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CARLOS GARDEL

TANGO FLUYE DUETS

Arranged by Diego Collatti


INHALT • CONTENTS • TABLE DES MATIERES

Melodía de arrabal • 2

Por una cabeza • 6

El día que me quieras • 1O

Mi Buenos Aires querido • 14

Volver· 18

Préface • 22

Carlos Gardel: Tango Flute Duets

Cover design by Lynette Williamson

UE 33042
ISMN 979-0-008-08591-8
UPC 8-03452-06972-0
ISBN 978-3-7024-7260-3

© Copyright 2014 by Universal Edition A.G ., Wien


VORWORT

Der Name Carlos Gardel ist bis heute untrennbar mit der Für dieses Heft habe ich einige von Gardels popularsten Tan-
Musik des Tangos verbunden. Nicht nur durch seine zahl- gos ausgewahlt und für zwei Floten arrangiert. Der Klang
reichen Kompositionen, sondern auch durch die charis- dieses Instrumentes eignet sich hervorragend, um dem mu-
matische Stimme des Sangers und sein schauspielerisches sikalischen Reichtum einer verarmten Gemeinschaft von
Talent wurde Gardel als Künstler und Interpret seiner Einwanderern in Argentiniens Vergangenheit klanglich nach-
Werke zu einer der bedeutendsten Musikerpersonlich- zuspüren, und die Faszination und den Glamour von Gardels
keiten der ersten Halfte des 20. Jahrhunderts, die nicht Tangomusik aufleben zu lassen. Beide Stimmen liegen im
nur in ihrer Wahlheimat Argentinien als Legende verehrt mittleren Schwierigkeitsgrad, die Melodien bringen immer
wird. Carlos Gardel, eigentlich Charles Romuald Gardés wieder neue klangliche und rhythmische Elemente ins Spiel,
(* 11. Dezember 1890 in Toulouse, Frankreich; t 24. Juni 1935 um Technik und Zusammenspiel der jungen Musiker zu trai-
bei einem Flugzeugunglück in Medellín, Kolumbien), machte nieren. Und nicht zuletzt sind sie ein idealer Einstieg in die
den Tango weltweit popular und war der erste und vielleicht tiefgründige Musik des Tangos, deren Lebendigkeit und Viel-
einzige argentinische Weltstar im Showbusiness, dessen Be- seitigkeit nicht nur Spa:B macht, sondern auch ganz neue Aus-
deutung spater hochstens noch von Astor Piazzolla erreicht drucksmoglichkeiten bereithalt.
wird. Trotz seines frühen Todes bleiben Gardels Tangos Klas-
siker, auf die kein ernst zu nehmender Interpret verzichten
kann. Diego Collatti, Marz 2014

PREFACE

The name Carlos Gardel is still inextricably linked with tango For this album I have chosen sorne of Gardel's most popular
music, even today. It was not just because of his numerous tangos and arranged them for two flutes. The timbre of this
compositions, but also because of his charismatic voice instrument is exceptionally well suited to evoking in sound the
and acting talents that Gardel, as artist and performer of musical riches of an impoverished community of immigrants
his own works, became one of the most important musical in Argentinas past, as well as to making the fascination and
personalities of the first half of the 20th century, revered as glamour of Gardel's tango music come alive again. Both
a legend far beyond his adopted borne of Argentina. Carlos parts are of medium difficulty, and the melodies repeatedly
Gardel - in reality Charles Romuald Gardés, born in Toulouse introduce new elements of tone production and rhythm,
on 11 December 1890 and killed in an air accident on 24 June training young musicians in technique and ensemble playing.
1935 in Medellín, Colombia- made the tango internationally And, last but not least, these duets are an ideal introduction to
popular and was the first and perhaps only Argentinian the profound music of the tango, whose vitality and versatility
superstar in show business, enjoying a status subsequently are not only fun, but which also holds totally new means of
attained only, at most, by Astor Piazzolla. Despite his early expression in store.
death Gardel's tangos remain classics, which no performer
who aspires to be taken seriously can ignore. Diego Collatti, March 2014
2
Melodía de arrabal Carlos Gardel
(1890 -1935)
J= 112 arr. Diego Collatti
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UE 33 042
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