Beruflich Dokumente
Kultur Dokumente
Grades 6 and Up
Strategies That Work,
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
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Contents
Acknowledgments 9
Introduction 10
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
8: Some of our ELL girls don’t graduate because they marry early. 46
9: My students tell me they have to leave school early to help their families. 48
10: My students come to school tired because of home responsibilities, including needing
to work. 48
11: My students are absent often because they have child care, translating, or other family
responsibilities. 48
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
12: The parents of my ELL students are resistant to their children receiving mental
health services. 50
13: The families of my ELL students use practices that are culturally different (for example,
coining) or illegal in North America (for example, female genital mutilation/cutting). 51
Communication With Parents 53
Situations
1: The parents of my ELLs don’t speak English and I don’t speak their languages, so we
can’t communicate. 54
2: How do I communicate with parents who are illiterate? 55
3: The parents of my ELL students decline a translator, but we have a hard time
communicating. 56
4: My students’ parents say they’ve been told not to speak their native language at home so
their children can learn English, but they can’t communicate with their children in English. 57
5: The parents of my ELL students don’t speak English at home, and I wish they would so the
children could learn English more quickly. 57
6: Some parents won’t let their children go on field trips. 59
7: The parents of my ELL students express concern about behavioral problems with their
children since coming to the U.S. 60
8: The parents of my ELL students tell me that their children threaten to report them to social
agencies or schools if they chastise the children. 60
Pronunciation 129
Situations
1: Sometimes I can’t understand my ELLs when they speak because of their accents. 133
2: I have students I can understand perfectly well when we’ve having a one-on-one
conversation, but when they make formal presentations, they are hard to understand. 134
3: My ELL students have difficulty with particular sounds, which makes them say the wrong
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
word (e.g., snake for snack, den for then). 135
4: My students sometimes add an extra syllable or sound to their words (e.g., es-panish). 137
5: Students sometimes omit unstressed vowels or syllables (sounds slide into each other). 139
6: Sometimes my students speak so quickly I can’t understand them. 139
Vocabulary 140
Situation
1: My students have difficulty expressing themselves because they have limited
vocabulary. 142
Idioms, Slang, and “Dangerous English” 143
Situations
1: My students don’t use idioms or slang correctly. 144
2: My students sometimes mix up words (e.g., horny for ornery) or misuse idioms or slang
(e.g., knock up). 147
3: My students use offensive language in inappropriate situations, but I don’t think they
understand the meaning of the words. 147
Using the Native Language 149
Situations
1: I don’t understand why the parents speak English and their child doesn’t. 149
2: My students switch between English and their native language, sometimes in the same
sentence and sometimes across several sentences. 150
6: I see very irregular reading behaviors in my ELL students—sometimes they read a text
smoothly and with understanding, but at other times, even when reading a book at the
same level, they struggle to decode and/or understand the text. 208
Limited Purposes for Reading 209
Situations
1: My students think that reading is decoding, and they focus exclusively on sounding out
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
References 273
Appendices 282
Appendix A: Booksellers and Distributors of Books About Diverse Cultures and
Books Written in Languages Other Than English 283
Appendix B: Books About Diverse Cultures 285
Appendix C: Cultural Differences in Student Behavior 296
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Appendix D: Selected Wordless Picture Books 298
Appendix E: Picture/Visual Dictionaries 300
Appendix F: Pronunciation Web Sites 301
Appendix G: Guidelines for Developing Cloze Activities 304
Appendix H: The Cloze Text Without Deletions 305
Appendix I: Example of a Cloze Text With Every Five Words Deleted 306
Appendix J: Example of a Cloze Text With Every Ten Words Deleted 307
Appendix K: Example of a Selected Feature Cloze Text: Past-Tense Verbs 308
Appendix L: Fiction, Nonfiction, and Poetry Touchstone Texts 309
Appendix M: Picture Books to Help Spark Students’ Memories 313
Appendix N: Types of Written Reflection in the Classroom 315
Index 316
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Acknowledgments
We are indebted to many, many people who have influenced us as teachers and/or
helped us as we have written this book.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Over the years, we have had the good fortune to work with many gifted teachers,
from whom we have learned so much, and we would like to first acknowledge our
indebtedness to them—Marina Afentakis, Barbara Agor, Joan Albarella, Laura Alvarez,
Sharon Amos, Edwin Aponte, Angie Barra, Joanne Basil, Jill Berg, Romeo Bryant,
Keith Buchanan, Fran Butler, Marsha Christiano, Stephanie Costner, Laurel Cress,
Yolanda Dandridge, Jerry Dickson, Ellen Edes, JoAnne Edmiston, Audrey Fong, Maya
Galperin, Isabel Hernandez, Mary Howlette, Libby James-Pasby, Jennifer Jones-
Martinez, Jennifer Kim, Patti Legates, Denise Leograndis, Musoko Luko, Kathy
Maloney, Michael Marinaccio, Lynn McMichael, Mark Methven, Jen Meyers, Atsuko
Nishida Mitchell, Todd Mitchell, Laurie Nussbaum, Gwen O’Dette, Mary Pippitt,
Kay Polga, Teddi Predaris, Ali Rasheed, Doreen Regan, Marjorie Rosenthal-Foer,
Rachel Rothman, Barbara Schmidt, Choji Schroeder, Lydia Stack, Annie Swanlaw,
Carlyn Syvanen, Sharon Weight, María Wetzel, Robert Wiggenfeld, Beverly Wilkin,
Gail Whang, and Mary Zimmer.
We would also like to thank the teachers who have shared invaluable resources
with us while writing this book, and/or responded to our requests for situations that
teachers encounter when working with ELLs—Sharon Amos, Jill Berg, Jerry Dickson,
JoAnne Edmiston, Lisa Gustafson, Elizabeth Jaeger, Libby James-Pasby, Karen
Jeffries, Karen Kane, Fran Magallanes, Lynn Matwijko, Erin McCarthy, Jen Meyers,
Celeste Notaro, Bridgett O’Shea, Melanie Pyne, Jenny Rienzo, Rosalie Rienzo,
Heather Rivera, Rachel Rothman, Kelly Shulman, and an anonymous teacher who
responded to our survey and provided us with lots of very useful situations. Thanks also
to Nancy Markowitz, Kris Pemberton, and Sharon Weight for forwarding our request
for situations to other teachers.
Several of the annotated book lists that we have included in the book are the con-
sequence of work that Katharine did with Jill Berg and Kelly Shulman—thank you for
all your help. Dorothy would also like to thank Sherryl Weems and Debra Thompson
for their support.
We have taught in several states and we are indebted to our students in western
New York, including Brockport, Buffalo, and Rochester; Brookline, Massachusetts;
Reston and Herndon in Virginia; and the San Francisco Bay Area in California.
Writing a book is a very time-consuming act, and would have been very difficult
for us if we had not had the support of our families. Katharine would like to thank her
family, especially Tom, who knows how important writing is to her and epitomizes the
supportive spouse, and young Tom, for his artistic talents. Dorothy would like to thank
her parents, Hammersley and Ann Taylor, who knew she wanted to be a teacher even
when she thought she didn’t; Patricia Clay, Carol McKinney, Mary Jane Smith, and Jim
Taylor; Don Pollock, the anthropologist, for expert advice on the sociolinguistic chap-
ter; and Don Pollock, the husband, for too many kindnesses to list.
Our thanks also extend to the Scholastic staff, who helped bring this book into
existence, particularly our editor, Lois Bridges, Melissa Inglis-Elliott, Amy Rowe,
Jason Robinson, Sydney Wright, and Susan Kolwicz.
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Introduction
Together, we have spent decades teaching and working on behalf of English language
learners (ELLs), and it is work that we value enormously. We have found that working
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
with ELLs and their families is very stimulating and rewarding, and through this
work, we have been welcomed into the lives of our students, and we have learned
through them how people from many different parts of the world think, communicate,
and learn.
ELLs can be a tremendous asset to schools when members of the school
community view them that way. We recognize, of course, how challenging it is to try
to communicate with a newcomer who does not yet know English (and whose native
language we do not know). When this happens, we try to remind ourselves that any
situation that we find challenging will almost always be much more challenging for
the ELL student—after all, not only are ELLs in a new environment where they may
not hear their home languages for hours at a time, but they are often separated
from family members, friends, and familiar surroundings without sufficient time to
say good-bye.
How we respond to ELLs can make a huge difference in how they feel about
school and how other students respond to them. And, ultimately, it can have a huge
impact on the learning of all of our students, both ELLs and non-ELLs. For example,
when meeting a new student whose native language we cannot speak, we call upon
some basic strategies that can help integrate the newcomer into the school and
classroom community. We do this because we realize that ELLs will be learning more
than the English language and content-area material; they will also be learning the
social and cultural norms of school life and life in the community at large, and peers
can bridge that gap very effectively.
We hope that our book gives teachers who work with ELLs lots of strategies to
use when they aren’t sure what to do next. Though our focus is on ELLs, we firmly
believe that effective strategies for ELLs are often effective for all students. This
book emerged from working with ELL students and from working closely with
many teachers, particularly ESOL specialists (also called ESL or ELD teachers). The
situations that we describe are authentic; they come from our experiences and those
of other teachers. Although the book can be read from front to back, it does not
have to be approached that way; it is designed so that teachers can dip into it as the
need arises.
Each of the five chapters begins with background information on the overarching
content of the chapter, followed by some general strategies. There are then several
subsections, each with its own background, general strategies, specific situations, and
targeted strategies for those situations. The table of contents lays out all the general
strategies and specific situations.
We hope our readers will feel much more confident about working with
ELLs once they have read this book. We also hope that all our readers feel the same
enthusiasm and optimism that we feel when working with ELLs.
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C HAPTER I
Sociocultural
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Situations
T
he social and cultural backgrounds of English language learners
and their families can greatly influence their school experiences, and
schools must take sociocultural issues into account to successfully
work with ELLs. The learning styles of ELL students may be affected by
their underlying assumptions about the nature of education, classrooms, and
the authority of teachers. Students may be coming from cultures in which
they were not expected (or allowed) to acquire significant levels of formal
education. Students and their families may view schools as representatives
of oppressive political regimes and may resist the well-intentioned efforts
of teachers and school officials. Expectations about respect or personal
demeanor may be highly variable, and assumptions about health and illness
may sometimes differ from mainstream Western beliefs and practices. Many
students and their families may have come to North America to escape war,
oppression, or other hardships. Some have spent years in refugee camps, and
many have suffered extraordinary traumas. Under such circumstances, the
formal schooling of students and their families was interrupted or it may
never have occurred. It is not unusual for political and tribal conflicts to carry
over into classrooms and local communities in North America.
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Regardless of how they arrived in North America, many ELL students and
their families are dealing with economic hardships that may affect how they
participate in school. Students may be hungry; their clothes may not be new or
of the current style; they may be lacking school supplies; and they, their parents,
and other family members may be working long hours and/or multiple jobs.
Understanding these sociocultural issues will better equip teachers and schools
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
to achieve the goal of successfully educating ELL students.
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have had very limited contact with English and Western customs; hence, they
often need more time to adjust to a very different way of life.
General Strategies
................................
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
refugee students so much longer to complete the
English Language Development (ELD) program
than the students I had a few years ago?
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place already, agencies can work collaboratively with schools to write grants
and look for other ways to support these services.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Information about national trends in immigration, refugee resettlement, and
secondary migration within the U.S. and/or Canada can be obtained from the
following organizations, which can often provide information about where to
find local organizations.
c Association of Jewish Family and Children Agencies (AJFCA)
This organization is composed of more than 140 Jewish family and
children’s agencies and specialized Jewish human service agencies in the
United States and Canada. Member JFCA agencies assist Jewish refugees
and immigrants.
www.ajfca.org/facts.html
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
The department produces data and statistics on foreign nationals who
have been granted permanent residence or are applying for asylum or
refugee status.
www.dhs.gov/ximgtn/statistics
c World Vision Canada
World Vision’s Refugee Centre provides emergency shelter for refugee
claimants and their families in Canada.
www.worldvision.ca/home/programs-and-projects/canadian-programs/
refugee-centre
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the stresses of culture shock, poverty, and poor living conditions can fuel
conflicts that manifest themselves in aggressive behavior and, sometimes,
gang warfare.
All students need to feel safe in their schools. It is the school’s responsibility
to understand the nature of the conflicts, to take quick action to prevent all
forms of physical and emotional aggression, and to stop them as quickly as
possible when they do occur.
General Strategies
................................
Although schools and teachers cannot change sociopolitical realities, they can
make it clear that all cultures, races, ethnicities, and religions are welcome in
the school, and that prejudice of any kind is not tolerated. And they can teach
students strategies for dealing peacefully with anger, hurt, and prejudice.
Below, we list some general strategies for schools and teachers, followed by
more developed strategies for dealing with some of the most frequently
encountered sociocultural issues affecting students in North America.
What Schools Can Do
c Produce clear, strong guidelines and rules about teasing and bullying.
c Create strong relationships with community agencies and law
enforcement agencies.
c Provide professional development on conflict resolution.
c Have parent liaisons and parent-teacher organizations address conflict issues.
What Teachers Can Do
c Learn about potential tribal or ethnic conflicts between populations
in the school.
c Talk with students regularly about bullying and teasing.
c Collaborate to generate norms about interpersonal communication,
including bullying and teasing.
c Include community building and conflict reduction/resolution in
classroom activities on a regular basis.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Targeted Strategy 1: Use community-building activities.
Students who see themselves as part of a community are more likely to be
respectful, responsible, and caring toward each other. Feeling isolated from
the community is one factor that contributes to participation in youth gangs.
Regularly providing opportunities for community building may help lessen
those feelings of isolation. Some community-building school and classroom
activities include the following:
c Class meetings (for example, working collectively to solve a problem in
the classroom, such as students not sharing materials or excluding others
from sports).
c Icebreakers, such as:
• You may not know this about me:
—Share some information about yourself that students may not
already know. For example, Katharine has shared the following:
• I won the outstanding athlete silver cup when I was in high
school.
• I hiked the three highest peaks in Scotland, England, and
Wales in 24 hours.
—Pairs of students have about five minutes to interview each other
to learn more about their partners.
—Pairs take turns introducing each other, sharing one item that was
discussed in the pair share.
• Let me tell you about our team:
—The purpose of this activity is to help students find what they
have in common, rather than how they are different (Vicens,
1995). It can also be a good activity when groups are new
to each other, that is, a way for them to begin to form a
cohesive group.
—Give students a set of the following prompts and designate
an amount of time for them to figure out what they have
in common:
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
We have found that ELL families are eager to share their favorite
traditional foods and welcome the opportunity to share their
cultures in this way. The best school international festivals that
we have attended have included the following:
—Performances by students (for example, dancing, playing music,
putting on skits).
—Displays of labeled artifacts that come from the diverse cultures
in the school. These displays often help enormously in initiating
conversations.
—Food from diverse cultures.
—Attendance of all age groups—very young children can act as
icebreakers for many adults who feel uncomfortable talking
with strangers.
—School faculty and staff make a concerted effort to welcome and
interact with family members.
c School-wide murals also contribute to a sense of community. Students,
school staff, parents, and community members can collaborate on
making the mural.
c School counselors are often excellent resources for community-building
activities, such as Link Crew (linkcrew.com), Where Everybody Belongs
(WEB) (www.boomerangproject.com/web), and Teen Empowerment
(www.teenempowerment.org).
parent, or coach).
c Stay calm and try not to show that you are scared or angry—bullies tend
to feed on reactions.
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That’s because he comes from an area of India called Punjab. Let’s find
Punjab on the map. (Points to State of Punjab on map.) Can you see it?
Ahmed: It close to Pakistan.
Teacher: Yes, it’s close to Pakistan. We can look forward to learning more about
Punjab and India from Harjot. One thing that I know about Harjot already
is that he practices the Sikh religion. One important part of the Sikh
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
religion is that they do not cut their hair, and males cover it with a turban
or dastaar. Harjot’s dastaar is a symbol of his religion and should be
treated with respect—just as we treat all symbols of religion with respect.
Many people show their religion by things that they wear or do. Can you
think of some other ways that people show their religion?
María: My grandma gave me a cross on a chain for my birthday because
we’re Catholic.
Teacher: Right, that’s one way to show your religion.
(The teacher then shows pictures of young people wearing crosses,
yarmulkes, and head scarves, and the class discusses the religions these
items are associated with.)
Teacher: In this country, everybody is free to practice their religion, and it’s
important to respect everyone’s religion. In time, Harjot may want to tell
us more about his religion, his language, and his country. And we can
help him learn about us. How can we help him?
(The discussion continues.)
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www.applewoodcenters.org/frames_page_links.htm.
c Positive Action Program (PAP) teaches that actions influence feelings, which
influence thoughts. Parents and community members work with teachers
to enhance students’ self-concepts so that they behave more responsibly
and perform better academically. PAP includes training in conflict
resolution, diversity education, ethics, values, responsibility, life skills,
and leadership. More information is available at http://positiveaction.net.
c Resolving Conflict Creatively Program (RCCP) is a comprehensive multiyear
program for preventing violence and creating caring and peaceable
communities. The teaching guides provide age-appropriate interactive
lessons designed to develop students’ understandings and skills in a wide
range of topics related to social and emotional learning, including active
listening, assertiveness, handling feelings, negotiation, mediation,
celebrating differences, and countering bias. More information is available
at http://innerresilience-tidescenter.org/pdfs/rccp_school-based_sel.pdf.
c TRIBES (Gibbs, 2007) is a process for enhancing learning and human
development by creating communities where all students feel included,
accepted, and safe. Four agreements are honored: attentive listening,
appreciations/no put-downs, mutual respect, and the right to pass.
Students learn a set of collaborative skills so they can work well together
in long-term groups (tribes). More information about the TRIBES process
can be found at www.tribes.com.
Many refugees have come to this country because of atrocities suffered in their
homelands. The violence they have experienced is often the result of civil wars,
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
insurgencies, tribal or sectarian conflicts, or wars of national aggression. It is
not surprising that refugees often bring feelings of anger or hostility toward
those they perceive as their enemies or rivals. In addition, immigrant or
refugee students from countries with strong class or caste systems may have
preconceived notions about interacting with certain groups of people or
nationalities. Many of the strategies discussed in the previous pages can help in
dealing with these conflicts. However, sometimes it may be best to address
these deep-seated issues more directly.
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inappropriate for the setting or their age (for example, carrying a briefcase
instead of a backpack, or a notebook with a cover considered too childish).
ELL families and school staff need education and cultural understanding in
order to avoid the kinds of teasing and embarrassment that can result from
cultural differences or misunderstandings.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Targeted Strategy 1: Address teasing head-on.
Norms against teasing should be talked about and posted in the classroom.
Teachers should include teasing prevention lessons as a regular part of their
curriculum. These lessons should include discussions about the difference
between friendly and hurtful teasing. Teachers can also conduct role-playing
activities in which students take the part of someone being teased, someone
doing the teasing, silent bystanders, and friends who intervene. The
discussions that surround these types of activities can go a long way in
educating students about the consequences of hurtful behavior and how to
prevent teasing.
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Religious groups are another resource for clothing and school supplies. If
these groups are presented with a list of needed school supplies, many are
willing to fill individual backpacks for students in needy families.
to support ELLs.
Often, students who tease ELLs about their accents or nonnative language
grammar have never been in a situation in which they had to use a foreign
language or adapt to new customs. Helping students understand that
language develops over time and showing students how they can support
ELLs in their language learning, rather than making fun of it, can help
develop a positive atmosphere in the classroom. For example, students may
well laugh when an ELL student addresses a male student as “she” instead
of “he.” The teacher can point out to the students that many languages, such
as Chinese, Farsi, and Turkish, use genderless pronouns (for example, he, she,
and it are all expressed by the same pronoun). They can explain that ELL
students are just as aware of gender differences as we are, but it may take a
while before they use pronouns correctly in their speech. Students can
brainstorm ways that are helpful and not so helpful to ELL students as their
language develops. The result of a brainstorming session may be a list such
as the one in Figure 1.1.
Tell them you didn’t understand and Tell them they are stupid
ask them to repeat what they said. or laugh.
Our ELL students, foreign colleagues, and friends, particularly those who
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
are from the Middle East and/or those who are visibly Muslim, have reported
an increase in hostile encounters since 9/11. Encountering this kind of
hostility can be shocking and demoralizing to ELL students, and these
events are destructive to the nourishing environment that schools aim to
provide. Many of the issues discussed previously surrounding bullying and
teasing can be helpful in dealing with hostile behavior. The following are
additional strategies.
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
learning roles.
Playing a role in the classroom, such as timekeeper or errand runner, can help
ELL students feel part of the group while lessening the pressure to perform
beyond their linguistic ability. Illustrating, labeling, taking photographs,
playing a musical instrument, sewing, cooking, and designing are other
nonlinguistic ways that ELL students can contribute to group projects.
However, care must be taken that they don’t get stuck in these less
linguistically demanding roles once they become more fluent in English.
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America are much less progressive or learner-centered than those of the home
country. For example, in Japan and Korea, there is a strong tradition of an
inquiry approach to mathematics learning that is often missing in North
American classrooms. Similarly, when students come from countries where
they have been exposed to high levels of math and science instruction, it can
be very alarming to both parents and students when the content demands are
reduced in North American schools.
A third area of dissonance that is often encountered revolves around
teacher-student dynamics, and there is a wide range of specific dissonances.
For instance, some parents have come from countries where corporal
punishment is the norm and don’t understand why teachers don’t smack or
physically punish students who have transgressed. Also, in many countries,
classrooms are relatively quiet, and when the teacher speaks, he or she gets
the undivided attention of students. So, it can be of great concern to immigrant
families when they see what appears to be chaos in the classroom and
inattentive students. When students come from cultures where being quiet
and deferential and not expressing an opinion to an adult are considered
good behavior, it is hard for some parents to see their children chastised for
being unassertive and quiet. When students encounter these huge differences
in expectations and behavior, it can be very confusing and lead them to
behave inappropriately.
General Strategies
................................
Understanding the dissonance is the first step toward dealing with it. For
example, what does the teacher expect as opposed to what the student expects?
And what are the underlying causes of these expectations? Flexibility on the
part of teachers and ELL students and their families may sometimes be the
1 A transmission model of teaching/learning is, of course, still common in North America, particularly
when mandated, scripted textbook teaching is the norm, an increasingly common practice in the
United States since the passing of the No Child Left Behind Act (NCLB).
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c The parents of a sick child who had been visiting traditional healers but
remained quite sick agreed to take their child to a physician practicing
Western medicine who consulted with the traditional healers.
c Teachers adopted certain practices used by school systems in other
countries, such as an inquiry approach to math.
There are times, however, when practices commonly used in some
cultures, such as spanking or beating, are unacceptable or illegal in North
America, and schools and community organizations must make that very
clear to immigrant families.
Schools should make every attempt to respect and tolerate religious
differences, such as Muslim girls wearing head scarves or Sikh boys wearing
turbans and bracelets. In order to inform their students about unfamiliar
customs and practices, teachers can invite parents or other guest speakers
into classrooms to share aspects of their culture. This can be extended to the
entire school community through a school-wide international festival, which
can provide an excellent avenue for discussions about cultural differences
(and similarities).
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encountered them a few times and have had the opportunity to understand
how the process leads to the end result.
ELL students who have not been exposed to group projects can be confused
or distrustful of cooperative learning processes. They may react to group
assignments by expressing displeasure, as in Situation 2, or they may respond
by handing over responsibility for the work to their native-speaking peers
whom they feel can more adequately fulfill the required tasks, as in Situation 3.
In either case, it is important for all students to understand the purpose of
group work and the roles that ELL students can play in completing
group assignments.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c Doing one’s fair share of the work is important. However, students
may contribute differently according to their varied skills and talents.
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work include:
c Making sure that students understand group-work expectations.
Shown below are some basic norms that apply to all students:
• Contribute and help.
• Listen carefully to others.
• Encourage everyone in the group to participate.
• Praise helpful actions or good ideas.
• Ask for help, if needed.
• Check to make sure everyone understands.
• Stay on task.
c Modeling what these behaviors look like.
Simple role-playing that includes appropriate and inappropriate behaviors
can be very effective. We have noticed that students seem to better
internalize appropriate behaviors after brainstorming these behaviors in
a role-play activity.
c Having students evaluate their behavior.
If group members are not behaving appropriately, it can be helpful to do
the following:
• Assign someone to the gatekeeper role—this person has the
responsibility of ensuring that behavioral expectations are met.
• Have everyone in the group evaluate each other.
c Allowing time for reflection and debriefing.
Following group work, it is essential to allocate time for debriefing so
that problems such as students not being prepared, goofing off, or putting
down group members can be presented and solutions discussed and
modeled through role-plays.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Assessment of Group
How well do you think your group worked together?
Not very well: _______ OK: _______ Very well: _______ Superbly: _______
members. Emphasize that all group members need to work hard for
themselves and on behalf of the entire group—students can anonymously
rate each other’s contributions, and the teacher can give a group grade and
individual grades based on feedback from group members.
In some cases, students may not perceive what they are doing as cheating,
since what teachers in North America may view as cheating would not be
regarded as such in other countries. In many countries, there is much less
emphasis placed on individual achievement; it is acceptable, in fact even
desirable, to work together and to share answers. In other cases, student
cheating may be a result of unrealistic expectations imposed on ELLs as a
result of local, state, or federal testing regulations. For example, students who
are expected to take tests (standardized or class-based) well beyond their level
of English may passively put their head down or may, proactively, resort to
looking at their neighbor’s paper. It’s also possible that ELL students may
not realize the serious repercussions of cheating in this country because in
their countries corruption has forced teachers to collude in cheating. It is
important that ELL students understand what cheating means in North
America and that teachers address ways to prevent it—when students are
“caught” cheating, no one benefits. (See Chapter 5, pages 248–249, for
information about plagiarizing.)
about these issues in class. Discussions might start with the following kinds of
broad questions:
c What do you think is the best way to learn?
c Do you like to learn with others or do you like to study by yourself?
c What are some ways that you learned in your country?
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c What did your classroom look like in your country? Were there desks in
a row? Did you sit at tables? Did you face the teacher or did you face
other students?
c Did you work on assignments independently or with other students?
c Did the teachers give you answers to memorize or did they expect you to
solve problems and find information yourselves?
As students discuss any differences in teaching and learning styles,
teachers can encourage students to think about why these differences exist.
From broad questions about teaching and learning, teachers can begin to ask
more narrow questions about testing and evaluation, which might include
the following:
c Is it important to know if someone has learned something?
c How can you determine if someone has learned?
c Is it more important for each student to learn or for the group to learn?
c Do teachers single out individual students for praise in public or do they
praise students privately? Or do they never praise students?
And finally, teachers can raise questions about the idea of cheating.
c What do you think cheating is?
c Do you think cheating is okay?
c Is it sometimes okay and sometimes not okay to cheat?
c What forms of cheating are there? Are some worse than others?
c Should students be punished for cheating? If so, how?
In these discussions, it is important for teachers to explain the
consequences of cheating in the school setting as well as other settings that
students might encounter in the future, such as college and the workplace.
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c You were the only person in your class to get 100 percent on your science
test. The teacher holds up your paper, tells the class your score, and says
what a wonderful student you are. How would you feel?
c The teacher says that you cheated on your research paper because you
copied some sentences from a book without saying so. Do you think the
teacher was right?
c Your friend was caught copying during a test. The teacher gave your
friend a failing grade for the test. Do you think that was a fair response?
As the class discusses these situations, it is important to explore why
students answer as they do, how their beliefs and feelings are affected by their
cultures, and what the cultural norms are in North America.
students may be worried that the students will be forced to leave school
or repeat a grade if they fail the test.
c Give examples of the kinds of questions that students will see on the test.
c Practice ahead of time by marking responses in the same manner as will
be required on an upcoming test (for example, fill in bubble responses,
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
circle multiple-choice answers) and with the same writing implement
that the test demands (for example, pencil, pen).
c Explain to students that they will not be penalized for guessing and
discuss how and when guessing is a good idea (for example, if there are
only a few minutes left in a timed test).
c Explain to students if the test is timed, and give students practice with
timed tests.
c Explain to students what is permissible to do if they are confused
or don’t understand (for example, they can raise their hand for the
teacher, but they can’t speak to the student next to them; they can
put their head down if they don’t understand; they can stop early and
leave the testing area).
c Explain rules about leaving the testing area in the middle of the test
(for example, whether they can go to the bathroom and under what
conditions; what they should do if they feel sick).
c Tell students whether they can use dictionaries or calculators.
c Explain carefully to students what will happen if someone sees them
looking at another student’s paper, copying information from a paper,
or trying to use a dictionary when it is prohibited.
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In many countries around the world, including China and Latin American
countries, a sign of respect, particularly when being chastised, is to lower
one’s eyes and avoid eye contact. This situation, however, is just one of many
cultural differences affecting classroom behavior that teachers may encounter
when working with ELL students. Recognizing and understanding typical
behaviors is not stereotyping. Behaviors are part of a larger culture and should
be understood within that cultural context, rather than viewed as isolated
behavior that may be perceived as strange.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
behaviors included in Appendix C with their students and discuss how these
behaviors are viewed in North America and in the students’ countries.
Teachers should be especially sensitive to making sure that judgments (good
or bad) are not made about specific behaviors within specific cultures, but
that students understand these are simply cultural differences. On the other
hand, students will want to understand what reactions certain behaviors may
elicit in North America. Teachers can invite guest speakers from other
cultures and/or students who have lived in North America for a while to talk
about how they have adapted to North American cultural norms without
losing their cultural identity.
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exchanges with the teacher (when the teacher already knows the answer),
whereas boys demonstrated more resistance talk (for example, arguing,
changing the subject, denying), resulting in more turns at talk than girls
(Wolfe & Faltis, 1999). They also noted that girls decreased their participation
as the requirement for sustained and more academic discourse increased.
Teachers might find that discourse structures in which student-initiated
language is a necessary part of classroom interaction (for example, exploratory
and inquiry-based activities) create a more equitable distribution of
participation by boys and girls.
When students come from cultures where power and authority are
held by men, teachers may find that competition makes both genders
uncomfortable—both boys and girls may be reluctant to participate for fear
that girls may outshine the boys, who will then lose face. Students may also
come from societies in which males or females “own” particular settings or
kinds of discourse. For example, Dorothy has had male African students who
begin to orate on a subject in much the same way a tribal leader would deliver
a speech. These speeches tend to stop further conversation on the subject.
On the other hand, at classroom parties, where females set out and serve food,
women are likely to dominate the conversation. Participating in classroom
interactions is an important part of language and academic development;
ELL students need to become accustomed to the interaction styles of North
American classrooms, and they need opportunities to contribute to classroom
conversations in ways that are nonthreatening to them. In the chapters that
follow, we offer a diverse range of classroom-discourse strategies that can
support language and academic development.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
and conversational style of the ELLs’ native country. The following are some
examples of possible role-playing situations or dialogues:
c A student’s fifteenth or sixteenth birthday party.
c A soccer match, either attending or participating.
c A job interview, with both males and females playing roles of interviewer
and interviewee.
c A teacher giving a reprimand.
c A student lunchroom.
c A wedding.
Teachers who encourage ELLs to come up with topics for gender
role-playing situations may learn a great deal about gender differences in
their students’ cultures from the topics themselves.
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Families often bring their attitudes about girls and women and their role in
society with them to their new country. In some cases, the decision to remove
girls from school is grounded in economic necessity (for example, the need
for family members to work to help pay for living expenses or take care of
younger siblings). Sometimes, however, the decision is grounded in deep-
seated experiences and customs in the home country (for example, where girls
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
aren’t allowed to work outside the home or can’t get work, even if they are
well-educated). Families may be concerned that well-educated girls will have
difficulty finding a husband because men may shy away from an educated
woman out of fear that an educated wife will not be appropriately submissive.
In some cultures, it is expected that girls will marry at an early age. School
is a place where ELL families can learn about cultural norms in North
America and begin to think about how they can coexist within these norms
while retaining their home country’s cultural values and responding to
economic needs.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
My students tell me they have to leave
Situation 9 school early to help their families.
These three situations involve family obligations that are often the result of
the financial and social struggles that numerous ELL families face. Many
parents of ELL students are in North America without the support of their
family or friends. Single parents or parents who work two or three jobs
sometimes have no recourse but to depend upon older children to bear some
of the load that they carry, including working at least part-time and taking
time from school to fulfill other family obligations, such as translating for
family members who have difficulty with English and caring for younger
siblings. In some instances, these are responsibilities that older children
would be handling if they were in their home countries, so parents and other
family members may not think that it is unusual to expect the same level of
commitment from their children in their new country.
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severe income gap of any industrialized nation (Feller, 2006). Education can
also affect job stability and advantages that come with stable jobs, such as
access to medical benefits and retirement plans. It is important to share
specific information about the benefits of education and the repercussions of
the lack of it with ELL students and their families.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
can help them make connections between what they are learning in the
classroom and the skills they are using at home and work, and may help them
deal with issues that arise as a result of these responsibilities.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
When teachers know about students’ obligations outside of school, they can
work with students to come up with a flexible plan that will help them fulfill
their academic obligations without putting undue stress on themselves or
their families. For example, during the school week, many of Dorothy’s
students go directly from their classes to jobs or child-care obligations.
Although she gives homework during the school week, she usually saves
assignments that require more time, thought, and/or effort for the weekend.
ELL students who attend her school often hold small-group, informal
tutorials with each other during their lunch break. Students who are too
tired to attend afternoon classes sometimes come to their teachers to receive
information or homework assignments they missed, and Dorothy regularly
posts class presentations and assignment answers on a Web site that students
can access at home or at the library.
Mental illness is a taboo subject in many parts of the world, including North
America. To suggest that an individual has a mental illness may be insulting,
stigmatizing, or incomprehensible to members of many cultures, to whom
behavioral disorders may be viewed as spiritual problems or a physical illness.
Care should thus be exercised in conveying any suggestion of mental illness
or psychiatric disorder as an explanation for problematic behaviors.
Targeted Strategy 1: Meet with the parents and a mental health worker.
If you suspect that a student has a mental health condition, it is important
to consult with the parents and ask if they have noticed the behavior(s)
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causing concern. If they say yes, ask them to explain what they think is the
cause of these behaviors. Explanations may include spirit possession, in
which case, families should be encouraged to seek the assistance of traditional
healers in the community. Traditional healers are best equipped to work
within a family’s belief system, but are usually sensitive to the need to refer
people to other medical services. Teachers and school mental health workers
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
may want to read The Spirit Catches You and You Fall Down (Fadiman, 1998)
for a sensitive and insightful account of the misunderstandings that can
occur between people with traditional views of illness and those who follow
Western medicine.
Parents who deny the existence of any untypical behaviors might be
reacting to years of maltreatment from repressive political regimes in their
home country. In these cases, it is best to encourage the parents to be alert to
signs of the behavior(s) and to seek permission to have their child evaluated by
an appropriate professional. Make it clear to parents that you are looking out
for their child’s best interest and that treatment may include traditional
healers or caregivers from the family’s native culture.
While we must be alert to any instances of child abuse or neglect and act
accordingly, it is helpful to be aware of culture-specific medical and other
practices that may appear to be abusive but are simply reflective of different
medical practices. For example, coining, a common healing practice in
Southeast Asian communities, leaves bruises on the back and other parts
of the body, and it has led to instances where parents have been falsely
accused of child abuse.
On the other hand, other practices that are common in the cultures of
some ELLs are illegal in North America. For example, female genital
mutilation/cutting (FGM/C), which refers to a number of practices that
involve cutting away part or all of a girl’s external genitalia, is practiced on
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
very young girls as well as adult women in several countries in Africa and a
few areas of the Middle East and Asia. It is considered a human rights violation
of women and children by the United Nations, World Health Organization,
UNICEF, and other global human rights agencies. This procedure is often
done before a girl is 15 years old, so it is possible that ELL girls from countries
in which this practice is common (e.g., Egypt, Somalia, Ethiopia) have
undergone this operation. Since it can result in irreversible lifelong health
risks and possible psychological effects, particularly for immigrant girls who
live in Western societies in which FGM/C is not practiced (Toubia, 1994), it is
important for school personnel to be aware of the health and psychological
implications for their ELL students and to collaborate with cultural and health
agencies that are sensitive to and familiar with this issue to refer students and
their families when necessary.
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Parents of ELL students also welcome opportunities to share information
about their native country and culture. We have found that they appreciate
home visits by teachers and other school staff, and generally have tremendous
respect for their children’s teachers.
General Strategies
................................
Visiting families in their homes, providing parents with a welcoming school
environment, and making sure that oral and written communications,
including school or district Web sites, are translated in their home languages
are the keys to good communication with parents of ELL students.
Schools can address the language needs of parents by offering or working
with community-based organizations to offer adult ESL and literacy classes
with homework help for students (Adger, 2000). Parents should also feel
that the school supports their home language and culture by its inclusion
of bilingual books in libraries and school-wide cultural events, such as
international food festivals, dances, talent shows, plays, or fashion shows.
These events provide ELL families with opportunities to be experts in an
environment in which they are not typically viewed as experts.
2 For guidelines on how to interact successfully with parents and translators see
www.thecenterlibrary.org/cwis/cwisdocs/translate.html.
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not available, or if the language of the ELL student is one for which a
translator is not available, other translators can often be found through
community organizations or groups, such as the following:
c Refugee resettlement agencies and agencies that deal with immigrants.
c Specific ethnic or language community groups or organizations.
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
The parents of my ELL students
Situation 3 decline a translator, but we have
a hard time communicating.
There are many reasons why parents might choose to decline a translator.
Some may involve the parents’ feelings about language translation in general.
For example, they may be embarrassed that they are not fluent speakers of
English and feel that using a translator would make them less highly
regarded. Other reasons might have to do with the particular translator. For
example, ethnic communities can be close-knit, and parents may be sensitive
about others in their community being privy to personal issues. Sometimes,
translators, although they may share the same language, might come from
conflicting tribes or ethnic groups in the home country, or from different
social classes. Parents should never feel forced to accept a translator with
whom they do not feel comfortable. Their decision to decline the services
of a translator should be respected and, at the same time, every effort
should be made to ensure that parents and teachers are able to understand
each other.
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related to her liking to read, including rather complex texts like this one,
which is part of a series that has won lots of awards”).
c Use more common language (for example, use talk instead of communicate).
c Use gestures.
c Pause frequently to give parents time for processing and ask if they
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
have questions.
c Show samples of the child’s work.
c If parents are literate, keep a bilingual dictionary handy to use for
key words.
c Draw sketches of important content words or concepts.
c Make a list of talking points that parents can take with them; they may
want to ask someone to explain them later.
Although these two situations may seem totally different, they are, in fact, two
sides of the same coin, so we are addressing them together.
Sometimes well-meaning school staff or community members think they
are helping parents of ELL students by advising them to speak English with
their children, instead of their home language. Their thinking is that the more
English the students are exposed to, the more quickly their English will
develop. However, this advice runs contrary to research about linguistic and
academic development. Parents should be communicating with their
children in their native language in order to support cognitive and linguistic
development (King & Fogle, 2006).These cognitive and linguistic skills
transfer from one language to another, so to deny this cognitive and linguistic
scaffolding is potentially harmful to students. Also, it is harmful for students
not to be able to communicate fully with their parents.
Parents of ELL students sometimes express the belief that they are
helping their children by speaking only English in the home, but teachers
should urge all parents of ELL students to use their native or home language
to support the retention and use of the native language.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Provide parents and school personnel with literature about the benefits of
bilingualism and the transfer of skills from one language to another.
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Parents of ELL students may not allow their children to go on field trips
because they cannot afford the expense involved. Also, parents may not be
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
accustomed to the idea of field trips and view them as a frivolous waste of a
school day instead of a valuable educational experience. In some cases parents
may object for cultural or religious reasons. Dealing with parents who choose
not to allow their children to go on field trips must be handled sensitively and
respectfully, and in a way that does not cause stress for the student.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
fund trips without taking a large chunk out of the family budget at one time,
and it also instilled in the children the importance of saving (Zimmer, 1992).
Many school systems outside of North America have strict rules of behavior,
and teachers are treated with great respect. For example, students may stand
up when the teacher enters the classroom and when they respond to a
teacher’s questions. In some schools, corporal punishment is an accepted
practice. Parents of ELLs often see North American classrooms as out of
control and North American students as ill-behaved and disrespectful.
Conflicts within a family can arise when ELL students begin to pick up what
parents perceive to be lax mannerisms and rude behavior. The children, on
the other hand, may rebel against what they see as overly strict rules, and
sometimes take advantage of their parents’ lack of familiarity with North
American customs by threatening to report their parents to social agencies.
Schools should not shy away from these issues; instead, they should work
with parents, students, community agencies, and ethnic groups to address
these issues.
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C HAPTER 2
Listening
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Situations
L
istening is often viewed as a passive skill. However, listening requires
active processing of the sounds, stresses, intonations, grammar, and
meaning of the message being conveyed. Listening can be one of the
more difficult demands of learning a new language because the learner cannot
always plan for or anticipate the topic being discussed. Although the results of
listening are not always obvious, it is imperative that teachers pay particular
care that their ELL students are understanding what is being taught since, in
the normal course of a day, listening is used nearly twice as much as speaking
and four to five times as much as reading and writing (Rivers, 1981). In
addition, listening can affect speaking and literacy, including vocabulary
development and comprehension (August & Shanahan, 2006; Fillmore &
Snow, 2000; O’Malley & Valdez-Pierce, 1996). Students who can’t hear
sounds will almost certainly have difficulty producing them in speech or
writing or decoding them when reading.
Teachers of ELL students should keep in mind the following key issues:
c ELL students are more likely to listen actively if they are interested in or
have background knowledge of the topic.
c Colloquial language and reduced forms, such as didyaknow?, can make
comprehension difficult.
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General Strategies
.................................
c Speak clearly, using a slightly slower pace than when speaking with
native speakers—but make sure not to exaggerate your speech or increase
the volume.
1 Realia refers to three-dimensional objects from real life that are used in classroom instruction,
including tools, materials, utensils, furniture, food, and clothing.
c Provide visual cues through gestures, drawings and pictures, video, facial
expressions, and realia writing.
c Encourage students to respond physically by pointing to or moving
objects, acting, or role-playing.
c Say things in more than one way. Sometimes students may recognize one
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
word for an object or concept and not another.
c Don’t avoid colloquialisms or reduced forms, but take the time to stop
periodically and give short summaries of key topics in which speech
is slowed slightly and enunciated carefully. However, do not use
unnaturally stilted language or speak louder.
c Write key words or phrases on the board.
c Whenever possible, avoid background noise or white noise, which can
interfere with comprehension when listening to a less familiar language.
c Place students in a quiet location where you can easily make eye contact
with them.
c Assign partners and encourage partner or pair shares.
c Provide listening activities on the Internet or on audiotapes. We
recommend the following Web sites where teachers can begin to collect
listening activities for ELLs:
• Starfall.com: This Web site includes alphabet listening activities
and stories with audio files, text, and pictures, including nonfiction
(for example, penguins and wolves; fables and Greek mythology).
• http://larryferlazzo.com/english.html: Larry Ferlazzo is an English
and social studies teacher at Luther Burbank High School in
Sacramento, California. His Web site, which contains thousands
of activities, includes many listening links for ELL students at all
levels and on many different topics.
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to do so as well (Stand up, Sit down, Sit on the chair, Sit on the rug, Jump, Jump
on the rug, Pick up a pencil, Put the pencil on the chair, Put the pencil on the rug).
Putting actions to words helps students retain them. Some books that provide
TPR activities, usually with pictures included, are:
c Action English Pictures: Activities for Total Physical Response by Noriko
Takahashi and Maxine Frauman-Prickel (Alta Book Center
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Publishers, 1999).
c Do As I Say: Operations, Procedures, and Rituals for Language Acquisition
(originally published as ESL Operations) by Gayle Nelson, Thomas
Winters, and Raymond Clark (Pro Lingua Associates, 2005).
c Live Action English Book by Contee Seely and Elizabeth Kuizenga Romijn
(Command Performance, 1989).
Additional ideas for TPR activities can be found at the following Web site
devoted to such exercises: www.digischool.nl/oefenen/hennyjellema/engels/tpr/
voorbladtpr.htm. After doing the activities with teachers, peers, or volunteers,
students can follow up with listening exercises in which they match the
activity to the sentence that they hear.
Colorforms (reusable vinyl stickers) or magnetic boards are useful tools
for setting up more complex TPR scenarios, such as going to the airport or
choosing food at the cafeteria.
c Translation should be used mostly for beginner ELL students, and then
only to get across key concepts or essential instructions.
c Plan times when translation can be built into instructional time.
Think-pair-shares (Lyman, 1981), described on page 67, or table talks in
which students explore new ideas or summarize materials presented, are
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
good times to encourage the translation of important ideas.
c Expect and allow for the use of the native language when two or more
students share a language.
c Don’t overburden peer translators, and never ask a peer translator to
translate sensitive or confidential information.
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The ELL student who tells you he or she doesn’t understand, without
appearing to make an attempt to understand, may be an anxious student.
Anyone who has entered a new environment in which the culture or language
is unfamiliar can understand the feelings of fear that ELL students sometimes
experience. Research has shown that the less anxious and more relaxed the
second-language learner, the easier it is to learn the language (Dulay, Burt,
& Krashen, 1982). Hence, the first step in dealing with anxious ELL
students is to put them at ease. Rather than barraging the student with
additional questions or information, it is better to smile and show that you
are not concerned. Reassure the student that being able to express that
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
one doesn’t understand is actually a positive sign of developing language.
The following strategies can help put ELL students at ease and move
communication forward.
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Movement from one stage to the next is not always straightforward and
depends on many factors, such as the background knowledge or familiarity
the ELL student has with the task at hand or how much of the vocabulary or
how many of the key concepts the student recognizes. Even ELL students
who come to the classroom with some facility in English can become confused
at times because of cultural differences between how schools and classrooms
work in their native country and North America. For example, in some
countries, students would never be asked to work in pairs or small groups,
whereas in other countries, all class work, including tests, is a collaborative
effort. Hence, an ELL student’s look of confusion when asked to perform
some tasks may not be because the student does not understand the
directions, but may simply be because he or she has never been asked to
do the task in that way.
General Strategies
................................
Using consistent classroom routines and language can help ELL students
understand what is happening in the classroom (Curran, 2003; Tabors
& Snow, 1994; Wong-Fillmore, 1985). The following routines are
particularly helpful:
c Keeping to a scheduled time for activities (for example, writing workshop
is held on Mondays, Wednesdays, and Fridays) helps students know what
to expect.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
noting any changes to the schedule.
In addition to these classroom routines, teachers can help ELL students
understand oral instructions in the following ways:
c Using repetition or redundancy when giving directions. For example,
“You need to interview a family member tonight about his or her earliest
memory . . . so, choose one of your parents . . . or a grandparent, a
brother, a sister, an aunt or an uncle; someone in your family (walk over
and point to a bilingual chart of family members on a wall). And ask them to
think back (put finger to temple in the sign for thinking) to their earliest
memory (point backward while emphasizing earliest memory). Was it
when they were a baby? (Point to a picture of a baby on the chart.) Was it
when they were a young student? (Point to a picture of a young person on
the chart.) And then ask them to tell you about it. And keep notes (use a
gesture to indicate writing on a sheet of paper) on what they told you so you
can share with us tomorrow (point forward while emphasizing tomorrow).”
c Use simple structures and avoid complex structures, such as, “Today it’s
raining. Eat lunch in the cafeteria. Then come back to the classroom,”
instead of, “Since it’s raining today, don’t forget to come back to the
classroom after you’ve eaten lunch in the cafeteria.”
c Leave time so you can give your students the chance to ask questions.
In addition to these general guidelines, the following specific
strategies address particular issues that may arise in the different phases
of understanding we referred to earlier in this chapter.
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The ESL Miscellany (Clark, Moran, & Burrows, 1981) is a valuable resource
of standard gestures for many common commands.
Teacher: Open your books to page twenty-six. (Opens book and holds it up to
show the correct page.) That’s page twenty-six. Two (pause) six. (Writes
page number on the board, then walks around the room, making sure
students are on the correct page.)
Teacher: Today we’re going to continue to learn about the Great Depression.
You’ll need your think-aloud reflection journals. (Holds up a journal.)
Please take out your journals. (Walks around the room, making sure
everyone has a journal.)
Teacher: We’re going to do think-alouds with a partner while reading this section
about migrants from Oklahoma coming to California. (Points to a map of
the United States from the book that is projected on the overhead, and
traces a line from Oklahoma to California and labels the states.) When
you are listening to your partner, please record the type of think-aloud
strategy your partner is using. (Points to a chart on the wall that lists
the various think-aloud strategies that the class has identified so far.)
The teacher points and demonstrates like this at each step, and then walks
around the room, listening to the students as they engage in think-alouds and
clarifying the directions in a couple of situations when students are confused.
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Due to the linguistic and cultural demands of working in a new language,
ELL students often need more time than native-English-speaking students
to process information. This is especially true when ELL students are
learning content material that is unfamiliar to them. If ELL students are still
working to understand the beginning of a complex set of instructions, they
will not be able to pay attention to any information that follows and can
easily become lost or confused. In addition to the strategies mentioned
earlier, teachers can use the following strategies to help their ELL students
navigate complex directions.
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Student A: Not so big. Make it little smaller. Move it down the paper.
Student A: Put two (pause) like this (draws a triangle in the air).
Student B: Triangles?
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The conversation continues until the drawing is complete.
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
and answering questions about weekend or after-school activities, but appear
lost and confused during content-area or language arts lessons. Researchers in
second-language acquisition have found that students learn social language
more quickly than academic language (Cummins, 2000). The first set of skills,
basic interpersonal communicative skills (BICS), is what students use when
they chat with friends or teachers about subjects they are already familiar
with and hear about every day. Students usually acquire these skills within
the first two years of using the new language. Developing cognitive academic
language proficiency (CALP) involves a deeper and more demanding task of
understanding content-area material with which ELL students may have had
little or no exposure, even in their first language. These more cognitively
demanding academic skills can take up to ten years to acquire. It is important
for teachers to understand why seemingly bilingual students struggle with
subject matter, and how to support them in their development of academic
language. The following strategies are for helping ELL students with
content-area listening tasks.
General Strategies
................................
c Write key words or phrases on the board. Since cursive writing is often
difficult for ELL students to read, it’s best to print.
c Provide a prelistening activity that explains the purpose for the listening
activity, draws on students’ background knowledge of the topic, and
introduces the key words and phrases to be heard. For example, before
showing a video about tornadoes, a teacher can demonstrate the meaning
of rotate by asking a student to turn around. The teacher can draw a
picture of clouds and show a diagram of clouds forming into funnels
while writing the words rotate, clouds, and funnel on the board. The
teacher can also ask students if they have ever seen a tornado in person
or on television and ask them to describe what they have seen.
c One way to provide an active listening role for learners is by asking them
to respond physically (for example, raise their hands or hold up a card),
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2
See Chapter 4, pages 185–186, for details about pictorial input charts.
3
A cloze activity is one in which students predict words that are missing in a written passage and fill in
the blanks with words. See Appendices G–K for examples of cloze activities.
group of students, and she showed an overhead transparency of the dry, flat
wasteland of Texas (the setting for the book) and a picture of children digging
several holes (a key element in the book).
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
that many native-English-speaking students have seen, but ELL students
may not have. It is helpful to provide time prior to the read-aloud for ELL
students to view the movie of the book in its entirety, or in segments, if it’s a
longer book. The students will especially benefit if a fluent English-speaking
partner views the movie with them and helps clarify things, when necessary.
If a dubbed or subtitled version of the film is available in the student’s L1, it
is a good idea to view this version before watching it in English.
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to preview the scene or section in a few short, easy phrases. For example,
we observed a teacher reading Any Small Goodness: A Novel of the Barrio
(Johnston, 2003). She prepared the students for the description of the teacher,
Ms. Pringle, by alerting them to abstract terminology she thought her
students might have difficulty with. She also asked them to be prepared for
a related follow-up conversation, as the following excerpt shows:
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Teacher: Listen carefully while I read this section about Arturo’s teacher,
Ms. Pringle. He says that “she’s got ‘excessive sparkle.’” Something that
sparkles is very shiny or bright. As I read this section, think about
why he describes her that way. What else does he say about her?
auditory and visual input. (See Chapter 4, pages 185–186, for more
information about using pictorial input charts.)
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Hands-on learning can also be used for assessment purposes by enabling
teachers to measure both factual knowledge and comprehension. See Figure
2.3 for hands-on subject-area projects and activities that have proven to be
particularly helpful in supporting ELLs.
Targeted Strategy 4: Allow time for pair shares and table talks.
It is very important to provide time for students to talk with a partner or in
small groups about what they have just learned. For a lesson on the Amazon,
for example, the teacher might begin by holding up a picture of the Amazon
jungle and asking, What do you see here? Subsequent pair-share questions or
table discussions could focus on Which animals are you familiar with? What
kind of place is this? Where might we see a jungle like this? Why are there so many
plants in the jungle?
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Animals
City Rain forest
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
I put the seed in the dirt.
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When I died, the lights in the U.S. were dimmed for one minute.
Care must be taken, however, that ELL students do not spend unnecessarily
long periods of time doing these tasks once they are accustomed to school life
and/or when they no longer need emotional time-outs.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
done before with fewer linguistic demands than typical school tasks. Some less
linguistically demanding activities include:
c Computer games.
c Word searches.
c Listening to stories.
c Watching videos.
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C HAPTER 3
Speaking
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Situations
T
he oral development of English language learners progresses in stages,
as do all other aspects of second-language development. The first
stage for many ELLs is silence, followed by one- or two-word
utterances, phrases, sentences, and finally complex discourse. (See Figure 3.1
on the next page for an overview of second-language production stages.)
It is important to understand that although these stages and time frames
provide a rough framework of ELLs’ oral language development, there is
considerable variability, particularly with older students. Teachers may find
that some students begin to speak immediately or move quickly from
nonverbal responses to phrases or sentences. For example, Dorothy taught a
newcomer middle school student who picked up the phrase Oh my God within
the first few weeks of his arrival in the U.S. and used that phrase, almost
exclusively, with great facility and varying intonation depending upon the
circumstance (gleefully, fearfully, woefully, and so on) for the next several
weeks until he began to use sentences and more complex conversation.
How and when students move through these stages depends upon a number
of factors, including age, personality, cultural background, and learning
environment. In addition, context plays a large part in ELLs’ language
production. Students may speak fluently when using greetings and other
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Early production Combines two or three 6 months–1 year
words (e.g., Pencil on floor,
Where teacher? ).
Figure 3.1: Stages of Second Language Production (The Natural Approach [Krashen & Terrell, 1983])
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smiling or frowning) rather than words. During the silent period (referred
to as “Preproduction” in Figure 3.1), the learner is listening, observing, and
absorbing the language, but is not yet ready to produce oral language.
Although learners are not producing oral language at this stage, it does
not mean that they are not processing it. Observant teachers may note how
emergent language learners closely watch their classmates, mimicking their
behavior or silently mouthing words and phrases to themselves. In fact,
parents of ELL students have reported to Dorothy that this stage can be one
of the most exhausting periods of language learning as the learners carefully
monitor everything around them while they try to blend in and assimilate to
their new environment. Teachers can help their ELL students at this stage of
language development by including them in classroom activities in nonverbal
ways, such as asking them to point to a picture, close the door, or hand out
papers. Pressing ELLs to speak in this early stage of learning will not speed
up the language-learning process. Rather, students benefit most from a
classroom environment in which they feel safe enough to take the risk of
speaking when they are ready. Nonverbal communication, such as smiling,
learning a few words in the student’s home language, and developing a system
of friendly, helpful classroom partners to act as peer support will not only
make ELL students feel more comfortable and foster their receptive language
learning, but also provide the kind of safe environment in which they feel free
to risk speaking when they are ready.
General Strategies
.................................
General Strategy 1: Ask students to do classroom
tasks that are physically active.
It is important to engage ELLs who aren’t yet speaking English in the life of
the classroom, and asking them to complete tasks that do not rely on talking,
but on physical actions, is one way to accomplish this goal. For example, they
can pass out paper, collect books, or hand out equipment in P.E. class.
Through these activities, students learn vocabulary and come to feel they
have a meaningful presence in the classroom. At first, it may be essential to
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
found to be very worthwhile. Partners can include students who share the
emerging speaker’s language, but a shared language is not necessary. Also,
it is advisable to assign more than one partner to a newcomer student—
partners can be assigned for different activities, different times of the day, or
different classes. For middle school and high school students who change
classes, one important partner role is to help beginner ELLs navigate from
class to class and understand procedures in such places as gym locker rooms
and cafeterias. It is important that partners are taught how to work with
ELLs. Helpful hints for setting up a buddy system to work with newcomer
ELL students are available at www.everythingesl.net/inservices/buddies.php.
It is not uncommon for newcomer ELLs to not speak for several months or
respond in short, one-word answers. At first, teachers can communicate
with newcomer ELLs in nonverbal ways. As their language comprehension
increases, students can be encouraged to expand their responses and even
initiate conversations by providing them with situations where they can
authentically produce a more extended response. Sometimes a yes or no
answer is indicative of caution, so ELLs need to be in an environment
where they feel they can increasingly take risks. It is important that the
activities and communication are focused on the extension of speech, not
correction. The following strategies can help facilitate communication
during these early stages of preproduction and emerging language.
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the part that is typically associated with a medical condition while using facial
expressions and gestures to show pain (for example, pointing to the stomach
and saying “Do you have a stomachache?,” pointing to an ear and saying
“Do you have an earache?,” or pointing to the throat and saying “Do you
have a sore throat?”). The student can point to where it hurts. Drawings
should be culturally diverse and include situations or objects that ELL
students will recognize (for example, rice balls, beans and rice). Teachers may
want to keep pictures or boxes of sanitary napkins available out of the public
eye for adolescent females who may need them. Male teachers will want to
negotiate such interactions through a female peer partner or a female teacher
since to discuss issues of menstruation with a man would be taboo in the
cultures of many English-language learners.
more complex directions. For example, when working with the magnetic
board of a house, the teacher can ask questions such as, “Where do you think
the baby should sit?” Or, when working with a board of a desert environment,
students can be directed to add some animals that can live in a desert.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
A set of Cuisenaire rods consists of several wooden, four-sided, multicolored
rods that range in size from one square centimeter to ten centimeters; each
size has a designated color. They were developed for use in schools to teach
fractions and other aspects of math. Gattegno (1972) introduced them as a
language teaching tool in a methodology he termed the Silent Way, which
is grounded in the theory that language is best learned when the teacher
intervenes as little as possible. Teachers using the Silent Way communicate
with just a few words and occasional mimed actions and gestures, but
encourage their students to create and manipulate language through the use
of Cuisenaire rods and/or color charts. Rods can represent sounds, words,
grammatical points or people, places, and objects. The rods give students a
visual reference and something to physically manipulate without fear of
overly critical responses from teachers. Usually a small group of students
manipulates the rods. For example, we observed a teacher use the rods in
the following way:
c The teacher laid out several long rods horizontally in a rectangle and
said, “Cafeteria.”
c She placed several yellow rods vertically in a row inside the rectangle and
said, “Cafeteria workers,” and handed them to a few students.
c She pulled out a few purple rods, handed them to students and looked at
the group quizzically. The students responded, “Students.”
c The teacher spread out her hands to the students and to the table to
indicate that they should begin to manipulate their rods.
c The students with the purple student rods lined them up in front of the
yellow cafeteria workers.
c One of the students took a yellow cafeteria worker rod and said,
“You want spaghetti?”
c A student with the first purple student rod replied, “Yes, I want spaghetti.”
c Another student took a second yellow cafeteria worker rod and asked,
“You want meat?”
c The student with the purple student rod replied, “No, no meat.”
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Many poems, songs, and books lend themselves to excellent practice with
the rhythms and sounds of English. For example, Shel Silverstein’s poems
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can be enjoyed by students of all ages. Students who are familiar with poetry
or songs in their language can be encouraged to share these as well. (See
Appendix B for a list of poetry titles.)
Since hip-hop music is a form of poetry and music, it is an excellent
way to introduce adolescent ELLs to the sounds and rhythm of English.
One good Web site for this purpose can be found at Genki English
(www.teachersfirst.com/getsource.cfm?id=8467). This Web site contains a
collection of English-learning hip-hop songs with interactive quizzes. The
songs can also be downloaded as MP3 files. In addition, each song includes
picture worksheets for manipulation while listening to the lyrics in class.
With judicious selecting, teachers can, of course, use lyrics from real hip-hop
singers. In fact, Alan Sitomer, a teacher in an urban East Los Angeles high
school, uses hip-hop to help students recognize symbolism, imagery, and
irony in hip-hop music, and connect it to classic literature. In “Yo, Hamlet!
Using Hip-Hop with Your Students,” Sitomer suggests that teachers begin
with a specific learning objective (for example, subtext, historical content,
irony), then teach the history of hip-hop (Whelan, 2007). He also comments
that teachers who know little about hip-hop can let their students educate
them by bringing in examples of “clean” excerpts of hip-hop and explaining
why it is of literary value. Teachers will want to preview any hip-hop lyrics
that their students plan to share with the class, since ELL students, especially,
may be unaware of offensive or inappropriate language contained in the
lyrics. Also see Sitomer’s own book, Hip-hop Poetry and the Classics (2004)
available from www.alanlawrencesitomer.com/books.htm.
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He go to school Teacher, she yell at Ivan. He no watch movie. He sad and crazy.
too late. He have big (points
to head to indicate
headache).
After looking at picture books such as The Silver Pony (Ward, 1992),
one of Dorothy’s eighth-grade newcomer students, Ivan, created his own
wordless picture book and narrated it to Dorothy and the other students.
(See Figure 3.2.)
students to begin extending speech, and can take many different forms,
including the following:
Describe a drawing.
One student looks at a simple picture and describes it to his or her partner.
The partner draws the picture that the student describes. (See Chapter 2, pages
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
73–74, for an example and a detailed description of this activity.)
What’s the difference?
Partners look at pictures of scenes that are almost identical, but have slight
differences, without looking at each other’s pictures. For example, in Student A’s
picture, a woman is wearing a striped dress. In Student B’s picture, the same
woman is wearing a flowered dress. Students must describe their respective
pictures to find the differences and then circle each difference, as the following
example illustrates:
Student A: I have woman in my picture. Do you have woman in your picture?
Student B: Yes. Does the dress have little round thing on it, to close?
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As with all “what’s the difference” activities, the puzzles are quite useful
for developing vocabulary within a specific context. Picture Puzzles can
also be found at the Life Web site (www.life.com/Life).
c Spot the Differences: 50 Mind-Bending Photographic Puzzles (Reguigne, 2003)
is a collection of “spot the difference” puzzles arranged in categories such
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
as seasons, animals, travel, and holidays. This author has also published
Spot the Differences: Animals (2004) and Photo Puzzle Hunt: The Ultimate
Spot-the-Differences Challenge (2007), which includes 100 photographs, also
arranged by categories, some of which are included in her earlier books.
c Spot the Differences: 100 Challenging Photo Puzzles (George Eastman
House, 2008) is another collection of spot-the-differences based on
photographs from the George Eastman House archive. The photos
portray historical figures, famous buildings, landscapes, and animals, and
include well-known works of renowned photographers. These photos
can help students develop vocabulary and learn about content areas, in
particular, history.
c A Web site of “spot the difference” photos can also be found at www.spot
thedifference.com.
After students become familiar with “what’s the difference” photos, they
may want to use cameras and/or photo editing software to create “what’s the
difference” photos of their own. For example, students can take a picture of
a student wearing a hat and scarf, and then the same student can take off the
hat and change the color and design of the scarf and the students can take
a second photograph. These photos can be exchanged among groups of
students for “spot the difference” activities.
Alternative
An alternative to this activity is to assign pictures, words, or sentences on
cards to each student, related to each corner (Vogt & Echevarría, 2008).
Students then walk around the room sharing and discussing the information
on their cards until the teacher tells them to choose a corner that best
represents the information on their card. For example, in a biology class, a
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
teacher might include four systems of the human body (such as skeletal,
cardiovascular, respiratory, and nervous). Students are given pictures of
organs or structures (for example, heart, lungs, brain, and spinal cord) and go
to the corner that they think best represents the organ’s or structure’s most
important function. As students share their pictures, they can discuss whether
their organ or structure belongs in that corner. If the students decide a
picture does not represent an important function of that system, the student
with that picture can be directed to the appropriate system. Finally, students
from each corner describe their organ and system to the whole class, and
explain how it functions as part of their corner’s system.
One of the questions ELL specialists are asked most frequently is, “Do you
speak all of the languages of your students?” This is closely followed by,
“How do you communicate with them if you don’t?” There is no question
that speaking the same language as one’s students is ideal. That is why it is
important for schools to have bilingual support specialists and parent liaisons
who speak the same language as ELLs. However, to acquire English, ELL
students also need opportunities to communicate in their new language.
Providing a supportive relationship that accepts the stages of language
development and helps students move forward through these stages is
an important role for teachers to play for their ELL students. Anxiety is
an inhibitor to language learning; hence, the most important initial
communication tactic is to ensure that students are comfortable with the
teacher, their classmates, and their surroundings. Teachers should closely
monitor their ELLs for signs of comprehension, and can use the following
strategies to make sure they are connecting with students.
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as needed. A teacher who notices that a student has a dull pencil can explain
what to do by accompanying the verbal directions with gestures (for example,
touching the student’s pencil, going over to the pencil sharpener and
pointing to it, beginning to sharpen a pencil to show how it works, and then
pointing to the student’s pencil and the pencil sharpener). Whenever
possible, anticipate specific communication needs and provide some kind
of visual support—it can make a big difference in whether newcomer ELLs
understand even a little of what is happening around them, or whether they
are completely confused.
hats into the class and talks about vocabulary for winter clothing and where
to find them. During the first snowstorm, students sometimes don their
winter clothes and go outside to make a snowman.
Pay careful attention to ELL students’ faces to monitor their feelings.
Notice what an ELL student is interested in and what he or she may know
or want to talk about, and then select a conversation topic that is meaningful
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
to that student. Intake interviews with parents and students can provide
information about a student’s interests. For example, a teacher we know
discovered that one of his ELL students, Akol, was interested in painting and
art. The teacher brought in books showing the work of a variety of artists,
which the student flipped through, pointing to works that he especially liked,
and mentioning the artists by name. Then Akol opened his cell phone and
showed his teacher some photos of a drawing that he had done of Bob
Marley. Other students gathered around the photo. Some of them recognized
Bob Marley and asked Akol if he liked reggae music. Other students asked
Akol what he used to make the picture—paint or pencil? The teacher
facilitated these conversations by pointing to pictures of paint brushes and
drawing pencils in a picture dictionary and writing words on the board as the
students discussed them. Akol’s teacher used his interest in art to initiate a
conversation with him, and he and the other students continued to interact
with him, despite the fact that he used minimal language. They used pictures
and gestures to ask questions that Akol could easily respond to with a nod, a
shake of his head, or a one-word response.
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morning. The teachers then do something similar at the end of the day,
expressing explicit gratitude for what each student accomplished that day
(“Thank you, Javier, for taking care of the math books”; “I appreciate how
hard you worked in science, Mari”; “Make sure to tell your mom and dad
about what you typed on the computer today, Lai”).
When greeting and interacting with ELLs, it is important to be aware of
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
cultural norms that may differ from our own. For example, touching and
hugging students is not always acceptable in some cultures.
General Strategies
................................
ELL students generally feel most comfortable speaking when they know
something about the topic under discussion, and feel that they won’t be
laughed at. Reluctant speakers often feel safest when in structured situations
with clear guidelines or patterns. Teachers can gradually transition reluctant
speakers from these more structured activities to ones that require
increasingly more spontaneous, unstructured talk.
I have intermediate/advanced
Situation 1 students who don’t talk in class.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Targeted Strategy 3: Treat questions with respect.
Teachers often implore students to ask questions if they don’t understand. In
reality, questions can be disruptive and annoying when asked at inopportune
times, such as just before the bell rings or when the teacher wants to quickly
finish up a lesson. Every question doesn’t need to be answered immediately,
but every question should be treated with respect. As with volunteering,
asking a question, especially in front of other students, can require bravery
on the part of any student, particularly ELL students. When a student asks a
question, it is a good idea to acknowledge the value of the question (“Thank
you, Omid, for asking that question. Probably other students don’t know
what the word environment means. Let’s find that word in our reading, and
then we’ll see if we can work together to figure out what it means.”).
If teachers do not have time to address a question when it is asked, they
can still acknowledge that the question is important and emphasize that it will
be answered, just not right at that time.
Not all questions that ELL students ask need to be addressed with the
whole class. For example, ELL students may have questions about words or
cultural issues that English-speaking North American students would be
familiar with (“What’s an amusement park?” or “What does chimney mean?”).
In these cases, it’s best to establish a consistent routine, one that addresses
ELL students’ need to know, but doesn’t disrupt the class. Ways to handle
these more ELL-specific questions include the following:
c Set aside 15–20 minutes each day to meet with ELLs.
c Refer students to a picture dictionary.
c Ask students to jot down questions to ask their partners or the teacher
later. (Quick sketches and/or words in the L1 or English can help jog
their memories later.)
c Using frequent think-pair-shares1 can also address ELL students’
questions.
1
Think-pair-share is a cooperative discussion strategy in which students are prompted by the teacher to
1) think about a question or observation; 2) talk about their answers or thoughts with a partner; and
3) share their thinking with the rest of the class. This strategy is discussed in more detail in Chapter 2,
page 67.
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can put the photos in the correct sequence and describe what is
happening. Some activities that lend themselves to this type of sequential
picture taking and discussion include making a sandwich or tortilla, and
conducting a science experiment.
that has a pig roast when a family member leaves for another country.
Another family goes to a local restaurant when a child graduates from
elementary school.)
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
introduce students to new activities and places they have not had an
opportunity to visit, particularly since many families of ELLs work long
hours and have little money to go on excursions. For example, Dorothy and
the other ESOL teachers at her school took a group of ELL students to visit
the National Museum of African Art and Freer and Sackler Galleries at the
Smithsonian Institute in Washington, D.C. Later, the classroom teacher of
one of the children told Dorothy that when the student returned from the
field trip, he talked excitedly for an hour about what he had seen and done
on the visit, mentioning Whistler’s “The Peacock Room,” Japanese scrolls,
and African sculptures and masks. The teacher commented that this student
rarely spoke or shared information in class, and that this was the most
animated he had ever been in class.
Paying for field trips is often a hardship for families of ELL students.
(See Chapter 1, pages 59–60, for ideas about how to pay for field trips.)
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(for example, their family, where they live, their friends), their native land (for
example, geography, music, history), or a content area (for example, causes of
World War I, important inventions). Dorothy’s students have particularly
enjoyed creating PowerPoint projects about their native city or a city that
they have spent time in. The slides of the presentation provide ELL students
with a focus for speaking, but when classmates ask questions, students have
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
the opportunity to speak extemporaneously. Extremely shy or reluctant
students can give these presentations with a partner.
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final sentence, I lived in the Amazon jungle, is the true sentence about
Dorothy), this proves that the student (or teacher) is a good liar/actor
and can be a member of the Liar’s (or Actor’s) Club.
5. Once students understand the principle of the game, ask them to write
three sentences about themselves—one true sentence and two that are
not true. The teacher might want to give some examples of sentences
that are too outrageous to believe, too easy to believe, or already known
about them (I visited the moon or I am in the eighth grade).
6. Students take turns writing their three sentences on the board and
reading them out loud. The rest of the students vote on which sentence
they believe to be true. If a majority of the class was not able to choose
the true sentence, the students’ names are recorded as members of the
Liar’s (or Actor’s) Club.
This activity usually generates many follow-up questions about the true
sentences, since good ones are usually a little offbeat. (See Chapter 1, pages
20–22, for additional activities that help students get to know each other.)
Many of the activities listed in Situations 1–3 in this section can be useful for
helping students express themselves beyond structured activities. Following
are some additional activities that can help students express themselves
more extemporaneously.
understand the events leading up to World War II, each group could be
assigned one important event to cover (for example, Japan’s invasion of
Manchuria, the Nazi party’s rise to power, Germany’s invasion of Poland).
c After each member of the group understands the assignment, the group
decides how best to represent the information to others and prepares
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
index cards, maps, illustrations, timelines, or other material to use in
their explanations.
c The teacher rearranges the students into new groups (jigsaw groups),
with one member from each home group assigned to a jigsaw group.
(Students can be numbered off so that all ones join one group and all
twos join another group.)
c Students share what they have learned about their particular area in their
jigsaw groups.
c The jigsaw group completes a project or product to share with the class.
In this example, one group could put together a chronological timeline
showing the events leading up to World War II, while another might
create a map showing how an event in one country affected another event
in another country.
In the end, each student has been responsible for becoming an expert on
one particular aspect of a topic, communicating that information to others,
and learning from others in order to show understanding of the whole topic.
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learned or did on a previous day in that class (for example, I learned H2O is
the symbol for water).
Alternative
Buy your exit: As they leave, each student has to provide information in order
to leave.
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c Explain to a store owner or clerk that you received the wrong change.
c Set a time to meet a friend at a movie.
c Explain to a teacher why you don’t have your homework.
c Call 911 to report an emergency.
It is possible to assign the same prompt to all pairs and then compare
their scripts, or pairs can be assigned different prompts.
In some cultures, rote learning is stressed, and students may never be asked
to express an opinion. Also, some students from countries with oppressive
regimes may be fearful of the repercussions of giving opinions. These
students may require time before they feel safe enough to offer an opinion on
what they consider to be controversial topics. In addition, there are cultures
in which it may be considered unfeminine for women to express strong
opinions, or in some countries or cultures, women never articulate opinions
in front of men. Learning how to express and defend opinions is a standard
dimension of North American education, and teachers will want to help their
ELL students learn how to do so effectively and without fear.
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agreeing (e.g., Yes, I agree with you, and I also think ____; That is my belief, too)
or politely disagreeing with someone (e.g., I understand what you are saying,
but I believe ____; I disagree with what you said because ____; That’s an interesting
opinion, but I think ____). Practice using these expressions in class with “safe”
subjects, such as opinions about favorite foods, animals, or sports.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
students appear to be reluctant to express their opinions, teachers can ask
students to assume the role of a specific character or historical figure and
justify that person’s position on the value line.
Grammatical Structures
Making grammatical errors is a normal part of language development and
learning. Research has shown that most errors that second-language learners
make are not the result of their native language, but the developmental order
in which English is acquired, and this is shared across languages. Some of
these errors are similar to those that young children make learning their first
language (Dulay, Burt, & Krashen, 1985). As ELLs begin to speak, they
gradually develop an understanding of grammatical structures (for example,
tense endings, plural markers, negative sentences, and question order).
Analysis of second-language learners’ development shows that these
structures are acquired not in the order in which they are taught, but in a
developmental sequence of acquisition common to English-language learners.
For example, ELLs usually acquire the ordering of subject, verb, and object
in a simple sentence (I throw the ball) and the -ing ending (She’s sleeping) very
early, but other structures, such as the third person singular –s (He runs) and
the present perfect (I have been there before) are typically attained much later.
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c Students have difficulty conveying meaning because the grammar is
confusing (e.g., Ball no here. I can no where for The ball isn’t here. I don’t
know where it is).
c Students use double negatives (e.g., I don’t never go there for I never go there).
c Students have difficulty forming negatives (e.g., I no want play for I don’t
want to play).
Correcting these grammatical errors will not automatically change ELL
students’ language patterns, nor will explaining the differences between
English and the native language. However, an awareness of the basic order in
which English is acquired, and an understanding between languages will help
teachers understand what to expect as the students’ knowledge of the English
language develops; it can also help teachers decide which grammatical
structures to focus on.
General Strategies
................................
Although direct instruction of specific rules of grammar may have a
measurable effect on tests that focus on form, research has shown that the
effect is short-lived (Krashen, 1992). In addition, correction has not been
found to be reliable in helping students overcome errors (Dulay, Burt, &
Krashen, 1982; Guillén, 2007; Krashen, 1992). Correcting students’
grammatical errors should be handled judiciously; it is much more useful to
focus instruction on a frequently occurring structure, particularly a structure
that causes confusion for the listener. It is especially important that teachers
do not correct students’ errors as they are emerging from the silent period and
in situations in which they might be embarrassed in front of their peers or
others. For example, in the following interaction, the teacher’s response is
likely to cause embarrassment and may make the student reluctant to speak
any further:
Student: He have a book.
Teacher: No, that’s not right. It’s she has a book. Say that after me.
A more effective way of dealing with the error is to clarify the
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
the family or the youngest member of the family. Keep in mind that many
ELL students view grandparents, uncles, aunts, cousins, and close friends of
the family as members of their immediate family. Also, they may refer to the
children of aunts and uncles as brothers or sisters, rather than cousins.
Tony Maria
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
knee,” they have to touch only one knee. Students who touch both knees are
out. After playing a few rounds, students can play the part of Simon.
When she wrote the verbs on the board, Dorothy listed them in the
following way:
played watched braided
learned walked visited
She repeated the words and asked students if they could figure out why
they were in three different columns and what the words in each column had
in common. After eliciting that the ending –ed sounds were different, she
added the sound at the top of each column and reviewed the rules for –ed
pronunciation, which are as follows:
c /d/ if a verb ends in a voiceless sound
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Deng: I going to park play soccer (holds up a drawing of himself playing soccer
in the park).
Teacher: That should be fun. If the weather is nice, I’m going to the park,
too, but I’m not going to play soccer. I’m going to take a walk in
the park.
Marisol: I go shopping with my friend for new shoes (holds up a picture of her
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
friend, herself, and a pair of shoes).
Teacher: Oh, you’re going shopping with your friend. I hope you find some new
shoes.
On Monday, the teacher reviews the pictures and asks students if they did
what they planned to do.
Teacher: Let’s look at your drawings and see if you did what you planned to do.
What about you, Marisol?
Marisol: Yes, I buyed new shoes.
Teacher: You bought new shoes? Are they shoes for school?
Marisol: Yes, I bought new shoes, but they are shoes for church.
Teacher: Oh, that’s a shame that you couldn’t go to the park because it was
raining. I didn’t go to the park either. I hope we can go next weekend.
In the example above, the teacher provides opportunities for students
to use the future and past tenses, but she does not overtly correct
their errors.
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Many native speakers of English assume that the present-tense form of verbs
is one of the first and easiest verb tenses for nonnative speakers to learn. On
the contrary, the final –s on the third person singular verbs (She plays) in the
simple present tense is acquired later, while the –ing verb ending (She’s playing)
is usually learned very early (See Figure 3.3, Grammatical Acquisition Order
of ELLs, on page 111). As a result, teachers should not be surprised to hear
ELL students using what sounds like the present progressive tense to describe
daily routines (“She’s never absent. She’s coming to school every day,” instead
of “She’s never absent. She comes to school every day”). Since this order of
acquisition has been found to be the natural learning route that second-lan-
guage learners typically take, correction, overtly or through modeling, and
grammar drills may change the ELL student’s speech patterns temporarily, but
are not likely to have any long-term effect. When ELLs use the -ing form of a
verb instead of the present tense, the best course for teachers is to concentrate
on the communication and clarify any misunderstandings. However, teachers
can provide opportunities for students to hear and use the present tense and,
when they are developmentally ready, they will begin to use it.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
about daily routines.
Pairs of students interview each other about their daily routines or activities.
The students take notes about their partner’s activities and report back to the
class (“Teshome gets up every day at 7:00”; “Miguel plays soccer on
Tuesdays”). As a follow-up, teachers can orally quiz students to see how much
they remember (“Who plays soccer on Tuesdays?”; “How many students get
up before 8:00?”)
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words, including countries, food (I want to eat ____), sports activities (I want to
play ____), clothing (I like to wear ____), and TV shows (I like to watch ____).
Although not all students will necessarily be using the negative in this game,
they will have many opportunities to hear the negative being used.
This activity can be done as a unit review. In small groups, students generate
sentences based on a topic they have been studying (for example, presidents of
the U. S., provinces of Canada, Albert Einstein) and write positive and negative
sentences about the topic that may or may not be true (George Washington
wasn’t the first president of the United States; Edmonton is the capital city of Alberta;
Einstein was born in Australia). The teacher reviews the students’ statements and
makes sure the group understands whether the statements are accurate or not.
Two groups face off. A student in one group reads one of his or her sentences
to the students in the other group (for example, “George Washington wasn’t
the first president of the United States”). Students in the opposite group
either confirm the statement (“That’s right, George Washington wasn’t the
first president of the United States”) or deny it (“No, that’s not right. George
Washington was the first president of the United States”). The group gets a
point for a correct response. The groups take turns reading until all of the
statements have been read. The group with the most points wins the game.
This activity provides students with practice in a content area, using positive
and negative statements, and statements of confirmation or denial.
Notice that, in this example, the teacher does not ask Humberto to
repeat the question correctly because she does not want to discourage him
from asking questions in the future. However, the teacher may want to
provide focused practice on forming questions later in class. The chain game
described on pages 120–121 can be modified to include questions (I want to go
to Nepal. Where do you want to go?). Additional strategies for helping students
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form questions follow.
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What Things
Y Q: What is on the table?
A: a book
Where Places
B Q: Where is the school?
A: on Maple Street
dYo
When Time Q: When did you get up?
A: at 9:30
Why Reason
? Q: Why did you stand up?
A: to get a drink of water
2
See pages 90–91 for more information about Cuisenaire rods and how to use them for language
development and practice.
c The teacher picks up a purple rod, says “to bed,” and sets it next to the
green rod.
c The teacher says the complete sentence again: “Luis is going to bed.”
She points to each rod as she says the word or words it represents.
c Next, she asks, “Is Luis going to bed?”
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c As she asks this question, the teacher moves the white rod from its place
between the red rod and the green rod, places it in front of the red rod,
and repeats, “Is Luis going to bed?” as she points to each rod.
c The teacher follows this demonstration by saying a similar sentence
(“Mary is eating lunch”). She sets the rods in their original pattern
(red-white-green-purple) and repeats the sentence, pointing to each
rod the word represents.
c Then she says, “Is Mary eating lunch?” and points to the rods, gesturing
to indicate that one of the students should move the white rod.
c One of the students moves the white rod to the front of the sentence.
c After practicing these sentences a few times, students can work in small
groups with the rods to create their own sentences and ask questions.
c Teachers can follow up by asking students to write sentences and
questions similar to the ones they have been forming with the rods.
Alternative
An alternative to using Cuisenaire rods is to use colored cards with words
written on them, and to manipulate the cards. A small group of students can
practice manipulating the colored cards on a table, and as a follow-up, line up
the cards in front of them to form a sentence. As the teacher or the students
recite the questions, the student holding the auxiliary verb (for example, is)
then physically moves to the front of the line with the card.
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meaningful to them, rather than having a set of role-plays given to them. The
teacher begins by asking students to think of situations in which they need to
get information from someone. Here are some situations students might
come up with:
c Getting college information from the school counselor.
c Talking to a doctor or nurse about symptoms and/or treatment.
c Asking a pharmacist about a prescription to be filled.
c Getting information about recreational activities in the town.
c Talking to parents about a potential babysitting job.
c Talking to the manager of a store or fast food restaurant about a
possible job.
c Trying on shoes in a department store.
In pairs, students can create dialogues and present the role-plays to the
whole class.
c Next, students ask questions about what they would like to learn about
the topic. As teachers record this information on the chart, they can elicit
information about how to correctly form the questions on the chart. For
example, when Dorothy was working with her students on a KWLH
chart while introducing a unit on the Titanic, the following conversation
took place:
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Eduardo: We know some peoples died, but we not know how many peoples.
Dorothy: How will we write that question on our chart? The answer will be a
number, so what question words do we start with?
Rosa: How many! How many did die?
Dorothy: Yes, Rosa. If we start our question with “How many” it will be clear
that the answer is a number. (Dorothy writes “How many” on the
board, but not on the chart.) Should we make it clear how many
whats? How many chickens? How many . . . ?
Aarya: How many people.
Dorothy: Yes, let’s include “people” to make that clear. (She adds “people” to
the question she started on the board.) “How many” replaces the
subject in this question, so we don’t need to use “did.” We can go
straight to our verb, but we have to put it in the past tense since
this happened many years ago. What verb will we add to finish
the question?
Eduardo: Died! How many people died?
Dorothy: That’s right, Eduardo. (She adds “died” to finish the question on the
board and then adds the question to the KWLH chart.)
The students continued by brainstorming where they could find the
answer to that question, and adding other questions to the chart. (See
Figure 3.8 on page 127.)
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It hit an iceberg.
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Teacher: She’s not on the bus?
Student: Yes. Not on bus.
Teacher: Did she want to take the bus?
Student: Yes (nods vigorously).
Teacher: Did the bus come to the bus stop?
Student: Yes. Bus go away.
Teacher: But your sister wasn’t on the bus.
Student: Yes.
Teacher: Ahh. Your sister missed the bus? (The student nods.)
Teacher: Your sister missed the bus? Okay. But you (points to the student) say,
“My (points to self) sister missed the bus.”
Student: (nods) My sister missed the bus.
It’s a natural reaction for many people, including teachers, to try to correct a
student when he or she uses incorrect grammar. However, it is important to
remember that second-language learners typically acquire grammatical
structures in a certain order (see Figure 3.3, Grammatical Acquisition Order
of ELLs, on page 111). Also, studies show that simply correcting grammatical
errors is unlikely to be effective. Teachers can best help their students by
providing mini-lessons on targeted grammatical structures appropriate for
their level of development, and language enrichment activities, such as those
described previously in this section.
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Pronunciation
Research shows that people who learn to speak a language at an early age
usually speak without an accent. On the other hand, L2 learners who begin
learning a language at the onset of adolescence and beyond, often do speak
with an accent (Derwing & Munro, 2005; Oyama, 1976; Piske, MacKay, &
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Flege, 2001). The causes underlying this phenomenon are not known, but
ELLs learning a language from about 12 years of age and beyond may benefit
from focused attention on pronunciation. Teachers should keep in mind that
the nature and degree of ELL students’ accents can vary greatly, and that
second-language learners and their parents may have strong feelings about
their accents. Some ELLs consider their accent to be part of their identity
while others strive for accentless spoken English (Jenkins, 2006). Teachers
will want to respect the feelings students have about their accent as they help
them learn to speak so they can be understood by others.
In order to help students improve their pronunciation, teachers need to
understand the elements of pronunciation, which are usually broken down
into the following categories:
c Intonation: how and when the voice rises and falls (for example, You’re
done, expressed with a falling pitch, indicates a statement, while You’re
done?, expressed with a rising pitch, indicates a question or surprise).
c Stress: how much emphasis is placed on a syllable in a word. For example,
with the word record, the stress is placed on the second syllable when it is
a verb (recórd), and on the first syllable when it is a noun (récord). Also,
where the stress occurs in a sentence can affect meaning (He HIT me vs.
HE hit me).
c Rhythm: where pauses take place and how words and phrases are linked
together. Often, stress and intonation play a part in rhythm. Dorothy’s
students always laugh when she illustrates this by saying the following
sentence with two different rhythms and intonations, to convey two very
different meanings:
What’s that# in the road ahead?$
What’s that# in the road$(pause) A head?#
c Sounds: how we articulate and produce the individual sounds that make
up language. Phonemes are the smallest unit of speech that distinguish
meaning. For example, in English, the words bit and bet are different
because the phoneme /I/ in bit and the phoneme /E/ in bet make them
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
they know something about the differences in phonemes, stress, and
other elements between their students’ native languages and English.
Two good Web sites that provide information about phonological
differences between English and other languages are:
• www.btinternet.com/~ted.power/l1all.html: a Web site created by a
former ESL teacher in England. This site contains common
pronunciation problems that speakers of many different languages
experience when speaking English. Although there are differences
in pronunciation between British and American English, they are
insignificant in this Web site.
• http://en.wikipedia.org/wiki/Non-native_pronunciations_of_English: this
Wikipedia Web site provides pronunciation differences between
English and some of the major spoken languages. This article
links to another one, which gives information about pronunciation
problems that native-English speakers have when speaking other
languages (http://en.wikipedia.org/wiki/Anglophone_pronunciation_
of_foreign_languages).
General Strategies
................................
Auditory processing and discrimination of sounds, stresses, and rhythms
of language almost always precedes production. When working on
pronunciation, teachers will want to provide opportunities for:
c Hearing both isolated sounds and sounds within context.
c Producing by physically making the sounds.
c Expanding the sounds and other features of speech in longer passages
within specific contexts.
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speech. Once they have permission, students can record different speakers in
a variety of situations and attempt to mimic small segments of speech. Many
nonnative speakers who speak English clearly have told us that they have
succeeded through a combination of concentrated effort and mimicry.
and discuss how poets use meter and rhythm. (See Chapters 2 and 4 for more
details about using poetry in the classroom. See Appendix B for a list of poetry
books about diverse cultures. Also see information earlier in this chapter,
pages 91–92, about using chants, poetry, and songs, including hip-hop.)
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
When speaking, it is important to check regularly to make sure that the
message is being conveyed successfully. Teachers can encourage students to
watch the reactions of people they are speaking to. ELLs can check for
understanding by:
c Watching facial expressions: If listeners are smiling and nodding
appropriately, they are probably understanding most of what is being
said. On the other hand, if listeners are frowning, squinting their eyes,
or just staring, they may be confused.
c Listening for appropriate comments: Comments such as “Yes, I agree”
or “That’s too bad,” or conversation fillers, such as “um hum” or “Is that
right?” are often indications of understanding. If listeners respond with a
comment that is not related to the topic or do not respond at all, they are
probably not understanding.
c Asking if they are being understood: When ELLs aren’t sure if someone
is understanding them or if they’re getting signals that they are not
being understood, they can ask the listener directly (“Have I said that
clearly?”; “Would you like me to say that again?”; “I’m sorry, English
pronunciation is difficult for me.”; “I said ____. Did I say it correctly?”)
By raising the issue of their pronunciation themselves, ELLs can invite
those who might be sensitive or embarrassed about not understanding to
ask for clarification and engage them in monitoring the conversation
for understanding.
When using these general pronunciation strategies or the targeted
strategies that follow, it is important for teachers to keep in mind that
preadolescence and adolescence are times when students are often very
self-conscious about all aspects of themselves—including their speech.
Lessons on pronunciation can single out individual students in a way that
might make them feel uncomfortable. Teachers will want to be sensitive to
this potential for embarrassment or discomfort and keep focused lessons on
pronunciation short and nonthreatening.
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students may pronounce th as d or s (dis for this, sink for think), insert an e
before –s (espelling), use irregular stress (for example, putting the stress on the
first syllable of establish /és-ta-blish/ instead of the second syllable /es-tá-blish/),
or use irregular intonation (for example, using a lowered pitch at the end
of questions, such as, “Where are you?”$ instead of a rising pitch, as in
“Where are you?”#). These irregularities in speech are probably the result of
influences from the home language. In some cases, they may lessen or even
disappear after prolonged exposure to the new language without any direct
intervention from teachers. However, when communication breaks down
because of an ELL’s pronunciation, teachers can help get the conversation
back on track with the following strategies. As with breakdowns of
understanding because of grammatical structures, it is important to respond
to the content of the student’s comment once the confusion is sorted out.
Teacher: Do you mean snacks, like potato chips (gestures eating potato chips from
a bag) or snakes? (sketches a picture of a snake and shows it to Sasha)
Sasha: I mean snacks, like potato chips. (gestures eating potato chips)
Teacher: Your mom is right. Snacks like potato chips are not good for you.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
I have students I can understand perfectly
Situation 2 well when we’re having a one-on-one
conversation, but when they make formal
presentations, they are hard to understand.
The causes for this situation may vary. For example, the students may
not have sufficient background information and vocabulary for the more
formal academic task. (See Chapter 2, page 76, for an explanation of the
difference between basic interpersonal communicative skills [BICS]
and cognitive academic language proficiency [CALP].) It’s possible that
the student feels comfortable with the topic when reading and writing
about it, but has not had opportunities to orally express the words and
ideas before. Also, they may be nervous, which could affect their ability to
speak clearly.
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important, Fatou repeated, “because it is too close to the ocean” with the
same pronunciation of ocean, but this time she pointed to Dakar and the
ocean on the map of Senegal she had included in her PowerPoint
presentation. Several students responded, “Oh, it’s next to the ocean,” with
more accurate pronunciations of ocean. Fatou confirmed, “Yes, it’s next
to the ocean,” with an improved pronunciation of ocean.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
thing, the tongue is placed between the upper and bottom teeth). Phonetics:
The Sounds of American English (www.uiowa.edu/~acadtech/phonetics/english/
frameset.html) provides animated articulatory diagrams, audio, and video of
each sound, spoken in context. Demonstrations of how to articulate sounds
should be short, and teachers should avoid intense drilling or repetition.
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language may not have consonant clusters or may not have them in the
positions or combinations that exist in English. For example, initial
consonant cluster combinations (/sk/, /st/, and /sp/) don’t exist in Spanish,
which is why Spanish speakers often break up these clusters with an /e/ in
the initial position to form a separate syllable, so school may be pronounced
/es-kul/, similar to the Spanish pronunciation (escuela pronounced /es-kuela/).
This process is called phonetic transfer, and is common among second-
language learners. When older ELLs hear English sounds, they often process
and say them through the influence of their native language. If the sounds
in the native language are a close match with the target language, then the
transfer results in successful communication. When the sounds are not
closely matched, then pronunciation errors occur and communication can
break down. Teachers will want to be sensitive to how much time and effort is
devoted to working on these kinds of errors; however, consonant clusters are
a common issue among ELLs and can affect speaking, reading, and writing,
so teachers will likely want to address them with their students.
consonant cluster board has two start sides and two finish sides. Players
choose different sides and travel across a board filled with consonant cluster
cells to try to reach the finish line on the other side. Pairs take turns choosing
a card with different categories of words (for example, a kind of tree or plant,
something hard). They decide on a word that contains the consonant cluster
on the blank where they want to move forward. For example, if a consonant
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
cluster in front of their cell is gl and their card says something hard, they might
write down the word glass. After they verify from the other team that their
word is correct, they place their card on the gl block. The pair that reaches
the Finish block on the opposite side wins. A description of this game, the
game board, and cards can be downloaded at www.collaborative
learning.org/consonantclusters.pdf.
black
brainy
estimate
concentration
disintegration
responsibility
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
The teacher projects one of the sentences from the cards on the screen
and the nonlisteners hum the sentence shown on the screen. The
listeners flip through their cards, and the first person to hold up the
matching card gets a point. Listeners are switched until everyone has
had a chance to play or all the cards are used up, and the winning team
is the one with the most points.
c Version 2: Students are divided into pairs. Student A has a set of questions
and Student B has a set of answers. Student A hums the questions and
Student B must choose the appropriate response. See the Sounds of
English Web site (www.soundsofenglish.org/tips.htm#humming) for some
good examples of questions and responses.
Vocabulary
ELL students develop vocabulary through repeated exposure to new words
and opportunities to use new words (for example, through a wide variety of
reading, intentional word-focused activities, and ongoing review) (Wallace,
2004). When first exposed to a new language, ELL students who lack strong
literacy skills in their home language will develop their vocabulary through
pictures, gestures, and actions. As teachers introduce ELLs to short texts
through picture books, poetry, and chants, they will begin to learn vocabulary
through these resources. Reading aloud to ELL students, with support to
ensure understanding (for example, pictures, gestures, explanations), is
essential to vocabulary development. Later, as students become literate in
English, they will begin to learn new words and the concepts that go with
them through literature and content-based texts. ELLs will usually develop
the vocabulary for basic interpersonal communication skills, known as BICS
(for example, the language used in the lunchroom, on the playground, and in
casual day-to-day conversations), before they develop vocabulary associated
with cognitive academic language proficiency, known as CALP (for example,
the language needed to fully understand age-appropriate subject-area content
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General Strategies
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
................................
c At first, use gestures, pictures, realia, and labels to help students
understand the meanings of the words you are using. For example, point
to the chair as you ask them to sit down, hold up the red marker and the
black marker when you ask which marker they would like to write with.
c Talk to ELLs about concrete subjects and help them connect words to
objects (for example, point to the student’s coat as you say, “What a
pretty coat” or, as you point to something red that you are wearing,
“It’s a beautiful red color. I like red, too.”).
c Encourage students to draw to express themselves, and talk about their
drawings (for example, as you look at a drawing, say “I see the boy is at
the computer” while pointing first to the boy and then the computer).
There is no need to ask students to repeat the words (although you may
see them subvocalizing words after you say them). As students are
exposed to new words over time, they will process them and begin to use
common words and expressions when they are ready. (See the beginning
of this chapter, pages 85–99, for information about stages of language
acquisition and how to support students at the preproduction stage.)
c Give ELLs many opportunities to interact with other students (in pairs,
with peer partners, with younger or older students through cross-age
buddy reading, in small groups, as part of whole-group activities).
Provide many different contexts, including different subject area studies,
such as math and science; in electives, such as art, music; at lunch; and in
extracurricular clubs and sports.
c Read aloud to ELLs using many different kinds of texts, including
picture books appropriate for older students, poems, chants, fiction, and
nonfiction. (See pages 77–79 and 157–159 for specific strategies for
ensuring understanding during read-alouds.)
c Teach new words within conceptually related sets rather than as isolated
words. For example, in a unit on ecology, expose students to words about
the environment, such as biosphere, geology, meteorology, ozone, and words
about life forms, such as organisms, microbes, predators, prey. ELL students
are more likely to remember these words and attach meaning to them if
they are exposed to the words in this contextualized way, rather than
simply learning a list of words taken out of context.
c Relate new words to words students already know. For example, to
introduce the word circumference, begin with the word circle to help
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
explain that circumference is the outer edge of a circle.
c Talk about prefixes and suffixes and relate them to root words. For
example, to introduce the word biped, explain that bi- is a prefix that
means two, and give the examples of bicycle (two wheels) and bilingual
(two languages).
(See Chapter 4, pages 167–168, for helping ELLs develop vocabulary.)
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can come in and out of fashion; for example, people seldom say “It’s
raining cats and dogs” anymore, whereas other idioms remain popular
and are often used (for example, to be in hot water/in trouble). Idioms
are pervasive, and often native speakers don’t even realize they’re using
them. For example, when Dorothy asked a student to “lend her a hand,”
the student looked at her quizzically, which made Dorothy realize she’d
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
used an idiom.
c Slang is a casual form of language that typically has a short life and is
often restricted to a particular group, such as teenagers or sports fans.
An example is, “That was a wicked movie,” where wicked means terrific.
Teenagers and young adults are most likely to use the term in this way
than to connote its standard meaning.
c Colloquialisms are informal expressions that are accepted in normal,
familiar speech or are part of a regional or local dialect (okeydokey
or y’all).
Another aspect of informal English is what is often referred to as
“dangerous English,” (vulgarisms, obscenities, euphemisms for taboo
subjects). Older ELL students are likely to encounter these kinds of words,
and teenage ELLs in particular may need some guidance since these
words are pervasive in many high school settings.
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people if they knew what it meant. They told her it meant stuck-up, someone
who thinks they are superior, as in bourgeois. When Dorothy relayed the
definition to the student, she said, “Yes, that fits the situation exactly.”
Teachers who invite questions about idioms and slang may be asked
questions about words or expressions that are often referred to as “dangerous
English,” and we discuss how to deal with this in Situations 2 and 3 on
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
pages 147–149.
from the stone age (meaning very old) de la epoca de la pera (Spanish)
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
on the same wavelength auf einer Wellenlänge (German)
links, including the ones that follow. We recommend that teachers check
out these sites before referring students to them in case there is an
inappropriate word or term.3
c American Slang for ESL Students:
www.schandlbooks.com/AmericanSlang.html
3
Teachers will want to keep in mind that some idioms and slang expressions carry risqué or double
entendre meanings. We discuss how to deal with what is sometimes called “dangerous English” on
pages 147–149.
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It’s not unusual for students learning a new language to misuse it in ways
that may be offensive or inappropriate for the situation. Sometimes this is
because they are confusing two words that sound alike (horny for ornery), and
sometimes they put words together in ways that change the meaning (for
example, saying “I knocked her up,” which means to get someone pregnant in
American slang, but not in British or many other versions of English, where
it means to wake someone up by knocking on the door). There is even a dictionary
called Dangerous English (Claire, 2000), which is explicit and not really
appropriate for middle school or high school students, but can be useful to
teachers who work with ELL students when situations or questions arise
about words and expressions that fall into the “dangerous English” realm. In
other situations, ELL students may not understand the level of offensiveness
some words convey. For example, the student who tells her classmate to “shut
up” may not realize that she may be perceived as being rude; in fact, in some
situations, the expression shut up is used in a friendly way, as an exclamatory
expression of surprise. ELL students may not be attuned to the social
registers incorporated in language. For example, the ELL student who
learned the expression whatever from peers may not understand why the
teacher responds negatively to this word in the classroom.
Learning English from peers is an important part of language learning
and socialization for ELLs, but teachers must ensure that students understand
the social implications of offensive language or inappropriate language. How
to deal with issues of “dangerous English” in the classroom is a personal
decision for the teacher. Some teachers may recognize that their students
are mature enough to discuss this topic without too much embarrassment,
while other teachers may opt not to discuss these matters in class because it
would make them or their students very uncomfortable. Following are some
ways that we or teachers we know have dealt with this issue.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
make offensive hand gestures.
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students, and always cautions students not to use any word with an
asterisk beside it unless they are VERY sure of what they’re saying.
c Write the formal, clinical, or polite word, or euphemism for taboo
subjects (for example, body parts or bodily functions), and direct students
to a bilingual or monolingual English dictionary.
c Work with a colleague of the opposite sex. Divide the class into males
and females and devote some time to questions and discussion.
It is quite possible that some parents of ELL students speak English with
native or near-native fluency while their children do not. For example, some
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
support the children’s cognitive and linguistic development (King & Fogle,
2006). For social and academic reasons, parents should be communicating
with their children in the language in which the parents are most
comfortable, no matter their level of fluency in English.
Educators used to believe that this alternating back and forth between
languages, known as code-switching, indicated deficiencies in one language
or the other. However, researchers in psycholinguistics now recognize that
code-switching is a natural product of the interaction of bilingual speakers’
two languages (Heredia & Brown, 2004). Teachers should accept that
code-switching may occur and make no attempt to discourage it.
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C HAPTER 4
Reading
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Situations
E
LLs entering grades 6–12 do not share the same educational
experiences prior to coming to North America. Some students have
received a very sophisticated education in their native land, including
high levels of content-area instruction (for example, advanced mathematics
and science), and are accomplished readers in their native language and, often,
in other languages; they may be able to read some English. Other students
have had more sporadic schooling in their native land and may not be able to
read in their native language; unless they are placed in a bilingual program,
where they receive instruction in both the L1 and English, they may be
learning to read for the first time in English. In some cases, their native
language is different from the official language of the country, and their entire
schooling may have been in a nonnative language. Still other students have
fled from war-torn homelands, may have been schooled in English in a
refugee camp, and may be able to read some texts in English. The vast range
of prior experiences with schooling and literacy speaks to the very different
needs that ELLs have when it comes to reading and being taught to read.
Simply being an ELL does not make a student a struggling reader. We are
using the term struggling reader to refer to a student who has received reading
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there are ELLs who are struggling readers, and these are typically students
who have received instruction in their native language or English and don’t
seem to make much progress over time. Characteristics of older struggling
readers may include one or more of the following:
c May be able to decode, but have enormous difficulty comprehending
what they have decoded.
c May not realize that one reads to make meaning, and focus almost
exclusively on letter-sound correspondences.
c May overrely on a single reading strategy. For example, they may decode
words and produce either nonsense words or words that do not make
sense in that context.
c May not use background knowledge (schema) and context to confirm or
disconfirm their predictions about unfamiliar words.
c May not self-monitor. That is, they do not seem to realize that what
they decoded does not make sense and they do not repair miscues that
affect meaning.
c May read over or ignore punctuation marks and the role of punctuation
in helping readers make sense of a text.
c May lack knowledge about the meaning of key words/terms in texts,
thereby making comprehension of the text hard or impossible.
In any discussion about reading, it is important to first establish what
one means by reading. This is an especially important question given the
current reading instruction climate in the United States, where federal and
state mandates (for example, the No Child Left Behind Act) have led to
some schools and school districts mandating designated amounts of phonics
instruction, even in the upper grades, regardless of whether students
need instruction in phonics. An additional concern centers on how the
teacher-centered instructional practices that are increasingly prevalent
influence the kinds of reading-related school experiences that are available
to ELLs.
With the current heavy emphasis on the (often decontexualized) teaching
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of phonics, one might conclude that reading is simply decoding (for example,
making letter-sound correspondences). In fact, reading is a much more
complex process, one that is grounded in making meaning from symbols.
The degree to which readers are able to make sense of a text or written
message is very much affected by their prior experiences, that is, their
schema. For example, take a minute to read the following passage, and then
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Today’s Cricket
The batsmen were merciless against the bowlers. The bowlers placed their
men in slips and covers. But to no avail. The batsmen hit one four after
another with an occasional six. Not once did a ball look like it would hit their
stumps or be caught. (Source: Tierney & Pearson, 1981)
Perhaps this was gobbledygook to you, even though you could decode it
easily. What reading textbooks typically do in these kinds of circumstances is
reduce the readability of the text by simplifying the vocabulary and sentence
structure, which is what Tierney and Pearson did in the following rewrite of
the text. Again, take a minute to read it and paraphrase what it says.
Unless you know something about cricket, the chances are that this
simplified text is still incomprehensible. That is, you may not have the
schema to know that the slips and covers are positions that fielders take in
cricket (and where they’re located on the field), and that fours and sixes are
the number of runs scored off a single bowl (ball)—a six being when the ball
passes over the outer limits of the field without hitting the ground first (like
a baseball home run), and a four being a ball that bounces on the ground
before passing over the outer limits of the cricket field. So, simplifying the
language and sentence structure to make it easier to decode probably wasn’t
much help to you in understanding the text. This difficulty is what ELLs who
can decode reasonably well in English encounter when they read about events
and experiences that are unfamiliar to them. The necessity of a schema for
understanding text has implications for what we need to focus on when
teaching reading.
In recent years, there has been increasing interest in the reading
achievement of older learners (Moore, Bean, Birdyshaw, & Rycik, 1999),
including ELLs (Kong & Pearson, 2003; Olson & Land, 2007; Scarcella,
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
2002). Research indicates that, despite evidence that students are much more
effective readers when they are taught reading strategies that successful
readers use (for example, visualizing, predicting, asking questions, inferring,
and making connections), few students are actually offered such cognitive
and metacognitive learning experiences (Block & Pressley, 2002); this is
even more pronounced with ELLs (Vaughn & Klinger, 2004). In one of the
few studies that has investigated the impact of teaching adolescent ELLs
cognitive reading strategies, Olson and Land found that cognitive-strategy
instruction enhanced ELL students’ reading competence, achievement,
and confidence.
Vocabulary is a key factor in ELLs’ reading success and development, yet
very little attention is paid in school to vocabulary and the development of
word consciousness. Even when they can decode English words, ELLs may
not know what the terms mean, even in their own language. For example,
Inuits, who live in the Arctic, have many words to signify the subtleties of
snow; for someone learning Inuit, making sense of these multiple words for
snow would be enormously challenging because most of us lack the requisite
schema, even though we may have seen plenty of snow.
Recent national reports (e.g., August & Shanahan, 2006, Report of the
National Literacy Panel on Language-Minority Children and Youth; National
Institute of Child Health and Human Development [NICHD], 2000, Report
of the National Reading Panel) have identified vocabulary knowledge as an
important element in successful reading comprehension. Vocabulary
knowledge is also known to be a key element in a language development
program for ELL students (Nation, 2001; Meltzer & Hamman, 2005), and
integral to academic success (Cummins, 2000; Scarcella, 2002).
There are still other issues to take into consideration when teaching
ELLs to read, such as their possible lack of familiarity with grammatical
structures that help native speakers of English make sense of a text. For
example, when native-English speakers see the following sentence fragment,
When I drove to the store, I . . . , they intuitively know that what follows is
likely to be a verb/verb phrase (saw my friend, ate lunch, encountered a protest)
or an adverb (reluctantly, excitedly). In contrast, ELLs may not have
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(for example, Chinese) and some languages, although alphabetic, do not have
the same written script as English (for example, Arabic, Greek, Hebrew,
Russian). This means that students who read and write in these languages
have to learn a new orthography (the written symbols used to represent the
sounds of a language). However, because they already have a schema for
reading, it is often easier for older ELLs who are literate in their L1 to
move into literacy in English than it is for their ELL peers who are not
literate in their L1.
Another consideration to be aware of is that many of the teaching/learning
practices that ELLs may encounter in North American classrooms may be
unfamiliar. In some countries there is a more didactic approach to learning
to read, and ELL students may not be accustomed to, for example, being
asked to infer or evaluate texts and may be frustrated when asked to do that.
If students have been taught to focus on extracting literal information from a
text, rather than inferring meaning, they may view being asked to infer as an
invalid request (for example, “But, it’s not in the text, so why are you asking
me to do this?”). This may occur, even when ELLs are able to make
inferences outside of school.
Some learners excel more in the printed form of a nonnative language
than in the spoken form. This was true of the Chinese-speaking students
from China, Hong Kong, and Taiwan with whom Katharine worked in
a school for newcomer ELLs. They had been schooled in their native
lands and had been exposed to some English instruction (typically
through a grammar translation approach), but were more comfortable
reading and writing English than speaking it. In contrast, she observed that
Spanish-speaking students from Mexico and Central America, with limited
schooling in their L1, tended to be more confident when speaking English.
Regardless of variations in students’ preferred language modalities,
research shows that ELLs do not have to be fluent in English before they
can read and write in English (Reyes, 1991; Samway & Taylor, 1993b;
Urzúa, 1987). In fact, reading can support aural and oral language
development by offering ELLs exposure to more standardized and
sophisticated forms of English than they are able to produce at that time.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
particularly some of the vowel sounds, and decontextualized phonics
instruction can be very difficult for them. (See Chapter 3, page 87, for
information about how an ELL’s first language may affect his or her
processing and production in the second language.) In this chapter, we focus
on comprehension, including vocabulary development, and do not pay as
much attention to decoding. This is a decision we made very consciously for
the following reasons:
c Comprehension and vocabulary are at the heart of successful reading.
One can decode lots and lots of words, but still have absolutely no idea
what one has decoded.
c Our experiences with upper-grade ELLs, as well as the experiences of
many upper-grade teachers with whom we have consulted, indicate that
reading struggles in the upper grades are most frequently grounded
in comprehension.
c Many North American schools already pay considerable attention to
decoding, beginning in the earliest years in school. So long as teachers
take into account that ELLs may not discriminate between certain
sounds in English or be able to distinguish between some similar-
sounding words, then the many useful decoding resources that are
available to teachers through professional books, workshops, and
conferences can be used successfully with ELLs.
In the pages that follow, we share some general strategies for
enhancing ELLs’ reading, as well as several targeted strategies that are aligned
with specific reading-related situations that teachers often comment on.
General Strategies
................................
ELL students need to experience success with English texts, and in this
section we focus on some strategies that foster a love of books and provide
scaffolded experiences for ELLs. Several of the strategies are more typically
found in primary classrooms, but we have found them to be extremely
successful with older learners who are becoming readers in English.
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Modifications are often needed, such as using texts that are appropriate for
and interesting to older learners.
c If an audio version of the text exists, make it available, along with a copy
of the text, for ELLs to use in school or at home for extra listening and
reading practice.
Additional issues to consider when preparing for and conducting a
read-aloud include the following:
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c Read from a wide range of genres, including short stories, picture
books (fiction and nonfiction), poetry, and nonfiction magazine articles.
Shorter texts with good illustrations that really support the text can be
particularly effective with newcomer ELLs. Even comic books can lend
themselves to read-alouds (Bitz, 2004). For more information about
conducting nonfiction read-alouds, see Navigating Informational Texts by
Linda Hoyt (2003).
c Choose texts carefully—it’s essential when doing a read-aloud to be
familiar with the text. How many times have we randomly selected a
book for a read-aloud, even a book that we don’t know (or assigned an
unfamiliar book to a student teacher or volunteer to read aloud) and the
read-aloud bombed? Not all books lend themselves well to a read-aloud.
c It is generally best not to encourage students to do other things while
listening to the read-aloud, unless they are involved in activities directly
related to the reading, as students need to concentrate. For example, when
introducing a text, Katharine says something like, “I hope you’ll enjoy this
book as much as I do. I chose it because . . . . I’d like you to think about
the following as I read it to you: What does this book remind you of?”
c Students need time to talk about the text—even if it’s for just a minute or
two. For example, they can talk about what it reminded them of, ask
questions, discuss any puzzling parts or words, and/or explore what they
learned about writing from hearing the text just read to them. The talk
accompanying a read-aloud can be through pair shares or small groups,
or with the entire class.
c After reading aloud, it can be very useful to talk about the reading
and add to charts that focus on language and language usage, such as
the following:
• Unfamiliar words/terms.
• Interesting uses of language.
• Insights about writing.
Lester Laminack and Reba Wadsworth’s book Reading Aloud Across the
Curriculum: How to Build Bridges in Language Arts, Math, Science, and Social
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1
For information on establishing and maintaining a successful cross-age reading program, see Buddy
Reading: Cross-Age Tutoring in a Multicultural School by Samway, Whang, & Pippitt (1995).
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
2. Then, the teacher reads the text aloud at a normal to very slightly slowed
pace, using a pointer to touch each word while reading.
3. Students briefly discuss the text (for example, making text connections
and identifying unfamiliar words).
4. Students are then invited to join the teacher in reading the text together,
with the teacher continuing to point to the words.
5. Students may reread the text again, and the teacher may reduce the
amount of support provided.
6. One follow-up activity that supports readers involves using
sentence strips.
a. The teacher writes a sentence or a longer segment from the shared
reading text on a strip of paper, including the punctuation.
b. The text is cut up into phrases and/or individual words and
punctuation marks.
c. The students put the scrambled words/phrases/punctuation marks
in order.
d. The teacher and students talk about any difficulties encountered,
and about the knowledge or strategies they used to put the words in
order (for example, through being aware of mechanics, such as a
sentence beginning with a capital letter and ending with a period;
grammar, such as possessive pronouns usually going before a noun;
or schema).
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c Have sufficient books available so students have choices. When
Katharine was a new teacher, there were no library books in her
classroom, so she regularly visited the school and local libraries to
borrow books for her classroom library.
c Make sure that books are aligned with students’ interests, but also
introduce them to new genres, authors, and topics.
c Be prepared to do book talks as books are introduced into the
class library.
c Schedule time for independent reading on a regular and predictable
basis so that students can come prepared.
c Use the time when students are reading independently to confer
with students about their reading processes, goals, and needs; these
conferences should have a teaching point.
c Be prepared to teach students how to select appropriate texts (i.e., those
they can read with minimal support). Be alert to students who select
books that are much more complex than their command of English
suggests they can cope with, but also keep in mind that sometimes
the desire to read a particular text can compensate for it being
too difficult.
c If you are required to grade students on independent reading, do it
in such a way as to encourage the act of reading and thoughtful
engagement. For example, Nancie Atwell (1998) recommends grading
based on: coming prepared to class (e.g., having one’s book available
and getting to work right away); setting and meeting challenging, but
realistic, goals; and writing thoughtful reading journal entries.
c Assign independent reading for homework that is connected to a purpose
that students are interested in. For example, in Gail Whang’s class,
students read their literature study circle (LCS) books both at school and
at home so they could be prepared for the open-ended discussions that
would occur approximately one week to ten days after students selected
their books (Samway & Whang, 1996).
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c Allocate time for students to talk about their books with peers and make
recommendations—part of the joy of reading can be knowing that others
share one’s enthusiasm and reading preferences.
For additional information on independent reading programs, see:
c Jodi Crum Marshall’s Are They Really Reading? Expanding SSR in the
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
fluent reading and practice reading fluently (i.e., with expression and normal
pacing). The more fluent reader, such as the teacher, reads a phrase or
sentence with expression and then the student or students repeat the phrase
or sentence.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
In pair reading, two or three students read the same text and then talk
together about it. This provides readers with a shared experience with
texts and peer support, and also introduces them to new authors, illustrators,
and genres.
Procedure
1. Select several texts for which you have two or three copies. The texts
should be interesting to students, short enough to be read in one session
(for example, in class or overnight), and selected from a variety of
genres—books of poetry, stories, magazine articles, essays, and
information picture books all work well.
2. Have more titles/copies than you have students so there is some choice.
3. Do brief text talks (for example, “This magazine article is about
climate change and the melting of the polar icecaps,” “This book of
poetry is written by high school immigrant students and it’s about their
experiences living in this country”).
4. Students select their texts and read them—sometimes students read
together softly and sometimes they alternate who reads aloud.
5. Students talk about their books in pairs or triads.
6. The whole class/group talks about the experience. For example, students
may discuss:
• Texts that they particularly liked and why they liked them.
• Difficulties they encountered when reading and strategies they
used to resolve them.
• What students learned from the texts and from working with
a partner(s).
• How their partner(s) helped them understand the text.
• Successful strategies the students used when reading together.
• Aspects of the text they didn’t understand.
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c The teacher writes the text exactly as the student dictates it (for example,
the experiment we do about plant). If a group of students is dictating the
text, it is written on chart paper so that all the students can see the text.
c The teacher then goes through the text with the student(s), explaining
how to revise the grammar and word choices so that it is idiomatic, or
native-like, as the following example illustrates. Note that the teacher
does not change the content of the message:
Teacher: “The experiment we do about plant.” OK? (Repeating the first
sentence that the student generated.)
Teacher: OK. So, we need to write it in the past tense. It’s “we did” instead of
“we do.” “We do” means we do it every day. (The teacher writes the
revised text, The experiment we did, next to the original text and says
the words aloud while writing them.) And we need a verb between
“did” and “about.” It’s “was about” (emphasizing was while adding it
to the sentence). You said here (pointing to the text while reading),
“plant.” Because the experiment was about plants in general and not
just a single, specific plant, it’s the plural “plants.” OK?
Teacher: OK. Let’s read this together. (Teacher points to each word while
reading the revised text with the student, The experiment we did was
about plants. The teacher and student read it together one or more
times and then the student reads it alone.)
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
• Circle specific linguistic features, such as nouns, verbs, pronouns,
or articles.
• Use cloze activities. A cloze activity involves students predicting
words that are missing in a passage and filling in the blanks
with words. (See Appendix G for guidelines for developing
cloze activities.)
Reading Comprehension
Ultimately, the most important aspect of reading is comprehension, or the
making of meaning. A key factor in the reading comprehension of ELLs is
vocabulary knowledge (Carlo, August, McLaughlin, Snow, Dressler, Lippman,
Lively, & White, 2004). The following numbers point to the importance of
vocabulary in the academic lives of ELLs:
c It is estimated that English-speaking children with average and above
average verbal ability enter school with a receptive vocabulary of between
5,000 and 10,000 words (Blachowicz, Fisher, Ogle, & Watts-Taffe, 2006).
c It is estimated that by the time average and above average native-
English-speaking students leave high school, they have acquired about
40,000 receptive words, which translates to more than 3,000 new words
learned each year in school (Nagy & Herman, 1987).
ELL students often have large vocabularies in their native language,
and this knowledge may transfer from their L1 to English (Jiménez, García,
& Pearson, 1996), but they still have a lot of catching up to do with regard
to English vocabulary. Nevertheless, vocabulary instruction for ELLs,
particularly in mainstream classrooms where English reading and content
classes are taught to the entire class through textbooks, is typically limited to
the teaching of a few content words and affixes, which do not make words
more comprehensible if students do not know the meaning of the root
words (Pease-Alvarez, Samway, Almanzo, & Cifka-Herrera, 2007).
Although reading widely is an effective strategy for building vocabulary, it
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has been reported that the probability of learning unknown words in this way
is about 15 percent, and only avid readers seem to build vocabulary in this
way (Swanborn & Glopper, 1999). Acquiring a lot of vocabulary through
reading alone is often hard for ELLs because they are likely to struggle with
comprehension due to their lack of familiarity with the nuances of English,
such as idioms, grammatical cues, vocabulary, and culture. Also, because
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
General Strategies
................................
Students need to revere words and be immersed in vocabulary/concept
development throughout the day, not just in English/language arts classes.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
words. They stop to think about what they just encountered, to figure out
meaning and maybe the origins of words.
P = Being passionate about words
If words are important to us, not in the sense that we get angry when others
misuse words or use a nonstandard form of a word, but in the sense of
appreciating the beauty of words and their power to convey subtle meanings,
then we are probably passionate about words. This is something we need to
foster in our students.
R = Being a risk-taker
We all need to feel that we can take risks and not be made fun of when
experimenting with language, whether we are adults or children. As teachers,
we must honor and encourage experimentation, while also teaching
about words.
The following specific strategies for a vocabulary mini-workshop are
designed to encourage an interest in and passion about words. Some of them
do not necessarily lead immediately to a more expansive vocabulary (for
example, word search games), but they can lead to a greater appreciation for
words. Other activities are more directly related to building vocabulary and
word consciousness. As you will see, most of these activities encourage
multiple responses, which in turn build versatile, flexible thinking. This kind
of thinking is an asset for anyone learning to speak and becoming literate in a
language, whether a native or nonnative language.
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that letter can be used only once. For example, in Fatimah Suleyman
(fatimahsuleyman), a very quick search reveals the following words: fat,
faith, slay, man, mean, time, timely, mate, slim.
2. Post a name without any spaces between the names, as above.
3. Give students about five minutes to find embedded words. Allow a little
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Procedure
1. Students work in small groups—the groups can compete against each
other or each group can compete with itself by aiming to better its score
each time it plays the game.
2. The class is shown an object or drawing of an object.
3. Groups have about five minutes to brainstorm a list of creative uses for
the object.
4. Groups take turns demonstrating and naming a use—members in a
group also take turns.
5. Each new use generates a point for the group—repetitions of a use don’t
earn any points.
6. The winning group is the one that generates the greatest number of
original uses.
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pilot is piloto. Several languages share cognates with English, including Arabic,
French, German, and Spanish. Many English words share cognates with
Romance languages, such as Italian, French, and Spanish, due to a shared
history with Latin. Given the large number of Spanish-English cognates,
particularly in academic language, and the large number of Spanish-speaking
ELLs in North American schools, many of whom are underserved and
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Alternative: Ask “Which words do you know, and how do you know them?”
Ask ELL students which words they know in a text, and how they know the
words. Often, they will identify a cognate. Add these words to a chart of
cognates, and use them for practice activities, including matching cognate
pairs and other reinforcement games.
2
In a recent study of the vocabulary knowledge of fourth graders (Scott, Flinspach, & Samway, 2007),
Spanish-speaking ELLs identified statistically fewer English-Spanish cognates than other ELLs.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
reinforcement games.
Alternative: Identify false friends.
Explain to students that some words look like they are cognates, but actually
aren’t, and that these are called “false friends.” For example, the Spanish word
pie means foot, not a dessert made with pastry. False friends can get us into
trouble. For example, when she was still fairly new to Spanish, Katharine
announced one day that she was embarazada, thinking she had said she was
embarrassed, when in fact she had said she was pregnant! Students can
search for false friends, and the teacher can share false friends with students.
Lists of Spanish-English false friends can be found at www.colorincolorado.org/
educators/background/cognates and http://spanish.about.com/cs/vocabulary/a/
obviouswrong.htm.
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interference-loan-words.htm
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
will encounter many more words than if they were introduced to isolated
words. These conversations can also lead to interesting discussions about
parts of speech and how to recognize specific parts of speech, for example,
migrate is a verb, migration is a noun, and migratory is an adjective. When
students are asked how they know what part of speech a word is, the ensuing
discussion can enhance metalinguistic awareness and the development of
word knowledge.
It is important to pay attention to word families that are connected
to specific subject matter content in order to enhance ELL students’
understanding of academic vocabulary. For example, teachers might want to
introduce the morphological family of migrate during a unit on Ellis Island.
Or, during a biology unit, teachers can introduce words derived from organ
(organic, organism, organize, organization).
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encourage students to add to these lists whenever they encounter new words,
and to point out that the lists can be useful resources when writing. Teachers
and their students can use these words to create word charts to place on the
walls (similar to Word Walls, explained on page 214). This is a strategy more
commonly used in classrooms for younger children, but Dorothy’s older ELL
students have made good use of words with similar meanings that they have
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
collected from readings and placed on wall charts for reference in reading and
in writing.
awareness. For example, a student may know a meaning for a word, but if
that meaning doesn’t seem to fit the context, the student wonders if the
word has another meaning.
Group and class discussions about words and word meanings can be very
helpful in supporting the development of ELL students’ curiosity about and
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
knowledge of words. Words with multiple meanings can be displayed and
stored as resources for students on charts, in class three-ring binders, or in
students’ resource folders/binders.
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in the list, apartment, beret, shout, hat, helmet, bonnet, and flat all end
in –t), to lexical features (for example, compound words, such as baseball,
townhouse, and basketball) to words that are related through meaning (for
example, trailer, house, townhouse, apartment, duplex, and flat are all places
in which people live). Teachers may need to help ELL students make
connections in meaning.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
of words and definitions and build up to more once students become familiar
with the game. At that point, students, rather than the teacher, can select the
words and write the definitions.
Modified Jeopardy
This is a modified Jeopardy game in which players don’t respond in the form
of a question (for example, “What is the outer layer of the Earth?”), but
rather provide short answers to questions. For example, if a student is asked,
“What is the outer layer of the Earth’s surface called?” the student would
reply “Crust” or “The crust.” This game relies on listening, as well as
knowledge of content terms, so it is often helpful to ELLs to display the
questions on a transparency or on strips of paper that are then posted on the
board or wall.
Procedure
1. Prepare a Jeopardy game board that can be used over and over again.
Minimally, the number of terms needs to exceed the number of
students playing the game by five or so, to ensure that every student
gets to play and all students have some options to choose from. See
Figure 4.4 for a sample game board, which is designed for a class of 30
upper-grade students. (There are 35 possible questions, so every student
has some choice.)
2. Prepare a series of cards with terms from the unit(s) of study. Also
prepare a series of corresponding questions and align them with the
scoring categories, according to difficulty. (See Figure 4.5.)
3. Students work in groups to prepare each other for the game; this
review may occur in short segments over a couple of days, such as 15–20
minutes each day. Newcomer ELLs should be placed in groups that
contain students who are more fluent in English.
4. Students take turns answering a question—each student chooses the
category and the point value.
5. Team members are not allowed to help in answering the question.
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Figure 4.5: Modified Jeopardy Game Cards, With Study Terms, Questions, and Answers
6. Students are given five or ten seconds, or some other designated amount
of time to answer.
7. If the student does not know the answer or has the wrong answer, the
rest of the group has the opportunity to answer it for half the points.
8. If no one in that group knows the answer, it passes to the next group
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
(for half the points).
9. The game continues until all students have had a chance to answer
(and until all groups have had the same number of turns).
10. The group with the most points wins.
Word Dominoes
There are many variations on the word domino game, which can be used for
reinforcement. For example, word tiles can be matched according to:
c High-frequency words (the, before, then).
c Related meanings (run, walk, and jump can be matched).
c Compound words (police and man can be matched to make policeman).
c Letters of the alphabet (either matching single letters such as H, L, or G
or matching dominoes with words that begin with the same letter as a
word that ends with that letter [boy can be matched with yes]).
Quick Competitions
In these two- or three-minute competitions, students collaborate with a
partner to recall vocabulary and concepts related to a unit of study. These
quick competitions generate many kinds of useful data for teachers, including
which concepts students are most familiar with and which ones they do not
appear to be internalizing. The information can also provide feedback to the
students themselves. Students tend to enjoy these short, informal, ungraded
competitions, which can motivate them to pay better attention to concepts
and terms because they know there will be a competition.
Procedure
1. The teacher explains that students will be working in pairs to list as many
items as possible for each category posted. They have a defined amount
of time (for example, three or five minutes).
2. The list of possible categories is endless. In addition to words/terms
relating to content-area units of study (for example, ancient civilizations)
or a subject (for example, mathematics, science, or art), the categories
can be more general in nature (for example, sports, foods, hobbies,
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3. After the designated amount of time is up, students put down their
writing utensils.
4. Pairs of students take turns reading aloud an item from their lists.
5. If an item is mentioned more than once, no points are awarded. If only
one pair mentions an item, that pair wins a point.
6. The winner is the pair that has the most points.
Fill in the alphabet box.
As a follow-up to a content-area unit or units of study, students work with
partners to fill in a chart with boxes for each letter of the alphabet. For
example, in Figure 4.6 (page 182), the partially completed chart is devoted to
animal life, and students had to select words that were related to that topic
and place them in the appropriate boxes. This kind of alphabet box activity
allows students to see how rarely certain letters, such as q, x, and z, occur
in English.
Alternative: Fill in mixed topic alphabet boxes.
Combine several topics, such as animals, plants, occupations, countries,
songs, and famous people in history. (See Figure 4.7, page 183.) In this case,
there are boxes corresponding to five categories, as well as free choice boxes,
which correspond with letters of the alphabet that generate very few words in
English. Free choice words may be restricted to words relating to the
assigned categories or may be completely unrelated to the topic.
Sometimes ELL students have had little or no schooling. They may come
from war-torn countries, or they may come from an area so poverty-stricken
that all members of the family need to work and/or take care of younger
siblings in order for the family to eat. In such cases, ELLs may come to
North American schools with limited familiarity with content-area concepts
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
habitat iguana jaguar
horse
z/Z
and vocabulary, both in their native language and English. The most
expedient way to support concept development is through the native
language. However, given that there are so few bilingual programs for ELLs
in grades 6–12 in North America, it is often inevitable that mainstream
teachers will be responsible for helping to narrow the concept/vocabulary
gap in English. The following fairly simple strategies can help make content
more comprehensible to ELLs.
* The students had originally written waterhog, which other students questioned, saying there wasn't an
animal by that name. This led to a class discussion about what a waterhog is. They then looked up
waterhog in the dictionary, didn't find it there, so looked up hog, where they found a reference to warthog.
An Internet search led them to the San Diego Zoo Web site and a picture and description of this animal
from Africa.
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z/Z
Country
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
jugs. After unearthing these artifacts and carefully describing and recording
each object, the groups had to hypothesize about how the objects might
have been used and then, ultimately, the cultures that used the objects.
This activity led to an actual dig in the school grounds, followed by more
traditional learning experiences, including reading the social studies textbook.
By the time the students reached this stage, they were so enthusiastic about
archaeology and had acquired such a solid understanding of the discipline and
its related terms that the dense textbook was much more comprehensible to
them than it would have been otherwise.3
3
For a detailed description of a similar activity, see pages 94–113 in Stephen Cary’s Working With English
Language: Answers to Teachers’ Top Ten Questions (2007).
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Heart
Liver (pumps blood)
(many functions, Kidneys
including helping (act as a filter)
digestion & cleaning
the blood)
4
This strategy is often associated with the GLAD Project (Guided Language Acquisition Design).
More information about GLAD can be found at www.projectglad.com.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c. Project the transparency onto a large piece of butcher paper.
d. Use a pencil to very faintly trace and label key elements.
• Using an opaque projector:
a. Project the picture onto a large piece of butcher paper.
b. Use a pencil to very faintly trace and label key elements.
• Using a laptop computer and projector:
a. Scan the picture and save it onto the laptop as a PowerPoint
slide.
b. Project the picture onto a large piece of butcher paper.
c. Use a pencil to very faintly trace and label key elements.
3. While using a marker to trace over the pencil outline, the teacher talks
about the content and writes labels to accompany the picture. For
example, in an introduction to a study of the human body and its organs,
a teacher used a marker to trace an oversized outline of a human body
while briefly remarking on and labeling the names of the organs and
their functions, as the following excerpt illustrates:
Ms. Thai: Today we’re going to begin a study of the human body. (She picks up
a large marker and traces the outline of a human body that is posted
on the easel.) Here’s the brain (while tracing the outline of the brain
and shading it a little with scratch marks to resemble a brain; she
then writes brain on the chart with an arrow pointing to the brain).
This is the control center for the central nervous system, which is
responsible for our behavior, or what we do (while writing control
center under the brain label). And here’s the heart (while tracing the
outline of the heart and writing heart on the chart with an arrow
pointing to the heart). The heart pumps blood through our bodies
(and then she writes pumps blood under the heart label). There are
two lungs. One is to the left of the heart and the other is to the right
of the heart (while tracing the outline of the left and right lungs and
writing left lung and right lung on the chart, with arrows pointing
to the two lungs). The lungs are the main organ for making sure we
breathe. Another term that’s used is respiration (while writing
breathe/respiration under the left lung and right lung labels). We’ll
learn more about this later in the week.
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Ms. Thai continued in this way, tracing, talking about, and labeling all
the major organs. On subsequent days, she used similar pictorial input charts
to teach about the heart, brain, lungs, small and large intestines, and other
organs. Another pictorial input chart can be found at http://community.
scholastic.com/scholastic/blog/article?blog.id=ELL_strategies&message.id=4.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
rotation ✓
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
planet ✓
asteroid ✓
black hole ✓
atmosphere ✓
astronomy ✓
telescope ✓
star ✓
gravity ✓
satellite ✓
observatory ✓
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Alternatives
At the end of a unit of study, invite groups of students to prepare their own
Knowledge Rating Guides for other groups of students to use in the future.
Be prepared to discuss how to choose words.
c Before embarking on a new study or reading, invite groups of students to
browse through texts looking for terms they think many students will be
unfamiliar with. Use some of these words to prepare a Knowledge Rating
Guide. Be prepared to discuss how to choose words.
c Use terms from Knowledge Rating Guides for periodic, quick reinforce-
ment games, such as bingo, Concentration, and Jeopardy.
Being able to decode is an important step, but students need to know that
reading involves making sense of what they have just decoded. Developing
vocabulary is integrally intertwined with this situation (see earlier pages for
vocabulary development and word consciousness activities), but the following
strategies focus explicitly on reading as a meaning-making process.
from the text when reading is a normal part of reading—and that good
readers correct miscues that lead to breakdowns in meaning.
A very effective way of showing the importance of reading for meaning
is through demonstrations. These can occur very informally and without
planning, such as when reading aloud. For example, Katharine has read
“mom” for “mother,” and has pointed out to students that she did this
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
without thinking, but as it didn’t change the meaning of the text, she didn’t
go back and repair the miscue. On another occasion, when she read, “she was
sold to a planter in South Carolina” for “she was sold to a plantation in South
Carolina,” she went back and reread that sentence correctly, and explained to
students that she had made a point of correcting it because plantation means
something distinctly different from planter (even though the words have the
same root and are connected).
More formal teaching demonstrations are also important. One that
Katharine has found to be effective involves several demonstrations. She
selects a text and then reads it while focusing on different cueing systems and
reading strategies, as the following examples illustrate:
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She is using all the cueing systems and self-monitors herself. This leads her
to correct words that change meaning, such as flows for flies, over land for
overhead, and big for bright. She didn’t self-correct bird for birds, however, and
it could be argued that the singular noun changes the meaning slightly.
After each demonstration, she asks students to talk about the strategies
she used and how effective she was as a reader. Typically, students can see
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
that her third demonstration is what good readers do—that is, they pay
attention to all the language cueing systems, and strive to make sense of the
text. They may make miscues, but they self-correct those that get in the way
of meaning.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
while reading (written think-aloud). These metacognitive conversations can
involve any of the following:
c The reader talking or writing about his or her reading processes.
c Two readers taking turns thinking aloud while reading.
c A student reading and thinking aloud with the teacher.
Think-aloud is an instructional strategy that helps readers monitor their
understanding, thereby supporting their reading comprehension. It is also a
valuable tool for assessment of students’ thinking processes and use of strategies.
All readers are periodically stumped by what they read. Experienced
readers have access to multiple reading strategies to figure out what stumped
them and repair the breakdown; in contrast, struggling and/or emergent
readers have access to far fewer strategies. Successful reading taps into the
following reading processes:
c Identifying a problem or difficulty (for example, unknown words and
concepts).
c Using fix-ups and trying to solve problems, such as through these means:
Rereading.
Reading on.
Identifying familiar root words.
Identifying familiar or potential cognates.
c Making predictions.
c Confirming and disconfirming predictions.
c Asking questions.
c Visualizing.
c Making connections (activating schema):
Text-to-self.
Text-to-text.
Text-to-world (including community).
c Making inferences.
c Evaluating text.
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Procedure
The teacher can work with an entire class, small groups of students with
similar needs, or an individual student. In general, it is best to work with
two or more students so that they can see how other students approach
texts and use reading strategies.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
1. Select a reading strategy that students typically do not use and that
would be helpful to them in making sense of a text (for example, making
text-to-self connections or identifying unfamiliar words/terms).
2. Select a short text that lends itself to demonstrating the identified
reading strategy.
3. Post the text on a transparency or opaque projector and give each
student a copy.
4. Explain to students that you will be thinking aloud to help understand
the text better. Ask them to notice the strategies that you use. Then
demonstrate thinking aloud.
5. Have a discussion with students about the strategies you used, such
as asking questions, making text-to-self connections, and making a
prediction. If students don’t mention strategies you used, point them out
and explain your thinking, if needed.
6. Chart the think-aloud strategies that you and the students generate, and
include an example of each so students have a clear understanding of the
strategy later.
7. Ask students to think aloud in pairs—it’s a good idea to ask them to try
the strategy that you just focused on in your demonstration, but they
shouldn’t be limited to it.
• Students should read texts that are slightly above what they can
read independently with understanding, so that they are likely to
have some breakdowns in meaning, but will still be able to make
sense of the text.
• Students take turns reading a couple of lines or a paragraph and
thinking aloud.
• When not thinking aloud, students keep notes on the strategies
they observe their partner using. These can be recorded on
notebook paper or on a sheet. (See Figure 4.10, page 194.)
8. The whole class/group meets and talks about the strategies they used,
and any new strategies are added to the chart.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Predicting
Confirming/Disconfirming
Predictions
Identifying a breakdown
in comprehension
Asking questions
Visualizing
Making Connections:
Text-to-self
Making Connections:
Text-to-text
Making Connections:
Text-to-world
Inferring
Evaluating
Using Fix-Ups/Trying to
solve problems
Unrelated to text
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Name: Angelina
Title: Lupita Mañana
Author: Muñoz, P.
p. 18 p. 21
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
On the hillside of my town in Leaving the children, Lupita
Mexico poor people some times came back to the door, which
they are so many that the town she had left “ajar” What does
gets bigger every year! “ajar” mean.
p. 21 p. 25
They wanted to give Hernando to Does Pocho mean born in the
the Captin so that he could work, U.S.A. and your parents were
but I think that he is too small. born in Mexico.
And they said that the very next Where did that word come from?
day that the father was dead
p. 38 p. 46
They wanted to dress Lupita as The guy that hit Salvador said that
a boy so that well I think she they could do better than robbe
wouldn't get raped. some kids to only get 4,000 pesos.
4. Have students arrange the strips in order. If students are working in pairs
or small groups, the conversations they have that lead to decisions can be
very valuable.
Alternative
Students collaborate in writing a how-to procedure, such as a recipe, directions
for playing a game, or steps in a science experiment. Students then copy the
steps, cut them up, put them on strips of paper, and put them back in order.
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Name: __________Grade/Age:
Teresa ______
6th Date: _________
3/22 Text: ___________________________________
The Great Gilly Hopkins
Incidence
Think-Aloud Strategy Examples Tally %
Retelling She thinks that she didn't deserve to be put with √ √ √ (3) 12%
that family (p. 13)
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Predicting That the next person would find a sticky surprise √ (1) 4%
Confirming (0)
Predictions
Identifying a problem Is Gilly playing a game with Mrs. T. and Mrs. T. √√ (2) 8%
didn't know about.
Visualizing (0)
Inferring Right her you can tell that Gilly is a different √√√√√√ 50%
child (p. 3) √√√√√√
Gilly put her left hand on the door knob and (12)
the right hand on her hip . . . . I think she was
telling is Mrs. Trotter to bit it (p. 8)
Right her you can tell she doesn't like W.E. (p. 56)
Evaluating I think Gilly is mean because she wanted Miss √ √ √ √ (4) 16%
Ellis fired. (p. 15)
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
3. Ask students to pay attention to what you do when you retell.
4. Read the short text aloud while students follow along, either in their own
copies or on the overhead or opaque projector.
5. Then demonstrate a retelling, paraphrasing only the most important
points, and using your own words as much as possible.
6. After the retelling, ask students to comment on what they observed you
doing. They might point out that you didn’t talk about everything in the
passage, your retelling was much shorter than the text itself, and you
used your own words.
7. Then give students another short passage on a familiar topic and read it
to them while they follow along. (The focus at this point is on the retell,
so it’s fine to read it to them.)
8. After this initial reading of the text, the students collaboratively generate
a retelling. This step often leads to a discussion about which points are
essential, how to restate a point in one’s own words, and whether the
point was actually present in the text. (With familiar content, students
sometimes overrely on background knowledge.)
9. Students take turns retelling short texts with a partner.
10. Once students are able to retell short texts containing familiar content,
they are usually ready to move to longer texts and/or texts about much
less familiar content.
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elicit key words or phrases to include. Ask the students to turn their text face
down or close their books and retell the story (for fiction) or account (for
nonfiction), using the graphic organizer as a map or guide. (Examples of many
useful graphic organizers can be found at www.eduplace.com/graphicorganizer.)
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c The online version of Discover magazine has lots of very short,
informative pieces. Though not intended for ELLs, they can be easily
adapted for ELLs; in addition, if students are interested in a topic, the
short texts aren’t too intimidating: http://discovermagazine.com.
c Easy English News is a monthly newspaper for high school and adult
immigrant ELLs, written by a former ESOL teacher: www.elizabethclaire.
com/een/eendescription.html.
c Scholastic also publishes other magazines for school-age learners that can
be used with ELLs, sometimes as is, and sometimes with modifications.
They include DynaMath and SuperScience for Grades 3–6, and Science
World for grades 7–12: www.scholastic.ca/education/magazines/index.html.
c Time for Kids, Grades 4–6 is a weekly news magazine that draws on the
same news sources used by its parent magazine, Time: www.timeforkids.
com/TFK/teachers/wr/0,27955,,00.html.
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evaluating a text. That is, the main idea of a passage may not be explicit. Also,
there may not be an identifiable main idea or a single main idea in a given
paragraph. The following activity is designed to help students find the main
idea of a passage through the preliminary step of labeling groups of words.
1. Post a chart listing several group of words. (See Figure 4.13.) Do not
include the titles at the top of each column.
2. Ask students to generate a word or term that best describes what each
group of words is about. Students can work in pairs or small groups.
3. Discuss students’ ideas, stressing that the words and phrases need to
describe what the words are mostly about. Relate the discussion to
reading and to the ways in which we pay attention to what a passage,
chapter, or entire text is mainly about.
Figure 4.13: A Chart of Categories of Words to Help Students Find the Main Idea
2. Discuss with students what they think the terms fact and opinion mean.
They can look up the definitions in the dictionary or online. List descrip-
tive terms about these words, such as the following:
Facts Opinions
are true beliefs
are real/exist thoughts/ideas
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
can be proved judgments
have actually happened ideas
3. Give students two sentences, one that is factual and one that is an opinion,
and ask them to discuss whether they are facts or opinions. Students can
begin by talking with a peer, and then share their responses with the whole
class or group. Sample sentences could include the following:
Men are horrible dancers.
Snow is cold.
4. Post more sentences and ask students to decide if they are facts or
opinions, and why. The subsequent discussions can be very informative
and helpful to students. Sample sentences include:
Summers in these parts are usually very hot and dry. (fact)
We’re having horrible weather today. (opinion)
Eighty-four percent of the students graduated from our school last year. (fact)
School is too easy/too hard. (opinion)
The president has served two terms. (fact)
The president is the best/worst president we’ve ever had. (opinion)
5. Give students a passage that includes both facts and opinions and have them
list sentences and phrases in the appropriate columns of a T-chart. (See
Figure 4.14.) Following is the passage that generated these observations.
Fact Opinion
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Sometimes students want to read aloud to validate that they are readers,
particularly if they are in classrooms with more fluent readers who get called
on to read. Also, reading aloud can help in understanding difficult texts, such
as some poems and very complex sentences. In addition, we have noticed that
some students who come from a much more oral tradition may subvocalize
when reading even short e-mail messages—this process seems to help them
make sense of the messages. The following strategies are designed to
acknowledge students’ desire to read aloud to others and give them authentic
opportunities to do so, and do it well when it’s for a performance.
5
A running record is an assessment tool for recording a student's oral reading of a text and determining
the language cueing systems and self-monitoring strategies used. The teacher uses check marks to
indicate each word the student reads correctly.
6
In miscue analysis, the teacher records deviations the reader makes from the written text on a copy of
the text. The student also provides a retelling, which aids the teacher in determining the student's
understanding of the text, use of reading strategies, and needs.
7
A retrospective miscue analysis involves students listening to a tape recording of their own reading of
a text and analyzing and explaining their miscues.
involve some reading aloud. All of these assessment tools are very effective
in providing teachers (and students) insights into the reading strategies
students use and which reading strategies they would benefit from being
taught. See Figure 4.15 for a list of professional resources related to these
assessment tools.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Targeted Strategy 3: Offer pair reading.
If students insist on reading aloud to each other, a more effective strategy
than whole-class round-robin reading is to offer students a pair-reading
experience. In pair reading, two to three students read the same text and
then talk together about it. This provides readers with both a shared
Running Records
Clay, M. (2000). Running records for classroom teachers. Portsmouth, NH:
Heinemann.
Shea, M. (2006). Where's the glitch? How to use running records with older
readers, grades 5–8. Portsmouth, NH: Heinemann.
Miscue Analysis
Davenport, R. M. (1999). Miscues not mistakes. Reading assessment in the
classroom. Portsmouth, NH: Heinemann.
Goodman, D. (1999). The reading detective club: Solving the mysteries of
reading. Katonah, NY: Richard C. Owen.
Wilde, S. (2000). Miscue analysis made easy. Portsmouth, NH: Heinemann.
Think-Alouds
Keene, E. O., & Zimmermann, S. (2007). Mosaic of thought: The power of
reading comprehension strategy instruction (2nd ed.). Portsmouth, NH:
Heinemann.
Schoenbach, R., Greenleaf, C. L., Cziko, C., & Hurwitz, L. (2000). Reading for
understanding: A guide to improving reading in middle and high school
classrooms. New York: Jossey-Bass.
Wilhelm, J. (2001). Improving comprehension with think-aloud strategies:
Modeling what good readers do. New York: Scholastic.
Figure 4.15: Resources for Assessing Students’ Reading Processes and Needs
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experience with texts and peer support, and can also introduce students to
new authors, illustrators, and genres. (See page 164 for more information
about pair reading.)
LEA texts are typically read many times by the entire group or class, so
students are likely to be able to read them aloud relatively fluently, much
more so than with round-robin reading. (See pages 164–166 for information
about LEA.)
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c If students are developing their own scripts, teach them how
to do this through demonstrations and scaffolding.
c Teach students strategies for giving a successful performance.
For example, show them how to project, speak with clear diction,
stay in character, and not rush through the performance.
c Provide time in class for students to rehearse their performance.
c Allocate time for performances.
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Used different voices for different characters. Read a book that wasn't interesting.
Talked briefly about why s/he chose the book. S/he didn't seem to know the book.
S/he seemed to really know the book. Made lots of mistakes—interrupted the flow.
Chose really interesting text (e.g., picture Kept interrupting to ask questions—
book, poetry, nonfiction picture book, maga- interrupted the flow.
zine article, novel, piece by a student).
Figure 4.16: Student Read-Aloud Strategies: What Works and What Doesn’t Work
207
1…………………………………………………………………………………………………………
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Background knowledge is very important in the understanding of any text,
and irregular behaviors are often grounded in students’ lack of familiarity
with the content of the text. Some strategies that help in these circumstances
include the following.
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We have grouped these three situations together because they all reflect a
limited view of why one reads. Sadly, these situations often arise from the
kinds of learning experiences that students have in school, which all too
frequently are disengaged from reading for enjoyment and/or to gain
information. When students have experienced early reading instruction as
decoding, without much, if any, emphasis on reading as a meaning-making
act that leads to us being informed and/or entertained, then it may be
inevitable that they do not approach reading with enthusiasm. This is
particularly true if they have had few successful experiences with reading, as
typically happens when students are taught to read through one-size-fits-all
textbooks—after all, if the reading program is the focus of instruction, rather
than the individual learner, then it is inevitable that many students are not
going to receive appropriate instruction (Samway & Pease-Alvarez, 2005).
Katharine often asks students what reading is, and she has found that those
students who are being taught to read through textbooks and worksheets tend
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Targeted Strategy 1: Implement guided reading or group
reading strategy instruction.
Students in middle school and high school benefit from focused strategy
instruction that is grounded in their needs (Cohen, 2007), and guided reading
is one approach that provides instruction to groups of students who have
similar needs. See Fountas and Pinnell’s Guided Reading: Good First Teaching
for All Children (1996) for a very helpful and detailed discussion of guided
reading. There are also two accompanying videotapes, Guided Reading: The
Essential Elements and Guided Reading: The Skillful Teacher (Fountas & Pinnell,
2001). Debra Goodman’s The Reading Detective Club: Solving the Mysteries of
Reading (1999) is a very useful resource that offers information about the
reading process and how to set up and maintain a Reading Detective Club. It
also provides “mystery cases,” which are reading strategy lessons for students
and teachers. Avalos, Plasencia, Chavez, & Rascón (2008) describe a modified
form of guided reading that takes into consideration the specific needs of
ELLs. See Figure 4.17 for an overview of component parts of a modified
guided reading lesson for older learners.
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Decoding in English
My ELLs sometimes get confused by similar sounds
Situation 1 and letters, such as n/m, b/p, b/d, and ch/sh.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
My ELLs sometimes have difficulty
Situation 2 decoding multisyllabic words.
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how to hear and produce unfamiliar sounds. In both cases, developing vocabulary
is of critical importance to ELLs’ academic success, and reading instruction
should not overemphasize phonemic awareness or phonics instruction.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c A word wall is an organized collection of frequently used words—
words are often organized alphabetically.
c Words are added to the wall on a regular basis, but only after being
discussed with students.
c Words are written in large letters on cards, which are then attached to
the word wall.
c Words that are often confused are written in different colors (e.g., bad
and pad; their and there).
The words on the word wall are used in reinforcement activities, such
as the following.
Add an Ending
Students are given an ending and asked to find words on the word wall that
can take that ending (for example, -s can be added to school and book to make
schools and books respectively).
Rhymes and Endings
Students have to find words on the word wall that rhyme with a word in a
sentence after the ending on that word has been removed. For example, if the
teacher says, “My friend brings lunch to school every day,” students may
locate thing or sing.
Mind Reading
1. The teacher writes a word from the word wall on a piece of paper that
the students can’t see.
2. The students are then given four or five clues for identifying the word.
For example, with the word surprise, the teacher might provide the
following clues:
• It has eight letters.
• It begins with an s.
• It can be a noun or a verb.
• It makes sense in this sentence: I got a ____ present for my birthday
as I wasn’t expecting it.
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3. Students write down words after each clue so they can keep track of
their predictions.
4. After the final clue, the teacher asks students to identify the word.
Students who have written surprise can then consider themselves
successful “mind readers.”
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Alternative
In each of the activities, students can take the role of the teacher.
ELLs who come to school with limited literacy skills in their native language,
as often happens with ELLs who have had interrupted schooling, often need
to be taught about the English alphabet system. The same is true for students
who have not been exposed to English prior to entering a North American
school and whose native language isn’t alphabetic (for example, Chinese) or,
although alphabetic, doesn’t use the Roman alphabet (for example, Arabic).
ELLs who are literate in their L1 usually need less time to learn the English
alphabet than their peers who aren’t literate in their L1.
There are several components to learning the alphabet:
c The names of the letters.
c The most common sounds associated with each letter.
c How to form the letters (both upper- and lowercase).
c How letters are both similar and different—for example, how the
l, b, and t all have a line that goes up, above the line, whereas p and q
have lines that go down, below the line. It is particularly effective to
have students figure out for themselves that letters are made up of a
combination of straight lines, curved lines, circles, and dots, and how
they are similar and dissimilar.
c When to use uppercase and lowercase letters.
Demonstrations and guided practice in how to form the letters can be
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
very useful—it is wise to limit these activities to no more than 10–15 minutes
at most in one sitting. Providing students with an alphabet sheet that shows
how to form letters can also be helpful.
AB—DEF—HIJ—LMN—PQR—TU—WX—Z
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“I came. Capital I as this word is always capitalized. Came begins with a /c/
and is followed by /a/, /m/, and an /e/, and I’m using lowercase.” (See pages
164–166 for more information about LEA.)
LEA pieces, newspapers, and other texts can be used for this activity.
C HAPTER 5
Writing
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Situations
W
riting, particularly opportunities to create texts, often takes a
backseat in literacy instruction in the U.S. and elsewhere
(Samway & Pease-Alvarez, 2005; Sailors, Hoffman, & Matthee,
2007); instead, reading occupies an inordinate amount of instructional time.
When one looks at how adolescent students in the United States do in
large-scale, high-stakes writing assessments, the results are cause for concern.
For example, on the 2002 National Assessment of Educational Progress
(NAEP) test in writing, 69 percent of eighth graders and 76 percent of twelfth
graders in the United States scored below the proficient level (National Center
for Education Statistics, 2004). Not surprisingly, ELLs fare much worse on
these types of high-stakes tests.
Writing is a developmental process, just as reading and spoken language
are developmental processes, and development for ELLs varies from learner
to learner (Samway, 2006; Urzúa, 1987). For example, although we know
nonnative English-speaking students who made rapid progress over a relatively
short period of time, we also know many ELLs who took much longer to
approximate the abilities of native-speaking writers. In addition, it is very
common to find that the writing of even very fluent ELLs is marked by
characteristics that are not typically found in the writing of non-ELLs (for
example, mixing up she/he pronouns, omitting the article a or the, and
confusing verb tenses).
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As ELL students gain more experience with print and with expressing
themselves through writing, their texts become more sophisticated and can
be read more easily, but even teachers who understand that writing is a
developmental process for ELLs can feel overwhelmed when newcomers to
English enter their classrooms. Some of these students may not be able to
write anything, or more than a few words, in English. Some may not be able
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c
c Draw only.
c Copy words, phrases, or longer texts.
c Label drawings.
c Write simple sentences.
c Write longer and more complex texts.
Students do not usually progress through these stages in a linear fashion,
so it isn’t uncommon to encounter what seems to be a regression. For
example, a student who is writing fairly complex sentences might suddenly
revert to writing very simple sentences or labeling drawings. This often
occurs when the student encounters new challenges as a writer (for example,
writing about less familiar content or writing in a new genre). What may
seem like regression is, in fact, usually reflective of the nonlinear, often messy
nature of writing development.
ELLs who are reluctant writers often manifest a variety of behaviors,
including the following:
c They don’t write anything.
c They don’t know what to write about.
c They don’t write anything original—they just copy.
c They only list words.
c They don’t do anything during writing time.
In the rest of this chapter, we offer some general strategies that can
be helpful in addressing any of these phenomena. We will then follow with
strategies that are geared to specific situations.
General Strategies
..................................
General Strategy 1: Use a unit-of-study, inquiry
approach to writing workshop.
A study of high school students found that most did not have many
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Best-Guess Gathering
Nia (1999) compares the process of gathering books that represent the genre
to a treasure hunt. Although the teacher may take primary responsibility for
gathering books, this task may be shared with the students, the entire school
community, and family members and friends.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Immersion
Through reading lots of books and talking about them, students begin to
identify how a particular genre is structured, the kind of language it uses, and
other elements of craft that define the genre.
Sifting
The class identifies books that best represent the group’s definition of the
genre and can support them as writers. Sometimes, texts that do represent the
genre will be rejected, because they differ from the texts that the students will
write, the class does not like the way they are written, or the teacher does not
think that the content is appropriate.
Second Immersion
Students immerse themselves in the books selected as best examples of the
genre, and they carefully explore craft moves, such as the following:
c Captivating leads.
c Rhythmic language.
c Inclusion of words in a language other than English.
c Dialogue.
c Internal monologue.
c Sentence length.
c Time compression.
c Poetic language.
c Use of headings and subheadings (in information texts).
Students work together to generate characteristics that the teacher
records on charts, which then become resources for students. At this stage,
the teacher seeks out a touchstone text, a particularly well-written book she
or he is likely to return to over and over again to demonstrate multiple
features of writing. At the same time, each student is looking for mentor texts,
those that they will use as models (for example, of text structure, language use,
and leads). Unlike touchstone texts, mentor texts may include only one craft
element, but it is one that the student is attempting to incorporate into his or
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her writing. Also, when writing informational texts, students may select
mentor texts based on content and use them for research purposes. (See
Appendix L for an annotated list of some well-written multicultural books
that Katharine and teachers she works with have used as touchstone texts.)
Touchstone Try-Its
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
The class rereads and talks about the touchstone text on several occasions in
order to understand what the author did to write in such a compelling way
(for example, used short sentences for emphasis or used colloquial language
in dialogue), so that they have access to additional strategies for their own
writing. Through mini-lessons and conferences, the teacher encourages
students to try out for themselves the “writing moves” that they have
observed accomplished writers using. If students like what they write, they
may incorporate one or more of these moves into their published writing.
For example, Bibiana, a student in Yolanda Dandridge’s upper-grade bilingual
classroom, had read and been impressed by the Sandra Cisneros short story
“Hairs” (1984), in which the narrator describes the hair of various members
of her family.
Hairs
Everybody in our family has different hair. My papa’s hair is like
a broom, all up in the air. And me, my hair is crazy. It never obeys
barrettes or bands. Carlos’ hair is thick and straight. He doesn’t need to
comb it. Nenny’s hair is slippery—slides out of your hand. And Kiki,
who is the youngest, has hair like fur.
But my mother’s hair, my mother’s hair, like little rosettes, like little
candy circles all curly and pretty because she pinned it in pincurls all day,
sweet to put your nose into when she is holding you, holding you and you
feel safe, is the warm smell of bread before you bake it, is the smell when
she makes room for you on her side of the bed still warm with her skin,
and you sleep near her, the rain outside falling and Papa snoring. The
snoring, the rain, and Mama’s hair that smells like bread.
Bibiana’s story, “Hands, Manitas,” is influenced by Cisneros’ writing in
several ways: the lead is very similar; the narrator refers to the hands of each
member of her family; and the narrator emphasizes her mother’s special
qualities. (See Figure 5.1, page 224.)
Writing
Throughout the study, students are writing, jotting down “seed ideas”
(Fletcher, 1996) and “try-its” in their writing notebooks, and writing and
publishing other pieces that they have elected to pursue. They will publish
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Figure 5.1: Bibiana’s Story, “Hands, Manitas,” Influenced by “Hairs” by Sandra Cisneros
a piece for the genre study, but given all the work that has preceded it in the
sifting, immersion, and try-it stages, writing this piece is a continuation of
what they have been doing already, not a sudden demand to now write a
memoir, essay, or poem.
Publishing
Not all units of study lead to a published piece, but many do. However,
whatever students learn about the craft of writing in one study is likely to
affect a future piece of writing. That is, units of study, though discrete, are
parts of a whole curriculum that supports the writer. For example, if students
have worked on writing leads in a study of personal narratives, they tend
to be more aware of how authors write leads in other genres, such as
information books or book reviews.
Reflecting/Assessing
At the end of the study, the students and teacher reflect upon and assess
individual students’ accomplishments during the unit of study, which includes
both the product (the piece of writing) and the processes involved in writing
it. This process of reflection may include a letter to readers in which the
author explains what she or he was trying to accomplish—for example,
using dialogue to convey tension, using repetition to tell a story, or using
interesting headings to capture readers’ interest—and which authors and
texts influenced their writing. For example, Duc’s letter to readers shows how
he was influenced by Cynthia Rylant’s writing. (See Figure 5.2.) Duc also
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
wrote a fictional piece about a boy experiencing the death of his father, after
hearing his teacher, Libby James-Pasby, read a piece she had written about
the death of her sister. He had been moved by his teacher’s memoir and
impressed by her pacing, and he tried to emulate her writing. (See Figure 5.3.)
In this letter, Duc refers to how Rylant slows down the pace of her stories for
dramatic effect by using dashes and ellipses, and Duc uses ellipses for the
same reason at the point where his narrator encounters his lifeless father.
Depending on the focus of the unit of study and the progress of inquiry,
the study can last for as little as one week (for example, a mini-study on
revision) or three to four weeks (for example, a unit of study on poetry or
information books).
Although ELLs may lack the control of English that native speakers have,
we have seen how they respond very positively to this approach to teaching
writing. They thrive on the opportunities for meaningful discussion and
inquiry; they benefit from individualized conferences; they are able to see
connections between what they read and what they are writing, particularly
when the touchstone texts relate to experiences that resonate with them.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
something else hadn't happened. I slowly reached the end of the
stairway. That's when I saw that something was really wrong.
A lifeless body on the couch. It was, my dad . . . His face was pale
white as a vampire, and his lips were purple. My eyes started
watering. I quickly turned around to hide my face. I want to
buried my face in a pillow. But there was no pillow around only
my dad body. I slowly looked at mom she was sobbing so hard
that her shirt was wet. When I saw my dad's spirit had left I felt
like the world had stopped spinning, and time had stopped. My
eyes were watering again, and this time I can't keep the tears
from coming. My vision was being blocked from the water I was
crying. I just stood and stared at the lifeless body. I didn't
know what to do. It was like I have no more meaning of liveing
anymore. I felt like my mouth was dry, and my legs and arms were
numb. I was still kind of shocked and confused. Run up stairs and
just died in my room, but my feet were super glued to the floor.
The next thing I know I was in bed. I must have cry myself to
sleep. I woke up because my back was hurting. I thought it was
all a bad dream I wish it was just a bad dream. I raced down
stairs but my fear was real. It wasn't a dream I tried to wake
myself up but I knew I couldn't change the fact. That my dad
was dead. I knew I couldn't move on. It's so hard to lose a
father. I sat in my room looked at the clock my dad had given me.
I look at the second hand on the clock it was moving forward
and a minute and the hour hand was staying still. I knew I'd have
to move on like the second hand of the clock and the other hand
of the clock is just a memory. I may not see my dad anymore but
my mom needed me and I have to surpport her.
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challenging than simply labeling one’s drawings, is to write comics or comic strips
(Bitz, 2004). Each of these activities reduces the writing demands placed on
students and allows them to express more complex thoughts than they can
produce orally or in extended writing in English. (See Chapter 3, page 93, for a
description and an example of a wordless picture book that a student can create.)
6
1…………………………………………………………………………………………………………
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
7 8
9 10
“I like I am sad. I am sad. I am sad. That good.” In her own piece about the
recent birth of her cousin, this student included the refrain I am happy. In
each case, these students borrowed features of the original text read to them
by their ESOL teacher.
c Texts may be written in English, the native language, or they can be
bilingual; two or more students can collaborate on writing a bilingual text.
c Texts may be saved as books with simple or elaborate bindings, or
as anthologies stored in photo albums or three-ring binders.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
share), they have not experienced the piece as readers, which is regrettable.
Students need to actually read the texts that their peers write to make the act
of writing more tangible.
Student-authored texts need to be stored in easily accessible locations
in order to validate the students’ writing. Ways to store these texts include
the following:
c Cardboard, wooden, or plastic containers placed in the classroom library
or on tables around the room, including students’ tables. Books may be
stored according to genre (for example, poetry, information books,
stories) or theme (for example, books about our families, immigration
stories). Although copies of student-authored books should be mixed in
with professionally published books, it is also a good idea to store copies of
student books more visibly.
c Displays on the walls of the classroom. Some teachers allocate a small
space, roughly 15 by 18 inches, for each student to post his or her work,
and to change it on a regular basis.
c Walls and bulletin boards outside classrooms and in school corridors can
be used to display student work.
c Class and school newsletters published on a regular basis.
c Electronic newsletters or class Web sites.
c A mobile library of student-authored texts that moves from classroom
to classroom.
If texts are widely accessible, be sure to make back-up copies in case any
get lost.
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texts into English so they are accessible to other readers. Another benefit of
encouraging students to write in their L1 is that it often leads to a greater
respect for and recognition of the ELLs by classmates who don’t speak or
write their language. This is one occasion when ELLs are the experts,
something that is so hard to come by when one is a newcomer to a language
and culture.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
appropriate for older learners who lack familiarity with a Latin-based
alphabetic language or, due to limited schooling, have had very few experiences
with writing.
c The teacher and student(s) share the pen while writing a text (unlike LEA,
in which the teacher encodes the text generated by a student or a group).
c The content of the text is agreed upon collaboratively. It could be about a
wide range of topics, such as a time when a student won a prize in a town
foot race or an invitation to a local zoo employee to talk to the class about
reptiles. The content may be revised in the process of writing.
c Initially, the teacher takes the lead in physically writing the text, with the
student(s) contributing a letter, a word, or a phrase as they are able.
c With experience and growing familiarity with English, students can take on
more responsibility for writing the text themselves.
There should be considerable discussion while the text is being written, as
the following excerpt from a group-generated shared writing activity illustrates:
Teacher: So, we’re going to write to Ms. Pamela Argüeda to invite her to share her
collection of musical instruments from around the world with us (writes the
visitor’s name on the board). How do we begin a letter like this? (Pause) If
you’re not sure, remember, there are charts on the wall to help us. (Pause)
Flora: With the date?
Teacher: OK. We do need the date, but there is something that we need to put first.
(The group discusses the component parts of a letter.)
Daniel: The address.
Teacher: Right. Our address comes first. We’ll use the school address because we’re
writing from the school (she writes the first part of the school address on
chart paper hanging on an easel, talking through what she is writing and
asking for input on how to spell words and punctuate sentences). OK, so I’ve
just written the name of our school, and the street address. Now, what
do we need to complete the address?
Marita: The town.
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Teacher: Right. The town and zip code (she writes the zip code on the board,
speaking the numbers as she writes them). The post office will know
where to deliver the letter when Ms. Argüeda writes back to us. I think
most people know how to write San José and the zip code (pointing to
the zip code on the board), so who would like to write it?
Several students raise their hands. Angelina comes to the easel and writes the
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
town and zip code. The teacher asks her to stay and write a little more.
Teacher: How do we start the letter?
Agusto: Dear Pamela Argüeda.
Teacher: Right, we start with Dear, but we should probably make it a bit more
formal since we don’t know her. How about Dear Ms. Argüeda?
After a brief discussion about the differences between Ms., Miss, and Mrs.,
Angelina writes the salutation. Then she returns to her seat on the rug.
Teacher: Now we get into the main part of the letter, where we invite her to come
to our class.
The group discusses the best way to invite the speaker, and they decide on the
following text: We love music in our class, and we play lots of instruments. We hope
that you can come to our class to share your instruments and play for us. We come
from lots of countries, and we would like to see instruments from all around the
world. Please come and visit us.
Teacher: Now, let’s take turns writing the letter. And we can all help each other.
Tito, can you start it, please?
Tito takes the pen and writes the first part of the first sentence, checking
for words on the word wall and charts displayed around the room, and
occasionally accepting the suggestions offered by the rest of the students. He
writes, we love music in or clas and we play lots of, then stops and says he doesn’t
know how to write the word instruments. Alex offers to take over and writes
instruments, and he continues writing, We hop you can com to our clas to sher yor
instriments and play for us. The teacher then repeats the group’s third sentence,
“We come from lots of countries and we would like to see instruments from
all around the world,” and invites Flora to write that sentence. With help
from the rest of the group and her peers’ initial writing, Flora writes, We com
from lot of countrys and we wood like to see instriments from all arund the world.
In this way, the group collaborates to write the entire text of the letter.
Because the focus of the activity is on helping the students generate a
written message, the teacher doesn’t correct what the students have written.
She also knows that she may use this text for some interactive writing practice
later in the week (see page 253).
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
We know students who suddenly began writing when they were offered the
option of using pens. Other students, who struggled to form English letters,
responded well to being able to compose on a computer.
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After reading the author's Dear Reader letter, please record on this sheet your
feedback, taking into account the author's goals. Then sign it.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Figure 5.5: Student Response to Writing Sheet
Literacy Café
Middle school teacher Erika Daniels (2007) describes a celebration in which
students discuss their writing in informal conversations held at clusters of
tables covered with tablecloths and flowers; they also get to enjoy snacks.
If students have had little or no experience writing for authentic purposes and
have become accustomed to writing on assigned topics or genres, or in
response to sentence starters and patterned forms, or they equate writing
with copying someone else’s message, it can be hard for them to exhibit much
initiative as writers. For ELLs, this reality is often compounded by the
expectation that they write in a language over which they may not have much
control. When teachers encounter students who say that they do not know
what to write about, we are often tempted to give them topics or sentence
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starters, in the belief that this will lead students to writing independently
and/or writing more. However, if we want students to become enthusiastic,
independent, and successful writers who understand that writers compose
texts for multiple authentic purposes, we must provide them with real
opportunities to write, along with the support that acknowledges their
strengths and needs as writers. If students don’t know what to write about,
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
they need to be encouraged to focus on topics that are familiar to them (for
example, their families, favorite pastimes or interests, and early impressions of
life in their new country, school and community). In addition to the strategies
identified earlier, we recommend the following strategies to help students
find their writing topics.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
5. Allow students some time to think, but if after 10–20 seconds they
remain silent, briefly share some connections you made from the book to
your own memories.
6. List the connections on chart paper, and post the chart. Alternatively,
students can write their individual connections on sticky notes, which
they then post on chart paper.
7. If the connections students make can be categorized, do so with input
from the students, and post them on a chart. Alternatively, if students
write their connections on sticky notes, they can categorize their
connections by moving the sticky notes around.
8. Remind students that the charts are a resource to help them think about
writing topics.
Procedure 2
1. Read the memoirs or personal narratives written by other students.
2. Follow the steps listed in Procedure 1.
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• Getting stuck near the top of a cold mountain when the clouds
descended and the path disappeared.
• Her first visit to the U.S. and the agony of not being understood in
restaurants (even though her native language is English).
• Visiting the house where she grew up and being presented with a
bracelet from her childhood that the current owner had found
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
1
Linda Rief (1992) describes a similar process using a graph titled “Significant Positives and Negatives”
in which students list the best and worst things that ever happened to them.
3. Demonstrate how to fill in the spaces. (See Figure 5.6 for a completed
example. The grammar, spelling, and punctuation have been standardized.)
4. Ask students to generate their own lists, using words and/or drawings.
5. After generating their lists, students share their potential writing topics.
Alternative: Brainstorm topics.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
1. The entire class or a group generates a list of possible topics. This list
can refer to shared experiences as well as individual experiences.
2. The list is posted so that students have easy access to it.
Alternative: Brainstorm genres.
1. The entire class or a group generates a list of possible genres. (See
Figure 5.7.)
2. Part of the brainstorming may include a discussion of how different
genres may coincide with different purposes for writing. For example,
a letter to a family member is often written to inform them of one’s
activities and development and to express love, whereas an obituary is
written to honor a deceased person.
3. The list is posted so that students have easy access to it.
Alternative: Brainstorm letter-writing options.
Letter writing is one of the most common and authentic writing experiences
(as long as the letters are written for a real audience, and sent), and reluctant
writers often respond very favorably to having opportunities to correspond
Good things that have happened Not so good things that have
to me happened to me
1. When my baby sister was born. 1. When our house was flooded.
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with others. Many different types of letters can be written, and we have found
that the following approach works well:
1. Begin by discussing with students why people write letters (e.g., to
inform, make requests, complain, express love and gratitude, entertain,
remind, confirm).
2. Using a two-column format, students (the whole class, a group, or an
individual student, depending on the instructional format) generate a list
of the different kinds of letters they have written and/or might write.
These are listed in the left column.
3. Then the students generate a list of people to whom they might write
each of these different types of letters. These are listed in the right
column. (See Figure 5.8, page 242.)
Catching up with someone Grandma, friend from home, last year's teacher
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Thank you Museum guide, speaker to class,
janitor/secretary/librarian/principal,
volunteers, special teachers
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2
There are several excellent resources available for teaching spelling strategies, including Ideas for Spelling
(Bolton & Snowball, 1993), Word Crafting: Teaching Spelling, Grades K-6 (Marten, 2003), and Words
Their Way: Word Study for Phonics, Vocabulary, and Spelling Instruction (Bear, Invernizzi, Templeton, &
Johnston, 2007).
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
In school, I don't like . . . My favorite music is . . .
My favorite foods are . . . My favorite movies are . . .
My favorite TV shows are . . . I am good at . . .
My family is made up of . . . My earliest memory is . . .
What I like least about living in What I'd like to do better in
(name the country) is . . . (name a subject) is . . .
What I like best about living in
(name the country) is . . .
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Journals and logs give students the opportunity to reflect upon their lives and
their learning. Dialogue journals are often very successful with reluctant
writers (Atwell, 1998) and ELLs, (Peyton & Reed, 1990; Rous, 1993; Samway
& Taylor, 1993a, 1993b). In dialogue journals (DJs), students correspond
with their teacher or another person. Topics may be entirely open-ended,
or there may be content guidelines. For example, Dorothy’s ELL students
corresponded with her about books they had been reading; they also
corresponded with Katharine about their reading and writing processes
in letters. (See Appendix N for additional ideas for written reflection.)
Some useful maxims for successful dialogue journal writing that we have
learned to respect over the years include the following:
c Avoid cheerleading comments in the margins (Interesting! Nice job! Too
bad!). Instead, respond authentically to what students write (I’m so sorry to
hear about your dog being sick. If it were my dog, I’d be as upset as you. How is
she now?).
c Be prepared to read your entry aloud to the student, and then invite him
or her to respond in writing.
c Monitor the length of your entries. When we are interested in a topic, it
can be tempting to write very long entries that can overwhelm students.
It’s generally a good idea to keep your entries similar in length to those
of your correspondent.
c Do not correct students’ writing. A dialogue journal is a form of
communication, and the teacher’s writing should be in response to the
content of the student’s entry. Also, keep in mind that a DJ is almost
always a first-draft type of writing.
c Although it is important to demonstrate standardized use of spelling,
grammar, punctuation, and capitalization, and the correct use of
vocabulary in your entries, be prepared to teach to these items at another
time, such as in a writing workshop mini-lesson or during word study
time. Sometimes, students pick up on our correct usage, but not always.
c If you are corresponding with a whole class, stagger how many DJs you
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c DJs can be written by hand or typed on a computer and sent via
the Internet.
Alternative: Use written conversations.
In contrast with dialogue journals, written conversations provide immediate
feedback, with correspondents writing, exchanging entries, and responding
right there and then (Van Sluys & Laman, 2006). In this respect, a written
conversation resembles instant messaging.
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charts. Fiction, nonfiction, poetry, rhymes, chants, and other texts that are
highly predictable and written with rhythmic language support emergent
ELL writers. A follow-up activity for shared reading that supports writers
who just list words is sentence strips. (See Chapter 4, pages 160 and 195–196,
for the procedure.)
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
• The person taking dictation shows appreciation for the content of
the text.
3. Two students work together to take turns dictating their texts to
one another.
Teachers often complain that their students plagiarize (Williams, 2007) and
this charge is often leveled at ELLs. To be sure, ELLs who have been
educated in their home countries may copy large amounts of text without
using quotation marks and citing their sources, but it is important to note
that not all countries and cultures regard the borrowing of another’s words as
plagiarism. In some parts of the world, information and written expression is
believed to be owned by the whole society (Mundava & Chaudhuri, 2007).
In some cultures, it is believed that one becomes a good writer by copying
verbatim the writing of accomplished, recognized writers. If your ELLs are
literate in their L1, this may well be how they learned to write. So, ELLs
may be confused when they are reprimanded for integrating another’s words
into their writing without attribution.
The Council of Writing Program Administrators (2003) identifies factors
that may lead students to plagiarize, when in fact they haven’t intended to
hoodwink anyone:
c Students may not know how to integrate the ideas of others and
document their sources when writing.
c Students may not know how to take fully documented notes
when reading.
c Students from other cultures may not be familiar with North
American conventions governing plagiarism.
The following strategies can help ELLs and their teachers
avoid plagiarism.
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Several factors may influence how ELLs use their time in independent
writing, and it is essential to assess whether they know how they should spend
their time and whether the environment is conducive to writing. For example,
do they know what they need to do? Do they know what to do when they get
stuck? Are they allowed to talk with other students while writing?
Having opportunities to talk while writing is essential for ELLs, as it is
through talk that learning is often mediated. Talking helps ELLs figure out
what they want to write and how they want to write it. The prohibition of
productive, focused conversation can impede learning. For example, in some
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
teacher happens to come by for a conference. On occasion, students have told
us that they don’t know what to do, and when asked if they might consult
with another student at their table, they have indicated that talking is not
allowed during independent writing time.
The need for an environment that values discussion needs to be balanced,
however, with high expectations for how students use their independent
writing time. That is why we advocate talking that is focused and productive.
We have visited classrooms in which students are free to talk during
independent writing time, and we have seen students not writing, but visiting
with each other for up to 30 minutes. Clearly, this can be very problematic.
In order to support ELL students who don’t seem to use their time
productively during independent writing time, we suggest the following:
c Make sure all students know what they are going to do during
independent writing time. For example, after a mini-lesson, send
students to their tables or desks once they have indicated that they
know what they are going to do next.
c Make sure that all students are actively engaged in their writing before
beginning to confer—that is, move around the room quickly, checking in
before beginning to confer with students.
c Make sure that students have topics to write about (see strategies listed
earlier in the section on topic generation).
c Make sure that students know their options during independent writing
time (for example, write; do research, such as through reading; confer;
edit). Post a chart of options as a useful reminder.
c Have students set goals for themselves each writing session (for
example, “Today, I’m going to finish this draft”; or “Today, I’m going
to try different leads”; or, in the case of a student who spends all of his or
her time drawing, “Today, I’m going to draw for ten minutes and then
write words to go with the drawing”).
c If students distract other writers when they talk, allocate areas in the
classroom where students can confer and/or write collaboratively—
and monitor that they use these spaces productively.
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As Zemelman & Daniels (1988) have pointed out, there is no evidence that
correcting students’ writing actually leads to improvement. Middle school
teacher Sheryl Lain (2007, p. 25) writes that “all that editing I did on
3
A lack of development over an extended period of time, such as a year, may also be an indication of a
learning disability, and teachers should follow up, if they suspect one. However, when assessed for a
potential learning disability, ELLs should be assessed in their L1.
student work, all that rearranging of paragraphs, all that advice penciled in
margins often went unheeded by my students. I spent more time on the
student work than the students did.” This is a very familiar refrain among
teachers, so why do we continue to do it? Targeted instruction does have its
place when it focuses on one or two of the most crucial items, especially those
that impede meaning. The following strategies can also help ELL writers.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Targeted Strategy 1: Introduce a Teaching/Learning Points sheet.
In order to have a record of what one has taught and to hold students
accountable for what they have been taught, have students keep a record of
what they have been taught and/or have learned on a Teaching/Learning
Points sheet.
Procedure
1. To demonstrate how to use the sheet, after teaching about a particular
writing skill, strategy, or feature, place a blank Teaching/Learning Points
sheet on an overhead or opaque projector.
2. Ask students to briefly share what they learned.
3. For each point learned, write the date, the teaching point, and a succinct
explanation, comment, and/or example.
4. Students record teaching points on their own Teaching/Learning Points
sheets. They may record points taught to the whole class, in small
groups, or in one-on-one conferences.
5. Encourage students to refer to this checklist whenever they are writing,
not just when they are editing.
6. The checklist is stored in students’ writing folders, in a place where
students can easily locate it, such as inside the front or back cover.
7. When a piece of writing is handed in, a student can attach the checklist
to it.
8. If a student’s piece does not incorporate the features you taught, check to
see if he or she has referred to the list. If not, then ask the student to do
so. Note that there are times when a student has used the checklist, but
needs additional teaching, which should be provided—this is particularly
true of points taught to a whole class or large group. For example,
Hussein recorded two dates next to “Read assignments until I know what
I got to do. And talk with friend about assignment.” (See Figure 5.10.)
He had done so because previously, the teacher had to remind him about
the importance of carefully reading guidelines and talking with peers in
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9/3 Read assignments until I know what I got to do. And talk with
9/21 freind about asignment.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
9/5 Talk with family to get ideas. Write down in writing jouornal.
9/14 Rhthymic three-can use three in my stories like “He was hungry.
He was thirsty. He was frightened.”
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
11/6 Past tense of go is went (not We went to the fair this weekend.
goed).
When we went to the Museum of Modern Art, we spent a lot of time at the
Pablo Picasso special exhibit. We had a guide, who was very interesting and
funny. We especially liked seeing how other artists borrowed from Picasso.
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doing, such as, “w-h-e-n, when. Do you remember that when has a
silent h in it, like where and what?” and “Museum and Modern Art
begin with capital letters because that’s the name of the museum, of
the institution. Like we capitalize our school’s name.”) Now, I’m going
to put a comma after Art because that’s the end of the introductory
phrase, and a comma goes here. After that comes, “we spent a lot of
time at the Pablo Picasso special exhibit.” Pablo, why don’t you write
that part as your name is involved. And the rest of us can help him, if
he gets stuck. (She passes the marker to Pablo, and he writes we
spend. Pamela says, “It spent” emphasizing the /t/). You’re right,
Pamela. Pablo, what we said was spent rather than spend. Spend
would mean we go there often, but we’re referring to the other day,
so how should it be? (Pablo says, “With a t?,” uses a small piece of
correction tape to delete the d, and then writes t.) Great, Pablo. Why
don’t you go ahead and write a lot of time at the (Pablo does this
successfully, glancing at a chart with high-frequency words when
writing time and the). Now for the end of the sentence, Pablo Picasso
exhibit. (Pablo writes Pablo and picaso, then stops and reads aloud the
sentence that he’s written so far. “That don’t look good,” he says,
pointing to picaso). Uh huh, good observation. You’ve almost got it.
There’s one letter and a capital letter missing. (Pablo quickly uses
correction tape to change the p into a capital P, saying softly, “His
name, right?”) Yes, you’re right about the capital letter being needed
for the beginning of his name. What about the missing letter? (Andrés
points to a poster of Picasso and says, “Two s.”) Good observation,
Andrés. (Pablo glances at the poster and makes the change, using the
correction tape.) Now for exhibit. (Pablo writes -ex, stops and looks
around, writes -ib, stops again while subvocalizing what he’s written
so far, and then writes -it.) OK. You’ve got all the syllables there,
Pablo, and the sounds of the syllables. This is a tricky word because
it’s got a silent letter at the beginning of the second syllable. Anyone
know what it is? (Pamela says “h, like in when.”) You’re right, Pamela,
it’s an h. After the -ex. (Pablo squeezes an h between the –ex and –ib).
And at the end of the sentence? (Pablo adds a period.) Thanks, Pablo.
Let’s all read it together. (The teacher and students read, “When we
went to the Museum of Modern Art, we spent a lot of time at the
Pablo Picasso special exhibit.”)
4. The writing of the text continues in this way, with frequent stops to
reread what has been written.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
5. The text is posted in the classroom to be used for reading practice and
reference purposes when talking about writing (for example, when to use
bullets, how to use bullets, how to punctuate, word choice, spelling).
Alternative
The teacher may decide to use a text written by a student or students for an
interactive writing session.
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Procedure
1. Select or write a passage that includes several instances of the targeted
teaching point. (When using a cloze for reinforcement rather than
assessment purposes, this point should be one that has been taught.)
2. Make a copy of the text and delete the words or punctuation marks you
want your students to practice using—but remember to keep the first
and last sentences intact.
3. Students can work alone or in pairs to generate words or punctuation
marks to fit the spaces.
4. Discuss with students what they generated. Be alert to the possibility
that they may have written perfectly acceptable alternatives that fit the
context of the passage but were not in the original passage, and be sure
to acknowledge this. The discussions that accompany these cloze
activities are very valuable and shouldn’t be overlooked.
3. Students edit their writing, keeping in mind the teaching point that
was discussed.
These conferences should be short and focused. They may be held with
individuals or small groups.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
A strategy that we have found to work well in supporting student self-editing
is for them to read their writing aloud in a location that allows them to have a
more private self-editing experience than typically occurs when students peer
edit and read to each other. We have noticed that when students read their
writing aloud, they often catch errors that they don’t catch when they read
their work silently.
It is not uncommon to find that older ELL students’ writing isn’t very well
developed and may resemble this kind of writing: This is boy. This the house.
The big dog. Sometimes this is due to developmental issues. For example, the
ELL student may be a relative newcomer to writing, may be processing a lot
of new information about English and writing, and needs time to progress
to more complex writing. However, lack of sophisticated writing may be due
to other factors, such as a lack of confidence, real audiences, or authentic
purposes for writing. Also, overly simple writing may be influenced by the
type of texts that ELL students are reading—some instructional reading
materials are overly simplified, and provide poor writing models.
The following strategies can help writers develop into increasingly more
sophisticated writers.
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4
Touchstone texts are texts that are rich in writing craft moves (for example, rhythmic language, strong
leads, powerful dialogue, captivating headings and subheadings) and that a teacher refers to often when
teaching about writing. These include picture books (nonfiction and fiction), poetry, book reviews, short
stories, novels, and magazine articles. (See Appendix L for an annotated list of touchstone texts that we
have found work well with ELLs.)
5. Ask students to revisit a piece of their own writing and revise it, trying
one or more of the features identified in the discussion.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Modeling their poems after those of accomplished poets, or writing copycat
poems (Lain, 2007), can support younger writers.
1. Select a short poem that you think will resonate with students.
2. Students read and discuss the poem (for example, the message, patterns,
length of lines, and use of metaphors).
3. Students then imitate the poem, using their own words and ideas.
Lain (2007) shares copycat poems written by her students, including
one by Shawna, a below-grade-level reader and writer, who wrote her poem
(see below) after studying Robert Frost’s “Dust of Snow” (see online at
www.online-literature.com/frost/743). Both poems feature a sudden shift in mood.
Shawna’s Poem
The way a dog
jumped up on me
the dark of fog
lifted off of me
gave my mind
a change of mood
made me find
some good dog food.
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Procedure
1. Provide written guidelines for the dialogue journal, and have students
attach them to the inside cover of the journal. (See Figure 5.12.)
2. Go over the guidelines and explain what each point refers to by
displaying an example and discussing it.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Dear Student,
We're going to have a written conversation about books in this dialogue
journal. You can use the journal to write about your thoughts about the
books. Some things you may want to write about include:
• What you think about the book.
• Why the characters (the people in the book) are interesting or not
interesting to you.
• What this book reminds you of. It could be a personal experience,
other books you've read, or something else.
• What you are learning about writing from reading this book.
• Questions that the book raises for you.
Please write in your dialogue journal at least three times a week. You will hand
it in on _____________ (day of week*). I'm looking forward to
“talking” with you about books in this dialogue journal.
Sincerely,
* Be sure to stagger the number of journals that need to be responded to on a given day.
Procedure
1. Select a short text to read aloud to students, and explain that you are
going to demonstrate the process to follow when writing in their
reading/writing logs.
2. Display the text so everyone can follow along.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
3. Read the text aloud and discuss with students what it taught them
about writing. Be prepared to share your own insights. For example, in
Nadia’s Hands, Karen English (1999) uses rhythmic language, such as
repetition of a phrase (She sat watching the door . . . She sat watching out
the window . . . Finally, she sat watching the big kitchen clock over the stove).
4. Demonstrate writing a reading/writing log entry on an overhead, chart
paper, or plasma screen.
5. Ask students to read their independent reading book for about 10–15
minutes, and then write their own entries.
6. Invite students to share their entries. Praise students who are reading
like writers.
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c Locate each occurrence of the targeted feature.
c Collaboratively figure out its function and discuss its use.
c Cover up the feature with sticky tape, reread the text with the students,
and ask them to figure out what goes in the covered-up spaces. The
conversations that stem from this activity can be very useful for both
students—who gain a greater understanding of the feature—and the
teacher—who gains insight into students’ understanding and can plan
instruction accordingly from this observational assessment data.
c Write sentences from the text on sentence strips, scramble them, and ask
students to put them back in order. Students read the sentences aloud,
which gives them practice in using the targeted feature.
c Cut up sentences into words and phrases, scramble them, and ask
students to put them back in order. Reading their reordered sentences
aloud gives students practice in using the targeted feature.
c Ask students to revisit their own writing and revise it, focusing on the
targeted feature.
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c Ask students to revisit their own writing and revise it with the targeted
feature in mind.
5
A SMART Board is an interactive whiteboard. It is connected to a computer and has a touch-sensitive
display. Computer applications can be controlled directly from the display, notes can be made with
electronic pens, and all work can be digitally saved.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
6. Students retain their copyedited text with any notes they have made,
and the author of the piece uses the master copy to rewrite or finalize
corrections on the computer and submits a final copyedited document
to the teacher.
The strength of this kind of line editing seems to be its public form,
the collaborative effort, and the on-the-spot mini-lessons that accompany
the corrections. Dorothy has found that, after their peers have made a few
corrections of the same nature, the student whose text is being copyedited
often begins to correct these frequent errors in his or her text before others
in the group even comment on them.
Incomprehensible Writing
The writing of some ELLs can be hard to read, and this may be related to
several factors, including the following:
c The students may have had little or no formal schooling in the past and
are only now learning how to write.
c The students can write in their native language, but it has a very
different writing system from English (for example, Arabic, Chinese,
Japanese, Urdu).
The writing of ELLs is also sometimes hard to read due to grammar,
spelling, and/or word choice. We have found the following general strategies
to be helpful in addressing these issues of legibility. After the general
strategies are some more specific strategies and recommended resources for
specific situations.
General Strategies
..................................
General Strategy 1: Students read their writing aloud.
c So that you know what the student has written, ask him or her to read
the piece aloud.
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c Keep a written record of what the student says, so you can analyze what
he or she knows about writing in English, and decide what area of
instruction to focus on next.
to monitor what they write. This practice can also help them remember what
their intention for writing was. If students are embarrassed about reading
their writing aloud, teach them how to subvocalize, or speak very softly, under
their breath. However, subvocalizing and frequently reading aloud slow down
writers (and readers), so students should not become too reliant on these
strategies. Once students are writing legible texts that they can read back, they
should be encouraged to use these strategies only in specific circumstances,
such as when they are confused or they want to hear how their writing sounds.
Keep in mind that many children around the world have little or no formal
schooling, or even access to writing implements. In North America, we often
take paper and pencils for granted, but these materials aren’t easily available
for low-income families in developing countries, where students are often
required to purchase all of their own school supplies. Consequently, even
older students may not form letters with ease.
A lack of developed letter formation in older students should not be
immediately equated with a learning disability. Some strategies for helping
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
ELLs develop legible handwriting include the following.
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
c Items that occur frequently in students’ writing.
The following strategies focus on helping students organize their writing.
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I can’t understand what my ELL student
Situation 3 has written because of the spelling.
Research shows that ELL students’ invented spellings aren’t random, but are
evidence of hypothesis generating and hypothesis testing (Edelsky, 1986).
Even in languages that have a lot in common, such as English and Spanish,
letter-sound correspondences in the L1 and L2 are sometimes markedly
different. Since ELL students who are moving into English tend to use their
knowledge of the orthography of their native language when writing in
English, it is inevitable that their early messages reflect their knowledge of
their native language. As students become increasingly knowledgeable about
English orthography, English phonics generalizations tend to inform their
invented spellings in English. General strategies that help ELLs become
familiar with and internalize English spelling patterns include shared reading
(pages 159–160) and interactive writing (pages 253–256).
Instead of giving students lists of spelling words to memorize (and to be
tested on), it is much more effective to teach them spelling strategies. Like
native-English-speaking students, ELLs benefit from being taught specific
spelling strategies that are grounded in and informed by their own writing.
That is, rather than randomly choosing a spelling strategy to teach, it is best
to analyze a student’s spelling needs and then select a focus for instruction.6
6
There are many excellent resources available that focus explicitly on teaching spelling strategies,
including Words Their Way: Word Study for Spelling, Phonics, and Vocabulary Instruction Resource Book
(Bear, Invernizzi, Templeton, & Johnston, 2007), Ideas for Spelling (Bolton & Snowball, 1993), and
Word Crafting: Teaching Spelling, Grades K–6 (Marten, 2003).
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Appendices
Appendix A: Booksellers and Distributors of Books About Diverse Cultures
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
and Books Written in Languages Other Than English
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Appendix A
Booksellers and Distributors of Books About
Diverse Cultures and Books Written in Languages
Other Than English
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Arkipelago
1010 Mission Street, San Francisco, CA 94103
Tel: (415) 553-8185
Fax: (415) 553-8176
Web: www.arkipelagobooks.com
Arkipelago sells books by Filipino and Filipino American authors, recordings, and other
heritage materials.
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
which are available in more than 40 languages, including English and Arabic, Hmong,
Navajo, Punjabi, and Tagalog.
Oyate
2702 Mathews St., Berkeley, CA 94702
Tel: (510) 848-6700
Fax: (510) 848-4815
E-mail: oyate@oyate.org
Web: www.oyate.org
Oyate distributes children’s, young adult, and teacher books and materials by and about
Native people. Oyate also reviews books and curricula with Indian themes and offers
workshops and institutes. They have a small resource center and reference library.
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Appendix B
Picture Books
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Fiction
Ada, Alma Flor. (2002). I love Saturdays y Domingos. New York: Aladdin.
Told in both Spanish and English, this story introduces readers to the special
relationships a young child has with her Mexican American and European
American grandparents.
Ada, Alma Flor, & Campoy, F. Isabel. (1999). Blue and green. Miami: Santillana.
This story uses works of art by Latino artists to teach about the days of the week
and the seasons of the year. Also in Spanish (Azul y verde).
Altman, Linda J. (1993). Amelia’s road. New York: Lee and Low Books.
A young Mexican American girl, the daughter of migrant farmworkers, longs for a
place she can call home. When she finds a special place, she also discovers a way to
keep memories alive.
Bunting, Eve. (1997). A day’s work. New York: Clarion.
A family of day laborers from Mexico works together to make a living.
Bunting, Eve. (1998). Going home. New York: HarperTrophy.
A Mexican migrant family returns to Mexico at Christmas to visit family.
Bunting, Eve. (1999). A picnic in October. New York: Harcourt.
An Italian American family takes a ferry for a celebratory picnic on Liberty Island,
from which they can see the Statue of Liberty.
Cheng, Andrea. (2000). Grandfather counts. New York: Lee and Low Books.
Helen is unable to communicate with her Chinese immigrant grandfather, Gong
Gong, but through teaching each other how to count train cars in their respective
languages, they develop an intergenerational bond.
Chiemruom, Sothea. (1994). Dara’s Cambodian New Year. New York: Aladdin.
A young Cambodian boy helps his grandfather, who misses his home country.
Choi, Sook-Nyul. (1993). Halmoni and the picnic. Boston: Houghton Mifflin.
This book tells the story of Yunmi, a young Korean American girl living in New York
and her Korean immigrant grandmother, Halmoni.
Choi, Sook-Nyul. (1997). Yunmi and Halmoni’s trip. Boston: Houghton Mifflin.
Yunmi accompanies her grandmother, Halmoni, to Korea, where Halmoni was born.
Yunmi enjoys her visit, but is concerned that her grandmother will stay in Korea.
Choi, Yangsook. (2001). The name jar. New York: Dell Dragonfly Books.
This story shows the struggles Unhei faces after she moves from Korea to the U.S.
Cisneros, Sandra. (1984, 1994). Hairs/Pelitos. New York: Dragonfly Books.
In this story, which originally appeared in The House on Mango Street, a child describes
the different kinds of hair people in her family have and how the smell of her mother’s
hair makes her feel safe.
* We appreciate the assistance of Jill Berg, Jen Myers, Rachel Rothman, and Kelly Shulman, who put
together bibliographies with Katharine. Some of their entries are included here.
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Dooley, Norah. (2000). Everybody serves soup. Minneapolis: Carolrhoda Books.
Carrie earns money to buy her mother a Christmas present by shoveling snow. She eats
with neighborhood families. Each family is eating a soup that is special to their culture.
English, Karen. (1999). Nadia’s hands. Honesdale, PA: Boyds Mills Press.
A Pakistani American girl is nervous about being asked to be in her aunt’s traditional
Pakistani wedding.
Friedman, Ina R. (1984). How my parents learned to eat. Boston: Houghton Mifflin.
A child narrates how her Japanese mother and American father learned how to eat
using unfamiliar utensils, thereby fitting into each other’s cultures.
Garland, Sherry. (1998). My father’s boat. New York: Scholastic.
A Vietnamese refugee fisherman living in Texas longs for his home.
Gibson, Toyomi. (1996). The two Mrs. Gibsons. San Francisco: Children’s Book Press.
A young girl describes her experiences with her African American grandmother and
Japanese mother.
Heide, Florence Parry, & Gilliland, Judith Heide. (1992). Sami and the time of the troubles.
The authors write about a young boy in war-torn Lebanon.
Hess, Amy. (1997). When Jessie came across the sea. Cambridge, MA: Candlewick Press.
A 13-year-old Jewish girl leaves Europe with her grandmother. She arrives alone
in New York City, where she sews lace and saves enough money to bring her
grandmother to the United States.
Jiménez, Francisco. (1998). La mariposa. Boston: Houghton Mifflin.
A migrant boy attends school for the first time. Despite the fact that he speaks only
Spanish, he adjusts well.
Krishnaswami, Uma. (2003). Chachaji’s cup. San Francisco: Children’s Book Press.
A special cup brought from India is a prominent symbol in this story of intergenerational
love. The cup helps a young boy learn about his family history and the history of India.
Krishnaswami, Uma. (2006). The closet ghosts. San Francisco: Children’s Book Press.
The story of a little girl’s experience moving into a new house that is haunted with
ghosts. Hanuman (an Indian god) helps her get rid of the ghosts.
Kurtz, Jane, & Kurtz, Christopher. (1997). Only a pigeon. New York: Simon & Schuster.
Ondu-ahlem, a young boy who lives in Addis Ababa, Ethiopia, raises pigeons.
Kyunchukov, Hristo. (2004). My name was Hussein. Honesdale, PA: Boyds Mills Press.
The story of a young Roma boy living in Bulgaria.
Lee, Milly. (1997). Nim and the war effort. New York: Farrar, Straus & Giroux.
During World War II, a young Chinese American girl is determined to win a
newspaper-collecting competition for the “war effort” in order to prove she’s American.
McKay, Jr., Lawrence. (1998). Journey home. New York: Lee and Low Books.
Mai is of Anglo Vietnamese heritage, and she accompanies her mother to Vietnam to
find her mother’s birth family.
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Miller, Elizabeth I. (1999). Just like home/Como en mi tierra. New York: Albert
Whitman & Co.
This book tells about a young girl’s first impressions of the United States. Written in
Spanish and English, the text uses a repetitive pattern of alternating observations
(“Just like home” and “Not like home”).
Mora, Pat. (1999). The rainbow tulip. New York: Puffin Books.
A young Mexican American girl describes her experiences and expresses her feelings
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
about speaking Spanish and having a home life that is very different from her
school life.
Pak, Soyung, & Hartung, Susan Kathleen. (1999). Dear Juno. New York: Viking.
A boy corresponds with his grandmother in Korea, even though they don’t share a
common language. They learn about each other through drawings, photos, and
other artifacts.
Pérez, Amanda Irma. (2000). My very own room/Mi propio cuartito. San Francisco: Children’s
Book Press.
A Spanish/English bilingual book about the author’s wish for a room of her own as a
young girl.
Polacco, Patricia. (1988). The keeping quilt. New York: Simon & Schuster.
Over several generations, a quilt plays a special role in the life of a Jewish immigrant
family. This story is based on the author’s life.
Rattigan, Jama Kim. (1993). Dumpling soup. New York: Little, Brown Young Readers.
This picture book is set in Hawaii on New Year’s Eve and is told from the perspective
of Marisa, a 7-year-old girl in a multiracial family.
Recorvits, Helen. (2003). My name is Yoon. New York: Farrar, Straus & Giroux.
An immigrant child from Korea prefers her name when it is written in Korean.
Ringgold, Faith. (1991). Tar beach. New York: Crown Publishers.
A young girl dreams of flying above her Harlem home, claiming all she sees for herself
and her family. Based on the author’s quilt painting of the same name.
Rodríguez, Luis. (1998). América is her name. Willimantic, CT: Curbstone Press.
América, a young immigrant from Oaxaca, Mexico, lives with her family in Chicago.
She feels out of place and is referred to as an illegal immigrant, even by her teacher.
Poetry is her salvation. (Also available in Spanish.)
Say, Allen. (1999). Tea with milk. Boston: Houghton Mifflin.
May’s parents return to Japan after living in the United States, where they always felt
like foreigners. In Japan, it is May who feels like a foreigner.
Schanzer, Rosalyn. (2000). Escaping to America: A true story. New York: HarperCollins.
In the early twentieth century, a family of Polish Jews comes to a new country.
Shea, Pegi Deitz. (1995). The whispering cloth. Honesdale, PA: Boyds Mills Press.
A Hmong child is living in a refugee camp.
Soto, Gary. (1993). Too many tamales. New York: G. P. Putnam’s Sons.
A little girl loses her mom’s wedding ring while making tamales on Christmas Day.
She asks her cousins to help her search for the missing ring.
Soto, Gary. (1997). Snapshots from the wedding. New York: Penguin Group.
The flower girl in a Mexican American wedding describes the day’s events.
Surat, Michele Maria. (1989). Angel child, dragon child. New York: Scholastic.
Vietnamese immigrants encounter racism as they adjust to life in the United States.
Appendix B 287
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Suyenaga, Ruth. (1992). Korean Children’s Day. Cleveland, OH: Modern Curriculum
Press.
Young Soo Newton, the adopted son of a European American family, introduces his
friend to Korean culture through a local Korean Children’s Day celebration.
Trân Khánh Tuyêt. (1986). The little weaver of Thai-Yen village (rev. ed.). San Francisco:
Children’s Book Press.
A young Vietnamese girl is injured in a bombing raid and comes to America for
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
treatment of her injuries.
Wells, Rosemary. (2001). Yoko’s paper cranes. New York: Hyperion Books for Children.
Yoko lives in the United States, far away from her grandmother in Japan. For her
grandmother’s birthday, Yoko makes a gift of origami cranes and sends them to Japan.
Wong, Janet S. (2000). The trip back home. New York: Harcourt Children’s Books.
A young girl and her mother visit their land of birth.
Woodruff, Elvira. (1999). The memory coat. New York: Scholastic.
After a pogrom, two cousins leave their Russian shtetl with their families. They
travel to the United States, where they have to pass through the inspection station
at Ellis Island.
Yin. (2001). Coolies. New York: Philomel.
Chinese immigrants help build the Transcontinental Railroad across the western
United States.
Yolen, Jane. (1997). Miz Berlin walks. New York: Puffin Books.
A little girl gets to know her neighbor, Miz Berlin, through their daily walks.
Nonfiction
Ancona, George. (1998). Barrio: José’s neighborhood/El barrio de José. New York: Harcourt.
Ancona uses text and colored photos to describe the life, experiences, culture, and
neighborhood of an 8-year-old Latino boy, José Luis, who lives in the Mission
District of San Francisco.
Badt, Karin Luisa. (1994). On your feet! New York: Children’s Press.
All kinds of foot coverings, from across the ages and around the world, are shown in
photographs, accompanied by text.
Beeler, Selby B. (1998). Throw your tooth on the roof: Tooth traditions from around the world.
Boston: Houghton Mifflin.
Short accounts of what happens to children’s teeth after they have fallen out. Written
from the perspective of children from all over the world.
Bode, Janet. (1991). New kids in town: Oral histories of immigrant teens. New York:
Scholastic.
Teens share their stories of emigrating to the United States and settling into new
communities.
Bridges, Shirin Yim. (2002). Ruby’s wish. New York: Scholastic.
The story of the author’s grandmother, who became one of the first female students
to attend university in China.
Brittan, Dolly. (1998). The Hmong. New York: PowerKids Press.
This is one of several books in the series Celebrating the People and Civilizations of
Southeast Asia.
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Cech, John. (1991). My grandmother’s journey. New York: Simon & Schuster.
Cech relates the life experiences of a young woman who eventually succeeds in
emigrating from Russia to the United States with her husband and baby in the
aftermath of World War II.
Cha, Dia. (1996). Dia’s story cloth. New York: Lee and Low Books.
This book tells the history of the Hmong, an ethnic group from the mountains of Laos.
It is illustrated with traditional story cloths.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Chin, Steven A. (1993). When justice failed: The Fred Korematsu story. New York: Steck-Vaughn.
About Fred Korematsu, a young Japanese American who challenged his arrest and the
treatment of Japanese Americans during World War II.
Dorros, Arthur. (1998). This is my house. New York: Scholastic.
Drawings of houses from around the world accompany short texts in English and the
official language of the country.
Fanelli, Sara. (1995). My map book. New York: HarperCollins.
This is a collection of labeled, hand-drawn maps of real and imagined places, such as
the young author’s family, day, tummy, playground, bedroom, colors, and school.
Freedman, Russell. (1980). Immigrant kids. New York: Dutton Juvenile.
This picture book with photos explores the lives of young immigrants living in urban
areas in the late 1800s and early 1900s.
Garza, Carmen Lomas. (2000). In my family/En mi familia. San Francisco: Children’s Book
Press.
A bilingual text and illustrations provide insights into the author’s childhood in a
Mexican American community in Texas.
Garza, Carmen Lomas. (2005). Family pictures/Cuadros de familia. San Francisco: Children’s
Book Press.
Detailed pictures of scenes from the author’s life growing up in a Mexican American
community in Texas illustrate the bilingual text.
Gordon, Ginger. (1993). My two worlds. New York: Clarion.
Color photographs and text show how a young girl prepares for and goes on a visit with
her big sister to their hometown in the Dominican Republic.
Hoobler, Dorothy, & Hoobler, Thomas. (1994a). The Chinese American family album. New
York: Oxford University Press.
Text and black-and-white photos tell the stories of Chinese immigrants to the United
States through the 1980s.
Hoobler, Dorothy, & Hoobler, Thomas. (1994b). The Mexican American family album. New
York: Oxford University Press.
Text and black-and-white photos tell the stories of Mexican Americans, from the
annexation of Mexican land at the end of the U.S.-Mexican War, in 1848, to movement
across the border in search of work through the 1990s.
Hoobler, Dorothy, & Hoobler, Thomas. (1995). The African American family album. New
York: Oxford University Press.
Text and black-and-white photos tell the stories of African Americans, from 1526, when
the first Africans arrived as slaves, through the 1990s.
Huynh, Quang Nhuong. (1982). The land I lost: Adventures of a boy in Vietnam. New York:
Harper & Row.
First-person narrative about growing up in the highlands of Vietnam.
Appendix B 289
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Huynh, Quang Nhuong. (1997). Water buffalo days: Growing up in Vietnam. New York:
HarperCollins.
About the author’s childhood in Vietnam and the adventures he had with his very
special water buffalo.
Katsuyo, Howard (Ed.). (1990). Passages: An anthology of the Southeast Asian refugee experience.
San Mateo, CA: AACP Inc.
First-person accounts are divided into three sections: “Children, we must leave!”
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
“Living in two worlds,” and “Moving on.”
Knight, Margy Burns. (1993). Who belongs here? An American story. Gardiner, ME: Tilbury
House Publishers.
This is the story of Nary, a young refugee boy from Cambodia, who comes to the
United States.
Komatsu, Yoshio. (2004). Wonderful houses around the world. Bolinas, CA: Shelter Publications.
Vivid photographs, drawings, and short texts explore the lives of people who live in
distinctive houses in Africa, Asia, Europe, and South America.
Krull, Kathleen. (2003). Harvesting hope: The story of César Chávez. New York: Scholastic.
The biography of César Chávez, a Hispanic American who founded the National Farm
Workers Association, which later became the United Farm Workers of America union
(UFW).
Kubler, Annie, & Formby, Caroline (Illus.). (1995). Come home with us! Wiltshire, England:
Child’s Play.
An Oxfam book with flaps illustrates how homes around the world vary according to
the climate and other factors.
Kuklin, Susan. (1992). How my family lives in America. New York: Simon & Schuster.
Photo essays show three children with a parent who comes from another country.
(Note: The author refers to the parent from Puerto Rico as an immigrant to the
United States; however, the island is a commonwealth of the United States.)
Lankford, Mary D. (1992). Hopscotch around the world: Nineteen ways to play the game.
New York: William Morrow.
This book shows how variations of hopscotch are played around the world.
Levine, Ellen. (1994). If your name was changed at Ellis Island. New York: Scholastic.
A question-and-answer format is used to describe the experiences of immigrants who
passed through Ellis Island between 1892 and 1914.
McKissack, Patricia C., & McKissack, Frederick L. (1994). Christmas in the big house,
Christmas in the Quarters. New York: Scholastic.
Set in 1859 on a plantation in Virginia, this story tells how Christmas was celebrated in
the slave quarters and the slave owner’s house just prior to the Civil War.
McKissack, Patricia C., & McKissack, Frederick L. (2004). Hard labor: The first African
Americans, 1619. New York: Simon & Schuster.
This book tells the little-known story of the first Africans who came to North America
in 1619, as indentured servants.
McMahon, Patricia, & McCarthy, Conor Clarke. (2005). Just add one Chinese sister: An
adoption story. Honesdale, PA: Boyds Mills Press.
The story of a little girl’s adoption from China is told from the perspective of the
adoptive mother and her new little brother.
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Mochizuki, Ken. (1997). Passage to freedom: The Sugihara story. New York: Lee and Low Books.
Hiroki Sugihara tells the story of how his father, Chiune Sugihara, a Japanese diplomat
in Lithuania in 1940, helped save the lives of thousands of Polish Jews fleeing from
the Holocaust.
Mora, Pat. (1997). Tomás and the library lady/Tomás y la señora de la biblioteca. New York: Knopf.
Books allowed Tomás Rivera, a young migrant farmworker, to discover new worlds.
Rivera later became chancellor of the University of California, Riverside.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Appendix B 291
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Sing, Rachel. (1992). Chinese New Year’s dragon. New York: Aladdin.
A young girl describes how her family celebrates Chinese New Year.
Smith, David J. (2002). If the world were a village: A book about the world’s people. Tonawanda,
NY: Kids Can Press.
Smith presents factual information on a range of global issues, including the
distribution of safe water, electricity, schooling, and food.
Stepanchuk, Carol. (2002). Exploring Chinatown: A children’s guide to Chinese culture.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Berkeley, CA: Pacific View Press.
Chapters integrate text, drawings, and photographs on a range of topics, including
Chinese food, health, math, art, and religion.
Winter, Jeanette. (2004). Calavera abecedario: A day of the dead alphabet book. San Diego, CA:
Voyager Books.
The book is based on the life of Don Pedro Linares, an artist who became famous in
Mexico for his papier-mâché art—especially his calaveras (skulls).
Wolf, Bernard. (2003). Coming to America: A Muslim family’s story. New York: Lee and
Low Books.
This is the story of the Mahmoud family, who left Egypt to live in New York City.
Woodson, Jacqueline. (2005). Show way. New York: G. P. Putnam’s Sons.
The making of “show ways,” or quilts that once served as secret maps for freedom-
seeking slaves, is a tradition passed from mother to daughter in the author’s family.
Xiong, Ia. (1996). The gift: The Hmong New Year. El Monte, CA: Pacific Asia Press.
This may be the first American picture book to be written by a Hmong writer.
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Gunning, Monica. (2004). America, my new home. Honesdale, PA: Boyds Mills Press.
Gunning writes poems about a young Jamaican girl’s immigrant experiences.
Hopkins, Lee Bennett (Ed.). (1992). Through our eyes: Poems and pictures about growing up.
New York: Little, Brown.
This collection of 16 poems by various poets—many from underrepresented groups—
describes childhood.
Johnston, Tony. (1996). My Mexico/México mío. New York: Penguin Putnam Books.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Diaries
Lasky, Kathryn. (2003). A journey to the new world: The diary of Remember Patience Whipple.
New York: Scholastic.
Twelve-year-old Mem and her family travel on the Mayflower in 1620. This book
recounts their experiences during their first year in the New World.
Moss, Marissa. (2000). Hannah’s journal: The story of an immigrant girl. San Diego: Harcourt.
A Jewish girl emigrating from Lithuania to the U.S. in the early 1900s keeps a journal.
Pérez, Amanda Irma. (2002). My diary from here to there/My diario de aquí hasta allá. San
Francisco: Children’s Book Press.
A Spanish/English bilingual book about the author’s childhood immigration to the
U.S. from Mexico.
Appendix B 293
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Armenians living in Turkey.
Barakat, Ibtisam. (2007). Tasting the sky: A Palestinian childhood. New York: Farrar, Straus
& Giroux.
About the impact of the Six-Day War in 1967 on Palestinian children and how they
were uprooted from their homes and made refugees. A memoir from the author’s life.
Canales, Viola. (2005). The tequila worm. New York: Random House.
Stories from the barrio told by Sofia, a spirited young girl.
Crew, Linda. (1989). Children of the river. New York: Delacorte.
Teenager Sundara flees Cambodia with family members in 1975, endures enormous
hardships on a refugee boat, and settles in Oregon. There, she encounters both
prejudice and love.
Ellis, Deborah. (2000). The breadwinner. Toronto, Canada: Greenwood Books/Douglas &
McIntyre.
In Afghanistan, with the Taliban in power, a young girl dresses as a boy in order to
support her family.
Estes, Eleanor. (1944). The hundred dresses. New York: Harcourt.
This short novel is about a Polish American girl who is teased by other girls in her class.
Giff, Patricia Reilly. (2000). Nory Ryan’s song. New York: Delacorte.
Set in 1845 on the west coast of Ireland, this book explains how the potato famine and
British land removal led to the deaths and emigration of millions of Irish.
Hansen, Joyce. (1994). The captive. New York: Scholastic.
Kofi, the son of an African chief, is kidnapped twice and sold into slavery. His story is
set in Africa and Boston.
Ho, Minfong. (1990). Rice without rain. New York: Lothrop, Lee & Shepard Books.
This novel is set in rural Thailand and tells of the efforts of university students to
remedy the results of government inaction and lack of attention to the poor during
a drought.
Ho, Minfong. (1991). The clay marble. New York: Farrar, Straus & Giroux.
Twelve-year-old Dara and her family flee their home in Cambodia. The setting is a
refugee camp on the Thai-Cambodian border in 1980.
Ho, Minfong. (2003). The stone goddess. London: Orchard Books.
In Cambodia during the Khmer Rouge era, a young girl named Nakri survives life in
a forced labor camp. She finds her way to a refugee camp and then comes to the U.S.
Houston, Jeanne Wakatsuki, & Houston, James D. (1973). Farewell to Manzanar. Boston:
Houghton Mifflin.
A first-person account of the internment of Japanese Americans during World War II.
Novel length, and told from the perspective of the author when she was a young girl.
Jiménez, Francisco. (1997). The circuit/Cajas de carton. Boston: Houghton Mifflin.
This is a collection of largely autobiographical stories told by a young migrant boy.
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Appendix B 295
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Appendix C
Cultural Differences in Student Behavior *
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
The student avoids eye contact. Keeping eyes downcast may be a way of showing respect. In
some cultures, direct eye contact with a teacher is considered
disrespectful and a challenge to the teacher’s authority.
The student tends to smile when A smile may be a gesture of respect that children are taught
disagreeing with what is being said or when to employ to avoid giving offense in difficult situations.
being reprimanded.
The student shrinks from or responds There may be taboos on certain types of physical contact.
poorly to apparently inoffensive forms of Buddhists, for instance, regard the head and shoulders as sacred
physical contact or proximity. and would consider it impolite to ruffle a child’s hair or give
a reassuring pat on the shoulder. There are also significant
differences among cultures with respect to people’s sense of
what is considered an appropriate amount of personal space.
The student appears to be overtly In many cultures it is not uncommon for friends (girls and/or
affectionate with other students. boys) to link arms, hold hands, or greet each other with a hug
or kiss on the cheek.
The student refuses to eat with peers. Some students may be unaccustomed to eating with anyone
but members of their own family.
The student refuses to eat certain kinds of Many religions have food taboos and fasting periods. Young
foods or doesn’t eat at all at certain periods. children are often exempt from fasting, but many choose
to participate.
The student does not participate actively in Cooperative group work is never used by teachers in some
group work or collaborate readily with cultures. Students may thus view sharing as “giving away
peers on cooperative assignments. knowledge” and may see no distinction between legitimate
collaboration and cheating.
The student displays uneasiness, expresses Schooling in some cultures involves a strict formality. For
disapproval, or even misbehaves in informal students who are used to this, an informal classroom
learning situations or situations involving atmosphere may seem chaotic and undemanding, while
open-ended learning processes teachers with an informal approach may seem unprofessional.
(e.g., exploration). Such students may also be uncomfortable with process-oriented
learning activities and prefer activities that yield more tangible
and evident results.
* Based on, but modified and expanded from, the ESL Learner Web site of the Ministry of Education, Government of British
Columbia. Retrieved from www.bced.gov.bc.ca/esl/policy/learnclass.htm.
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The student talks loudly and sometimes In some classrooms around the world, students have
overlaps speech with the others in the group more freedom to speak. They’re not as closely regulated.
or class. Students talk a lot more, and they talk more loudly. What
is considered interruptive or rude behavior in many North
American classrooms would be considered task-oriented
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
The student refuses to participate in Extracurricular activities may not be considered a part of
extracurricular or in various physical learning or may even, along with some physical education
education activities (e.g., swimming, skating, activities, be contrary to a student’s religious or cultural
track and field). outlook. Some students may also be required to use after-
school hours to generate income.
The student seems inattentive and does not In some cultures, the learning process involves observing
display active listening behaviors. and doing or imitating rather than listening and absorbing
(e.g., through note-taking).
The student is unresponsive, uncooperative, Separate schooling for boys and girls is the norm in some
or even disrespectful in dealing with cultures. Likewise, in some cultures the expectations for
teachers of the other gender. males and females are quite different. The idea that females
and males should have the same opportunities for schooling
and play comparable roles as educators will therefore run
contrary to some students’ cultural conditioning.
The student appears reluctant to engage in In some cultures, it is considered inappropriate to openly
debate, speculation, argument, or other challenge another’s point of view, especially the teacher’s.
processes that involve directly challenging In other cases, there may be a high value attached to
the views and ideas of others. being prepared, knowledgeable, and correct when one
opens one’s mouth.
The student exhibits discomfort or To put oneself in the limelight for individual praise is not
embarrassment at being singled out considered appropriate in some cultures, where the group
for special attention or praise. is considered more important than the individual.
The student fails to observe the conventions Some students may be culturally predisposed to see
of silent reading. reading as essentially an oral activity and will therefore
read aloud automatically. For others reading aloud is
associated with memorization.
The student refuses to take off headwear. Many religions have prescripted headwear, such as
yarmulkes, turbans, and head scarves for boys or girls.
Appendix C 297
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Appendix D
Selected Wordless Picture Books
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
wordless books by Anno, each with intricate details.
Baker, Jeannie. (1993). Window. New York: Puffin/Penguin.
A little boy grows up looking at the landscape outside his window as it changes from
forest and animals to houses and factories. The story ends with the boy, now a man,
holding up his own son to a completely different landscape. This book can inspire
discussions about the changing environment.
Bang, Molly. (1980). The grey lady and the strawberry snatcher. New York: Aladdin/Simon &
Schuster.
An intriguing story about a grey lady who buys strawberries and then must elude a
blue figure who tries to snatch them away. The book is mysterious with beautiful colors
and artistry.
Banyai, Istvan. (1995). Zoom. New York: Penguin.
Pictures zoom in or zoom out, and sometimes what you think you are seeing is actually
something else as the picture zooms out. Zoom can be read forward or backward with
different results. Istvan has done other wordless books, including the sequel, Re-zoom,
and The Other Side.
dePaola, Tomie. (1978). Pancakes for breakfast. New York: HarperCollins.
A little old lady who decides she wants pancakes for breakfast goes to a great deal of
trouble to get the ingredients.
Lehman, Barbara. (2004). The red book. Boston: Houghton Mifflin.
A girl in a city finds a red book about a boy on an island, who also finds a red book.
This book has a story within a story within a story.
Popov, Nikolai. (1996). Why? New York: Michael Neugebauer/North South Books.
War escalates from a simple encounter between a frog and an umbrella-wielding
mouse. This story can open up interesting discussions about the devastation of war,
but should be used exceedingly carefully with refugee students who have suffered the
traumas of war.
Rogers, Gregory. (2004). The boy, the bear, the baron, the Bard. New Milford, CT: Roaring
Brook Press.
A young boy playing soccer winds up onstage in a Shakespeare play and has subsequent
adventures in England.
Rohmann, Eric. (1997). Time flies. New York: Dragonfly Books/Crown.
A bird flies into a dinosaur museum. The dinosaur comes to life and eats the bird, but
the bird escapes when the dinosaur becomes a skeleton again.
Sis, Peter. (2007). The wall: Growing up behind the Iron Curtain. New York: Farrar, Straus
& Giroux.
A graphic account of the author’s life growing up in Czechoslovakia under Soviet rule.
Sis has created other wordless picture books, including Beach Ball; Trucks, Trucks, Trucks;
and Dinosaur.
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Tan, Shaun. (2007). The arrival. New York: Arthur A. Levine Books/Scholastic.
A lone immigrant leaves his family and travels to a new world. This graphic story
depicts his struggles to understand and adjust to his new life.
Ward, Lynd. (1992). The silver pony. Boston: Houghton Mifflin.
Lengthier than many picture books, this book has black-and-white illustrations. The
story involves a boy who travels to far-off places on the back of a winged pony.
Weitzman, Jacquelan Priess. (2001). You can’t take a balloon into the Metropolitan Museum.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Appendix D 299
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Appendix E
Picture/Visual Dictionaries
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Clark, J., & Ashworth, J. (1999). Longman picture dictionary of American English. Upper
Saddle River, NJ: Pearson.
Corbeil, J. (1986). The Facts on File visual dictionary. New York: Facts on File.
Goodman, M. (2003). Let’s learn English picture dictionary. New York: McGraw Hill.
Iosa, A. (2003). Word play: Spanish-Inglés. Carlsbad, CA: Penton Overseas.
Kauffman, D., & Apple, G. (2000). The Oxford picture dictionary for the content areas.
New York: Oxford University Press.
Merriam-Webster’s visual dictionary. (2006). Springfield, MA: Merriam-Webster.
Moran, P. (2001). Lexicarry: Pictures for learning language (3rd ed.). Brattleboro, VT:
Pro Lingua Associates.
Parnwell, E.C. (1989). The new Oxford picture dictionary. New York: Oxford University Press.
In addition to a monolingual English edition, it is available in bilingual editions,
including English and Cambodian, Chinese, Japanese, Korean, Navajo, Polish,
Russian, Spanish, and Vietnamese.
Shapiro, N., & Adelson-Goldstein, J. (1998). The Oxford picture dictionary. New York:
Oxford University Press.
In additional to a monolingual edition in English, bilingual editions are available in
English and Spanish, Japanese, Thai, Brazilian Portuguese, Arabic, French, Polish,
Korean, Russian, Chinese, Vietnamese, Haitian Creole, and Cambodian.
Ultimate visual dictionary. (2006). New York: DK Publishing.
Ultimate visual dictionary of science. (1998). New York: DK Publishing.
Zwier, L. J. (1999). Basic English for everyday activities: A picture process dictionary. Syracuse,
NY: New Readers Press.
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Appendix F
Pronunciation Web Sites
Following are some pronunciation Web sites that we and our students have found useful.
They are classified by the specific focus of the lessons in the Web site. We tried to include
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
more than one site for each area of focus since Web sites are not always permanent.
However, new Web sites are being created every day, so using a search engine, such as
Google, to search on the categories below could well reap many more productive sites.
Each of the Web sites listed below was free at the time of publication. Almost all of them
have either audio or video files embedded in them, which will likely require software, such
as Real Audio, Quick Time, Flash, Shockwave, or Java. Most sites have a link to free
downloads of the software. We have noted when Web sites use British pronunciation,
but we have found that British pronunciation generally doesn’t affect understanding or
production of sounds.
General Pronunciation
www.soundsofenglish.org/tips.htm#bingo
This site includes general information about the sounds of English, tips for teachers, ideas
for lessons, and links to many different kinds of practice exercises.
www.uiowa.edu/~acadtech/phonetics/#
The best Web site we know of for listening to the sounds of American English. This site
includes audio and video files for all of the sounds of American English categorized by
manner (how the air stream is modified), place (where the sounds are articulated, for
example, tongue, teeth, hard palate), and voice (whether the vocal cords are vibrating or
not). Audio/video files include internal and external videos of sounds pronounced as a
beginning sound, medial sound, and final sound (e.g., /p/ in pot, happy, top).
www.stuff.co.uk/calcul_nd.htm
Students can click on a letter of the international phonetic alphabet to listen to an example
of that sound pronounced within a word (/Ia/, fear). Pronunciation is British English,
but this should not seriously affect learning of the sounds.
Vowels
www.soundsofenglish.org/hollys_corner/hot_potatoes/phonetics_flashcards_vowels.htm
Vowel flash cards. Students see a flash card with the phonetic symbol of a vowel and then
listen to the sound.
www.soundsofenglish.org/hollys_corner/hot_potatoes/phonetics_vowels_matching1.htm
www.soundsofenglish.org/hollys_corner/hot_potatoes/phonetics_vowels_matching2.htm
www.soundsofenglish.org/hollys_corner/hot_potatoes/phonetics_vowels_matching3.htm
Drop-and-drag vowel matching exercise. Listen to the vowel sound and match it to its
phonetic symbol. Students must know phonetic symbols (for example, /I/ /a/ /æ/).
www.bbc.co.uk/schools/wordsandpictures/index.shtml
Practice with long vowels. This BBC phonics Web site includes many activities for working
with long vowel sounds. Students can listen to poems and play vowel recognition
games. Older students may find this site immature, but even Dorothy’s adult ESL
students enjoy the poems and games. British English is used, but neither Dorothy nor
her students have found this to be a deterrent.
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genkienglish.net/phonicsgame5.htm
Students can play a concentration-type game in which they find matching pairs of
vowel sounds.
Consonant Clusters
www.bbc.co.uk/schools/wordsandpictures/clusters/blender/game.shtml
BBC Web site. Listen to words that begin with consonant clusters, then select the onset, or
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
consonant cluster, and the rime, the final sound, and blend them together.
Minimal Pairs
www.soundsofenglish.org/pronunciation/i.htm
This site shows pictures of how to make the sound and has audio clips of minimal pairs.
http://international.ouc.bc.ca/pronunciation
Students can see videos of common problematic phonemic sounds (for example, /l/ and
/r/). As the sounds are pronounced, students can see external and internal mouth and
throat views. There are also several minimal pairs listening activities.
www.fonetiks.org/shiporsheep
This site includes many minimal pair files. Students see a picture of the minimal pairs,
listen to an audio file, and choose the correct word. British English is used, but the
differences between British and North American English are insignificant to the task.
www.manythings.org/pp
This site contains many minimal pairs. Students can listen to each of the minimal pairs,
then listen to one word and select the correct minimal pair (for example, late and let).
One advantage to this site is that it includes numbers (for example, fourteen and forty),
which many students have difficulty with. In these exercises the numbers are embedded
within a sentence (for example, There were many cars on Route 14. vs. There were many
cars on Route 40.)
Word Endings
www.soundsofenglish.org/activities/ex1.htm
This site includes a list of words with typically difficult ending sounds. Students click on
the word, listen to it, type it, and check for correct spelling.
Stress
www.soundsofenglish.org/pronunciation/suprasegmentals/index.html#explanation
This site includes audio files demonstrating syllable stress.
www.soundsofenglish.org/hollys_corner/wordstress/intro_ex1.htm
Word stress practice. Students listen to audio sound files of multisyllabic words and choose
the syllable that has the stress.
www.soundsofenglish.org/hollys_corner/wordstress/ex2.htm
Word stress crossword puzzle
www.soundsofenglish.org/hollys_corner/wordstress/ex3.htm
Stress practice with compound nouns. Students listen to audio files and compare stress of
compound words to words with two adjective + noun phrases (for example, BLUEbird
vs. blue BIRD).
www.soundsofenglish.org/hollys_corner/wordstress/ex4.htm
Stress practice with phrasal verbs and compound words. The only audio file is in the
instructions. Students predict word stress on phrasal verbs with prepositions and
compound words (for example, TURNoff vs. turn OFF).
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www.soundsofenglish.org/hollys_corner/wordstress/ex6.htm
Homograph practice. Homographs are words that are spelled in the same way, but have
different pronunciations. This listening discrimination exercise helps students
distinguish between words that change stress depending upon their part of speech
(for example, PERmit, noun, and PerMIT, verb). Students listen to a word and select
whether it is a noun or verb based on the word stress.
Can/Can’t
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
www.soundsofenglish.org/hollys_corner/hot_potatoes/can_cloze1.htm
Students listen to 10 sentences and fill in the blank with can or can’t.
http://eleaston.com/pr/stress-quiz01.html
Students can listen to 19 sentences and choose whether they heard can or can’t in
the sentence.
Tongue Twisters
www.geocities.com/Athens/8136/tonguetwisters.html
This Web site contains more than 100 tongue twisters, but there are no audio files
for them.
www.uebersetzung.at/twister
This site contains more than 2,500 tongue twisters in more than 100 different languages.
Unfortunately, there are no audio files, but ELL students may recognize some of
them in their languages and enjoy saying them.
www.elfs.com/MMz.html
The tongue twister (called “Mouth Manglers” on this Web site) are arranged by specific
consonant sounds that many ELLs have difficulty pronouncing. Students can listen to
sound files of the tongue twisters broken down into short phrases or words.
www.esl-resources.com/tonguetwisters/01.htm
Fifteen tongue twisters, each one accompanied by a photograph illustrating the tongue
twister and a listening sound file.
Appendix F 303
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Appendix G
Guidelines for Developing Cloze Activities
Cloze activities can be used for reading practice and/or for assessment purposes.
Follow these guidelines to prepare cloze activities.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
1. Select or write a passage that is about 250 words long.
3. Beginning with the second sentence, delete every fifth (or seventh or tenth) word
throughout the passage. (Remember to leave the last sentence intact.)
4. Replace the deleted words with a blank space that is about 1 to 11⁄2 inches long.
Each blank space should be the same length. If punctuation marks are the focus,
the blanks can be much shorter.
5. If a word to be deleted is a number, skip to the next word and delete that word.
• It is possible that more than one word may go in a space, and students should be
encouraged to think of alternatives, while maintaining the meaning of the passage.
• Students completing a cloze should not work under a time limit. Instead, they should
be encouraged to complete it thoughtfully.
• It can be very useful for students to work together in pairs or triads. However,
partnerships should be arranged carefully so all students are actively involved.
• After students have completed the cloze, it is important to go through it with them
and talk about their responses.
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Appendix H
The Cloze Text Without Deletions
The class spent two days at a coastal science center, where students learned
about marine life. When the students returned from their field trip, they
unloaded their specimen bags. There were lots of shells, most of them very
small, but some impressively large. Some students had collected a variety of
pebbles and stones. Other students had quite a collection of seaweed, which
was now dry and no longer glistened as it had in the water. Inside some of the
Once their bags were empty, the students began to classify their
specimens. They sorted their shells according to color, size, and shape. One
student who knew a lot about shellfish sorted his shells according to the
shellfish family to which the shell belonged, such as mussels and clams. When
students sorted their fragments of seaweed, they often used shape to help them
categorize. For example, some were flat and wide, whereas others had bobbles
at the end. Students who sorted stones also used color, size, and shape to guide
them. Some students wanted to sort their rocks according to the type of rock,
so they borrowed a book from the library to help them. After sorting their
specimens, the class generated a list of questions about life at the seashore.
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Appendix I
Example of a Cloze Text With Every
Five Words Deleted*
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
A Visit to a Coastal Science Center
The class spent two days at a coastal science center, where students learned
about marine life. When the students returned ——— their field trip,
they ——— their specimen bags. There ——— lots of shells, most ———
them very small, but ——— impressively large. Some students ———
collection of ——— , which was now dry ——— no longer glistened as ———
had in the water. ——— some of the shells, ——— were still fragments
their ——— . They sorted their shells ——— to color, size, and ——— .
One student who knew ——— lot about shellfish sorted ——— shells
according to the ——— family to which the ——— belonged, such as mussels
flat and wide, whereas ——— had bobbles at the ——— . Students who sorted
stones ——— used color, size, and ——— to guide them. Some ———
wanted to sort their ——— according to the type ——— rock, so they
borrowed ——— book from the library ——— help them. After sorting
——— specimens, the class generated ——— list of questions about ———
at the seashore. They spent the next two weeks investigating their topics.
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Appendix J
Example of a Cloze Text With Every
Ten Words Deleted*
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
about marine life. When the students returned from their field trip,
they ——— their specimen bags. There were lots of shells, most ——— them
very small, but some impressively large. Some students ——— collected
seaweed, which was now dry ——— no longer glistened as it had in the water.
——— some of the shells, there were still fragments of ——— remains
of shellfish.
Once their bags were empty, the ——— began to classify their
specimens. They sorted their shells ——— to color, size, and shape. One
student who knew ——— lot about shellfish sorted his shells according to
the ——— family to which the shell belonged, such as mussels ——— clams.
When students sorted their fragments of seaweed, they ——— used shape
to help them categorize. For example, some ——— flat and wide, whereas
others had bobbles at the ——— . Students who sorted stones also used color,
size, and ——— to guide them. Some students wanted to sort their ———
according to the type of rock, so they borrowed ——— book from the library
to help them. After sorting ——— specimens, the class generated a list of
questions about ——— at the seashore. They spent the next two weeks
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Appendix K
Example of a Selected Feature Cloze Text:
Past-Tense Verbs*
A Visit to a Coastal Science Center
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
The class spent two days at a coastal science center, where students learned
about marine life. When the students ——— from their field trip, they ———
their specimen bags. There ——— lots of shells, most of them very small, but
some impressively large. Some students ——— a variety of pebbles and stones.
Other students ——— quite a collection of seaweed, which ——— now dry
and no longer ——— as it ——— in the water. Inside some of the shells, there
specimens. Students ——— their shells according to color, size, and shape.
One student who ——— a lot about shellfish ——— his shells according to
the shellfish family to which the shell ——— , such as mussels and clams.
When students ——— their fragments of seaweed, they often ——— shape to
help them categorize. For example, some ——— flat and wide, whereas others
——— bobbles at the end. Students who ——— stones also ——— color, size,
and shape to guide them. Some students ——— to sort their rocks according
to the type of rock, so they ——— a book from the library to help them.
After sorting their specimens, the class ——— a list of questions about life at
the seashore. They ——— the next two weeks investigating their topics.
* In this version of a cloze text, past-tense verbs have been deleted. See Appendix H for the text without
deletions.
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Appendix L
Fiction, Nonfiction, and Poetry Touchstone Texts
Fiction
Cisneros, Sandra. (1984, 1994). Hairs/Pelitos. New York: Dragonfly Books.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Originally appearing in The House on Mango Street, the stories in this collection are rich
in craft elements. In Hairs/Pelitos, a child describes the different kinds of hair people
have in her family and how the smell of her mother’s hair makes her feel safe.
Craft elements: written in English and Spanish; figurative language (my father’s hair is
like a broom; my mother’s hair, like little rosettes, like little candy circles); rhythmic language,
such as sets of three (The snoring, the rain, and Mama’s hair that smells like bread).
Cisneros, Sandra. (1984, 1994). The house on Mango Street. New York: Random House.
Short, short stories.
Craft elements: strong voice; dialogue (used without quotation marks); sentence length
variation (including some very short paragraphs); rhythmic language; some infusion of
Spanish words; poignant themes from childhood.
Crews, Donald. (1992). Shortcut. New York: Greenwillow Books.
One day, some children decide to take a shortcut on their way home, but it’s along a
train track, and they almost get hit by a train.
Craft elements: strong lead (creates suspense); strong ending (use of short sentences for
impact/emphasis); terrific use of punctuation; fonts (enlarged and capitalized for
emphasis); sounds (shown by emphasizing font to illustrate the train getting closer and
closer); tension; exploded moment.
English, Karen. (1999). Nadia’s hands. Honesdale, PA: Boyds Mills Press.
A Pakistani American girl is nervous about being asked to be in her aunt’s traditional
Pakistani wedding.
Craft elements: infusion of Urdu words in the English text; glossary with pronunciation
guide for Urdu words; rhythmic language, such as sets of three (for example, repetition
of a phrase: She sat watching the door . . . She sat watching out the window . . . Finally, she
sat watching the big kitchen clock over the stove).
Krishnaswami, Uma. (2003). Chachaji’s cup. San Francisco: Children’s Book Press.
In this story of intergenerational love, a special cup brought from India features sym-
bolically and helps a young boy learn about his family history and the history of India.
Craft elements: rhythmic language, such as sets of three (using sticks and stones and blocks);
evocative and precise verbs (thundered, giggled, whispered); infusion of some non-English
words (masala chai, beta); circular story (begins with great uncle Chachaji making tea
and ends with the mom and dad making tea).
Kurtz, Jane, & Kurtz, Christopher. (1997). Only a pigeon. New York: Simon & Schuster.
A young boy, Ondu-ahlem, lives in Addis Ababa, Ethiopia, and raises pigeons.
Craft elements: lyrical, poetic language; powerful descriptions; respectful integration of
cultural information; pictures complement and support the text very effectively; varied
sentence length very effective (The night holds many dangers. As he turns from the coop,
he stoops to look with fear at something on the ground. Footprints.); infusion of some
non-English words; glossary for pronunciation and meaning of non-English words;
author’s note about raising pigeons.
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
and her family. Based on the author’s quilt painting of the same name.
Craft elements: strong lead; voice; historical information about labor unions and the
building of the Brooklyn Bridge is intertwined.
Soto, Gary. (1993). Too many tamales. New York: G. P. Putnam’s Sons.
A little girl loses her mom’s wedding ring on Christmas day and asks her cousins to eat
all the tamales in the search for the missing ring.
Craft elements: lead that describes the setting; infusion of non-English words (for exam-
ple, masa); dialogue; internal dialogue; conventions (for example, commas in a series);
plot that uses cause-and-effect structure.
Yolen, Jane. (1987). Owl moon. New York: Scholastic.
A boy and his father go out late at night to search for owls.
Craft elements: sensory language; strong lead (powerful, interesting statement);
descriptive, poetic language; italicized words for sounds; repetitive sentence.
Yolen, Jane. (1997). Miz Berlin walks. New York: Puffin Books.
A little girl gets to know her neighbor, Miz Berlin, through their daily walks. Miz
Berlin tells the little girl fantastic stories from her past.
Craft elements: strong lead; sensory language; voice; character development; italicized
font for emphasis and sounds; dialogue; punctuation; circular story.
Nonfiction/Literary Nonfiction
Bridges, Shirin Yim. (2002). Ruby’s wish. New York: Scholastic.
The story of the author’s grandmother, who became one of the first female students to
attend university in China.
Craft elements: descriptive lead; strong setting; vivid language; varied punctuation;
groups of three; good use of dialogue.
Cameron, Eileen. (2002). Canyon. New York: Mikaya Press.
The author describes the making of a canyon over millions of years.
Craft elements: poetic, rich language (cascades through the rocks, slide into creeks that tumble
downhill); vivid photographs that complement the text; laid out as a slanting, non-
rhyming poem.
Fanelli, Sara. (1995). My map book. New York: HarperCollins.
This collection of labeled, hand-drawn maps shows real and imagined places, such as
the young author’s family, day, stomach, playground, bedroom, colors, school.
Craft elements: child’s humorous voice; wide spectrum of map possibilities; intersection
of drawings and labels; handwritten text.
Krull, Kathleen, & Morales, Yuyi (Illus.). (2003). Harvesting hope: The story of César Chávez.
New York: Scholastic.
The biography of César Chávez, a Hispanic American who founded the National Farm
Workers Association, which later became the United Farm Workers of America (UFW).
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Craft elements: descriptive lead (It was midnight. The light of the full moon followed the
tired old car.); repetition (Tomás was tired too. Hot and tired.); sound words (The wind was
howling, whooooooooo, and the leaves were blowing, whish, whish . . .); figurative language
(Its tall windows were like eyes glaring at him); infusion of Spanish words and phrases in
the English text; circular story; engaging closure (Tomás closed his eyes. He saw the
dinosaurs drinking cool water long ago. He heard the cry of the wild snakebird. He felt the
warm neck of the dinosaur as he held on tight for a bumpy ride).
Pérez, Amada I. (2002). My diary from here to there/Mi diario de aquí hasta allá. San
Francisco: Children’s Book Press.
The author describes her feelings as a young girl when her family decides to leave
their home in Mexico to look for work in the United States.
Craft elements: written in first person; diary format; English and Spanish; strong
emotions; descriptive language; author’s note; varied punctuation.
Schaefer, Lola M. (2001). This is the rain. New York: Greenwillow Books.
Craft elements: cumulative text (This is the ocean, blue and vast, that holds the rainwater
from the past. This is the sunshine, hot and bright, that warms the ocean, blue and vast, that
holds the rainwater from the past.); poetic language; use of colored print to help in
conveying meaning; use of rhyme; rich language (ditches, creeks, seeking low ground,
absorbed); afterword about the water cycle on planet Earth.
Swinburne, Stephen R. (2005). Turtle tide: The ways of sea turtles. Honesdale, PA: Boyds
Mills Press.
This story follows a mother sea turtle and her offspring, from prenatal to life to
early death.
Craft elements: an informational book written like a story; afterword, About Sea Turtles,
and Suggested Reading provide background information; rich, poetic language (pulled
by a rich longing to come ashore; a giant yellow moon sleeping on the sea); watercolor
illustrations complement the text.
Winter, Jeanette. (2004). Calavera abecedario/A Day of the Dead alphabet book. San Diego,
CA: Voyager Books.
This ABC book is based on the life of Don Pedro Linares, an artist who became
famous all over Mexico for his papier-mâché art—especially his calaveras (skulls).
Craft elements: strong lead; infusion of Spanish words; varied text placement on the
page; groups of three; glossary of Spanish words; author’s note.
Woodson, Jacqueline. (2005). Show way. New York: G. P. Putnam’s Sons.
“Show ways” are quilts that once served as secret maps for freedom-seeking slaves,
and is a tradition passed from mother to daughter in the author’s family.
Craft elements: strong voice; repetitive language; varied sentence length; various uses of
fonts; powerful ending; circular storyline; intertwines historical events from African
American history.
Appendix L 311
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Poetry
Alarcón, Francisco X. (1999). Angels ride bikes. San Francisco: Children’s Book Press.
A bilingual collection of poems in which the renowned Mexican American poet
revisits and celebrates his childhood memories of fall in the city and growing up in
Los Angeles.
Craft elements: free verse; varied punctuation; similes; onomatopoeia; Spanish words
embedded in English poems; informational footnotes; afterword.
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
Grimes, Nikki. (2006). Thanks a million. New York: HarperCollins.
Sixteen poems by Nikki Grimes that vary in form. All of the poems remind us how
wonderful it is to feel thankful, and how powerful a simple “thank-you” can be.
Craft elements: haiku; free verse; rebus; riddles; metaphors; dialogue; personification;
repetitive language; rhyme; table of contents.
Hopkins, Lee Bennett (Ed.). (1992). Through our eyes: Poems and pictures about growing up.
Boston: Little, Brown.
A collection of 16 poems describing childhood written by various authors, many
from underrepresented groups. Poems are accompanied by photographs taken by
Jeffrey Dunn.
Craft elements: rhyme; free verse; repetition; varied punctuation; alliteration; descriptive
language; table of contents.
Johnston, Tony. (1996). My Mexico/México mío. New York: Penguin Putnam Books.
A collection of poems in English and Spanish about life in Mexico.
Craft elements: similes; onomatopoeia; Spanish words embedded in English poems;
circular poems; table of contents; glossary.
Paschen, Elise (Ed.). (2005). Poetry speaks to children. Naperville, IL: Sourcebooks.
This poetry anthology includes a wide range of poems, historically, poetically, and
visually. There are 95 poems from 73 poets. Fifty-two of the poems are found on an
accompanying audio CD. Many of the poems are read by the poets themselves, and
some include additional information, such as Langston Hughes explaining how he
wrote “The Negro Speaks of Rivers.”
Craft elements: many poetic forms and elements; information from the publisher about
the book; editor’s introduction; table of contents; index; acknowledgments page.
Rampersad, A., & Roessel, D. (Eds.). (2006). Poetry for young people: Langston Hughes.
New York: Scholastic.
This anthology is an introduction to poems by Langston Hughes. The 26 poems,
paired with artwork by Benny Andrews, offer a glimpse into the racial and social
history of American culture.
Craft elements: an introduction to the life of Langston Hughes; introductions to each
poem; words/ideas defined and/or explained at the bottom of the page; metaphors;
emotion; figurative language; personification; varied punctuation; free verse; repetitive
language; table of contents; index.
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Appendix M
Picture Books to Help Spark Students’ Memories
Altman, Linda J. (1993). Amelia’s road. New York: Lee and Low Books.
A young Mexican American girl, the daughter of migrant farm workers, longs for a place
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
she can call home. When she finds a special place, she is able to keep memories alive.
Choi, Yangsook. (2001). The name jar. New York: Dell Dragonfly Books.
This story shows the struggles Unhei faces after she moves from Korea to the U.S.
Cisneros, Sandra. (1984, 1994). Hairs/Pelitos. New York: Dragonfly Books.
In Hairs/Pelitos, a child describes the different kinds of hair people have in her family
and how the smell of her mother’s hair makes her feel safe. This story originally
appeared in The House on Mango Street.
Cisneros, Sandra. (1984, 1994). The house on Mango Street. New York: Random House.
Short, short stories about childhood. Told from the perspective of a Spanish-speaking
bilingual child living in a city.
Crews, Donald. (1991). Big mama’s house. New York: Greenwillow Books.
This story focuses on a family and the adventures they have while spending the summer
with the grandparents.
Crews, Donald. (1992). Shortcut. New York: Greenwillow Books.
A group of children takes a shortcut home and faces danger when they find themselves
on the railroad tracks.
dePaola, Tomie. (1973). Nana upstairs, Nana downstairs. New York: Putnam.
The poignant story of three generations of the same family who live together.
dePaola, Tomie. (1981). Now one foot, now the other. New York: Putnam.
dePaola writes about the special relationship between a young boy and his grandfather.
English, Karen. (1999). Nadia’s hands. Honesdale, PA: Boyds Mills Press.
A Pakistani American girl is nervous about being asked to be in her aunt’s traditional
Pakistani wedding.
Fanelli, Sara. (1995). My map book. New York: HarperCollins.
Written by a young girl, this is a collection of labeled, hand-drawn maps of real and
imagined places, such as the young author’s home, playground, bedroom, and school.
Gibson, Toyomi (1996). The two Mrs. Gibsons. San Francisco: Children’s Book Press.
A young girl describes her experiences with her African American grandmother and
Japanese mother.
Hoffman, Mary. (1991). Amazing Grace. New York: Dial Books.
Grace wants to play Peter Pan in the school play, but her classmates think she cannot
because she is African American and a girl.
Keats, Ezra Jack. (1962). The snowy day. New York: Puffin Books.
A young boy has adventures in the snow.
Keats, Ezra Jack. (1964). Whistle for Willie. New York: Puffin Books.
A young boy learns to whistle, but not without a great deal of hard work and some funny
adventures along the way.
Krishnaswami, Uma. (2003). Chachaji’s cup. San Francisco: Children’s Book Press.
In this story of intergenerational love, a special cup brought from India features symbolically.
The cup helps a young boy learn about his family history and the history of India.
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Kurtz, Jane, & Kurtz, Christopher. (1997). Only a pigeon. New York: Simon & Schuster.
A young boy, Ondu-ahlem, lives in Addis Ababa, Ethiopia, and raises pigeons.
Kyuchukov, Hristo. (2004). My name was Hussein. Honesdale, PA: Boyds Mills Press.
Set in Bulgaria, a Roma (Gypsy) boy, Hussein, is a Muslim and is forced to change his
name after soldiers occupy his village. This story is based on the author’s life.
Mora, Pat. (1997). Tomás and the library lady/Tomás y la señora de la biblioteca. New York: Knopf.
The young migrant farm worker boy, Tomás Rivera, later becomes chancellor of the
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
University of California, Riverside. In his childhood, books (and a librarian) allowed him
to discover new worlds.
Mora, Pat. (1999). The rainbow tulip. New York: Puffin Books.
A Mexican American first grader describes her experiences with and expresses her
feelings about speaking Spanish and having a home life that is very different from her
school life.
Perez, Amada I. (2002). My diary from here to there/Mi diario de aquí hasta allá. San Francisco:
Children’s Book Press.
The author describes her feelings as a young girl when her family decides to leave its
home in Mexico to look for work in the United States.
Pilkey, Dave. (1999). The paperboy. New York: Orchard Books.
A young boy describes the daily adventure of delivering newspapers.
Polacco, Patricia. (1988). The keeping quilt. New York: Simon and Schuster.
About a Jewish immigrant family and the special role that a quilt plays in the family’s life
over several generations. Based on the author’s life, as are many of her books.
Polacco, Patricia. (1997). Thunder cake. New York: Philomel Books.
About how the author overcame her childhood fear of thunderstorms with the help of
her grandmother.
Soto, Gary. (1993). Too many tamales. New York: G. P. Putnam’s Sons.
A little girl loses her mom’s wedding ring on Christmas Day while making tamales. She
asks her cousins to eat all the tamales in the search for the missing ring.
Viorst, Judith. (1971). The tenth good thing about Barney. New York: Macmillan.
After his cat dies, a little boy remembers all the good things about his pet.
Winter, Jeanette. (2004). Calavera abecedario: A Day of the Dead alphabet book. San Diego:
Voyager Books.
This ABC book is based on the life of Don Pedro Linares, an artist who became famous
all over Mexico for his papier-mâché art—especially his calaveras (skulls). It tells about the
process of making calaveras.
Winter, Jeanette. (2005). The librarian of Basra: A true story from Iraq. New York: Harcourt.
The actions of a chief librarian who, along with neighbors, saves the books in the Central
Library in Basra, Iraq, during the 2003 invasion.
Woodson, Jacqueline. (2005). Show way. New York: G. P. Putnam’s Sons.
The making of “show ways,” or quilts, which once served as secret maps for freedom-
seeking slaves, is a tradition passed from mother to daughter in the author’s family.
Yolen, Jane. (1987). Owl moon. New York: Scholastic.
A boy and his father go out late at night to search for owls.
Yolen, Jane. (1997). Miz Berlin walks. New York: Puffin Books.
A little girl gets to know her neighbor, Miz Berlin, through their daily walks. On their
walks, Miz Berlin tells the little girl fantastic stories from her past.
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Appendix N
Types of Written Reflection in the Classroom
Logs/Journals
• Subject and topic are chosen by the writer (for example, an end-of-the-day log or a
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
personal journal).
• Subject is selected by the teacher, but the topic is selected by the writer (for example,
a mathematics log, but writers select their topics).
• Subject and topic are selected by the teacher (for example, a social studies log in which
writers must respond to a prompt).
Dialogue Journals
• Content may be entirely open-ended or focused on a particular subject (for example, a
reading log).
• Two or more people correspond in a journal (for example, student and teacher, two stu-
dents).
Field Notes
• Writers report and reflect on events that they are studying (for example, the behavior of
an animal, family language patterns, or the literacy development of a younger student).
• Writers keep notes similar to the notes an anthropologist might keep.
Questionnaires
• Are generally focused (for example, on content and processes)
• May be followed up with a discussion/interview
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Index
choral reading, 160–161, 211
A circle game, playing the, 120
Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
accents class meetings, 20
making it difficult to understand ELLs, cloze
133–134 alphabet, 216
teasing because of, 27 definition of, 195
Actor’s Club, playing, 104–105 every ten words deleted, 307
after-school programs, enrolling students every five words deleted, 306
in, 15 guidelines, 304
alphabet modified, 256–257, 264
cloze, 216 oral, 115
playing games with letters of, 216 selected feature, 308
anger, listing appropriate ways to express, without deletions, 305
148 code-switching, 150
antidiscrimination laws, teaching about, 27 cognates, 143, 170–173
assessment, using many different forms, 42 colloquialisms, slang, and idioms, 144. see
aural language development, 135–136 also idioms, slang, and “dangerous English”
community-building activities, 20
B community expectations and school
behavioral problems, parents of ELLs practices, dissonances between
concerned about, 60 cheating, by ELLs on tests, 39–42
best-guess gathering, 222 cultural differences affecting classroom
(BICS), basic interpersonal communicative behavior, 43–44
skills, 76, 134, 140 culturally different practices of ELL
bilingual dictionaries, 97, 142–143 families, 51–53
bingo, playing irregular past-tense, 118–119 females, not graduating, 46-48
blogs and Wikis, 110 general strategies, 33-34
books home responsibilities affecting ELLs,
about different cultures, 285–295 48–50
fiction, 309–310 male students, not listening to females,
nonfiction, 310–311 44–36
picture, 313–314 mental health services, parental
poetry, 311–312 resistance to ELLs receiving, 50–51
on tape, listening to, 78 native-English-speaking students,
wordless picture, 92–93, 298–299 working in groups with ELLs, 35–39
booksellers and distributors of books about community support organizations,
diverse cultures and written in languages contacting, 15
other than English, 283–284 comprehension, students not showing
borrowed words, 143, 173 checking for understanding, 64–66
brainstorming, for writing, 125 general strategies, 63–64
bullying, 20–25 saying “yes,” but not understanding,
66–67
C students constantly saying “I don’t
understand,” 67–68
calendars, having students create, 56
concepts, ELLs not understanding
(CALP), cognitive academic language
overview, 181–182
proficiency, 76, 134, 140–141
targeted strategies, 183–189
chain game, playing the, 120–121
confirm-or-deny sentences, generating, 121
charts, 79, 80, 122–123, 174
conflict-reduction and conflict-resolution
cheating, by ELLs on tests, 39–42
programs
316
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Index 317
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
minimal pairs, 136, 302
deadlines, 50
Miscue Analysis, 203–204
hostility, ELLs encountering, 27, 30
morning greeting, 98
I N
icebreakers, 20–21
national refugee and immigrant
idioms, slang, and colloquialisms, 143–144
organizations, 16–18
idioms, slang, and “dangerous English”
native-English-speaking students, working
not using idioms and slang correctly,
in groups with ELLs, 35–39
144–146
native language
offensive language, 147–149
supporting at home and in school, 58
illiterate parents of ELLs, communicating
trying to speak students’, 103
with, 55–56
using, 149–150
immigrant and national refugee
writing in, 230–231
organizations, 16–18
newcomer centers, 15
independent reading, 161–163
newcomers to English, 20
information gap activities, 93–95
nonfiction touchstone texts, 310–311
interactive writing, 263
North America, reasons why ELLs come to,
international festivals in schools, 21–22
11–12
intonation
activities for developing, 130–140
role of in pronunciation, 129 O
offensive language, 147–149
J opinions, ELLs reluctant to share, 108–110
Jeopardy game, playing, 124–125, 178–181
jigsaw activities, 75, 105–106 P
pair reading, 164, 204–205
K pair shares, 80
parallel role-plays, 46
KWLH charts, 80, 125–126
paraphrasing, 127–128
parents, communication with
L behavioral problems, parents of ELLs
language development, questionnaires to concerned about, 60–61
support, 109 general strategies, 54
language differences, talking about, 137 illiterate parents of ELLs,
Language Experience Approach (LEA), communicating with, 55–57
164–166, 205, 216–217, 231 parents not letting children go on field
laws about minors, explaining, 61 trips, 59–60
leave-taking routine, 98 parents of ELLs declining translators,
Liar’s Club, 104–105 56–57
literacy café, 236 parents of ELLs, difficulty
literature study circles (LSCs), 21, 163 communicating with, 54–55
local agencies, contacting, 18 whether parents of ELLs should speak
English in home, 57–58
M past-tense activities, 116–117
past-tense bingo, playing irregular, 118–119
mainstream students
difficulty working with ELLs, 31 patterned texts, 264
318
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Teaching English Language Learners: Grades 6 & Up © Katherine Davies Samway & Dorothy Taylor, Scholastic Teaching Resources
story walk-throughs, 77
stress writing not very sophisticated, 258–262
activities for language development, writing
130–140, 302–303 incomprehensible, 266–272
role of in pronunciation, 129 interactive, 263
struggling readers, 151–156 publishing students’ writing, 234–236
student-authored texts, 227–230 revision strategies, 259–262
student presentations, 31 topic generation in, 238–241
summarizing or paraphrasing and writing workshops, 220–226
previewing, 78–79 written reflection in the classroom, types
syllable pyramids, 138 of, 315
T
table talks, allowing time for, 80
Teacher/Learning Points sheet, 252–253
teasing, addressing, 28
tests, teaching students how to take, 41
think-alouds, using, 192–195, 197, 200, 204
think-pair-share, 67, 109
tolerance, setting up norms for, 22–23
topic generation in writing, 238–241
Total Physical Response (TPR), 64–65
touchstone texts, 222–223
fiction, 309–310
nonfiction, 310–311
poetry, 311–312
translators, 54–55
TRIBES, conflict resolution program, 25
U
unit of study, inquiry approach to writing
workshop, 220–226
V
Venn diagram, 80–81, 114
visual support, 97
vocabulary
development activities, 170–181
found names in words, 168–169
general strategies, 141–142
limited vocabulary problems, 142–143
mini-workshop, 167–181
320