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COMMENTARY
Andrew Collier, Diana Coole, Peter Dews, Beyond The Soundbites: The General Election In Britain
Roy Edgley, Gregory Elliott, Howard Colin Leys and Leo Panitch .......................................................................... 2
Feather, Jean Grimshaw, Kathleen Lennon,
Joseph McCarney, Kevin Magill, Peter ARTICLES
Osborne, Stella Sandford, Sean Sayers,
Kate Soper Socialist Socrates: Ernst Bloch in the GDR
Anna-Sabine Ernst and Gerwin Klinger ...................................................... 6
Issue editor
Jean Grimshaw
The Need In Thinking: Materiality In Theodor W. Adorno And Judith
Reviews editor Butler
Sean Sayers
Carrie L. Hull ............................................................................................... 22
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Cover: Soho, Gina Birch, 1996 Chris Arthur .................................................................................................. 54
LETTERS
Published by Radical Philosophy Ltd.
http://www.ukc.ac.uk/cprs/phil/rp/ Richard Cleminson, Bill Marshall ............................................................... 55
NEWS
© Radical Philosophy Ltd SWIP conference at Kent
Naomi Hammond .............................................................................. 56
COMMENTARY
T
he 1997 general election result has rightly been celebrated as a huge relief,
the lifting of a choking fog. For a while New Labour has the benefit of almost
everyoneʼs doubt. There is, after all, an alternative, and people are willing to
wait and see what it looks like. And the size of the majority means that things can be
done: over the next four or five years, what the alternative means will become pretty
clear. But this should not prevent us from recognising that a chapter in the history
of socialism has been closed. For almost a century the Labour Party was committed
to ʻparliamentary socialismʼ; in this election, for the first time, that commitment was
unambiguously abandoned. We need to reckon with this: to look back over the past
three decades and consider what ʻparliamentary socialismʼ was, and why it failed; and
to reflect on what its termination in the Labour Party implies for the construction of a
new socialist project.
What was ʻparliamentary socialismʼ? As practised by Labour, it combined three
things: an ideological commitment (however vague) to a non-market-driven social
order; an extra-parliamentary mass organization; and a particular conception of democ-
racy. This conception, evolved over time from Burke to Schumpeter, saw democracy
simply as a contest between competing teams of parliamentary elites. It treated the
extra-parliamentary party as, in the final analysis, a servant of the parliamentary team;
and it conceived of citizens primarily as mere voters, not as active participants in
self-government.
One of the main contributions of the British New Left in the 1960s was its critique
of this supposed route to socialism. But although the leading New Left intellectuals
thought the Labour Party would never transcend it, they themselves did not generate
any organizational alternative. When, however, the postwar settlement – the high-water
mark of parliamentary socialismʼs achievements – finally unravelled under the Wilson
government in the late 1960s, a significant current emerged within the Labour Party
which broadly accepted the New Leftʼs appreciation of the limits of parliamentary
socialism, but which did not think it impossible that Labour might yet be transformed
into a democratic socialist party of a different kind.
A philosopher is being ‘turned’ End of the Age of Utopia, 1991), Joachim Fest, veteran
Ernst Bloch is experiencing a peculiar revival. Peculiar editor of the Frankfurter Allgemeine Zeitung, attempts
in the sense that, currently fashionable discourses of to make the failure of law-and-order socialism the nail
ʻthe futureʼ notwithstanding, contemporary interest in the coffin of any social-utopian notion of a just
in his philosophy focuses not so much on his concept society. The principle of hope, vital motor of any social
of concrete utopia as on reshaping the Bloch image. movement, is thereby eliminated in the name of the
This is no coincidence. Ever since the German ʻturnʼ status quo. Fest sketches Bloch as an apocalyptic rider
(Wende) of 1989, German philosophy has singled out of Stalin, deriving from Marxism ʻonly the messianic
Ernst Bloch for particular consideration. Bloch was a motifʼ, the ʻMarxian prophecyʼ. For Fest, the figure of
philosopher whose writings were, among other things, Bloch the prophet exemplifies the fact that a socialist
consistently geared towards interventions in the con- utopia did not experience its violation at the hands
crete political issues and constellations of his time. of Stalinism, but found its actual fulfilment there. It
The entire ʻGerman wretchednessʼ of this century, followed the ʻinevitability by which utopian ideas of
including the era of Wilhelm II and World War I, the world redemption make their way into totalitarianismʼ.
Nazi regime, World War II, and the subsequent divi- Bloch ʻsaw the Soviet Union as a precedent of Christʼs
sion of Germany, are reflected in his writings. During ascension to power as Caesar; he celebrated Lenin as
the period of exile, Bloch was involved in battles Caesar and toed the line of every twist and turn of
between the different political fractions concerning Moscow politics – an exercise that degraded his think-
issues of anti-fascism and Stalinism. Returning from ing and his person. He still celebrated Stalin and sang
exile, Bloch entered the German Democratic Republic, his praises at a time when he could have known better,
where he found himself straitjacketed by the dogmatic and, with a categorical shotgun in hand, declared the
application of GDR-style Marxism-Leninism. In 1956 Moscow Trials to herald a better futureʼ.1 Such are the
he finally broke with a version of socialism he rec- coarse methods used to discredit Bloch; they brush
ognized to be incapable of reform. Upon his crossing over the distinctions to be drawn between political
over into West Germany in 1961, he became a leading and philosophical, private and public pronouncements,
figure for the student movement. as well as over the specificities of changing historical
All of these events, even at a cursory glance, and political constellations.
provide sufficient reason and ample material for Manfred Riedelʼs picture of Bloch, outlined in
reviewing a portion of the contemporary history of Tradition und Utopie. Ernst Blochs Philosophie im
philosophy. What is at issue here are current attempts Lichte unserer geschichtlichen Denkerfahrung (Tradi-
to re-evaluate twentieth-century German history in tion and Utopia: Ernst Blochʼs Philosophy in the Light
the light of the 1989 ʻturnʼ. These have occasioned of Reflection on Our Historical Experience), looks
embittered contestations of interpretation, which have very different. A conservative adherent of Blochʼs
come to dominate the recent reception of Ernst Bloch, philosophy, the author is confronted by the problem
resulting in a plethora of Bloch images and inter- that ʻBlochʼs ideas have become devalued with the
ventions motivated by particular slants in the politics downfall of Marxismʼ.2 Hence his intention of drawing
of interpretation. a neat distinction between the actual consistent themes
In his book Der zerstörte Traum. Vom Ende des in Blochʼs thinking on the one hand, and a particular
utopischen Zeitalters (The Dream Destroyed: On the version of Marxism accompanied by a particular con-
© Bundesarchiv, Koblenz
politics of the SED after the 20th Party
Congress, the Politburo raised the ʻques-
tion as to the justification of the existence
of the organizationʼ. With the prospect of
the dissolution of the Kulturbund, SED
members in the Kulturbund were quick
to act to bring the organization into line.
They brought in a regulation whereby
members had to conform to the require- However, as is evident from the minutes of the
ment of finally overcoming ʻall revisionist tendenciesʼ tribunal, Bloch knew how to undermine the inquisi-
by publicly pledging to contribute to the ʻbuilding of torial logic facing him. The herald of the ʻWalk Tallʼ
socialismʼ. campaign proved himself to be a master at defiant
Bloch became a prominent victim of this levelling manoeuvring. Whenever members of the Council were
exercise. The Presiding Council instituted inquisition- intent on finding him guilty of political treason, he
style proceedings against him on two occasions, the wheedled his way out with undaunted insistence on
first one in February, and the second one in December his defence. His defence was: ʻI have never said any-
1957.37 The first time round, Bloch attempted to evade thing; nothing can be proven or brought against me.ʼ
SED members handling the case: he presented the In his shortsightedness, he had not noticed students
presiding members with the politely formulated con- applauding him as an opposition figure on the occasion
cluding passage from the letter announcing his forced of his public lecture in honour of Hegel. The theme
retirement, which he had received from Ulbricht. Bloch of the address had, ʻof course, not contained any
presented the quotes as if he were dealing with a docu- topical criterionʼ. Neither was his Institute home to any
ment attesting to the most congenial agreement with political opposition. He had simply followed his job
the SED Party leader. The SED members in attendance description in lecturing on the history of philosophy.
promptly applauded Bloch. The next interrogation was He had never demanded Ulbrichtʼs resignation; he
to end with Blochʼs expulsion, or at least with the had welcomed the intervention of the Red Army in
impossibility of his re-election as presiding member. Hungary. He denounced Zwerenz, who had left for the
That was what the cadres around Kurt Hager, Alfred West, as a ʻrenegade who had changed sidesʼ.38
Kurella and Erich Wendt had decided in a preparatory Bloch gave the SED members sitting in judgement
meeting. Since Blochʼs expulsion had to be publicly of him just what they wanted, namely pledges in
enacted within the Council, a tribunal was staged support of socialism and of GDR politics. In the end,
within the Presiding Council, which was to force Bloch they could not get more out of him than an act of
either to renounce his views, or to face being found distancing himself from Zwerenz, which he conceded
guilty of insufficient loyalty to the state. without, however, mentioning Zwerenzʼs name. This
Carrie L. Hull
In Bodies That Matter, Judith Butler attempts to indicated, my analysis will always be contextualized
deconstruct the body and matter in the same way that within the alternative of Adornoʼs materialism. I now
the self-constituting, stable, centred subject has been turn to Butlerʼs epistemological interventions.
deconstructed in recent years.1 In the process, Butler
claims to be operating in a theoretical realm beyond The mediation of matter
the frameworks of materialism and idealism. While I Butler first of all insists that there is no access to
concur with many things that Butler argues, I do not matter prior to its conceptualization in thought and
agree with her implication that there is no analytically language. We can only perceive matter, things, reality
meaningful distinction between matter and discourse. and therefore bodies through concepts. ʻMateriality
For the purposes of this article, I will therefore com- [is] that which is bound up with signification from
pare Butlerʼs position with that of Theodor Adorno the startʼ, states Butler.4 With regard to the specific
in his essay ʻSubject and Objectʼ and his book Nega- categories of sex, Butler draws attention to the act of
tive Dialectics. I hope to demonstrate that one can ʻgirlingʼ a baby at the moment of birth on the basis of
defend the content of most of Butlerʼs arguments from the genitalia read as a sign of a prior natural girlhood.5
Adornoʼs materialist perspective, while consequently We see the baby through the mediating categories
rescuing the critical potential of that materialism. affixed to the external sex organs and infer that those
My point of departure will be Butlerʼs most traits have some kind of real meaning or natural status.
renowned argument: there is no natural sex prior to Butler, on the contrary, argues that sexed men and
the social categories of gender. Taking inspiration from women cannot be said actually to exist outside of these
Lacan, Derrida and, in particular, Foucault, Butler categories and that there is no way to ground sex in
advocates ʻthe construal of “sex” no longer as a bodily any kind of material reality.
given on which the construct of gender is artificially Adorno is in partial agreement with Butler on this
imposed, but as a cultural norm which governs the issue. It is central to Adornoʼs theories that thought
materialization of bodies.ʼ2 Butler repeatedly contends or language can never equate to what it is an effort
that there are various general implications for idealism to describe, its object. The object is therefore ʻnon-
and materialism within this central argument. For identicalʼ to thought in Adornoʼs terminology.6 ʻThat
example, she argues that ʻthe set of metaphysical oppo- the nonidentical is not immediateʼ, he writes, ʻthat it
sitions between materialism and idealism embedded is a matter of transmission, is trivial.ʼ7 This principle
in received grammar … [is] critically redefined by a that knowledge of the world is mediated via thought
poststructuralist rewriting of discursive performativity has been accepted by materialists for a long time,
as it operates in the materialization of sex.ʼ3 The bulk according to Adorno. Despite this assertion, I think
of this article will examine the ontological and epistem- it is fair to say that utilization of this tenet has not
ological implications of this ʻredefinitionʼ, particularly been as radical as it perhaps could have been. Butler
as Butler relates it to the categories of sex. I will is therefore original in her consistent application of
also briefly explore the strategic political gains Butler the principle of the mediated nature of reality to the
believes can follow from this theoretical move. As categories of sex and sexuality.8
Gregory Elliott
I enclose…a picture of the Dijon railwaymen which and rounded off by a transitional text ʻOn Marxismʼ
appeared in LʼHumanité… I hope that people, ob- dating from 1953. Many of its virtues derive from the
serving the calm strength and dignity of these men, meticulous scholarship of the original editor, François
will not one day say of us that ʻthe philosopher
Matheron, whose introductory materials offer invalu-
missed his rendezvous with the railwaymenʼ.
able guidance to the uninitiated. Others are attributable
Louis Althusser, letter to Jean Lacroix, 1949–50
to Geoffrey Goshgarian, who has not only produced
Reviewing the English translation of Althusserʼs ʻcon- an admirable rendition of some intractable French, but
fessionsʼ in these pages three years ago, David Macey appended bibliographical information well beyond the
noted that ʻ[t]he death of the philosopher has led to a call of translational duty. Cavils aside, The Spectre of
resurrection of his writings.ʼ1 In addition to LʼAvenir Hegel is the finest edition of Althusser in English.
dure longtemps (1992), the ʻposthumous editionʼ at What does it reveal? Conventionally, Althusserʼs
that stage contained a prison journal and a collection career has been periodized into three main phases,
on psychoanalysis. Together with the first instalment spanning the years 1960–78, from the elaboration, via
of Yann Moulier Boutangʼs comprehensive biography, the revision, to the destruction of ʻstructuralʼ Marxism.
these disclosed the existence of a hitherto unknown At the very least, this requires supplementation by
Althusser. Since then, a further six volumes have another two periods of reflection and production – one
appeared; more are in preparation. If only because they antecedent, the other subsequent, to the standard chro-
exceed in quantity the material released during their nology. The former is a pre-Althusserian moment,
authorʼs lifetime – a rough estimate indicates some circa 1945–51, comprising texts which remained
three thousand pages as against approximately two unpublished or inaccessible until the 1990s. If the
thousand – it will take considerable critical effort to fragmentary character of the last writings makes it
acquire an adequate perspective on them, and begin the hard to identify the philosopherʼs ultimate destination,
reassessment of Althusser to which Macey alludes. these allow us to fix his postwar point of departure
Meanwhile, an Anglophone readership must await with greater confidence. The intellectual ʻbiographyʼ
the halting, uneven process of partial translation. To of Marx outlined in For Marx and Reading Capital
date, a mere fraction of the new material has been was, it transpires, something in the nature of an ʻauto-
made available in English: a careless version of the biographyʼ. The work of the mature Althusser con-
autobiography, The Future Lasts a Long Time, from ducted a tacit settlement of accounts with his own
Chatto & Windus in 1993; and an attractive selection erstwhile philosophical consciousness; the critique of
from the Écrits sur la psychanalyse by Columbia Hegelian Marxism mounted therein was a conjoint
University Press this year.2 To these can now be added autocritique of the young Althusser. One result, as we
Versoʼs excellent collection of the ʻearly writingsʼ,* read The Spectre of Hegel, is an intermittent sense
extracted from the first volume of the Écrits philos- of déjà lu. Not for nothing did Althusser remark
ophiques et politiques published in France in 1994, in a review of the newly translated Economic and
* Louis Althusser, The Spectre of Hegel: Early Writings, edited by François Matheron, trans. G.M. Goshgarian, Verso, London
and New York, 1996.
Fanon at seventy
Lewis R. Gordon, T. Denean Sharpley-Whiting, Renée T. White, eds, Fanon: A Critical Reader, Blackwell,
Oxford, 1996. xxi + 344 pp., £50.00 hb, £14.99 pb., 1 55786 895 6 hb., 1 55786 896 4 pb.
Alan Read, ed., The Fact of Blackness: Frantz Fanon and Visual Representation, Institute of Contemporary
Arts and Institute of International Visual Arts, London, 1996. 212 pp., £11.95 pb., 1 900300 02 8.
Frantz Fanon would have been seventy in the summer voilà debout/Tous les damnés de la terreʼ (ʻNow we
of 1995 and the volumes under review celebrate the are on our feet/All the wretched of the earthʼ).
anniversary of his birth. Most of the twenty-one con- The ICA conferenceʼs field of reference is the black
tributions to the Critical Reader are papers delivered diaspora, rather than pan-Africanism. It focuses on
at the ʻFanon Todayʼ conference held at Purdue Uni- the seemingly inevitable ʻdesire–difference–sexual-
versity in March 1995; the handsomely produced The ity–homophobiaʼ syntagm, and at times bears an
Fact of Blackness originates in a conference held in uncanny resemblance to other events organized there
conjunction with the Mirage season hosted by Lon- in recent years. This is a culture and an institution
donʼs ICA in May–July of the same year. A companion in which Fanonʼs discussion of ʻthe lookʼ (ʻ“Look,
volume entitled Mirage: Enigmas of Race, Difference a Negro”ʼ) will be glossed by reference to Lacanʼs
and Desire serves as a catalogue to the ICAʼs season scopic drive and Jacqueline Roseʼs Sexuality in the
of exhibitions, screenings, events and discussions, and Field of Vision, but not by reference to Sartre.
provides a detailed record of a dialogue between Fanon Whilst it is obviously difficult to judge visual
and artists working on the structures and technologies works solely on the basis of reproductions and verbal
of representation, race and radicalism. descriptions, both The Mask of Blackness and Mirage
The Reader and the ICA papers represent very dif- suggest that the dialogue between Fanon and con-
ferent approaches to Fanon and his legacy. Many of the temporary artists was a somewhat one-sided one, in
contributors to the Reader adopt a broadly Africanist which Fanon was a sounding board rather than a
or Afrocentric stance, and some are highly critical of true interlocutor. Renée Greenʼs explorations of the
Fanonʼs alleged neglect of the African heritage, or of iconography of Josephine Baker, and of the ʻHot-
what Paget Henry terms ʻhis decision to appropriate tentot Venusʼ, Saartjie Baartman (who was paraded
the language and concepts of European existentialism in London and Paris at the beginning of the last
whilst excluding African onesʼ. In his introductory century like some anthropo-pornographic curiosity),
remarks to the ICA conference Stuart Hall warns are powerful in their own right. But are they in any
against such ʻessentialismʼ, and rightly points out that real sense Fanonian?
Fanonʼs work is deeply implicated in the French culture Musing on the questions, ʻWhy Fanon? Why now?ʼ,
he imbibed in his native Martinique and then in Lyon, Stuart Hall opens the ICA volume by remarking that,
where he studied medicine and psychiatry. Fanonʼs whereas Fanonʼs name was once a widely known
politics certainly had a pan-African dimension, but signifier of a ʻcertain brand of incendiary Third World-
his culture is French, crossed with a distinctly Franco- ismʼ, it is now virtually unknown even to the young
phone Caribbean tradition that deserves more attention artists ʻwhose work appears, unwittingly, to betray
than it receives in either volume. A strange ʻNote on the “trace” of his presenceʼ. It is true that the days
the textʼ in the Blackwell volume illustrates the need when Eldridge Cleaver and Stokely Carmichael could
to read Fanon in his own terms. It speculates that the claim that ʻevery brother on a rooftopʼ had read The
title Les Damnés de la terre connotes a religious sense Wretched of the Earth are long gone, but it is also true
of ʻdamnationʼ, and may be influenced by the Catholic that what is forgotten in London is often remembered
context of France or even the literary example of elsewhere. Conferences on Fanon were organized in
Dante. The title in fact derives from the Internationale Martinique, Paris and Algiers in 1982, and in Braz-
and alludes to Sales nègres (ʻDirty Niggersʼ), a poem zaville in 1984. The proceedings of the Martinique
by the Haitian communist Jacques Roumain: ʻEt nous and Brazzaville conferences have been published in
Quine writes thrillers with a single plot. Each sets out ism. Indeed, Quineʼs slightly platitudinous comment
to explain how we ʻphysical denizens of the physical in his autobiography, ʻI find philosophical thought
worldʼ can have arrived at a scientific theory of that hardly separable from its expressionʼ, really does ring
world, given the nature of our contact with it. The true in his case.
thrill is seeing how Quine journeys ʻfrom stimulus to All this gives Quine his basic problem. Contem-
scienceʼ each time with the limited space and meagre porary science represents a torrential outpouring of
tools he allows himself. For reading Quine is also a structured verbal theorizing. How can this even be
little like watching a contortionist – unless, of course, possible, in view of the meagre input which sensory
one is already sold on his approach. It is amazing he stimulation represents?
achieves anything at all, given the way he is trussed Well, is this a problem? Only if we accept that,
up. But why the bonds? The answer is easy for the in getting here from there, we really could have
contortionist; he is there to amaze, and the bonds help. been ʻthereʼ in the first place. And it must be said
But what is the answer in Quineʼs case? immediately that From Stimulus to Science offers
Some scene-setting. Quine is committed to contem- no response to those who might doubt it. Yet it is
porary natural science. This science represents his by no means obviously true. Quine needs to make
preferred theory of what exists. Everything is material, several decisive moves in explaining how his surface
except for the abstract objects of mathematics. Physical impacts could possibly become the kind of things
facts are all the facts there are. All changes in the (ʻexperiencesʼ) that could rationally justify us in our
world involve physical changes. Science also gives beliefs about the world, and in actions and behaviour
him his preferred theory of method and justification. based on those beliefs. One of the most fundamental
It informs us that the only evidence we have for is explaining how a perceiver reacts to two surface
our theory of what exists is sensory. So Quine is a impacts, registering them as similar or dissimilar.
naturalist and an empiricist. The philosophical study Quine notes that this reaction is a necessary part of
of knowledge – Quineʼs ʻjourneyʼ – is the continua- his account, yet nowhere explains how it is possible.
tion of natural science by other means. It draws on It is plausible to suppose that perceiving one thing as
psychology to explain how sensory stimulation gives similar to another thing at least requires that one be in
rise to beliefs about the way the world is. the position of recognizing something common to both
This background leaves Quine little room for man- as being similarly stimulated. But what is that ʻsome-
oeuvre. It is not just that he restricts the possibilities thing elseʼ, and how is it to be recognized as such?
of our contact with the world to what may be gained It cannot be a registering of a third surface impact
through sense-experience; he conceives of that experi- – there are only two in our story. So, early on in his
ence in a minimalist way. It is ʻthe mere impact of account, Quine seems to require some additional and
rays and particles on our surfaces and a few odds and suspiciously un-meagre input. Surface impacts have
ends such as the strain of walking uphillʼ. Furthermore, to be acknowledged as something more than surface
he restricts our contact with ourselves to what may be impacts if perceptual similarity is to be possible. But
learned through observation of each otherʼs behaviour if this is the case, Quineʼs starting-point – and hence
and conditioning. the need for his journey – is put in doubt.
Quine also makes his own job more difficult by In the course of From Stimulus to Science, Quine
admitting only theories and solutions which are ʻsimpleʼ touches on and clarifies his position as regards many of
and ʻeconomicalʼ. Indeed, he seems to delight in being the subjects dealt with in less accommodating fashion
shockingly frugal. In response to Pilateʼs question, for in earlier works – observation sentences, reference,
example, he marshals no Nietzschean mobile armies: reification, truth and disquotation, meaning, translation
ʻTruth is just a degenerate case of denotation.ʼ This and interpretation, semantic ascent, and quotation.
approach combines nicely with a hard-nosed natural- The excitement is real and sustained with great verve
Christopher Norris is arguably one of the most prolific ing is not just cultural relativism, but culturalism – a
and provocative critics around, and in this book he is foe he confronts from the standpoint of philosophy,
reacting with customary vigour against what he des- specifically the Anglo-American analytic tradition.
cribes as the ʻlinguistic turnʼ in critical theory – the The language of refutation pervades the text. A
bracketing of the real, evident in the scare quotes section heading such as ʻChomsky contra Post-struc-
that have sprung up around such terms as ʻhistoryʼ, turalismʼ, or a chapter entitled ʻMarxism against Post-
ʻpoliticsʼ, ʻrealityʼ and ʻtruthʼ. In a recent interview, modernismʼ, gives the flavour. The exception to the rule
Norris insisted that he did not wish to ʻdefend the is Derrida. Two chapters are devoted to proving that
notion of Truth with a capital T, some sort of timeless, ʻdeconstruction is not a part of this wider postmodern
transcendent, ultimate Truth, which then becomes a driftʼ. If Norrisʼs purpose is to exonerate Derrida from
stick to beat opponentsʼ. But here he presents himself the charges he levels against most other continental
as a purveyor of Truth with a capital T, and sets about theorists under the umbrella of postmodernism or
his opponents – chiefly Jean Baudrillard, Stanley Fish, poststructuralism, the central paradox is that Derrida
Michel Foucault and Richard Rorty – systematically can be seen to conform to the model of postmodern
and without compunction. scepticism and cultural relativism. Norris is aware
According to Nietzsche – the prototype of those to of this, but it seems to me that he fails in his efforts
whom Norris is opposed – truth was merely a ʻmobile to render deconstruction compatible with his own
army of metaphorsʼ. It is this rhetorical reading of perspective. Norris ridicules ʻWittgensteinʼs famously
truth, exemplified by postmodernism, that Reclaiming obscure dictum that “the limits of my language are
Truth takes to task, as it defiantly reasserts the power the limits of my world”.ʼ This echoes Nietzscheʼs
of the literal over the literary. If recent continen- claim that we must cease to think if we refuse to do
tal philosophy has found fertile ground in literature so in the prison-house of language; and anticipates
departments, it is because those working with fiction Heideggerʼs remark about language speaking through
are inevitably open to anything that undermines fact. Man rather than the reverse, as well as Stanley Fishʼs
Norris objects to the fusion of one strand of French argument, anathema to Norris, that interpretation
thought with English literary criticism to produce goes ʻall the way downʼ. Yet is it really any more
a hybrid theory in which ʻhistory is treated as just obscure than Derridaʼs notorious assertion that ʻthere
another kind of narrative fictionʼ, and philosophy as ʻa is nothing outside the textʼ? Or again, when Norris
kind of writingʼ. What starts off as a critique of realism takes issue with Baudrillard for conflating use-value
quickly becomes a wholesale critique of reality, at and exchange-value, one is tempted to point out that
which point its claims come into conflict with other this happens to be Derridaʼs own strategy in the fifth
established disciplines. In fact, what Norris is attack- chapter of Specters of Marx.
Edward Sojaʼs Postmodern Geographies (1989) was few map references. His reading of Lefebvreʼs The
hailed as one of the most challenging and stimulating Production of Space follows, identifying it not as a
studies of space and how it is used – and rightly so. linear (historical) argument, but as a musical (and, by
His new book was therefore eagerly anticipated. Sadly, implication, spatial) polyphonic fugue. This adds little
it is a great disappointment. to any careful reading of the text in question, but Soja
Soja sets out to encourage us to think about the suggests that his Thirdspace is constructed in the same
ʻspatiality of human lifeʼ. Spatiality, he suggests, way that he thinks The Production of Space is, with
should be thought of along with historicality and each chapter ʻa new approximation, a different way of
sociality, and should not be the exclusive preserve looking at the same subject, a sequence of neverending
of geographers, architects and urbanists: it is far variations on recurrent spatial themesʼ. Polyvocal the
too important for that. The term ʻThirdspaceʼ – a book may be, but the many voices are all made to
reworking of Lefebvreʼs ʻlived spaces of representa- sing the same tune.
tionʼ – seeks to recombine and extend, rather than This is particularly evident in the third and fourth
simply replace, the real (Firstspace) and imagined chapters. Here Soja examines the work of bell hooks
(Secondspace) perspectives normally applied to critical and other writers who have supposedly understood the
work about space. This ʻthirding-as-Otheringʼ is one Thirdspace critique, with particular emphasis on those
of Sojaʼs theoretical hallmarks, whereby he seeks to writing from a feminist or post-colonial viewpoint.
substitute a ʻboth/and alsoʼ logic for the binarism of Soja is right about their interest and importance but,
the ʻeither/orʼ. Again, this is borrowed from Lefebvre, all too often, he resorts to quoting lengthy passages
leading Soja to propose a ʻtrialecticʼ, or dialectic of from them, and merely points out their convergence
three terms, for, as Lefebvre puts it, ʻil y a toujours with the Thirdspace project when his own voice is
lʼAutreʼ. heard. Similarly, the two chapters on Michel Foucault
Soja draws not only on Lefebvre but also on repeat much of what was in Postmodern Geographies,
Foucault, Said, bell hooks, Homi Bhabha, and others, focusing on the short piece ʻOf Other Spacesʼ, to the
to make Thirdspace ʻas polyvocal as I know howʼ. exclusion of Foucaultʼs other writings.
He begins by attempting to spatialize the biography This partial reading of Foucaultʼs work highlights
of Lefebvre, an attempt which amounts to little more what is perhaps the biggest problem with Sojaʼs project:
than a run-of-the-mill intellectual biography with a the conflation of two aims. Soja wishes to reassert the
Irish others
which also focuses on an Irish farming community,
and the Dublin-based Fair City. Gibbonsʼ introduction
usefully suggests points of intersection between the
Luke Gibbons, Transformations in Irish Culture, Cork
seemingly anomalous considerations included here:
University Press, Cork, 1996. 232 pp., £14.95 pb, 1
85918 059 0. contemporary art and the secret agrarian societies of
the eighteenth century; the myth of the West exhibited
It has long been something of a truism that Ireland by both the Hollywood cowboy and the Aran islander;
has had no lack of creative practitioners, but very few feminist independent film-making and Irish postcards.
theoreticians to explain and debate the formations A central interest is how Irish culture confounds any
of its culture. Yet, as Gibbons himself has noted in easy polarization of tradition/modernity, country/city,
his contribution to the Field Day Anthology, intel- and centre/periphery. Gibbonsʼ persuasive thesis is
lectual inquiry has usually been channelled through that transformations in Irish culture are formed from
Some of the most interesting work in recent years ʻnatureʼ must be seen as an active force in production
in Marxist political ecology has emanated from the of all kinds. It is claimed that in historical material-
developing world, and this work by Enrique Leff ism, as well as in economics generally, this productive
adds to a growing corpus. Leff is a former professor potential of natural processes has been displaced. The
at the National Autonomous University of Mexico, second chapter extends this argument to show how
now working for the United Nations Environmental ecological processes are inscribed in the dynamics of
Programme. He is an ʻeditor at largeʼ for the journal capital, before assessing the ecological conditions for
Capitalism, Nature, Socialism, and can be seen to be capitalist development in temperate climates.
part of the larger move to review Marxism from the Throughout the book, Leff criticizes the applica-
perspectives of environmentalism and to construct an tion of science and technology developed in temperate
ecological socialism. This updated collection of essays climes to tropical areas with very different ecological
represents some of Leffʼs writings from the period conditions. Like many other political ecologists, he
1975–85, previously published in Spanish in 1986. argues that new forms of ecodevelopment must be
Leffʼs project is to develop an ʻenvironmental formed out of the reinvestigation of ethnic cultural
rationalityʼ to replace the dominant economic and productive processes and cultural values that affect
epistemological ʻrationalityʼ of capital, and to create these processes. Such ʻtraditionalʼ ways of interact-
a new form of endogenous and independent ecological ing with nature have developed in their own specific
development for the Third World. The first essay deals ecological contexts and have increasingly been lost,
with Marxist epistemological principles for studying or exploitatively transformed, in the expanded repro-
the relationships between nature and society. Much duction of capital. Leff appears to argue that within
of this revolves around a reinvestigation of Marx and such traditional knowledges ʻnatureʼ was always
a critique of the naturalizing tendencies of Alfred viewed as an active agent, as conditions and poten-
Schmidtʼs work, The Concept of Nature in Marx. tials of production. The scientific and technological
But Leff also goes on to reassert Marxʼs position that improvement of such productive processes provides a
Value added of ʻgeneral cultureʼ (in T.S. Eliotʼs terms), or, the
ʻopinions and actions common to all good menʼ (for
Thomas Hardy). The art-work presents the moral truths
Richard A. Etlin, In Defense of Humanism: Value of common sense in such a way as to affect the human
in the Arts and Letters, Cambridge University Press,
subject, and thus inspires in that subject the recogni-
Cambridge, 1996. xx + 283 pp., £30.00 ($39.95) hb.,
tion of common humanity and the morality that such
0 521 47077 3.
a being-in-common necessitates.
Richard Etlin describes himself as an ʻold-style This is perhaps the major problem with Etlinʼs
liberalʼ. His heroes are Thomas Jefferson, Frank Lloyd account of the value of art. He assumes that ʻcommon
Wright and, it would seem, F.R. Leavis; his opponents humanityʼ, ʻcommon senseʼ, ʻmoral and aesthetic truthsʼ
(among many) are Edward Said, Jacques Derrida, are self-evident and unproblematic terms. Post-struc-
Richard Serra, and Friedrich Nietzsche. Unlike authors turalism has attempted to debunk such self-evident
such as David Lehman and the physicist Alan Sokal, notions, and while it may be prey to lunatic and
Etlin does not set out to ridicule deconstruction and obscure excesses, as Etlin shows, it certainly questions
post-structuralism; In Defense of Humanism is instead the foundations to which he appeals. The ʻabyssʼ that
an attempt to demonstrate that the concept of ʻvalueʼ Etlin sees as separating the ʻinherent mysteryʼ of
still has a place in aesthetic criticism, and to return art from rational discourse can never be bridged in
criticism and philosophy to ʻthe standpoint of real theoretical terms, if belief or faith is the only possible
lifeʼ. mediator between the two.
For Etlin, thinkers such as Derrida, Said, Foucault In Defense of Humanism tries to defend a model of
and Nietzsche apply ʻthe consistency of logic aesthetic value that has been common since Aristotle.
inappropriately to the realm of human behaviour and But while it is well-written, intelligible, and accessible
insightʼ. In this manner, post-structuralism has turned
to non-specialists, it can never demonstrate its case
the world upside down through the substitution of
without resorting to faith or belief, because of the
obscure theoretical formulations and epistemological
vagaries around which its argument is constructed.
determinism for ʻreal lifeʼ – that is, the moral actions
Etlinʼs ideal model of aesthetics would be one in which
and responses of human beings. This destruction of
ʻone is … able to open oneʼs soul like the music box
ʻthe fundamental ground of thingsʼ pushes the human
subject into an abyss of contingency, negativity, and to hear the lovely song of artʼ. He never questions
the violence of Nietzschean ʻarmchair sadismʼ. In this whether the abyss he postulates between reason and
decentred world of the post-structuralist, value can art is only there in the first place because of assertions
only be considered contingent, not inhering in the art- such as this.
work, but arising from cultural judgements about it. Duncan J. Campbell
Wise owl
Lloyd Spencer and Andrzej Krauze, Hegel For Beginners, Icon Books, Cambridge, 1996, 175 pp., £8.99 pb.,
1 874166 44 7.
One has to admire the authors for taking on such a Hegelʼs ideas did not work for me. And the vast bulk
difficult thinker as Hegel in the ʻFor Beginnersʼ series. of the drawings are simply illustrations – for example,
Spencerʼs text makes as good a job of it as anyone pictures of Hegelʼs patrons and so on.
could. He provides plenty of details of Hegelʼs life, One major disaster is also present. In the depic-
and he deals with all the works. tion of the master and slave, the slave is saying ʻI
One main strategy he employs is to contextualize have obtained recognitionʼ, and the master replies
Hegel heavily, both backwards (sketches of Spinoza, ʻYes but not from another self, only from … a slaveʼ.
Kant, Goethe, Fichte, Hölderlin, Schelling, Fries, Clearly the speech balloons have been interchanged.
Boehme and Baader); and forwards (Hess, Feuerbach, (A suspicion that this secretes some deep joke about
Marx, Engels, Lenin, Kierkegaard, Merleau-Ponty, the master becoming the slave of the slave is dispelled
Derrida, Foucault, Rorty, Lukács – strangely spelt when the next diagram shows the same man who was
Lukaçs – Adorno, Kojève, Breton, Bataille, and – inev- depicted as the slave once again a slave and talking
itably – last and least Fukuyama). He does not attempt about his labours.)
to discuss the varying interpretations of Hegel – his Another problem with the speech balloons attached
own is pretty mainstream – although he is concerned to Hegel (and others) is that often they do not contain
to defend Hegel politically. quotations; and yet the matter doubtless will appear as
But, of course, the main feature of this series is such in future student essays. Conversely, real quota-
the graphic element. It strikes me that this is only tions in the text are not always marked thus.
worthwhile if the graphics are amusing or instructive; Those who like this sort of book may be satisfied
mere illustration is pointless. In this respect I found with this effort; but I see no special reason to recom-
the book disappointing. To be sure, there is a witty mend it.
depiction of Hegel as an owl. However, the diagrams of
Chris Arthur
Lesbians, gays and gays want the same ʻrightsʼ as everyone and if
that means participating in oppressive structures, well
NEWS