if anyone asks him to be polite-
you bet your dollar he'll be just fine-ad lib._

__Solo Verses__Out___
G/C/G/C/G/C/G/C E/Am/Dm/G
True Love Reg.@SACP S A Music 1987-2016

Are you gonna, look so tough-

Ah you’ll be my lady-
Yeah, we’ll knock ‘em flat-
I’ve got some ideas for you, do you want to listen-?
I’ve got some plans for you- If you’re gonna be good-
We’re living off the cuff-

Do you want to stay home; I can rent some films-

I can dress up like some debutant
You can be my best heart ache thrill-

I’ve got some ideas for you, Do you want to listen?

I’ve got some plans for you- If you’re gonna be good-
We’re living of the cuff-
I can like you- but don’t love you-
I can spend my time with you-
I want to do some time with you-

This ain’t what they call it;

This ain’t True Love-
This ain’t what they call-
This ain’t True Love-True Love

This ain’t True Love—

If you want to hold me-

If you want to mold me-
Into something that I can be-
That I can be-

I’ve got a lot in common-

I’ve got a line on hold-
I’m on the other line now-
This ain’t what they call-
True Love-
And that’s what you’re gonna be after-
This is what they call-
True Love- True Love-
True Love True- True Love-
And that ain’t all-
That ain’t all- True Love
That I can be-That I can be- Solo__ _
_Repeat from Vs 1__Out___

Truly Bad ADSACP@Reg. 1983-2016

You’re a master piece of disguise-

‘Look at me with those big green eyes-
Hold on honey cause here we go-
‘On a rocket ship to I don’t know-
The rocket ship says “I don’t know-

‘Come on baby, don’t forget me-

C’mon baby, never leave me-
Truly Bad, Your’e Truly Bad-
Don’t get mad, Truly Bad-

There you stand in vivid black

‘you’re guns are loaded, you’re gnna attack
‘Take me now into your arms-
‘I don’t have a chance against your charms-
You make all the guys quiver and shake-
One look from you-is all it takes-
‘Talkin’ dirty on the telephone-
Late at night, nobody’s home

Truly Bad your’e Truly Bad—Truly Bad-

Don’t get mad, Truly Bad---Truly Bad
Tuesday’s Lover Reg. @ ADSACP 1987-2016

Many different types all around the world-

Many different kinds of boys and girls-
Many different ways to be amaused-
Many different ways to be confused-

‘But it seems that in love-

Anything is fair-
It seems that in love-
Nobody cares-

‘But Tuesday’s Lover- Tuesday’s Lover-

Is always there-
Valentino’s always seem to be-
Getting everything they see-
But I never felt that way at all-
‘til Tuesday’s Lover came to call

‘But it seems that in love-

Anything is fair-
It seems that in love-
Nobody cares-
‘But Tuesday’s Lover- Tuesday’s Lover-
Is always there-
“She’s a lady’—
Solo-

Turn the Corner (24 kt)

Steve Arroyo Curt Phillips Reg 2009 PAu 659-890

Turn the corner—don’t abandon me—

on this desert in your open sea—please—please—

Twenty four Karats—was a hope-

I can’t do nothing- I can’t cope with this branch—
The symbols respectfully—I’m an odd person—
you can’t bend, turn or shake off twigs—dig in—

Typhoid Mary’s two faced, two dimensional—

there’s additional water jugs in the trunk—--

If you’re un happy or candid—you’re creepy and clean

I’m rigid and unyielding—a little extreme—

There’s more plans in the camp-

—we can drive four more hours and get to Phoenix—

Now down in Phoenix—Pick up the hammer—

knock it loose try to find the long legged cactus—tree—tree—

lookout for the needles—they’re kind of sticky here—

here come the Indians—whew-whe-wh-whew—

Now the signs-they say go—better stop---

and the stores are closed but they’re always open for you—

they want to sell you dresses of gold—

they want to sell you rings and diamonds—
they want to give you everything under the sun-- --
--slay the dragons—on the railways-- --
E//// //// C#m//// E/// C#m// B/// A// G//// B// A/ G/ B

Two Beating Hearts

Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
A// G// C/ B/

We were on top—yeah we were in vogue—

life was a camera—yeah-we could explore—
breakin’ the banks—toast of the town—
we were exciting—just hangin’ around—
DFADFAD
Two Beating Hearts were never more in love—
shook it all and took it as it comes—why
F A C#m D C A G C B
did you do it—//we had it so good///why do go ahead
and break it all up// and leave it behind//
why’d you have to go away—
why did you have to say—
Two Beating Hearts--
A// G// C/ B/
Some called you silly—some called you a bore—
I never listened—I always ignored
E
Built you a pedestal—set you up high—
GEDC
believed in your story—love is so blind—love is so blind—
Solo— A// G// C/ B/

Two Cadillac’s Reg.@ ADSACP 2016

Oh you know it—It’s so blue outside-

I could never leave this- I would never try-
She’s got brains- she’s got body-
And all the money- she gives to me-

Tonight we’re running red lights-

Ignoring all the stop signs-
Everything is green-lets go go go-

We’re two Cadillac’s- yeah we’re two Cadillac’s

With the tops on down-

Matal cages-hiding places-

Sticky faces-caviar-
A thousand channel’s-nothing matter’s-
We shine it up in the wrecking yard-

Yeah we shine it up in the wrecking yard-

C’mon pick your parts-

You ‘got a bottle of wine and I’ll drink it up-

Real quick-
Two Cadillac’s, suicide doors

Lonely is the heart that never comes to play-

Loaded is the man that wants a way-

Fine pieces of equiptment-

from the General Motors Corporation-

Hail to Britania-

Underground—

Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890

GDCGDCGDC
Going back to where they started from—
inter-vision now—cutting red tape dawning relief
—they’re –G--giving –D—Under—C--ground—

A F A F/ G/ D/
This house is not my prison—
not a home for you to blame it on—
This campsite is not a campsite for the lost-
CGD
Within the bounds—you’re not that far away—
from in the white look—C--all the same—
the presses say –G--today—in a –D--Rockwell stance—
the—C—flags will fly it’s –G—address advise
the white coats—D-- its –C--true----between me and you-
AFAFA
The armored cars and the crew-
—translations, emulations of the act—not
actors exploitations of the –F--fact—
Under the sea under the stars-
under the places there we are

Going Under—A--ground—F--so far Under—A—F--

ground—so Under—A--ground—F—

GDCGDC
Going back to where they started from again—
the visions were a new thing tonight—--G--
cutting –D--red tape—de—C--flowering relief—G—
never –D--made it to the—C-- ground—Under—G—D—ground--C—Under—G—D--ground—C—
GDCGDCGDC
Going back to where they started from—
inter-vision now—cut the boxes—see them spin-—
they’re –G--going –D—Under—C--ground—
they’re moving Underground—Underground—

This house is not a prison—not a home to call your own—

this camp is not a campsite for the lost—
they’re moving Underground—
they’re backing—Underground—
Under the sea—under the stars—
under the places—there you are—Underground—
AFAF
And out of bounds—with the bow tie look—
they’re out of bounds—wear the bandana hooks—
wear those moccasins like a man—
you Indian telephone pole—
your short wave’s come undone—
your sun suit’s getting wet—
and that fingertip coat—and that coach, coach, coach,
--put on my smoking jacket—my garb—
I’m affluent, florescent—locos—whirly
headed--un-cultural—
GDCGDC
Going back to where they started from again—
the visions were a new thing tonight—--G--
cutting –D--red tape—de—C--dawning relief—G-
—Under—G—D—ground--C—Under—G—D--ground—C—
Until the Last Day—
Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
CACA
Until the Last Day—wo-oh-oh—Until the Last Day—
CACA
The rhyme’s not in the reason—
on the path of fate—
it lies with in compassion--for all of us who wait—
EFE
When left is right you better question—
they got a million tricks—
every heart is being tested—F—
there’s no sure way to—G-- win—
AFGAFG
Until the Last Day—wo—oh—oh—oh—
Until the Last Day—wo—oh—oh—oh—
ACDADC
‘They come in cry in’- virgin—
in between the pages—
waging petty wars
waging petty wars

Aspiring to madness-
we sailors of sadness-
burdened by cargo will never unload-

When you see the light , follow through the lines

And if they let you through, promise that you’ll never cry wolf-
Cry wolf- and if you have a chance to do another dance
Please let us know how its done-

solo—A//// F//// G//// A//// D// C 4’x-s

CACA
The rhyme’s not in the reason—on the path of fate—
it lies with in compassion--for all of us who wait—
EFE
When left is right you better question—
they got a million tricks—
every heart is being tested—F—
there’s no sure way to—G-- win—
AFGAFG
Until the Last Day—wo—oh—oh—oh—
Until the Last Day—wo—oh—oh—oh—

on the path of fate—

it lies with in compassion--for all of us who wait—

Crawling over barbed wire—

spitting back at the guillotine’s blade—
as malicious tongues hang dry in the after math—
plotting out our freedoms—
through the eyes of a microscope—
challenging the leaders of a soon forgotten world--

If you want to drop a dime –

you can call me,
if you want to waste your time—
you can stand right by me-
if you're feeling rather lucky-
 or if bad luck’s all you got-
come on, now baby come on.-

in between the pages—waging petty wars

—A--when you see the light—you better follow—
if they—D-- let you through—you better –C--run—run—run—
‘A--chance to do another dance—
just—D-- let us know how it’s –C--done—
we’re not our world –
The Titanic crashes again-
The thing went array when the waters fell off-

something about the guns in the skies—

you were a nurse in the war
and helped me get Eb Dm7 better—
but I won’t fight again—
cause you’re not a nurse now

Ohhh—was an army coat in ‘fifty two—and

I stared at the ceiling and I thought of you—
G F Dm7 G
staring me back in the eyes from another life—
holding me close—

A--Until the Last Day

—F--oh—G--oh --oh—oh—A—
Until the Last Day—F--oh –E--oh –oh –oh--

Dispel that knowledge-

she dreams, I tell you she dreams,
come on, come on, come on-
she dreams, oh of everything we said

Until the Last Day-

DCDC

Keep off the walls of your life,

don't be discouraged now,

it’s kind a relax—

use to ease some slack—
let it down- push it off—
come up for breath—call it a day-
Rest easy-do your best-call it a day-

deep sleep, deep sleep again-

in between the pages—

waging petty wars
listen to the anger, block it out o f mind,
it’s kind a relax—
use to ease some slack—
let it down- push it off—
come up for breath—call it a day-
Rest easy-do your best-call it a day-

deep sleep, deep sleep again-

in between the pages—waging petty wars

—A--when you see the light—you better follow—
if they—D-- let you through—you better –C--run—run—run—
‘A--chance to do another dance—
just—D-- let us know how it’s –C--done—

A--Until the Last Day

—F--oh—G--oh --oh—oh—A—
Until the Last Day—F--oh –E--oh –oh –oh--

Until the Last Day-

DCDC

If this is gonna go on forever- we better me in peace-

Roll up close to me--—don’t be surprised—
you’re wicked—or so it seems—don’t be surprised—D—
when your life is sil—C--ver-er—--B/ Bb/ A/ A9

If you want to drop a dime –

you can call me,
if you want to waste your time—
you can stand right by me-
if you're feeling rather lucky-
or if bad luck’s all you got-
come on, now baby come on.-

solo—A//// F//// G//// A//// D// C 4’x-s

CACA
The rhyme’s not in the reason—on the path of fate—
it lies with in compassion--for all of us who wait—
EFE
When left is right you better question—
they got a million tricks—
every heart is being tested—F—
there’s no sure way to—G-- win—
AFGAFG
Until the Last Day—wo—oh—oh—oh—
Until the Last Day—wo—oh—oh—oh—
ACDADC
We come in cry in’- virgin—go out rich and poor—
in between the pages—waging petty wars

—A--when you see the light—you better follow—

if they—D-- let you through—you better –C--run—run—run—‘A
--chance to do another dance—just—D—
let us know how it’s –C--done—

A--Until the Last Day—F--oh—G--oh --oh—oh—A—

Until the Last Day—F--oh –E--oh –oh –oh--
Until the Last Day-
DCDC
Where burning body’s scream—
don’t be surprised—you’re wicked—or so it seems—
don’t be surprised—D--when your life is sil—C--ver-er—--
B/ Bb/ A/ A9
Victims of Society Reg.@ SACPAD 1987 2016

Victims of Society, we’re on the loose-

Crawling out of bedroom windows—
Our necks are in the noose-

Victims of Society, we’re on the loose-

Anything to keep us wild-
We got the -----
Waco Song-- SACPAD Reg. @ 1987-2016

Last night was rough, I can’t remember all the things I did-
It kind of made me wacko, Waco my dear-

They’re burning ‘em down in Waco-

They’re lighting ‘em all on fire-
But its too much, it’s just too hot-

If I can’t be a Jesus or a God-

I’d never want to have you on my conscience-

Now they’re building it up-

And they’re tearing it down-
‘trying to get back to the sacred houses-
‘underneath the bridge-
They don’t have enough mud to build it-

Oh’ they’re burning it down-

yes they’re burning it down-
burning it down-In Waco-in Waco-

‘I don’t want to go to Texas, I’ll find some peace of mind-

‘I’ll find some peace of mind right here with you-

Now we’re going to go out, we’re gonna drive fast-

We’re gonna shift those gears across the border-
All night long, all night long-

I’ve got me a pocket full of money-

‘I’ve got me a pocket full of gold-
Anyway it don’t matter-
How they play your cards-

‘But they’re oh burning it down-

‘yeah they’re burning it down-
‘They’re lighting it all on fire-
And its just too much-just too much-

In Waco, in Waco, in Waco, in Waco-

I don’t want to go to Texas,

I’ll find some peace of mind-
‘right here with you-
‘Yes I’ll find some peace of mind-
‘right here with you-

Waiting for Midnight—Reg. @ SACPAD 1987-2016

It’s been a rough year so very hard, Be discouraged now,

‘ round the corner good luck shaking up this lonely town.
Help me change all this black is to blue,
I will go if you need some ./discount me discount you, //
Groove; hit the groove--//We’ve got a celebration for you-

Waiting for Midnight-‘When I can escape-

Waiting for Midnight- ‘Crash the doors I hate-
‘Waiting for Midnight-When I can be free-

We get weirder at the drop of a dime-

‘Cutting down trees, eating thorns off the vine-
Here we are in December only met in May-
Sassafrass Sally comes down bring some melodies-

Mallardducks quack quack quack-

Waiting for midnight- when I can escape-

Waiting for midnight- crash the doors I hate-
Waiting for Midnight when I can be free-

Impulses broad with colr late at night-

at the strike of twelve-I’m sacrificing glory-
Your puzzle is now complete inspiration-

These freeways are jamming for the weekend strong-

What do you need, a drug and a blond-
I need some silence,
I need some calming down-
Who’s gonna be there cat fight-
On the baddest street –
The baddest street in town-

Like a roulette wheel in ‘Vegas-

Spinning around faster than life-
‘Bouncing of the walls with an attitude-attitude-

I need some silence,

I need some calming down-
Who’s gonna be there cat fight-
On the baddest street –
The baddest street in town-

Waiting for midnight- when I can escape-

Waiting for midnight- crash the doors I hate-
Waiting for Midnight when I can be free-

Solo---

Waiting for Midnight-‘When I can escape-

Waiting for Midnight- ‘Crash the doors I hate-
‘Waiting for Midnight-When I can be free-

Its not that we’re gonna be together-

Its not that we’re gonna live forever-
Lets talk about Suzie- how she greets the world-
She can stay all night-she’s such a pretty girl-

Waiting for Midnight when I can be free-

And I’m going and I’m going -
On this new years eve-on this new years eve-

Waiting for midnight- when I can escape-

Waiting for midnight- crash the doors I hate-
Waiting for Midnight when I can be free-
And I’m going- and I’m going- and I’m going- and I’m going-

Wall’s of Sound Reg.@ SACPAD 1987-2016

When you’re feeling low and troubled-

When you crave sincerity-//shipwrecked in debrit
When things are not what they appear to be-
You can always trust in me-
(and the Antzee Dance)-

Walls of Sound, Walls of Sound-

Where does it come from-
Where can it be found-

I’ll be your night in shining armor/Teflon-

Protector of your world-
Walking hand in hand- side by side-
‘We’ll conquer all the vengeance-
‘Climbing up the Wall’s of Sound-

‘Sound sound, where’s the sound-

‘It’s coming from the air-
And its coming from the ground-
It’s like a heat, a mission-
‘a face in the crowd//
I’ll huff and puff-
And blow your house down-

So hush little baby don’t you cry-

‘Santa’s gonna give you an alibi-
‘If you’re good he’ll never tell-
And if your bad it just as well-
Climbing the walls of sound-

Keeping every spirit high-

‘Willing to go that extra mile-
‘Teams of lawyers stand in line-
‘The air is fresh and clean-

Solo-Vs 1

War Machines Reg. @ SACPAD 1987-2016 Steve Arroyo / Curt Phillips

Do you want your baby’s to end up in radiation,

they’re dirty faces melted to the ground?
It comes when you are sleeping-
so cozy in your blankets,
no-one here gets out without a sound.

But when the missiles fly,

and the leaders hide, deep under the ground,
there won’t be a sound to hear or nothing to see,
is it a dream?
The Japanese still remember_
Russia hopes we never, push the little red button down;
They’ll be no more children playing-
in the acid rain- some will go to Heaven some will
go insane-
War machines, war machines-
threatening other nations;
War machines War machine-
killing with radiation- from our bombs-
and the band played on Solo

As a youngster I remember, playing duck and cover-

growing up a little paranoid-
And I hoped that the people-
would change their wicked ways-
and try to live life in harmony;

War machines, war machines threatening other nations,

War machines, war machines, killing with radiation-
from our bombs And the band played on…

Curt’s notes: some extra verse or two for the ends

Way We Think Reg. @ SACPAD 1987-2016

‘Time’s I spent wondering-

‘Times I spent discovering-
And all the times I go looking out-
And wondering about for you-

It’s the Way We Think about ourselves-

It’s the way we choose to live our lives today-

‘Now times with you seem so different-

‘Pleasant times spent on some Saturday-
‘I want to go looking out-
And wondering about just for you-

It’s the Way We Think about ourselves-

It’s the way we choose to live our lives today-

It was Ulyses S. Grant-

It was Cleopatra’s bath matt-
It was some color they painted my car-
It was the can opener-
‘but can you get close to her-
As she laughs at your jokes-
In front of the bar-

It’s the way we think about ourselves-

‘The way we choose to live our lives-
It’s the way we think about ourselves-
‘The way we choose to live our lives-

Solo-s Vs-s coda- Out_

When it Comes to Love—

Steve Arroyo Curt Phillips Reg 2009 Rsvd. PAu 659-890

C B Am F// C G C//G// C
VS-1 Lots of times in my life I worried—
if I’d ever find that special girl—
and in this life
B Am F C G C// G//
I’m always in a hurry—
but somehow I must of missed her in this world—
Am F C G
Coda-1--I couldn’t grow a thing outside my garden—
I couldn’t grow a thing out side of Am F C dreams—
but When it Comes to Love—When it Comes to Love—
When it Comes to G C// G//// Love-
-you’ll always be with me—
C B Am F// C G
VS-2--There were many days spent in early loving—
and that can really tear your world C/ G// C B Am F C G apart—
and I remember all the pain in learning—
yes—and I remember those many C G broken hearts—yes I do—

Am F C G
Coda-2--I couldn’t grow a thing outside my garden—
I couldn’t grow a thing out side of Am F C dreams—
but When it Comes to Love—When it Comes to Love—
When it Comes to G C// G//// Love—
you’ll always be with me——
you’ll always be with me baby

Solo (C B Am F// C G C//G// 2-X’s)

rock and roll and a rainbow in the sky—

Am F C G
Coda-1--I couldn’t grow a thing outside my garden—
I couldn’t grow a thing out side of Am F C dreams—
but When it Comes to Love—When it Comes to Love—
When it Comes to G C// G//// Love—
you’ll always be with me—

Wicked Child
Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890

Am G F E7 Am G F E7
C7 G C7
V-s-1--It’s a long road that never ends—as the clock unwinds—
take a look inside the book—and tell us what you –G--find—C-
-little actors playing parts—for sympathy and –G--wine—C7—
perched on clouds of nine—souls drawn –B--against //the
//an –A—G--angry skies—E////

Am G F E7 Am G F E7
Coda--To please—another Wicked Child—
carefully—as they play the cards—
casually—//look and see//we’ve –Am--come a –G--million –F--miles—
so—C7-- please—don’t –G--tease the Wicked –C--Child—

V-S-2--Poachers of the highest order—

wallowing in time—with roller coaster eyes—
/// hey that’s not yours—
—gimmie gimmie gimmie mine
crying wolf in sheeply clothes—on innocent and old—
bribing them to stay—
and them begging them to go out and tease—

Coda--his naughty vibrant type—

carefully—as he walks away—be careful of his smile—
don’t appease the Wicked Child—
don’t appease the Wicked Child—
I’m a victim of circumstances—

V-S—3-- It’s an old tale of trickery—saved for passers by—

take a look beyond these words and tell us what you find—
little actors playing parts—for sympathy and wine—
perched on clouds of nine—
Souls//sabers//drawn against the//angry// savory skies—

Solo—C//// F//// why you so wicked—why you so wicked—

Coda--Don’t tease—his angry starving mind—

Tastefully -devouring their prey//
///it’s o k—to look the other way—
don’t tease the Wicked Child—

Kill the beast—you got to see the way

/ how //he thinks—
///it’s o k—to look the other way—
don’t tease the Wicked Child—

you got to see him along-

on your side walk traveling home—
don’t tease the Wicked Child—

V-S—4--It’s a long road that never ends—

as the clock unwinds—
take a look behind the book—
and tell us what you find—
little actors playing parts—
for sympathy and wine—

perched on clouds of nine—

souls –C--drawn –B--against an—
A—G-- angry skies—
to—A-- please—

Wicked Child Reg. @ SACPAD Steven V. Arroyo #C Maj 7th

Curtis A. Phillips
Vs 1 It's a long road that never ends as the clock unwinds;
take a look behind these words and tell us what you find-
little actors playing parts for sympathy and wine;
perched on clouds of nine souls drawn against the angry skies-

Coda 1
to please: a starving wicked child-
casually; as they /plot the course-//play the cards
Kill the beast//so at ease-remove him from//the throne// your mind-
so please don’t tease another wicked child.
Vs 2
Poachers of the highest order behind immoral doors-
with roller coaster eyes and a million ships on the shore
Crying wolf in sheeply clothes//cutting in their baby teeth//
on innocent and old-
Bribing them to stay-and then begging them to go out-
and tease:
Coda 2
His naughty vibrant type, look again, as they play the cards-
tastefully devouring their prey-
So please don’t tease the Wicked Child-

Solo---------Vs 3-Coda

It’s an old tale of trickery saved for passers by-

take a look inside the books and tell us what you find-
little actors playing parts for sympathy and wine-
you can’t believe we’ve come a million miles-

So please don’t tease the Wicked Child oh yeah.

Vs 4

It’s a long road that never ends as the clock unwinds-

take a look beside’s the books and tell us what you find-
there’s little urchins playing parts for sympathy and wine-
Perched on clouds of nine swords drawn against the savory skies-
(out),,,…
Witchunt Steve Arroyo Curt Phillips Reg. 2009 all rights rsvd. PAu 659-890

Tell the story-- see the grins of the people you never know-
-the tricks of October fires- and the children below-

Running for you-- wasn’t easy to do—

both searching for dreams--that never came//come true-

So I’m ready to say your not part of the play-

it’s just a varmint waiting-
-Like a trap in your mind-
-like something in the forest that’s hungry-

-you want to feed it a lot--you want to beat it to the ground-

-you want to work it to a knot--and than you want to shout a loud-
-looks like we’re on another Witchunt-

Running for you, wasn’t easy to do—

both searching for dreams--that never come true-

And they put us on a Witchunt

On fire,--barn fire—burn at the stakes--of Massachusetts—
I’m gonna choose--who wins or loses—
there’s one thing you hadn’t planned for-
-all the way from Manhattan—
you left a trail of blood—
and they put us on a Witchunt-

I’m four tires ready to wear out on your pavement-

if you get some mercy ----I’m ready to say,
burn that wicked spell at the pot burning oil—on fire
barn fire—on fire-

burn at the stakes—burn at the stakes—burn at the stakes-

of Massachusetts—I’m going to choose who wins or loses—
on fire—barn fire—

Running for you, wasn’t easy to do—

both searching for dreams that never come true-
and they put us on a Witchunt-

‘Tell the stories of the kind that would understand October witches—
gonna hide, hide, hide cause they’re coming behind with a Witchunt—
This summer wasn’t easy when I saw you come around-
I saw them cast a spell on a guy when you walked away from town
-she said that she would love you if you promise not to tell
but I saw you through the bones and fire and cast that spell--

So they put us on a Witchunt, Witchunt-

gonna hide, hide, hide cause-
they’re coming behind with a Witchunt—

Casting out witches and they have no say-

Pointing cruel fingers –burn at the stakes-
burn at the stakes –burn at the stakes
//we all burn at the stakes //at Charlatan House.
Feeling desert winds as they brush your olive skin//hair/.

A//// C// B// A//// D//// F//// A//// D/// F//// E////
Women’s Shoe
Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890
Cmaj7//// Bmaj7//// Bbmaj7//// Amaj7////
A7
Well, she knows that you’ve been there-
by the hour of three am—
and you were out drinking with the boys—

and that perfume that you wreak of—

ain’t no way a sin—
and they say you should be paranoid—
EDEDC
You don’t know what damage you can do—
you don’t know what you put her through—
‘till you walk a—A-- mile—‘till you walk a mile—
A7
When you first romance her—you pay for every thing—
‘went out dancing—tearing up the town—
now,--she supports your habits doesn’t even have a ring—
still tries to make you happy when you’re down—
EDEDC
You don’t know what damage you can do—
you don’t know how much you put her through—‘till
you walk a—A7-- mile—in -‘till you walk a mile—
‘till you walk a lonesome mile
You don’t know what damage you can do-
E D/// C/// E
How would you like it if she treated you that way—
how would you take it if she kicked you out –D—C--someday—
A7
Love is not a cheap thing—it’s worth its weight in gold—
time to time it needs some nurturing—
don’t take her for granted—call her on the phone—
let her know your heart ain’t wondering—
E D E D E//// D//// E
‘till you walk a mile—‘till you walk a mile—
‘till you walk a lonely mile—you don’t know
what damage—D-- you can —C--do-
-‘till you walk --A7---- mile—‘till you walk a mile—
you don’t know what damage you can do
—‘till you walk a mile--
A7
step high—step low—on the asphalt—
don’t it make your feet hurt—what she goes through—
this and that-A—E9—D9—F9—E9—A7---
you don’t know what damage you can do— Solo—Out—

The Wounds of Love

Steve Arroyo Curt Phillips Reg. 2009 rsvd. PAu 659-890

To the flagrance of the hour-To the mighty blows of life-

When the mountains come tumbling down:
our love-

You see, the work ethic becomes a hunger_

while true beauty’s in the eyes-
My love is always suffering from far to many lies-
(Coda-(The Wounds of Love cut deep-
deeper and deeper I’m losing sleep-
I need someone to help me heal
these Wounds of Love(2X’s)(These)

I know you feel it too-

What am I suppose to do-
with these Wounds of Love-

When your standing on a mountain

and your love is nestled in the breeze-
Our paths were cursed from the night we met-
by the black mass deceptors ball-

Yesterday wasn’t easier, tomorrow’s twice as hard –

and each minute becomes more difficult-
as the hours linger on-

See a, she was sweet sees-

-with eyes as pure as gold-
I didn’t heed the warning sign-
but how was I suppose to know-

(Coda)Oh oh a ho a These Wounds of Love-

When you’re climbing down the mountain

and your love is whispers in the wind-
when the betrayals are indecise-you can never leave-
//who knows what tomorrow brings-
Her taste was so undaunted-
while I was a playing immortal Joe-
I tried to be her fantasy but she wanted it enstoned-.
See, a after all the battles, my heart is torn and scarred,
there’s hardly much to bandage as she walks away unharmed-
(Coda)The Wounds of Love(3X’s)
Talking about the wounds- Wounds of
Love(4X’s)(out)
Write it in Blood
Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890

AGAGAG
You’re tell in’ different stories all the time—
you got me wonder in’ what’s on your –A—mind--G—
your—A-- friends are tell in—G-- me you’ve been –A--un-true-
-G—I want to –A--hear it now—
I want to—B—C—Db--D hear it from you—
DCDCDCDCD
If you love me—if you need—if you say it-don’t let me bleed—
I want to hear it now—I want to—D-- hear it from you-—E--—

AGAGAGAGAG
Write it in Blood if you want me—
write it in blood if you’re their—
Write it in Blood—if you—A-- need me--G—
Write it in—A—Blood—G-- if you care—A--
AGAGAG
You know—I’m hanging out in night clubs to escape the pain—
I wonder if you love me—I—A-- wish you would –G--explain—
it’s—A-- killing me to—G-- see you going—A-- out with the other –G--guys—
but I’m –A--really not –G--shocked—A-- B—C—Db--D –
I’m really not surprised—

DCDCDCDDE
If you love me—if you leave—if you think that I’m worth it—
if you feel it from your heart—baby--
AGAGAGAGAG
Write it in Blood if you love me—write it in blood if you’re their—
Write it in Blood—if you—A-- need me--G—
Write it in—A—Blood—G-- if you care—A-G---
Write it in –A-Blood—you –better- B—C—Db--D –
Write it in Blood---
DCDCDC
You’re tell in’ different stories all the time—
you got me wonder in’ what’s on your –D--mind—C—
your—D-- friends are tell in –C--me you’ve been un—D—true—C
—I want to –D--hear it now—I want to –E--hear it from you—
AGAGAGAGAG
Write it in Blood if you love me—
write it in blood if you’re their—
Write it in Blood—if you—A-- need me--G—
Write it in—A—Blood—G-- if you care—A-G—
-Write it in –A-Blood—you –better- B—C—Db--D –
Write it in Blood— D C D C D C D C D
Send me a letter when you get back home—
tell me how you feel lonely, lonely—
if you’ve got—C--a message –D--for me—C—D—
tell me now instead of waiting ‘till—E-- tomorrow--
AGAGAGAGAG
Write it in Blood if you love me—
write it in blood if you’re their—
Write it in Blood—if you—A-- need me--G—
Write it in—A—Blood—G-- if you care—A-G—
-Write it in –A-Blood—you –better- B—C—Db--D –
Write it in Blood
A7 G7 A7 G7 A7 G7 A
Bella Legosi and circus freaks—
Write it in Blood—Write it in Blood—
Xavier—Steve Arroyo—Curt Phillips—Reg. 2009—Pau 659-890
GEDG
Yes I’m here—underneath your sand—
I’ve got clouds that whisper in the night—
space ship’s come in to my brain—
they –E--probe so –D--deep—they—G—
look for something in me—B7
--I won’t tell them about the—D-- love we share—
GE
Coda-1-2--Take the (your 2)--key—ee—hee—ee—he-he—
and un-lock the box—Xavier—

Take the—G-- key—ee—hee—ee—he-he—

and—E-- un-lock the box—Xavier—
you make us – E--smile- --D--we don’t feel no—G-- pain—
you make us –E--smile- --D--we don’t feel no—G-- pain—E-

-oh –D--no—C--now that you’ve opened –Eb--up the doors—

I can see them –smile—G--Xavier—E—D--Oh—G--Xavier—
GEDG
Girl friends—and boy friends—and Friday nights—
we go a hundred miles an hour—
and your—Uncles--sisters—and Friday nights—
we—E—go—D-- a hundred miles an—G-- hour—
yes we –E--go—D--a hundred miles an—G-- hour—E—
underneath the—D-- clouds—C--there lies an –Eb--answer—
Coda-2—G//// E//// G//// E//// E//// D// G////
GED
Here they come around the corner—
looking for an answer—they can’t see no–
they can’t see –G--me—
turkey buzzardsare knock in on my doors—
they don’t have no bleeding heart—E—
‘no they –D--can’t—‘G--no they can’t see me—E—

when you’re –D—looking up—C--or down, down –Eb--at the same time—
GED
I’ll catch a freight train—‘try to get back home—
I’ll catch a freight train—‘try to get back—G-- home—
I can move—faster—if I can hold the wheel—E—
and try to make you –D--see my—G-- point of view—E—
when you’re—D-- looking up or –C--down, down –Eb--at the same
time—

F#//// A//// C//// Eb//// G// add 6 F// add6 E7add6—out-

Your World
Steve Arroyo Curt Phillips Reg. 2009 Rsvd. PAu 659-890

A F#m A F#m
We use to play guns—didn’t know it was wrong—
didn’t grow up to kill—didn’t worry too long—
didn’t –A--yell at our parents—
F#m—or ‘talk back to teachers—A—
Our necks are in the noose-//
Burdened by cargo we’ll never unload-//
every treasurer is looted, every treasurer is fake-
nothing's for real, nothings for real- nothings for real-

A F#m A F#m A F#m

In Your World—it’s so scary—
in Your World—children kill—i
n Your World—nothing’s simple
—in—A-- my world—time stands still—(A—Am 4x’s)

A F#m A F#m A
I use to day dream—at my desk at school—
when I graduated—I was nobody’s fool—
grabbed a piece of life—by its—F#m-- shirt and tail—A—
with your complex head at the---F#m--county jail—

A F#m A F#m A F#m

In Your World—boys are fathers—
in Your World—children fight—
in Your World—life aintnormal—
in –A--my world--Am—darker skies—A--Am—
darker skies—A—Am-- Your World—(D// C//

A7// D// C// A7//) --D// C// B// Bb//

A F#m A F#m
We use to play guns—didn’t know it was wrong—
didn’t grow up to kill—didn’t worry too long—
didn’t –A--yell at our parents—F#m—
or ‘talk back to teachers—A—
‘Burdened by cargo we’ll never unload-

What do you need a drug and a blonde-

I’ve been casing the joint for a long time-but-

‘there’s nothing left worthy to steal-
every treasurer is looted, every treasurer is fake-
nothing's for real, nothings for real- nothings for real-
The hero’s have fallen-crimes a running joke-

We get weirder at the drop of a dime-

‘Cuttin’ down trees-picking/eating/ thorns off the vine-
‘praise jack the ripper what a heck of a guy-
‘our necks are in the noose-

A F#m A F#m A F#m

In Your World—it’s so scary—
in Your World—children kill—
in Your World—nothing’s simple
—in—A-- my world—time stands still

—(A—Am 4x’s)
(D// C// A7// D// C// A7//) --D// C// B// Bb//

I don’t know why its like this—

I don’t know why it’s like this—
I don’t know what day it was—
I don’t remember what time it was---

A F#m A F#m A
I use to day dream—at my desk at school—
when I graduated—I was nobody’s fool—
grabbed a piece of life—by its—F#m-- shirt and tail—A—
‘with your counterpoint words at the county jail-

A F#m A F#m A F#m

In Your World—boys are fathers—
in Your World—children fight—
in Your World—life is normal—
in –A--my world--Am—darker skies—
A--Am—darker skies—A—Am-- Your World—(D// C//

A7// D// C// A7//) --D// C// B// Bb//

A//// F#m//// A//// F#m//// A//// F#m//// A//// F#m////
Yeah—yeah—in Your World—yeah—yeah—
Your World—in Your World—in Your World—ew hew-- in
Your –A--World—

Relevance

Written Assignment Transfer

1. The underscore consented Party’s agreed to transfer lyrical assignment from Curtis
Allan Phillips to Steven Van Arroyo, aka Steve Arroyo inter alias Steven Van Schofer
for the total sum of $2700 paid in full by Steven Arroyo and certified as accurate on
and before 16 June 2005. All rights, titles and interest to our joint collaboration
project are hereby declared property of Mr. Steven Arroyo.

2. Done on 16 June 2,005

3. This agreement does neither nullify nor discredits previous lyrical rights
assignment transfers drawn up by Attorney’ Stanly Hassan. The total amount now paid is
$2700 dollars up from previous $2200 so stated as our contentions.

4. Down load this documentation to your printing apparatus for official records of
transcript?

5. Curt Phillips agreed without reservation to the terms here situated. An objection
toward that of any said transgender mish mashing was an, “we state categorically” one
of two reasons to take control of which we, myself, would have nothing to do with
glorifying same sex orientation predications in our collaborative environment of test
and convey Sin so a contention.

6. So by way of entry however it be put, buyer was not satisfied with direction of some
of co-authors suggestive lyrics somewhat to this date and contract with the purpose and
character in nature of SACP music is to be good, have good time, and make ye peace, and
give a blessing or two to these ends as stated here over under inscribed in record I
kept for the side I'll save cometh Judgment Days hereof therewith buyer accorded.

Pages 1 0f 2

Written Assignment Transfer

7. Our Copyright number for the whole just bout’s catalogue is corresponding file at
Library of Congress Washington D C. and on these PDF transcript documents submitted.

8. The S.A.C.P. Adventures of Love catalogue Claimants Steve Arroyo aka (Schofer) and
Curt Phillips will hereby be owned and operated by Steven Van Arroyo inter alias Steven
V. Schofer in full.

9. Pursuant of the Provisions of this Declaration and Agreement Article 5 shall be

considered an integral part of this Accord. In furtherance the secondary Party Claimant
has 14 day to stipulate in writing objection or disagreement to the fundamentalist
language and or terms implied in each in accordance to this Provisionary 9th Chapter's
here withal wherefore acceptable as a reasonable assertions where by.

10. The under inscribed under penalty of Law agrees to the above entitled accounts and
descriptions and comments to the authorship transfer and lyrical concessions as to be
true, correct to a reasonable preponderance credible to manage his these here instated
materials of acceptability ascribed hereunder.
IN GOD'S WILL WE TRUST
Amen.

Agreed, updated and undersigned:

Steven V. Arroyo Dated 16 June 2,005

Curtis A. Phillips Dated 16 June 2,005

Original Receipts were Signed

Dated and executed
From 1987-1988
Through 2005

Witnessed and / cooberated

In part by
Johnny Vowel

Witnessed and / or Cooberated

In part by
Donald Hanashey
 Pages 2 of 2

Full Title Copyright Number Date

[1] Victims of society I. PAu001394930 1990

[2] SACP : vol. III. PAu001365489 1990
[3] Adventures of love : vol. IV. PAu001331315 1987
[4] SACP int. : vol. II. PAu001331007 1990
[5] S.A.C.P. Int. : vol. I / all music written by Steve Arroyo ; all lyrics by Curt

Phillips. PAu001206360 1989

[6] Adventures : vol. X. PAu001129956 1988
[7] Adventures : vol VIII / music Steve Arroyo ; lyrics Curt Phillips.

PAu001061871 1988
[8] Adventures of love : vol. VII. PAu001045933 1987
[9] Adventures of love VI / Steve Arroyo, music ; Curt Phillips, lyrics.

PAu001008906 1987
[ 10 ] Adventures of love : vol. V / Steve Arroyo, music ; Curt Phillips, Lyrics.

PAu000981970 1987
[ 11 ] Adventures of love I-III : revised versions / Steve Arroyo, music ; Curt

Phillips, words. PAu000948429 1987

[ 12 ] Adventures of love : vol. III. PAu000927070 1987
[ 13 ] Adventures of love : vol. II / music Steve Arroyo ; words Curt Phillips.

PAu000853277 1986
[ 14 ] Foreign girl & 2 other titles; songs / Lyrics by Curtis Alan Phillips.

V2399P079 1988
[ 15 ] Bad house : a.k.a. Bad house L. T. D. V2399P078 1988
[ 16 ] Sans your love & 58 other titles; songs / Lyrics by Curtis Alan Phillips, music

by Steve Arroyo. V2399P076 1988

[ 17 ] Victims of society II. PAu001437806 1990
[ 18 ] SACP vol. IV. PAu001427294 1990