p3*%"%ä“2"% C%ëüƒ%"=2ë

201a
Ïðåæäå ÷åì ïðèñòóïèòü ê ýêñïëóàòàöèè äàííîãî óñòðîéñòâà, îçíàêîìüòåñü ñ
èíôîðìàöèåé, ïðèâåäåííîé íà ñòðàíèöàõ 2 – 5. Òàì ñîäåðæàòñÿ âàæíûå ñâåäåíèÿ
îòíîñèòåëüíî ðàáîòû ñ ïðèáîðîì. Êðîìå òîãî, ÷òîáû ýôôåêòèâíî èñïîëüçîâàòü
âñå åãî ôóíêöèîíàëüíûå âîçìîæíîñòè, âíèìàòåëüíî ïðî÷òèòå äàííîå
ðóêîâîäñòâî. Íå òåðÿéòå ðóêîâîäñòâî, îíî ìîæåò ïðèãîäèòüñÿ â äàëüíåéøåì.

h“C%ëüƒ3ì/ " ä=……%ì !3*%"%ä“2" %K%ƒ…=÷…,

Íàçâàíèÿ êíîïîê MICRO BR çàêëþ÷àþòñÿ â êâàäðàòíûå ñêîáêè [ ].
[EXIT]: êíîïêà EXIT
[UTILITY]: êíîïêà UTILITY
Ññûëêè íà ñòðàíèöû äàííîãî ðóêîâîäñòâà îôîðìëÿþòñÿ, êàê (ñòð. **).

Èíôîðìàöèÿ, êîòîðóþ íåîáõîäèìî çíàòü ïðè ðàáîòå ñ MICRO BR.

Ñòàíäàðòíûå îïåðàöèè èëè íàèáîëåå ÷àñòî èñïîëüçóåìûå ïðèåìû â

ìóçûêàëüíûõ ïðèëîæåíèÿõ.

Äîïîëíèòåëüíàÿ èíôîðìàöèÿ î òîé èëè èíîé îïåðàöèè.

Ññûëêà íà ñòðàíèöó.

Òîëêîâàíèå òåðìèíà.

202
Copyright © 2006 BOSS CORPORATION
Âñå ïðàâà çàùèùåíû. Âîñïðîèçâåäåíèå äàííîãî ìàòåðèàëà, ïîëíîå èëè ÷àñòè÷-
íîå, áåç ïèñüìåííîãî ðàçðåøåíèÿ êîðïîðàöèè BOSS CORPORATION çàïðåùåíî.
USING THE UNIT SAFELY

0
001 08b
• Ïåðåä òåì êàê èñïîëüçîâàòü àïïàðàòóðó, îáÿçà- • Èñïîëüçóéòå òîëüêî ðåêîìåíäóåìûå àäàïòåðû
òåëüíî îçíàêîìüòåñü ñ ïðèâåäåííûìè íèæå ñåòè ïèòàíèÿ (ñåðèÿ PSA), ñëåäèòå çà ñîáëþäå-
èíñòðóêöèÿìè è íàñòîÿùèì Ðóêîâîäñòâîì. íèåì íîìèíàëîâ íàïðÿæåíèÿ ñåòè è àäàïòåðà.
Íåêîòîðûå àäàïòåðû èñïîëüçóþò äðóãóþ ïî-
...............................................................................................................
002c ëÿðíîñòü èëè äðóãèå íîìèíàëû. Èõ ïðèìåíåíèå ìîæåò
• Íå âñêðûâàéòå ïðèáîð è áëîê ïèòàíèÿ, à ïðèâåñòè ê ïîëîìêå ïðèáîðà, íåêîððåêòíîìó ôóíêöè-
òàêæå íå ìîäèôèöèðóéòå èõ. îíèðîâàíèþ èëè ïîðàæåíèþ ýëåêòðè÷åñêèì òîêîì.
...............................................................................................................
010
...............................................................................................................
003 • Äàííàÿ àïïàðàòóðà, ïî îòäåëüíîñòè èëè â
• Íå ïûòàéòåñü ñàìîñòîÿòåëüíî ðåìîíòèðîâàòü êîìáèíàöèè ñ óñèëèòåëåì è íàóøíèêàìè
àïïàðàòóðó èëè çàìåíÿòü äåòàëè âíóòðè íåå èëè äèíàìèêàìè, ìîæåò ïðîèçâîäèòü çâóê
(çà èñêëþ÷åíèåì òåõ ñëó÷àåâ, êîãäà â Ðóêîâîä- òàêîãî óðîâíÿ ãðîìêîñòè, êîòîðûé ñïîñîáåí
ñòâå ïîëüçîâàòåëÿ èìåþòñÿ ñïåöèàëüíûå èíñò- ïðèâåñòè ê äëèòåëüíîé ïîòåðå ñëóõà. Íå èãðàéòå
ðóêöèè, ïðÿìî óêàçûâàþùèå Âàì íà òàêèå äåéñòâèÿ). äîëãî ñ âûñîêèì óðîâíåì ãðîìêîñòè, à òàêæå ñ òàêîé
Çà îáñëóæèâàíèåì îáðàùàéòåñü ïî ìåñòó ïðèîáðåòåíèÿ ãðîìêîñòüþ, êîòîðàÿ çàñòàâëÿåò Âàñ ÷óâñòâîâàòü ñåáÿ
àïïàðàòóðû, â áëèæàéøèé ñåðâèñíûé öåíòð Roland èëè íåêîìôîðòíî. Åñëè Âû ïî÷óâñòâîâàëè êàêîå-ëèáî
ê îôèöèàëüíîìó äèñòðèáüþòîðó êîðïîðàöèè Roland. ñíèæåíèå ñëóõà, èëè ó Âàñ ïîÿâèëñÿ çâîí â óøàõ,
............................................................................................................... íåìåäëåííî âûêëþ÷èòå àïïàðàòóðó, à çàòåì ïðîêîí-
004
• Íèêîãäà íå õðàíèòå è íå èñïîëüçóéòå ñóëüòèðóéòåñü ñ âðà÷îì.
àïïàðàòóðó â òåõ ìåñòàõ, ãäå: ...............................................................................................................
Add
• Âîçìîæíî âîçíèêíîâåíèå ýêñòðåìàëüíûõ òåìïå- • Íå èñïîëüçóéòå íàóøíèêè ïðè âîæäåíèè
ðàòóð (ò.å. ïîïàäàåò ïðÿìîé ñîëíå÷íûé ñâåò, â àâòîìîáèëÿ èëè ìîòîöèêëà. Ýòî ìîæåò
çàêðûòîì àâòîìîáèëå, âáëèçè îòîïèòåëüíûõ
ïðèáîðîâ, íåïîñðåäñòâåííî íà ãåíåðèðóþùåì
ïðèâåñòè ê àâàðèè. Ïðè èñïîëüçîâàíèè
òåïëî îáîðóäîâàíèè è ò.ï.); äàííîãî ïðèáîðà íà ïðîãóëêå äåðæèòåñü
• ñûðî (â âàííûõ êîìíàòàõ, ïðà÷å÷íûõ, íà ñûðîì ïîëó); äàëüøå îò äîðîãè, ÷òîáû íå ñïðîâîöèðîâàòü àâàðèþ.
• âëàæíî; Îñîáåííî áóäüòå âíèìàòåëüíû â ìåñòàõ ïîâûøåííîé
• ìîæåò ïîïàñòü äîæäü; îïàñíîñòè, ãäå íåîáõîäèìî ñëûøàòü îêðóæàþùèå
• ïûëüíî; çâóêè, íàïðèìåð, íà æåëåçíîäîðîæíûõ ïåðåõîäàõ è
• èìååòñÿ âûñîêèé óðîâåíü âèáðàöèè. ñòàíöèÿõ èëè ñòðîéêàõ.
...............................................................................................................
009
• Íå ïåðåêðó÷èâàéòå è íå òÿíèòå ñëèøêîì ...............................................................................................................
011
ñèëüíî øíóð ýëåêòðîïèòàíèÿ, íå ñòàâüòå íà • Íå äîïóñêàéòå ïîïàäàíèÿ â àïïàðàòóðó
íåãî òÿæåëûå ïðåäìåòû.  ïðîòèâíîì ñëó÷àå íèêàêèõ ïîñòîðîííèõ ïðåäìåòîâ (òàêèõ êàê
Âû ìîæåòå ïîâðåäèòü åãî è óñòðîèòü ãîðþ÷èå ìàòåðèàëû, ìîíåòû, âèíòèêè è ò.ï.).
êîðîòêîå çàìûêàíèå. Ïîâðåæäåííûé øíóð 019

ýëåêòðîïèòàíèÿ ìîæåò ñòàòü èñòî÷íèêîì ïîæàðà èëè • Áàòàðåéêè íåëüçÿ ïåðåçàðÿæàòü, íàãðåâàòü,
ïîðàæåíèÿ ýëåêòðîòîêîì. ïîìåùàòü â âîäó èëè îãîíü.
...............................................................................................................
...............................................................................................................

2
 0
12c 106
• Íåìåäëåííî îòêëþ÷èòå àïïàðàòóðó, âûíüòå • Íå ñàäèòåñü íà àïïàðàòóðó, íå êëàäèòå íà
øòåïñåëü øíóðà ïèòàíèÿ èç ñåòåâîé ðîçåòêè íåå òÿæåëûå ïðåäìåòû.
è îáðàòèòåñü ïî ìåñòó ïðèîáðåòåíèÿ
àïïàðàòóðû, â áëèæàéøèé ñåðâèñíûé öåíòð ...............................................................................................................
1107d
Roland èëè ê óïîëíîìî÷åííîìó Roland • Íèêîãäà íå âêëþ÷àéòå øíóð ýëåêòðîïèòàíèÿ
äèñòðèáüþòîðó, êîòîðûå óêàçàíû íà èíôîð- è íå âûêëþ÷àéòå åãî èç ñåòåâîé ðîçåòêè
ìàöèîííîé ñòðàíèöå, â òåõ ñëó÷àÿõ, êîãäà: âëàæíûìè ðóêàìè.
• Ïîâðåæäåí øíóð ýëåêòðîïèòàíèÿ èëè øòåïñåëü ýëåêòðî- ...............................................................................................................
ïèòàíèÿ; 03b
• Ïîÿâèëñÿ äûì èëè íåîáû÷íûé çàïàõ; • Íåîáõîäèìî ðåãóëÿðíî âûêëþ÷àòü øòåïñåëü
• Âíóòðü àïïàðàòóðû ïîïàëè ïîñòîðîííèå ïðåäìåòû èëè ýëåêòðîïèòàíèÿ èç ñåòåâîé ðîçåòêè è
ïðîëèòà æèäêîñòü; ïðîòèðàòü åãî ìÿãêîé ñàëôåòêîé, ÷òîáû
• Àïïàðàòóðà ïîïàëà ïîä äîæäü (èëè íàìîêëà ïî èíîé óäàëèòü ñ êîíòàêòîâ âñå çàãðÿçíåíèÿ. Òàêæå
ïðè÷èíå);
ñëåäóåò âûêëþ÷àòü øòåïñåëü ýëåêòðîïèòàíèÿ
• Àïïàðàòóðà íå ðàáîòàåò â íîðìàëüíîì ðåæèìå, èëè â åå
ðàáîòå íàáëþäàþòñÿ ñóùåñòâåííûå èçìåíåíèÿ. èç ñåòåâîé ðîçåòêè, åñëè àïïàðàòóðà
............................................................................................................... äëèòåëüíîå âðåìÿ íå èñïîëüçóåòñÿ. Ëþáîå
013 ïîïàäàíèå ãðÿçè ìåæäó øòåïñåëåì è
• Òàì, ãäå åñòü ìàëåíüêèå äåòè, âçðîñëûå ðîçåòêîé ìîæåò íàðóøèòü èçîëÿöèþ è
äîëæíû íàáëþäàòü çà íèìè äî òåõ ïîð, ïîêà ïðèâåñòè ê âîçãîðàíèþ.
ðåáåíîê íå áóäåò â ñîñòîÿíèè ñîáëþäàòü âñå ...............................................................................................................
ïðàâèëà, íåîáõîäèìûå äëÿ áåçîïàñíîé ýêñïëóàòàöèè 108b

àïïàðàòóðû. • Ïåðåä òðàíñïîðòèðîâêîé îòêëþ÷èòå áëîê

............................................................................................................... ïèòàíèÿ è îòñîåäèíèòå âñå êàáåëè.
014
• Îáåðåãàéòå àïïàðàòóðó îò ñèëüíûõ óäàðîâ ...............................................................................................................
109b
(íå ðîíÿéòå åå!).
• Ïåðåä òåì, êàê ïðîòåðåòü ïðèáîð, âûêëþ÷èòå
ïèòàíèå è îòñîåäèíèòå ñåòåâîé àäàïòåð
...............................................................................................................
015 (ñòð. 24).
• Íå âêëþ÷àéòå øíóð ýëåêòðîïèòàíèÿ ...............................................................................................................
110b
àïïàðàòóðû â ñåòåâóþ ðîçåòêó, ê êîòîðîé
• Åñëè èìååòñÿ âåðîÿòíîñòü ãðîçû, îòñîåäèíèòå
óæå ïîäêëþ÷åíî ñëèøêîì ìíîãî äðóãèõ
áëîê ïèòàíèÿ îò ñåòè.
ýëåêòðîïðèáîðîâ. Áóäüòå îñîáåííî âíèìà-
òåëüíû ïðè èñïîëüçîâàíèè óäëèíèòåëåé - ...............................................................................................................
ñîâîêóïíàÿ ìîùíîñòü ýëåêòðîïðèáîðîâ, 111: Selection

ïîäêëþ÷àåìûõ ê óäëèíèòåëþ (Âò/À), íèêîãäà • Íåñîáëþäåíèå ïðàâèë ýêñïëóàòàöèè ìîæåò

íå äîëæíà áûòü âûøå ïðåäåëüíî äîïóñòèìîé ïðèâåñòè ê âçðûâó èëè ïðîòå÷êå áàòàðååê.
äëÿ äàííîãî óäëèíèòåëÿ. Èçáûòî÷íàÿ ×òîáû èçáåæàòü ýòîãî, ñîáëþäàéòå
íàãðóçêà ìîæåò ïðèâåñòè ê ïåðåãðåâó è äàæå èíñòðóêöèè, îïèñàííûå íà ñòðàíèöå 20.
1
ðàñ ïëàâëåíèþ èçîëÿöèè øíóðà ýëåêòðîïèòàíèÿ. • Ñîáëþäàéòå èíñòðóêöèè ïî óñòàíîâêå áàòàðååê,
............................................................................................................... îáðàùàéòå âíèìàíèå íà ïîëÿðíîñòü.
016 • Íå óñòàíàâëèâàéòå áàòàðåéêè ðàçíûõ òèïîâ, à
• Ïðè ýêñïëóàòàöèè îáîðóäîâàíèÿ â ñòðàíå, òàêæå îäíîâðåìåííî íîâûå è óæå áûâøèå â
îòëè÷íîé îò ñòðàíû-ïðîèçâîäèòåëÿ, ïðîêîí- óïîòðåáëåíèè.
ñóëüòèðóéòåñü ñ ïðîäàâöîì, áëèæàéøèìè • Âûíèìàéòå áàòàðåéêè, åñëè èíñòðóìåíò äîëãîå
ñåðâèñíûì öåíòðîì êîìïàíèè Roland èëè åå àâòîðè- âðåìÿ íå èñïîëüçóåòñÿ.
çîâàííûì äèëåðîì. • Åñëè áàòàðåéêè ïîòåêëè, ïðîòðèòå îòñåê, ãäå îíè ðàñïî-
ëîæåíû ñ ïîìîùüþ òðÿïî÷êè èëè áóìàæíîãî ïîëîòåíöà.
...............................................................................................................
Íå äîïóñêàéòå ïîïàäàíèÿ æèäêîñòè íà êîæó. Áóäüòå
ïðåäåëüíî âíèìàòåëüíû, ÷òîáû âûòåêøèé ýëåêòðîëèò íå
1 ïîïàë â ãëàçà. Åñëè ýòî âñå æå ïðîèçîøëî, íåìåäëåííî
01b ïðîìîéòå ïîðàæåííóþ îáëàñòü â ïðîòî÷íîé âîäå.
• Ðàçìåùàéòå îáîðóäîâàíèå òàê, ÷òîáû • Íå õðàíèòå áàòàðåéêè âìåñòå ñ ìåòàëëè÷åñêèìè
îáåñïå÷èòü õîðîøóþ âåíòèëÿöèþ. ïðåäìåòàìè, òàêèìè êàê øàðèêîâûå ðó÷êè, öåïî÷êè,
øïèëüêè è ò.ä.
............................................................................................................... ...............................................................................................................
102d
112
• Ïðè âêëþ÷åíèè/âûêëþ÷åíèè ïèòàíèÿ • Èñïîëüçîâàííûå áàòàðåéêè óòèëèçèðóþòñÿ â
äåðæèòåñü íå çà êàáåëü, à çà âèëêó. ñîîòâåòñòâèè ñ óñòàíîâëåííûìè ìåñòíûì
çàêîíîäàòåëüñòâîì ïîëîæåíèÿìè.
...............................................................................................................
104 ...............................................................................................................
• Ïîñòàðàéòåñü ïðåäîòâðàòèòü ïåðåãèáàíèå 118b
• Õðàíèòå âõîäÿùóþ â êîìïëåêò ïîñòàâêè
øíóðîâ è êàáåëåé. Êðîìå òîãî, âñå øíóðû è
SD-êàðòó â íåäîñòóïíîì äëÿ äåòåé ìåñòå.
êàáåëè äîëæíû áûòü ðàçìåùåíû â
Èíà÷å îíè ìîãóò åå ñëó÷àéíî ïðîãëîòèòü.
íåäîñòóïíîì äëÿ äåòåé ìåñòå.
...............................................................................................................
...............................................................................................................

3
 b`fm{e g`le)`mh“
291a
Êðîìå çàìå÷àíèé, ïðèâåäåííûõ íà
ñòðàíèöàõ 2 – 3, îçíàêîìüòåñü,
ïîæàëóéñòà, ñî ñëåäóþùåé èíôîðìàöèåé:
352a
• Ïðèáîð ìîæåò ÿâëÿòüñÿ èñòî÷íèêîì ïîìåõ äëÿ
òåëå- è ðàäèîïðèåìíèêîâ. Íå óñòàíàâëèâàéòå åãî â
íåïîñðåäñòâåííîé áëèçîñòè îò îáîðóäîâàíèÿ àíàëî-
ãè÷íîãî òèïà.
352b
• Ïîñòîðîííèé øóì ìîæåò ïîÿâèòüñÿ, åñëè â íåïîñ-
o,2=…,: ,“C%ëüƒ%"=…, ðåäñòâåííîé áëèçîñòè îò àïïàðàòóðû èñïîëüçóþòñÿ
áåñïðîâîäíûå ñðåäñòâà ñâÿçè (íàïðèìåð, ìîáèëüíûå
K=2=!* òåëåôîíû). Ýòîò øóì âîçíèêàåò, êîãäà ïðîõîäèò
âõîäÿùèé èëè èñõîäÿùèé ñèãíàë, à òàêæå âî âðåìÿ
301
ðàçãîâîðà. Åñëè Âû ñòîëêíóëèñü ñ ïîäîáíûìè
• Íå ïîäêëþ÷àéòå àïïàðàòóðó ê èñòî÷íèêó ýëåêòðî-
ïðîáëåìàìè, íåîáõîäèìî ïåðåíåñòè òàêèå áåñïðî-
ïèòàíèÿ, ê êîòîðîìó óæå ïîäêëþ÷åíû ýëåêòðî-
âîäíûå ñðåäñòâà ñâÿçè ïîäàëüøå îò àïïàðàòóðû èëè
ïðèáîðû ñ èñïîëüçîâàíèåì ïðåîáðàçîâàòåëÿ
âûêëþ÷èòü èõ.
íàïðÿæåíèÿ (òàêèå êàê õîëîäèëüíèê, ñòèðàëüíàÿ
354a
ìàøèíà, ìèêðîâîëíîâàÿ ïå÷ü èëè êîíäèöèîíåð), à
• Íå ðàçìåùàéòå àïïàðàòóðó â ìåñòàõ ïðÿìîãî
òàêæå ñíàáæåííûå ìîòîðîì. Â çàâèñèìîñòè îò òîãî,
ïîïàäàíèÿ ñîëíå÷íîãî ñâåòà, îêîëî èñòî÷íèêîâ
êàê èñïîëüçóþòñÿ òàêèå ýëåêòðîïðèáîðû, ñåòåâàÿ
òåïëà, íå îñòàâëÿéòå åå âíóòðè çàêðûòîãî
íàâîäêà ìîæåò âûçâàòü ñáîè â ðàáîòå àïïàðàòóðû è
àâòîìîáèëÿ è íå ïîäâåðãàéòå âîçäåéñòâèþ
ïîñëóæèòü ïðè÷èíîé ñëûøèìûõ øóìîâûõ ïîìåõ.
ïåðåïàäîâ òåìïåðàòóðû. Êðîìå òîãî, íå ðàçìå-
Åñëè îòäåëüíóþ ñåòåâóþ ðîçåòêó èñïîëüçîâàòü
ùàéòå ïîáëèçîñòè îò àïïàðàòóðû îáû÷íûå îñâåòè-
íåâîçìîæíî, òî ìåæäó ýëåêòðîïðèáîðîì è àïïàðà-
òåëüíûå ïðèáîðû, à òàêæå ìîùíûå ïðîæåêòîðû,
òóðîé íåîáõîäèìî ïîäêëþ÷èòü ôèëüòð ïîäàâëåíèÿ
ðàáîòàþùèå â òå÷åíèå äëèòåëüíîãî âðåìåíè. Îò
ñåòåâûõ íàâîäîê.
èçáûòî÷íîãî òåïëà àïïàðàòóðà ìîæåò äåôîðìèðî-
302
âàòüñÿ èëè èçìåíèòü ñâîé öâåò.
• Ïðè ïðîäîëæèòåëüíîé ðàáîòå ñåòåâîé àäàïòåð
355b
íàãðåâàåòñÿ. Ýòî íå ÿâëÿåòñÿ ïðèçíàêîì åãî
• Ïðè ïåðåìåùåíèè àïïàðàòóðû ñ îäíîãî ìåñòà íà
íåèñïðàâíîñòè.
äðóãîå, ñî çíà÷èòåëüíûì ïåðåïàäîì òåìïåðàòóðû è/
303a
èëè âëàæíîñòè, âíóòðè ìîãóò îáðàçîâàòüñÿ êàïëè
• Ïðèáîð ïîòðåáëÿåò äîñòàòî÷íî ìíîãî ýíåðãèè.
âîäû (êîíäåíñàò). Åñëè Âû ïîïûòàåòåñü èñïîëüçîâàòü
Ïîýòîìó ðåêîìåíäóåòñÿ èñïîëüçîâàòü äëÿ ïèòàíèÿ
àïïàðàòóðó â òàêîì ñîñòîÿíèè, â ðåçóëüòàòå ìîæåò
ñåòü. Ïðè ðàáîòå íà áàòàðåéêàõ ðåêîìåíäóåòñÿ
âîçíèêíóòü íåèñïðàâíîñòü èëè ñáîè â ðàáîòå.
îòäàòü ïðåäïî÷òåíèå ùåëî÷íûì.
Ïîýòîìó, ïðåæäå ÷åì ïðèñòóïèòü ê ýêñïëóàòàöèè
304a
àïïàðàòóðû, íåîáõîäèìî ïîäîæäàòü íåñêîëüêî
• Ïðè óñòàíîâêå èëè çàìåíå áàòàðååê îòêëþ÷àéòå
÷àñîâ, ÷òîáû êîíäåíñàò âûñîõ.
ïèòàíèå ïðèáîðà è îòñîåäèíÿéòå âñå êàáåëè,
360
êîòîðûå êîììóòèðóþò åãî ñ âíåøíèì îáîðóäî-
• Íå îñòàâëÿéòå íà äëèòåëüíîå âðåìÿ íà ïîâåðõíîñòè
âàíèåì. Ýòî ïîçâîëèò ïðåäîòâðàòèòü âûõîä èç ñòðîÿ
àïïàðàòóðû ïðåäìåòû èç ðåçèíû, âèíèëà è äðóãèõ
äèíàìèêîâ è äðóãîãî îáîðóäîâàíèÿ.
àíàëîãè÷íûõ ìàòåðèàëîâ. Òàêèå ïðåäìåòû ìîãóò
306b
îáåñöâåòèòü èëè èíûì îáðàçîì ïîâðåäèòü
• Ïðèáîð êîìïëåêòóåòñÿ áàòàðåéêàìè. Ïðîäîëæèòåëü-
îáëèöîâêó àïïàðàòóðû.
íîñòü èõ ðàáîòû îãðàíè÷åíà, òåì áîëåå ÷òî îñíîâíîå
èõ íàçíà÷åíèå - ïðîâåðêà ðàáîòîñïîñîáíîñòè.
307
• Äî ïîäêëþ÷åíèÿ àïïàðàòóðû ê äðóãèì óñòðîéñòâàì, r.%ä
îòêëþ÷èòå ýëåêòðîïèòàíèå âñåõ ïðèáîðîâ. Ýòî 401a
ïîçâîëèò èçáåæàòü ïîâðåæäåíèÿ äèíàìèêîâ èëè • Äëÿ óäàëåíèÿ ïûëè èñïîëüçóéòå ìÿãêóþ ñóõóþ
äðóãèõ óñòðîéñòâ. òðÿïî÷êó. Ïðè íåîáõîäèìîñòè åå ìîæíî ñìî÷èòü
âîäîé. Äëÿ óäàëåíèÿ ñòîéêîé ãðÿçè ñìî÷èòå
òðÿïî÷êó íåàáðàçèâíûì ìîþùèì ñðåäñòâîì. Ïîñëå
p=ƒì?…, åãî ïðèìåíåíèÿ âûòðèòå ïðèáîð íàñóõî.
402
351
• Èñïîëüçîâàíèå áåíçèíà, ðàñòâîðèòåëÿ èëè àëêîãîëÿ
• Ïðè èñïîëüçîâàíèè àïïàðàòóðû â íåïîñðåäñ-
çàïðåùàåòñÿ. Ýòî ìîæåò ïðèâåñòè ê èçìåíåíèþ
òâåííîé áëèçîñòè îò ìîùíûõ óñèëèòåëåé (èëè
öâåòà è/èëè äåôîðìàöèè êîðïóñà ïðèáîðà.
äðóãîãî îáîðóäîâàíèÿ, âêëþ÷àþùåãî â ñåáÿ
êðóïíûå òðàíñôîðìàòîðû), ìîãóò âîçíèêíóòü ïîñòî-
ðîííèå øóìû. ×òîáû ðàçðåøèòü ýòó ïðîáëåìó,
èçìåíèòå ïðîñòðàíñòâåííóþ îðèåíòàöèþ
àïïàðàòóðû èëè îòîäâèíüòå åå ïîäàëüøå îò
èñòî÷íèêà ïîìåõ.

4
 ÂÀÆÍÛÅ ÇÀÌÅ×ÀÍÈß

pì%…2 , ä=……/ o!ä ,“C%ëüƒ%"=…,ì

452
• Ïîìíèòå î òîì, ÷òî ïðè îòïðàâêå èíñòðóìåíòà â
*=!2
ðåìîíò äàííûå, íàõîäÿùèåñÿ â åãî âíóòðåííåé
ïàìÿòè, ìîãóò áûòü ïîòåðÿíû. Ïîýòîìó ïðåäâàðè- h“C%ëüƒ%"=…, *=!2
òåëüíî èõ íåîáõîäèìî ñêîïèðîâàòü íà SD-êàðòó, â
704
êîìïüþòåð, ëèáî ïðîñòî ïåðåïèñàòü íà áóìàãó. Âî
• Àêêóðàòíî âñòàâüòå äî óïîðà êàðòó.
âðåìÿ ðåìîíòà èíñòðóìåíòà îñîáîå âíèìàíèå
fig.M512-Insert
óäåëÿåòñÿ ñîõðàííîñòè äàííûõ âíóòðåííåé ïàìÿòè.
Îäíàêî âñòðå÷àþòñÿ ñèòóàöèè (íàïðèìåð, âûõîä èç
ñòðîÿ ñõåì ïàìÿòè), â êîòîðûõ ýòîãî äîáèòüñÿ
íåâîçìîæíî. Êîìïàíèÿ Roland îòâåòñòâåííîñòè çà
ñîõðàííîñòü äàííûõ âíóòðåííåé ïàìÿòè èíñòðó-
ìåíòà íå íåñåò.

d%C%ë…,2ëü…/ ì!/
C!ä%“2%!%›…%“2,
551
• Ïîìíèòå, ÷òî â ðåçóëüòàòå ïîëîìêè èëè íåñîáëþ-
äåíèÿ ïðàâèë ýêñïëóàòàöèè ñîäåðæèìîå ïàìÿòè
ìîæåò áûòü áåçâîçâðàòíî ïîòåðÿíî. Äëÿ òîãî ÷òîáû
ñíèçèòü ðèñê ïîòåðè äàííûõ ðåêîìåíäóåòñÿ ïåðèî-
äè÷åñêè ñáðàñûâàòü ñîäåðæèìîå ïàìÿòè íà SD-êàðòó
èëè êîìïüþòåð.
552
• Åñëè äàííûå, ñîõðàíåííûå ðàíåå íà SD-êàðòó èëè â
êîìïüþòåð, ïîòåðÿíû, òî âîññòàíîâèòü èõ íåëüçÿ.
Êîìïàíèÿ Roland îòâåòñòâåííîñòè çà ñîõðàííîñòü
äàííûõ âíóòðåííåé ïàìÿòè èíñòðóìåíòà íå íåñåò.
553
• Ïîæàëóéñòà, îáðàùàéòåñü àêêóðàòíî ñ êíîïêàìè,
òóìáëåðàìè, ðàçúåìàìè è ñîåäèíåíèÿìè. Íåàêêó-
ðàòíîå îáðàùåíèå ìîæåò ïðèâåñòè ê ïîâðåæäåíèþ
àïïàðàòóðû.
554
• Íå óäàðÿéòå ïî äèñïëåþ è íå ïðèêëàäûâàéòå
÷ðåçìåðíûõ óñèëèé ê íåìó.
556
705
• Íå ïðèêàñàéòåñü ê ðàçúåìàì êàðòû è íå äîïóñêàéòå
èõ çàãðÿçíåíèÿ.
708
• Â SD-êàðòàõ ïðèìåíÿþòñÿ ïðåöèçèîííûå òåõíî-
ëîãèè. Îáðàùàéòåñü ñ íèìè àêêóðàòíî, óäåëÿÿ
îñîáîå âíèìàíèå ñëåäóþùèì ìîìåíòàì.
• Íå äîïóñêàéòå ñîïðèêîñíîâåíèÿ êîíòàêòîâ SD-
êàðòû ñ ìåòàëëè÷åñêèìè îáúåêòàìè.
• Íå ãíèòå è íå ðîíÿéòå, à òàêæå íå ïîäâåðãàéòå
SD-êàðòû óäàðàì è ñèëüíîé âèáðàöèè.
• Íå ïîäâåðãàéòå SD-êàðòû ïðÿìîìó âîçäåéñòâèþ
ñîëíå÷íûõ ëó÷åé (òåìïåðàòóðà õðàíåíèÿ -25 -
50° Ñ).
• Íå äîïóñêàéòå çàïîòåâàíèÿ SD-êàðòû.
• Íå ðàçáèðàéòå è íå ìîäèôèöèðóéòå SD-êàðòû.
• Ïðè ïîäñîåäèíåíèè/îòñîåäèíåíèè øíóðîâ è êàáåëåé `"2%!“*% C!="%
íèêîãäà íå äåðãàéòå çà øíóð ýëåêòðîïèòàíèÿ.
Äåðæèòå òîëüêî ñàì ðàçúåì, è òîãäà Âû íèêîãäà íå 851
ïîâðåäèòå âíóòðåííèå ýëåìåíòû êàáåëÿ è íå
• Íåàâòîðèçîâàííûå çàïèñü, äèñòðèáóöèÿ, ïðîäàæà,
ïîäâåðãíåòåñü óäàðó ýëåêòðîòîêîì. ïðîêàò è äðóãîå èñïîëüçîâàíèå, ïîëíîå èëè
558a ÷àñòè÷íîå, êîòîðîå ìîæåò ÿâèòüñÿ íàðóøåíèåì ïðàâ
• ×òîáû íå áåñïîêîèòü ñîñåäåé, ïîñòàðàéòåñü ðàçóìíî ñîáñòâåííîñòè òðåòüèõ ëèö, ïðåñëåäóåòñÿ çàêîíîì.
ðåãóëèðîâàòü óðîâåíü ãðîìêîñòè. À ÷òîáû íå 853
äóìàòü îá ýòîì âîâñå (îñîáåííî íî÷üþ), ëó÷øå
• Íå èñïîëüçóéòå äàííûé ïðèáîð â öåëÿõ, êîòîðûå
èñïîëüçîâàòü íàóøíèêè. ìîãóò ïðèâåñòè ê íàðóøåíèþ ïðàâ ñîáñòâåííîñòè
559a òðåòüèõ ëèö. Êîìïàíèÿ Roland çà íàðóøåíèå ïðàâ
• Ïðè òðàíñïîðòèðîâêå èíñòðóìåíòà èñïîëüçóéòå ñîáñòâåííîñòè, ïðè÷èíåííûé ñ ïîìîùüþ äàííîãî
îðèãèíàëüíóþ óïàêîâêó, âêëþ÷àÿ àìîðòèçèðóþùèé ïðèáîðà òðåòüèì ëèöàì, îòâåòñòâåííîñòè íå íåñåò.
ìàòåðèàë.  ïðîòèâíîì ñëó÷àå èíñòðóìåíò ìîæåò
áûòü ïîöàðàïàí, ïîâðåæäåí èëè âûâåäåí èç ñòðîÿ.
562
• Íåêîòîðûå ñîåäèíèòåëüíûå êàáåëè ñíàáæåíû ðåçèñ-
òîðîì. Ñ äàííîé àïïàðàòóðîé èõ èñïîëüçîâàòü
íåëüçÿ. Ýòî ìîæåò ïðèâåñòè ê òîìó, ÷òî óðîâåíü
çâóêà áóäåò ëèáî ÷ðåçâû÷àéíî íèçêèì, ëèáî åãî
íåâîçìîæíî áóäåò ñëóøàòü. Çà èíôîðìàöèåé î
õàðàêòåðèñòèêàõ ñîåäèíèòåëüíûõ êàáåëåé
îáðàùàéòåñü ê èõ ïðîèçâîäèòåëÿì.

5
 q%ä!›=…,
ÂÀÆÍÛÅ ÇÀÌÅ×ÀÍÈß ........................................................................ 4
Ñîäåðæàíèå ........................................................................................... 6
Ïðåäñòàâëÿåì MICRO BR ................................................................... 10
Îñíîâíûå îñîáåííîñòè .............................................................................................................10
Ìîáèëüíûé ìíîãîôóíêöèî-íàëüíûé ðåêîðäåð.......................................................10
Ïðîñòîòà ýêñïëóàòàöèè ...................................................................................................10
Ïîëíîôóíêöèîíàëüíàÿ ñòàíöèÿ ïðîèçâîäñòâà ìóçûêè.......................................10
Ïîääåðæêà ôîðìàòîâ MP3/WAV .................................................................................. 11
Âñòðîåííûé õðîìàòè÷åñêèé òþíåð..............................................................................11
Äâà òèïà ïèòàíèÿ............................................................................................................. 12
Êàðòû ïàìÿòè, ïîääåðæèâàåìûå MICRO BR.................................................................. 12
Èíèöèàëèçàöèÿ êàðò ïàìÿòè (SD-êàðò) ................................................................... 12
Ïðîäîëæèòåëüíîñòü çàïèñè........................................................................................... 12
Îïèñàíèå ïàíåëåé .............................................................................. 13
Ëèöåâàÿ ïàíåëü ..........................................................................................................................13
Äèñïëåé .........................................................................................................................................15
Áîêîâàÿ ïàíåëü (ëåâàÿ)............................................................................................................18
Áîêîâàÿ ïàíåëü (ïðàâàÿ) .........................................................................................................18
Íèæíÿÿ ïàíåëü ..........................................................................................................................19
Ïîäãîòîâêà MICRO BR ê ðàáîòå ....................................................... 20
Óñòàíîâêà áàòàðååê è êàðòû ïàìÿòè ................................................................................ 20
Êîììóòàöèÿ ñ äðóãèì îáîðóäîâàíèåì.............................................................................. 22
Âêëþ÷åíèå ïèòàíèÿ ................................................................................................................. 24
Âûêëþ÷åíèå ïèòàíèÿ .............................................................................................................. 24
Âîñïðîèçâåäåíèå äåìîïåñíè ........................................................... 26
Âîñïðîèçâåäåíèå äåìîïåñíè.................................................................................................. 26
Èçìåíåíèå ïîëîæåíèÿ óêàçàòåëÿ ïåñíè .......................................................................... 27
Ñîçäàíèå íîâîé ïåñíè ....................................................................... 28
Ñîçäàíèå íîâîé ïåñíè............................................................................................................. 28
Âûáîð âõîäà................................................................................................................................ 29
Èñïîëüçîâàíèå ýôôåêòîâ ....................................................................................................... 30
Âûáîð ýôôåêòà .................................................................................................................. 30
Çàïèñü áåç îáðàáîòêè ýôôåêòîì ðàçðûâà ............................................................... 30
Èñïîëüçîâàíèå ðèòìà...............................................................................................................31
Âîñïðîèçâåäåíèå ïàòòåðíîâ............................................................................................31
Óïðàâëåíèå òåìïîì ïàòòåðíà .......................................................................................31
Çàïèñü ........................................................................................................................................... 32
Âîñïðîèçâåäåíèå........................................................................................................................ 33
Âîñïðîèçâåäåíèå çàïèñàííîãî èñïîëíåíèÿ .............................................................. 33
Óïðàâëåíèå ãðîìêîñòüþ òðåêà..................................................................................... 33
Èñïîëüçîâàíèå MP3-ïëåéåðà............................................................ 34
Âîñïðîèçâåäåíèå äåìîôàéëà MP3 ....................................................................................... 34
Ðåïåòèöèÿ ïîä âîñïðîèçâåäåíèå ôàéëîâ MP3/WAV (Phrase Trainer) ..................... 35
Èçìåíåíèå ñêîðîñòè âîñïðîèçâåäåíèÿ (Time Stretch) .......................................... 35
Ïîäàâëåíèå öåíòðàëüíîé ïàðòèè (Center Cancel) ................................................. 36

6
 q%ä!›=…,

Ãëàâà 1.
Çàïèñü è âîñïðîèçâåäåíèå ............................................................... 38
Çàïèñü ........................................................................................................................................... 38
Ñîçäàíèå íîâîé ïåñíè..................................................................................................... 38
Âûáîð èíñòðóìåíòà äëÿ çàïèñè .................................................................................. 39
Óïðàâëåíèå óðîâíåì çàïèñè ......................................................................................... 39
Âûáîð V-òðåêîâ ................................................................................................................. 40
Âûáîð òðåêà äëÿ çàïèñè ................................................................................................ 41
Îäíîâðåìåííîå óïðàâëåíèå ïàðàìåòðàìè äâóõ òðåêîâ (Stereo Link) ............ 41
Çàïèñü ................................................................................................................................... 42
Âîñïðîèçâåäåíèå........................................................................................................................ 43
Ôóíêöèÿ ïîâòîðíîãî âîñïðîèçâåäåíèÿ..................................................................... 43
Îïðåäåëåíèå ïàíîðàìû ïðè âîñïðîèçâåäåíèè....................................................... 44
Ïåðåçàïèñü ôðàãìåíòà (“âðåçêà”) ........................................................................................ 45
“Âðåçêà” â ðó÷íîì ðåæèìå............................................................................................ 45
“Âðåçêà” â àâòîìàòè÷åñêîì ðåæèìå........................................................................... 46
Ïåðåçàïèñü ôðàãìåíòà â öèêëè÷åñêîì ðåæèìå .................................................... 47
Îòìåíà îïåðàöèè (Undo/Redo) ............................................................................................. 49
Âîçâðàò ê ïðåäûäóùåìó ñîñòîÿíèþ (Undo) ............................................................ 49
Îòìåíà ðåçóëüòàòîâ Undo (Redo)................................................................................ 49
Ñëèÿíèå íåñêîëüêèõ òðåêîâ (Bounce)................................................................................ 50
Âîñïðîèçâåäåíèå ðåçóëüòàòà “ñëèÿíèÿ” òðåêîâ ......................................................51
Ïðîñìîòð èíôîðìàöèè î ïåñíå........................................................................................... 52
Ïðîñìîòð èíôîðìàöèè î ïåñíå .................................................................................. 52
Îïðåäåëåíèå êîëè÷åñòâà äîñòóïíîãî äëÿ çàïèñè âðåìåíè ............................... 52
Ãëàâà 2. Ðåäàêòèðîâàíèå ................................................................... 53
Ðåäàêòèðîâàíèå òðåêà (Track Edit) ..................................................................................... 53
Êîïèðîâàíèå (Track Copy) ............................................................................................. 53
Ðåäàêòèðîâàíèå ïàðàìåòðîâ êîïèðîâàíèÿ .............................................................. 54
Ïåðåìåùåíèå äàííûõ (Track Move) ........................................................................... 55
Ñòèðàíèå äàííûõ (Track Erase).................................................................................... 56
Îáìåí äàííûìè (Track Exchange)............................................................................... 57
Ìàíèïóëÿöèè ñ çàïèñàííîé ïåñíåé ................................................................................... 58
Êîïèðîâàíèå ïåñíè (Song Copy) ................................................................................. 58
Ñòèðàíèå ïåñíè (Song Erase) ........................................................................................ 58
Ýêîíîìèÿ ïàìÿòè (Song Optimize) ............................................................................. 59
Îïðåäåëåíèå èìåíè ïåñíè (Song Name)................................................................... 59
Çàùèòà ïåñíè (Song Protect) ......................................................................................... 60
Ñîõðàíåíèå òåêóùèõ óñòàíîâîê â ïåñíþ (Song Save) ......................................... 60
Ãëàâà 3. Èñïîëüçîâàíèå ýôôåêòîâ.................................................. 61
Ýôôåêòû ðàçðûâà .....................................................................................................................61
Ïàò÷è ýôôåêòîâ è áàíêè ...............................................................................................61
Ðåäàêòèðîâàíèå ïàðàìåòðîâ ýôôåêòà ðàçðûâà...................................................... 62
Ñîõðàíåíèå óñòàíîâîê ýôôåêòà ðàçðûâà (Write)................................................... 63
Óïðàâëåíèå ýôôåêòàìè ðàçðûâà................................................................................. 64
Ñïèñîê àëãîðèòìîâ ýôôåêòîâ ðàçðûâà ............................................................................ 66
Áàíê: GUITAR [COSM GTR AMP]................................................................................. 66
Áàíê: MIC [VOCAL MULTI] ............................................................................................ 66
BANK: LINE/EXT ................................................................................................................ 66

7
q%ä!›=…,

Ñïèñîê ïàðàìåòðîâ .................................................................................................................. 67

Ðåâåðáåðàòîð............................................................................................................................... 72
Âûáîð òèïà ðåâåðáåðàòîðà ............................................................................................ 72
Îïðåäåëåíèå ãëóáèíû ðåâåðáåðàöèè äëÿ êàæäîãî èç òðåêîâ.......................... 72
Îïðåäåëåíèå ãëóáèíû ðåâåðáåðàöèè èñòî÷íèêà, ïîäêëþ÷åííîãî êî âõîäó ..... 73
Îïðåäåëåíèå ãëóáèíû ðåâåðáåðàöèè ðèòìè÷åñêîãî òðåêà................................ 73
Ïàðàìåòðû ðåâåðáåðàòîðà............................................................................................. 73
Ìàñòåðèíã....................................................................................................................................74
Ìàñòåðèíã............................................................................................................................ 74
Ðåäàêòèðîâàíèå óñòàíîâîê ìàñòåðèíãîâîãî èíñòðóìåíòàðèÿ........................... 76
Ñîõðàíåíèå óñòàíîâîê ìàñòåðèíãîâîãî èíñòðóìåíòàðèÿ (Write) .....................77
Ñïèñîê àëãîðèòìîâ ìàñòåðèíãîâîãî èíñòðóìåíòàðèÿ................................................. 78
Áàíê: MT .............................................................................................................................. 78
Ñïèñîê ïàðàìåòðîâ .................................................................................................................. 78
Ãëàâà 4. Èñïîëüçîâàíèå ðèòìà......................................................... 80
Îáùàÿ èíôîðìàöèÿ................................................................................................................. 80
Ïàòòåðíû è àðàíæèðîâêà.............................................................................................. 80
Ðåæèìû âîñïðîèçâåäåíèÿ ïàòòåðíîâ è àðàíæèðîâîê ..........................................81
Íàáîðû óäàðíûõ ....................................................................................................................... 82
Âîñïðîèçâåäåíèå ïàòòåðíà..................................................................................................... 82
Ñìåíà òåìïà ïàòòåðíà .................................................................................................... 82
Ñîçäàíèå îðèãèíàëü-íîé àðàíæèðîâêè............................................................................. 83
Âûáîðà ïàòòåðíà äëÿ ïåðâîãî òàêòà ......................................................................... 83
Ðàçìåùåíèå ïàòòåðíîâ â òðåáóåìîì ïîðÿäêå........................................................ 84
Âñòàâêà øàãà ...................................................................................................................... 85
Ñòèðàíèå øàãà................................................................................................................... 86
Íàçíà÷åíèå èìåíè àðàíæèðîâêå................................................................................. 86
Âîñïðîèçâåäåíèå àðàíæèðîâêè ............................................................................................ 87
Èçìåíåíèå òåìïà àðàíæèðîâêè................................................................................... 87
Êîïèðîâàíèå/ñòèðàíèå àðàíæèðîâêè ................................................................................ 87
Êîïèðîâàíèå....................................................................................................................... 87
Ñòèðàíèå.............................................................................................................................. 87
Ãëàâà 5. MP3-ïëåéåð ........................................................................... 88
Ïîíÿòèå MP3.............................................................................................................................. 88
Àóäèîôîðìàòû, ïîääåðæèâàåìûå MICRO BR......................................................... 88
Àóäèîôîðìàòû, íå ïîääåðæèâàåìûå MICRO BR .................................................. 88
Ôàéëû, çàãðóæàåìûå ñ ìóçûêàëüíûõ ñàéòîâ ......................................................... 88
Óïðàâëåíèå àóäèîôàéëàìè, èìïîðòèðîâàííûìè ñ ìóçûêàëüíîãî CD.......... 88
Àâòîðñêîå ïðàâî........................................................................................................................ 89
Ëèöåíçèîííîå ñîãëàøåíèå..................................................................................................... 89
Î ðåæèìå MP3........................................................................................................................... 89
Ïåðåõîä â ðåæèì MP3............................................................................................................ 90
Âîñïðîèçâåäåíèå ôàéëîâ MP3/WAV ........................................................................... 90
Öèêëè÷åñêîå âîñïðîèçâåäåíèå ......................................................................................91
Ðåïåòèöèÿ ïîä âîñïðîèçâîäÿùèéñÿ ôàéë MP3/WAV................................................... 92
Èçìåíåíèå ñêîðîñòè âîñïðîèçâåäåíèÿ (Time Stretch) .......................................... 92
Ìüþò öåíòðàëüíîé ïàðòèè (Center Cancel) ............................................................. 93
Çàïèñü â ôîðìàòå MP3 èëè WAV....................................................................................... 94
Âðåìÿ çàïèñè...................................................................................................................... 94
Ñòèðàíèå ôàéëà MP3/WAV ................................................................................................... 95

8
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Ñïðàâî÷íûå äàííûå ôàéëîâ MP3/WAV ............................................................................ 95

Ãëàâà 6. Èñïîëüçîâàíèå USB ............................................................ 96
Èñïîëüçîâàíèå USB (îáçîð).................................................................................................... 96
Êàê èñïîëüçóåòñÿ USB..................................................................................................... 96
Ñîâìåñòèìûå ÎÑ .............................................................................................................. 96
Êîììóòàöèÿ ñ êîìïüþòåðîì ........................................................................................ 96
Ñòðóêòóðà äàííûõ êàðòû ïàìÿòè .............................................................................. 97
Ôàéëû è ïàïêè, íàõîäÿùèåñÿ íà êàðòå ïàìÿòè................................................... 97
Î ðåçåðâíîì êîïèðîâàíèè ............................................................................................ 98
Çàìå÷àíèÿ ïî èñïîëüçîâàíèþ USB ............................................................................. 98
Ðàáîòà ïîä Windows ................................................................................................................ 99
Ïåðåäà÷à ôàéëîâ MP3/WAV.......................................................................................... 99
Ðåçåðâèðîâàíèå è âîññòàíîâëåíèå äàííûõ ïåñíè MICRO BR..........................100
Ðàçðûâ ñîåäèíåíèÿ ñ êîìïüþòåðîì.......................................................................... 101
Êîìïüþòåð Macintosh.............................................................................................................102
Ïåðåäà÷à ôàéëîâ MP3/WAV.........................................................................................102
Ðåçåðâèðîâàíèå è âîññòàíîâëåíèå äàííûõ ïåñíè MICRO BR..........................103
Îòñîåäèíåíèå îò êîìïüþòåðà .....................................................................................104
Ãëàâà 7.
Äðóãèå ïîëåçíûå ôóíêöèè .............................................................. 105
Ðåãóëèðîâêà êîíòðàñòíîñòè äèñïëåÿ................................................................................105
Íàñòðîéêà èíñòðóìåíòîâ (Tuner) .......................................................................................105
Íàñòðîéêà...........................................................................................................................106
Ïðåîáðàçîâàíèå äàííûõ òðåêà è àóäèîôàéëîâ............................................................ 107
Êîíâåðòàöèÿ äàííûõ òðåêà â àóäèîôàéë (Track Export).................................. 107
Êîíâåðòàöèÿ àóäèîôàéëà â äàííûå òðåêà (Track Import) ................................108
Èñïîëüçîâàíèå ñúåìíûõ ìèêðîôîíîâ ñ âíåøíèì ïèòàíèåì ..................................109
Èíèöèàëèçàöèÿ êàðòû ïàìÿòè........................................................................................... 110
Èíèöèàëèçàöèÿ óñòàíîâîê MICRO BR............................................................................. 110
Ïðîäëåíèå ñðîêà ñëóæáû áàòàðååê (Power Save)......................................................... 111
Àâòîìàòè÷åñêîå âûêëþ÷åíèå ïèòàíèÿ (Auto Power Off) .......................................... 111
Ãëàâà 8. Ïðèëîæåíèÿ ........................................................................ 112
Ñïèñîê àðàíæèðîâîê/ïàòòåðíîâ ......................................................................................... 112
Ñïèñîê ïðåñåòíûõ àðàíæèðîâîê ................................................................................ 112
Ñïèñîê ïðåñåòíûõ ïàòòåðíîâ ...................................................................................... 113
Ñïèñîê ïàðàìåòðîâ ................................................................................................................. 114
Ïàðàìåòðû ìèêøåðà ...................................................................................................... 114
Ïàðàìåòðû çàïèñè...........................................................................................................114
Ïàðàìåòðû ïåñíè ............................................................................................................ 115
Ñèñòåìíûå ïàðàìåòðû ................................................................................................... 115
Ïàðàìåòðû ðèòìè÷åñêèõ òðåêîâ................................................................................ 115
Ïàðàìåòðû àðàíæèðîâêè.............................................................................................. 115
Íåèñïðàâíîñòè .......................................................................................................................... 116
Ñîîáùåíèÿ îá îøèáêàõ ......................................................................................................... 119
Òåõíè÷åñêèå õàðàêòåðèñòèêè.............................................................................................. 122
MICRO BR: öèôðîâîé ðåêîðäåð ................................................................................ 122
Ñõåìà òðåêîâ............................................................................................................................ 124

9
 o!ä“2="ë ì MICRO BR
n“…%"…/ %“%K……%“2,
l%K,ëü…/L ì…%ã%-3…*ö,%-
…=ëü…/L !*%!ä!
MICRO BR — êîìïàêòíûé ìóëüòèòðåêîâûé
ðåêîðäåð äëÿ îïåðàòèâíîãî èñïîëüçîâàíèÿ.
o!%“2%2= .*“Cë3=2=ö,,
MICRO BR — ìóëüòèòðåêîâûé ðåêîðäåð, ðàáîòà ñ
êîòîðûì äîñòóïíà äàæå äëÿ íîâè÷êîâ. Âû ïî
äîñòîèíñòâó îöåíèòå ôóíêöèîíàëüíóþ ìîùíîñòü
öèôðîâîãî ðåêîðäåðà íà âñåõ ñòàäèÿõ ðàáîòû,
íà÷èíàÿ ñ çàïèñè è çàêàí÷èâàÿ ìèêøèðîâàíèåì.
o%ë…%-3…*ö,%…=ëü…=
“2=…ö, C!%,ƒ"%ä“2"=
ì3ƒ/*,
MICRO BR ïðåäîñòàâëÿåò âñå ôóíêöèè,
íåîáõîäèìûå äëÿ ñîçäàíèÿ çàêîí÷åííûõ
ìóçûêàëüíûõ ïðîèçâåäåíèé.
c,K*, "%ƒì%›…%“2, ,“C%ëüƒ%-
"=…, =3ä,%".%ä%" , .--*2%"
Âõîäû ïðåäóñìàòðèâàþò ïðÿìóþ êîììóòàöèþ ñ
ýëåêòðî- èëè áàñ-ãèòàðàìè, ñòåðåîôîíè÷åñêèì
ìèêðîôîíîì èëè èñòî÷íèêîì ñèãíàëà ëèíåéíîãî
óðîâíÿ. Èìååòñÿ òàêæå âñòðîåííûé ìèêðîôîí.
Ñèãíàë àóäèîâõîäà ìîæíî îáðàáàòûâàòü
ýôôåêòàìè, ïîñòðîåííûìè íà áàçå òåõíîëîãèè
COSM. Ýòî ïîçâîëÿåò äîáèâàòüñÿ èñêëþ÷èòåëüíî
ðàçíîîáðàçíûõ çâóêîâ.
Èñïîëüçîâàíèå ðàçðûâîâ (ñòð. 61)
Èñïîëüçîâàíèå ðåâåðáåðàöèè (ñòð. 72)
10
COSM (Composite Object Sound
Modeling # “ë%›…% %KA*2…%
ì%äë,!%"=…, ƒ"3*=)
Òåõíîëîãèÿ ìîäåëèðîâàíèÿ ïîçâîëÿåò
èìèòèðîâàòü àóäèîõàðàêòåðèñòèêè
ðåàëüíûõ îáúåêòîâ. COSM –
çàïàòåíòîâàííàÿ òåõíîëîãèÿ êîìïàíèè
Roland, êîòîðàÿ ïîñòîÿííî ìîäåðíèçèðóåòñÿ
çà ñ÷åò íîâûõ ïîÿâëåíèÿ ìåòîäèê
ìîäåëèðîâàíèÿ çâóêà, ïîçâîëÿÿ ïîëó÷àòü
l3ëü2,2!*%"= ƒ=C,“ü
Èñïîëíåíèå ìîæíî çàïèñûâàòü íà îòäåëüíûå
òðåêè.
Îäíîâðåìåííî ìîæåò âîñïðîèçâîäèòüñÿ ÷åòûðå
òðåêà, êàæäûé èç êîòîðûõ ñîñòîèò èç âîñüìè
“âèðòóàëüíûõ” (V-òðåêè).
Íàïðèìåð, ìîæíî çàïèñàòü íåñêîëüêî âàðèàíòîâ
ãèòàðíûõ ñîëî íà ðàçëè÷íûå V-òðåêè, à çàòåì –
âûáðàòü ñàìûé ëó÷øèé.
Çàïèñü è âîñïðîèçâåäåíèå (ñòð. 38).
Êðîìå òîãî, ìîæíî ñìèêøèðîâàòü íà V-òðåê
âîñïðîèçâåäåíèå ÷åòûðåõ òðåêîâ. Òàêèì îáðàçîì,
äàæå åñëè âñå òðåêè çàíÿòû, íè÷åãî ñòèðàòü íå
ïðèäåòñÿ.
Ñëèÿíèå òðåêîâ (ñòð. 50).

o%… 2, V-2!*=
Êàæäûé òðåê ñîñòîèò èç âîñüìè
“âèðòóàëüíûõ”, êîòîðûå ìîãóò íàçíà÷àòüñÿ
ëèáî íà çàïèñü, ëèáî íà âîñïðîèçâåäåíèå.
Äðóãèìè ñëîâàìè, äëÿ çàïèñè äîñòóïíî 4 x
8 = 32 òðåêîâ, èç êîòîðûõ ÷åòûðå ìîæíî
áóäåò âîñïðîèçâîäèòü îäíîâðåìåííî.
Ýòè òðåêè íàçûâàþòñÿ âèðòóàëüíûìè “V-
òðåêè”.
Åñëè èñïîëüçîâàòü ïðè çàïèñè V-òðåêè, òî
óäîáíî áóäåò ñäåëàòü êîïèþ êàðòû òðåêîâ
(ñòð. 124) è çàïèñûâàòü èíôîðìàöèþ íà íåå.
p=K%2= “ !,2ì=ì,
Ïðåäóñìîòðåíà óäîáíàÿ ôóíêöèÿ ðàáîòû ñ
ðèòìîì, ïîçâîëÿþùàÿ áûñòðî çàïèñûâàòü
ìóçûêàëüíûå èäåè è äàæå öåëüíûå ïðîèçâåäåíèÿ.
Ïðîñòî âûáåðèòå ðèòìè÷åñêèé ïàòòåðí, íàèáîëåå
õîðîøî ñîãëàñóþùèéñÿ ñ ïðèøåäøåé â ãîëîâó
ìóçûêàëüíîé ôðàçîé, è îòêîððåêòèðóéòå òåìï.
MICRO BR ïîääåðæèâàåò ðàáîòó ôóíêöèè
àðàíæèðîâùèêà, ïîçâîëÿþùåé êîìáèíèðîâàòü
ðèòìè÷åñêèå ïàòòåðíû, ôîðìèðóÿ èç íèõ ïåñíþ.
Èñïîëüçîâàíèå ðèòìà (ñòð. 80)
t3…*ö,, “ë, …, 2!*%" ,
ì=“2!,…ã=
Âñå òðåêè, âêëþ÷àÿ ðèòìè÷åñêèé, ìîæíî
ìèêøèðîâàòü (îáúåäèíÿòü) â ñòåðåîïàðó. Òàêæå
äëÿ îêîí÷àòåëüíîãî ôîðìèðîâàíèÿ çâóêà ïåñíè
ìîæíî èñïîëüçîâàòü ìàñòåðèíãîâûé
èíñòðóìåíòàðèé, êîòîðûé ïîçâîëÿåò äîáèòüñÿ
o!ä“2="ë ì MICRO BR
ýôôåêòà “ïðèñóòñòâèÿ” è îòêîððåêòèðîâàòü
ãðîìêîñòü.
Ñëèÿíèå òðåêîâ (ñòð. 50)
Ìàñòåðèíã (ñòð. 74)
o!%K!=ƒ%"=…,
=3ä,%ä=……/.
Ïåñíè, çàïèñàííûå íà MICRO BR, ìîæíî
êîíâåðòèðîâàòü â ðàñïðîñòðàíåííûå ôîðìàòû,
òàêèå êàê MP3 èëè WAV, è ïåðåäàâàòü ïî øèíå
USB â êîìïüþòåð.
Ïðåîáðàçîâàíèå òðåêîâ â àóäèîôàéëû (ñòð. 107)
Èñïîëüçîâàíèå øèíû USB (ñòð. 96)
o%ää!›*= -%!ì=2%" MP3/
WAV
MICRO BR ìîæåò ðàáîòàòü, êàê ïðîèãðûâàòåëü
ôàéëîâ ôîðìàòîâ MP3 èëè WAV.
Äëÿ ðåïåòèöèé ïðåäóñìîòðåíà ôóíêöèÿ Trainer,
ïîçâîëÿþùàÿ âîñïðîèçâîäèòü ôàéëû MP3/WAV â
çàìåäëåííîì òåìïå èëè ïîäàâëÿòü çâóêè,
ðàñïîëîæåííûå â öåíòðå ñòåðåîêàðòèíû —
âåëèêîëåïíàÿ âîçìîæíîñòü äëÿ ñàìîñòîÿòåëüíûõ
ðåïåòèöèé.
Òàêæå ïðåäóñìîòðåíà âîçìîæíîñòü çàïèñè
äëèòåëüíûõ ñåññèé â êîìïðåññèîííûé ôîðìàò
MP3, ÷òî äåëàåò MICRO BR èäåàëüíûì äëÿ
ìîáèëüíûõ ïðèëîæåíèé ñ èñïîëüçîâàíèåì
áþäæåòíîãî ñòåðåîôîíè÷åñêîãî èëè âñòðîåííîãî
ìèêðîôîíîâ.
Ðàáîòà ñ ôîðìàòîì MP3 (ñòð. 88).
b“2!%……/L .!%ì=2,÷“*,L
2þ…!
MICRO BR îáîðóäîâàí õðîìàòè÷åñêèì òþíåðîì,
ïîçâîëÿþùèì íàñòðàèâàòü ñêîììóòèðîâàííûå ñ
íèì ýëåêòðî- è áàñ-ãèòàðû.
Èñïîëüçîâàíèå òþíåðà (ñòð. 105).
11
o!ä“2="ë ì MICRO BR

d"= 2,C= C,2=…, o!%ä%ë›,2ëü…%“2ü ƒ=C,“,

MICRO BR ìîæåò ðàáîòàòü êàê îò áàòàðååê (äâå Íèæå â òàáëèöå ïðèâåäåíû ñâåäåíèÿ
áàòàðåéêè òèïà AA; ðåêîìåíäóþòñÿ ùåëî÷íûå), îòíîñèòåëüíî äëèòåëüíîñòè çàïèñè íà ðàçëè÷íûå
òàê è îò àäàïòåðà ñåòè ïåðåìåííîãî òîêà êàðòû.
(ïðèîáðåòàåòñÿ äîïîëíèòåëüíî).
Âîçìîæíîñòü ðàáîòû îò äâóõ áàòàðååê òèïà AA
● b!ì ƒ=C,“, (C!, C!!=“÷2 …= %ä,…
(ðåêîìåíäóþòñÿ ùåëî÷íûå) îáåñïå÷èâàåò
2!*)
íåîáõîäèìóþ ìîáèëüíîñòü.
Åìêîñòü Òèï äàííûõ
j=!2/ C=ì 2,, êàðòû HiFi (MT2) STD (LV1) LONG (LV2)
C%ää!›,"=ì/ 32 Ìá 15 ìèí. 18 ìèí. 23 ìèí.
64 Ìá 31 ìèí. 38 ìèí. 47 ìèí.
MICRO BR 128 Ìá 64 ìèí. 76 ìèí. 96 ìèí.
256 Ìá 128 ìèí. 154 ìèí. 192 ìèí.
Ðåêîðäåð ïîääåðæèâàåò ðàáîòó ñ êàðòàìè ïàìÿòè
512 Ìá 257 ìèí. 309 ìèí. 386 ìèí.
òèïà SD, íà êîòîðûå ìîãóò çàïèñûâàòüñÿ äàííûå
1 Ã á 502 ìèí. 604 ìèí. 755 ìèí.
èëè âîñïðîèçâîäèòüñÿ ì íèõ.
Ïîëíûé ïåðå÷åíü SD-êàðò, ñîâìåñòèìûõ ñ MICRO * Ïðèâåäåííûå âûøå öèôðû ÿâëÿþòñÿ îðèåíòèðîâî÷íûìè
BR, ïðèâåäåí â îòáåëüíîé áðîøþðå “About SD è çàâèñÿò îò êîëè÷åñòâà ñîçäàííûõ ïåñåí.
memory cards”. * Ïðèâåäåííûå âûøå öèôðû îòíîñÿòñÿ ê ñóììàðíîé
âìåñòèìîñòè òðåêîâ. Åñëè ïðåäïîëîæèòü, ÷òî íà
h…,ö,=ë,ƒ=ö, *=!2 C=ì 2, êàæäîì èç ÷åòûðåõ òðåêîâ íàõîäèòñÿ îäèíàêîâîå
(SD-*=!2) êîëè÷åñòâî äàííûõ, òî ïðîäîëæèòåëüíîñòü çàïèñè
ñîñòàâèò îêîëî 1/4 îò óêàçàííîé.
SD-êàðòû, ïðèîáðåòåííûå â êîìïüþòåðíûõ
* Åìêîñòü ïàìÿòè (ïðîäîëæèòåëüíîñòü çàïèñè)
ìàãàçèíàõ èëè ìàãàçèíàõ, òîðãóþùèõ öèôðîâûìè óìåíüøàåòñÿ, åñëè â ïàìÿòè íàõîäÿòñÿ MP3-ôàéëû èëè
ôîòîàïïàðàòàìè, â èõ ïåðâîíà÷àëüíîì ñîñòîÿíèè äðóãàÿ èíôîðìàöèÿ.
äëÿ èñïîëüçîâàíèÿ ñ MICRO BR íå ïîäõîäÿò.
Ïðåæäå ÷åì SD-êàðòó ìîæíî áóäåò èñïîëüçîâàòü ● b!ì ƒ=C,“, (!›,ì MP3 mode, “2!%)
ñ MICRO BR, åå íåîáõîäèìî èíèöèàëèçèðîâàòü.
Áîëåå äåòàëüíî ýòà ïðîöåäóðà îïèñàíà íà Åìêîñòü MP3 WAV
ñòðàíèöå 110. êàðòû 64 kbps 128 kbps 192 kbps
32 Ìá 65 ìèí. 32 ìèí. 21 ìèí. 2 ìèí.
64 Ìá 131 ìèí. 65 ìèí. 43 ìèí. 5 ìèí.
128 Ìá 265 ìèí. 132 ìèí. 88 ìèí. 12 ìèí.
256 Ìá 531 ìèí. 265 ìèí. 177 ìèí. 24 ìèí.
512 Ìá 1065 ìèí. 532 ìèí. 355 ìèí. 48 ìèí.
1 Ãá 2081 ìèí. 1040 ìèí. 693 ìèí. 94 ìèí.

* Ïðèâåäåííûå âûøå öèôðû ÿâëÿþòñÿ îðèåíòèðîâî÷íûìè

è çàâèñÿò îò êîëè÷åñòâà ñîçäàííûõ ôàéëîâ MP3/WAV.
* Åìêîñòü ïàìÿòè (ïðîäîëæèòåëüíîñòü çàïèñè)
óìåíüøàåòñÿ, åñëè â ïàìÿòè íàõîäÿòñÿ òðåêè äàííûõ
(ïåñíÿ).

12
 nC,“=…, C=…ëL

k,ö"= C=…ëü
fig.panel-L.eps

1. [POWER] Âêëþ÷åíèå/îòêëþ÷åíèå âñòðîåííîãî òþíåðà.

Êíîïêà âêëþ÷åíèÿ/îòêëþ÷åíèÿ ïèòàíèÿ. 7. [MP3/TRAINER]
2. [EXIT] Ïåðåõîä â ðåæèì âîñïðîèçâåäåíèÿ èëè
Âîçâðàò ê ïðåäûäóùåìó ýêðàíó èëè îòìåíà çàïèñè äàííûõ ôîðìàòîâ MP3/WAV.
îïåðàöèè. Äàííûé ðåæèì ïîääåðæèâàåò ðàáîòó
3. [UTILITY] ôóíêöèè Phrase Trainer (ðåïåòèòîð ôðàç).
Äîñòóï ê ðàçëè÷íûì ôóíêöèÿì, íàïðèìåð, 8. [TR1] – [TR4]
ðàáîòà ñ êàðòîé ïàìÿòè èëè ðåäàêòèðîâàíèå Âûáèðàåò òðåê äëÿ çàïèñè èëè îñóùåñòâëÿåò
òðåêà. ïåðåõîä ê ýêðàíó ðåäàêòèðîâàíèÿ ãðîìêîñòè
• MODE òðåêà. Íà íåêîòîðûõ ýêðàíàõ ýòà êíîïêà
(Óäåðæèâàÿ íàæàòîé [EXIT], íàæìèòå íà èñïîëüçóåòñÿ â êà÷åñòâå ôóíêöèîíàëüíîé,
[UTILITY]) îáåñïå÷èâàÿ âûçîâ îïðåäåëåííûõ ôóíêöèé.
Âûáåðèòå ðåæèì çàïèñè. Íàïðèìåð, åñëè â äàííîì ðóêîâîäñòâå
âñòðå÷àåòñÿ êîìáèíàöèÿ ñèìâîëîâ [TR1]
4. CURSOR[ ][ ]
(SNG), òî ýòî îçíà÷àåò, ÷òî ïðè íàæàòèè íà
Èñïîëüçóþòñÿ äëÿ ïåðåìåùåíèÿ êóðñîðà èëè
êíîïêó [TR1] áóäåò âûáðàíà ïåñíÿ (“SNG”),
âûáîðà ñòðàíèö
êîòîðàÿ îòîáðàæàåòñÿ íà ýêðàíå.
5. [EFFECTS]
Âêëþ÷àåò/îòêëþ÷àåò ýôôåêòû è îáåñïå÷èâàåò
9.
äîñòóï ê ýêðàíó ðåäàêòèðîâàíèÿ èõ
ïàðàìåòðîâ. Áûñòðàÿ ïåðåìîòêà ïåñíè â îáðàòíîì
íàïðàâëåíèè.
6. [RHYTHM]
Ïåðåõîä ê ýêðàíó îïðåäåëåíèÿ óñòàíîâîê ðèòìà.
10.
• TUNER
(Óäåðæèâàÿ íàæàòîé [EFFECT], íàæìèòå íà Îñòàíîâ çàïèñè èëè âîñïðîèçâåäåíèÿ.
[RHYTHM])

13
nC,“=…, C=…ëL

11.
Âîñïðîèçâåäåíèå ïåñíè. Íà äèñïëåå
îòîáðàæàåòñÿ . • Åñëè óäåðæèâàòü íàæàòûìè êíîïêè
VALUE [-] [+], òî çíà÷åíèå èçìåíÿåòñÿ
íåïðåðûâíî.
12.
• Äëÿ áûñòðîãî óâåëè÷åíèÿ çíà÷åíèÿ
Áûñòðàÿ ïåðåìîòêà ïåñíè â ïðÿìîì íàïðàâëåíèè.
ïàðàìåòðà, óäåðæèâàÿ íàæàòîé
VALUE [+], íàæìèòå íà VALUE [-] è
13. òîæå äåðæèòå åå íàæàòîé.
• Äëÿ áûñòðîãî óìåíüøåíèÿ çíà÷åíèÿ
Åñëè íàæàòü íà , íà äèñïëåå ïîÿâèòñÿ ïàðàìåòðà, óäåðæèâàÿ íàæàòîé
èíäèêàòîð , è MICRO BR ïåðåéäåò â VALUE [-], íàæìèòå íà VALUE [+] è
ðåæèì ãîòîâíîñòè ê çàïèñè. Äëÿ çàïóñêà òîæå äåðæèòå åå íàæàòîé.

çàïèñè íàæìèòå íà . Êðîìå ýòèõ 17. MIC (âñòðîåííûé ìèêðîôîí)

ôóíêöèé äàííàÿ êíîïêà ïîçâîëÿåò ðàáîòàòü ñ
òî÷êàìè âõîäà â çàïèñü è âûõîäà èç íåå.
14. [A B] (êíîïêà AB)
Èñïîëüçóåòñÿ äëÿ ïåðåõîäà ê ýêðàíó, íà êîòîðîì
îïðåäåëÿþòñÿ óñòàíîâêè ôóíêöèè Repeat (ïîâ-
òîðíîå âîñïðîèçâåäåíèå òðåáóåìîãî ôðàãìåíòà), à
òàêæå âûáîðà ôðàãìåíòà äëÿ çàïèñè èëè
ðåäàêòèðîâàíèÿ.
15. [INPUT]
Èñïîëüçóåòñÿ äëÿ ïåðåõîäà ê ýêðàíó, íà
êîòîðîì îïðåäåëÿþòñÿ èñòî÷íèêè âõîäíîãî
ñèãíàëà è ÷óâñòâèòåëüíîñòü âõîäà.
16. VALUE [-][+]
Ïðè ðåäàêòèðîâàíèè ïàðàìåòðîâ ýòè êíîïêè
èñïîëüçóþòñÿ äëÿ îïðåäåëåíèÿ çíà÷åíèé.
Ìîíîôîíè÷åñêèé ìèêðîôîí. Èñïîëüçîâàíèå
åãî äëÿ çàïèñè îïèñàíî íà ñòð. 39.
18. Äèñïëåé
Îòîáðàæàåò èíôîðìàöèþ, íàïðèìåð, âðåìÿ
ïåñíè, óðîâåíü ãðîìêîñòè èëè ðàçëè÷íûå
ýêðàíû äëÿ óïðàâëåíèÿ ôóíêöèÿìè.
Åñëè èíôîðìàöèÿ íà äèñïëåå îòîáðàæàåòñÿ
ïëîõî, âûïîëíèòå ïðîöåäóðó, îïèñàííóþ íà
ñòð. 105.
r.%ä
• Äëÿ óäàëåíèÿ ïûëè èñïîëüçóéòå
ìÿãêóþ ñóõóþ òðÿïî÷êó. Ïðè
íåîáõîäèìîñòè åå ìîæíî ñìî÷èòü
âîäîé. Äëÿ óäàëåíèÿ ñòîéêîé ãðÿçè
ñìî÷èòå òðÿïî÷êó íåàáðàçèâíûì
ìîþùèì ñðåäñòâîì. Ïîñëå åãî
ïðèìåíåíèÿ âûòðèòå ïðèáîð íàñóõî.
• Èñïîëüçîâàíèå áåíçèíà, ðàñòâîðèòåëÿ
èëè àëêîãîëÿ çàïðåùàåòñÿ. Ýòî
ìîæåò ïðèâåñòè ê èçìåíåíèþ öâåòà
è/èëè äåôîðìàöèè êîðïóñà ïðèáîðà.

14
 nC,“=…, C=…ëL

d,“CëL
fig.panel-L.eps

1. Ðåæèì Â ðåæèìàõ ñëèÿíèÿ è ìàñòåðèíãà èíäèêàòîð

Èäåíòèôèöèðóåò òåêóùèé ðåæèì. îòîáðàæàåò óðîâíè çàïèñè (óðîâåíü ñëèÿíèÿ
òðåêîâ èëè ìàñòåðèíãîâûé óðîâåíü).
Äèñïëåé Ðåæèì
(íè÷åãî íå Øòàòíûé ðåæèì ðàáîòû.
9. TR 1 2 3 4
îòîáðàæà- Çàãîðàåòñÿ, åñëè òðåêè 1 – 4 ñîäåðæàò
åòñÿ) çàïèñàííûå äàííûå. Òàêæå ìèãàåò íîìåð
Ðåæèì ñëèÿíèÿ. òðåêà, âûáðàííîãî äëÿ çàïèñè. Íà ýêðàíå
Ðåæèì ìàñòåðèíãà èíäèêàòîðîâ óðîâíåé îòîáðàæàþòñÿ
Ðåæèì ðàáîòû ñ äàííûìè ôîðìàòà MP3. âûõîäíûå óðîâíè êàæäîãî èç òðåêîâ.
10. RHYTHM
2. Êóðñîð Çàãîðàåòñÿ, åñëè âêëþ÷åíà ôóíêöèÿ ðèòìà
Óêàçûâàåò íà ïàðàìåòð, âûáðàííûé äëÿ (ñòð. 80). Íà ýêðàíå èíäèêàòîðîâ óðîâíåé
ðåäàêòèðîâàíèÿ. Äëÿ èçìåíåíèÿ åãî îòîáðàæàþòñÿ óðîâíè ðèòìè÷åñêîãî òðåêà
çíà÷åíèÿ èñïîëüçóþòñÿ êíîïêè VALUE[-][+]. Rhythm.
3. Òàêò
11. (èíäèêàòîð âîñïðîèçâåäåíèÿ)
Óêàçûâàåò íà òåêóùóþ ïîçèöèþ â ïåñíå â
Çàãîðàåòñÿ, åñëè ïåñíÿ âîñïðîèçâîäèòñÿ.
ôîðìàòå: òàêò-äîëÿ-òèê.
12. (èíäèêàòîð çàïèñè)
4. Òåìï
Çàãîðàåòñÿ â ðåæèìå ãîòîâíîñòè ê çàïèñè è
Îòîáðàæàåò òåìï.
ñîáñòâåííî ïðè ñàìîé çàïèñè.
5. Âðåìÿ
13. IN
Óêàçûâàåò íà òåêóùóþ ïîçèöèþ â ïåñíå â
Èíäèêàòîð óðîâíÿ ñèãíàëà âõîäîâ GUITAR
ôîðìàòå: “** ÷àñû ** ìèíóòû ** ñåêóíäû”.
IN, LINE IN/MIC èëè âñòðîåííîãî
6. Ôðåéì/Ñóáôðåéì ìèêðîôîíà.
Óêàçûâàåò íà òåêóùóþ ïîçèöèþ â ïåñíå â
ôîðìàòå: ôðåéì è äåñÿòûå äîëè ôðåéìà.
7. EFFECTS
Çàãîðàåòñÿ, åñëè âêëþ÷åí ðàçðûâ ýôôåêòà
(ñòð. 61).
8. L/R (èíäèêàòîð óðîâíÿ)
 øòàòíîì ðåæèìå è â ðåæèìå MP3 îòîáðàæàåò
óðîâåíü ñèãíàëà íà âûõîäå PHONES/LINE OUT.

15
nC,“=…, C=…ëL

14. Èíäèêàòîð áàòàðååê

Îòîáðàæàåò óðîâåíü çàðÿäêè áàòàðååê, åñëè
ïèòàíèå îñóùåñòâëÿåòñÿ îò íèõ.
401a

Äèñïëåé Îïèñàíèå • Èñïîëüçóåìûå â ðóêîâîäñòâå

Íîðìàëüíûå áàòàðåéêè ïðèìåðû ýêðàíîâ äàíû òîëüêî äëÿ
íàãëÿäíîñòè. Ïðèâåäåííûå íà íèõ
Áàòàðåéêè íàïîëîâèíó ðàçðÿæåíû
çíà÷åíèÿ ìîãóò îòëè÷àòüñÿ îò
Áàòàðåéêè ñèëüíî ðàçðÿæåíû, âñêîðå èõ çàâîäñêèõ.
ïðèäåòñÿ çàìåíèòü
• Ïðè îáíîâëåíèè äàííûõ íà äèñïëåå
Áàòàðåéêè ðàçðÿæåíû, óñòàíîâèòå íîâûå
îòîáðàæàåòñÿ ñîîáùåíèå “Keep power
(íè÷åãî íå Ïèòàíèå îñóùåñòâëÿåòñÿ îò ñåòè ïåðåìåí- on!”. Íå îòêëþ÷àéòå ïèòàíèå, ïîêà
ãîðèò) íîãî òîêà îíî íå èñ÷åçíåò.
* Ñëåäèòå çà óðîâíåì ðàçðÿäêè áàòàðååê. Íå ðàáîòàéòå
ïðè ñèëüíî ðàçðÿæåííûõ áàòàðåéêàõ.

15.
Çàãîðàåòñÿ ïðè ñëèøêîì âûñîêîì óðîâíå
âõîäíîãî ñèãíàëà. Åñëè ýòî ïðîèçîøëî,
íàæìèòå íà êíîïêó INPUT è îòðåãóëèðóéòå
÷óâñòâèòåëüíîñòü âõîäà.
Áîëåå äåòàëüíî ýòà ïðîáëåìà îïèñàíà íà
ñòðàíèöå 39.
16. (ïîâòîð)
Çàãîðàåòñÿ, åñëè âêëþ÷åíà ôóíêöèÿ
ïîâòîðíîãî âîñïðîèçâåäåíèÿ Repeat.
17. A B (AB)
Çàãîðàåòñÿ, åñëè îïðåäåëåí ôðàãìåíò äëÿ
ïîâòîðíîãî âîñïðîèçâåäåíèÿ èëè äëÿ çàïèñè
â ðåæèìå âñòàâêè. Ïðè îïðåäåëåíèè
íà÷àëüíîé òî÷êè ôðàãìåíòà (A) èíäèêàòîð
ìèãàåò, êîíå÷íîé (òî÷êà B) – ãîðèò.
18. A.PUNCH
Ãîðèò, åñëè âêëþ÷åí ðåæèì àâòîìàòè÷åñêîãî
âõîäà â çàïèñü è âûõîäà èç íåå.

16
 nC,“=…, C=…ëL

}*!=… "%“C!%,ƒ"ä…, h…ä,*=2%!/ 3!%"…

Ýòîò ýêðàí çàãðóæàåòñÿ ïîñëå âêëþ÷åíèÿ Ïîçâîëÿþò ñëåäèòü çà óðîâíåì ãðîìêîñòè òðåêîâ.
ïèòàíèÿ MICRO BR.
fig.Disp-3mode.eps
1. Íà ýêðàíå âîñïðîèçâåäåíèÿ íàæìèòå
íåñêîëüêî ðàç íà êíîïêó CURSOR [ ].
* Äëÿ âîçâðàòà ê ýêðàíó âîñïðîèçâåäåíèÿ íàæìèòå
íåñêîëüêî ðàç íà êíîïêó CURSOR [ ].
fig.Disp-LevelMeter.eps

L/R Èíäèêàòîð óðîâíÿ ñèãíàëà ïîñëå ðåãóëÿ-

òîðà VOLUME.
Îäíàêî â ðåæèìàõ ñëèÿíèÿ è ìàñòåðèíãà
îí îòîáðàæàåò óðîâåíü çàïèñè (óðîâåíü
ìàñòåðèíãà èëè óðîâåíü ñëèÿíèÿ).
TR1–4 Èíäèêàòîð óðîâíÿ ñèãíàëà íà âûõîäå òðå-
êà.
RHYTHM Èíäèêàòîð óðîâíÿ ðèòìè÷åñêîãî òðåêà
Äàëåå â äàííîì ðóêîâîäñòâå ïîäðàçóìåâàåòñÿ, ÷òî Rhythm.
íà äèñïëåå çàãðóæåí ýêðàí âîñïðîèçâåäåíèÿ, åñëè IN Èíäèêàòîð óðîâíÿ ñèãíàëà íà âõîäàõ
íåò ñïåöèàëüíûõ çàìå÷àíèé îòíîñèòåëüíî ýòîãî. GUITAR IN, LINE IN/MIC èëè âñòðîåííîãî
ìèêðîôîíà.

}*!=… MP3
Åñëè îòêëþ÷èòü ïèòàíèå MICRO BR, êîãäà îí
íàõîäèòñÿ â ðåæèìå MP3 (ñòð. 89), òî ïðè
ïîñëåäóþùåì âêëþ÷åíèè ïèòàíèÿ çàãðóçèòñÿ
èìåííî ýòîò ðåæèì.
Ïðèìåð ýêðàíà ðåæèìà MP3 ïðèâåäåí íèæå. Äëÿ
åãî èäåíòèôèêàöèè èñïîëüçóåòñÿ ïèêòîãðàììà
.

Äëÿ âûõîäà èç ðåæèìà MP3 íàæìèòå åùå ðàç íà

êíîïêó [MP3/TRAINER].

17
nC,“=…, C=…ëL
a%*%"= C=…ëü (ë"= )
fig.panel-L.eps
1. Ãíåçäî DC IN (àäàïòåð)
Èñïîëüçóåòñÿ äëÿ êîììóòàöèè ñ àäàïòåðîì
ñåòè ïåðåìåííîãî òîêà ñåðèè PSA
(ïðèîáðåòàåòñÿ äîïîëíèòåëüíî) (ñòð. 22).
Òàêîé àäàïòåð ìîæíî ïðèîáðåñòè ó äèëåðà
ìóçûêàëüíîé àïïàðàòóðû.
2. VOLUME
Ðåãóëèðóåò ãðîìêîñòü âûõîäà PHONES/LINE
OUT.
3. Ãíåçäî PHONES/LINE OUT
Èñïîëüçóåòñÿ äëÿ êîììóòàöèè ñî ñòåðåî-
ôîíè÷åñêèìè íàóøíèêàìè (ïðèîáðåòàþòñÿ
îòäåëüíî) èëè âíåøíèì îáîðóäîâàíèåì (íàï-
ðèìåð, ñòåðåîóñèëèòåëåì è ò.ä.).
4. Ïîðò USB (òèï MINI B)
Èñïîëüçóåòñÿ äëÿ êîììóòàöèè MICRO BR ñ
êîìïüþòåðîì ñ ïîìîùüþ ñïåöèàëüíîãî
êàáåëÿ USB. Ýòî ïîçâîëÿåò îðãàíèçîâàòü
îáìåí äàííûìè ìåæäó MICRO BR è
êîìïüþòåðîì (ñòð. 22 è 96).
•  êà÷åñòâå àäàïòåðà ñåòè ïåðåìåííîãî
òîêà äîïóñêàåòñÿ èñïîëüçîâàíèå
àäàïòåðîâ òîëüêî ñåðèè PSA. Â
ïðîòèâíîì ñëó÷àå ïðèáîð ìîæåò âûéòè
èç ñòðîÿ.
• Åñëè îòêëþ÷èòü àäàïòåð âî âðåìÿ
âûïîëíåíèÿ êàêîé ëèáî îïåðàöèè,
äàííûå ìîãóò áûòü ïîòåðÿíû.
18
a%*%"= C=…ëü (C!="= )
fig.panel-R.eps
1. Ãíåçäî GUITAR IN (òèï Phone)
Âûñîêîèìïåäàíñíûé âõîä äëÿ ïðÿìîãî
ïîäêëþ÷åíèÿ ýëåêòðî- è áàñ-ãèòàð.
2. Ãíåçäî LINE IN/MIC (ïîä ìèíè-äæåê)
Âõîä äëÿ êîììóòàöèè èñòî÷íèêîâ
àíàëîãîâîãî ñèãíàëà, òàêèõ êàê àóäèî-
ïðîèãðûâàòåëü, ìèêðîôîí è äðóãîå
îáîðóäîâàíèå.
Ïðè èñïîëüçîâàíèè ìèíèàòþðíûõ
êîíäåíñàòîðíûõ ìèêðîôîíîâ, òðåáóþùèõ
âíåøíåãî ïèòàíèÿ, íåîáõîäèìî
àêòèâèçèðîâàòü óñòàíîâêó “PlugInPower”.
Âêëþ÷åíèå ïèòàíèÿ äëÿ êîíäåíñàòîðíûõ
ìèêðîôîíîâ îïèñàíî íà ñòð. 109.
qAì…/L *%…ä…“=2%!…/L ì,*-
!%-%… “ "…ø…,ì C,2=…,ì
Ñúåìíûé êîíäåíñàòîðíûé ìèêðîôîí ñ
âíåøíèì ïèòàíèåì – íåáîëüøîé
êîíäåíñàòîðíûé ìèêðîôîí, êîòîðîìó
íåîáõîäèìî âíåøíåå ïèòàíèå.
 íåêîòîðûõ ìèêðîôîíàõ ïðåäóñìîòðåíî
èñïîëüçîâàíèå áàòàðååê, íåêîòîðûå
ðàññ÷èòàíû íà âíåøíåå ïèòàíèå. MICRO BR
ìîæåò ðàáîòàòü è ñ òåìè, è ñ äðóãèìè.
 nC,“=…, C=…ëL

m,›… C=…ëü
• Íà âõîäå LINE IN/MIC ìîæåò fig.bottom-panel.eps

ïðèñóòñòâîâàòü íàïðÿæåíèå 2.5 Â. 1

Ðàáîòà ñ ôàíòîìíûì ïèòàíèåì 48 Â íå
ïîääåðæèâàåòñÿ.
• Åñëè ïàðàìåòð PlugInPower óñòàíîâëåí
â çíà÷åíèå ON, òî ê ðåêîðäåðó ìîæíî
ïîäêëþ÷àòü òîëüêî êîíäåíñàòîðíûå
ìèêðîôîíû, ðàññ÷èòàííûå íà ýòî 2
íàïðÿæåíèå ïèòàíèÿ. Êîììóòàöèÿ
äðóãîãî îáîðóäîâàíèÿ ìîæåò ïðèâåñòè
ê âûõîäó åãî èç ñòðîÿ.
1. Êðûøêà îòñåêà áàòàðååê
3. INPUT LEVEL Ñþäà âñòàâëÿþòñÿ áàòàðåéêè è êàðòà ïàìÿòè
Îïðåäåëÿåò óðîâåíü âõîäíîãî ñèãíàëà. Ýòî (SD-êàðòà). Åñëè â ðåêîðäåð íå âñòàâëåíà
êîëåñèêî ðåãóëèðóåò ãðîìêîñòü èñòî÷íèêà êàðòà ïàìÿòè, òî çàïèñü íå äîñòóïíà.
çâóêà, à òàêæå óðîâåíü çàïèñè íà òðåê.
988
Ïðîöåäóðà âñòàâêè êàðòû ïàìÿòè è áàòàðååê
4. Ðåìåííîå îòâåðñòèå
îïèñàíà íà ñòðàíèöå 20.
×åðåç ýòî îòâåðñòèå ìîæíî ïðîïóñòèòü
ðåìåøîê.

Ïðè ïîêóïêå MICRO BR â íåãî ñòàâèòñÿ

SD-êàðòà ñ äåìîíñòðàöèîííûìè ïåñíÿìè.

2. Ïåðåêëþ÷àòåëü HOLD
Åñëè ïðè âêëþ÷åííîì ïèòàíèè óñòàíîâèòü
ïåðåêëþ÷àòåëü HOLD â ñîñòîÿíèå ON, òî
âñå êíîïêè áëîêèðóþòñÿ. Îäíàêî äàæå â
ýòîì ñîñòîÿíèè îñòàåòñÿ âîçìîæíîñòü
óïðàâëÿòü îáùåé ãðîìêîñòüþ è óðîâíåì
âõîäíîãî ñèãíàëà.
Åñëè óñòàíîâèòü ïåðåêëþ÷àòåëü HOLD â
ñîñòîÿíèå OFF ïðè âûêëþ÷åííîì ïèòàíèè,
òî ïðè íàæàòèè íà êíîïêó [POWER] ïèòàíèå
íå âêëþ÷èòñÿ.

19
 o%äã%2%"*= MICRO BR * !=K%2

r“2=…%"*= K=2=!* , *=!2/ C=ì 2,

1. Óáåäèòåñü, ÷òî ïèòàíèå âûêëþ÷åíî. 5. Ñîáëþäàÿ ïîëÿðíîñòü, âñòàâüòå äâå
áàòàðåéêè òèïà AA.
2. Ïðîäâèíüòå êðûøêó â íàïðàâëåíèè,
fig.batt-cover3.eps
óêàçàííîì ñòðåëêîé, è ñíèìèòå åå.
fig.batt-cover1.eps +

fig.batt-cover4.eps

3. Åñëè áàòàðåéêè óñòàíîâëåíû, +

èçâëåêèòå èõ.
4. Âñòàâüòå êàðòó ïàìÿòè.
fig.batt-cover2.eps

6. Çàêðîéòå êðûøêó.
fig.batt-cover5.eps

Ïðè ïîêóïêå MICRO BR â íåãî

óñòàíàâëèâàåòñÿ SD-êàðòà ñ
äåìîíñòðàöèîííûìè ïåñíÿìè.

20
 o%äã%2%"*= MICRO BR * !=K%2

fig.eject-sd-j.eps

hƒ"ë÷…, *=!2/
C=ì 2,
Íàæìèòå íà êàðòó âîâíóòðü, à
çàòåì – èçâëåêèòå åå.

fig.sd-protect.eps

aë%*,!%"*= ƒ=C,“, …= *=!23 C=ì 2,

(Lock)
Åñëè óñòàíîâèòü áëîêèðàòîð çàïèñè íà êàðòå ïàìÿòè â ñîñòîÿíèå
“LOCK”, òî çàïèñàòü íà íåå äàííûå èëè ñòåðåòü èõ ñòàíîâèòñÿ
íåâîçìîæíî.

928 931
929
930

• Ðåêîìåíäóåòñÿ èñïîëüçîâàíèå ùåëî÷íûõ áàòàðååê.

• Íå óñòàíàâëèâàéòå îäíîâðåìåííî óæå èñïîëüçîâàííûå è íîâûå áàòàðåéêè, à òàêæå áàòàðåéêè ðàçíûõ
òèïîâ.
• Ïðè èñïîëüçîâàíèè ïåðåçàðÿæàåìûõ áàòàðååê âíèìàòåëüíî èçó÷èòå èíñòðóêöèþ ïî èõ ýêñïëóàòàöèè.
MICRO BR íå ïîääåðæèâàåò ôóíêöèþ ïîäçàðÿäêè áàòàðååê.
• Ïðè ïîÿâëåíèè ïèêòîãðàììû êàê ìîæíî áûñòðåå çàìåíèòå áàòàðåéêè.
• Ñðîê ñëóæáû áàòàðååê çàâèñèò îò èõ òèïà è óñëîâèé ýêñïëóàòàöèè. Êðîìå òîãî, îí ìîæåò èçìåíÿòüñÿ â
çàâèñèìîñòè îò òèïà è åìêîñòè óñòàíîâëåííîé SD-êàðòû ïàìÿòè.
• Õðàíèòå êàðòû ïàìÿòè â íåäîñòóïíîì äëÿ äåòåé ìåñòå.  ïðîòèâíîì ñëó÷àå îíè ìîãóò ñëó÷àéíî
ïðîãëîòèòü èõ.
• Áîëåå ïîäðîáíî î ðåêîìåíäóåìûõ ê èñïîëüçîâàíèþ ñ MICRO BR êàðòàõ ïàìÿòè (SD-êàðòàõ)
ðàññêàçûâàåòñÿ â îòäåëüíîé áðîøþðå “About memory cards” (“Êàðòû ïàìÿòè”).
• Âñòàâëÿéòå êàðòó ïàìÿòè â ñëîò äî óïîðà, ñîáëþäàÿ ïðàâèëüíûå íàïðàâëåíèå è îðèåíòàöèþ. Íå
ïðèêëàäûâàéòå ÷ðåçìåðíûõ óñèëèé.
• Íå ïðèêàñàéòåñü ê êîíòàêòàì êàðòû ïàìÿòè è ñëåäèòå çà èõ ÷èñòîòîé.
• Ïåðåä óñòàíîâêîé èëè èçâëå÷åíèåì êàðòû ïàìÿòè îòêëþ÷èòå ïèòàíèå ðåêîðäåðà.  ïðîòèâíîì ñëó÷àå
íàõîäÿùèåñÿ íà íåé äàííûå ìîãóò áûòü óòåðÿíû èëè ðàáîòà ñàìîé êàðòû ìîæåò ñòàòü íåñòàáèëüíîé.
• Ïðåæäå ÷åì ïîëîæèòü ðåêîðäåð ëèöåâîé ïàíåëüþ âíèç, ïîäëîæèòå ïîä åãî óãëû, íàïðèìåð, ñòîïêè ãàçåò
èëè æóðíàëîâ, ÷òîáû íå ïîâðåäèòü ðåãóëÿòîðû è êíîïêè. Ïðè ðàçìåùåíèè ïðèáîðà ñëåäèòå, ÷òîáû íå
ïîâðåäèòü åãî ðåãóëÿòîðû è êíîïêè.
• Ïðè ìàíèïóëÿöèÿõ ñ ïðèáîðîì áóäüòå âíèìàòåëüíû, ÷òîáû íå óðîíèòü åãî.
• Íå âñòàâëÿéòå è íå èçâëåêàéòå SD-êàðòó ïðè âêëþ÷åííîì ïèòàíèè.  ïðîòèâíîì ñëó÷àå ìîãóò ñòåðåòüñÿ
äàííûå âíóòðåííåé ïàìÿòè ïðèáîðà èëè SD-êàðòû.

21
o%äã%2%"*= MICRO BR * !=K%2

j%ìì32=ö, “ ä!3ã,ì %K%!3ä%"=…,ì

Ñêîììóòèðóéòå ïðèáîðû, êàê ïîêàçàíî íà Ïðåæäå ÷åì ïðèñòóïèòü ê êîììóòàöèè,
ðèñóíêå. îòêëþ÷èòå ïèòàíèå âñåõ ïðèáîðîâ.
fig.side-panel-L.eps

fig.side-panel-R.eps

Î ìèêðîôîíàõ, òðåáóþùèõ âíåøíåãî ïèòàíèÿ,

ðàññêàçàíî íà ñòðàíèöå 18.

22
 o%äã%2%"*= MICRO BR * !=K%2

fig.MEMO

923
• Åñëè â ðåêîðäåð óñòàíîâëåíû áàòàðåéêè, è îí ïèòàåòñÿ îò ñåòè, òî ïðè îòêëþ÷åíèè ýëåêòðîýíåðãèè èëè
ñåòåâîãî êàáåëÿ ðàáîòà ïðèáîðà íå ïðåðûâàåòñÿ.
926a
• Ïðè èñïîëüçîâàíèè êàáåëåé ñ ðåçèñòîðàìè ãðîìêîñòü èíñòðóìåíòîâ, ñêîììóòèðîâàííûõ ñî âõîäàìè
GUITAR IN èëè LINE IN/MIC ìîæåò ñòàòü î÷åíü íèçêîé. Åñëè ýòî ïðîèçîøëî, ïîïðîáóéòå èñïîëüçîâàòü
êàáåëè áåç ðåçèñòîðîâ.
983
• Ïðè íåóäà÷íîì ðàçìåùåíèè ìèêðîôîíà è äèíàìèêîâ ìîæåò âîçíèêíóòü îáðàòíàÿ ñâÿçü (âîçáóæäåíèå).
Äëÿ ðåøåíèÿ ïðîáëåìû:

1. Ïåðåîðèåíòèðóéòå ìèêðîôîí(û).
2. Ðàçíåñèòå ìèêðîôîí(û) è äèíàìèêè íà áîëüøåå ðàññòîÿíèå.
3. Óìåíüøèòå ãðîìêîñòü.
fig.stereo-plug-j.eps
• Ãíåçäî LINE IN/MIC âûïîëíåíî ïîä ñòåðåîôîíè÷åñêèé ìèíèäæåê
(1/8”). Íà êàðòèíêå ïîêàçàíà ñòàíäàðòíàÿ ðàñïàéêà äæåêà ïîä
ãíåçäî LINE IN/MIC. Ïåðåä êîììóòàöèåé îáîðóäîâàíèÿ óáåäèòåñü â
êîððåêòíîñòè ðàñïàéêè.
• Ïåðåä êîììóòàöèåé ñ ãíåçäîì LINE IN/MIC ìèêðîôîíà,
òðåáóþùåãî âíåøíåãî ïèòàíèÿ, îçíàêîìüòåñü ñ èíôîðìàöèåé íà ñòðàíèöå 109.

23
o%äã%2%"*= MICRO BR * !=K%2

b*ëþ÷…, C,2=…, b/*ëþ÷…, C,2=…,

• ×òîáû ïðåäîòâðàòèòü âûõîä èç ñòðîÿ
äèíàìèêîâ è äðóãîãî îáîðóäîâàíèÿ, ïåðåä
êîììóòàöèåé îòêëþ÷àéòå ïèòàíèå âñåõ
ïðèáîðîâ.
• Ïîñëå òîãî, êàê ñèñòåìà áóäåò
ñêîììóòèðîâàíà (ñòð. 22), âêëþ÷àéòå ïèòàíèå
ïðèáîðîâ â ñîîòâåòñòâóþùåì ïîðÿäêå.
Íåñîáëþäåíèå ïîðÿäêà âêëþ÷åíèÿ ïðèáîðîâ
ìîæåò ïðèâåñòè ê âûõîäó èç ñòðîÿ
äèíàìèêîâ è äðóãîãî îáîðóäîâàíèÿ.
• Äàííûé ïðèáîð îáîðóäîâàí çàùèòíîé
ñõåìîé. Äëÿ ïåðåõîäà â øòàòíûé ðåæèì
ðàáîòû ïîñëå âêëþ÷åíèÿ ïèòàíèÿ òðåáóåòñÿ
íåñêîëüêî ñåêóíä.
1. Åñëè MICRO BR ñêîììóòèðîâàí ñ
êîìïüþòåðîì ïî øèíå USB, ðàçîðâèòå
ýòî ñîåäèíåíèå (ñòð. 104).
2. Óáåäèòåñü, ÷òî âîñïðîèçâåäåíèå ïåñíè
îñòàíîâëåíî.
3. Óáåäèòåñü, ÷òî íà äèñïëåå íåò
ñîîáùåíèÿ “Keep power on!”.
4. Âûêëþ÷èòå ïèòàíèå ïðèáîðîâ â
ïîðÿäêå, îáðàòíîì èõ âêëþ÷åíèþ.
5. Óäåðæèâàéòå íàæàòîé êíîïêó [POWER]
äî òåõ ïîð, ïîêà íå èñ÷åçíåò
ñîîáùåíèå “Shutting down...”.

921 • Ïðè èñïîëüçîâàíèè àäàïòåðà ñåòè

941
942 ïåðåìåííîãî òîêà óáåäèòåñü, ÷òî
1. Ïåðåä âêëþ÷åíèåì ïèòàíèÿ ïðîâåðüòå êîììóòàöèÿ íå íàðóøåíà. Åñëè àäàïòåð
ñëåäóþùåå. îòñîåäèíèòñÿ âî âðåìÿ âûïîëíåíèÿ êàêîé-
ëèáî ôóíêöèè, äàííûå ìîãóò áûòü
• Êîððåêòíîñòü êîììóòàöèè MICRO BR ñ âíåøíèì
ïîòåðÿíû.
îáîðóäîâàíèåì.
• Ïåðåä âêëþ÷åíèåì ïèòàíèÿ ïðèáèðàéòå
• Óñòàíîâëåíû ëè â ìèíèìàëüíûå ñîñòîÿíèÿ
ãðîìêîñòü. Åñëè ïðè âêëþ÷åííîì ïèòàíèè
ðåãóëÿòîðû ãðîìêîñòè MICRO BR?
íàáëþäàåòñÿ íåêîòîðûé øóì, äàæå åñëè
• Óñòàíîâëåíà ëè êàðòà ïàìÿòè?
ðåãóëÿòîðû ãðîìêîñòè óñòàíîâëåíû â
2. Óñòàíîâèòå â ìèíèìóì ãðîìêîñòü ìèíèìóì, ýòî íå ÿâëÿåòñÿ ïðèçíàêîì
MICRO BR. íåêîððåêòíîé ðàáîòû ïðèáîðà

3. Âêëþ÷èòå ïèòàíèå îáîðóäîâàíèÿ,

ñêîììóòèðîâàííîãî ñî âõîäîì
(GUITAR IN, LINE IN/MIC).
4. Íàæìèòå íà êíîïêó [POWER],
ðàñïîëîæåííóþ íà ëèöåâîé ïàíåëè
ïðèáîðà.
5. Âêëþ÷èòå ïèòàíèå îáîðóäîâàíèÿ,
ñêîììóòèðîâàííîãî ñ âûõîäîì
ðåêîðäåðà (PHONES/LINE OUT).

24
 Êðàòêîå ðóêîâîäñòâî
j!=2*%
!3*%"%ä“2"%

• Äàííûé ïðèáîð ïðè èñïîëüçîâàíèè ñ óñèëèòåëåì, íàóøíèêàìè èëè êîëîíêàìè ñïîñîáåí âîñïðîèçâîäèòü
ãðîìêèé ñèãíàë, êîòîðûé ìîæåò ïðèâåñòè ê ïîòåðå ñëóõà. Íå ðàáîòàéòå íà âûñîêèõ óðîâíÿõ ãðîìêîñòè â
òå÷åíèå ïðîäîëæèòåëüíîãî ïåðèîäà âðåìåíè. Åñëè âû ïî÷óâñòâîâàëè óõóäøåíèå ñëóõà èëè ïîÿâèëñÿ çâîí â
óøàõ, íåìåäëåííî ïðåêðàòèòå ïîëüçîâàòüñÿ ïðèáîðîì è îáðàòèòåñü çà ïîìîùüþ ê îòîëàðèíãîëîãó.

25
 b%“C!%,ƒ"ä…, äì%C“…,
Ïðè âêëþ÷åíèè ïèòàíèÿ íà äèñïëåé âûâîäèòñÿ
ýêðàí óïðàâëåíèÿ âîñïðîèçâåäåíèåì. 6.
Ïðèáåðèòå ãðîìêîñòü êîëåñîì
VOLUME.
b%“C!%,ƒ"ä…,
äì%C“…, 7. Íàæìèòå íà [PLAY].
MICRO BR ïîñòàâëÿåòñÿ ñ SD-êàðòîé, íà êîòîðîé Çàïóñòèòñÿ âîñïðîèçâåäåíèå ïåñíè. Êîëåñîì
çàïèñàíà äåìîïåñíÿ. Íèæå îïèñàíà ïðîöåäóðà åå VOLUME îòðåãóëèðóéòå ãðîìêîñòü.
âîñïðîèçâåäåíèÿ.
fig.QS-SONG-SEL.eps

Äàííûé ïðèáîð ïðè èñïîëüçîâàíèè ñ óñèëèòåëåì, íà-

óøíèêàìè èëè êîëîíêàìè ñïîñîáåí âîñïðîèçâîäèòü
ãðîìêèé ñèãíàë, êîòîðûé ìîæåò ïðèâåñòè ê ïîòåðå
ñëóõà. Íå ðàáîòàéòå íà âûñîêèõ óðîâíÿõ ãðîìêîñòè â
òå÷åíèå ïðîäîëæèòåëüíîãî ïåðèîäà âðåìåíè. Åñëè âû
ïî÷óâñòâîâàëè óõóäøåíèå ñëóõà èëè ïîÿâèëñÿ çâîí â
óøàõ, íåìåäëåííî ïðåêðàòèòå ïîëüçîâàòüñÿ ïðèáîðîì
è îáðàòèòåñü çà ïîìîùüþ ê îòîëàðèíãîëîãó.

* Óáåäèòåñü, ÷òî MICRO BR íàõîäèòñÿ â øòàòíîì ðåæèìå

(ñòð. 42).
• MICRO BR ïîñòàâëÿåòñÿ ñ äåìîïåñíåé âî
1. Íàæìèòå íà [UTILITY].
âíóòðåííåì ôîðìàòå ïåñíè è â ôîðìàòå
îòìàñòåðåííîãî ôàéëà MP3.
Ïðè ïåðâîì âêëþ÷åíèè ïèòàíèÿ
2. Íàæìèòå íà [TR1] (SNG).
àâòîìàòè÷åñêè çàãðóæàåòñÿ äåìîïåñíÿ.
981b
• Èñïîëüçîâàíèå äàííîé äåìîïåñíè â öåëÿõ,

3. Íàæìèòå íà [TR1] (SEL).

îòëè÷íûõ îò ÷àñòíîãî ïðèìåíåíèÿ, áåç
ðàçðåøåíèÿ ïðàâîîáëàäàòåëÿ ïðåñëåäóåòñÿ
Ðàñêðîåòñÿ ýêðàí âûáîðà ïåñåí. ïî çàêîíó. Êîïèðîâàòü ýòè äàííûå áåç
fig.Disp-Song-sel.eps ñàíêöèè ïðàâîîáëàäàòåëÿ çàïðåùàåòñÿ.

Íàçâàíèå The Big Dance

Êîìïîçèòîð Gary Lenaire, Rafik Oganyan
Copyright © 2006 BOSS Corporation

4. Ñ ïîìîùüþ VALUE [-][+] âûáåðèòå

“01:BigDance”. Äëÿ óïðàâëåíèÿ ãðîìêîñòüþ òðåêîâ
îçíàêîìüòåñü ñ èíôîðìàöèåé íà ñòðàíèöå 33.

5.
Íàæìèòå íà [TR4] (EXE).

26
 b%“C!%,ƒ"ä…, äì%C“…,

Êðàòêîå ðóêîâîäñòâî
hƒì……, C%ë%›…, 3*=ƒ=2ë C“…,
Íèæå îïèñàíû ñïîñîáû èçìåíåíèÿ òåêóùåãî
ïîëîæåíèÿ óêàçàòåëÿ ïåñíè.
Îïåðàöèÿ Âûïîëíåíèå
Áûñòðàÿ ïåðåìîòêà â ïðÿìîì íàïðàâëåíèè
Óäåðæèâàéòå íàæàòîé êíîïêó .
Áûñòðàÿ ïåðåìîòêà â îáðàòíîì íàïðàâëåíèè
Óäåðæèâàéòå íàæàòîé êíîïêó .
Ïåðåõîä â íà÷àëî ïåñíè (00:00:00-00.0)
Óäåðæèâàÿ íàæàòîé , íàæìèòå íà .
Ïåðåõîä â êîíåö ïåñíè
Óäåðæèâàÿ íàæàòîé , íàæìèòå íà .
Ïîøàãîâîå ïåðåìåùåíèå ïî ÷àñàì/ìèíóòàì/ Ñ ïîìîùüþ CURSOR [ ][ ] ïåðåìåñòèòå êóðñîð ê èíäèêàöèè “÷àñû/
ñåêóíäàì/ôðåéìàì/ñóá-ôðåéìàì ìèíóòû/ñåêóíäû/ôðåéìû/ñóá-ôðåéìû” è ñ ïîìîùüþ VALUE [-][+]
îòêîððåêòèðóéòå âðåìÿ.
Ïîøàãîâîå ïåðåìåùåíèå ïî òàêòàì/äîëÿì Ñ ïîìîùüþ CURSOR [ ][ ] ïåðåìåñòèòå êóðñîð ê èíäèêàöèè òàêò/
äîëÿ è ñ ïîìîùüþ VALUE [-][+] îòêîððåêòèðóéòå òàêò/äîëþ.

Âðåìÿ (ñì. íèæå), îòîáðàæàåìîå â íèæíåé ñòðîêå äèñïëåÿ, ïîêàçûâàåò “00 ÷àñîâ 00 ìèíóò 00 ñåêóíä
00 ôðåéìîâ 00 ñóá-ôðåéìîâ”.
fig.Disp-MTC

• Îäèí ôðåéì ðàâåí 1/30 äîëè ñåêóíäû.

• Îäèí ñóá-ôðåéì ðàâåí 1/10 äîëè ôðåéìà.

27
 q%ƒä=…, …%"%L C“…,
Åñëè íà êàðòå ïàìÿòè íàõîäèòñÿ íåñêîëüêî ïåñåí,
òî àâòîìàòè÷åñêè âûáèðàåòñÿ çàãðóæåííàÿ â 5.
ïîñëåäíèé ðàç. Äëÿ çàïèñè íîâîé ïåñíè Íàæìèòå íà [TR4] (EXE).
Áóäåò ñîçäàíà íîâàÿ ïåñíÿ è ïðîèçîéäåò
âûïîëíèòå îïèñàííóþ íèæå ïðîöåäóðó.
ïåðåõîä ê ýêðàíó âîñïðîèçâåäåíèÿ.

q%ƒä=…, …%"%L C“…,

fig.QS-SONG-NEW.eps

* Ïðåæäå ÷åì ñîçäàòü íîâóþ ïåñíþ, ñêîììóòèðóéòå

íåîáõîäèìîå îáîðóäîâàíèå, ïðåäâàðèòåëüíî îçíàêîìèâ-
øèñü ñ èíôîðìàöèåé, ïðèâåäåííîé íà ñòðàíèöå 22.
* Óáåäèòåñü, ÷òî íà äèñïëåé íå âûâîäèòñÿ ïèêòîãðàììà
.

1.
Íàæìèòå íà [UTILITY].

2. Íàæìèòå íà [TR1] (SNG).

3. Íàæìèòå íà [TR2] (NEW).

Íà äèñïëåé âûâåäåòñÿ “Type”.
fig.Disp-.eps

4. Ñ ïîìîùüþ VALUE [-][+] âûáåðèòå

“HiFi”.

Áîëåå ïîäðîáíî òèïû äàííûõ îïèñàíû íà ñòðàíèöå 38.

28
 q%ƒä=…, …%"%L C“…,

b/K%! ".%ä=
Íèæå îïèñàíà ïðîöåäóðà âûáîðà èñòî÷íèêà
çâóêà, êîòîðûé áóäåò çàïèñûâàòüñÿ.
Ðàññìîòðèì ïðèìåð ñ ýëåêòðîãèòàðîé.
fig.QS-SONG-SEL.eps
Êðàòêîå ðóêîâîäñòâî
3.
Ñ ïîìîùüþ CURSOR [ ][ ]
óñòàíîâèòå êóðñîð íà Sns (÷óâñòâè-
òåëüíîñòü), è êíîïêàìè VALUE [-][+]
îòêîððåêòèðóéòå çíà÷åíèå.
Îòêîððåêòèðóéòå ÷óâñòâèòåëüíîñòü
çàïèñûâàåìîãî èñòî÷íèêà çâóêà.
Äëÿ ïîëó÷åíèÿ íàèëó÷øåãî ðåçóëüòàòà óñòàíî-
âèòå ìàêñèìàëüíî äîïóñòèìóþ ÷óâñòâèòåëü-
íîñòü, íî ïðè ýòîì èíäèêàòîð “OVER” íå äîë-
æåí çàãîðàòüñÿ äàæå íà ñàìûõ ãðîìêèõ çâóêàõ.
Åñëè èíäèêàòîð çàãîðàåòñÿ, óìåíüøèòå Sns.

Èñòî÷íèê Äèàïàçîí çíà÷åíèé ïàðàìåòðà Sns

GTR -12 – +8
MIC -16 – +8
* Ïðåæäå ÷åì âûáðàòü èñòî÷íèê çâóêà, îçíàêîìüòåñü ñ
LIN -6 – +8
èíôîðìàöèåé, ïðèâåäåííîé íà ñòð. 22 è ñêîììóòèðóéòå
EXT -15 – +9
ñîîòâåòñòâóþùåå îáîðóäîâàíèå.

1. Íàæìèòå íà [INPUT].
Ïàðàìåòð Sns ñîõðàíÿåòñÿ äëÿ êàæäîãî
2. Íàæìèòå íåñêîëüêî ðàç íà [TR1].
èñòî÷íèêà ñèãíàëà íåçàâèñèìî.

Óáåäèòåñü, ÷òî èíäèêàòîð âûáðàííîãî

èñòî÷íèêà èçìåíèëñÿ ñ “gtr” íà “GTR”.
fig.Disp-Input-sens.eps
4. Êîëåñîì INPUT LEVEL
îòðåãóëèðóéòå âõîäíîé óðîâåíü.

Áîëåå ïîäðîáíî ïðîöåäóðà ðåãóëèðîâêè óðîâíÿ

îïèñàíà íà ñòðàíèöå 39.

5.
Ïðè íàæàòèè íà êíîïêè [TR1] – [TR4] Êîëåñîì VOLUME îòðåãóëèðóéòå
èíäèêàòîð ñîîòâåòñòâóþùåãî âõîäà óðîâåíü âîñïðîèçâåäåíèÿ.
èçìåíÿåòñÿ ñ ïðîïèñíûõ áóêâ íà çàãëàâíûå.

Çàãëàâíûå áóêâû: âûáðàí äàííûé âõîä

• Ïðè çàïèñè ýëåêòðîãèòàðû êîììóòèðóéòå åå
Ïðîïèñíûå áóêâû: äàííûé âõîä íå âûáðàí ñ GUITAR IN ýêðàíèðîâàííûì êàáåëåì.
• Ïðè èñïîëüçîâàíèè êàáåëåé ñ ðåçèñòîðàìè
óðîâåíü ñèãíàëà íà âõîäàõ GUITAR IN èëè
Áîëåå ïîäðîáíî ïðîöåäóðà âûáîðà èñòî÷íèêà
çâóêà îïèñàíà íà ñòðàíèöå 39. LINE IN/MIC ìîæåò áûòü ñëèøêîì íèçêèì.
Åñëè ýòî ïðîèçîøëî, çàìåíèòå êàáåëè íà
áåçðåçèñòîðíûå, íàïðèìåð, êàáåëè Roland
ñåðèè PCS.

29
q%ƒä=…, …%"%L C“…,

h“C%ëüƒ%"=…, g=C,“ü Kƒ %K!=K%2*,

.--*2%ì !=ƒ!/"=
.--*2%"
MICRO BR êîìïëåêòóåòñÿ òðåìÿ ïðîöåññîðàìè
ýôôåêòîâ: ýôôåêòàìè ðàçðûâà, ðåâåðáåðàòîðîì è
ìàñòåðèíãîâûì èíñòðóìåíòàðèåì. Íèæå
ðàññìîòðåí ïðèìåð âûáîðà â êà÷åñòâå èñòî÷íèêà
ñèãíàëà ãèòàðû è îáðàáîòêè åå çâóêà ñ ïîìîùüþ
ýôôåêòà ðàçðûâà.

Áîëåå ïîäðîáíî ýôôåêòû ðàçðûâà îïèñàíû íà

ñòðàíèöå 61. 1 2

b/K%! .--*2= 1.
Íàæìèòå íà [EFFECTS].
Âûâåäåòñÿ íàçâàíèå òåêóùåãî ýôôåêòà.

2.
Íàæìèòå íåñêîëüêî ðàç íà [TR1].
fig.Disp-FX-GT-P01off.eps

2 2

Äîáåéòåñü, ÷òîáû èíäèêàòîð TR1 èçìåíèë

1
ñâîå çíà÷åíèå ñ “ON” íà “OFF”.
Òàêèì îáðàçîì MICRO BR ïåðåäàåò çâóê íà
1. Íàæìèòå íà [EFFECTS].
âûõîä áåç îáðàáîòêè åãî ýôôåêòîì ðàçðûâà,
Íà äèñïëåé âûâåäåòñÿ òåêóùèé ýôôåêò, òî åñòü çàïèñûâàåòñÿ ÷èñòûé ñèãíàë.
âûáðàííûé ðàíåå.

2. Êíîïêàìè CURSOR [ ][ ] ïåðå-

ìåñòèòå êóðñîð ê ïîëþ íîìåðà è ñ
ïîìîùüþ êíîïîê VALUE [-][+] âûáå-
ðèòå “01:SuperCln”.
MICRO BR èìååò íåñêîëüêî ýôôåêòîâ
ðàçðûâà. Äëÿ ïðèìåðà âûáåðåì “01:SuperCln”.
fig.Disp-FX-GT-P01.eps

Áîëåå äåòàëüíî ðàáîòà ñ ýôôåêòàìè îïèñàíà íà

ñòðàíèöå 61.

30
 q%ƒä=…, …%"%L C“…,

Êðàòêîå ðóêîâîäñòâî
h“C%ëüƒ%"=…, !,2ì= 4.
Êíîïêàìè VALUE [-][+] âûáåðèòå
Êðîìå ñòàíäàðòíûõ ÷åòûðåõ àóäèîòðåêîâ 1 – 4, ïàòòåðí, êîòîðûé íåîáõîäèìî
MICRO BR ïîääåðæèâàåò ðàáîòó ðèòìè÷åñêîãî âîñïðîèçâåñòè.
òðåêà.
5.
Êíîïêàìè CURSOR [ ][ ]
Áîëåå ïîäðîáíàÿ èíôîðìàöèÿ ïðèâåäåíà íà ñòðàíèöå äîáåéòåñü, ÷òîáû ïîÿâèëñÿ
80. èíäèêàòîð Rhy Level è ñ ïîìîùüþ
êíîïîê VALUE [-][+] óñòàíîâèòå
b%“C!%,ƒ"ä…, C=22!…%" óðîâåíü â çíà÷åíèå “100”.
fig.Disp-RHY-LEVEL100.eps

Âûáîð è öèêëè÷åñêîå âîñïðîèçâåäåíèå ïàòòåðíîâ.

6. Íàæìèòå íà [EXIT], ÷òîáû âåðíóòüñÿ

ê ýêðàíó âîñïðîèçâåäåíèÿ.

7.
Íàæìèòå íà
Âìåñòå ñ âîñïðîèçâåäåíèåì ðåêîðäåðà
çàïóñòèòñÿ âîñïðîèçâåäåíèå ïàòòåðíà.
1. Íàæìèòå íà [RHYTHM].
Ðàñêðîåòñÿ ýêðàí óïðàâëåíèÿ ðèòìè÷åñêèì rC!="ë…, 2ìC%ì C=22!…=
òðåêîì.
fig.Disp-pt-001.eps
Íàõîäÿñü íà ýêðàíå âîñïðîèçâåäåíèÿ, ìîæíî
ìåíÿòü òåìï âîñïðîèçâåäåíèÿ ïàòòåðíà. Íèæå
îïèñàíî, êàê ýòî äåëàåòñÿ.

2. Íàæìèòå íåñêîëüêî ðàç íà [TR2],

÷òîáû ïîÿâèëèñü ñèìâîëû “PT:”.
Ïðè êàæäîì íàæàòèè íà [TR2] ïðîèñõîäèò 1 2
ïåðåêëþ÷åíèå ìåæäó “PT:” è “AR:”.
 ýòîì ïðèìåðå âûáåðèòå “PT:”.

3. Íàæìèòå íà [TR1].
1. Êíîïêàìè CURSOR [ ][ ] óñòà-
Ïðè êàæäîì íàæàòèè íà [TR1] èíäèêàòîð íîâèòå êóðñîð â ïîëå ïàðàìåòðà
“RHYTHM” òî çàãîðàåòñÿ, òî ãàñíåò. òåìïà.
Íàæìèòå íà [TR1], ÷òîáû èíäèêàòîð fig.Disp-tempo.eps

“RHYTHM” çàãîðåëñÿ.

31
q%ƒä=…, …%"%L C“…,

Çàïóñòèòñÿ çàïèñü.
2. Ðàñêðîåòñÿ ýêðàí âîñïðîèçâåäåíèÿ, à
Êíîïêàìè VALUE [-][+]
ïèêòîãðàììà ïåðåñòàíåò ìèãàòü è
îòðåãóëèðóéòå òåìï.
Òåìï âîñïðîèçâåäåíèÿ ïàòòåðíà èçìåíèòñÿ. çàãîðèòñÿ.
fig.Disp-Recording.eps

g=C,“ü
Ïîïûòàåìñÿ çàïèñàòü èñïîëíåíèå.

5.
Íàæìèòå íà .
Çàïèñü îñòàíîâèòñÿ.

1 3
Áîëåå äåòàëüíî âîïðîñû ñòåðåîôîíè÷åñêîé çàïèñè
îïèñàíû íà ñòðàíèöå 41.

1. Óäåðæèâàÿ íàæàòîé [EXIT],

íàæìèòå íåñêîëüêî ðàç íà
[UTILITY], ÷òîáû âûáðàòü
ñòàíäàðòíûé ðåæèì çàïèñè.
Óáåäèòåñü, ÷òî íà äèñïëåå îòñóòñòâóþò
ïèêòîãðàììû èëè .

2. Íàæìèòå íà
Ðàñêðîåòñÿ ýêðàí âûáîðà òðåêà. Íà ýêðàíå
çàìèãàåò èíäèêàòîð è MICRO BR
ïåðåéäåò â ðåæèì ãîòîâíîñòè ê çàïèñè.

3.
Ñ ïîìîùüþ êíîïîê [TR1] – [TR4]
âûáåðèòå òðåê, êîòîðûé áóäåò
çàïèñûâàòüñÿ.
Âûáðàííûé òðåê îáîçíà÷àåòñÿ ïèêòîãðàììîé
.
fig.Disp-RecTrack-1.eps

4. Íàæìèòå íà .

32
 q%ƒä=…, …%"%L C“…,

Êðàòêîå ðóêîâîäñòâî
b%“C!%,ƒ"ä…, 2.
Êíîïêàìè CURSOR [ ][ ]
Òåïåðü âîñïðîèçâåäåì òî, ÷òî ìû òîëüêî äîáåéòåñü, ÷òîáû íà ýêðàíå
çàïèñàëè. ïîÿâèëîñü Track Level.
fig.Disp-TR1-LEVEL.eps

b%“C!%,ƒ"ä…,
ƒ=C,“=……%ã% ,“C%ë……,

3. Êíîïêàìè CURSOR [ ][ ] èëè

[TR1] – [TR4] âûáåðèòå òðåê, ãðîì-
êîñòü êîòîðîãî áóäåò ìåíÿòüñÿ.
(Ñëåâà íàïðàâî – 1, 2, 3 è 4.)

4. Êíîïêàìè VALUE [-][+]

îòêîððåêòèðóéòå ãðîìêîñòü.
1 2

1. Ïðè íàæàòîé íàæìèòå íà Åñëè ãðîìêîñòü óñòàíîâëåíà â 0, òî

Ïðîèçîéäåò ïåðåõîä ê òî÷êå 00:00:00-00.00. âîñïðîèçâåäåíèÿ òðåêà íå ñëûøíî.

2. Íàæìèòå íà . r.%ä
Çàïóñòèòñÿ âîñïðîèçâåäåíèå. Êîëåñîì VOLUME • Äëÿ åæåäíåâíîé ïðîòèðêè ïðèáîðà èñïîëüçóéòå
îòðåãóëèðóéòå ãðîìêîñòü âîñïðîèçâåäåíèÿ. ìÿãêóþ ñóõóþ òðÿïî÷êó, ñëåãêà ñìî÷åííóþ
âîäîé. Âúåâøóþñÿ ãðÿçü óäàëÿéòå òðÿïî÷êîé,
ñìî÷åííîé íåàáðàçèâíûìè ìîþùèìè ñðåäñòâàìè.
Çàòåì ïðîòðèòå ïðèáîð íàñóõî.
• Íå èñïîëüçóéòå ÷èñòÿùèå ñðåäñòâà, îñíîâàííûå
rC!="ë…, ã!%ì*%“2üþ 2!*= íà ðàñòâîðèòåëÿõ. Ýòî ìîæåò ïðèâåñòè ê
èçìåíåíèþ öâåòà è/èëè äåôîðìàöèè ïðèáîðà.

1 3

1. Âî âðåìÿ âîñïðîèçâåäåíèÿ íàæìèòå

íà îäíó èç êíîïîê [TR1] – [TR4].

33
 h“C%ëüƒ%"=…, MP3-CëL!=
MICRO BR ìîæåò ðàáîòàòü íå òîëüêî êàê
ðåêîðäåð, íî è êàê ïðîèãðûâàòåëü ôàéëîâ 4.
ôîðìàòîâ MP3 è WAV. Êîëåñîì VOLUME ïðèáåðèòå
ãðîìêîñòü.

Áîëåå äåòàëüíî ýòà âîçìîæíîñòü îïèñàíà íà

ñòðàíèöå 88.
5. Íàæìèòå íà .
Çàïóñòèòñÿ âîñïðîèçâåäåíèå äåìîíñòðàöèîí-
b%“C!%,ƒ"ä…, íîãî MP3-ôàéëà. Ïîñòåïåííî êîëåñîì
äì%-=Lë= MP3 VOLUME óñòàíîâèòå òðåáóåìóþ ãðîìêîñòü.

Íèæå îïèñàíà ñîîòâåòñòâóþùàÿ ïðîöåäóðà.

fig.QS-MP3-play.eps

 ðåæèìå MP3 äîñòóïíû ñëåäóþùèå îïåðàöèè.

Îïåðàöèÿ Âûïîëíåíèå
Áûñòðàÿ ïåðåìîò-
êà â ïðÿìîì íàï- Óäåðæèâàéòå íàæàòîé .
ðàâëåíèè
3 Áûñòðàÿ ïåðåìîò-
êà â îáðàòíîì
Óäåðæèâàéòå íàæàòîé .
íàïðàâëåíèè
Ïåðåõîä â íà÷àëî
ôàéëà
Ïðè íàæàòîé íàæìèòå

1. Íàæìèòå íà [MP3/TRAINER], ÷òîáû Ïåðåõîä ê

.
Íàæìèòå íà [-], êîãäà êóðñîð
ïðåäûäóùåìó íàõîäèòñÿ â ïîëå íîìåðà
ïåðåéòè â ðåæèì MP3. ôàéëó ôàéëà.
Ðàñêðîåòñÿ ýêðàí âîñïðîèçâåäåíèÿ ôàéëîâ
Ïåðåõîä ê Íàæìèòå íà [+], êîãäà êóðñîð
MP3. ñëåäóþùåìó íàõîäèòñÿ â ïîëå íîìåðà
fig.Disp-mp3-mode.eps ôàéëó ôàéëà.

2. Êíîïêàìè CURSOR [ ][ ]
ïåðåìåñòèòå êóðñîð â ïîëå íîìåðà
ôàéëà.

3.
Êíîïêàìè VALUE [-][+] âûáåðèòå
“001:BigDance”

34
 h“C%ëüƒ%"=…, MP3-CëL!=

Êðàòêîå ðóêîâîäñòâî
pC2,ö, C%ä 3.
Êíîïêàìè CURSOR [ ][ ]
"%“C!%,ƒ"ä…, óñòàíîâèòå êóðñîð â ïîëå, ãäå
îïðåäåëÿåòñÿ ñêîðîñòü
-=Lë%" MP3/WAV âîñïðîèçâåäåíèÿ è êíîïêàìè
(Phrase Trainer) VALUE [-][+] îòêîððåêòèðóéòå åå.
fig.Disp-mp3-mode2.eps

Ðåæèì MP3 ðåàëèçóåò ôóíêöèþ “Phrase Trainer”,

êîòîðóþ î÷åíü óäîáíî èñïîëüçîâàòü â
ðåïåòèöèîííûõ öåëÿõ.
• Ôóíêöèÿ “Time Stretch” ïîçâîëÿåò èçìåíÿòü
ñêîðîñòü âîñïðîèçâåäåíèÿ àóäèîôàéëà.
• Ôóíêöèÿ “Center Cancel” ïîçâîëÿåò ãëóøèòü çâóê,
ðàñïîëîæåííûé â öåíòðå ñòåðåîïîëÿ è èãðàòü ïîä
ôîíîãðàììó “ìèíóñ îäèí”.
• Ýòè ôóíêöèè ìîæíî èñïîëüçîâàòü îäíîâðåìåííî.
Äèàïàçîí: 25 – 200%
Çíà÷åíèå 100% (íà÷àëüíîå çíà÷åíèå) ñîîòâåò-
ñòâóåò îðèãèíàëüíîé ñêîðîñòè âîñïðîèçâåäå-
íèÿ, ïðè 50% ñêîðîñòü óìåíüøàåòñÿ â äâà
ðàçà, ïðè 25% – â ÷åòûðå. Äëÿ óâåëè÷åíèÿ
ñêîðîñòè â äâà ðàçà âûáåðèòå çíà÷åíèå 200%.

hƒì……, “*%!%“2,
"%“C!%,ƒ"ä…, (Time Stretch)
Ìîæíî èãðàòü íà ãèòàðå èëè äðóãîì ñêîììó-
òèðîâàííîì ñ ðåêîðäåðîì èíñòðóìåíòå, ïðîñëó-
øèâàÿ âîñïðîèçâåäåíèå ñ èçìåíåííîé ñêîðîñòüþ.
Ïðè âûáîðå çíà÷åíèÿ, îòëè÷íîãî îò 100%,
êà÷åñòâî âîñïðîèçâåäåíèÿ ñíèæàåòñÿ. Ýòî íå
ÿâëÿåòñÿ ïðèçíàêîì íåèñïðàâíîñòè. Ïðè
ïðîñòîì ïðîñëóøèâàíèè ôàëîâ MP3/WAV
óñòàíàâëèâàéòå ïàðàìåòð â çíà÷åíèå 100%.

4.
Êîëåñîì VOLUME óìåíüøèòå
ãðîìêîñòü.

5. Íàæìèòå íà .
Çàïóñòèòñÿ âîñïðîèçâåäåíèå àóäèîôàéëà ñ
âûáðàííîé ñêîðîñòüþ. Ïîñòåïåííî
1. ïîâîðà÷èâàÿ êîëåñî VOLUME, óñòàíîâèòå
Íàæìèòå íà [MP3/TRAINER], ÷òîáû
ïåðåéòè â ðåæèì MP3. òðåáóåìóþ ãðîìêîñòü.
Ðàñêðîåòñÿ ýêðàí âîñïðîèçâåäåíèÿ ôàéëîâ MP3. Âî âðåìÿ âîñïðîèçâåäåíèÿ ôàéëîâ MP3/WAV
fig.Disp-mp3-mode.eps
ìîæíî èãðàòü íà ãèòàðå èëè äðóãîì
èíñòðóìåíòå, ñêîììóòèðîâàííîì ñ
ðåêîðäåðîì.

6. Äëÿ âûõîäà èç ðåæèìà MP3 íàæìèòå

2. Êíîïêàìè CURSOR [ ][ ] åùå ðàç íà êíîïêó [MP3/TRAINER].
óñòàíîâèòå êóðñîð â ïîëå íîìåðà
ôàéëà è ñ ïîìîùüþ VALUE [-][+]
âûáåðèòå ôàéë, êîòîðûé
íåîáõîäèìî âîñïðîèçâåñòè.

35
h“C%ëüƒ%"=…, MP3-CëL!=

o%ä="ë…, ö…2!=ëü…%L
C=!2,, (Center Cancel)
Ôóíêöèÿ ïîçâîëÿåò ãëóøèòü çâóê,
ðàñïîëîæåííûé â öåíòðå ñòåðåîêàðòèíû (ò.å.
âîêàë èëè ãèòàðíîå ñîëî). Ýòî î÷åíü óäîáíî äëÿ
ðåïåòèöèé ïîä àêêîìïàíåìåíò.
5.
Íàæìèòå íà .
Ïàðòèè, ðàñïîëîæåííûå ïî öåíòðó, òàêèå
êàê âîêàë è ñîëîãèòàðà, ãëóøàòñÿ.
Êîëåñîì VOLUME ïîñòåïåííî óñòàíîâèòå
òðåáóåìûé óðîâåíü ãðîìêîñòè.
Ïðè ïðîñëóøèâàíèè ôàéëà MP3/WAV ìîæíî
èãðàòü íà ãèòàðå èëè äðóãîì èíñòðóìåíòå,
ñêîììóòèðîâàííîì ñ ðåêîðäåðîì.

6.
Äëÿ ïîäàâëåíèÿ ïàðòèè, êîòîðàÿ
ðàñïîëîæåíà íå ïî öåíòðó,
íàæìèòå íà [TR4] (EDT).
Ðàñêðîåòñÿ ýêðàí CenterAdjst.
fig.Disp-CENTER-ADJ.eps

1. Íàæìèòå íà [MP3/TRAINER], ÷òîáû

ïåðåéòè â ðåæèì MP3.
Ðàñêðîåòñÿ ýêðàí âîñïðîèçâåäåíèÿ ôàéëîâ MP3.
7.
fig.Disp-mp3-mode.eps

Îòêîððåêòèðóéòå çíà÷åíèå
êíîïêàìè VALUE [-][+].

2.
Êíîïêàìè CURSOR [ ][ ] • Ïîäàâèòü ïîëíîñòüþ ðàñïîëîæåííóþ ïî
óñòàíîâèòå êóðñîð â ïîëå íîìåðà öåíòðó ïàðòèþ íå âñåãäà ïðåäñòàâëÿåòñÿ
ôàéëà è ñ ïîìîùüþ VALUE [-][+] âîçìîæíûì.
âûáåðèòå ôàéë, êîòîðûé • Äëÿ ïîäàâëåíèÿ ïàðòèè, êîòîðàÿ
íåîáõîäèìî âîñïðîèçâåñòè. ðàñïîëîæåíà íå ïî öåíòðó, îòêîððåêòèðóéòå
çíà÷åíèå ïàðàìåòðà CenterAdjst.

3. Êíîïêàìè CURSOR [ ][ ]
• Äëÿ óñèëåíèÿ íèçêèõ ÷àñòîò îòêîððåêòèðóé-
òå ïàðàìåòð Low Boost (ñòð. 93).
äîáåéòåñü, ÷òîáû íà ýêðàíå • Ïðè èñïîëüçîâàíèè ôóíêöèè Center Cancel
ïîÿâèëîñü “CENTER CANCEL”. ñèãíàë ñòàíîâèòñÿ ìîíîôîíè÷åñêèì.
fig.Disp-mp3-mode.eps

8. Äëÿ âûõîäà èç ðåæèìà MP3

íàæìèòå åùå îäèí ðàç íà [MP3/
TRAINER].
4.
Íàæìèòå íà [TR1], ÷òîáû âêëþ÷èòü
ôóíêöèþ Center Cancel.
Ïðè êàæäîì íàæàòèè íà [TR1] ïðîèñõîäèò
ïåðåêëþ÷åíèå ìåæäó “ON” è “OFF”.

36
 n“…%"…%

Ãëàâà 1
!3*%"%ä“2"%

• Äàííûé ïðèáîð ïðè èñïîëüçîâàíèè ñ óñèëèòåëåì, íàóøíèêàìè èëè êîëîíêàìè ñïîñîáåí âîñïðîèçâîäèòü
ãðîìêèé ñèãíàë, êîòîðûé ìîæåò ïðèâåñòè ê ïîòåðå ñëóõà. Íå ðàáîòàéòå íà âûñîêèõ óðîâíÿõ ãðîìêîñòè â
òå÷åíèå ïðîäîëæèòåëüíîãî ïåðèîäà âðåìåíè. Åñëè âû ïî÷óâñòâîâàëè óõóäøåíèå ñëóõà èëè ïîÿâèëñÿ çâîí â
óøàõ, íåìåäëåííî ïðåêðàòèòå ïîëüçîâàòüñÿ ïðèáîðîì è îáðàòèòåñü çà ïîìîùüþ ê îòîëàðèíãîëîãó.

37
 cë="= 1.
g=C,“ü , "%“C!%,ƒ"ä…,
g=C,“ü
Óáåäèòåñü, ÷òî íà äèñïëåå íå îòîáðàæàþòñÿ
ïèêòîãðàììû
èëè (ñòð. 90).
q%ƒä=…, …%"%L C“…,
Âñå ïðîèçâåäåíèÿ â MICRO BR õðàíÿòñÿ â âèäå
“ïåñåí”. Ïåðåä çàïèñüþ íîâîé êîìïîçèöèè
íåîáõîäèìî ñôîðìèðîâàòü ïåñíþ.
1. Íàæìèòå íà [UTILITY].
2. Íàæìèòå íà [TR1] (SNG).
Ðàñêðîåòñÿ ýêðàí SONG EDIT.
fig.Disp-SONG-EDIT.eps
Š,C/ ä=……/.
Ïðè ñîçäàíèè ïåñíè â MICRO BR íåîáõîäèìî
âûáðàòü îäèí èç ïðèâåäåííûõ íèæå òèïîâ äàííûõ.
, (ñòð. 42) Òèï äàí- Îïèñàíèå
íûõ
HiFi (MT2) Çàïèñü ñ âûñîêèì êà÷åñòâîì. Ðåêîìåíäó-
åòñÿ ïðè âûïîëíåíèè îïåðàöèè ñëèÿíèÿ
òðåêîâ. Îáû÷íî èñïîëüçóåòñÿ ýòîò òèï.
STD (LV1) Îáåñïå÷èâàåò áîëåå ïðîäîëæèòåëüíîå
âðåìÿ çàïèñè, ïî ñðàâíåíèþ ñ “HiFi.”
LONG (LV2) Ñàìîå ïðîäîëæèòåëüíîå âðåìÿ çàïèñè.
Èñïîëüçóåòñÿ â ñëó÷àå íåõâàòêè ïàìÿòè
íà êàðòå.
b!ì ƒ=C,“,
 òàáëèöå ïðèâîäèòñÿ çíà÷åíèÿ âðåìåíè çàïèñè â
çàâèñèìîñòè îò îáúåìà êàðòû ïàìÿòè è òèïà
äàííûõ. Âðåìÿ ðàññ÷èòàíî îòíîñèòåëüíî îäíîãî
çàïèñûâàåìîãî òðåêà.

Åìêîñòü Òèï äàííûõ

3. Íàæìèòå íà [TR2] (NEW). êàðòû ïà- HiFi (MT2) STD (LV1) LONG (LV2)
ìÿòè
Íà äèñïëåå îòîáðàçèòñÿ “Type:”
32 Ìá 15 ìèí. 18 ìèí. 23 ìèí.
4. Êíîïêàìè VALUE [-][+] âûáåðèòå òèï 64 Ìá 31 ìèí. 38 ìèí. 47 ìèí.
äàííûõ ñîçäàâàåìîé ïåñíè. 128 Ìá 64 ìèí. 76 ìèí. 96 ìèí.
fig.Disp-SongDataTyp.eps
256 Ìá 128 ìèí 154 ìèí. 192 ìèí.
512 Ìá 257 ìèí. 309 ìèí. 386 ìèí.
1 Ãá 502 ìèí. 604 ìèí. 755 ìèí.

* Íåçàâèñèìî îò òèïà äàííûõ èñïîëüçóåòñÿ ÷àñòîòà

5. Íàæìèòå íà [TR4] (EXE).
ñýìïëèðîâàíèÿ 44.1 êÃö. Èçìåíèòü åå íåâîçìîæíî.
Áóäåò ñôîðìèðîâàíà íîâàÿ ïåñíÿ è
* Ïîñëå ñîçäàíèÿ ïåñíè èçìåíèòü òèï åå äàííûõ íåëüçÿ.
ïðîèçîéäåò ïåðåõîä ê ýêðàíó
* Öèôðû ïðîäîëæèòåëüíîñòè âðåìåíè çàïèñè íåòî÷íûå è
âîñïðîèçâåäåíèÿ.
ìîãóò ìåíÿòüñÿ â çàâèñèìîñòè îò êîëè÷åñòâà ïåñåí.
* Ïðèâåäåííûå â òàáëèöå çíà÷åíèÿ ðàññ÷èòàíû
îòíîñèòåëüíî çàïèñè íà îäèí òðåê. Íàïðèìåð, åñëè
çàïèñûâàþòñÿ âñå ÷åòûðå òðåêà, òî âðåìÿ çàïèñè
Íà îäíîé êàðòå ïàìÿòè ìîæíî ñîçäàòü óìåíüøàåòñÿ â ÷åòûðå ðàçà.
ìàêñèìóì 99 ïåñåí.

38
 cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

b/K%! ,…“2!3ì…2= äë rC!="ë…, 3!%"…ì ƒ=C,“,

ƒ=C,“,
1. Âûáåðèòå èñòî÷íèê çâóêà (ñì. âûøå).
1. Íàæìèòå íà [INPUT].
2. Îòðåãóëèðóéòå ÷óâñòâèòåëüíîñòü
2. Êíîïêàìè [TR1] (GTR) – [TR4] (EXT) èñòî÷íèêà çâóêà.
âûáåðèòå èñòî÷íèê (âõîä), ñèãíàë Íåîáõîäèìî óñòàíîâèòü ìàêñèìàëüíî
êîòîðîãî áóäåò çàïèñûâàòüñÿ. âîçìîæíóþ ÷óâñòâèòåëüíîñòü, ïðè êîòîðîé
fig.Disp-GuitarSens.eps
èíäèêàòîð OVER íå çàãîðàåòñÿ äàæå ïðè
ñàìûõ âûñîêîóðîâíåâûõ ñèãíàëàõ. Åñëè

Ãëàâà 1
èíäèêàòîð OVER çàãîðàåòñÿ, óìåíüøèòå
çíà÷åíèå ïàðàìåòðà Sns.

Èñòî÷íèê Âõîä Input è àóäèîèñòî÷íèê Èñòî÷íèê Äèàïàçîí çíà÷åíèé ïàðàìåò-

GTR Çàïèñü ãèòàðû èëè áàñ-ãèòàðû, ðà Sns
ñêîììóòèðîâàííûõ ñî âõîäîì GTR -12 – +8
GUITAR IN jack. MIC -16 – +8
MIC Çàïèñü ñèãíàëà âñòðîåííîãî ìèêðî- LIN -6 – +8
ôîíà.
EXT -15 – +9
LIN Çàïèñü èñòî÷íèêîâ ëèíåéíîãî ñèã-
íàëà (àóäèîïëåéåð è ò.ä.), ñêîììó-
òèðîâàííûõ ñ LINE IN/MIC. 3. Íàæìèòå íà [EXIT].
EXT Çàïèñü âíåøíåãî ìèêðîôîíà, ñêîì- Ïðîèçîéäåò ïåðåõîä ê ýêðàíó
ìóòèðîâàííîãî ñ LINE IN/MIC. âîñïðîèçâåäåíèÿ.

Íàæèìàÿ íà êíîïêè [TR1] – [TR4] âûáðàííîãî 4. Íàæìèòå íåñêîëüêî ðàç íà CURSOR

èñòî÷íèêà, ìîæíî èçìåíÿòü ñîñòîÿíèå åãî âõîäà. [ ], ÷òîáû ïåðåéòè ê ýêðàíó
èíäèêàòîðîâ óðîâíÿ.
fig.Disp-LevelMeter.eps
Èíäèêàöèÿ Îïèñàíèå
Ïðîïèñíûå áóê- Âõîä íå âûáðàí
âû
Çàãëàâíûå áóêâû Âõîä âûáðàí

5. Îòðåãóëèðóéòå âõîäíîé óðîâåíü.

Äîáåéòåñü, ÷òîáû íà ñàìûõ ãðîìêèõ ñèãíàëàõ
óðîâåíü íàõîäèëñÿ â äèàïàçîíå, ïîêàçàííîì
íà êàðòèíêå.
Åñëè íàæàòü îäíîâðåìåííî íà [TR1] (GTR) è
fig.Disp-INPUT-LEVEL2.eps
[TR2] (MIC), ñèãíàëû âõîäà GUITAR IN è
âñòðîåííîãî ìèêðîôîíà ìèêøèðóþòñÿ â
ìîíîôîíè÷åñêèé ñèãíàë. Ýòîò ìèêñ òàêæå
ìîæíî çàïèñàòü.
Çàïèñàòü ñèãíàëû âõîäà GUITAR IN è
âñòðîåííîãî ìèêðîôîíà íà îòäåëüíûå òðåêè
íåâîçìîæíî.

39
cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

• Ïðè ñíèæåíèè óðîâíÿ ãðîìêîñòè âõîäíîãî
ñèãíàëà óìåíüøàåòñÿ óðîâåíü çàïèñè, ÷òî
ïðèâîäèò ê óõóäøåíèþ êà÷åñòâà. Äëÿ
äîñòèæåíèÿ íàèëó÷øèõ ðåçóëüòàòîâ
íåîáõîäèìî èñïîëüçîâàòü ìàêñèìàëüíî
âîçìîæíûé óðîâåíü, ïðè êîòîðîì íå
âîçíèêàþò èñêàæåíèÿ. Äëÿ óìåíüøåíèÿ
ãðîìêîñòè âîñïðîèçâåäåíèÿ èñïîëüçóéòå
êîëåñî VOLUME.
• Ïðè ìèêøèðîâàíèè ñèãíàëîâ âõîäîâ GTR è
MIC ñíà÷àëà îòñòðîéòå èõ ÷óâñòâèòåëüíîñòè.
b/K%! V-2!*%"
MICRO BR – 4-äîðîæå÷íûé ìóëüòèòðåêåð. Îäíàêî
êàæäûé òðåê ñîñòîèò èç 8 V-òðåêîâ, êîòîðûå
ìîæíî èñïîëüçîâàòü, êàê äëÿ çàïèñè, òàê è äëÿ
âîñïðîèçâåäåíèÿ.
Ýòî îçíà÷àåò, ÷òî ôàêòè÷åñêè èìååòñÿ 32 òðåêà.
Íàïðèìåð, ìîæíî, íå çàòèðàÿ ñóùåñòâóþùèå òðå-
êè äóáëÿ, íàïðèìåð, ñîëîãèòàðû è âîêàëà, ïðîïè-
ñûâàòü ñëåäóþùèå äóáëè íà äðóãèå V-òðåêè.
Êðîìå òîãî, íàèáîëåå óäà÷íûå ìåñòà ðàçëè÷íûõ
äóáëåé, çàïèñàííûõ íà ðàçíûå V-òðåêè, ìîæíî
ñáðîñèòü íà îäèí òðåê.

6. Íàæìèòå íà CURSOR.
Ðåäàêòèðîâàíèå äàííûõ òðåêà îïèñàíî íà ñòð. 53.
Çàãðóçèòñÿ ýêðàí âîñïðîèçâåäåíèÿ.
1. Íàæìèòå íà îäíó èç êíîïîê [TR1] –
[TR4].
2. Êíîïêàìè CURSOR [ ][ ]
ïåðåéäèòå ê ýêðàíó V-Track.
fig.Disp-TR1-V1.eps

Çäåñü îòîáðàæàþòñÿ V-òðåêè, âûáðàííûå äëÿ

êàæäîãî èç òðåêà.
: V-òðåêè ñîäåðæàò äàííûå
: V-òðåêè äàííûõ íå ñîäåðæàò

3. Êíîïêàìè CURSOR [ ][ ] èëè [TR1]

– [TR4] âûáåðèòå V-òðåê, êîòîðûé
íåîáõîäèìî âêëþ÷èòü.
4. Êíîïêàìè VALUE [-][+] âêëþ÷èòå V-
òðåê.
5. Íàæìèòå íà [EXIT].
Çàãðóçèòñÿ ýêðàí âîñïðîèçâåäåíèÿ.

40

b/K%! 2!*= äë ƒ=C,“,
1. Íàæìèòå íà îäíó èç êíîïîê [TR1] – [TR4].
2. Êíîïêàìè CURSOR [ ][ ]
ïåðåéäèòå ê ýêðàíó Rec Track.
fig.Disp-INPUT-LEVEL2.eps
3. Íàæìèòå íà êíîïêó [TR1] – [TR4] òðåêà,
êîòîðûé áóäåò çàïèñûâàòüñÿ.
Äëÿ âûáðàííîãî òðåêà çàãîðèòñÿ èíäèêàòîð
. [TR4].
b/K%! äë ƒ=C,“,
“2!%2!*=
e“ë, INPUT !="… GTR (ã,2=!=) ,ë, MIC
("“2!%……/L ì,*!%-%…)
Äëÿ çàïèñè â ôîðìàòå ñòåðåî, êîòîðûé
îáåñïå÷èâàåò ëó÷øåå çâó÷àíèå ýôôåêòîâ ðàçðûâà,
íàæìèòå îäíîâðåìåííî íà ïàðó êíîïîê [TR1] è
[TR2] èëè [TR3] è [TR4], ÷òîáû âîéòè â ðåæèì
ñòåðåîçàïèñè íà äâà òðåêà.
fig.Disp-INPUT-LEVEL2.eps
Äëÿ âêëþ÷åíèÿ/âûêëþ÷åíèÿ ñòåðåîðåæèìà
íàæèìàéòå îäíîâðåìåííî íà ýòè ïàðû êíîïîê.
e“ë, INPUT !="… LIN (ë,…L…/L “,ã…=ë)
,ë, EXT ("…ø…,L ì,*!%-%…)
Ïîñêîëüêó âõîäíîé ñèãíàë èçíà÷àëüíî
ñòåðåîôîíè÷åñêèé, òî ïî óìîë÷àíèþ âûáèðàåòñÿ
ðåæèì çàïèñè íà äâà òðåêà. Åñëè íàæàòü íà
êíîïêó TRACK [1] èëè [2], òî â ñòåðåîðåæèìå
çàïèñûâàþòñÿ òðåêè 1 è 2, åñëè íà êíîïêó [3] èëè
[4] – òî òðåêè 3 è 4.
Îäíàêî, åñëè íåîáõîäèìî ñìèêøèðîâàòü âõîäíûå
êàíàëû L (ëåâûé) è R (ïðàâûé) è çàïèñàòü èõ íà
òðåê 1, íàæìèòå åùå ðàç íà êíîïêó TRACK [1] â
ñîñòîÿíèè, êîãäà áûëè âûáðàíû òðåêè 1 è 2. Ïðè
ýòîì çàïèñü áóäåò âåñòèñü íà òðåê 1. Àíàëîãè÷íî
íà çàïèñü ìîæíî íàçíà÷èòü ëþáîé äðóãîé òðåê.
cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,
nä…%"!ì……% 3C!="ë…,
C=!=ì2!=ì, ä"3. 2!*%"
(Stereo Link)
Èíîãäà ìîæåò ïîòðåáîâàòüñÿ âîçìîæíîñòü
îäíîâðåìåííîãî ðåäàêòèðîâàíèÿ ïàðàìåòðîâ äâóõ
òðåêîâ, íàïðèìåð, ïðè çàïèñè èëè
âîñïðîèçâåäåíèè â ñòåðåîðåæèìå.
Äëÿ ýòîãî ïðåäóñìîòðåíà ôóíêöèÿ ëèíêîâàíèÿ.
Ãëàâà 1
b*ëþ÷…,/"/*ëþ÷…,
“2!%ë,…*%"=…,
1. Íàæìèòå íà îäíó èç êíîïîê [TR1] –
2. Êíîïêàìè CURSOR [ ][ ] âûáåðèòå
ïàðàìåòð, êîòîðûé íåîáõîäèìî âêëþ-
÷èòü/èñêëþ÷èòü â ðåæèì ëèíîâàíèÿ.
3. Íàæìèòå îäíîâðåìåííî íà [TR1] è
[TR2] èëè [TR3] è [TR4].
Ëèíêîâàííûå ïàðàìåòðû ñîåäèíÿþòñÿ “=”.
fig.Disp-TR1-V1.eps
Ïðè ðåäàêòèðîâàíèè ëèíêîâàííûõ
ïàðàìåòðîâ ñ ïîìîùüþ VALUE [-] [+] èõ
çíà÷åíèÿ ìåíÿþòñÿ îäíîâðåìåííî.
• Çíà÷åíèÿ ëèíêîâàííûõ ïàðàìåòðîâ ìåíÿþòñÿ
íå ñðàçó, à òîëüêî ïîñëå ïîïûòêè èõ
ðåäàêòèðîâàíèÿ.
• Åñëè ëèíêóþòñÿ ïàðàìåòðû ñ ðàçíûìè
çíà÷åíèÿìè, òî ïðè ðåäàêòèðîâàíèè ìåíüøèé
ïðèíèìàåò çíà÷åíèå áîëüøåãî.
• Âûáîð ñòåðåîôîíè÷åñêîãî ðåæèìà çàïèñè
àâòîìàòè÷åñêè íå âêëþ÷àåò ôóíêöèþ ëèíêîâà-
íèÿ. Ïîñëå çàïèñè íà ñòåðåîòðåê (ãîðÿò îáà èí-
äèêàòîðà REC) ôóíêöèÿ ëèíêîâàíèÿ äëÿ ñîîò-
âåòñòâóþùèõ òðåêîâ âêëþ÷àåòñÿ àâòîìàòè÷åñêè.
• Ïàðàìåòð ïàíîðàìû èçìåíÿåòñÿ, êàê ïîêàçàíî
íà ðèñóíêå.
41
cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

fig.Disp-recording.eps

g=C,“ü
1. Îäíîâðåìåííî íàæèìàÿ íà [EXIT] è
[UTILITY], ïåðåéäèòå â øòàòíûé ðåæèì
ðàáîòû MICRO BR.
5. Äëÿ îñòàíîâà çàïèñè íàæìèòå íà .
Ïðè îäíîâðåìåííîì íàæàòèè íà ïàðó
êíîïîê [EXIT] è [UTILITY] ïðîèñõîäèò ïîãàñíåò.
ïåðåêëþ÷åíèå ðåæèìà: øòàòíûé, ñëèÿíèÿ, * Àóäèîôðàãìåíò êîðî÷å îäíîé ñåêóíäû âîñïðîèçâåñòè
ìàñòåðèíãà. íåâîçìîæíî.
fig.Disp-3mode.eps
* Íèæå ïåðå÷èñëåíû îïåðàöèè, êîòîðûå íåäîñòóïíû âî
âðåìÿ çàïèñè è âîñïðîèçâåäåíèÿ.
• Ðåäàêòèðîâàíèå àðàíæèðîâêè ïåñíè
• Ðåäàêòèðîâàíèå íàáîðà óäàðíûõ
• Ïåðåõîä ê ýêðàíó USB
• Ïåðåõîä ê ýêðàíó SONG SELECT (âûáîð ïåñíè)
• Ïåðåõîä ê ýêðàíó SONG NEW (ñîçäàíèå íîâîé ïåñíè)
• Ïåðåõîä ê ýêðàíó SONG INFORMATION (èíôîðìàöèÿ
î ïåñíå)
• Ïåðåõîä ê ýêðàíó SONG EDIT (ðåäàêòèðîâàíèå ïåñíè)
• Ðåäàêòèðîâàíèå òðåêà
• Ïåðåõîä ê ýêðàíó INITIALIZE (èíèöèàëèçàöèÿ)

Óáåäèòåñü, ÷òî íà äèñïëåé íå âûâîäÿòñÿ

ïèêòîãðàììû èëè .

2. Íàæìèòå íà
Ðàñêðîåòñÿ ýêðàí Rec Track. Çàìèãàåò ,
è MICRO BR ïåðåéäåò â ðåæèì ãîòîâíîñòè ê
çàïèñè.

3. Íàæìèòå íà êíîïêó [TR1] – [TR4] òðåêà,

êîòîðûé áóäåò çàïèñûâàòüñÿ.
Äëÿ ýòîãî òðåêà ïîÿâèòñÿ èíäèêàòîð .

4. Íàæìèòå íà
Çàãîðÿòñÿ è , è çàïóñòèòñÿ
çàïèñü.

42
 cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

* Åñëè ïðè îïðåäåëåíèè òî÷êè îêîí÷àíèÿ öèêëà (B)

b%“C!%,ƒ"ä…, íàæàòü íà [A B] â òî÷êå, êîòîðàÿ ðàñïîëîæåíà
ðàíüøå òî÷êè íà÷àëà öèêëà (A), òî ïåðåîïðåäåëÿåòñÿ
òî÷êà íà÷àëà öèêëà (A) è óñòàíàâëèâàåòñÿ â
1. Óäåðæèâàÿ íàæàòîé , íàæìèòå íà ñîîòâåòñòâóþùåå çíà÷åíèå.
* Ïðîäîëæèòåëüíîñòü öèêëà íå ìîæåò áûòü ìåíüøå
îäíîé ñåêóíäû.
.
Âðåìÿ óñòàíîâèòñÿ â 00:00:00-00.0. 3. Íàæìèòå íà [TR1] (REP).
Âûáðàííûé ôðàãìåíò áóäåò çàöèêëåí.
Çàãîðÿòñÿ è .

Ãëàâà 1
2. Íàæìèòå íà .
Çàïóñòèòñÿ âîñïðîèçâåäåíèå.

t3…*ö, C%"2%!…%ã%
"%“C!%,ƒ"ä…, • Äëÿ îòìåíû çàöèêëèâàíèÿ íàæìèòå åùå ðàç
íà [A B].
Ïîçâîëÿåò âîñïðîèçâîäèòü âûáðàííûé ôðàãìåíò Óñòàíîâêè çàöèêëèâàíèÿ ñáðîñÿòñÿ è
â öèêëè÷åñêîì ðåæèìå. Ýòî óäîáíî ïðè çàìèãàþò è .
îòñòðîéêå áàëàíñà ìèêñà èëè ïðè ðàáîòå ñ • Äëÿ ñîõðàíåíèÿ óñòàíîâîê çàöèêëèâàíèÿ,
òî÷êàìè âõîäà/âûõîäà èç çàïèñè ïðè çàïèñè â
öèêëè÷åñêîì ðåæèìå (ñòð. 47). óäåðæèâàÿ íàæàòîé , íàæìèòå
fig.01-570

íà .

1. Ïåðåìåñòèòåñü â íà÷àëî öèêëà (òî÷êà

A) è íàæìèòå íà [A B].
Çàðåãèñòðèðóéòå òî÷êó (A) ôðàãìåíòà,
êîòîðûé íåîáõîäèìî çàöèêëèòü.
Çàìèãàåò , è ýòà òî÷êà
çàðåãèñòðèðóåòñÿ â êà÷åñòâå íà÷àëà öèêëà
(A) çàöèêëåííîãî ôðàãìåíòà.
2. Ïåðåìåñòèòåñü â êîíåö öèêëà (òî÷êà B),
è íàæìèòå [A B].
Íà äèñïëåé âûâåäåòñÿ ñîîáùåíèå Select
A B Func.
Ïðè ýòîì çàãîðèòñÿ èíäèêàöèÿ “AB”,
ñèãíàëèçèðóÿ î òîì, ÷òî ôðàãìåíò A-B
îïðåäåëåí.
Òî÷êà (B) Ñòàíîâèòñÿ êîíöîì çàöèêëèâàåìîé
îáëàñòè.
fig.Disp-SET-AB.eps

43
cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

nC!äë…, C=…%!=ì/ C!,

"%“C!%,ƒ"ä…,,
1. Íàæìèòå íà îäíó èç êíîïîê [TR1] –
[TR4], ÷òîáû âûáðàòü òðåê.
2. Ñ ïîìîùüþ CURSOR [ ][ ]
ïåðåéäèòå ê ýêðàíó Track Pan.
fig.Disp-TR1-PAN.eps

3. Êíîïêàìè CURSOR [ ][ ] èëè

ñîîòâåòñòâóþùåé êíîïêîé [TR1] – [TR4]
âûáåðèòå òðåê, ïàíîðàìó êîòîðîãî
íåîáõîäèìî îòðåäàêòèðîâàòü.
4. Êíîïêàìè VALUE [-][+]
îòêîððåêòèðóéòå ïàíîðàìó.
Äèàïàçîí L50 – C00 – R50
5. Íàæìèòå íà [EXIT].
Çàãðóçèòñÿ ýêðàí âîñïðîèçâåäåíèÿ.

44
 cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

o!ƒ=C,“ü -!=ãì…2= œb!ƒ*=B " !3÷…%ì !›,ì

(œ"!ƒ*=B)
Èíîãäà âî âðåìÿ çàïèñè ìîæåò îêàçàòüñÿ íåóëà÷-
íûì òîëüêî îäèí ôðàãìåíò.  ýòîì ñëó÷àå äîñòà-
òî÷íî ïåðåïèñàòü åãî, à íå âñþ ïàðòèþ öåëèêîì.
Ïðè ýòîì îïðåäåëÿþòñÿ òî÷êà ïåðåõîäà èç
ðåæèìà âîñïðîèçâåäåíèÿ â ðåæèì çàïèñè (íà÷àëî
Äëÿ âõîäà â ðåæèì çàïèñè èñïîëüçóåòñÿ .
* Ñëåäèòå çà òåì, ÷òîáû äëèíà ïåðåçàïèñûâàåìîãî
ôðàãìåíòà íå áûëà ìåíåå îäíîé ñåêóíäû.
Íèæå ðàññìàòðèâàåòñÿ ïðèìåð ïåðåçàïèñè ÷àñòè
òðåêà 1, çàïèñàííîãî ðàíåå.
1. Íàæìèòå íà îäíó èç êíîïîê [TR1] –

Ãëàâà 1
ïåðåçàïèñûâàåìîãî ôðàãìåíòà) è òî÷êà ïåðåõîäà
èç ðåæèìà çàïèñè â ðåæèì âîñïðîèçâåäåíèÿ [TR4].
(êîíåö ïåðåçàïèñûâàåìîãî ôðàãìåíòà). 2. Êíîïêàìè CURSOR [ ][ ]
Äðóãèìè ñëîâàìè, â íà÷àëå ôðàãìåíòà ïåðåéäèòå ê ýêðàíó Rec Track.
ïðîèñõîäèò âõîä â ðåæèì çàïèñè, â êîíöå –
3. Êíîïêîé [TR1] äîáåéòåñü, ÷òîáû ó
âûõîä èç íåå.
fig.01-170
òðåêà 1 ïîÿâèëàñü ïèêòîãðàììà “REC”.
fig.Disp-RecTrack-1.eps

Çàïèñûâàòüñÿ áóäåò òðåê 1.

MICRO BR ïîääåðæèâàåò äâà ðåæèìà “âðåçêè” –
ðó÷íîé è àâòîìàòè÷åñêèé.
* Äëÿ âîçâðàòà ê ïðåæíåìó ñîñòîÿíèþ òðåêà ìîæíî
âîñïîëüçîâàòüñÿ ôóíêöèåé îòìåíû îïåðàöèè Undo (ñòð.
49).
* ×àñòè òðåêà, ðàñïîëîæåííûå âíå çîíû “âðåçêè”
îñòàþòñÿ íåèçìåííûìè. Åñëè ýòè äàííûå áîëüøå íå
íóæíû, òî ñ ïîìîùüþ ôóíêöèè Song Optomize (ñòð. 59)
èõ ìîæíî óäàëèòü, ÷òîáû îñâîáîäèòü ïàìÿòü.
4. Êíîïêàìè CURSOR [ ][ ] ïåðåéäèòå
ê ýêðàíó Track Level è óñòàíîâèòå
ïàðàìåòð Tr1 Level â 100 (ñòð. 33).
fig.Disp-TR1-LEVEL.eps
5. Íàæìèòå íà [EXIT].
Ïðîèçîéäåò âîçâðàò ê ýêðàíó âîñïðîèçâåäåíèÿ.
6. Çàïóñòèòå âîñïðîèçâåäåíèå ïåñíè è
êîëåñîì INPUT LEVEL îòêîððåêòèðóéòå
ãðîìêîñòü èñòî÷íèêà çâóêà.
Äîáåéòåñü êîëåñîì INPUT LEVEL
îäèíàêîâîãî óðîâíÿ ãðîìêîñòè èñòî÷íèêà
çâóêà è âîñïðîèçâåäåíèÿ òðåêà.
7. Ïåðåéäèòå ê òî÷êå òðåêà,
ðàñïîëîæåííîé ÷óòü ðàíüøå íà÷àëà
ïåðåçàïèñûâàåìîãî ôðàãìåíòà è

íàæìèòå íà .
Çàïóñòèòñÿ âîñïðîèçâåäåíèå.

45
cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

8.  òî÷êå, ãäå äîëæíà íà÷àòüñÿ çàïèñü,

œb!ƒ*=B " ="2%ì=2,÷“*%ì
íàæìèòå íà . !›,ì
Ðåêîðäåð âîéäåò â ðåæèì çàïèñè.
 ýòîì ðåæèìå âõîä è âûõîä èç ðåæèìà çàïèñè
9. Ïî äîñòèæåíèè êîíöà ôðàãìåíòà ïðîèñõîäèò àâòîìàòè÷åñêè â çàðàíåå
îïðåäåëåííûõ òî÷êàõ òðåêà.
íàæìèòå íà èëè . Ýòî óäîáíî, êîãäà íåîáõîäèìî î÷åíü òî÷íî
îïðåäåëèòü ãðàíèöû “âðåçêè” èëè î÷åíü âàæíî
Ïðè êàæäîì íàæàòèè íà ðåæèì ñêîíöåíòðèðîâàòüñÿ íà èñïîëíåíèè.
çàïèñè òî âêëþ÷àåòñÿ, òî âûêëþ÷àåòñÿ. Íèæå ðàññìàòðèâàåòñÿ ïðèìåð ïåðåçàïèñè ÷àñòè
Òàêèì îáðàçîì ýòó ïðîöåäóðó ìîæíî òðåêà 1, çàïèñàííîãî ðàíåå
ïîâòîðèòü ñ ëþáîé ÷àñòüþ òðåêà. * Äëèòåëüíîñòü ôðàãìåíòà “âðåçêè” íå ìîæåò áûòü
10. Ïî îêîí÷àíèè ïðîöåäóðû çàïèñè ìåíåå îäíîé ñåêóíäû.

1. Îïðåäåëèòå ãðàíèöû îáëàñòè “âðåçêè”,

íàæìèòå íà . âûïîëíèâ øàãè 1 è 2 ïðîöåäóðû,
îïèñàííîé íà ñòðàíèöå 43.
2. Íàæìèòå íà [TR2] (AUT).
Îïðåäåëåííûé ôðàãìåíò ðàññìàòðèâàåòñÿ
êàê îáëàñòü àâòîìàòè÷åñêîé “âðåçêè”.
Çàãîðàþòñÿ è “A.PUNCH.
fig.Disp-RecTrack-1.eps

3. Íàæìèòå íà îäíó èç êíîïîê [TR1] –

[TR4].
4. Êíîïêàìè CURSOR [ ][ ]
ïåðåéäèòå ê ýêðàíó Rec Track.
5. Êíîïêîé [TR1] äîáåéòåñü, ÷òîáû äëÿ
òðåêà 1 âûâåëîñü “REC”.
fig.Disp-RecTrack-1.eps

Äëÿ çàïèñè âûáðàí òðåê 1.

6. Êíîïêàìè CURSOR [ ][ ]
ïåðåéäèòå ê ýêðàíó Track Level è
óñòàíîâèòå ïàðàìåòð Tr1 Level â
çíà÷åíèå 100 (ñòð. 33).
fig.Disp-TR1-LEVEL.eps

46

7. Íàæìèòå íà [EXIT].
8. Çàïóñòèòå âîñïðîèçâåäåíèå è ñ
ïîìîùüþ êîëåñà INPUT LEVEL
óñòàíîâèòå ãðîìêîñòü èñòî÷íèêà çâóêà.
Êîëåñîì INPUT LEVEL óñòàíîâèòå
îäèíàêîâóþ ãðîìêîñòü èñòî÷íèêà çâóêà è
âîñïðîèçâåäåíèÿ òðåêà.
9. Ïåðåéäèòå ê òî÷êå, ðàñïîëîæåííîé
íåìíîãî ðàíüøå ìåñòà, ñ êîòîðîãî
íåîáõîäèìî íà÷àòü çàïèñü.
10. Íàæìèòå íà äëÿ âõîäà â ðåæèì
ãîòîâíîñòè ê çàïèñè, à çàòåì íàæìèòå
íà êíîïêó .
Çàïèñü çàïóñòèòñÿ àâòîìàòè÷åñêè â íà÷àëå
ôðàãìåíòà.  êîíå÷íîé òî÷êå ôðàãìåíòà
ðåæèì çàïèñè àâòîìàòè÷åñêè ñìåíèòñÿ íà
ðåæèì âîñïðîèçâåäåíèÿ.
11. Ïî îêîí÷àíèè çàïèñè íàæìèòå íà
12. Âåðíèòåñü ê òî÷êå, ñ êîòîðîé
íà÷èíàëàñü çàïèñü è çàïóñòèòå
âîñïðîèçâåäåíèå.
Ïðîñëóøàéòå ðåçóëüòàò.
cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,
o!ƒ=C,“ü -!=ãì…2= "
ö,*ë,÷“*%ì !›,ì
Ôóíêöèÿ Repeat (ñòð. 43) ïîçâîëÿåò
âîñïðîèçâîäèòü ôðàãìåíò òðåêà â çàöèêëåííîì
ðåæèìå.
Åñëè ñîâìåñòèòü ýòó ôóíêöèþ ñ ôóíêöèåé
“âðåçêè”, òî çàïèñàííûé ôðàãìåíò
âîñïðîèçâîäèòñÿ ïîñòîÿííî.
Ãëàâà 1
Åñëè ðåçóëüòàò çàïèñè íåóäîâëåòâîðèòåëåí,
ìîæíî ïðîäîëæèòü ïåðåçàïèñü, íàæàâ íà .
Ïåðåçàïèñü â öèêëè÷åñêîì ðåæèìå ôàêòè÷åñêè
ÿâëÿåòñÿ êîìáèíèðîâàíèåì äâóõ ôóíêöèé –
öèêëè÷åñêîãî âîñïðîèçâåäåíèÿ è “âðåçêè” â
àâòîìàòè÷åñêîì ðåæèìå.
Íèæå ðàññìîòðåí ïðèìåð ïåðåçàïèñè ôðàãìåíòà
òðåêà 1, çàïèñàííîãî ðàíåå.
Ïðîöåäóðà îïðåäåëåíèÿ ãðàíèö ôðàãìåíòà
“âðåçêè” îïèñàíà âûøå.
1. Îïðåäåëèòå ãðàíèöû îáëàñòè ”âðåçêè”,
.
âûïîëíèâ øàãè 1 è 2 ïðîöåäóðû,
îïèñàííîé íà ñòðàíèöå 43.
2. Íàæìèòå íà [TR3] (R&A).
Çàäàííûé ôðàãìåíò ðàññìàòðèâàåòñÿ, êàê
îáëàñòü “âðåçêè” â àâòîìàòè÷åñêîì ðåæèìå.
Íà äèñïëåå çàãîðàþòñÿ, , è
“A.PUNCH”.
Îáëàñòü çàöèêëåííîãî âîñïðîèçâåäåíèÿ
îïðåäåëÿåòñÿ íà îäèí òàêò ðàíüøå è
ñîîòâåòñòâåííî ïîçæå ãðàíèö ôðàãìåíòà
“âðåçêè”.
fig.01-240
3. Íàæìèòå íà îäíó èç êíîïîê [TR1] –
[TR4].
4. Êíîïêàìè CURSOR [ ][ ]
ïåðåéäèòå ê ýêðàíó Rec Track.
47
cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

5. Ñ ïîìîùüþ [TR1] äîáåéòåñü, ÷òîáû ó

òðåêà 1 ïîÿâèëàñü ïèêòîãðàììà “REC”.
fig.Disp-RecTrack-1.eps

Çàïèñûâàòüñÿ áóäåò òðåê 1.

6. Íàæìèòå íà [EXIT].
7. Êíîïêàìè CURSOR [ ][ ]
ïåðåéäèòå ê ýêðàíó Track Level è
óñòàíîâèòå ïàðàìåòð Tr1 Level â
çíà÷åíèå 100 (ñòð 33).
fig.Disp-TR1-LEVEL.eps

8. Çàïóñòèòå âîñïðîèçâåäåíèå ïåñíè è

êîëåñîì INPUT LEVEL óñòàíîâèòå
ãðîìêîñòü èñòî÷íèêà.
Ñ ïîìîùüþ êîëåñà INPUT LEVEL äîáåéòåñü
îäèíàêîâîé ãðîìêîñòè èñòî÷íèêà çâóêà è
âîñïðîèçâåäåíèÿ òðåêà.
9. Ïåðåéäèòå ê òî÷êå, ðàñïîëîæåííîé
÷óòü ðàíüøå íà÷àëà çàïèñè.

10. Íàæìèòå íà , à çàòåì, äëÿ çàïóñêà

çàïèñè – íà .

Ïîñëå íàæàòèÿ íà ïîÿâëÿåòñÿ

âîçìîæíîñòü çàïèñè ÷àñòè òðåêà,
îãðàíè÷åííîé íà÷àëüíîé è êîíå÷íîé
òî÷êàìè “âðåçêè”.
Äîñòèãíóâ êîíöà ôðàãìåíòà,
âîñïðîèçâåäåíèå ïðîäîëæàåòñÿ ñ òî÷êè,
ðàñïîëîæåííîé íà îäèí òàêò ðàíüøå íà÷àëà
îáëàñòè “âðåçêè”. Åñëè ðåçóëüòàò ïåðåçàïèñè

íåóäîâëåòâîðèòåëåí, íàæìèòå íà è
åùå ðàç ïåðåçàïèøèòå ôðàãìåíò.

11. Ïî îêîí÷àíèè çàïèñè íàæìèòå íà .

48
 cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

n2ì…= %C!=ö,, b%ƒ"!=2 * C!ä/ä3?ì3

“%“2% …,þ (Undo)
(Undo/Redo)
1. Íàæìèòå íà [UTILITY].
Áûâàþò ñëó÷àè, êîãäà ëèáî çàïèñü íå óäàëàñü,
2. Íàæìèòå íà [TR3] (UND).
ëèáî îïåðàöèÿ ðåäàêòèðîâàíèÿ áûëà ïðîèçâåäåíà
fig.Disp-UNDO.eps
íåêîððåêòíî è íåîáõîäèìî âåðíóòüñÿ ê ïðåæíåìó
ñîñòîÿíèþ. Äëÿ ýòîãî ïðåäóñìîòðåíà ôóíêöèÿ
îòìåíû îïåðàöèè “Undo function”.

Ãëàâà 1
Ýòà ôóíêöèÿ îòìåíÿåò ðåçóëüòàò âûïîëíåíèÿ
îïåðàöèè è âîçâðàùàåò äàííûå â ïðåæíåå 3. Äëÿ âûïîëíåíèÿ ôóíêöèè Undo
ñîñòîÿíèå. Äëÿ òîãî ÷òîáû ñíîâà âîññòàíîâèòü íàæìèòå íà [TR4] (YES).
ðåçóëüòàò âûïîëíåíèÿ îïåðàöèè, ïðåäóñìîòðåíà Äëÿ îòìåíû âûïîëíåíèÿ Undo íàæìèòå íà
ôóíêöèÿ Redo, îòìåíÿþùàÿ Undo. [EXIT].
Íàïðèìåð, ïðè çàïèñè â ðåæèìå “âðåçêè” Ïðè âûïîëíåíèè ôóíêöèè Undo íà äèñïëåé
ôðàãìåíò áûë ïåðåçàïèñàí äâàæäû. Âûïîëíåíèå âûâîäèòñÿ ñîîáùåíèå “Undo...” è ðåçóëüòàòû
Undo, îòìåíÿåò ðåçóëüòàòû âòîðîãî âàðèàíòà ïîñëåäíåé çàïèñè èëè îïåðàöèè
çàïèñè, îñòàâëÿÿ òîëüêî ïåðâûé. ðåäàêòèðîâàíèÿ îòìåíÿþòñÿ.
Äëÿ òîãî ÷òîáû âåðíóòüñÿ êî âòîðîìó äóáëþ,
äîñòàòî÷íî âûïîëíèòü ôóíêöèþ Redo. n2ì…= !ƒ3ëü2=2%" Undo
* Ïîñëå âûïîëíåíèÿ Undo äîñòóïíîé îñòàåòñÿ òîëüêî (Redo)
Redo.
Äëÿ îòìåíû òîëüêî ÷òî âûïîëíåííîé ôóíêöèè
* Åñëè ïîñëå âûïîëíåíèÿ Undo áûëà ïðîèçâåäåíà çàïèñü
Undo è âîçâðàòà ê äàííûì, êîòîðûå áûëè äî åå
èëè îïåðàöèÿ ðåäàêòèðîâàíèÿ òðåêà, ôóíêöèÿ Redo
ñòàíîâèòñÿ íåäîñòóïíîé.
âûïîëíåíèÿ ïðåäóñìîòðåíà ôóíêöèÿ Redo.
* Ôóíêöèÿ Undo âîçäåéñòâóåò òîëüêî íà àóäèîäàííûå 1. Íàæìèòå íà [UTILITY].
òðåêîâ.
2. Íàæìèòå íà [TR3] (RDO).
* Ïðè âûïîëíåíèè ôóíêöèè Song Optimize (ñòð. 59) fig.Disp-REDO.eps

ïàìÿòü âûïîëíåíèÿ âñåõ îïåðàöèé ñòèðàåòñÿ. Ïîýòîìó

äëÿ ýòîé ôóíêöèè Undo íåäîñòóïíà.

3. Äëÿ âûïîëíåíèÿ Redo íàæìèòå íà [TR4]

(YES).
Äëÿ îòìåíû âûïîëíåíèÿ Redo íàæìèòå íà
[EXIT].
Ïðè âûïîëíåíèè Redo íà äèñïëåé
âûâîäèòñÿ ñîîáùåíèå “Redo...” è ðåçóëüòàò
âûïîëíåíèÿ ôóíêöèè Undo àííóëèðóåòñÿ.

49
cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

që, …, …“*%ëü*,. Óïðàâëåíèå ïàíîðàìîé âîñïðîèçâåäåíèÿ îïèñàíî íà

2!*%" (Bounce) ñòðàíèöå 44.

2. Çàïóñòèòå âîñïðîèçâåäåíèå ïåñíè è

MICRO BR ïîääåðæèâàåò îäíîâðåìåííîå
îòðåãóëèðóéòå áàëàíñ ãðîìêîñòè
âîñïðîèçâåäåíèå âîñüìè òðåêîâ. Êîãäà æå ýòîãî òðåêîâ 1–4.
ñòàíîâèòñÿ íåäîñòàòî÷íî, òî ðåêîðäåð ïîçâîëÿåò
Äëÿ òðåêîâ, êîòîðûå íå íàäî âêëþ÷àòü â
çàïèñûâàòü âîñïðîèçâåäåíèå íåñêîëüêèõ òðåêîâ
ìèêñ, óñòàíîâèòå ãðîìêîñòü â 0.
íà îäèí (V-òðåê). Ýòîò ïðîöåññ íàçûâàåòñÿ
“ñëèÿíèåì” òðåêîâ.
Îáúåäèíÿÿ òàêèì îáðàçîì íåñêîëüêî òðåêîâ â Óïðàâëåíèå ãðîìêîñòüþ òðåêîâ îïèñàíî íà
îäèí, ìîæíî îñâîáîäèòü íîâûå òðåêè ïîä çàïèñü. ñòðàíèöå 33.

3. Íàæìèòå íà .

4. Îäíîâðåìåííî íàæèìàÿ [EXIT] è

 ðåæèìå “ñëèÿíèÿ” ìîæíî çàïèñàòü íà V-
[UTILITY], äîáåéòåñü, ÷òîáû íà äèñïëåå
òðåê îäíîâðåìåííîå âîñïðîèçâåäåíèå âîñüìè
òðåêîâ. ïîÿâèëàñü ïèêòîãðàììà .
Åñëè ñ ïîìîùüþ INPUT SELECT âûáðàí Ðàñêðîåòñÿ ýêðàí îáúåäèíåíèÿ òðåêîâ.
fig.Disp-bitmap-mode2.eps
èñòî÷íèê çâóêà, òî ìîæíî çàïèñàòü è åãî.
: V-Tracks with recorded data.
Áîëåå òîãî, ïðè çàïèñè ìîæíî èñïîëüçîâàòü : V-Tracks without data.
ðèòìè÷åñêèé òðåê. Recording Destination
fig.01-280

* Èñòî÷íèê âõîäà àâòîìàòè÷åñêè îòêëþ÷àåòñÿ. Åñëè âìåñòå

ñ îáúåäèíåíèåì òðåêîâ íåîáõîäèìî ïðîïèñàòü åùå è ñèãíàë
èñòî÷íèêà âõîäà, âûáåðèòå åãî ñ ïîìîùüþ [INPUT].

5. Êíîïêàìè CURSOR [ ][ ] è VALUE

[-][+] âûáåðèòå òðåê-ïðèåìíèê è V-òðåê
íà íåì.
 äàííîì ïðèìåð – ýòî “34V2” (V-òðåê 2
òðåêîâ 3/4).

 ðàññìàòðèâàåìîì ïðèìåðå ïðåäïîëàãàåòñÿ, ÷òî Èíôîðìàöèÿ î V-òðåêàõ íàõîäèòñÿ íà ñòðàíèöå 40.

íà òðåêàõ 1 è 2 çàïèñàí ìîíîôîíè÷åñêèé
ìàòåðèàë, à òðåêè 3 è 4 îáðàçóþò ñòåðåîïàðó.
Äîïóñòèì íåîáõîäèìî îáúåäèíèòü âñå ýòè òðåêè,
çàïèñàâ èõ íà V-òðåê 2 òðåêîâ 3/4.
* Óáåäèòåñü, ÷òî ôóíêöèÿ Stereo Link íå âêëþ÷åíà
1. Îòêîððåêòèðóéòå ïàíîðàìó òðåêîâ 1 è
2, êàê ýòî íåîáõîäèìî, ïàíîðàìó òðåêà
3 óñòàíîâèòå â L50, òðåêà 4 – â R50.
6. Åñëè îäíîâðåìåííî íåîáõîäèìî ïðîïè-
ñàòü è ðèòì-òðåê, íàæìèòå [RHYTHM],
óâåëè÷üòå çíà÷åíèå ïàðàìåòðà “Rhy
Level” è êíîïêîé [TR1] âêëþ÷èòå ðèòì-
òðåê (âûáåðèòå çíà÷åíèå “On”).
fig.Disp-RHY-LEVEL100.eps

50
 cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

Åñëè òðåê ðèòìà íå íóæåí, îòêëþ÷èòå åãî ñ

ïîìîùüþ êíîïêè [TR1] (èíäèêàòîð RHYTHM b%“C!%,ƒ"ä…, !ƒ3ëü2=2=
äîëæåí ïðîïàñòü). œ“ë, …, B 2!*%"
* Óáåäèòåñü, ÷òî ðèòìè÷åñêèé òðåê îòêëþ÷åí.
Âîñïðîèçâåäåíèå ïàòòåðíîâ îïèñàíî íà ñòðàíèöå 82. 1. Íàæèìàÿ îäíîâðåìåííî íà [EXIT] è
7. Íàæìèòå íà [EXIT]. [UTILITY], óñòàíîâèòå MICRO BR â
Ñíîâà çàãðóçèòñÿ ýêðàí îáúåäèíåíèÿ òðåêîâ. ðåæèì ñòàíäàðòíîé çàïèñè.
Óáåäèòåñü, ÷òî íà äèñïëåå îòñóòñòâóþò
ïèêòîãðàììû , (ñòð. 42).

Ãëàâà 1
8. Ïðè íàæàòîé íàæìèòå íà ,
÷òîáû óñòàíîâèòü óêàçàòåëü â “00:00:00- 2. Íàæìèòå íà îäíó èç êíîïîê [TR1] –
00.0”. Çàòåì, äëÿ çàïóñêà ïðîöåññà [TR4] è ñ ïîìîùüþ CURSOR [ ][ ]
“ñëèÿíèÿ” òðåêîâ, íàæìèòå ïîî÷åðåäíî ïåðåéäèòå ê ýêðàíó âûáîðà V-òðåêà.
 ýòîì ïðèìåðå âûáèðàåòñÿ V-òðåê 2 òðåêà 3
íà êíîïêè ➔ . è V-òðåê 2 òðåêà 4.
fig.Disp-TR1-V1.eps

9. Ïî îêîí÷àíèè çàïèñè íàæìèòå íà .

o!, %KAä,……,, 2!*%" "

!›,ì ì%…% Âûáîð V-òðåêîâ îïèñàí íà ñòðàíèöå 40.
Äëÿ âûáîðà ìîíîðåæèìà “ñëèÿíèÿ” óñòàíîâè-
3. Êíîïêàìè CURSOR [ ][ ], VALUE
òå Track â 1 – 4 (çà èñêëþ÷åíèåì 12 èëè 34).
fig.Disp-bounce-mode3.eps
[-][+] óñòàíîâèòå Tr1 è Tr2 Level â 0 (ñòð.
33), à Tr1 è Tr2 Reverb Level – òàêæå â 0.
fig.Disp-TR1-V1.eps

fig.Disp-TR1-V1.eps

Çàïèñûâàåìûé ñèãíàë ìîæíî îáðàáîòàòü

ðåâåðáåðàòîðîì (ñòð. 72) èëè ýôôåêòîì
4. Íàæìèòå íà [EXIT].
ðàçðûâà (ñòð. 61).
Çàãðóçèòñÿ ýêðàí âîñïðîèçâåäåíèÿ.
Îáðàáîòêà ýôôåêòîì ðàçðûâà ñèãíàëîâ
îòäåëüíûõ òðåêîâ îïèñàíà íà ñòðàíèöå 64.
5. Íàæìèòå íà , ÷òîáû
âîñïðîèçâåñòè àóäèîñèãíàë,
çàïèñàííûé íà òðåêè 3 è 4.
* Òðåêè-ïðèåìíèêè (3 è 4) ïàíîðàìèðóþòñÿ äî óïîðà âëåâî
è âïðàâî ñîîòâåòñòâåííî.

51
cë="= 1. g=C,“ü , "%“C!%,ƒ"ä…,

6. Äëÿ ñîõðàíåíèÿ óñòàíîâîê â òåêóùóþ

âûáðàííóþ ïåñíþ, óäåðæèâàÿ íàæàòîé nC!äë…, *%ë,÷“2"=
ä%“23C…%ã% äë ƒ=C,“,
, íàæìèòå íà . "!ì…,
Åñëè íà äèñïëåé âûâîäÿòñÿ ýêðàíû ðåæèìîâ
ãîòîâíîñòè ê çàïèñè èëè çàïèñè, òî ìîæíî
o!%“ì%2! ,…-%!ì=ö,, îöåíèòü âðåìÿ, äîñòóïíîå äëÿ çàïèñè.
% C“… 1. Íàæìèòå íà [UTILITY].
2. Êíîïêàìè CURSOR [ ][ ]
o!%“ì%2! ,…-%!ì=ö,, % äîáåéòåñü, ÷òîáû íà äèñïëåå
C“… ïîÿâèëîñü Remain Info.
3. Íàæìèòå íà VALUE[+], ÷òîáû
Íèæå îïèñàíà ïðîöåäóðà ïðîñìîòðà èíôîðìàöèè,
àêòèâèðîâàòü óñòàíîâêó (ON).
êàñàþùåéñÿ ïåñíè. Òàì ïðèñóòñòâóþò òàêæå òèï
äàííûõ ïåñíè è åå îáúåì. 4. Íàæìèòå íà [EXIT].
Ïðîèçîéäåò âîçâðàò ê ýêðàíó
1. Íàæìèòå íà [UTILITY].
âîñïðîèçâåäåíèÿ.
2. Íàæìèòå íà [TR1] (SNG).
3. Íàæìèòå íà [TR3] (INF). 5. Íàæìèòå íà .
Ðàñêðîåòñÿ ýêðàí, íà êîòîðîì îòîáðàæàþòñÿ Òåïåðü íà ýêðàíàõ ðåæèìîâ ãîòîâíîñòè ê
èìÿ òåêóùåé ïåñíè è îáúåì ñâîáîäíîé çàïèñè è çàïèñè áóäåò îòîáðàæàòüñÿ âðåìÿ,
ïàìÿòè. äîñòóïíîå äëÿ çàïèñè. Ôîðìàò – ÷àñû:
fig.Disp-SongInfo1.eps
ìèíóòû: ñåêóíäû.
fig.Disp-remain.eps

4. Íàæìèòå íà CURSOR .
Íà äèñïëåé âûâåäåòñÿ òèï äàííûõ ïåñíè è
åå îáúåì (èñïîëüçóåìàÿ ïàìÿòü).
fig.Disp-SongInfo2.eps

Áîëåå ïîäðîáíî òèïû äàííûõ îïèñàíû íà ñòðàíèöå

38.

52
 cë="= 2. pä=*2,!%"=…,
pä=*2,!%"=…, 2!*=
(Track Edit)
Îïèñàííûå íèæå îïåðàöèè ïîçâîëÿþò èçìåíÿòü
ñòðóêòóðó ïåñíè, êîïèðóÿ äàííûå òðåêà èëè
ïîìåùàÿ èõ â äðóãóþ ïîçèöèþ.
j%C,!%"=…, (Track Copy)
Îïåðàöèÿ êîïèðóåò äàííûå èç îäíîé îáëàñòè
òðåêà (èëè âñåãî òðåêà) â äðóãóþ.
Äàííûå ìîæíî êîïèðîâàòü íåñêîëüêî ðàç â
ñìåæíûå ÷àñòè òðåêà.
Îïåðàöèÿ êîïèðîâàíèÿ ïîçâîëÿåò ýôôåêòèâíî
ñîáèðàòü ïåñíþ èç çàïèñàííûõ ðàíåå ôðàãìåíòîâ.
o!,ì! 1: j%C,!%"=…, …= %ä,… , 2%2 ›
2!*
fig.02-160
o!,ì! 2: j%C,!%"=…, …= !=ƒ…/ 2!*,
fig.02-170
• Åñëè îáëàñòü-ïðèåìíèê ñîäåðæèò äàííûå, òî
îíè ïåðåçàïèñûâàþòñÿ.
• Äëèíà êîïèðóåìîé îáëàñòè íå ìîæåò áûòü
ìåíåå 1 ñåêóíäû.  ïðîòèâíîì ñëó÷àå
äàííûå íå êîïèðóþòñÿ.
1. Íàæìèòå íà [UTILITY].
2. Íàæìèòå íà [TR2] (TRK).
Ðàñêðîåòñÿ ýêðàí TRACK EDIT.
fig.Disp-TRACK-EDIT.eps
Ãëàâà 2
3. Íàæìèòå íà [TR1] (CPY).
Ðàñêðîåòñÿ ýêðàí ñ óñòàíîâêàìè. Îïðåäåëèòå
òðåê-èñòî÷íèê è òðåê-ïðèåìíèê,
ó÷àñòâóþùèå â îïåðàöèè êîïèðîâàíèÿ.
fig.Disp-Copy-TR1-V1.eps
4. Âûáåðèòå îáëàñòü ðåäàêòèðîâàíèÿ, êàê
ýòî îïèñàíî íà ñòðàíèöå 54.
Îïðåäåëèòå ãðàíèöû êîïèðóåìîé îáëàñòè
(Start, End), âðåìåííóþ ìåòêó îáëàñòè-
ïðèåìíèêà èëè òàêò (To), à òàêæå ÷èñëî
êîïèðóåìûõ ôðàãìåíòîâ (Repeat).
Íà äèñïëåé âûâåäåòñÿ çàïðîñ “Copy OK?”
fig.Disp-COPY.eps
5. Äëÿ êîïèðîâàíèÿ äàííûõ íàæìèòå íà
[TR4] (YES). Äëÿ îòìåíû îïåðàöèè
êîïèðîâàíèÿ íàæìèòå íà [EXIT] (èëè íà
[UTILITY]).
53
cë="= 2. pä=*2,!%"=…,

pä=*2,!%"=…, C=!=ì2!%"
*%C,!%"=…,
1. Âûáåðèòå åäèíèöó èçìåðåíèÿ. Åñëè íàæàòü íà [TR3] (ALL) èëè [TR4] (AB),
fig.Disp-TrEdit-function.eps òî ïðîèçîéäåò ïåðåõîä ê ïóíêòó 4
îïèñûâàåìîé ïðîöåäóðû.

2. Îïðåäåëèòå íà÷àëüíûå âðåìÿ/òàêò

(Start) îáëàñòè ðåäàêòèðîâàíèÿ è
íàæìèòå íà [TR4] (NEXT).
fig.Disp-TrEdit-timeST.eps

Êíîïêà Îáëàñòü ðåäàêòèðîâàíèÿ

fig.Disp-TrEdit-measST.eps
[TR1] (TIM) Îáëàñòü ðåäàêòèðîâàíèÿ îïðåäåëÿ-
åòñÿ â åäèíèöàõ âðåìåíè. Ðàñêðû-
âàåòñÿ ýêðàí ñ óñòàíîâêàìè
âðåìåíè.
[TR2] (MEA) Îáëàñòü ðåäàêòèðîâàíèÿ îïðåäåëÿ-
åòñÿ â òàêòàõ. Ðàñêðûâàåòñÿ ýêðàí
ñ óñòàíîâêàìè òàêòîâ. 3. Îïðåäåëèòå êîíå÷íûå âðåìÿ/òàêò (End)
[TR3] (ALL) Îáëàñòü ðåäàêòèðîâàíèÿ – âåñü îáëàñòè ðåäàêòèðîâàíèÿ è íàæìèòå íà
òðåê. [TR4] (NEXT).
[TR4] (AB) Îáëàñòü ðåäàêòèðîâàíèÿ îãðàíè÷å- fig.Disp-TrEdit-timeEn.eps
íà òî÷êàìè A è B.

fig.Disp-TrEdit-time.eps

fig.Disp-TrEdit-measEn.eps

4. Ïðè êîïèðîâàíèè èëè ïåðåìåùåíèè äàí-

íûõ îïðåäåëèòå âðåìÿ/òàêò ïðèåìíèêà
(To) è íàæìèòå íà [TR4] (NEXT).
fig.Disp-TrEdit-timeTo.eps

fig.Disp-TrEdit-meas.eps

fig.Disp-TrEdit-measTo.eps

5. Ñ ïîìîùüþ ïàðàìåòðà Repeat

îïðåäåëèòå ñêîëüêî ðàç áóäåò
êîïèðîâàòüñÿ âûáðàííàÿ îáëàñòü.

54
 cë="= 2. pä=*2,!%"=…,

fig.Disp-TrEdit-repeat.eps * Ïðè ïåðåõîäå ñ ýêðàíà ðåäàêòèðîâàíèÿ ê ýêðàíó

âîñïðîèçâåäåíèÿ óñòàíîâêè ðåäàêòèðîâàíèÿ íå ïðîïàäàþò.

o!ì?…, ä=……/. (Track

* Ïðè ïåðåìåùåíèè äàííûõ ïðîïóñòèòå øàã 5.
* Ïðè ñòèðàíèè äàííûõ ïðîïóñòèòå øàãè 4 – 5.
6. Íàæìèòå íà [TR4] (EXE).
Move)
Ïðè âûïîëíåíèè ýòîé îïåðàöèè äàííûå
âûáðàííîé îáëàñòè (èëè âñåãî òðåêà)
ïåðåìåùàþòñÿ â äðóãîå ìåñòî.
* Ïîñëå âûïîëíåíèÿ îïåðàöèè îáëàñòü-èñòî÷íèê, èç
êîòîðîé äàííûå áûëè ïåðåìåùåíû, äàííûõ íå ñîäåðæèò.

Âðåìÿ ìîæíî çàäàòü òàêæå ñ ïîìîùüþ o!,ì! 1: o!ì?…, " !=ì*=.

%ä…%ã% , 2%ã% › 2!*=
fig.02-340
èëè äëÿ ïåðåìåùåíèÿ èëè

êíîïêàìè + (âðåìÿ

Ãëàâà 2
00:00:00) èëè + (êîíåö
ïåñíè).

o!,ì! 2: o!ì?…, …= ä!3ã%L 2!*

• Ïàðàìåòðû, êîòîðûå íåîáõîäèìî áóäåò îïðåäå- fig.02-350

ëèòü, çàâèñÿò îò âûáðàííîé îïåðàöèè ðåäàêòè-

ðîâàíèÿ è çàäàííîé îáëàñòè ðåäàêòèðîâàíèÿ.
Íåîáõîäèìû ïàðàìåòðû îòìå÷åíû ✔.

CPY: êîïè- Start End To Repeat

ðîâàíèå
TIM, MEA ✔ ✔ ✔ ✔
ALL ✔ ✔
AB * * ✔ ✔

1. Íàæìèòå íà [UTILITY].
MOV: ïåðå- Start End To 2. Íàæìèòå íà [TR2] (TRK).
ìåùåíèå
Ðàñêðîåòñÿ ýêðàí TRACK EDIT.
TIM, MEA ✔ ✔ ✔
fig.Disp-TRACK-EDIT.eps
ALL ✔
AB * * ✔

ERS: ñòè- Start End

ðàíèå 3. Íàæìèòå íà [TR2] (MOV).
TIM, MEA ✔ ✔ Ðàñêðîåòñÿ ýêðàí ñ óñòàíîâêàìè òðåêà.
ALL ✔ ✔ Âûáåðèòå òðåêè èñòî÷íèê è ïðèåìíèê,
AB * * ó÷àñòâóþùèå â îïåðàöèè ïåðåìåùåíèÿ
äàííûõ.
* Ïðè êîïèðîâàíèè/ïåðåìåùåíèè/ñòèðàíèè îáëàñòè AB
ñíà÷àëà íåîáõîäèìî îïðåäåëèòü òî÷êè A è B (ñòð. 43).

55
cë="= 2. pä=*2,!%"=…,

fig.Disp-Move-TR1-V1.eps

q2,!=…, ä=……/. (Track Erase)

Îïåðàöèÿ ñòèðàåò äàííûå çàäàííîé îáëàñòè.
Äàííûå, ðàñïîëîæåííûå âíå îáëàñòè
ðåäàêòèðîâàíèÿ, íèêóäà íå ïåðåìåùàþòñÿ.
Äðóãèìè ñëîâàìè ýòà îïåðàöèÿ ýêâèâàëåíòíà
çàïèñè òèøèíû.
4. Îïðåäåëèòå îáëàñòü ðåäàêòèðîâàíèÿ,
êàê ýòî îïèñàíî íà ñòðàíèöå 54. * Äëèòåëüíîñòü ôðàãìåíòîâ, ðàñïîëîæåííûõ äî è ïîñëå
îáëàñòè ñòèðàíèÿ äîëæíà áûòü íå ìåíåå 1 ñåêóíäû. Â
Îïðåäåëèòå îáëàñòü, êîòîðóþ íåîáõîäèìî
ïðîòèâíîì ñëó÷àå îíè âîñïðîèçâîäèòüñÿ íå áóäóò.
ïåðåìåñòèòü (Start, End) è âðåìÿ èëè òàêò fig.02-350
îáëàñòè-ïðèåìíèêà (To).
5. Ïîñëå îïðåäåëåíèÿ îáëàñòè
ðåäàêòèðîâàíèÿ íàæìèòå íà TR4 [EXE].
Íà äèñïëåé âûâåäåòñÿ çàïðîñ Move OK?
fig.Disp-MOVE.eps

6. Äëÿ âûïîëíåíèÿ îïåðàöèè 1. Íàæìèòå íà [UTILITY].

ïåðåìåùåíèÿ äàííûõ íàæìèòå íà [TR4] 2. Íàæìèòå íà [TR2] (TRK).
(YES). Äëÿ îòìåíû îïåðàöèè Ðàñêðîåòñÿ ýêðàí TRACK EDIT.
ïåðåìåùåíèÿ íàæìèòå íà [EXIT] (èëè fig.Disp-TRACK-EDIT.eps

[UTILITY]).

3. Íàæìèòå íà [TR3] (ERS).

Ðàñêðîåòñÿ ýêðàí ñ óñòàíîâêàìè òðåêà.
Âûáåðèòå òðåê, ñ êîòîðîãî áóäóò óäàëÿòüñÿ
äàííûå.
fig.Disp-Erase-TR1-V1.eps

4. Îïðåäåëèòå îáëàñòü ðåäàêòèðîâàíèÿ,

êàê ýòî áûëî îïèñàíî íà ñòðàíèöå 54.
Çàäàéòå îáëàñòü, äàííûå êîòîðîé íåîáõîäèìî
ñòåðåòü (Start, End).
5. Ïðîèçâåäÿ óñòàíîâêè, íàæìèòå íà TR4
[EXE].
Íà äèñïëåé âûâåäåòñÿ çàïðîñ Erase OK?

56
 cë="= 2. pä=*2,!%"=…,

fig.Disp-Erase-OK.eps 4. Âûáåðèòå òðåêè, êîòîðûå áóäóò

ó÷àñòâîâàòü â îïåðàöèè îáìåíà
äàííûìè è íàæìèòå íà TR4 [EXE].
Íà äèñïëåé âûâåäåòñÿ çàïðîñ Exchange OK?
fig.Disp-EXCHANGE-OK.eps
6. Äëÿ âûïîëíåíèÿ îïåðàöèè ñòèðàíèÿ
íàæìèòå íà [TR4] (YES). Äëÿ îòìåíû
îïåðàöèè ñòèðàíèÿ íàæìèòå íà [EXIT]
(èëè [UTILITY]).
5. Äëÿ âûïîëíåíèÿ îïåðàöèè îáìåíà
äàííûìè ìåæäó òðåêàìè íàæìèòå íà
nKì… ä=……/ì, (Track [TR4] (YES). Äëÿ îòêàçà îò âûïîëíåíèÿ
Exchange) íàæìèòå íà [EXIT] (èëè [UTILITY]).

Îïåðàöèÿ èñïîëüçóåòñÿ äëÿ îáìåíà äàííûìè

ìåæäó äâóìÿ òðåêàìè.

o!,ì!: nKì… “%ä!›,ì/ì 2!*%" 1 , 2

fig.02-590

Ãëàâà 2
1. Íàæìèòå íà [UTILITY].
2. Íàæìèòå íà [TR2] (TRK).
Ðàñêðîåòñÿ ýêðàí TRACK EDIT.
fig.Disp-TRACK-EDIT.eps

3. Íàæìèòå íà [TR4] (XCH).

Ðàñêðîåòñÿ ýêðàí ñ óñòàíîâêàìè òðåêà.
fig.Disp-XCG-TR1-V1.eps

57
cë="= 2. pä=*2,!%"=…,

l=…,C3ë ö,, “ q2,!=…, C“…, (Song Erase)

ƒ=C,“=……%L C“…L Íèæå îïèñàíà ïðîöåäóðà ñòèðàíèÿ ïåñíè ñ êàðòû
ïàìÿòè.
1. Íàæìèòå íà [UTILITY], à çàòåì – íà
j%C,!%"=…, C“…, (Song Copy)
[TR1] (SNG).
Êîïèðóåòñÿ òåêóùàÿ âûáðàííàÿ ïåñíÿ.
2. Íàæìèòå íà CURSOR [ ].
1. Íàæìèòå íà [UTILITY], à çàòåì – íà fig.Disp-util-song2.eps

[TR1] (SNG).
2. Íàæìèòå íà CURSOR [ ].
fig.Disp-util-song2.eps

3. Íàæìèòå íà [TR3] (ERS).

Íà äèñïëåé âûâåäåòñÿ çàïðîñ “ERS?”
fig.Disp-ERS.eps

3. Íàæìèòå íà [TR2] (CPY).

Íà äèñïëåé âûâåäåòñÿ çàïðîñ “Copy to
NewSong?”
fig.Disp-CPY.eps
4. Êíîïêàìè VALUE [-] [+] âûáåðèòå
ïåñíþ, êîòîðóþ íåîáõîäèìî ñòåðåòü.
5. Íàæìèòå íà [TR4] (YES).
Íà äèñïëåé âûâåäåòñÿ çàïðîñ “Are you sure?”
4. Íàæìèòå íà [TR4] (YES).
6. Äëÿ ñòèðàíèÿ âûáðàííîé ïåñíè
Âûïîëíèòñÿ îïåðàöèÿ êîïèðîâàíèÿ.
íàæìèòå íà [TR4] (YES). Äëÿ îòìåíû
Ïîñëå åå çàâåðøåíèÿ íà äèñïëåé âûâåäåòñÿ îïåðàöèè ñòèðàíèÿ ïåñíè íàæìèòå íà
ñîîáùåíèå “Completed!” è ïðîèçîéäåò
[EXIT] (èëè [UTILITY]).
ïåðåõîä ê ýêðàíó âîñïðîèçâåäåíèÿ.
7. Íàæìèòå íà [UTILITY] (èëè íåñêîëüêî
ðàç íà [EXIT]), ÷òîáû âåðíóòüñÿ ê
ýêðàíó âîñïðîèçâåäåíèÿ.
e“ë, "/"%ä,2“ “%%K?…,
œCard Full!B * Ïðè ñòèðàíèè òåêóùåé ïåñíè àâòîìàòè÷åñêè
Ýòî ñîîáùåíèå ãîâîðèò î òîì, ÷òî íà êàðòå âûáèðàåòñÿ íîâàÿ ïåñíÿ êàðòû ïàìÿòè. Åñëè íà êàðòå
ïàìÿòè íåäîñòàòî÷íî ìåñòà äëÿ âûïîëíåíèÿ ïàìÿòè ïåñåí íåò, òî ñîçäàåòñÿ íîâàÿ.

îïåðàöèè êîïèðîâàíèÿ.
Ëèáî âûïîëíèòå ïðîöåäóðó, îïèñàííóþ íà
ñòðàíèöå 59, ëèáî ñîòðèòå ñ êàðòû ïàìÿòè
íåíóæíûå ïåñíè èëè àóäèîôàéëû (MP3 è
ò.ä.). Ïðîöåäóðû ñòèðàíèÿ ïåñåí è
àóäèîôàéëîâ îïèñàíû íà ñòðàíèöàõ 58 è 95
ñîîòâåòñòâåííî
Ïðîöåäóðà ïðîâåðêè îáúåìà ñâîáîäíîé
ïàìÿòè íà êàðòå ïàìÿòè îïèñàíà íà
ñòðàíèöå 52.

58
 cë="= 2. pä=*2,!%"=…,

}*%…%ì, C=ì 2, (Song nC!äë…, ,ì…, C“…,

Optimize) (Song Name)
Ïðè çàïèñè â ðåæèìå íàëîæåíèÿ èëè “âðåçêè” Ïðè ñîçäàíèè íîâîé ïåñíè åé àâòîìàòè÷åñêè
ñòàðûå äàííûå ñ êàðòû ïàìÿòè íå ñòèðàþòñÿ. ïðèñâàèâàåòñÿ èìÿ “SONG0001”. Åãî ðåêîìåíäóåòñÿ
Ïðè îïðåäåëåííûõ óñëîâèÿõ ïîäîáíûõ èçìåíèòü íà áîëåå èíôîðìàòèâíîå, ÷òîáû ïåñíþ
íåèñïîëüçóåìûõ äàííûõ ìîæåò íàêîïèòüñÿ áûëî ïðîùå íàõîäèòü.
äîñòàòî÷íî ìíîãî. Ýòî óìåíüøàåò äîñòóïíîå äëÿ
1. Íàæìèòå íà [UTILITY], à çàòåì – íà
çàïèñè âðåìÿ. [TR1] (SNG).
Äëÿ ñòèðàíèÿ ñ êàðòû ïàìÿòè íåèñïîëüçóåìûõ
äàííûõ è óâåëè÷åíèÿ îáúåìà ñâîáîäíîé ïàìÿòè 2. Íàæìèòå íà CURSOR [ ].
fig.Disp-util-song1.eps
ïðåäóñìîòðåíà îïåðàöèÿ “Song Optimize”.
1. Íàæìèòå íà [UTILITY], à çàòåì – íà
[TR1] (SNG).
2. Íàæìèòå íà CURSOR [ ].
fig.Disp-util-song2.eps
3. Íàæìèòå íà [TR4] (NAM).

Ãëàâà 2
Îòîáðàçèòñÿ èìÿ ïåñíè.
fig.Disp-NAME.eps

3. Íàæìèòå íà [TR4] (OPT).

Íà äèñïëåé âûâåäåòñÿ çàïðîñ “Optimize
4. Êíîïêàìè CURSOR [ ][ ]
Song?”
ïåðåìåñòèòå êóðñîð ê ñèìâîëó,
fig.Disp-SONG-OPTIMIZE.eps
êîòîðûé íåîáõîäèìî èçìåíèòü.
5. Êíîïêàìè VALUE [-] [+] Âûáåðèòå
òðåáóåìûé ñèìâîë.
Ïðè ðåäàêòèðîâàíèè òåêñòà ìîæíî
4. Íàæìèòå íà [TR4] (YES). èñïîëüçîâàòü ñëåäóþùèå ôóíêöèè.
Âûïîëíèòñÿ îïåðàöèÿ î÷èñòêè ïàìÿòè.
Ïîñëå åå çàâåðøåíèÿ íà äèñïëåé âûâåäåòñÿ Êíîïêà Ôóíêöèÿ
ñîîáùåíèå “Complete!” è ïðîèçîéäåò âîçâðàò [TR1] (INS) Âñòàâêà ïðîáåëà â ïîçèöèþ, îòìå÷åííóþ
ê ýêðàíó âîñïðîèçâåäåíèÿ. Äëÿ îòìåíû êóðñîðîì.
[TR2] (DEL) Ñòèðàíèå ñèìâîëà â ïîçèöèè êóðñîðà ñî
âûïîëíåíèÿ ýòîé îïåðàöèè íàæìèòå íà ñäâèãîì ñëåäóþùèõ çà íèì ñèìâîëîâ
[EXIT] (èëè [UTILITY]). âëåâî.
* Îïåðàöèÿ Song Optimize ñòèðàåò íåèñïîëüçóåìûå [TR3] (A/a) Âûáîð ðåãèñòðà (íèæíèé/âåðõíèé) ñèì-
àóäèîäàííûå ñî âñåõ V-òðåêîâ. âîëà â ïîçèöèè êóðñîðà.
[TR4] (0!A) Âûáîð òèïà ñèìâîëà â ïîçèöèè êóðñîðà
*  íåêîòîðûõ ñëó÷àÿõ îïåðàöèÿ î÷èñòêè ïàìÿòè ìîæåò
(öèôðà/ñèìâîë/áóêâà).
òðåáîâàòü äîñòàòî÷íî ìíîãî âðåìåíè. Ýòî íå ÿâëÿåòñÿ
ïðèçíàêîì íåèñïðàâíîñòè ïðèáîðà. Íå âûêëþ÷àéòå ïèòà- 6. Íàæìèòå íà [UTILITY] (èëè íåñêîëüêî
íèÿ äî ïîëíîãî îêîí÷àíèÿ îïåðàöèè ïî î÷èñòêå ïàìÿòè.
ðàç íà [EXIT]), ÷òîáû âåðíóòüñÿ ê
* Äåéñòâèå ôóíêöèè Undo íà îïåðàöèþ ïî î÷èñòêå ýêðàíó âîñïðîèçâåäåíèÿ.
ïàìÿòè íå ðàñïðîñòðàíÿåòñÿ.

59
cë="= 2. pä=*2,!%"=…,

g=?,2= C“…, (Song Protect) q%.!=……, 2*3?,.

3“2=…%"%* " C“…þ (Song
Ïåñíÿ ìîæåò áûòü ïîòåðÿíà, åñëè ñëó÷àéíî Save)
ïåðåçàïèñàòü åå èëè óäàëèòü. ×òîáû ýòîãî íå
ïðîèñõîäèëî, ïðåäóñìîòðåíà ôóíêöèÿ çàùèòû  ïåñíþ âêëþ÷àþòñÿ ñëåäóþùèå äàííûå.
ïåñíè Song Protect, êîòîðàÿ ïðåäîòâðàùàåò • Çàïèñûâàåìûå äàííûå
ñòèðàíèå è èçìåíåíèå ïåñíè. • Äàííûå ìèêøèðîâàíèÿ (ïàíîðàìà è ò.ä.)
• Ïàò÷ ýôôåêòîâ ðàçðûâà ïåñíè
* Åñëè ïåñíÿ çàùèùåíà, òî ñëåäóþùèå îïåðàöèè
• Ïàò÷ ìàñòåðèíãîâûõ óñòàíîâîê ïåñíè
ñòàíîâÿòñÿ íåäîñòóïíûìè:
• Àðàíæèðîâêà ïåñíè
• Çàïèñü
• Óñòàíîâêè ðåâåðáåðàòîðà
• Ðåäàêòèðîâàíèå òðåêà
• Ðåäàêòèðîâàíèå èìåíè ïåñíè Äëÿ ñîõðàíåíèÿ òåêóùåãî ñîñòîÿíèÿ ñäåëàéòå
• Ñòèðàíèå ïåñíè ñëåäóþùåå.
• Ñòèðàíèå íåèñïîëüçóåìûõ äàííûõ
• Çàïèñü ðèòìè÷åñêîãî òðåêà Óäåðæèâàÿ íàæàòîé , íàæìèòå íà .
• Èìïîðò ôàéëîâ MP3 èëè WAV
• Çàïèñü ïàò÷à ýôôåêòîâ

1. Íàæìèòå íà [UTILITY], à çàòåì – íà

[TR1] (SNG). Äëÿ ñîõðàíåíèÿ ïàò÷à ýôôåêòîâ áåç
2. Íàæìèòå íà CURSOR [ ]. ñîõðàíåíèÿ óñòàíîâîê ïåñíè âûïîëíèòå
fig.Disp-util-song2.eps ïðîöåäóðó, îïèñàííóþ íà ñòðàíèöå 60.

3. Íàæìèòå íà [TR1] (PRT).

Íà äèñïëåé âûâåäåòñÿ çàïðîñ “Protect Song?”
fig.Disp-SONG-PROTECT.eps

4. Íàæìèòå íà [TR4] (EXE).

Åñëè çàùèòà ïåñíè âêëþ÷åíà, òî íà äèñïëåé
âûâîäèòñÿ ñîîòâåòñòâóþùèé èíäèêàòîð.
fig.Disp-SONG-PROTECT.eps

Äëÿ ñíÿòèÿ çàùèòû âûïîëíèòå ýòó

ïðîöåäóðó åùå îäèí ðàç.

60
 cë="= 3. h“C%ëüƒ%"=…, .--*2%"
}--*2/ !=ƒ!/"=
MICRO BR èìååò äâà ïðîöåññîðà ýôôåêòîâ
(ýôôåêòû ðàçðûâà è ðåâåðáåðàòîð).
Îáà ïðîöåññîðà ìîãóò ðàáîòàòü îäíîâðåìåííî,
êàæäûé â ñîîòâåòñòâèè ñî ñâîèìè óñòàíîâêàìè.
Íèæå îïèñàíû ïðîöåäóðû ðåäàêòèðîâàíèÿ
ïàðàìåòðîâ ýôôåêòîâ ðàçðûâà è ñîõðàíåíèÿ ýòèõ
óñòàíîâîê.
Ñïèñîê ïàðàìåòðîâ ïðèâåäåí íà ñòðàíèöå 67.
Ïàðàìåòðû ðåâåðáåðàòîðà îïèñàíû íà ñòðàíèöå 73.
}--*2 !=ƒ!/"=
Ýôôåêòû, êîòîðûå âíåäðÿþòñÿ
íåïîñðåäñòâåííî â òðàêò ñèãíàëà,
íàçûâàþòñÿ ýôôåêòàìè ðàçðûâà.  ñëó÷àå ñ
MICRO BR – ýòî çâóêè èíñòðóìåíòîâ,
ñêîììóòèðîâàííûõ ñî âõîäîì GUITAR IN è
ò.ä. Ïåäàëè, êîòîðûå ãèòàðèñòû
ïîäêëþ÷àþò ê ãèòàðå èëè óñèëèòåëþ – âñå
ýòî ïðèìåðû ýôôåêòîâ ðàçðûâà.
Êîíòóðíûå (ïàðàëëåëüíûå) ýôôåêòû – ýòî
ýôôåêòû, êîòîðûå êîììóòèðóþòñÿ ÷åðåç
ãíåçäà ïîñëûëîâ/âîçâðàòîâ ìèêøåðîâ è
äðóãîãî àíàëîãè÷íîãî îáîðóäîâàíèÿ. MICRO
BR èìååò îäèí ïðîöåññîð ýôôåêòîâ ýòîãî
òèïà – ðåâåðáåðàòîð (ñòð. 72).
Ýôôåêòû ðàçðûâà ìîæíî èñïîëüçîâàòü íå
òîëüêî âî âðåìÿ çàïèñè, íî è ïðè
ìèêøèðîâàíèè òðåêîâ.
Áîëåå ïîäðîáíî ðàáîòà ñ ýôôåêòàìè
ðàçðûâà îïèñàíà íà ñòðàíèöå 64.
o=2÷, .--*2%" , K=…*,
Èìååòñÿ âîçìîæíîñòü âûáèðàòü, êàê òèï ýôôåêòà
ðàçðûâà, òàê è ðåäàêòèðîâàòü åãî ïàðàìåòðû,
ñîâîêóïíîñòü êîòîðûõ íàçûâàåòñÿ ïàò÷åì ýôôåêòà.
MICRO BR èìååò ìíîæåñòâî ðàçíîîáðàçíûõ
ïàò÷åé, îðèåíòèðîâàííûõ íà îáðàáîòêó
âîêàëüíîãî è èíñòðóìåíòàëüíîãî ñèãíàëîâ. Ýòè
ïàò÷è ãðóïïèðóþòñÿ ïî ðàçëè÷íûì áàíêàì â
çàâèñèìîñòè îò òèïà èñòî÷íèêà âõîäíîãî ñèãíàëà.
fig.03-010
o=2÷ .--*2=
Ãëàâà 3
MICRO BR èìååò ðÿä ýôôåêòîâ äëÿ ãèòàðû,
âîêàëà è ò.ä. Äâà è áîëåå ýôôåêòîâ ìîãóò
ðàáîòàòü îäíîâðåìåííî. Ïîäîáíîå
êîìáèíèðîâàíèå ýôôåêòîâ (òèï ýôôåêòà è
ïîðÿäîê èõ êîììóòàöèè) íàçûâàåòñÿ
“àëãîðèòìîì”.
Êàæäûé ýôôåêò àëãîðèòìà èìååò ñâîè
ïàðàìåòðû, â ñîîòâåòñòâèè ñ êîòîðûìè îí
âîçäåéñòâóåò íà çâóê (àíàëîã – ðåãóëÿòîðû
íà ïåäàëè ýôôåêòîâ). Àëãîðèòì è
ñîâîêóïíîñòü ïàðàìåòðîâ ñîñòàâëÿþùèõ åãî
ýôôåêòîâ íàçûâàåòñÿ “ïàò÷åì ýôôåêòà”.
Ïðè èçìåíåíèè ïàò÷à ýôôåêòà ìîãóò
èçìåíèòüñÿ ñàìè ýôôåêòû, èõ ñîñòîÿíèå,
ïîðÿäîê êîììóòàöèè è ïàðàìåòðû. Âñå ýòî
ñïîñîáíî èçìåíèòü çâóê äî íåóçíàâàåìîñòè.
 MICRO BR áàíê ïàò÷à âûáèðàåòñÿ
àâòîìàòè÷åñêè â çàâèñèìîñòè îò òèïà èñòî÷íèêà
çâóêà, êîòîðûé çàäàåòñÿ ïàðàìåòðîì INPUT.
61
cë="= 3. h“C%ëüƒ%"=…, .--*2%"

Íàïðèìåð, åñëè â êà÷åñòâå èñòî÷íèêà ñèãíàëà

èñïîëüçóåòñÿ ãèòàðà (GTR), òî âûáèðàåòñÿ áàíê pä=*2,!%"=…, C=!=ì2!%"
ãèòàðíûõ ïàò÷åé, åñëè èñòî÷íèê ëèíåéíîãî .--*2= !=ƒ!/"=
ñèãíàëà (LIN) – áàíê ïàò÷åé äëÿ íèõ.
Íîâûé ýôôåêò ìîæíî ñîçäàâàòü íà áàçå óæå
Åñëè â êà÷åñòâå âõîäà èñïîëüçóþòñÿ ãèòàðíûé
èìåþùåãîñÿ, êîòîðûé ïî ñâîèì õàðàêòåðèñòèêàì
(GTR) è ìèêðîôîííûé (MIC) ñèãíàëû, âûáèðàåòñÿ
áàíê ãèòàðíûõ ïàò÷åé. Ïðè ýòîì ýôôåêòîì áëèçîê ê æåëàåìîìó. Íàäî âûáðàòü
ñîîòâåòñòâóþùèé ïàò÷ è îòðåäàêòèðîâàòü åãî.
îáðàáàòûâàåòñÿ òîëüêî ñèãíàë âõîäà GUITAR IN.
Îòðåäàêòèðîâàííóþ âåðñèþ ìîæíî ñîõðàíèòü â
Âíóòðè ýòèõ áàíêîâ ïàò÷è ýôôåêòîâ
óïîðÿäî÷åíû ñëåäóþùèì îáðàçîì. âèäå ïîëüçîâàòåëüñêîãî ïàò÷à èëè â ïàò÷ ïåñíè.
1. Íàæìèòå íà [EFFECTS].
o!“2…/ C=2÷, (P) Ðàñêðîåòñÿ ýêðàí.
fig.Disp-GT-P01.eps
Ïðåñåòíûå ïàò÷è ïîñòàâëÿþòñÿ âìåñòå ñ
ïðèáîðîì. Èõ ìîæíî ðåäàêòèðîâàòü, íî
ñîõðàíèòü èçìåíåíèÿ â ïðåñåòíûé ïàò÷ íåëüçÿ.

o%ëüƒ%"=2ëü“*, C=2÷, (U) 2. Êíîïêàìè CURSOR [ ][ ] è VALUE

Ïîëüçîâàòåëüñêèå ïàò÷è ìîæíî ïåðåçàïèñûâàòü. [-] [+] âûáåðèòå P (ïðåñåòíûé), U
Îíè ïðåäíàçíà÷åíû äëÿ ñîõðàíåíèÿ (ïîëüçîâàòåëüñêèé) èëè S (ïåñíÿ).
îòðåäàêòèðîâàííûõ ïàò÷åé. Åñëè 3. Êíîïêàìè CURSOR [ ][ ] è VALUE
îòðåäàêòèðîâàííûé ïàò÷ ïëàíèðóåòñÿ [-] [+] âûáåðèòå íîìåð ýôôåêòà.
èñïîëüçîâàòü â äàëüíåéøåì, åãî íåîáõîäèìî
ñîõðàíèòü â âèäå ïîëüçîâàòåëüñêîãî. 4. Íàæìèòå íà [TR2] (EDT).
Ðàñêðîåòñÿ ýêðàí ðåäàêòèðîâàíèÿ ýôôåêòà è
o=2÷, C“… (S) îòîáðàçÿòñÿ åãî áëîêè.
fig.Disp-COSM-GTR-AMP.eps

Ïàò÷è ïåñåí ïåðåçàïèñûâàþòñÿ. Îíè ÿâëÿþòñÿ

÷àñòüþ ïåñíè è ñîõðàíÿþòñÿ âìåñòå ñ íåé. Ïàò÷,
êîòîðûé èñïîëüçîâàëñÿ âî âðåìÿ çàïèñè
èñïîëíåíèÿ, ìîæíî ñîõðàíèòü â âèäå ïàò÷à Åñëè áëîêîâ ýôôåêòîâ ìíîãî, òî îíè
ïåñíè. ðàçìåùàþòñÿ íà íåñêîëüêèõ ýêðàíàõ. Äëÿ
fig.03-020

ïåðåìåùåíèÿ ïî ýêðàíàì èñïîëüçóþòñÿ

5.
• Åñëè êàðòà ïàìÿòè íå âñòàâëåíà, òî ïàò÷è
ïåñíè (S) íåäîñòóïíû.
• Ïðè ïîñòàâêå MICRO BR â ïîëüçîâàòåëüñêèõ
ïàò÷àõ (U) è â ïàò÷àõ ïåñíè (S) íàõîäÿòñÿ
ïðåñåòíûå ïàò÷è (P).
êíîïêè CURSOR [ ][ ].
Êíîïêàìè [TR1] – [TR4] âûáåðèòå áëîê,
êîòîðûé íåîáõîäèìî îòðåäàêòèðîâàòü.
 ðàññìàòðèâàåìîì ïðèìåðå êíîïêè
ðàñïðåäåëÿþòñÿ ñëåäóþùèì îáðàçîì: [TR1]
(AMP), [TR2] (SP) è ò.ä.
Âêëþ÷åííûå áëîêè îáîçíà÷àþòñÿ çàãëàâíûìè
áóêâàìè, âûêëþ÷åííûå – ïðîïèñíûìè.
Êíîïêàìè [TR1] – [TR4] âûáåðèòå ýêðàí ñ
óñòàíîâêàìè ñîîòâåòñòâóþùåãî áëîêà
ýôôåêòà.

62
 cë="= 3. h“C%ëüƒ%"=…, .--*2%"

fig.Disp-PREAMP-OnOff.eps

q%.!=……, 3“2=…%"%*
.--*2= !=ƒ!/"= (Write)
Íèæå îïèñàíà ïðîöåäóðà îïðåäåëåíèÿ èìåíè
6. Êíîïêàìè CURSOR [ ][ ]
ïàò÷à ýôôåêòîâ è ñîõðàíåíèÿ ïàò÷à.
âûáåðèòå íóæíûé ïàðàìåòð è ñ
* Âî âðåìÿ âîñïðîèçâåäåíèÿ èëè çàïèñè ôóíêöèÿ
ïîìîùüþ VALUE [-] [+] îòðåäàêòèðóéòå
ñîõðàíåíèÿ ïàò÷à ýôôåêòîâ íåäîñòóïíà.
åãî çíà÷åíèå.
* Åñëè èçìåíÿòü èìÿ ïàò÷à íå òðåáóåòñÿ, ïåðåéäèòå ê
Åñëè íåîáõîäèìî îòðåäàêòèðîâàòü åùå è
øàãó 5.
äðóãîé ïàðàìåòð, âûáåðèòå åãî êíîïêàìè
CURSOR [ ][ ] è ñ ïîìîùüþ VALUE [-] 1. Íàæìèòå íà [EFFECTS].
[+] èçìåíèòå åãî çíà÷åíèå. Ðàñêðîåòñÿ ýêðàí ýôôåêòîâ.
fig.Disp-GT-P01.eps

7. ×òîáû îòðåäàêòèðîâàòü äðóãîé áëîê

ýôôåêòà, íàæìèòå íà [EXIT] è
ïîâòîðèòå øàãè 5 – 7.

2. Äëÿ ïåðåõîäà ê ðåäàêòèðîâàíèþ èìåíè

Ñîõðàíåíèå òåêóùèõ óñòàíîâîê ýôôåêòîâ îïèñàíî ïàò÷à íàæìèòå íà [TR4] (NAM).
íà ñòðàíèöå 63. Ðàñêðîåòñÿ ýêðàí FX NAME.
Åñëè èìÿ ïàò÷à ðåäàêòèðîâàòü íå òðåáóåòñÿ,
ïåðåéäèòå ê øàãó 4.
fig.Disp-FX-NAME.eps

Ïðîèçâåäåííûå óñòàíîâêè íîñÿò âðåìåííûé

õàðàêòåð. Åñëè âûéòè èç ýêðàíà ðåäàêòèðîâà-
íèÿ ýôôåêòà áåç ñîõðàíåíèÿ îòðåäàêòèðîâàí-

Ãëàâà 3
íîé âåðñèè ïàò÷à ýôôåêòîâ, òî â ïîëå èíäè- 3. Êíîïêàìè CURSOR [ ][ ] è VALUE
êàòîðà áàíêà ïîÿâëÿþòñÿ ñèìâîëû “**”. [-] [+] ââåäèòå íóæíîå èìÿ.
Åñëè â ýòîì ñîñòîÿíèè âûïîëíèòü îäíî èç Ïðè ðåäàêòèðîâàíèè òåêñòà äîñòóïíû
îïèñàííûõ íèæå äåéñòâèé, òî ðåçóëüòàòû ñëåäóþùèå ôóíêöèè.
ðåäàêòèðîâàíèÿ ïðîïàäóò:
• Âûáðàòü äðóãîé ïàò÷ ýôôåêòîâ Êíîïêà Ôóíêöèÿ
• Çàãðóçèòü/ñîõðàíèòü ïåñíþ [TR1] (INS) Âñòàâêà ïðîáåëà â ïîçèöèþ, îòìå÷åííóþ
êóðñîðîì.
• Âûêëþ÷èòü ïèòàíèå
[TR2] (DEL) Ñòèðàíèå ñèìâîëà â ïîçèöèè êóðñîðà ñî
ñäâèãîì ñëåäóþùèõ çà íèì ñèìâîëîâ âëå-
âî.
[TR3] (A/a) Âûáîð ðåãèñòðà (íèæíèé/âåðõíèé) ñèìâîëà
â ïîçèöèè êóðñîðà.
Ïðè ñëèøêîì âûñîêèõ çíà÷åíèÿõ ïàðàìåòðà [TR4] (0!A) Âûáîð òèïà ñèìâîëà â ïîçèöèè êóðñîðà
GAIN ìîãóò âîçíèêíóòü èñêàæåíèÿ è õàðàê- (öèôðà/ñèìâîë/áóêâà).
òåðíûå “çàâûâàíèÿ”. Åñëè ýòî ïðîèçîøëî,
4. Íàæìèòå íà [EXIT].
óìåíüøèòå çíà÷åíèå ïàðàìåòðà GAIN.
Ïðîèçîéäåò âîçâðàò ê ýêðàíó ýôôåêòîâ.
5. Íàæìèòå íà [TR3] (WRI).
Ðàñêðîåòñÿ ýêðàí Write.

63
cë="= 3. h“C%ëüƒ%"=…, .--*2%"
fig.Disp-WRITE-U01.eps
6. Êíîïêàìè VALUE [-] [+] Âûáåðèòå
íîìåð ïàò÷à, â êîòîðûé íåîáõîäèìî
ñîõðàíèòü îòðåäàêòèðîâàííóþ âåðñèþ.
7. Íàæìèòå íà [TR4] (YES).
Âûâåäåòñÿ çàïðîñ “Are you sure?”
8. Äëÿ ñîõðàíåíèÿ ïàò÷à íàæìèòå íà [TR4]
(EXE). Äëÿ îòìåíû îïåðàöèè íàæìèòå
íà [EXIT].
Ïîñëå çàâåðøåíèÿ îïåðàöèè ñîõðàíåíèÿ
ïðîèñõîäèò âîçâðàò ê ýêðàíó ýôôåêòîâ.
64
rC!="ë…, .--*2=ì,
!=ƒ!/"=
Ïî óìîë÷àíèþ ýôôåêòû ðàçðûâà âêëþ÷àþòñÿ â
òðàêò íåïîñðåäñòâåííî ïîñëå âõîäà èñòî÷íèêà
çâóêà. Ýòî îçíà÷àåò, ÷òî âîñïðîèçâîäèòñÿ è çàïè-
ñûâàåòñÿ ñèãíàë, óæå îáðàáîòàííûé ýôôåêòàìè.
 íåêîòîðûõ ñëó÷àÿõ ìîæåò ïîòðåáîâàòüñÿ
èñïîëüçîâàíèå äðóãîé ñõåìû.
MICRO BR ïîääåðæèâàåò âîçìîæíîñòü èçìåíåíèÿ
òî÷êè âêëþ÷åíèÿ ýôôåêòîâ ðàçðûâà.
Íèæå îïèñûâàåòñÿ ñîîòâåòñòâóþùàÿ ïðîöåäóðà.
1. Íàæìèòå íà [EFFECTS], à çàòåì – íà
[ ].
2. Íàæìèòå íà [TR1] (LOC).
fig.Disp-FX-loc-norm.eps
3. Êíîïêàìè VALUE [-] [+] âûáåðèòå òî÷êó
âêëþ÷åíèÿ ýôôåêòà ðàçðûâà.
INPUT <NORMAL>:
Âîñïðîèçâîäèòñÿ è çàïèñûâàåòñÿ ñèãíàë,
îáðàáîòàííûé ýôôåêòàìè ðàçðûâà. Îáû÷íî
èñïîëüçóåòñÿ èìåííî ýòà óñòàíîâêà.
fig.03-110
 cë="= 3. h“C%ëüƒ%"=…, .--*2%"

INPUT <REC DRY>: MASTER:

Âîñïðîèçâîäèòñÿ ñèãíàë, îáðàáîòàííûé
ýôôåêòàìè, à çàïèñûâàåòñÿ – ÷èñòûé. Ýòà îïöèÿ
èñïîëüçóåòñÿ, êîãäà ïëàíèðóåòñÿ
ïîýêñïåðèìåíòèðîâàòü ñ îáðàáîòêîé ýôôåêòàìè
óæå çàïèñàííîãî ñèãíàëà.
fig.03-120
Ýôôåêòàìè îáðàáàòûâàþòñÿ âñå ñèãíàëû. Ýòà
îïöèÿ èñïîëüçóåòñÿ, êîãäà ýôôåêòû íåîáõîäèìî
ïðèìåíèòü ïðè îïåðàöèè ñëèÿíèÿ-çàïèñè òðåêîâ
èëè äëÿ òîãî, ÷òîáû äîáèòüñÿ ñïåöèôè÷åñêîãî
çâó÷àíèÿ.
fig.03-150

TRACK 1$4, 1&2, 3&4:

Ýôôåêòàìè ðàçðûâà îáðàáàòûâàåòñÿ
âîñïðîèçâîäÿùèéñÿ àóäèîòðåê. Îïöèÿ
èñïîëüçóåòñÿ, êîãäà ýôôåêòàìè ïëàíèðóåòñÿ
îáðàáîòàòü çàïèñàííûé ÷èñòûé ñèãíàë, èëè êîãäà 4. Íàæìèòå íåñêîëüêî ðàç íà [EXIT].
ýôôåêòû íàäî ïðèìåíèòü òîëüêî ê îòäåëüíîìó Ïðîèçîéäåò ïåðåõîä ê ýêðàíó
òðåêó. âîñïðîèçâåäåíèÿ.
fig.03-130

Ãëàâà 3
RHYTHM:
Ýôôåêòàìè ðàçðûâà îáðàáàòûâàåòñÿ ðèòìè÷åñêèé
òðåê.
fig.03-140

65
cë="= 3. h“C%ëüƒ%"=…, .--*2%"

qC,“%* =ëã%!,2ì%" .--*2%" !=ƒ!/"=

Íèæå îïèñàíû àëãîðèòìû (ýôôåêòû è ïîðÿäîê
èõ âêëþ÷åíèÿ), êîòîðûå ìîãóò èñïîëüçîâàòüñÿ â
êà÷åñòâå ýôôåêòîâ ðàçðûâà.
Ìíîæåñòâî äîñòóïíûõ àëãîðèòìîâ çàâèñèò îò
âûáðàííîãî áàíêà. Äëÿ âûáîðà àëãîðèòìà ñíà÷àëà
íåîáõîäèìî ïåðåéòè â áàíê, â êîòîðîì íàõîäèòñÿ
äàííûé àëãîðèòì, à çàòåì îáðàòèòüñÿ ê áðîøþðå
“Effect Patch List” (ñïèñîê ïàò÷åé ýôôåêòîâ) è
âûáðàòü ïàò÷ ñ òðåáóåìûì àëãîðèòìîì.

• Èñïîëüçóåìûå â àëãîðèòìå ÷åðòî÷êè îáîçíà÷àþò òèï âûõîäà ýôôåêòà: ìîíîôîíè÷åñêèé (îäíà ÷åðòî÷êà)
èëè ñòåðåîôîíè÷åñêèé (äâå ÷åðòî÷êè).
(Ïðèìåð.)

a=…*: GUITAR [COSM GTR AMP]

Ìóëüòèýôôåêòû, ïðåäíàçíà÷åííûå äëÿ Preamp
ýëåêòðîãèòàðû. Óñèëåííûé çâóê ôîðìèðóåòñÿ ñ Speaker Simulator
Noise Suppressor
ïîìîùüþ ïðåäóñèëèòåëÿ è èìèòàöèè êîëîíîê.
FX
*  ñëó÷àå “Phaser” âûõîä ìîíîôîíè÷åñêèé. - Compressor
fig.03-170
- Chorus
- Flanger
- Phaser
- Tremolo/Pan
Delay

a=…*: MIC [VOCAL MULTI]

Âîêàëüíûå ìóëüòèýôôåêòû. Compressor
Áàçîâûå ýôôåêòû, èñïîëüçóþùèåñÿ äëÿ Enhancer
4Band Equalizer
îáðàáîòêè âîêàëà.
Noise Suppressor
Delay

BANK: LINE/EXT
Ýôôåêòû èñïîëüçóþòñÿ äëÿ îáðàáîòêè Input
ñòåðåîôîíè÷åñêîãî âõîäíîãî ñèãíàëà ëèíåéíîãî Compressor
Mixer
óðîâíÿ èëè âíåøíåãî ìèêðîôîíà.
Limiter
Output

66
 cë="= 3. h“C%ëüƒ%"=…, .--*2%"

qC,“%* C=!=ì2!%"

Âñòðå÷àþùèåñÿ â äàííîì äîêóìåíòå òîðãîâûå ìàðêè ÿâëÿþòñÿ ñîáñòâåííîñòüþ ñîîòâåòñòâóþùèõ
âëàäåëüöåâ è ê êîìïàíèè BOSS îòíîøåíèÿ íå èìåþò. Îíè íå ÿâëÿþòñÿ ôèëèàëàìè BOSS è íå
ëèöåíçèðîâàíû èëè àâòîðèçîâàíû BOSS MICRO BR. Äàííûå òîðãîâûå ìàðêè èñïîëüçóþòñÿ
òîëüêî äëÿ èäåíòèôèêàöèè îáîðóäîâàíèÿ, çâóê êîòîðîãî èìèòèðóåòñÿ BOSS MICRO BR.

Attack 0 $ 100
Chorus (.%!3“) Âûðàçèòåëüíîñòü àòàêè. ×åì áîëüøå çíà÷åíèå,
Ê ïðÿìîìó ñèãíàëó äîáàâëÿåòñÿ íåìíîãî òåì ðåç÷å àòàêà, ÷åò÷å àðòèêóëÿöèÿ.
ðàññòðîåííûé ïî ÷àñòîòå.  ðåçóëüòàòå Level 0 $ 100
ïîëó÷àåòñÿ áîëåå íàñûùåííûé è “øèðîêèé” çâóê. Ãðîìêîñòü.
* Ýôôåêò äîñòóïåí, åñëè ïàðàìåòð FX “Type” óñòàíîâëåí
â çíà÷åíèå “CHORUS”. Delay (ƒ=ä!›*=)
On/Off OFF, ON Ê ïðÿìîìó ñèãíàëó äîáàâëÿåòñÿ çàäåðæàííûé,
Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.). äåëàÿ çâóê áîëåå íàñûùåííûì, îáúåìíûì.

Rate 0 $ 100 On/Off OFF, ON

×àñòîòà ýôôåêòà õîðóñà. Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.).

Depth 0 $ 100 Type

Ãëóáèíà ýôôåêòà õîðóñà. Òèï çàäåðæêè.

Effect Level 0 $ 100 Ïàðàìåòð Îïèñàíèå

Ãðîìêîñòü ýôôåêòà. SINGLE Ïðîñòàÿ çàäåðæêà.

Ãëàâà 3
TAP Çàäåðæàííûé ñèãíàë ïàíîðàìèðóåòñÿ
ìåæäó ëåâûì è ïðàâûì êàíàëàìè. Èñ-
Compressor (*%ìC!““%!) ïîëüçóåòñÿ ïðè ñòåðåîçàïèñè.
Ñóæàåò äèíàìè÷åñêèé äèàïàçîí ñèãíàëà,
Delay Time SINGLE: 1 $ 1000 (ms)
âîçäåéñòâóþ íà åãî óðîâåíü. Èñïîëüçóåòñÿ äëÿ
ïðîäëåíèÿ ñóñòåéíà èëè íàîáîðîò –- åãî TAP: 1 $ 500 (ms)
óêîðî÷åíèÿ è àêöåíòèðîâàíèÿ ôàçû àòàêè çâóêà. Âðåìÿ çàäåðæêè (èíòåðâàë âðåìåíè, íà êîòîðûé
Ìîæåò ðàáîòàòü â ðåæèìå ëèìèòåðà, çâóê çàäåðæèâàåòñÿ).
ïðåäîòâðàùàÿ âîçíèêíîâåíèå èñêàæåíèé íà Feedback 0 $ 100
ïèêîâûõ ñèãíàëàõ. Ãëóáèíà îáðàòíîé ñâÿçè. Îïðåäåëÿåò êîëè÷åñòâî
* Äîñòóïåí, åñëè ïàðàìåòð COSM GTR AMP’s FX “Type” ïîâòîðîâ çàäåðæàííîãî ñèãíàëà.
óñòàíîâëåí â çíà÷åíèå “COMPRESSOR”.
Effect Level 0 $ 120
On/Off OFF, ON Ãðîìêîñòü çàäåðæàííîãî ñèãíàëà.
Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.).

Sustain 0 $ 100
Ãëóáèíà ýôôåêòà. ×åì áîëüøå çíà÷åíèå, òåì
äëèííåå ñóñòåéí. Äëÿ ðàáîòû â ðåæèìå ëèìèòåðà
èñïîëüçóéòå íåáîëüøèå çíà÷åíèÿ ýòîãî
ïàðàìåòðà.

67
cë="= 3. h“C%ëüƒ%"=…, .--*2%"

Lo-Mid Q 0.5 $ 16
Enhancer (.….…“!) Äèàïàçîí ÷àñòîò, íà êîòîðûå âîçäåéñòâóåò
Ê ïðÿìîìó ñèãíàëó äîáàâëÿåò ñìåùåííûé ïî ýêâàëàéçåð “Lo-M F”. ×åì áîëüøå çíà÷åíèå, òåì
ôàçå, êàê áû âûäâèãàÿ çâóê íà ïåðâûé ïëàí. óæå äèàïàçîí.

On/Off OFF, ON High-Mid Gain -20 $ +20 (dB)

Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.). Êîýôôèöèåíò óñèëåíèÿ ýêâàëàéçåðîì âåðõíåé
÷àñòè ñðåäíå÷àñòîòíîãî äèàïàçîíà.
Sens 0 $ 100
Ñïîñîá, êàêèì ýíõåíñåð âîçäåéñòâóåò íà âõîäíîé High-Mid Freq 100 $ 10.0k (Hz)
ñèãíàë. Öåíòðàëüíàÿ ÷àñòîòà ýêâàëàéçåðà
ñðåäíå÷àñòîòíîãî äèàïàçîíà â åãî âåðõíåé ÷àñòè.
Frequency 1.0 $ 10.0 (kHz)
×àñòîòà, íà÷èíàÿ ñ êîòîðîé ýíõåíñåð íà÷èíàåò High-Mid Q 0.5 $ 16
îáðàáàòûâàòü ñèãíàë. Ýíõåíñåð âîçäåéñòâóåò íà Äèàïàçîí ÷àñòîò, íà êîòîðûå âîçäåéñòâóåò
ñèãíàëû, ÷àñòîòà êîòîðûõ âûøå çàäàííîé. ýêâàëàéçåð “Hi-M F”. ×åì áîëüøå çíà÷åíèå, òåì
óæå äèàïàçîí.
Mix Level 0 $ 100
Óðîâåíü â îáùåì ìèêñå îáðàáîòàííîãî ñèãíàëà ñî Hi Gain -20 $ +20 (dB)
ñìåùåííîé ôàçîé è ÷àñòîòîé, êîòîðàÿ âûøå òîé, Êîýôôèöèåíò óñèëåíèÿ ýêâàëàéçåðîì âûñîêèõ
÷òî îïðåäåëåíà ïàðàìåòðîì “Frequency”. ÷àñòîò.

Low Mix Level 0 $ 100 Level -20 $ +20 (dB)

Óðîâåíü â îáùåì ìèêñå îáðàáîòàííîãî ñèãíàëà ñî
ñìåùåííîé ôàçîé, ÷àñòîòà êîòîðîãî ëåæèò â
ôèêñèðîâàííîì äèàïàçîíå íèçêèõ ÷àñòîò.
Level 0 $ 100
Ãðîìêîñòü ñèãíàëà ýíõåíñåðà.
Óðîâåíü ñèãíàëà íà âûõîäå ýêâàëàéçåðà.
Flanger (-ë.…›!)
Ïðèäàåò çâóêó “âîëíîîáðàçíóþ” ôàêòóðó.
* Ýôôåêò äîñòóïåí, åñëè ïàðàìåòð FX “Type” óñòàíîâëåí
â çíà÷åíèå “FLANGER”.

4-band Equalizer On/Off OFF, ON

Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.).
(.*"=ë=Lƒ!)
×åòûðåõ-ïîëîñíûé ýêâàëàéçåð. Rate 0 $ 100
×àñòîòà ýôôåêòà ôëýíæåðà.
On/Off OFF, ON
Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.). Depth 0 $ 100
Ãëóáèíà ýôôåêòà.
Low Gain -20 $ +20 (dB)
Êîýôôèöèåíò óñèëåíèÿ ýêâàëàéçåðîì íèçêèõ Manual 0 $ 100
÷àñòîò. Öåíòðàëüíàÿ ÷àñòîòà, â êîòîðîé ïðèìåíÿåòñÿ
ýôôåêò.
Low-Mid Gain -20 $ +20 (dB)
Êîýôôèöèåíò óñèëåíèÿ ýêâàëàéçåðîì íèæíåé Resonance 0 $ 100
Óðîâåíü ðåçîíàíñà (îáðàòíîé ñâÿçè). ×åì âûøå
÷àñòè ñðåäíå÷àñòîòíîãî äèàïàçîíà.
çíà÷åíèå, òåì âûðàæåííåé ýôôåêò.
Low-Mid Freq 100 $ 10.0k (Hz)
Öåíòðàëüíàÿ ÷àñòîòà ýêâàëàéçåðà
ñðåäíå÷àñòîòíîãî äèàïàçîíà â åãî íèæíåé ÷àñòè.

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Input Noise Suppressor

Ðàçáèâàåò âõîäíîé ñèãíàë ïî òðåì ÷àñòîòíûì
(ø3ì%ä=")
äèàïàçîíàì: íèçêèå, ñðåäíèå, âûñîêèå.
Ýôôåêò èñïîëüçóåòñÿ äëÿ ñíèæåíèÿ óðîâíÿ øóìà.
Gain -24 $ +12 (dB) Ïîñêîëüêó øóì ïîäàâëÿåòñÿ ñèíõðîííî ñ îãèáàþ-
Óðîâåíü ñèãíàëà äî âõîäà â êîìïðåññîð. ùåé ñèãíàëà (êðèâàÿ èçìåíåíèÿ àìïëèòóäû ñèãíàëà
Delay Time 0$10 (ms) âî âðåìåíè), ýôôåêò îêàçûâàåò ìèíèìàëüíîå âîç-
Äëèòåëüíîñòü çàäåðæêè âõîäíîãî ñèãíàëà. äåéñòâèå íà ïîëåçíûé ñèãíàë è íå èçìåíÿåò
õàðàêòåð çâóêà.
Split Freq L 20 $ 800 (Hz)
Âåðõíÿÿ ãðàíèöà íèçêî÷àñòîòíîãî äèàïàçîíà. On/Off OFF, ON
Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.).
Split Freq H 1.6 $ 16.0 (kHz)
Íèæíÿÿ ãðàíèöà äèàïàçîíà âûñîêèõ ÷àñòîò. Threshold 0 $ 100
Ïîðîã, íà÷èíàÿ ñ êîòîðîãî ýôôåêò íà÷èíàåò
Limiter (ë,ì,2!) ðàáîòàòü. ×åì ãðîì÷å øóì, òåì âûøå äîëæíî
Ëèìèòåð, ïîäàâëÿþùèé âûñîêîóðîâíåâûå ñèãíà- áûòü ýòî çíà÷åíèå. Ïðè ðåäàêòèðîâàíèè ýòîãî
ëû, ïðåäîòâðàùàÿ âîçíèêíîâåíèå èñêàæåíèé. ïàðàìåòðà ñëåäèòå, ÷òîáû ñèãíàë çâó÷àë
åñòåñòâåííî.
On/Off OFF, ON
* Ñëèøêîì âûñîêîå çíà÷åíèå ïîðîãà ìîæåò ïðèâåñòè ê
Ñîñòîÿíèå ëèìèòåðà ON (âêëþ÷åí) èëè OFF
òîìó, ÷òî ïðè èãðå íà èíñòðóìåíòå, ñêîììóòèðîâàí-
(âûêëþ÷åí). íîì ñ MICRO BR, çâóê âîñïðîèçâîäèòüñÿ íå áóäåò.
Thres -24 $ 0 (dB) Release 0 $ 100
Ïîðîã, íà÷èíàÿ ñ êîòîðîãî ëèìèòåð íà÷èíàåò Îïðåäåëÿåò âðåìÿ, â òå÷åíèè êîòîðîãî óðîâåíü
ðàáîòàòü. ñèãíàëà óìåíüøàåòñÿ îò ïîðîãîâîãî äî “0”.

Ãëàâà 3
Attack 0 $ 100 (ms)
Ñêîðîñòü âêëþ÷åíèÿ ëèìèòåðà ïðè ïðåâûøåíèè
ñèãíàëîì ïîðîãîâîãî óðîâíÿ.
Output
Óðîâåíü ñèãíàëà íà âûõîäå.
Release 50 $ 5000 (ms)
Ñêîðîñòü âûêëþ÷åíèÿ ëèìèòåðà ïðè ïàäåíèè Level -80 $ +6 (dB)
óðîâíÿ ñèãíàëà íèæå ïîðîãîâîãî.
Ãðîìêîñòü ñèãíàëà íà âûõîäå ëèìèòåðà.

Mixer (ì,*ø!)
Óðîâåíü êàæäîé èç ÷àñòîòíûõ ïîëîñ.
Phaser (-=ƒ!)
Äîáàâëÿåò ê ïðÿìîìó ñèãíàëó ñäâèíóòûé ïî
Lo Level -80 $ +6 (dB) ôàçå. Ïðè÷åì âåëè÷èíà ñäâèãà ìåíÿåòñÿ âî
Óðîâåíü ñèãíàëà íèçêî÷àñòîòíîãî äèàïàçîíà ïîñëå âðåìåíè. Çâóê ñòàíîâèòñÿ ñâèñòÿùèì,
ïðîõîæäåíèÿ åãî ÷åðåç êîìïðåññîð. “çàâèõðÿþùèìñÿ”.
Mid Level -80 $ +6 (dB) * Ýôôåêò äîñòóïåí, êîãäà ïàðàìåòð FX “Type”
Óðîâåíü ñèãíàëà ñðåäíå÷àñòîòíîãî äèàïàçîíà óñòàíîâëåí â çíà÷åíèå “PHASER”.
ïîñëå ïðîõîæäåíèÿ åãî ÷åðåç êîìïðåññîð.
On/Off OFF, ON
Hi Level -80 $ +6 (dB) Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.).
Óðîâåíü ñèãíàëà âûñîêî÷àñòîòíîãî äèàïàçîíà
Rate 0 $ 100
ïîñëå ïðîõîæäåíèÿ åãî ÷åðåç êîìïðåññîð. ×àñòîòà ýôôåêòà.

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Depth 0 $ 100 SLDN Çâóê ëàìïîâîãî óñèëèòåëÿ ñ óíèâåðñàëü-

Ãëóáèíà ýôôåêòà. íûì äèñòîðøåíîì, êîòîðûé ìîæåò èñ-
ïîëüçîâàòüñÿ äëÿ èãðû â ñàìûõ
Manual 0 $ 100 ðàçëè÷íûõ ìóçûêàëüíûõ ñòèëÿõ.
Öåíòðàëüíàÿ ÷àñòîòà ýôôåêòà. METAL Çâóê áîëüøîãî ëàìïîâîãî óñèëèòåëÿ,
èäåàëüíûé äëÿ òÿæåëîãî ìåòàëëà.
Resonance 0 $ 100 METAL D Ìîùíûé çâóê äëÿ òÿæåëîãî ìåòàëëà ñ
Ãëóáèíà îáðàòíîé ñâÿçè. ×åì áîëüøå çíà÷åíèå, âûñîêèì êîýôôèöèåíòîì óñèëåíèÿ.
òåì âûðàçèòåëüíåå ýôôåêò.
Volume 0 $ 100
Ãðîìêîñòü è äèñòîðøåí óñèëèòåëÿ.
Preamp (C!ä3“,ë,2ëü)
Ðåãóëèðóåò äèñòîðøåí è òåìáð çâóêà ãèòàðû. Bass 0 $ 100
Òåìáð ñèãíàëà èç äèàïàçîíà íèçêèõ ÷àñòîò.
* Åñëè Bass, Middle è Treble óñòàíîâëåíû â “0”, òî ïðè îïðå-
äåëåííûõ çíà÷åíèÿõ “Type” çâóê ìîæåò îòñóòñòâîâàòü. Middle 0 $ 100
Òåìáð ñèãíàëà èç äèàïàçîíà ñðåäíèõ ÷àñòîò.
On/Off OFF, ON
Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.). * Åñëè â êà÷åñòâå òèïà ïðåäóñèëèòåëÿ âûáðàòü “MATCH”
èëè “VO DRV”, òî ñðåäíå÷àñòîòíûé ñèãíàë íå
Type ðåãóëèðóåòñÿ.
Òèï ïðåäóñèëèòåëÿ. Íèæå îïèñàíû õàðàêòåðèñòè-
êè äèñòîðøåíà è òåìáðà, ñîîòâåòñòâóþùèå Treble 0 $ 100
Òåìáð ñèãíàëà èç äèàïàçîíà âûñîêèõ ÷àñòîò.
ðàçëè÷íûì çíà÷åíèÿì ýòîãî ïàðàìåòðà.
Presence 0 $ 100
JC-120 Çâóê Roland “JC-120”, ëþáèìûé ìóçûêàí-
òàìè âñåãî ìèðà.
Òåìáð ñèãíàëà èç äèàïàçîíà óëüòðàâûñîêèõ
CLEAN Çâóê ñòàíäàðòíîãî âñòðîåííîãî ëàìïîâî- ÷àñòîò.
ãî óñèëèòåëÿ. * Åñëè â êà÷åñòâå òèïà ïðåäóñèëèòåëÿ âûáðàòü “MATCH”
CRUNCH Íàòóðàëüíûé äèñòîðøåí. èëè “VO DRV”, òî ïðè óâåëè÷åíèè çíà÷åíèÿ âûñîêèå
MATCH Ìîäåëèðîâàíèå ëàìïîâîãî óñèëèòåëÿ, ÷àñòîòû çàðåçàþòñÿ (çíà÷åíèå èçìåíÿåòñÿ â äèàïàçîíå
øèðîêî èñïîëüçóþùåãîñÿ â áëþçîâûõ è
ðîêîâûõ ïðèëîæåíèÿõ. îò “0” äî “-100”).
VO DRV Ëèâåðïóëüñêèé çâóê øåñòèäåñÿòûõ. Master 0 $ 100
BLUES Ñîëüíûé çâóê ñ óñèëåííîé ñåðåäèíîé,
Ãðîìêîñòü ïðåäóñèëèòåëÿ íà âûõîäå.
èäåàëåí äëÿ èñïîëíåíèÿ áëþçà.
BG LEAD Çâóê ëàìïîâûõ óñèëèòåëåé, òèïè÷íûõ Bright OFF, ON
äëÿ 70-õ – 80-õ ãîäîâ, îòëè÷àþùèõñÿ õà-
ðàêòåðíûì âîñïðîèçâåäåíèåì ñðåäíå÷àñ-
(äëÿ JC-120, CLEAN, CRUNCH, BLUES, BG LEAD)
òîòíîãî äèàïàçîíà. Âêëþ÷åíèå îòêëþ÷åíèå ýôôåêòà ïðîçðà÷íîñòè,
MS (1, 2, 1+2) Çâóê áîëüøèõ ñòåêîâ ëàìïîâûõ óñèëèòå- ÿðêîñòè.
ëåé, øèðîêî èñïîëüçîâàâøèõñÿ áðèòàíñ-
êèìè õàðä-ðîêîâûìè êîìàíäàìè 70-õ Ïàðàìåòð Îïèñàíèå
ãîäîâ. Ïîëüçóåòñÿ ïîïóëÿðíîñòüþ ñðåäè
OFF Ýôôåêò îòêëþ÷åí.
õàðä-ðîêîâûõ ãèòàðèñòîâ è ïî ñåãîäíÿø-
íèé äåíü. ON Ýôôåêò âêëþ÷åí. Çâóê ñòàíîâèòñÿ áîëåå
ïðîçðà÷íûì, ÿðêèì, “õðóñòÿùèì”.
1 Çâóê, ïîëó÷àþùèéñÿ ïðè èñïîëüçîâàíèè
âõîäà I ãèòàðíîãî óñèëèòåëÿ.
Çâóê, ïîëó÷àþùèéñÿ ïðè èñïîëüçîâàíèè
2 âõîäà II ãèòàðíîãî óñèëèòåëÿ.
Çâóê, ïîëó÷àþùèéñÿ ïðè ïàðàëëåëüíîì
1 + 2 ñîåäèíåíèè âõîäîâ I è II ãèòàðíîãî óñèëè-
òåëÿ. Çâóê õàðàêòåðèçóåòñÿ áîëåå æåñòêèì
íèçîì, ÷åì ïðè èñïîëüçîâàíèè âõîäà I.

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Speaker Simulator (ì%äë,!%"=…, *%ë%…%*)

Ìîäåëèðóåò çâó÷àíèå êîëîíîê ðàçëè÷íûõ òèïîâ. ïðè “Off Mic” – òðàêò ñ êîíäåíñàòîðíûì
Èñïîëüçóåòñÿ, åñëè âûõîä MICRO BR ìèêðîôîíîì.
êîììóòèðóåòñÿ íåïîñðåäñòâåííî ñ ìèêøåðîì èëè
Mic Set CENTER, 1 $ 10 (cm)
àíàëîãè÷íûì îáîðóäîâàíèåì, ÷òîáû ñèìèòèðî-
Èìèòèðóåò ðàçìåùåíèå ìèêðîôîíà. Åñëè ïàðà-
âàòü çâóê ëþáèìîé àêóñòè÷åñêîé ñèñòåìû. ìåòð óñòàíîâëåí â “CENTER” ìèêðîôîí ðàñïî-
On/Off OFF, ON ëîæåí ïî öåíòðó äèíàìèêà, åñëè â “1 – 10 cm”, òî
Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.). ñìåùàåòñÿ îòíîñèòåëüíî íåãî íà ñîîòâåòñòâóþùåå
êîëè÷åñòâî ñàíòèìåòðîâ.
Type
Mic Level 0 $ 100
Îïðåäåëÿåò òèï èìèòèðóåìîé ñèñòåìû (→ ñì.
Ãðîìêîñòü ìèêðîôîíà.
òàáëèöó).
Ïðè óñòàíîâêå “On Mic” ìîäåëèðóåòñÿ òðàêò, â Dir Level 0 $ 100
êîòîðîì ïðèñóòñòâóåò äèíàìè÷åñêèé ìèêðîôîí, Ãðîìêîñòü ïðÿìîãî ñèãíàëà.

Type Êàáèíåò Äèíàìèê Mic Set Êîììåíòàðèè

SMALL Íåáîëüøîé ñ ôàçîèíâåðòåðîì 10 “ On Mic
MIDDLE Ñ ôàçîèíâåðòåðîì 12 “ On Mic
JC-120 Ñ ôàçîèíâåðòåðîì 12 “ (äâå øòóêè) On Mic Èìèòàöèÿ Roland JC-120
TWIN Ñ ôàçîèíâåðòåðîì 12 “ (äâå øòóêè) On Mic Ïîäõîäèò äëÿ CLEAN
twin Ñ ôàçîèíâåðòåðîì 12 “ (äâå øòóêè) Off Mic Ïîäõîäèò äëÿ CLEAN
MATCH Ñ ôàçîèíâåðòåðîì 12 “ (äâå øòóêè) On Mic Ïîäõîäèò äëÿ MATCH
match Ñ ôàçîèíâåðòåðîì 12 “ (äâå øòóêè) Off Mic Ïîäõîäèò äëÿ MATCH
VO DRV Ñ ôàçîèíâåðòåðîì 12 “ (äâå øòóêè) On Mic Ïîäõîäèò äëÿ VO DRV
vo drv Ñ ôàçîèíâåðòåðîì 12 “ (äâå øòóêè) Off Mic Ïîäõîäèò äëÿ VO DRV
BG STK Áîëüøîé çàêðûòîãî òèïà 12 “ (äâå øòóêè) On Mic Ïîäõîäèò äëÿ BG STK

Ãëàâà 3
bg stk Áîëüøîé çàêðûòîãî òèïà 12 “ (äâå øòóêè) Off Mic Ïîäõîäèò äëÿ BG STK
MS STK Áîëüøîé çàêðûòîãî òèïà 12 “ (äâå øòóêè) On Mic Ïîäõîäèò äëÿ MS
ms stk Áîëüøîé çàêðûòîãî òèïà 12 “ (äâå øòóêè) Off Mic Ïîäõîäèò äëÿ MS
METAL Áîëüøîé äâîéíîé ñòåê 12 “ (äâå øòóêè) Off Mic

Tremolo/Pan (2!ì%ë%/ Ïàðàìåòð

TRM-TRI:
Îïèñàíèå
Öèêëè÷åñêîå ïëàâíîå èçìåíåíèå ãðîìêîñ-
C=…%!=ì= TRM-SQR:
òè.
Öèêëè÷åñêîå ñòóïåí÷àòîå èçìåíåíèå ãðîì-
Òðåìîëî – ýôôåêò öèêëè÷åñêîãî èçìåíåíèÿ êîñòè.
ãðîìêîñòè. Ïàíîðàìà òàêæå ìîæåò öèêëè÷åñêè PAN-TRI: Öèêëè÷åñêîå ïëàâíîå èçìåíåíèå ïàíîðà-
ïåðåìåùàòüñÿ ìåæäó ëåâûì è ïðàâûì êàíàëàìè ìû ìåæäó ëåâûì è ïðàâûì êàíàëàìè.
PAN-SQR: Öèêëè÷åñêîå ñòóïåí÷àòîå èçìåíåíèå ïàíî-
(ïðè èñïîëüçîâàíèè ñòåðåîâûõîäà). ðàìû ìåæäó ëåâûì è ïðàâûì êàíàëàìè.
* Ýôôåêò äîñòóïåí, åñëè ïàðàìåòð FX “Type” óñòàíîâëåí
* “PAN-TRI” è “PAN-SQR” äîñòóïíû òîëüêî ïðè
â çíà÷åíèå “TREMOLO/PAN”.
ñòåðåîçàïèñè (èñïîëüçóþòñÿ äâà òðåêà.
On/Off OFF, ON
Rate 0 $ 100
Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.).
×àñòîòà ýôôåêòà.
Mode
Depth 0 $ 100
Îïðåäåëÿåò òèï ýôôåêòà: òðåìîëî èëè
Ãëóáèíà ýôôåêòà.
ïàíîðàìèðîâàíèå.

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[EXIT], ÷òîáû âåðíóòüñÿ ê ýêðàíó

p"!K!=2%! âîñïðîèçâåäåíèÿ.

Íèæå îïèñàíà ïðîöåäóðà ðåäàêòèðîâàíèÿ

ïàðàìåòðîâ ðåâåðáåðàòîðà. nC!äë…, ãë3K,…/
Áîëåå ïîäðîáíî ïàðàìåòðû ðåâåðáåðàòîðà !"!K!=ö,, äë *=›ä%ã%
îïèñàíû íà ñòðàíèöå 73. ,ƒ 2!*%"
Óðîâåíü ðåâåðáåðàöèè êàæäîãî èç òðåêîâ
îïðåäåëÿåòñÿ íåçàâèñèìî ïóòåì êîððåêòèðîâêè
óðîâíÿ ñèãíàëà, ïîñûëàåìîãî ñ òðåêà íà
Îáû÷íî ðåâåðáåðàòîðîì îáðàáàòûâàþò ìîíè-
ïðîöåññîð ðåâåðáåðàöèè (óðîâåíü ïîñûëà).
òîðíûé ñèãíàë (çâóê, êîòîðûé ïðîñëóøèâà-
þò). Îäíàêî åãî ìîæíî èñïîëüçîâàòü òàêæå 1. Íàæìèòå íà îäíó èç êíîïîê [TR1] –
ïðè ñëèÿíèè òðåêîâ è ìàñòåðèíãå. [TR4].
2. Êíîïêàìè CURSOR [ ][ ]
Ðåâåðáåðàòîðíûõ ïàò÷åé íå ñóùåñòâóåò. Óñòàíîâ- äîáåéòåñü, ÷òîáû íà äèñïëåé âûâåëîñü
êè ðåâåðáåðàòîðà ñîõðàíÿþòñÿ âìåñòå ñ ïåñíåé. “Track Reverb”. Çàòåì ñ ïîìîùüþ
Äëÿ ñîõðàíåíèÿ ïàðàìåòðîâ ðåâåðáåðàòîðà â òåê- VALUE [-] [+] îòðåäàêòèðóéòå óðîâíè
ïîñûëîâ êàæäîãî èç òðåêîâ.
óùóþ ïåñíþ, óäåðæèâàÿ íàæàòîé , íàæìèòå fig.Disp-TrackReverb.eps

íà .

b/K%! 2,C= !"!K!=2%!=

1. Íàæìèòå íåñêîëüêî ðàç íà [EFFECTS],
÷òîáû ïåðåéòè ê ýêðàíó REVERB.
Äëÿ âûáîðà òðåêîâ ìîæíî èñïîëüçîâàòü
2. Êíîïêàìè CURSOR [ ][ ] êíîïêè [TR1] – [TR4].
äîáåéòåñü, ÷òîáû íà ýêðàíå âîçíèê
ïàðàìåòð “Type”, è êíîïêàìè VALUE [-]
[+] âûáåðèòå òèï ðåâåðáåðàòîðà:
“HALL” èëè “ROOM”.
fig.Disp-REVERB-HALL.eps

3. Äëÿ ðåäàêòèðîâàíèÿ óñòàíîâîê

ðåâåðáåðàòîðà êíîïêàìè CURSOR
[ ][ ] âûáåðèòå ïàðàìåòð è ñ
ïîìîùüþ VALUE [-] [+]
îòêîððåêòèðóéòå åãî çíà÷åíèå.
Áîëåå äåòàëüíî ïàðàìåòðû ðåâåðáåðàòîðà
îïèñàíû íà ñòðàíèöå 73.
4. Ïîñëå òîãî, êàê ïðàâêè áóäóò
çàêîí÷åíû, íàæìèòå íåñêîëüêî ðàç íà

72
 cë="= 3. h“C%ëüƒ%"=…, .--*2%"

nC!äë…, ãë3K,…/ o=!=ì2!/ !"!K!=2%!=

!"!K!=ö,, ,“2%÷…,*=,
C%ä*ëþ÷……%ã% *% ".%ä3
1. Íàæìèòå íà [INPUT].
2. Êíîïêàìè [TR1] – [TR4] âûáåðèòå
èñòî÷íèê âõîäíîãî ñèãíàëà, ãëóáèíó
ðåâåðáåðàöèè êîòîðîãî íåîáõîäèìî
îòðåäàêòèðîâàòü.
3. Êíîïêàìè CURSOR [ ][ ]
óñòàíîâèòå êóðñîð â “Rv”, è ñ ïîìîùüþ
VALUE [-] [+] îòðåäàêòèðóéòå çíà÷åíèå.
fig.Disp-Input-rev.eps
Ðåâåðáåðàöèÿ – ýôôåêò çàòóõàíèÿ ñèãíàëà â
ïîìåùåíèè èëè ñîîòâåòñòâåííî èìèòàöèÿ ýòîãî
ïðîöåññà. Çâóê â ïîìåùåíèè, îòðàæàÿñü îò
ðàçëè÷íûõ ïîâåðõíîñòåé (ñòåíû, ïîòîëîê,
ïðåäìåòû...), çàòóõàåò ïî î÷åíü ñëîæíîìó çàêîíó.
 ïðîöåññå îòðàæåíèé ýíåðãèÿ ñèãíàëà
ïîñòåïåííî óìåíüøàåòñÿ, ïîãëîùàÿñü
ðàçëè÷íûìè îáúåêòàìè. Âðåìÿ çàòóõàíèÿ
ðåâåðáåðàöèîííîãî ñèãíàëà íàçûâàåòñÿ
ðåâåðáåðàöèîííûì õâîñòîì. Íà ñëóõ
ðåâåðáåðàöèîííûé ñèãíàë êàê áû “ðàçìûâàåò”
îñíîâíîé.

Type
Òèï ðåâåðáåðàöèè.

Ïàðàìåòð Îïèñàíèå
4. Ïîñëå îêîí÷àíèÿ ðåäàêòèðîâàíèÿ ROOM: Ìîäåëèðîâàíèå àêóñòè÷åñêèõ ñâîéñòâ
íàæìèòå íåñêîëüêî ðàç íà [EXIT], íåáîëüøîãî ïîìåùåíèÿ.
÷òîáû ïåðåéòè ê ýêðàíó HALL: Ìîäåëèðîâàíèå àêóñòè÷åñêèõ ñâîéñòâ
êîíöåðòíîãî çàëà.
âîñïðîèçâåäåíèÿ.
Time 0.1 $ 10.0 (s)
nC!äë…, ãë3K,…/ Äëèíà ðåâåðáåðàöèîííîãî õâîñòà.
!"!K!=ö,, !,2ì,÷“*%ã%
Tone -12 $ +12 (dB)
2!*=

Ãëàâà 3
Òåìáð ðåâåðáåðàöèîííîãî ñèãíàëà.
1. Íàæìèòå íà [RHYTHM]. Level 0 $ 100
2. Êíîïêàìè CURSOR [ ][ ] Óðîâåíü ðåâåðáåðàöèîííîãî ñèãíàëà.
óñòàíîâèòå êóðñîð â “Rhy Reverb”, è ñ
ïîìîùüþ VALUE [-] [+] îòðåäàêòèðóéòå
çíà÷åíèå.
fig.Disp-Rhy-Reverb.eps

3. Ïîñëå òîãî, êàê ïðàâêè áóäóò

çàêîí÷åíû, íàæìèòå íåñêîëüêî ðàç íà
[EXIT], ÷òîáû âåðíóòüñÿ ê ýêðàíó
âîñïðîèçâåäåíèÿ.

73
cë="= 3. h“C%ëüƒ%"=…, .--*2%"

l=“2!,…ã l=“2!,…ã

Ìàñòåðèíãîâûé èíñòðóìåíòàðèé ïîçâîëÿåò
îáðàáàòûâàòü ñòåðåîñèãíàë (äâà òðåêà), îïòèìèçè-
ðóÿ ãðîìêîñòü ñôîðìèðîâàííîé ïåñíè. Ïîëó÷åííûå
â ðåçóëüòàòå ìàñòåðèíãà äàííûå ìîæíî êîíâåðòè-
ðîâàòü â àóäèîôàéë ôîðìàòà MP3 èëè WAV.
1. Íåñêîëüêî ðàç íàæìèòå íà [EXIT] è
[UTILITY], ÷òîáû íà äèñïëåå ïîÿâèëàñü
ïèêòîãðàììà .
MICRO BR íàõîäèòñÿ â ðåæèìå ìàñòåðèíãà.
fig.Disp-mastering-mode.eps

l=“2!,…ã%"/L ,…“2!3ì…2=!,L 2. Êíîïêàìè CURSOR [ ][ ] óñòàíîâè-

Ïðè ñîçäàíèè CD ñ çàïèñàííûìè ïåñíÿìè òå êóðñîð íà èíäèêàòîð V-òðåêà, è êíîï-
èëè çàïèñè íà àíàëîãè÷íûé íîñèòåëü, êàìè VALUE [-] [+] âûáåðèòå V-òðåê, êîòî-
íåîáõîäèìî îòñëåæèâàòü óðîâåíü ãðîìêîñòè, ðûé áóäåò âûñòóïàòü â ðîëè ïðèåìíèêà.
÷òîáû â ñàìûõ ãðîìêèõ ìåñòàõ ïåñåí îí íå fig.Disp-master-v-tr.eps

ïðåâûñèë ìàêñèìàëüíî äîïóñòèìîå çíà÷åíèå.

Îäíàêî ýòî ÷àñòî ïðèâîäèò ê óìåíüøåíèþ
îáùåãî óðîâíÿ ãðîìêîñòè, â ðåçóëüòàòå ÷åãî
òåðÿåòñÿ ýêñïðåññèÿ, âûðàçèòåëüíîñòü è
ïëîòíîñòü çâó÷àíèÿ.
Ìàñòåðèíãîâûé èíñòðóìåíòàðèé ïîçâîëÿåò
ñãëàäèòü ðàçíèöó ãðîìêîñòåé, êîððåêòèðóÿ 3. Íàæìèòå íà [EFFECTS].
ïðè ýòîì áàëàíñ. Ðàñêðîåòñÿ ýêðàí ñ ìàñòåðèíãîâûì
Ðåêîìåíäóåòñÿ ïðîâîäèòü ìàñòåðèíã íà èíñòðóìåíòàðèåì.
fig.Disp-FX-MT-P01.eps
ñàìîì ïîñëåäíåì ýòàïå ñîçäàíèÿ ïåñíè.

Ñîñòàâ ìàñòåðèíãîâîãî èíñòðóìåíòàðèÿ

• 10 ïðåïðîãðàììèðîâàííûõ ïðåñåòíûõ ïàò÷åé
(P01 – P10) 4. Êíîïêàìè CURSOR [ ][ ] è VALUE
• 10 ïåðåçàïèñûâàåìûõ ïîëüçîâàòåëüñêèõ
[-] [+] âûáåðèòå íóæíûé ïàò÷.
ïàò÷åé (U01 – U10)
Ïàò÷ âûáèðàåòñÿ èç ïðåñåòíûõ,
• 10 ïàò÷åé ïåñåí, ñîõðàíÿåìûõ âìåñòå ñ
ïîëüçîâàòåëüñêèõ èëè ïåñåííûõ ïàò÷åé.
êàæäîé èç ïåñåí (S01 – S10).
fig.03-020
5. Íàæìèòå íà [EXIT], ÷òîáû âåðíóòüñÿ ê
ýêðàíó ìàñòåðèíãà.
6. Íàæìèòå íà [UTILITY].
7. Êíîïêàìè CURSOR [ ][ ] è VALUE
[-] [+] îòðåäàêòèðóéòå MasterLevel
(óðîâåíü ìàñòåðèíãà).
Ïàðàìåòð îïðåäåëÿåò îáùèé óðîâåíü
ãðîìêîñòè. Óñòàíîâèòå åãî â ìàêñèìàëüíîå
çíà÷åíèå, ïðè êîòîðîì íå âîçíèêàåò
 ðåæèìå ìàñòåðèíãà îïåðàöèÿ ïî èñêàæåíèé.
êîììóòàöèè ýôôåêòîâ íåäîñòóïíà (ñòð. 61).

74
 cë="= 3. h“C%ëüƒ%"=…, .--*2%"

fig.Disp-mst-standby.eps

Êíîïêà Ôóíêöèÿ
[TR1] (INS) Âñòàâêà ïðîáåëà â ïîçèöèþ, îòìå÷åííóþ
êóðñîðîì.
[TR2] (DEL) Ñòèðàíèå ñèìâîëà â ïîçèöèè êóðñîðà ñî
ñäâèãîì ñëåäóþùèõ çà íèì ñèìâîëîâ
8. Íàæìèòå íà [EXIT], ÷òîáû âåðíóòüñÿ ê âëåâî.
ýêðàíó ìàñòåðèíãà. [TR3] (A/a) Âûáîð ðåãèñòðà (íèæíèé/âåðõíèé) ñèì-
âîëà â ïîçèöèè êóðñîðà.
[TR4] (0!A) Âûáîð òèïà ñèìâîëà â ïîçèöèè êóðñîðà
9. Ïðè íàæàòîé íàæìèòå íà . (öèôðà/ñèìâîë/áóêâà).
Ïðîèçîéäåò ïåðåõîä â íà÷àëî ïåñíè
(00:00:00-00.0). Ïî îêîí÷àíèè íàæìèòå íà [EXIT].
15. Êíîïêàìè CURSOR [ ][ ] è VALUE
[-][+] óñòàíîâèòå ïàðàìåòð Typ â
10. Íàæìèòå íà .
òðåáóåìîå çíà÷åíèå.
Çàìèãàåò , è MICRO BR ïåðåéäåò â
Ìîæíî âûáðàòü òèï ôàéëà WAV èëè MP3.
ðåæèì ãîòîâíîñòè ê çàïèñè.
fig.Disp-mst-standby.eps
Äèàïàçîí: MP3, WAV
Åñëè âûáðàòü MP3, òî ïîÿâëÿåòñÿ ïàðàìåòð
(Rate:) (ñêîðîñòü ïåðåäà÷è â áèòàõ).
fig.06-020

11. Íàæìèòå íà .
Çàãîðèòñÿ , è çàïóñòèòñÿ ìàñòåðèíã. Äèàïàçîí: 64, 128, 192 (kbps)

12. Ïî îêîí÷àíèè ìàñòåðèíãà íàæìèòå íà 16. Íàæìèòå íà [TR4] (EXE).

Âûâåäåòñÿ çàïðîñ “********.*** OK?”

. * “********.***” îáîçíà÷àþò èìÿ ôàéëà è åãî ðàñøèðåíèå.
Âûâåäåòñÿ çàïðîñ “MP3/WAV Export?”.
13. Äëÿ âûïîëíåíèÿ êîíâåðòàöèè íàæìèòå
íà [TR4] (YES).
Äëÿ îòìåíû îïåðàöèè íàæìèòå íà [EXIT].
Åñëè íàæàòü íà [TR4] (YES), ðàñêðîåòñÿ ýêðàí
ñ óñòàíîâêàìè òèïà ôàéëà.
fig.06-020
14. Äëÿ ðåäàêòèðîâàíèÿ èìåíè ýêñïîðòèðóå-
ìîãî ôàéëà íàæìèòå íà [TR3] (NAM).
Ðàñêðîåòñÿ ýêðàí ðåäàêòèðîâàíèÿ èìåíè ôàéëà.
Êíîïêàìè [ ] [ ] è VALUE [-] [+]
ââåäèòå òðåáóåìîå èìÿ.
Åñëè èìÿ ïàò÷à ðåäàêòèðîâàòü íå íàäî,
ïåðåéäèòå ê øàãó 15.
Ïðè ðåäàêòèðîâàíèè èìåíè ìîæíî
èñïîëüçîâàòü ñëåäóþùèå ôóíêöèè.
Ãëàâà 3
17. Äëÿ âûïîëíåíèÿ êîíâåðòàöèè íàæìèòå
íà [TR4] (YES).
Äëÿ îòêàçà îò âûïîëíåíèÿ îïåðàöèè
íàæìèòå íà [EXIT].
Åñëè íàæàòü íà [TR4] (YES), òî äàííûå òðåêà
êîíâåðòèðóþòñÿ â àóäèîôàéëû MP3 èëè
WAV.
Êîíâåðòèðîâàííûé ôàéë ñîõðàíÿåòñÿ â
ïàïêó MP3 (ñòð. 97).
Ïîñëå òîãî, êàê äàííûå, ïîëó÷åííûå â
ðåçóëüòàòå ìàñòåðèíãà, áóäóò
êîíâåðòèðîâàíû, ïðîèçîéäåò âîçâðàò ê
ýêðàíó ìàñòåðèíãà.
Êîíâåðòèðîâàííûé àóäèîôàéë ìîæíî
âîñïðîèçâåñòè â ðåæèìå MP3 (ñòð. 90).

75
cë="= 3. h“C%ëüƒ%"=…, .--*2%"

fig.Disp-PREAMP-OnOff.eps

pä=*2,!%"=…, 3“2=…%"%*
ì=“2!,…ã%"%ã%
,…“2!3ì…2=!,
6. Êíîïêàìè CURSOR [ ][ ]
Åñëè íåîáõîäèìî ñîçäàòü íîâûé ïàò÷, âîçüìèòå
âûáåðèòå ïàðàìåòð, êîòîðûé áóäåò
íàèáîëåå ïîõîæèé íà òîò, êîòîðûé äîëæåí â
ðåäàêòèðîâàòüñÿ, è êíîïêàìè VALUE [-]
èòîãå ïîëó÷èòüñÿ, è îòðåäàêòèðóéòå åãî.
[+] èçìåíèòå åãî çíà÷åíèå.
Îòêîððåêòèðîâàííóþ âåðñèþ ìîæíî ñîõðàíèòü â
Åñëè íåîáõîäèìî îòðåäàêòèðîâàòü äðóãîé
ïîëüçîâàòåëüñêèé ïàò÷ èëè ïàò÷ ïåñíè.
ïàðàìåòð, âûáåðèòå åãî êíîïêàìè CURSOR
1. Íàæìèòå íåñêîëüêî ðàç íà [EXIT] è [ ] [ ] è èçìåíèòå åãî çíà÷åíèå ñ
[UTILITY], ÷òîáû íà äèñïëåå âîçíèêëà ïîìîùüþ êíîïîê VALUE [-] [+].
ïèêòîãðàììà .
7. Åñëè íåîáõîäèìî îòðåäàêòèðîâàòü
2. Íàæìèòå íà [EFFECTS]. äðóãîé áëîê ýôôåêòîâ, íàæìèòå íà
Ðàñêðîåòñÿ ýêðàí ñ ìàñòåðèíãîâûì [EXIT] è ïîâòîðèòå øàãè 5 – 7.
èíñòðóìåíòàðèåì.
fig.Disp-mastering.eps

Ñîõðàíåíèå òåêóùèõ óñòàíîâîê ýôôåêòîâ îïèñàíî

íà ñòðàíèöå 77.

3. Êíîïêàìè CURSOR [ ][ ] è VALUE

[-] [+] âûáåðèòå ïàò÷.
Êîððåêòèðîâêà óñòàíîâîê ìàñòåðèíãîâîãî
Ïðåäîñòàâëÿåòñÿ âîçìîæíîñòü âûáîðà ïðåñåò-
èíñòðóìåíòàðèÿ íîñèò âðåìåííûé õàðàêòåð.
íîãî, ïîëüçîâàòåëüñêîãî èëè ïåñåííîãî ïàò÷åé.
Åñëè âûéòè èç ýêðàíà ðåäàêòèðîâàíèÿ áåç
4. Íàæìèòå íà [TR2] (EDT). ñîõðàíåíèÿ òåêóùèõ óñòàíîâîê, òî â ïîëå
Ðàñêðîåòñÿ ýêðàí ñ ìàòåðèíãîâûì áàíêà ïîÿâëÿþòñÿ ñèìâîëû “**”.
èíñòðóìåíòàðèåì. Åñëè â ýòîì ñîñòîÿíèè âûïîëíèòü îäíó èç
fig.Disp-MTK-edit.eps
ñëåäóþùèõ îïåðàöèé, äàííûå
ðåäàêòèðîâàíèÿ áóäóò óòåðÿíû:
• Âûáðàòü äðóãîé ïàò÷ ýôôåêòîâ
• Çàãðóçèòü/ñîõðàíèòü ïåñíþ
Åñëè íà îäèí ýêðàí âñå óñòàíîâêè íå • Âûêëþ÷èòü ïèòàíèå
ïîìåùàþòñÿ, òî äëÿ ïåðåìåùåíèÿ ïî
ýêðàíàì èñïîëüçóéòå êíîïêè CURSOR
[ ][ ].
5. Íàæìèòå íà êíîïêó [TR1] – [TR4],
ñîîòâåòñòâóþùóþ áëîêó ýôôåêòà,
êîòîðûé íåîáõîäèìî îòðåäàêòèðîâàòü.
 äàííîì ïðèìåðå îïðåäåëÿåòñÿ ñëåäóþùåå
ñîîòâåòñòâèå: [TR1] (IN), [TR2] (CMP) è ò.ä.
Âêëþ÷åííûå áëîêè îáîçíà÷àþòñÿ çàãëàâíûìè
áóêâàìè, âûêëþ÷åííûå – ïðîïèñíûìè.
Íàæìèòå íà îäíó èç êíîïîê [TR1] – [TR4],
÷òîáû ïåðåéòè ê ýêðàíó ðåäàêòèðîâàíèÿ
ïàðàìåòðîâ ñîîòâåòñòâóþùåãî áëîêà.

76
 cë="= 3. h“C%ëüƒ%"=…, .--*2%"

fig.Disp-WRITE-MT-U01.eps

q%.!=……, 3“2=…%"%*
ì=“2!,…ã%"%ã%
,…“2!3ì…2=!, (Write)
6. Êíîïêàìè VALUE [-] [+] âûáåðèòå ïàò÷-
Íèæå îïèñàíà ïðîöåäóðà îïðåäåëåíèÿ èìåíè
ïðèåìíèê.
îòðåäàêòèðîâàííîãî ïàò÷à è åãî ñîõðàíåíèÿ â
êà÷åñòâå íîâîãî ïàò÷à. 7. Íàæìèòå íà [TR4] (YES).
* Âî âðåìÿ âîñïðîèçâåäåíèÿ èëè çàïèñè ïðîöåäóðà Âûâåäåòñÿ çàïðîñ “Are you sure?”
ñîõðàíåíèÿ ïàò÷à íåäîñòóïíà. 8. Äëÿ ñîõðàíåíèÿ ïàò÷à íàæìèòå íà [TR4]
* Åñëè èìÿ ïàò÷à îïðåäåëÿòü íå íóæíî, ïåðåéäèòå ê (YES). Äëÿ îòìåíû îïåðàöèè
øàãó 4. ñîõðàíåíèÿ ïàò÷à íàæìèòå íà [EXIT].
1. Íàæìèòå íà [EFFECTS]. Ïîñëå ñîõðàíåíèÿ äàííûõ ïðîèñõîäèò
Ðàñêðîåòñÿ ýêðàí ìàñòåðèíãîâîãî âîçâðàò ê ýêðàíó ìàñòåðèíãîâîãî
èíñòðóìåíòàðèÿ. èíñòðóìåíòàðèÿ.
fig.Disp-FX-MT-P01.eps

2. Äëÿ ðåäàêòèðîâàíèÿ èìåíè ïàò÷à

íàæìèòå íà [TR4] (NAM).
Ðàñêðîåòñÿ ýêðàí FX NAME.
fig.Disp-FX-MT-P01.eps

Ãëàâà 3
Åñëè èìÿ ïàò÷à ðåäàêòèðîâàòü íå íóæíî,
ïåðåéäèòå ê øàãó 4.
3. Ââåäèòå èìÿ ïàò÷à ñ ïîìîùüþ êíîïîê
CURSOR [ ][ ] è VALUE [-] [+].
Ïðè ðåäàêòèðîâàíèè òåêñòà äîñòóïíû
ñëåäóþùèå ôóíêöèè.

Êíîïêà Ôóíêöèÿ
[TR1] (INS) Âñòàâêà ïðîáåëà â ïîçèöèþ êóðñîðà.
[TR2] (DEL) Ñòèðàíèå ñèìâîëà, îòìå÷åííîãî êóðñî-
ðîì, ñî ñäâèãîì ïîñëåäóþùèõ ñèìâîëîâ
âëåâî.
[TR3] (A/a) Ïåðåêëþ÷åíèå ìåæäó ïðîïèñíûìè è çà-
ãëàâíûìè áóêâàìè â ïîçèöèè êóðñîðà.
[TR4] (0!A) Âûáîð òèïà ñèìâîëà (öèôðà/ñèìâîë/áóê-
âà) â ïîçèöèè êóðñîðà.

4. Íàæìèòå íà [EXIT], ÷òîáû âåðíóòüñÿ ê

ýêðàíó ìàñòåðèíãîâîãî èíñòðóìåíòàðèÿ.
5. Íàæìèòå íà [TR3] (WRI).
Ðàñêðîåòñÿ ýêðàí Write.

77
cë="= 3. h“C%ëüƒ%"=…, .--*2%"

qC,“%* =ëã%!,2ì%" qC,“%* C=!=ì2!%"

ì=“2!,…ã%"%ã%
,…“2!3ì…2=!, Compressor
Êîìïðåññèðóåò âûõîäíîé ñèãíàë, åñëè óðîâåíü
âõîäíîãî ïðåâûñèë çàäàííîå çíà÷åíèå.
a=…*: MT On/Off OFF, ON
Àëãîðèòìû ìàñòåðèíãîâîãî èíñòðóìåíòàðèÿ Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.).
ôîðìèðóþòñÿ èç ñëåäóþùèõ ýôôåêòîâ. Lo Threshold -24 $ 0 dB
Ïîðîã âêëþ÷åíèÿ êîìïðåññîðà â äèàïàçîíå
íèçêèõ ÷àñòîò.
Input
Compressor Lo Ratio 1:1.00 $ 1:16.0, 1:INF
Mixer Êîýôôèöèåíò êîìïðåññèè íèçêî÷àñòîòíîãî
Limiter âûõîäíîãî ñèãíàëà ïðè ïðåâûøåíèè âõîäíûì
Output ñèãíàëîì óðîâíÿ Lo.

Lo Attack 0 $ 100 ms
Ñêîðîñòü âêëþ÷åíèÿ íèçêî÷àñòîòíîãî
êîìïðåññîðà ïðè ïðåâûøåíèè âõîäíûì ñèãíàëîì
óðîâíÿ Lo.

Lo Release 50 $ 5000 ms
Âðåìÿ, â òå÷åíèè êîòîðîãî íèçêî÷àñòîòíûé
êîìïðåññîð ïðîäîëæàåò ðàáîòàòü ïîñëå ïàäåíèÿ
óðîâíÿ âõîäíîãî ñèãíàëà íèæå Lo.

Mid Threshold -24 $ 0 dB

Ïîðîã âêëþ÷åíèÿ êîìïðåññîðà â äèàïàçîíå
ñðåäíèõ ÷àñòîò.

Mid Ratio 1:1.00 $ 1:16.0, 1:INF

Êîýôôèöèåíò êîìïðåññèè ñðåäíå÷àñòîòíîãî
âûõîäíîãî ñèãíàëà ïðè ïðåâûøåíèè âõîäíûì
ñèãíàëîì óðîâíÿ Middle.

Mid Attack 0 $ 100 ms

Ñêîðîñòü âêëþ÷åíèÿ ñðåäíå÷àñòîòíîãî
êîìïðåññîðà ïðè ïðåâûøåíèè âõîäíûì ñèãíàëîì
óðîâíÿ Middle.

Mid Release 50 $ 5000 ms

Âðåìÿ, â òå÷åíèè êîòîðîãî ñðåäíå÷àñòîòíûé
êîìïðåññîð ïðîäîëæàåò ðàáîòàòü ïîñëå ïàäåíèÿ
óðîâíÿ âõîäíîãî ñèãíàëà íèæå Middle.

Hi Threshold -24 $ 0 dB
Ïîðîã âêëþ÷åíèÿ êîìïðåññîðà â äèàïàçîíå
âûñîêèõ ÷àñòîò.

78
 cë="= 3. h“C%ëüƒ%"=…, .--*2%"

Hi Ratio 1:1.00 $ 1:16.0, 1:INF

Êîýôôèöèåíò êîìïðåññèè âûñîêî÷àñòîòíîãî
âûõîäíîãî ñèãíàëà ïðè ïðåâûøåíèè âõîäíûì
Limiter (ë,ì,2!)
Ïîäàâëÿåò ñèãíàëû âûñîêîãî óðîâíÿ,
ñèãíàëîì óðîâíÿ Hi.
ïðåäîòâðàùàÿ èñêàæåíèÿ.
Hi Attack 0 $ 100 ms
Ñêîðîñòü âêëþ÷åíèÿ âûñîêî÷àñòîòíîãî On/Off OFF, ON
êîìïðåññîðà ïðè ïðåâûøåíèè âõîäíûì ñèãíàëîì Îïðåäåëÿåò ñîñòîÿíèå ýôôåêòà (âêë./âûêë.).
óðîâíÿ Hi. Threshold -24 $ 0 dB
Ïîðîã, ïðè ïðåâûøåíèè êîòîðîãî âêëþ÷àåòñÿ
Hi Release 50 $ 5000 ms
ëèìèòåð.
Âðåìÿ, â òå÷åíèè êîòîðîãî âûñîêî÷àñòîòíûé
êîìïðåññîð ïðîäîëæàåò ðàáîòàòü ïîñëå ïàäåíèÿ Attack 0 $ 100 ms
óðîâíÿ âõîäíîãî ñèãíàëà íèæå Hi. Ñêîðîñòü âêëþ÷åíèÿ ëèìèòåðà ïðè ïðåâûøåíèè
* Êîìïðåññîð óïðàâëÿåò óðîâíåì ñèãíàëà, êîððåêòèðóÿ åãî â âõîäíûì ñèãíàëîì ïîðîãîâîãî óðîâíÿ.
ñîîòâåòñòâèè ñ óñòàíîâêàìè ïîðîãà (Threshold) è êîýôôè-
Release 50 $ 5000 ms
öèåíòà êîìïðåññèè (Ratio). Ïîñêîëüêó ïðè áîëüøèõ çíà÷å-
Âðåìÿ, â òå÷åíèå êîòîðîãî ëèìèòåð ïðîäîëæàåò
íèÿõ àòàêè (Attack) ìîãóò âîçíèêíóòü èñêàæåíèÿ, ðåêî-
ðàáîòàòü ïðè ïàäåíèè óðîâíÿ âõîäíîãî ñèãíàëà
ìåíäóåòñÿ îáåñïå÷èòü çàïàñ â -6 äÁ. Ïðè íåîáõîäèìîñòè
îòêîððåêòèðóéòå óðîâåíü ñ ïîìîùüþ Mixer. íèæå ïîðîãà.

Input Mixer (ì,*ø!)

Ðàçáèâàåò âõîäíîé ñèãíàë íà òðè ÷àñòîòíûõ Ðåãóëèðóåò ãðîìêîñòü êàæäîé èç ÷àñòîòíûõ
äèàïàçîíà: íèçêèå, ñðåäíèå, âûñîêèå. ïîëîñ.

Gain -24 $ +12 dB Lo Level -80 $ +6 dB

Óðîâåíü ñèãíàëà íà âõîäå êîìïðåññîðà. Óðîâåíü íèçêî÷àñòîòíîãî ñèãíàëà ïîñëå

Ãëàâà 3
ïðîõîæäåíèÿ åãî ÷åðåç êîìïðåññîð.
Dly Time 0$10 ms
Äëèòåëüíîñòü çàäåðæêè âõîäíîãî ñèãíàëà. Mid Level -80 $ +6 dB
Óðîâåíü ñðåäíå÷àñòîòíîãî ñèãíàëà ïîñëå
SplitL 20 $ 800 Hz ïðîõîæäåíèÿ åãî ÷åðåç êîìïðåññîð.
Âåðõíÿÿ ãðàíèöà íèçêî÷àñòîòíîãî äèàïàçîíà.
Hi Level -80 $ +6 dB
SplitH 1.6 $ 16.0 kHz Óðîâåíü âûñîêî÷àñòîòíîãî ñèãíàëà ïîñëå
Íèæíÿÿ ãðàíèöà âûñîêî÷àñòîòíîãî äèàïàçîíà. ïðîõîæäåíèÿ åãî ÷åðåç êîìïðåññîð.

Output
Îïðåäåëÿåò îáùèé óðîâåíü íà âûõîäå.

Level -80 $ +6 dB
Óðîâåíü ñèãíàëà íà âûõîäå ëèìèòåðà.

79
 cë="= 4. h“C%ëüƒ%"=…, !,2ì=
MICRO BR êîìïëåêòóåòñÿ ïàòòåðíàìè ðàçëè÷íûõ
nK?= ,…-%!ì=ö, òèïîâ, êîòîðûå ìîãóò èñïîëüçîâàòüñÿ âî
âñòóïëåíèè, êóïëåòå, ïåðåõîäàõ è êîäàõ. Òèï
MICRO BR, êðîìå àóäèîòðåêîâ 1 – 4, ïàòòåðíà îáîçíà÷àåòñÿ ïîñëåäíåé áóêâîé åãî
ïîääåðæèâàåò ðàáîòó ðèòìè÷åñêîãî òðåêà. Ðèòì èìåíè.
ìîæíî âîñïðîèçâîäèòü äëÿ ñîïðîâîæäåíèÿ âî (Ïðèìåð)
âðåìÿ çàïèñè èëè æå ðàçìåùàòü îòäåëüíûå • ROCK1-IN (Âñòóïëåíèå)
ðèòìè÷åñêèå ïàðòèè íà òðåêå, ôîðìèðóÿ ñâîé • ROCK1-V1 (Êóïëåò 1)
ñîáñòâåííûé, îðèãèíàëüíûé ðèòìè÷åñêèé òðåê. • ROCK1-F1 (Ïåðåõîä 1)
• ROCK1-V2 (Êóïëåò 2)
o=22 !…/ , =!=…›,!%"*= • ROCK1-F2 (Ïåðåõîä 2)
• ROCK1-E (Êîäà)
Âîîáùå ãîâîðÿ, ðèòìû MICRO BR ïðåäñòàâëÿþò IN ("“23Cë …, )
èç ñåáÿ âîñïðîèçâîäÿùèåñÿ äàííûå, êîòîðûå
Ïàòòåðí, èñïîëüçóþùèéñÿ äëÿ âñòóïëåíèÿ.
íàçûâàþòñÿ “ïàòòåðíàìè” è “àðàíæèðîâêàìè”.
V (*3Cë 2) 1, 2
Ïàòòåðíû òåëà ïåñíè, 1 – îñíîâíîé, 2 – áîëåå
o%… 2, C=22 !…=
íàñûùåííàÿ âàðèàöèÿ ïåðâîãî.
Áàðàáàíùèê ïðè èãðå â ãðóïïå îáû÷íî
F (C ! .%ä) 1, 2
âîñïðîèçâîäèò ôèêñèðîâàííûå ôðàçû äëèíîé â
îäèí èëè äâà òàêòà. Âîò ýòè ëåæàùèå â îñíîâå Ïàòòåðíû èñïîëüçóþòñÿ äëÿ ïåðåõîäà ìåæäó
òðåêà óäàðíûõ ïîâòîðÿþùèåñÿ ôðàçû è ôðàçàìè. Â çàâèñèìîñòè îò õàðàêòåðà ñëåäóþùåé
íàçûâàþòñÿ ïàòòåðíàìè. ôðàçû èñïîëüçóåòñÿ ëèáî ïàòòåðí 1, ëèáî 2.
E (*%ä=)
o!,ì ! C=22 !…= Ïàòòåðí èñïîëüçóåòñÿ äëÿ çàâåðøåíèÿ ïåñíè.
Äîïóñòèì, ïîâòîðÿåòñÿ ÷åòûðåõ-äîëüíàÿ
ðèòìè÷åñêàÿ ôðàçà.
fig.04-onpu

* Ìîäèôèöèðîâàòü èëè ïåðåçàïèñàòü äàííûå ïàòòåðíà

íåâîçìîæíî.

80
 cë="= 4. h“C%ëüƒ%"=…, !,2ì=

o%… 2, =!=…›,!%"*,
Ïàòòåðí ìîæíî çàöèêëèòü è âîñïðîèçâîäèòü
p ›,ì/ "%“C!%,ƒ" ä …,
íåïðåðûâíî, ðåïåòèðóÿ ïîä íåãî, êàê ïîä
C=22 !…%" , =!=…›,!%"%*
ìåòðîíîì. Îäíàêî, åñëè èñïîëüçîâàòü â ïåñíå MICRO BR ïðåäóñìàòðèâàåò äâà ðåæèìà
òîëüêî îäèí ïàòòåðí, òî îí ñêîðî íàäîåñò. âîñïðîèçâåäåíèÿ ðèòìà: ðåæèì âîñïðîèçâåäåíèÿ
×òîáû ñäåëàòü ïåñíþ áîëåå ðàçíîîáðàçíîé, ïàòòåðíîâ è ðåæèì âîñïðîèçâåäåíèÿ
âîçìîæíî âû çàõîòèòå óïîðÿäî÷èòü ïàòòåðíû àðàíæèðîâîê.
ñëåäóþùèì îáðàçîì: âñòóïëåíèå → òåëî ïåñíè →
p ›,ì C=22 !…=
ïåðåõîä → êîäà.
Ïðåäíàçíà÷åí äëÿ âîñïðîèçâåäåíèÿ ïàòòåðíîâ.
Íàáîð ïàòòåðíîâ, ðàçìåùåííûõ â îïðåäåëåííîì Âûáðàííûé ïàòòåðí âîñïðîèçâîäèòñÿ íà
ïîðÿäêå, íàçûâàåòñÿ “àðàíæèðîâêîé”. ïðîòÿæåíèè âñåé ïåñíè. Âî âðåìÿ
fig.04-010 âîñïðîèçâåäåíèÿ ïåñíè àâòîìàòè÷åñêè ñìåíèòü
ïàòòåðí íåâîçìîæíî.
Äëÿ çàïóñêà âîñïðîèçâåäåíèÿ ïàòòåðíà íàæìèòå
íà [TR2], ÷òîáû âîéòè â ðåæèì ïàòòåðíîâ. Íà
o! “ 2…/ =!=…›,!%"*, (P01 $ P50) äèñïëåå ïîÿâÿòñÿ ñèìâîëû “PT:”, ñèãíàëèçèðóÿ î
MICRO BR êîìïëåêòóåòñÿ ïÿòüþäåñÿòüþ âêëþ÷åíèè ðåæèìà ïàòòåðíîâ.
ïðåñåòíûìè àðàíæèðîâêàìè (P01 – P50)”.
p ›,ì =!=…›,!%"%*
Ïðåñåòíûå àðàíæèðîâêè ìîæíî èçìåíèòü èëè
ïåðåçàïèñàòü. Èñïîëüçóåòñÿ äëÿ âîñïðîèçâåäåíèÿ àðàíæèðîâîê.
Âî âñåõ ïðåñåòíûõ àðàíæèðîâêàõ, çà èñêëþ÷åíèåì Ïîñëåäîâàòåëüíî âîñïðîèçâîäÿòñÿ ïàòòåðíû,
Metro 4/4, ïîñëå E (êîäà) ñëåäóåò òðåõòàêòíàÿ âêëþ÷åííûå â ñîñòàâ äàííîé àðàíæèðîâêè. Äëÿ
ïàóçà BREAK (ïàóçà), à çàòåì íà÷èíàåòñÿ âîñïðîèçâåäåíèÿ àðàíæèðîâêè íàæìèòå íà [TR2],
âîñïðîèçâåäåíèå V1 (êóïëåò 1). ÷òîáû ïåðåéòè â ñîîòâåòñòâóþùèé ðåæèì. Íà
äèñïëåå ïîÿâÿòñÿ ñèìâîëû “AR:”, ñèãíàëèçèðóÿ î
âêëþ÷åíèè ðåæèìà àðàíæèðîâîê.
Ñïèñîê ïðåñåòíûõ àðàíæèðîâîê ïðèâåäåí íà
ñòðàíèöå 112.

`!=…›,!%"*, C “…, (S01 $ S05)

Âìåñòå ñ êàæäîé èç ïåñåí ìîæíî ñîõðàíèòü ïÿòü
àðàíæèðîâîê.
Ãëàâà 4

Áîëåå äåòàëüíî âîñïðîèçâåäåíèå àðàíæèðîâîê

îïèñàíî íà ñòðàíèöå 87.

81
cë="= 4. h“C%ëüƒ%"=…, !,2ì=

m=K%!/ 3ä=!…/. b%“C!%,ƒ" ä …,

Íàáîð óäàðíûõ – ñîâîêóïíîñòü çâóêîâ èíñòðóìåí- C=22 !…=
òîâ óäàðíûõ, èñïîëüçóåìûõ äëÿ âîñïðîèçâåäåíèÿ
Íèæå îïèñàíà ïðîöåäóðà âûáîðà è
ïàòòåðíîâ è àðàíæèðîâîê. MICRO BR èìååò 9
âîñïðîèçâåäåíèÿ ïàòòåðíà.
íàáîðîâ óäàðíûõ.
fig.04-030 1. Íàæìèòå íà [RHYTHM].
Ðàñêðîåòñÿ ýêðàí ñ óñòàíîâêàìè ðèòìà.
2. Íàæìèòå íà [TR2], ÷òîáû íà äèñïëåå
ïîÿâèëîñü “PT:” (ðåæèì ïàòòåðíà).
Ïðè êàæäîì íàæàòèè íà êíîïêó ïðîèñõîäèò
ïåðåêëþ÷åíèå ìåæäó “PT:” è “AR:”.
fig.Disp-pt-001.eps

3. Íàæìèòå íà [TR1], ÷òîáû âêëþ÷èòü ðèòì.

Çàãîðèòñÿ èíäèêàòîð “RHYTHM”. Ïðè
êàæäîì íàæàòèè íà êíîïêó èíäèêàòîð
• Âûáðàííûé íàáîð óäàðíûõ çàïîìèíàåòñÿ êàê “RHYTHM” òî çàãîðàåòñÿ, òî ãàñíåò.
÷àñòü àðàíæèðîâêè. 4. Êíîïêàìè VALUE [-] [+] âûáåðèòå ïàò-
• Ïðè ñìåíå íàáîðà óäàðíûõ â ðåæèìå ïàòòåðíà òåðí, êîòîðûé íåîáõîäèìî âîñïðîèç-
ïðîèñõîäèò åãî ñìåíà è â ðåæèìå àðàíæèðîâêè.
âåñòè.
• Ñìåíà íàáîðà óäàðíûõ â ïðåñåòíîé àðàíæè-
ðîâêå, âûáðàííîé â ðåæèìå àðàíæèðîâêè, 5. Íàæìèòå íà [EXIT], ÷òîáû âåðíóòüñÿ ê
íîñèò âðåìåííûé õàðàêòåð. ×òîáû ñîõðàíèòü ýêðàíó âîñïðîèçâåäåíèÿ.
ýòî èçìåíåíèå, íåîáõîäèìî ñíà÷àëà ñêîïèðî-
âàòü ïðåñåòíóþ àðàíæèðîâêó â àðàíæèðîâêó
ïåñíè, ïåðåéòè â ðåæèì àðàíæèðîâêè ïåñíè è 6. Íàæìèòå íà .
ñìåíèòü òàì íàáîð. Çàïóñòèòñÿ âîñïðîèçâåäåíèå ðåêîðäåðà è
ïàòòåðíà.
Íèæå îïèñàíà ïðîöåäóðà âûáîðà íàáîðà óäàðíûõ.
1. Íàæìèòå íà [RHYTHM].
qì …= 2 ìC= C=22 !…=
Ðàñêðîåòñÿ ýêðàí ñ óñòàíîâêàìè ðèòìà. Íà ýêðàíå âîñïðîèçâåäåíèÿ ìîæíî âðåìåííî
fig.Disp-pt-001.eps
ìåíÿòü òåìï ïàòòåðíà.
1. Êíîïêàìè CURSOR [ ][ ]
óñòàíîâèòå êóðñîð â ïîëå òåìïà.
fig.Disp-tempo.eps

2. Íàæìèòå íà [TR3] (KIT).

fig.Disp-PtModeKit-STD1.eps

2. Êíîïêàìè VALUE [-] [+]

îòêîððåêòèðóéòå çíà÷åíèå òåìïà.
3. Êíîïêàìè VALUE [-] [+] âûáåðèòå íàáîð Òåìï âîñïðîèçâåäåíèÿ ïàòòåðíà èçìåíèòñÿ.
óäàðíûõ.

82
 cë="= 4. h“C%ëüƒ%"=…, !,2ì=

q%ƒä=…, %!,ã,…=ëü- b/K%!= C=22 !…= äë

C !"%ã% 2=*2=
…%L =!=…›,!%"*,
1. Íàæìèòå íà [RHYTHM].
Íèæå îïèñàíî, êàê ñîçäàòü àðàíæèðîâêó, Ðàñêðîåòñÿ ýêðàí ñ óñòàíîâêàìè ðèòìà.
ðàçìåùàÿ ïàòòåðíû â íóæíîì ïîðÿäêå, íà÷èíàÿ
2. Íàæìèòå íà [TR2], ÷òîáû íà äèñïëåå
ñî âñòóïëåíèÿ è çàêàí÷èâàÿ êîäîé.
Ìàêñèìàëüíàÿ äëèíà àðàíæèðîâêè – 999 òàêòîâ. ïîÿâèëîñü “AR:” (ðåæèì àðàíæèðîâêè).
Ïðè êàæäîì íàæàòèè íà ýòó êíîïêó
Ïîñëå ñîçäàíèÿ àðàíæèðîâêè åå ìîæíî ñîõðàíèòü
ïðîèñõîäèò ïåðåêëþ÷åíèå ìåæäó “PT:” è
â êà÷åñòâå “àðàíæèðîâêè ïåñíè”.
“AR:”.
fig.Disp-ar-P01.eps

n ø=ã=.
Ðåàëüíî ïðîöåäóðà ñîçäàíèÿ àðàíæèðîâêè
ïåñíè ñâîäèòñÿ ê óïîðÿäî÷èâàíèþ “øàãîâ”.
Øàã – ñîâîêóïíîñòü íîìåðà ïàòòåðíà è 3. Íàæìèòå íà [TR1], ÷òîáû âêëþ÷èòü
òàêòà, ñ êîòîðîãî îí çàïóñêàåòñÿ. ðèòì.
(Ïðèìåð) Çàãîðèòñÿ èíäèêàòîð “RHYTHM”. Ïðè
êàæäîì íàæàòèè íà ýòó êíîïêó èíäèêàòîð
×àñòü êîìïî- Êîë-âî Ïàòòåðí
çèöèè òàêòîâ
“RHYTHM", òî çàãîðàåòñÿ, òî ãàñíåò.
Âñòóïëåíèå 2 òàêòà 4. Êíîïêàìè CURSOR [ ][ ]
↓
Òåìà A 16 òàêòîâ Ïàòòåðí PT:002 óñòàíîâèòå êóðñîð â ïîëå íîìåðà
↓ àðàíæèðîâêè ïåñíè.
Òåìà B 8 òàêòîâ Ïàòòåðí PT:003
↓ 5. Êíîïêàìè VALUE [-] [+] âûáåðèòå
Ñáèâêà 8 Measures Ïàòòåðí PT:099 íîìåð àðàíæèðîâêè ïåñíè (S01 –S05),
↓ êîòîðóþ íåîáõîäèìî ñîçäàòü.
Êîäà 2 òàêòà Ïàòòåðí PT:006 fig.Disp-ar-S01.eps

 äàííîì ñëó÷àå àðàíæèðîâêà áóäåò ñîñòîÿòü èç

ñëåäóþùèõ øàãîâ.

Íîìåð øàãà Íîìåð òàê- Çàïóñê ïàòòåðíà

òà
* Åñëè âûáðàíà ïðåñåòíàÿ àðàíæèðîâêà (P01 – P50), òî
Øàã 1 1 PT:001 ROCK1-IN
↓ ñëåäóþùèå øàãè ñòàíîâÿòñÿ íåäîñòóïíûìè.
Øàã 2 3 PT:002 ROCK1-V1 Ãëàâà 4
6. Íàæìèòå íà [TR4] (EDT).
↓
Øàã 3 19 PT:003 ROCK1-V2 Çàãðóçèòñÿ ðåæèì ðåäàêòèðîâàíèÿ
↓ àðàíæèðîâîê ïåñíè.
Øàã 4 27 PT:028 ROCK5-V2 fig.Disp-ar-S01-edt.eps

↓
Øàã 5 35 PT:006 ROCK-1 E
↓
Øàã 6 37 PT:327 BREAK
Òàêèì îáðàçîì, äëÿ ñîçäàíèÿ àðàíæèðîâêè ïåñíè 7. Íàæìèòå íà [TR1] (STP).
ïîòðåáîâàëîñü âñåãî 6 øàãîâ.
MICRO BR ïîçâîëÿåò ôîðìèðîâàòü àðàíæèðîâêè èç
50 øàãîâ.

83
cë="= 4. h“C%ëüƒ%"=…, !,2ì=

8. Êíîïêàìè CURSOR [ ][ ] è VALUE

[-] [+] âûáåðèòå ïàòòåðí. p=ƒì ? …, C=22 !…%" "
Âûáåðèòå ïàòòåðí, êîòîðûé äîëæåí 2! K3 ì%ì C%! ä*
çàïóñêàòüñÿ â òàêòå 1.
fig.Disp-ar-S01-step.eps Åñëè ñ òàêòà 2 èëè ïîçæå äîëæåí çâó÷àòü äðóãîé
ïàòòåðí, âûïîëíèòå îïèñàííóþ íèæå ïðîöåäóðó,
ïðåäâàðèòåëüíî ïðîéäÿ øàãè ïðîöåäóðû,
îïèñàííîé íà ñòðàíèöå 83.
1. Êíîïêàìè CURSOR [ ][ ]
óñòàíîâèòå êóðñîð â ïîëå íîìåðà øàãà.
2. Êíîïêàìè VALUE [-] [+] óâåëè÷üòå åãî.

Äëÿ ïåðåìåùåíèÿ ïî øàãàì â îáîèõ

íàïðàâëåíèÿõ ìîæíî èñïîëüçîâàòü [REW]/[FF].

3. Êíîïêàìè CURSOR [ ][ ] óñòàíîâè-

òå êóðñîð â ïîëå íîìåðà ïàòòåðíà.
4. Êíîïêàìè VALUE [-] [+] âûáåðèòå
òðåáóåìûé ïàòòåðí.
5. Êíîïêàìè CURSOR [ ][ ]
óñòàíîâèòå êóðñîð â ïîëå òàêòà çàïóñêà.
6. Êíîïêàìè VALUE [-] [+] îïðåäåëèòå
íîìåð òàêòà, ñ êîòîðîãî áóäåò
âîñïðîèçâîäèòüñÿ âûáðàííûé ïàòòåðí.

• Òàêò çàïóñêà øàãà 1 óñòàíîâëåí â “001”. Ýòî

çíà÷åíèå èçìåíèòü íåâîçìîæíî.
Èñïîëüçîâàòü äëÿ øàãà çíà÷åíèå òàêòà,
êîòîðîå óæå áûëî çàäàíî ïðè îïðåäåëåíèè
ïðåäûäóùèõ øàãîâ, íåâîçìîæíî.
• Íåëüçÿ âûáðàòü òàêò çà ïðåäåëàìè
íà÷àëüíîãî òàêòà ïîñëåäóþùèõ øàãîâ.
• Ïðè âîñïðîèçâåäåíèè àðàíæèðîâêè ñ ýêðàíà
âîñïðîèçâåäåíèÿ, îíà ïðîèãðûâàåòñÿ îò
íà÷àëà è äî êîíöà, à çàòåì öèêëè÷åñêè
ïîâòîðÿåòñÿ ïàòòåðí ïîñëåäíåãî øàãà.
• Òàêèì îáðàçîì, íàçíà÷èâ íà ïîñëåäíèé øàã
ïðåñåòíûé ïàòòåðí “P327: BREAK”, ìîæíî
öèêëè÷åñêè âîñïðîèçâîäèòü ïàóçó, èìèòèðóÿ
òåì ñàìûì îñòàíîâ âîñïðîèçâåäåíèÿ
àðàíæèðîâêè.
fig.04-540

84
 cë="= 4. h“C%ëüƒ%"=…, !,2ì=

b“2="*= ø=ã=
Íèæå îïèñàíà ïðîöåäóðà âñòàâêè øàãà â
Š=*2 ƒ=C3“*=
òåêóùèé øàã.
Îïðåäåëÿåò òàêò, ñ êîòîðîãî íà÷èíàåò fig.04-550

âîñïðîèçâîäèòüñÿ ïàòòåðí, íàçíà÷åííûé íà

òåêóùèé øàã.
fig.04-520

1. Âûïîëíèòå øàãè ñ 1 ïî 7 ïðîöåäóðû,

îïèñàííîé íà ñòðàíèöå 83, ÷òîáû
âûáðàòü àðàíæèðîâêó ïåñíè, êîòîðóþ
íåîáõîäèìî îòðåäàêòèðîâàòü.
m%ì ! C=22 !…=
2. Êíîïêàìè CURSOR [ ][ ] è VALUE
Îïðåäåëÿåò ïàòòåðíû äëÿ êàæäîãî èç
[-] [+] âûáåðèòå ïîçèöèþ (íîìåð øàãà) â
øàãîâ.
fig.04-530
êîòîðóþ íåîáõîäèìî âñòàâèòü íîâûé
øàã.
fig.Disp-ar-ins.eps

d%ë
Ïîêàçûâàåò äîëþ äëÿ ïàòòåðíà, âûáðàííîãî 3. Íàæìèòå íà CURSOR .
â òåêóùåì øàãå.
4. Íàæìèòå íà [TR1] (INS).
Š ìC Íà äèñïëåé âûâåäåòñÿ ñîîáùåíèå “Insert!” è
Îïðåäåëÿåò òåìï âîñïðîèçâåäåíèÿ ïàòòåðíà, âûáðàííûé øàã ñêîïèðóåòñÿ è âñòàâèòñÿ.
íàçíà÷åííîãî íà òåêóùèé øàã.
Äèàïàçîí: 25.0 – 250.0
Ãëàâà 4

85
cë="= 4. h“C%ëüƒ%"=…, !,2ì=

q2,!=…, ø=ã= m=ƒ…=÷ …, ,ì …,

Íèæå îïèñàíà ïðîöåäóðà ñòèðàíèÿ âûáðàííîãî
øàãà. Ìåñòî ñòåðòîãî øàãà çàíèìàåò ðàíåå
ñëåäóþùèé çà íèì.
fig.Disp-ar-ins.eps
=!=…›,!%"*
Êàæäîé àðàíæèðîâêå ïåñíè ìîæíî ïðèñâîèòü
ñâîå èìÿ, ñîñòîÿùåå ìàêñèìóì èç 8 ñèìâîëîâ.

1. Âûïîëíèòå øàãè ñ 1 ïî 6 ïðîöåäóðû,

îïèñàííîé íà ñòðàíèöå 83.
2. Íàæìèòå íà [TR2] (NAM).
Ðàñêðîåòñÿ ýêðàí ðåäàêòèðîâàíèÿ èìåíè.
fig.Disp-AR-s01-NAME.eps

1. Âûïîëíèòå øàãè ñ 1 ïî 7 ïðîöåäóðû,

îïèñàííîé íà ñòðàíèöå 83, ÷òîáû
âûáðàòü àðàíæèðîâêó ïåñíè, êîòîðóþ
íåîáõîäèìî îòðåäàêòèðîâàòü.
3. Êíîïêàìè CURSOR [ ][ ] è VALUE
2. Êíîïêàìè CURSOR [ ][ ] è VALUE [-] [+] îòðåäàêòèðóéòå èìÿ.
[-] [+] âûáåðèòå øàã, êîòîðûé
Ïðè ðåäàêòèðîâàíèè òåêñòà äîñòóïíû
íåîáõîäèìî ñòåðåòü.
fig.04-570
ñëåäóþùèå ôóíêöèè.

Êíîïêà Ôóíêöèÿ
[TR1] (INS) Âñòàâêà ïðîáåëà â ïîçèöèþ, îòìå-
÷åííóþ êóðñîðîì.
[TR2] (DEL) Ñòèðàíèå ñèìâîëà â ïîçèöèè êóð-
ñîðà ñî ñäâèãîì ñëåäóþùèõ çà íèì
ñèìâîëîâ âëåâî.
[TR3] (A/a) Âûáîð ðåãèñòðà (íèæíèé/âåðõíèé)
ñèìâîëà â ïîçèöèè êóðñîðà.
[TR4] (0!A) Âûáîð òèïà ñèìâîëà â ïîçèöèè
3. Íàæìèòå íà CURSOR . êóðñîðà (öèôðà/ñèìâîë/áóêâà).
4. Íàæìèòå íà [TR2] (ERS).
* Èìåíà ïðåñåòíûõ àðàíæèðîâîê ðåäàêòèðîâàíèþ íå
Íà äèñïëåé âûâåäåòñÿ ñîîáùåíèå “Erase!” è
ïîäëåæàò.
âûáðàííûé øàã áóäåò ñòåðò.
* Åñëè îñòàëñÿ òîëüêî øàã 1, òî îïåðàöèÿ ñòèðàíèÿ
ñòàíîâèòñÿ íåäîñòóïíîé.

86
 cë="= 4. h“C%ëüƒ%"=…, !,2ì=

b%“C!%,ƒ" ä …, j%C,!%"=…, /“2,!=…,

=!=…›,!%"*, =!=…›,!%"*,
Íèæå îïèñàíà ïðîöåäóðà âûáîðà è
âîñïðîèçâåäåíèÿ àðàíæèðîâêè. j%C,!%"=…,
1. Íàæìèòå íà [RHYTHM]. Åñëè íåîáõîäèìî íåìíîãî ìîäèôèöèðîâàòü ïðåñåòíóþ
Ðàñêðîåòñÿ ýêðàí ñ óñòàíîâêàìè ðèòìà. àðàíæèðîâêó èëè ñîçäàòü âàðèàöèþ ñóùåñòâóþùåé,
2. Íàæìèòå íà [TR2], ÷òîáû íà äèñïëåå ñêîïèðóéòå ýòó àðàíæèðîâêó â àðàíæèðîâêó ïåñíè è
ïîÿâèëîñü “AR:” (ðåæèì àðàíæèðîâêè). îòðåäàêòèðóéòå åå.
Ïðè êàæäîì íàæàòèè íà ýòó êíîïêó ïðîèñ- 1. Âûïîëíèòå øàãè ñ 1 ïî 6 ïðîöåäóðû,
õîäèò ïåðåêëþ÷åíèå ìåæäó “PT:” è “AR:”. îïèñàííîé íà ñòð. 83, ÷òîáû âûáðàòü
fig.Disp-ar-P01.eps

àðàíæèðîâêó ïåñíè äëÿ êîïèðîâàíèÿ.

2. Íàæìèòå íà [TR3] (CPY).
3. Êíîïêàìè VALUE [-] [+] âûáåðèòå
3. Íàæìèòå íà [TR1], ÷òîáû âêëþ÷èòü ðèòì. àðàíæèðîâêó-ïðèåìíèê.
Íàæìèòå íà [TR1], ÷òîáû ïîÿâèëñÿ 4. Íàæìèòå íà [TR4] (EXE).
èíäèêàòîð “RHYTHM”. Ðèòì âêëþ÷åí. Ïðè Ïîÿâèòñÿ ñîîáùåíèå “Copy S**→S** OK?”.
êàæäîì íàæàòèè íà ýòó êíîïêó èíäèêàòîð * Ñèìâîëû “**” îáîçíà÷àþò íîìåðà àðàíæèðîâêè-
“RHYTHM” òî çàãîðàåòñÿ, òî ãàñíåò. èñòî÷íèêà è ïðèåìíèêà ñîîòâåòñòâåííî.
4. Êíîïêàìè VALUE [-] [+] âûáåðèòå 5. Íàæìèòå íà [TR4] (YES).
àðàíæèðîâêó ïåñíè (S01 – S05), Àðàíæèðîâêà ñêîïèðóåòñÿ â àðàíæèðîâêó-
êîòîðóþ íåîáõîäèìî ñîçäàòü. ïðèåìíèê.
fig.Disp-ar-S01.eps

* Ïðåñåòíàÿ àðàíæèðîâêà â êà÷åñòâå ïðèåìíèêà

èñïîëüçîâàòüñÿ íå ìîæåò.

q2,!=…,
5. Íàæìèòå íà [EXIT] äëÿ âîçâðàòà ê
 ðåçóëüòàòå îïåðàöèè ñòèðàþòñÿ øàã 2 è ñëåäóþùèå
ýêðàíó âîñïðîèçâåäåíèÿ.
çà íèì øàãè àðàíæèðîâêè ïåñíè.
Ãëàâà 4
Øàã 1 îñòàåòñÿ, íà íåãî íàçíà÷àåòñÿ ïàòòåðí
6. Íàæìèòå íà . “Metro” (ìåòðîíîì).
Çàïóñòèòñÿ âîñïðîèçâåäåíèå ðåêîðäåðà è
1. Âûïîëíèòå øàãè ñ 1 ïî 6 ïðîöåäóðû,
àðàíæèðîâêè.
îïèñàííîé íà ñòð. 83, ÷òîáû âûáðàòü
* Ïðè ïîêóïêå MICRO BR àðàíæèðîâêè ïåñåí (S01 – S05) äàí-
àðàíæèðîâêó ïåñíè äëÿ åå ñòèðàíèÿ.
íûõ íå ñîäåðæàò. Ïîýòîìó, åñëè â ýòîì ñîñòîÿíèè âûá-
ðàòü àðàíæèðîâêó ïåñíè, ðèòì âîñïðîèçâîäèòüñÿ íå áóäåò. 2. Íàæìèòå íà [TR4] (ERS).
Âûâåäåòñÿ ñîîáùåíèå “Erase S** OK?”.
hƒì … …, 2 ìC= * Ñèìâîëû “**” îáîçíà÷àþò íîìåð ñòèðàåìîé
=!=…›,!%"*, àðàíæèðîâêè.

Òåìï àðàíæèðîâêè èçìåíÿåòñÿ òàêæå, êàê è òåìï 3. Íàæìèòå íà [TR4] (YES).

ïàòòåðíà (ñòð. 82). Àðàíæèðîâêà ñîòðåòñÿ.
* Ïðåñåòíóþ àðàíæèðîâêó ñòåðåòü íåâîçìîæíî.

87
 cë="= 5. MP3-CëL!

o%… 2, MP3 t=Lë/, ƒ=ã!3›=ì/ “

MP3 – ôîðìàò àóäèîôàéëîâ, øèðîêî
èñïîëüçóåìûé â àóäèîïëåéåðàõ è èíòåðíåòå. Ïî
ñðàâíåíèþ ñ íåêîìïðåññèîííûì (ëèíåéíûì)
ôîðìàòîì, òàêèì êàê WAV, îí îáåñïå÷èâàåò
ýêîíîìèþ ïàìÿòè.
Ôàéëû ýòîãî ôîðìàòà èìåþò ðàñøèðåíèå “.MP3”.
MICRO BR ïîääåðæèâàåò ôóíêöèè
âîñïðîèçâåäåíèÿ è çàïèñè ñòåðåîôàéëîâ ôîðìàòà
MP3.
`3ä,%-%!ì=2/,
C%ää!›,"=ì/ MICRO BR
MICRO BR ïîääåðæèâàåò ðàáîòó ñëåäóþùèõ
àóäèîôîðìàòîâ.
ì3ƒ/*=ëü…/. “=L2%"
Èíòåðíåò èçîáèëóåò ìóçûêàëüíûìè ñàéòàìè,
êîòîðûå ïðåäîñòàâëÿþò âîçìîæíîñòü çàãðóçêè
ïåñåí â ñàìûõ ðàçëè÷íûõ ôîðìàòàõ.
Îäíàêî MICRO BR ïîääåðæèâàåò ðàáîòó òîëüêî ñ
ôîðìàòàìè MP3 è WAV.
Ìóçûêàëüíûå ôàéëû, çàãðóæåííûå ñ iTunes èëè
SonicStage îáû÷íî èñïîëüçóþò ôîðìàò, îòëè÷íûé îò
MP3.  ñëó÷àå iTunes ôàéëû ïåñåí, êàê ïðàâèëî,
çàãðóæàþòñÿ ñ âåá-ñàéòà ìóçûêàëüíîãî äèñòðèáó-
òîðà iTunes Music Store â ôîðìàòå AAC, à â ñëó÷àå
SonicStage – ñ âåá-ñàéòà ìóçûêàëüíîãî äèñòðèáó-
òîðà CONNECT â ôîðìàòå ATRAC3 èëè MP3.
Ïðè çàãðóçêå ìóçûêàëüíîãî ôàéëà óáåäèòåñü, ÷òî
îí èñïîëüçóåò ôîðìàòû MP3 èëè WAV.

MP3 (ðàñøèðåíèå ôàéëà: .MP3) rC!="ë…, =3ä,%-=Lë=ì,,

• 44.1 êÃö ,ìC%!2,!%"=……/ì, “
• 64 kbps – 320 kbps ì3ƒ/*=ëü…%ã% CD
WAV (ðàñøèðåíèå ôàéëà: .WAV)
• 44.1 êÃö Åñëè â êîìïüþòåðå åñòü àóäèîôàéëû, êîòîðûå
• 8 áèò èëè 16 áèò áûëè èìïîðòèðîâàíû è êîíâåðòèðîâàíû ñ CD, è
• Ìîíî èëè ñòåðåî èõ íåîáõîäèìî ïðîñëóøàòü ÷åðåç MICRO BR, èõ
• Ëèíåéíûé ïðåäâàðèòåëüíî ïðèäåòñÿ ïåðåêîíâåðòèðîâàòü â
ôîðìàò MP3.
`3ä,%-%!ì=2/, …
C%ää!›,"=ì/ MICRO BR
• AIFF
Äàííûé ïðèáîð ïðè èñïîëüçîâàíèè ñ óñèëèòåëåì, íà-
• WMA
óøíèêàìè èëè êîëîíêàìè ñïîñîáåí âîñïðîèçâîäèòü
• AAC ãðîìêèé ñèãíàë, êîòîðûé ìîæåò ïðèâåñòè ê ïîòåðå
• ATRAC ñëóõà. Íå ðàáîòàéòå íà âûñîêèõ óðîâíÿõ ãðîìêîñòè â
• Ogg Vorbis è ò.ä. òå÷åíèå ïðîäîëæèòåëüíîãî ïåðèîäà âðåìåíè. Åñëè âû
ïî÷óâñòâîâàëè óõóäøåíèå ñëóõà èëè ïîÿâèëñÿ çâîí â
MICRO BR ïîääåðæèâàåò ðàáîòó òîëüêî ñ óøàõ, íåìåäëåííî ïðåêðàòèòå ïîëüçîâàòüñÿ ïðèáîðîì
àóäèîôàéëàìè ôîðìàòîâ MP3 è WAV. è îáðàòèòåñü çà ïîìîùüþ ê îòîëàðèíãîëîãó.

88

`"2%!“*% C!="%
• Íåàâòîðèçîâàííûå çàïèñü, äèñòðèáóöèÿ, ïðîäàæà,
ïðîêàò, ïóáëè÷íûå âûñòóïëåíèÿ, ðàäèîâåùàíèå è
äðóãîå àíàëîãè÷íîå ïîëíîå èëè ÷àñòè÷íîå
èñïîëüçîâàíèå ìàòåðèàëà (ìóçûêàëüíûå
êîìïîçèöèè, âèäåî, ðàäèîâåùàíèå, ïóáëè÷íûå
âûñòóïëåíèÿ è ò.ä.), ïðàâîì îáëàäàíèÿ êîòîðûì
ïîëüçóþòñÿ òðåòüè ëèöà, ïðåñëåäóåòñÿ ïî çàêîíó.
• MICRO BR ìîæíî êîììóòèðîâàòü ñ êîìïüþòåðîì
÷åðåç USB-ïîðò è èìïîðòèðîâàòü àóäèîôàéëû
(ôîðìàòû WAV è MP3) äëÿ èñïîëüçîâàíèÿ èõ â
ìóçûêàëüíîì ïðîèçâîäñòâå è äëÿ ðåïåòèöèé. Ýòî
ñäåëàíî äëÿ îáåñïå÷åíèÿ íóæä àóäèîïðîèçâîäñòâà
è íå íàêëàäûâàåò íèêàêèõ îãðàíè÷åíèé íà çàïèñü
ðàáîò, êîòîðûå íå íàðóøàþò ïðàâ ñîáñòâåííîñòè
(íàïðèìåð, ñîáñòâåííûå ïðîèçâåäåíèÿ). Ïðèáîð
ñîçäàí äëÿ óäîâëåòâîðåíèÿ íóæä ìóçûêàëüíîãî
ïðîèçâîäñòâà, ïîýòîìó íå íàêëàäûâàåò îãðàíè÷åíèé
íà ëåãàëüíóþ çàïèñü ïðîèçâåäåíèé, íàïðèìåð,
ñîáñòâåííûõ.
• Íå èñïîëüçóéòå äàííûé ïðèáîð â ðàáîòàõ, êîòîðûå
ìîãóò íàðóøèòü ïðàâà ñîáñòâåííîñòè òðåòüèõ ëèö.
Êîìïàíèè Roland è BOSS îòâåòñòâåííîñòè çà
íåëåãàëüíîå èñïîëüçîâàíèå äàííîãî ïðèáîðà íå
íåñóò.
cë="= 5. MP3-CëL!
k,ö…ƒ,%……%
“%ãë=ø…,
Ýòî ïîëîæåíèå îáåñïå÷èâàåòñÿ òåì, ÷òî MICRO
BR ðàçðàáîòàí äëÿ ñîçäàíèÿ ìóçûêàëüíûõ
ïðîèçâåäåíèé (òàêèõ, êàê ñîáñòâåííûå
êîìïîçèöèè), êîòîðûå íå íàðóøàþò ïðàâ
ñîáñòâåííîñòè ñîîòâåòñòâóþùèõ âëàäåëüöåâ.
Àóäèîìàòåðèàëû, ïðàâîì ñîáñòâåííîñòè íà
êîòîðûå îáëàäàþò òðåòüè ëèöà, íàïðèìåð,
àóäèîôàéëû, ïîëó÷åííûå ÷åðåç èíòåðíåò, íå
ìîãóò äóáëèðîâàòüñÿ áåç ðàçðåøåíèÿ
ïðàâîîáëàäàòåëÿ, çà èñêëþ÷åíèåì ñëó÷àåâ
êîïèðîâàíèÿ äëÿ ëè÷íîãî èñïîëüçîâàíèÿ. Âî âñåõ
îñòàëüíûõ ñëó÷àÿõ ýòî ìîæåò òðàêòîâàòüñÿ, êàê
íàðóøåíèå çàêîíà îá àâòîðñêèõ ïðàâàõ.
Áîëåå äåòàëüíóþ èíôîðìàöèþ î ñîáëþäåíèè
àâòîðñêèõ ïðàâ ìîæíî ïîëó÷èòü ó
ñîîòâåòñòâóþùèõ ñïåöèàëèñòîâ èëè â
ñïåöèàëèçèðîâàííîé ëèòåðàòóðå.
n !›,ì MP3
MICRO BR ìîæåò ðàáîòàòü íå òîëüêî â ðåæèìå
ìóëüòèòðåêîâîãî ðåêîðäåðà, íî è â ðåæèìå MP3,
êîòîðûé ïîçâîëÿåò âîñïðîèçâîäèòü ôàéëû
ôîðìàòîâ MP3 èëè WAV.
 ðåæèìå MP3 äîñòóïíû ñëåäóþùèå îïåðàöèè.
• Ñîõðàíåíèå è âîñïðîèçâåäåíèå äî 999 ïåñåí.
• Çàöèêëåííîå âîñïðîèçâåäåíèå ïåñíè.
• Èñïîëíåíèå ñîâìåñòíî ñ âîñïðîèçâåäåíèåì ôàéëîâ
MP3 â ðåïåòèöèîííûõ öåëÿõ.
• Èçìåíåíèå ñêîðîñòè âîñïðîèçâåäåíèÿ áåç
èçìåíåíèÿ åãî âûñîòû.
• Ïîäàâëåíèå ïàðòèé, ðàñïîëîæåííûõ â öåíòðå
ñòåðåîêàðòèíû, äëÿ èãðû ïîä ôîíîãðàììó â
ðåæèìå “ìèíóñ îäèí”.
• Çàïèñü ñèãíàëà àóäèîâõîäà â ôàéë ôîðìàòîâ WAV
èëè MP3.
Ãëàâà 5
89
cë="= 5. MP3-CëL!

o!.%ä " !›,ì MP3 4. Íàæìèòå íà .

Íàæìèòå íà [MP3/TRAINER], ÷òîáû âîéòè â

ðåæèì MP3; íà äèñïëåå ïîÿâèòñÿ (ýêðàí
MP3). Ôàéëû óïîðÿäî÷åíû ïî èìåíàì â
fig.****
àëôàâèòíîì ïîðÿäêå.

b%“C!%,ƒ"ä…, -=Lë%"
MP3/WAV

1. Íàæìèòå íà [MP3/TRAINER].
Çàãðóçèòñÿ ðåæèì MP3; íà äèñïëåå ïîÿâèòñÿ
(ýêðàí MP3).
2. Êíîïêàìè CURSOR [ ][ ]
óñòàíîâèòå êóðñîð â ïîëå íîìåðà
ôàéëà è ñ ïîìîùüþ VALUE [-][+]
âûáåðèòå ôàéë MP3/WAV, êîòîðûé
íåîáõîäèìî âîñïðîèçâåñòè.

3. Íàæìèòå íà .
Çàïóñòèòñÿ âîñïðîèçâåäåíèå ôàéëà.
Ïî îêîí÷àíèè âîñïðîèçâåäåíèÿ òåêóùåãî
àóäèîôàéëà çàïóñêàåòñÿ âîñïðîèçâåäåíèå
ñëåäóþùåãî.
Âî âðåìÿ âîñïðîèçâåäåíèÿ ìîæíî
èñïîëüçîâàòü ñëåäóþùèå îïåðàöèè.

Îïåðàöèÿ Âûïîëíåíèå
Áûñòðàÿ ïåðå-
ìîòêà âïåðåä Äåðæèòå íàæàòîé êíîïêó .
Áûñòðàÿ ïåðå-
ìîòêà íàçàä
Äåðæèòå íàæàòîé êíîïêó .
Ïåðåõîä â íà÷àëî
òåêóùåãî ôàéëà
Óäåðæèâàÿ íàæàòîé , íàæìèòå

íà .
Ïåðåõîä ê ïðå- Óñòàíîâèòå êóðñîð â ïîëå íîìåðà
äûäóùåìó ôàéëó ôàéëà è íàæìèòå íà [+].
Ïåðåõîä ê ñëåäó- Óñòàíîâèòå êóðñîð â ïîëå íîìåðà
þùåìó ôàéëó ôàéëà è íàæìèòå íà [-].

90
 cë="= 5. MP3-CëL!

6. Äëÿ îòìåíû öèêëè÷åñêîãî

0,*ë,÷“*% âîñïðîèçâåäåíèÿ âûáðàííîãî ôðàã-
"%“C!%,ƒ"ä…, ìåíòà íàæìèòå åùå ðàç íà [A B].
Óñòàíîâêè öèêëè÷åñêîãî âîñïðîèçâåäåíèÿ
Ôóíêöèÿ öèêëè÷åñêîãî âîñïðîèçâåäåíèÿ
ñáðîñÿòñÿ, à è ïîãàñíóò.
ïîçâîëÿåò îðãàíèçîâàòü íåïðåðûâíîå
âîñïðîèçâåäåíèå ôðàãìåíòà àóäèîôàéëà.
fig.01-570

• Åñëè îïðåäåëÿÿ òî÷êó (B), íàæàòü íà [A B]

â òî÷êå, ðàñïîëîæåííîé ðàíüøå òî÷êè (A), òî
âûáðàííàÿ òî÷êà çàðåãèñòðèðóåòñÿ â êà÷åñòâå
òî÷êè íà÷àëà ôðàãìåíòà (A).
• Äëèòåëüíîñòü ôðàãìåíòà, îãðàíè÷åííîãî
òî÷êàìè (A) è (B), íå ìîæåò áûòü ìåíåå
1. Íàæìèòå íà [MP3/TRAINER]. îäíîé ñåêóíäû.
Çàãðóçèòñÿ ðåæèì MP3; íà äèñïëåå ïîÿâèòñÿ
(ýêðàí MP3).
2. Êíîïêàìè CURSOR [ ][ ]
óñòàíîâèòå êóðñîð â ïîëå íîìåðà
ôàéëà è ñ ïîìîùüþ VALUE [-][+]
âûáåðèòå ôàéë MP3/WAV, êîòîðûé
íåîáõîäèìî âîñïðîèçâåñòè.
3. Íàæìèòå íà [A B] â òî÷êå,
ñîîòâåòñòâóþùåé íà÷àëó
çàöèêëèâàåìîãî ôðàãìåíòà (òî÷êà A).
Îïðåäåëèòå òî÷êó íà÷àëà çàöèêëèâàåìîãî
ôðàãìåíòà (A).
Çàìèãàåò , è âûáðàííàÿ òî÷êà
çàðåãèñòðèðóåòñÿ, êàê òî÷êà íà÷àëà
çàöèêëèâàåìîãî ôðàãìåíòà (A).
4. Íàæìèòå íà [A B] â òî÷êå,
ñîîòâåòñòâóþùåé êîíöó
çàöèêëèâàåìîãî ôðàãìåíòà (òî÷êà B).
Ðàñêðîåòñÿ ýêðàí MP3. Âûáðàííàÿ òî÷êà
çàðåãèñòðèðóåòñÿ, êàê òî÷êà êîíöà
çàöèêëèâàåìîé îáëàñòè (B). Çàãîðÿòñÿ
è .
fig.****
Ãëàâà 5

5. Íàæìèòå íà .
Çàïóñòèòñÿ âîñïðîèçâåäåíèå.

91
cë="= 5. MP3-CëL!

fig.Disp-mp3-mode2.eps

pC2,ö, C%ä
"%“C!%,ƒ"%ä ?,L“
-=Lë MP3/WAV Äèàïàçîí: 25 – 200%
Çíà÷åíèå 100% (íà÷àëüíîå çíà÷åíèå)
Ðåæèì MP3 èìååò ôóíêöèþ “Phrase Trainer”, ñîîòâåòñòâóåò îðèãèíàëüíîé ñêîðîñòè
êîòîðàÿ î÷åíü óäîáíà äëÿ ðåïåòèöèé ïîä âîñïðîèçâåäåíèÿ, 50% – ñêîðîñòè â äâà ðàçà
ñîïðîâîæäåíèå ïåñíè. Êðîìå òîãî, ìîæíî ìåíüøåé, à ïðè 25% ñêîðîñòü çàìåäëÿåòñÿ â
èçìåíÿòü ñêîðîñòü âîñïðîèçâåäåíèÿ, íå èçìåíÿÿ ÷åòûðå ðàçà. Äëÿ âîñïðîèçâåäåíèÿ ñî
åãî âûñîòû (Time Stretch), ÷òî îáëåã÷àåò ïðîöåññ ñêîðîñòüþ âäâîå áîëüøåé îðèãèíàëüíîé,
ðàçó÷èâàíèÿ ñëîæíûõ ôðàç, à òàêæå ïîäàâëÿòü âûáåðèòå çíà÷åíèå 200%.
ïàðòèè, ðàñïîëîæåííûå â öåíòðå ñòåðåîêàðòèíû
(Center Cancel), ÷òîáû ñàìîñòîÿòåëüíî èãðàòü
ñîëüíûå ïàðòèè ïîä àêêîìïàíåìåíò.
Åñëè ïàðàìåòð Time Stretch ïðèíèìàåò îòëè÷-
íîå îò 100% çíà÷åíèå, àóäèîêà÷åñòâî âîñïðî-
hƒì……, “*%!%“2, èçâåäåíèÿ ïàäàåò. Ýòî ïðèçíàêîì íåèñïðàâíîé
"%“C!%,ƒ"ä…, (Time ðàáîòû ïðèáîðà íå ÿâëÿåòñÿ. Äëÿ âîñïðîèç-
Stretch) âåäåíèÿ ôàéëîâ MP3/WAV íà îðèãèíàëüíîé
ñêîðîñòè âûáèðàéòå çíà÷åíèå 100%.
Ôóíêöèÿ Time Stretch function ïîçâîëÿåò èçìåíÿòü
ñêîðîñòü âîñïðîèçâåäåíèÿ, íå èçìåíÿÿ åãî âûñîòû.
1. Íàæìèòå íà [MP3/TRAINER], ÷òîáû
âîéòè â ðåæèì MP3.
Ðàñêðîåòñÿ ýêðàí MP3.
fig.Disp-mp3-mode.eps

2. Êíîïêàìè CURSOR [ ][ ]
óñòàíîâèòå êóðñîð â ïîëå íîìåðà
ôàéëà è ñ ïîìîùüþ VALUE [-][+]
âûáåðèòå ôàéë, êîòîðûé áóäåò
âîñïðîèçâîäèòüñÿ.

3. Íàæìèòå íà .
Çàïóñòèòñÿ âîñïðîèçâåäåíèå ôàéëà.
4. Êíîïêàìè CURSOR [ ][ ] óñòàíî-
âèòå êóðñîð â ïîëå ïàðàìåòðà, óïðàâ-
ëÿþùåãî ñêîðîñòüþ âîñïðîèçâåäåíèÿ
è ñ ïîìîùüþ VALUE [-][+] îòêîððåê-
òèðóéòå åå.
Èãðàéòå íà ãèòàðå èëè äðóãîì èíñòðóìåíòå
ïîä àêêîìïàíåìåíò ôàéëà MP3/WAV.

92
 cë="= 5. MP3-CëL!

lüþ2 ö…2!=ëü…%L C=!2,,

(Center Cancel) 7. Êíîïêàìè VALUE [-][+] îïðåäåëèòå
ïîëîæåíèå â ñòåðåîïîëå ïàðòèè,
Ôóíêöèÿ Center Cancel ïîçâîëÿåò ïîäàâëÿòü êîòîðóþ íåîáõîäèìî ïîäàâèòü.
âîñïðîèçâåäåíèå ïàðòèé, ðàñïîëîæåííûõ ïî Äèàïàçîí: L10 – C00 – R10
öåíòðó (îáû÷íî ýòî âîêàëüíîå èëè ãèòàðíîå ñîëî
8. Äëÿ óñèëåíèÿ áàñîâîãî ñèãíàëà
è ò.ä.). Ýòî ïîçâîëÿåò ñàìîñòîÿòåëüíî èãðàòü
íàæìèòå íà CURSOR [ ], ÷òîáû
ñîëüíûå ïàðòèè ïîä àêêîìïàíåìåíò ôàéëà.
âûáðàòü “Low Boost”, è êíîïêàìè
1. Íàæìèòå íà [MP3/TRAINER], ÷òîáû VALUE [-][+] óñòàíîâèòå òðåáóåìûé
âîéòè â ðåæèì MP3. óðîâåíü.
Ðàñêðîåòñÿ ýêðàí MP3. fig.Disp-CENTER-ADJ.eps
fig.Disp-mp3-mode.eps

Äèàïàçîí: 0 – 12
2. Êíîïêàìè CURSOR [ ][ ]
óñòàíîâèòå êóðñîð â ïîëå íîìåðà
ôàéëà è ñ ïîìîùüþ VALUE [-][+]
âûáåðèòå ôàéë, êîòîðûé íåîáõîäèìî •  íåêîòîðûõ ñëó÷àÿõ ïîëíîñòüþ ïîäàâèòü
âîñïðîèçâåñòè. öåíòðàëüíûå ïàðòèè íå óäàåòñÿ.
• Äëÿ ìüþòèðîâàíèÿ ïàðòèé, êîòîðûå
ðàñïîëîæåíû íå ñòðîãî ïî öåíòðó
3. Íàæìèòå íà . îòêîððåêòèðóéòå çíà÷åíèå ïàðàìåòðà
Çàïóñòèòñÿ âîñïðîèçâåäåíèå ôàéëà. CenterAdjst.
• Äëÿ óâåëè÷åíèÿ óðîâíÿ áàñîâ
4. Êíîïêàìè CURSOR [ ][ ]
îòêîððåêòèðóéòå çíà÷åíèå ïàðàìåòðà Low
äîáåéòåñü, ÷òîáû íà äèñïëåå
Boost.
ïîÿâèëîñü “CENTER CANCEL”. • Ôàéë âîñïðîèçâîäèòñÿ â ðåæèìå ìîíî.
5. Íàæìèòå íà [TR1], ÷òîáû âêëþ÷èòü
ôóíêöèþ Center Cancel.
Çâóêè, ðàñïîëîæåííûå â öåíòðå
ñòåðåîïàíîðàìû (òàêèå, êàê ñîëüíûé âîêàë è
ãèòàðà), ïðîïàäóò.
Òåïåðü ìîæíî èãðàòü íà ãèòàðå èëè äðóãîì
ñêîììóòèðîâàííîì ñ MICRO BR èíñòðóìåíòå
ïîä àêêîìïàíåìåíò âîñïðîèçâîäÿùåãîñÿ
ôàéëà MP3/WAV.
Ïðè êàæäîì íàæàòèè íà [TR1] óñòàíîâêà
èçìåíÿåòñÿ ìåæäó çíà÷åíèÿìè “ON” è “OFF”.
6. Íàæìèòå íà [TR4] (EDT).
Ãëàâà 5

Ðàñêðîåòñÿ ýêðàí CenterAdjst.

fig.Disp-CENTER-ADJ.eps

93
cë="= 5. MP3-CëL!

g=C,“ü " -%!ì=2 MP3 hì -=Lë=

,ë, WAV Ïðè ñîõðàíåíèè ôàéëîâ MP3/WAV èõ èìåíà
Íèæå îïèñàíà ïðîöåäóðà çàïèñè âõîäíîãî ñèãíàëà ôîðìèðóþòñÿ ñëåäóþùèì îáðàçîì.
â ôîðìàòå äàííûõ MP3 èëè WAV. (Ïðèìåð)
1. Íàæìèòå íà [MP3/TRAINER], ÷òîáû BR_01.MP3
âîéòè â ðåæèì MP3. :
Ïåðåêëþ÷åíèå â ðåæèì MP3 îïèñàíî íà BR_99.MP3
ñòðàíèöå 90.
Ñíà÷àëà óêàçûâàåòñÿ èñòî÷íèê âõîäíîãî
2. Íàæìèòå íà . ñèãíàëà, çàòåì – ïîðÿäêîâûé íîìåð, è,
Ïîÿâèòñÿ ïàðàìåòð Type. Ðåêîðäåð ïåðåéäåò íàêîíåö, – ðàñøèðåíèå .MP3 (èëè .WAV).
â ðåæèì ãîòîâíîñòè ê çàïèñè. Äëÿ èçìåíåíèÿ èìåíè íàæìèòå íà [TR4]
fig.Disp-CENTER-ADJ.eps (NAM) íà øàãå 3.
Ðàñêðîåòñÿ ýêðàí îïðåäåëåíèÿ èìåíè.
fig.Disp-CENTER-ADJ.eps

3. Êíîïêàìè VALUE [-] [+] âûáåðèòå

òðåáóåìîå çíà÷åíèå ïàðàìåòðà Type
(ôîðìàò çàïèñè). Åñëè ôàéë ñ òàêèì èìåíåì óæå ñóùåñòâóåò,
âûâîäèòñÿ ñîîáùåíèå “Overwrite?”
Òèï Îïèñàíèå
MP3 64 kbps Íèçêîå êà÷åñòâî, íî äëÿ çàïèñè äàí-
íûõ â ôîðìàòå MP3 òðåáóåòñÿ ìåíü-
4. Íàæìèòå íà .
øå ñâîáîäíîé ïàìÿòè.
MP3 128 kbps Ñòàíäàðòíîå êà÷åñòâî çàïèñè â ôîð- Çàïóñòèòñÿ çàïèñü.
ìàòå MP3. fig.Disp-CENTER-ADJ.eps

MP3 192 kbps Òðåáóåòñÿ áîëüøå ïàìÿòè, ÷åì â

ïðåäûäóùèõ ñëó÷àÿõ, íî ýòî êîì-
ïåíñèðóåòñÿ âûñîêèì êà÷åñòâîì çà-
ïèñè â ôîðìàòå MP3.
WAV Çàïèñü â ôîðìàòå WAV. 5. Íàæìèòå íà [STOP].
Çàïèñü îñòàíîâèòñÿ. Çàïèñàííûå äàííûå
ïîìåùàþòñÿ â ïàïêó MP3.

• Ïðè çàïèñè â ôîðìàòå WAVE âûáèðàþòñÿ b!ì ƒ=C,“,

óñòàíîâêè 44.1 êÃö, 16-áèò, èçìåíèòü êîòîðûå
íåâîçìîæíî.
Åì- MP3 WAV
• Äëÿ îáîèõ ôîðìàòîâ, MP3 è WAV, çâóê
êîñòü 64 kbps 128 kbps 192 kbps
çàïèñûâàåòñÿ â ðåæèìå ñòåðåî. êàðòû
ïàìÿòè
32 Ìá 65 ìèí. 32 ìèí. 21 ìèí. 2 ìèí.
64 Ìá 131 ìèí. 65 ìèí. 43 ìèí. 5 ìèí.
128 Ìá 265 ìèí. 132 ìèí. 88 ìèí. 12 ìèí.
256 Ìá 531 ìèí. 265 ìèí. 177 ìèí. 24 ìèí.
512 Ìá 1065 ìèí. 532 ìèí. 355 ìèí. 48 ìèí.
1 Ãá 2081 ìèí. 1040 ìèí. 693 ìèí. 94 ìèí.

94
 cë="= 5. MP3-CëL!

q2,!=…, -=Lë= MP3/ qC!="%÷…/ ä=……/

WAV -=Lë%" MP3/WAV
Ïðåäóñìîòðåíà âîçìîæíîñòü ñòèðàíèÿ ôàéëîâ Äîñòóïåí ïðîñìîòð ñïðàâî÷íîé èíôîðìàöèè î
âûáðàííîì ôàéëå MP3 (èëè WAV).
MP3 èç ïàïêè MP3.
1. Íàæìèòå íà [MP3/TRAINER], ÷òîáû
1. Íàæìèòå íà [MP3/TRAINER], ÷òîáû
âîéòè â ðåæèì MP3.
âîéòè â ðåæèì MP3.
Âîéäèòå â ðåæèì MP3, êàê ýòî îïèñàíî íà
Âîéäèòå â ðåæèì MP3, êàê ýòî îïèñàíî íà
ñòðàíèöå 90.
ñòðàíèöå 90.
2. Êíîïêàìè CURSOR [ ][ ]
2. Êíîïêàìè CURSOR [ ][ ]
ïåðåìåñòèòå êóðñîð â ïîëå íîìåðà
ïåðåìåñòèòå êóðñîð â ïîëå íîìåðà
ôàéëà è ñ ïîìîùüþ VALUE [-][+]
ôàéëà è ñ ïîìîùüþ VALUE [-][+]
âûáåðèòå ôàéë, èíôîðìàöèþ î
âûáåðèòå ôàéë, êîòîðûé íåîáõîäèìî
êîòîðîì íåîáõîäèìî ïîëó÷èòü.
ñòåðåòü.
3. Íàæìèòå íà [UTILITY].
3. Íàæìèòå íà [UTILITY].
Ðàñêðîåòñÿ ýêðàí MP3 UTILITY.
Ðàñêðîåòñÿ ýêðàí MP3 UTILITY. fig.Disp-util-song2.eps
fig.Disp-util-song2.eps

4. Íàæìèòå íà [TR1] (SNG), à çàòåì – íà

4. Íàæìèòå íà [TR1] (SNG), à çàòåì – íà
[TR3] (INF).
[TR3] (ERS).
Ðàñêðîåòñÿ ýêðàí MP3/WAV INFO.
Âûâåäåòñÿ çàïðîñ “Ers?” fig.Disp-ERS.eps
fig.Disp-util-song2.eps

5. Íàæìèòå íà CURSOR [ ].
5. Íàæìèòå íà [TR4] (YES).
Íà äèñïëåé âûâåäåòñÿ èíôîðìàöèÿ î
Âûâåäåòñÿ çàïðîñ “Are you sure?”
âûáðàííîì ôàéëå MP3/WAV.
6. Äëÿ ñòèðàíèÿ âûáðàííîãî ôàéëà MP3/ fig.Disp-ERS.eps

WAV íàæìèòå íà [TR4] (EXE), äëÿ

îòêàçà îò âûïîëíåíèÿ îïåðàöèè
ñòèðàíèÿ – íà [EXIT] (èëè [UTILITY]).
7. Íàæìèòå íåñêîëüêî ðàç íà [UTILITY] 6.
èëè [EXIT], ÷òîáû âåðíóòüñÿ ê ýêðàíó
âîñïðîèçâåäåíèÿ.
Íàæìèòå íåñêîëüêî ðàç íà [UTILITY]
èëè [EXIT], ÷òîáû âåðíóòüñÿ ê ýêðàíó
âîñïðîèçâåäåíèÿ.
Ãëàâà 5

95
 cë="= 6. h“C%ëüƒ%"=…, USB

h“C%ëüƒ%"=…, USB q%"ì“2,ì/ nq

(%Kƒ%!) Windows
Windows Me / 2000 / XP
j=* ,“C%ëüƒ32“ USB Macintosh

MICRO BR êîìïëåêòóåòñÿ ïîðòîì USB äëÿ Mac OS 9.1.x / 9.2.x

Mac OS X
êîììóòàöèè ñ êîìïüþòåðîì. Ýòî ïîçâîëÿåò
âûïîëíÿòü ñëåäóþùèå îïåðàöèè. d!=L"!
• Ïåðåäà÷à ôàéëîâ MP3/WAV
MICRO BR ñòàíäàðòíûé äðàéâåð ÎÑ. Äðàéâåð
Ôàéëû MP3/WAV, ñîçäàííûå íà êîìïüþòåðå,
óñòàíàâëèâàåòñÿ àâòîìàòè÷åñêè ïðè êîììóòàöèè
ìîæíî ïåðåäàòü â MICRO BR è íàîáîðîò.
ïî USB.
• Ðåçåðâèðîâàíèå
Ïåñíè MICRO BR ìîæíî ñîõðàíèòü íà
j%ìì32=ö, “ *%ìCüþ2!%ì
êîìïüþòåð.
• Âîññòàíîâëåíèå Ñ ïîìîùüþ USB-êàáåëÿ ñêîììóòèðóéòå MICRO
Ïåñíè, ñîõðàíåííûå â êîìïüþòåð, ìîæíî BR ñ êîìïüþòåðîì.
çàãðóçèòü îáðàòíî â MICRO BR. Ñî ñòîðîíû MICRO BR èñïîëüçóåòñÿ ìèíè-ðàçúåì
òèïà “B”.
Ïðè ïîêóïêå êàáåëÿ â êîìïüþòåðíîì ìàãàçèíå
óáåäèòåñü, ÷òî îí ïîäõîäèò ê MICRO BR.
 ðåàëüíîì âðåìåíè àóäèîñèãíàëû è MIDI- * Êàáåëü USB ïðèîáðåòàåòñÿ â êîìïüþòåðíîì
ñîîáùåíèÿ ïåðåäàâàòü â/èç MICRO BR ïî
ìàãàçèíå.
ïîðòó USB íåâîçìîæíî. fig.05-040

)2% 2=*% USB?

USB, àááðåâèàòóðà “Universal Serial Bus” (óíè-
âåðñàëüíàÿ ïîñëåäîâàòåëüíàÿ øèíà – èíòåð-
ôåéñ äëÿ êîììóòàöèè ñ êîìïüþòåðîì ðàçëè÷-
íîãî âíåøíåãî îáîðóäîâàíèÿ. USB ïîçâîëÿåò
êîììóòèðîâàòü ðàçëè÷íîå ïåðèôåðèéíîå îáî-
ðóäîâàíèå ñ ïîìîùüþ USB-êàáåëÿ è îðãàíèçî-
âûâàòü òàêèì îáðàçîì êàíàë áûñòðîé ïåðåäà-
÷è äàííûõ.
Êîììóòàöèþ ïåðèôåðèéíîãî îáîðóäîâàíèÿ
ìîæíî îñóùåñòâëÿòü ïðè âêëþ÷åííîì ïèòà-
íèè êîìïüþòåðà. Îí ñàì ðàñïîçíàåò îáîðóäî-
âàíèå (ïðè êîììóòàöèè íåêîòîðûõ ïðèáîðîâ
ïðèõîäèòñÿ êîððåêòèðîâàòü óñòàíîâêè).

96
 cë="= 6. h“C%ëüƒ%"=…, USB

q2!3*23!= ä=……/. *=!2/ t=Lë/ , C=C*,, …=.%ä ?,“

Ãëàâà 6
C=ì 2, …= *=!2 C=ì 2,
fig.05-010 Ïðè êîììóòàöèè MICRO BR ïî USB ñ
êîìïüþòåðîì, íà êîìïüþòåðå ïîÿâëÿåòñÿ
ïèêòîãðàììà MICRO_BR.
* Â íåêîòîðûõ âåðñèÿõ Windows, ìîæåò ïîÿâëÿòüñÿ
ïèêòîãðàììà “Removable disk (?:)”.
fig.05-020

o=C*= MP3
 ýòîé ïàïêå õðàíÿòñÿ ôàéëû MP3 èëè WAV,
èñïîëüçóåìûå â ðåæèìå MP3.
Åñëè çàïèñàòü â ýòó ïàïêó ôàéëû MP3/WAV ñ
êîìïüþòåðà, òî èõ ìîæíî áóäåò âîñïðîèçâåñòè íà
MICRO BR. Ôàéëû, ñîçäàííûå íà MICRO BR,
ìîæíî âçÿòü èç ýòîé ïàïêè è ïåðåïèñàòü â Removable disk (?:)
êîìïüþòåð.

o=C*= ROLAND
Ïðåäíàçíà÷åíà äëÿ õðàíåíèÿ äàííûõ ïåñåí è
äðóãèõ óñòàíîâîê, èñïîëüçóåìûõ â MICRO BR.
Ñêîïèðóéòå ýòó ïàïêó, ÷òîáû ñîçäàòü ðåçåðâíóþ Åñëè äâàæäû ùåëêíóòü ïî ïèêòîãðàììå
êîïèþ ïåñåí, èëè èñïîëüçîâàòü ïåñíè, ñîçäàííûå “MICRO_BR” (èëè “Removable disk (?:)”), òî
íà BR-900CD èëè BR-600. îòîáðàçÿòñÿ ïàïêè “MP3” è “ROLAND”.
Ôàéëû MP3 è WAV íàäî ñîõðàíÿòü â ïàïêó MP3.
t=Lë/ , C=C*, "…32!, C=C*,
ROLAND
• Ôàéëû è ïàïêè âíóòðè ïàïêè ROLAND
ñîäåðæàò âàæíûå äàííûå (ïåñíè è
ñèñòåìíûå äàííûå MICRO BR).
• Åñëè ñòåðåòü èëè ìîäèôèöèðîâàòü èõ, òî ýòî
ìîæåò ïðèâåñòè ê íåñòàáèëüíîé ðàáîòå
ñèñòåìû.
• Äëÿ ñîçäàíèÿ ðåçåðâíîé êîïèè íåîáõîäèìî
êîïèðîâàòü âñþ ïàïêó ROLAND.

97
cë="= 6. h“C%ëüƒ%"=…, USB
• MICRO BR íå ïîääåðæèâàåò ðàáîòó ñ
äëèííûìè èìåíàìè ôàéëîâ. Äëèííûå èìåíà
îòîáðàæàþòñÿ íåêîððåêòíî. Èìÿ ôàéëà íå
äîëæíî ïðåâûøàòü âîñüìè ñèìâîëîâ, íå
âêëþ÷àÿ ðàñøèðåíèå.
(Ïðèìåð)
123MUSIC.MP3 (âîñåìü ñèìâîëîâ)
HELLO.WAV (ïÿòü ñèìâîëîâ)
• MICRO BR íå ïîääåðæèâàåò äâóõáàéòíóþ
êîäèðîâêó ñèìâîëîâ â èìåíè ôàéëà
(íàïðèìåð, ÿïîíñêèé ÿçûê).
n !ƒ!"…%ì *%C,!%"=…,,
 ðåçåðâíóþ êîïèþ âõîäÿò ñëåäóþùèå òèïû
äàííûõ ïåñíè.
• Çàïèñàííûå äàííûå
• Ñîñòîÿíèå ìèêøåðà (óðîâåíü, ïàíîðàìà è ò.ä.)
• Ïàò÷è ïåñåí ðàçðûâîâ ýôôåêòîâ
• Ïàò÷è ïåñåí ìàñòåðèíãîâîãî èíñòðóìåíòàðèÿ
• Ðèòìè÷åñêèå àðàíæèðîâêè
• Ïàðàëëåëüíûå ýôôåêòû
• Utility (êðîìå êîíòðàñòíîñòè äèñïëåÿ, à òàêæå
ïàðàìåòðîâ PowerSave è AutPowOff)
• Ïàðàìåòð Input Sns
• Ðåæèì MP3
98
g=ì÷=…, C%
,“C%ëüƒ%"=…,þ USB
Åñëè MICRO BR ñêîììóòèðîâàí ïî USB, íå
âûïîëíÿéòå îïèñàííûõ íèæå ìàíèïóëÿöèé.
Ýòî ìîæåò ïðèâåñòè ê ñáîþ â êîìïüþòåðå.
Òàêæå ìîãóò ïîñòðàäàòü äàííûå êàðòû ïàìÿòè
Çàïðåùàåòñÿ:
• Ðàñêîììóòèðîâàòü USB-êàáåëü.
• Âûíèìàòü êàðòó ïàìÿòè.
• Ïåðåâîäèòü êîìïüþòåð â ðåæèì ýíåðãîñáåðåæåíèÿ
(÷àñòè÷íîå îòêëþ÷åíèå) ïåðåçàãðóæàòü èëè
îòêëþ÷àòü åãî.
• Âûêëþ÷àòü ïèòàíèå MICRO BR.
o!, ,“C%ëüƒ%"=…,, Windows
XP/2000
Ïðè èñïîëüçîâàíèè Windows XP/2000
âõîäèòå â ñèñòåìó ñî ñëåäóþùèì ñòàòóñîì:
• Àäìèíèñòðàòîð èëè äðóãîé ïîëüçîâàòåëü ñ
ïðèâèëåãèÿìè àäìèíèñòðàòèâíîé ãðóïïû
• Ïîëüçîâàòåëü ñ ó÷åòíîé çàïèñüþ Computer
Administrator (àäìèíèñòðàòîð êîìïüþòåðà)
Åñëè èñïîëüçóåòñÿ ó÷åòíàÿ çàïèñü äðóãîãî
òèïà, òî êîððåêòíî çàâåðøèòü ðàáîòó ïî
USB áóäåò íåâîçìîæíî.
 cë="= 6. h“C%ëüƒ%"=…, USB

j%C,!%"=…, -=Lë= MP3/WAV

p=K%2= C%ä Windows “ *%ìCüþ2!= " MICRO BR

o!ä=÷= -=Lë%" MP3/WAV
* Ýòó ïðîöåäóðó íåîáõîäèìî âûïîëíÿòü ïðè
îñòàíîâëåííîì ðåêîðäåðå.
1. Ñêîììïóòèðóéòå USB-êàáåëåì MICRO
BR è êîìïüþòåð.
Èíèöèèðóåòñÿ ñîåäèíåíèå ñ êîìïüþòåðîì è íà
äèñïëåé âûâåäåòñÿ ñîîáùåíèå “USB
connecting...”. Ïîñëå òîãî, êàê êîìïüþòåð
èäåíòèôèöèðóåò ñîåäèíåíèå, íà äèñïëåå
MICRO BR ïîÿâèòñÿ ñîîáùåíèå “USB Idling...”.
Ãëàâà 6
1. Íà êîìïüþòåðå ïåðåòàùèòå ôàéë MP3/
WAV â ïàïêó MP3 ðåêîðäåðà MICRO BR.
Àóäèîôàéë ñêîïèðóåòñÿ.
2. Ïî îêîí÷àíèè êîïèðîâàíèÿ ðàçîðâèòå
USB-ñîåäèíåíèå, êàê ýòî îïèñàíî íà
ñòðàíèöå 104.
hì…= -=Lë%" , C%! ä%*
"%“C!%,ƒ"ä…,
Ôàéëû MP3/WAV â MICRO BR
âîñïðîèçâîäÿòñÿ â ñîîòâåòñòâèè ñ èõ
óïîðÿäî÷èâàíèåì ïî èìåíàì (ïî öèôðàì
èëè ïî ñèìâîëàì).
Äëÿ òîãî, ÷òîáû èçìåíèòü ïîðÿäîê âîñïðîèç-
âåäåíèÿ ôàéëîâ, íåîáõîäèìî ñîîòâåòñòâóþ-
ùèì îáðàçîì îòêîððåêòèðîâàòü èõ èìåíà.
(Ïðèìåð)

Èìÿ ôàéëà Ïîðÿäîê

123MUSIC.MP3 1
 êîìïüþòåðå äîáàâèòñÿ ïèêòîãðàììà AMAZING.MP3 2
“MICRO_BR” (èëè “Removable disk (?:)”). BIGDANCE.MP3 3
fig.05-060 HELLO.WAV 4
: :

2. Â “My Computer” ùåëêíèòå äâà ðàçà íà j%C,!%"=…, -=Lë= MP3/WAV

ïèêòîãðàììå MICRO_BR (èëè
“Removable Disk (?:)”).
Îòîáðàçèòñÿ êîðíåâàÿ ïàïêà (ñòð. 97) êàðòû
ïàìÿòè MICRO BR.
3. Ïåðåäàéòå àóäèîôàéëû ñ ïîìîùüþ
îïèñàííîé íèæå ïðîöåäóðû.
,ƒ MICRO BR " *%ìCüþ2!
1. Ùåëêíèòå äâà ðàçà íà ïàïêå MP3 â
MICRO BR.
Îòîáðàçÿòñÿ àóäèîôàéëû, ñîõðàíåííûå â
ïàïêå MP3.
2. Ñêîïèðóéòå íåîáõîäèìûå àóäèîôàéëû
èç ïàïêè MP3 â ñîîòâåòñòâóþùóþ
ïàïêó êîìïüþòåðà.
3. Ïîñëå çàâåðøåíèÿ êîïèðîâàíèÿ
ðàçîðâèòå USB-ñîåäèíåíèå, êàê ýòî
îïèñàíî íà ñòðàíèöå 104.

99
cë="= 6. h“C%ëüƒ%"=…, USB
pƒ!",!%"=…, ,
"%““2=…%"ë…, ä=……/.
C“…, MICRO BR
1. Ñêîììóòèðóéòå ñ ïîìîùüþ USB-
êàáåëÿ MICRO BR è êîìïüþòåð.
Èíèöèèðóåòñÿ ñîåäèíåíèå ñ êîìïüþòåðîì è íà
äèñïëåé âûâåäåòñÿ ñîîáùåíèå “USB
connecting...”. Ïîñëå òîãî, êàê êîìïüþòåð
èäåíòèôèöèðóåò ñîåäèíåíèå, íà äèñïëåå
MICRO BR ïîÿâèòñÿ ñîîáùåíèå “USB Idling...”.
 êîìïüþòåðå äîáàâèòñÿ ïèêòîãðàììà
“MICRO_BR” (èëè “Removable disk (?:)”).
fig.05-060
2. Â “My Computer” ùåëêíèòå äâà ðàçà íà
ïèêòîãðàììå MICRO_BR (èëè
“Removable Disk (?:)”).
Îòîáðàçèòñÿ êîðíåâàÿ ïàïêà (ñòð. 97) êàðòû
ïàìÿòè MICRO BR.
3. Ïåðåäàéòå àóäèîôàéëû ñ ïîìîùüþ
îïèñàííîé íèæå ïðîöåäóðû.
100
pƒ!",!%"=…,
Äàííûå ïåñíè MICRO BR ìîæíî ñîõðàíèòü â
êîìïüþòåð.
1. Ïåðåòàùèòå ïàïêó “ROLAND” â
êîìïüþòåðíóþ ïàïêó.
Ðåêîìåíäóåòñÿ ñîçäàâàòü äëÿ ðåçåðâèðîâàíèÿ
îòäåëüíûå ïàïêè.
2. Ïîñëå çàâåðøåíèÿ ïðîöåäóðû
ñîçäàíèÿ ðåçåðâíîé êîïèè ðàçîðâèòå
USB-ñîåäèíåíèå, êàê ýòî îïèñàíî íà
ñòðàíèöå 104.
b%““2=…%"ë…,
Äàííûå ïåñíè ñ êîìïüþòåðà ìîæíî çàãðóçèòü
îáðàòíî â MICRO BR.
1. Ñîòðèòå â MICRO BR ïàïêó “ROLAND”.
Ïðè ñòèðàíèè â MICRO BR ïàïêè ROLAND
âñå äàííûå ïåñåí MICRO BR óíè÷òîæàþòñÿ.
2. Ïåðåòàùèòå êîìïüþòåðíóþ ïàïêó
“ROLAND” íà ïèêòîãðàììó “MICRO_BR”
(èëè “Removable disk (?:)”).
3. Ïîñëå çàâåðøåíèÿ ïðîöåäóðû
âîññòàíîâëåíèÿ äàííûõ ðàçîðâèòå
USB-ñîåäèíåíèå, êàê ýòî îïèñàíî íà
ñòðàíèöå 104.
t=Lë/ , C=C*, "…32!, C=C*,
ROLAND
• Ôàéëû è ïàïêè âíóòðè ïàïêè ROLAND
ñîäåðæàò âàæíûå äàííûå (ïåñíè è
ñèñòåìíûå äàííûå MICRO BR).
• Åñëè ñòåðåòü èëè ìîäèôèöèðîâàòü èõ, òî ýòî
ìîæåò ïðèâåñòè ê íåñòàáèëüíîé ðàáîòå
ñèñòåìû.
• Äëÿ ñîçäàíèÿ ðåçåðâíîé êîïèè íåîáõîäèìî
êîïèðîâàòü âñþ ïàïêó ROLAND.
 cë="= 6. h“C%ëüƒ%"=…, USB

nq Windows 2000/Me
p=ƒ!/" “%ä,……, “ 1. Â “My Computer” ùåëêíèòå ïðàâîé

Ãëàâà 6
*%ìCüþ2!%ì êíîïêîé ìûøêè íà “MICRO_BR” (èëè
nq Windows XP “Removable disk (?:)”), ÷òîáû “èçâëå÷ü”
 “My Computer” ùåëêíèòå ïðàâîé êíîïêîé äèñê.
ìûøêè íà “MICRO_BR” (èëè “Removable disk
2. Ùåëêíèòå íà ïèêòîãðàììå â ìåíþ
(?:)”), ÷òîáû “èçâëå÷ü” äèñê.
çàäà÷, çàòåì – íà ïîÿâèâøåìñÿ
*  ñëó÷àå ñáîÿ âûïîëíèòå ïðîöåäóðó, îïèñàííóþ ñîîáùåíèè “Stop USB Disk–drive (?:)”.
íèæå. fig.05-080

1. Çàêðîéòå âñå ïðèëîæåíèÿ íà

êîìïüþòåðå.

2. Ùåëêíèòå íà ïèêòîãðàììå â ìåíþ

çàäà÷.
fig.05-080
3. Ùåëêíèòå íà ïîÿâèâøåìñÿ ñîîáùåíèè
“Stop USB Disk–drive (?:)” (“Îñòàíîâèòü
USB-äèñê?”).
4. Ùåëêíèòå íà [OK] â ïîÿâèâøåìñÿ
äèàëîãîâîì îêíå “Safe To Remove
Hardware” (“Óäàëèòü àïïàðàòíîå
îáåñïå÷åíèå“).
Ïîñëå ðàçðûâà USB-ñîåäèíåíèÿ âûâåäåòñÿ
ñîîáùåíèå “OK to disconnect”.
3. Ùåëêíèòå íà [OK] â ïîÿâèâøåìñÿ
äèàëîãîâîì îêíå “Safe To Remove
Hardware” (“Óäàëèòü àïïàðàòíîå
îáåñïå÷åíèå“).
Ïîñëå ðàçðûâà USB-ñîåäèíåíèÿ âûâåäåòñÿ
ñîîáùåíèå “OK to disconnect”.
Òåïåðü ìîæíî îòñîåäèíèòü USB-êàáåëü
ñíà÷àëà îò MIDCRO BR, à çàòåì è îò
êîìïüþòåðà.
4. Îòñîåäèíèòå USB-êàáåëü ñíà÷àëà îò
MICRO BR, à çàòåì è îò êîìïüþòåðà.
×åðåç íåêîòîðîå âðåìÿ ðàñêðîåòñÿ ýêðàí
âîñïðîèçâåäåíèÿ.

Òåïåðü ìîæíî îòñîåäèíèòü USB-êàáåëü

ñíà÷àëà îò MICRO BR, à çàòåì è îò
êîìïüþòåðà.
5. Îòñîåäèíèòå USB-êàáåëü ñíà÷àëà îò
MICRO BR, à çàòåì è îò êîìïüþòåðà.
×åðåç íåêîòîðîå âðåìÿ ðàñêðîåòñÿ ýêðàí
âîñïðîèçâåäåíèÿ.

101
cë="= 6. h“C%ëüƒ%"=…, USB

j%C,!%"=…, -=Lë= MP3/WAV

j%ìCüþ2! Macintosh “ *%ìCüþ2!= " MICRO BR
1. Íà êîìïüþòåðå ïåðåòàùèòå ôàéë MP3/
o!ä=÷= -=Lë%" MP3/WAV WAV â ïàïêó MP3 ðåêîðäåðà MICRO BR.
Àóäèîôàéë ñêîïèðóåòñÿ.
* Âî âðåìÿ âûïîëíåíèÿ ýòîé îïåðàöèè ðåêîðäåð äîëæåí
áûòü îñòàíîâëåí. 2. Ïî îêîí÷àíèè êîïèðîâàíèÿ ðàçîðâèòå
1. Ñêîììóòèðóéòå MICRO BR ñ ïîìîùüþ USB-ñîåäèíåíèå, êàê ýòî îïèñàíî íà
USB-êàáåëÿ ñ êîìïüþòåðîì. ñòðàíèöå 104.
Êîìïüþòåð èíèöèàëèçèðóåò ñîåäèíåíèå, ïðè
ýòîì íà ýêðàíå MICRO BR ïîÿâèòñÿ hì…= -=Lë%" , C%! ä%*
ñîîáùåíèå “USB connecting...”. Ïîñëå òîãî, "%“C!%,ƒ"ä…,
êàê êîìïüþòåð èäåíòèôèöèðóåò ñîåäèíåíèå, Ôàéëû MP3/WAV â MICRO BR
íà ýêðàí MICRO BR âûâåäåòñÿ ñîîáùåíèå âîñïðîèçâîäÿòñÿ â ñîîòâåòñòâèè ñ èõ
“USB Idling...”. óïîðÿäî÷èâàíèåì ïî èìåíàì (ïî öèôðàì
èëè ïî ñèìâîëàì).
Äëÿ òîãî, ÷òîáû èçìåíèòü ïîðÿäîê âîñïðîèç-
âåäåíèÿ ôàéëîâ, íåîáõîäèìî ñîîòâåòñòâóþ-
ùèì îáðàçîì îòêîððåêòèðîâàòü èõ èìåíà.
(Ïðèìåð)

Èìÿ ôàéëà Ïîðÿäîê

123MUSIC.MP3 1
AMAZING.MP3 2
 êîìïüþòåðå ïîÿâèòñÿ ïèêòîãðàììà
BIGDANCE.MP3 3
“MICRO_BR”.
HELLO.WAV 4
fig.05-060
: :

j%C,!%"=…, -=Lë= MP3/WAV

,ƒ MICRO BR " *%ìCüþ2!
1. Ùåëêíèòå äâà ðàçà íà ïàïêå MP3 â
2. Ùåëêíèòå äâà ðàçà íà ïèêòîãðàììå MICRO BR.
“MICRO_BR” â êîìïüþòåðå. Îòîáðàçÿòñÿ àóäèîôàéëû, ñîõðàíåííûå â
Îòîáðàçèòñÿ êîðíåâàÿ ïàïêà (ñòð. 97) êàðòû ïàïêå MP3.
ïàìÿòè MICRO BR.
2. Ñêîïèðóéòå íåîáõîäèìûå àóäèîôàéëû
3. Ïåðåäàéòå àóäèîôàéë, èñïîëüçóÿ èç ïàïêè MP3 â ñîîòâåòñòâóþùóþ
îïèñàííóþ íèæå ïðîöåäóðó. ïàïêó êîìïüþòåðà.
3. Ïîñëå çàâåðøåíèÿ êîïèðîâàíèÿ
ðàçîðâèòå USB-ñîåäèíåíèå, êàê ýòî
îïèñàíî íà ñòðàíèöå 104.

102
 cë="= 6. h“C%ëüƒ%"=…, USB

pƒ!",!%"=…,
pƒ!",!%"=…, ,

Ãëàâà 6
Äàííûå ïåñíè MICRO BR ìîæíî ñîõðàíèòü â
"%““2=…%"ë…, ä=……/. êîìïüþòåð.
C“…, MICRO BR
1. Ïåðåòàùèòå ïàïêó “ROLAND” â
1. Ñêîììóòèðóéòå ñ ïîìîùüþ USB- êîìïüþòåðíóþ ïàïêó.
êàáåëÿ MICRO BR è êîìïüþòåð. Ðåêîìåíäóåòñÿ ñîçäàâàòü äëÿ ðåçåðâèðîâàíèÿ
Èíèöèèðóåòñÿ ñîåäèíåíèå ñ êîìïüþòåðîì è íà îòäåëüíûå ïàïêè.
äèñïëåé âûâåäåòñÿ ñîîáùåíèå “USB
2. Ïîñëå çàâåðøåíèÿ ïðîöåäóðû
connecting...”. Ïîñëå òîãî, êàê êîìïüþòåð
ñîçäàíèÿ ðåçåðâíîé êîïèè ðàçîðâèòå
èäåíòèôèöèðóåò ñîåäèíåíèå, íà äèñïëåå
USB-ñîåäèíåíèå, êàê ýòî îïèñàíî íà
MICRO BR ïîÿâèòñÿ ñîîáùåíèå “USB Idling...”.
ñòðàíèöå 104.

b%““2=…%"ë…,
Äàííûå ïåñíè ñ êîìïüþòåðà ìîæíî çàãðóçèòü
îáðàòíî â MICRO BR.
1. Ñîòðèòå â MICRO BR ïàïêó “ROLAND”.

 êîìïüþòåðå äîáàâèòñÿ ïèêòîãðàììà

Ïðè ñòèðàíèè â MICRO BR ïàïêè ROLAND
“MICRO_BR” (èëè “Removable disk (?:)”).
fig.05-060
âñå äàííûå ïåñåí MICRO BR óíè÷òîæàþòñÿ.

2. Ïåðåòàùèòå êîìïüþòåðíóþ ïàïêó

“ROLAND” íà ïèêòîãðàììó
“MICRO_BR”.
3. Ïîñëå çàâåðøåíèÿ ïðîöåäóðû
MICRO_BR
âîññòàíîâëåíèÿ äàííûõ ðàçîðâèòå
2. Â “My Computer” ùåëêíèòå äâà ðàçà íà USB-ñîåäèíåíèå, êàê ýòî îïèñàíî íà
ïèêòîãðàììå MICRO_BR. ñòðàíèöå 104.
Îòîáðàçèòñÿ êîðíåâàÿ ïàïêà (ñòð. 97) êàðòû
t=Lë/ , C=C*, "…32!, C=C*,
ïàìÿòè MICRO BR.
ROLAND
3. Ïåðåäàéòå àóäèîôàéëû ñ ïîìîùüþ
• Ôàéëû è ïàïêè âíóòðè ïàïêè ROLAND
îïèñàííîé íèæå ïðîöåäóðû. ñîäåðæàò âàæíûå äàííûå (ïåñíè è
ñèñòåìíûå äàííûå MICRO BR).
• Åñëè ñòåðåòü èëè ìîäèôèöèðîâàòü èõ, òî ýòî
ìîæåò ïðèâåñòè ê íåñòàáèëüíîé ðàáîòå
ñèñòåìû.
• Äëÿ ñîçäàíèÿ ðåçåðâíîé êîïèè íåîáõîäèìî
êîïèðîâàòü âñþ ïàïêó ROLAND.

103
cë="= 6. h“C%ëüƒ%"=…, USB

n2“%ä,……, %2 *%ìCüþ2!=

1. Çàêðîéòå â êîìïüþòåðå âñå
ïðèëîæåíèÿ.
2. Ïåðåòàùèòå ïèêòîãðàììó “MICRO_BR”
â “ìóñîðíóþ êîðçèíó”.
×åðåç íåêîòîðîå âðåìÿ âûâåäåòñÿ ñîîáùåíèå
“You may disconnect...”.

 ýòîì ñîñòîÿíèè ìîæíî îòñîåäèíèòü USB-

êàáåëü ñíà÷àëà îò MICRO BR, à çàòåì è îò
êîìïüþòåðà.
3. Îòñîåäèíèòå USB-êàáåëü ñíà÷àëà îò
MICRO BR, à ïîòîì – îò êîìïüþòåðà.
×åðåç íåêîòîðîå âðåìÿ çàãðóçèòñÿ ýêðàí
âîñïðîèçâåäåíèÿ.

104
 cë="= 7.
d!3ã,
C%ë
ƒ…/
-3…*ö,,

p
ã3ë,!%"*= m=“2!%L*=
*%…2!=“2…%“2, ä,“Cë
,…“2!3ì
…2%" (Tuner)
 íåêîòîðûõ ñëó÷àÿõ ïðè îïðåäåëåííîì MICRO BR îáîðóäîâàí âñòðîåííûì
îñâåùåíèè è ðàñïîëîæåíèè MICRO BR õðîìàòè÷åñêèì òþíåðîì, ïîçâîëÿþùèì

Ãëàâà 7
èçîáðàæåíèå íà äèñïëåå ñòàíîâèòñÿ ïëîõî âèäíî. íàñòðàèâàòü èíñòðóìåíòû.
Åñëè ýòî ïðîèçîøëî, îòðåãóëèðóéòå Åãî ìîæíî èñïîëüçîâàòü äëÿ íàñòðîéêè ãèòàð è
êîíòðàñòíîñòü äèñïëåÿ, êàê îïèñàíî íèæå. áàñ-ãèòàð.
 êà÷åñòâå ïðèìåðà ðàññìîòðèì ïðîöåäóðó
1. Íàæìèòå íà [UTILITY].
íàñòðîéêè ãèòàðû.
2. Ñ ïîìîùüþ êíîïîê CURSOR [ ][ ]
* Â ðåæèìå íàñòðîéêè âîñïðîèçâîäèòü èëè çàïèñûâàòü
ïåðåéäèòå ê ýêðàíó LCD Contrast. ÷òî-ëèáî íåâîçìîæíî.
fig.06-020

o!
݊
÷
ì …=÷=2ü, 3K
ä,2
“ü, ÷2%:
• Ãèòàðà ñêîììóòèðîâàíà ñ ãíåçäîì GUITAR IN.
•  êà÷åñòâå èñòî÷íèêà âõîäíîãî ñèãíàëà âûáðàíî
3. Êíîïêàìè VALUE [-][+] îòðåãóëèðóéòå “GTR”.
çíà÷åíèå êîíòðàñòíîñòè. • Ïàðàìåòð Sns óñòàíîâëåí â ìàêñèìàëüíî âûñîêîå
çíà÷åíèå, ïðè êîòîðîì åùå íå çàãîðàåòñÿ
4. Íàæìèòå íà [EXIT] (èëè [UTILITY]). ïèêòîãðàììà OVER (ñòð. 14).

Åñëè ïðè íàæàòîé êíîïêå [UTILITY]

âðàùàòü êîëåñî TIME/VALUE, òî
êîíòðàñòíîñòüþ ìîæíî óïðàâëÿòü â ðåæèìå
ðåàëüíîãî âðåìåíè. Âûáåðèòå ëþáîé èç
îïèñàííûõ ìåòîäîâ.

105
cë="= 7. d!3ã,
C%ë
ƒ…/
-3…*ö,,

5. Íàñòðàèâàéòå ñòðóíó ïî èíäèêàòîðó,

m=“2!%L*= ÷òîáû ìåæäó ñòðåëî÷êàìè
îêàçàëñÿ ìàðêåð .
Åñëè âûñîòà íàñòðîéêè ñòðóíû íàõîäèòñÿ â
ïðåäåëàõ ÷åòâåðòè òîíà îò íóæíîé íîòû, òî
×òîáû íàñòðàèâàåìûé ñèãíàë íå
îòñòðàèâàéòå åå ïî èíäèêàòîðó.
âîñïðîèçâîäèëñÿ, óñòàíîâèòå â ìèíèìóì
ãðîìêîñòü êîëåñîì VOLUME. h…“2!3ì
…2 …=“2!%
… "/ø
ä=……%L …%2/
fig.06-020

1. Óäåðæèâàÿ íàæàòîé [EFFECTS],

íàæìèòå íà [UTILITY].
fig.06-020

h…“2!3ì
…2 …=“2!%
… …= ä=……3þ …%23
fig.06-020

Ïðè èñïîëüçîâàíèè âñòðîåííîãî òþíåðà

MICRO BR â âåðõíåé ÷àñòè ýêðàíà
îòîáðàæàþòñÿ áàçîâàÿ ÷àñòîòà è èìÿ íîòû. Â
íèæíåé ÷àñòè ðàñïîëîæåí èíäèêàòîð, h…“2!3ì
…2 …=“2!%
… …,›
ä=……%L …%2/
ïîêàçûâàþùèé íàñêîëüêî áëèçêî âûñîòà fig.06-020

âõîäíîãî ñèãíàëà ê ýòàëîííîé íîòå,

îòîáðàæåííîé ââåðõó.
* Ñ ýêðàíà òþíåðà ìîæíî ïåðåéòè òîëüêî íà ýêðàí
âîñïðîèçâåäåíèÿ.
6. Ïîâòîðèòå øàãè 3 – 5 äëÿ âñåõ ñòðóí.
2. Îïðåäåëåíèå áàçîâîé ÷àñòîòû.
Áàçîâàÿ ÷àñòîòà èçìåíÿåòñÿ â äèàïàçîíå 435
– 445 Ãö.
* Ïðè ïîêóïêå ïðèáîðà áàçîâàÿ ÷àñòîòà óñòàíàâëèâàåòñÿ
ðàâíîé 440 Ãö.
Ïðè íàñòðîéêè ãèòàðû ñ ðû÷àãîì âèáðàòî
3. Âîçüìèòå íîòó íà ñòðóíå, êîòîðóþ âûñîòà íàñòðîåííûõ ðàíåå ñòðóí ìîæåò
íåîáõîäèìî íàñòðîèòü. ïîïëûòü.  ýòîì ñëó÷àå íàñòðîéêó ïðîâîäÿò
Íà äèñïëåé âûâåäåòñÿ èìÿ íîòû, êîòîðàÿ â äâà ýòàïà. Íà ïåðâîì ñòðóíû îòñòðàèâàþò
íàèáîëåå áëèçêà ïî ÷àñòîòå ê âçÿòîé. ïðèáëèçèòåëüíî, ÷òîáû îòîáðàæàëèñü
* Áåðèòå íîòó àêêóðàòíî, ÷òîáû âîñïðîèçâîäèëàñü òîëüêî ñîîòâåòñòâóþùèå íîòû, à óæ òîëüêî ïîòîì
îíà. îòñòðàèâàþò èõ îêîí÷àòåëüíî.
4. Íàñòðàèâàéòå ñòðóíó äî òåõ ïîð, ïîêà
íà äèñïëåå íå îòîáðàçèòñÿ 7. Ïî îêîí÷àíèè íàñòðîéêè íàæìèòå íà
ñîîòâåòñòâóþùàÿ íîòà. [EXIT].
q2=…ä=!2…= …=“2!%L*=

Ñòðóíà 7-ÿ 6-ÿ 5-ÿ 4-ÿ 3-ÿ 2-ÿ 1-ÿ

Ãèòàðà B E A D G B E
Áàñ-ãè- B E A D G
òàðà

106
 cë="= 7. d!3ã,
C%ë
ƒ…/
-3…*ö,,

6. Åñëè íåîáõîäèìî îòðåäàêòèðîâàòü èìÿ

o!
%K!=ƒ%"=…,
ä=……/. ôàéëà, íàæìèòå íà [TR3] (NAM).
Ðàñêðîåòñÿ ýêðàí ðåäàêòèðîâàíèÿ èìåíè ôàéëà.
2!
*= , =3ä,%-=Lë%" Êíîïêàìè CURSOR [ ] [ ] è VALUE [-]
Äàííûå òðåêà ìîæíî êîíâåðòèðîâàòü â àóäèîôàéëû [+] ââåäèòå èìÿ.
ôîðìàòîâ MP3/WAV, è íàîáîðîò – èñïîëüçîâàòü Åñëè èìÿ ðåäàêòèðîâàòü íå íàäî, ïåðåéäèòå
àóäèîôàéëû â êà÷åñòâå äàííûõ òðåêà. ê øàãó 7.
Ïðè ðåäàêòèðîâàíèè òåêñòà äîñòóïíû
j%…"
!2=ö, ä=……/. 2!
*= " ñëåäóþùèå ôóíêöèè.
=3ä,%-=Lë (Track Export)

Ãëàâà 7
Êíîïêà Ôóíêöèÿ
Íèæå îïèñàíà ïðîöåäóðà ïðåîáðàçîâàíèÿ äàííûõ [TR1] (INS) Âñòàâêà ïðîáåëà â ïîçèöèþ êóðñîðà.
òðåêà â àóäèîôàéëû ôîðìàòîâ MP3/WAV. [TR2] (DEL) Ñòèðàíèå ñèìâîëà â ïîçèöèè êóðñîðà ñî
ñäâèãîì âëåâî ïîñëåäóþùèõ ñèìâîëîâ.
[TR3] (A/a) Âûáîð ðåãèñòðà (âåðõíèé/íèæíèé) ñèìâîëà
â ïîçèöèè êóðñîðà.
[TR4] (0!A) Âûáîð òèïà ñèìâîëà (÷èñëî, ñèìâîë, áóêâà)
Äîñòóïíûå ôîðìàòû â ïîçèöèè êóðñîðà.

MP3
Ïî îêîí÷àíèè íàæìèòå íà [EXIT].
• ×àñòîòà ñýìïëèðîâàíèÿ: 44.1 êÃö
• 8 áèò èëè 16 áèò 7. Êíîïêàìè CURSOR [ ][ ] è VALUE
[-][+] îïðåäåëèòå çíà÷åíèå ïàðàìåòðà
WAV
Typ.
• ×àñòîòà ñýìïëèðîâàíèÿ: 44.1 êÃö Ìîæíî âûáèðàòü ìåæäó WAV è MP3.
• 96, 128, 192 Êáèò/ñ
Äèàïàçîí: MP3, WAV
Åñëè âûáðàòü MP3, îòîáðàæàåòñÿ ïàðàìåòð
1. Óáåäèòåñü, ÷òî ðåêîðäåð íàõîäèòñÿ â ñêîðîñòè ïåðåäà÷è (Rate:).
øòàòíîì ðåæèìå (ñòð. 42) è íàæìèòå íà fig.06-020

[UTILITY].
Åñëè çàãðóæåí ðåæèì MP3, íàæìèòå íà
[MP3/TRAINER], ÷òîáû ïåðåêëþ÷èòüñÿ â
øòàòíûé ðåæèì, à çàòåì – íà [UTILITY]. Äèàïàçîí: 64, 128, 192 (kbps)

2. Íàæìèòå íà [TR2] (TRK). 8. Íàæìèòå íà [TR4] (EXE)

Íà äèñïëåé âûâåäåòñÿ çàïðîñ “********.***
3. Íàæìèòå íà CURSOR [ ].
OK?”
4. Íàæìèòå íà [TR2] (EXP). * “********.***” îçíà÷àþò èìÿ ôàéëà è åãî ðàñøèðåíèå
Ðàñêðîåòñÿ ýêðàí Export. ñîîòâåòñòâåííî.
fig.06-020

9. Äëÿ âûïîëíåíèÿ îïåðàöèè êîíâåðòàöèè

íàæìèòå íà [TR4] (YES).
Äëÿ îòêàçà îò âûïîëíåíèÿ îïåðàöèè
íàæìèòå íà [EXIT].
5. Íàæìèòå íà [TR4] (NEXT). Íàæìèòå íà [TR4] (YES), äàííûå òðåêà
Ðàñêðîåòñÿ ýêðàí ñ óñòàíîâêîé òèïà ôàéëà. êîíâåðòèðóþòñÿ â àóäèîôàéë ôîðìàòà MP3
fig.06-020
èëè WAV.
Êîíâåðòèðîâàííûé ôàéë ñîõðàíÿåòñÿ â
ïàïêó MP3 (ñòð. 97).

107
cë="= 7. d!3ã,
C%ë
ƒ…/
-3…*ö,,

j%…"
!2=ö, =3ä,%-=Lë= "
hì -=Lë= ä=……/
2!
*= (Track Import)
Ôàéëû, ïîëó÷åííûå â ðåçóëüòàòå êîíâåðòàöèè
Íèæå îïèñàíà ïðîöåäóðà èìïîðòà àóäèîôàéëîâ
äàííûõ òðåêà, èìåíóþòñÿ ñëåäóþùèì
ôîðìàòîâ MP3/WAV íà òðåê.
îáðàçîì.

(Ïðèìåð)
T1_V1_01.MP3 Íà òðåê ìîæíî èìïîðòèðîâàòü äàííûå
T34V8_99.WAV ñëåäóþùèõ ôîðìàòîâ.
WAV
Ñíà÷àëà èäåò èìÿ òðåêà-èñòî÷íèêà, çàòåì
V-òðåêà, äàëåå ñëåäóåò ïîðÿäêîâûé íîìåð è, • Ìîíî èëè ñòåðåî
• 8-áèò èëè 16-áèò
íàêîíåö, – ðàñøèðåíèå (.MP3 èëè .WAV).
• ×àñòîòà ñýìïëèðîâàíèÿ: 44.1 êÃö
• Ëèíåéíûé (íåêîìïðåññèîííûé) ôîðìàò
Åñëè ôàéë ñ äàííûì èìåíåì óæå
MP3
ñóùåñòâóåò, âûäàåòñÿ ñîîáùåíèå
“Overwrite?” (ïåðåçàïèñàòü). • Ñêîðîñòü ïåðåäà÷è: 64, 96, 128, 160, 192, 224,
256, 320 Êáèò/ñ èëè VBR
• ×àñòîòà ñýìïëèðîâàíèÿ: 44.1 êÃö

• Èìïîðòèðóåìûå MP3-ôàéëû èìåþò

ðàñøèðåíèå “MP3”, à WAV-ôàéëû –
ðàñøèðåíèå “WAV”.
• Äëèòåëüíîñòü èìïîðòèðóåìîãî ôàéëà íå
ìîæåò áûòü ìåíüøå îäíîé ñåêóíäû.

1. Óáåäèòåñü, ÷òî ðåêîðäåð íàõîäèòñÿ â

øòàòíîì ðåæèìå (ñòð. 42) è íàæìèòå íà
[UTILITY].
Åñëè çàãðóæåí ðåæèì MP3, íàæìèòå íà
[MP3/TRAINER], ÷òîáû ïåðåêëþ÷èòüñÿ â
øòàòíûé ðåæèì, à çàòåì – íà [UTILITY].
2. Íàæìèòå íà [TR2] (TRK).
3. Íàæìèòå íà CURSOR [ ].
4. Íàæìèòå íà [TR1] (IMP).
5. Êíîïêàìè CURSOR [ ][ ] è VALUE
[-] [+] âûáåðèòå àóäèîôàéë, êîòîðûé
íåîáõîäèìî èìïîðòèðîâàòü íà òðåê.
fig.06-020

108
 cë="= 7. d!3ã,
C%ë
ƒ…/
-3…*ö,,

6. Íàæìèòå íà [TR4] (NEXT).

fig.06-020
Ðàñêðîåòñÿ ýêðàí Import. h“C%ëüƒ%"=…,

“A
ì…/. ì,*!%-%…%" “
"…
ø…,ì C,2=…,
ì
Êî âõîäó LINE IN/MIC ìîæíî ïîäêëþ÷àòü
7. Êíîïêàìè CURSOR [ ][ ] è VALUE
ñúåìíûå ìèêðîôîíû, òðåáóþùèå âíåøíåãî
[-] [+] âûáåðèòå òðåê-ïðèåìíèê.
ïèòàíèÿ.
Âûáåðèòå òðåê, íà êîòîðûé áóäåò
Äëÿ òîãî, ÷òîáû èñïîëüçîâàíèå ïîäîáíûõ

Ãëàâà 7
èìïîðòèðîâàòüñÿ àóäèîôàéë.
ìèêðîôîíîâ ñòàëî âîçìîæíûì, âûïîëíèòå
Äèàïàçîí: TR1 - V1 – V8, TR2 - V1 – V8,...,
îïèñàííóþ íèæå ïðîöåäóðó.
TR34V1 – V8
1. Ñêîììóòèðóéòå ñúåìíûé ìèêðîôîí,
8. Íàæìèòå íà [TR1] (TIM) èëè [TR2] (MEA).
êîòîðûé òðåáóåò âíåøíåãî ïèòàíèÿ, ñî
Îïðåäåëèòå ìåñòî íà òðåêå-ïðèåìíèêå, êóäà
âõîäîì LINE IN/MIC.
äîëæíû áûòü ïîìåùåíû äàííûå.
Åñëè ïîçèöèÿ íà òðåêå áóäåò îïðåäåëÿòüñÿ â 2. Âêëþ÷èòå ïèòàíèå, êàê ýòî îïèñàíî íà
åäèíèöàõ âðåìåíè, íàæìèòå íà [TR1] (TIM), ñòðàíèöå 24.
åñëè â òàêòàõ, òî íà [TR2] (MEA). 3. Íàæìèòå íà [UTILITY].
9. Âûáåðèòå âðåìÿ èëè òàêò, íà÷èíàÿ ñ 4. Íåñêîëüêî ðàç íàæìèòå íà CURSOR
êîòîðûõ áóäóò èìïîðòèðîâàòüñÿ [ ][ ], ÷òîáû ïåðåéòè ê ýêðàíó
äàííûå íà òðåê, è íàæìèòå íà [TR4] PlugInPower.
(EXE). fig.06-020

Âûâåäåòñÿ çàïðîñ “Import OK?”.

10. Äëÿ âûïîëíåíèÿ îïåðàöèè íàæìèòå íà
[TR4] (YES), äëÿ îòìåíû – íà [EXIT].
Åñëè íàæàòü íà [TR4] (YES) òî âûáðàííûé 5. Êíîïêîé VALUE [+] âêëþ÷èòå ïèòàíèå
àóäèîôàéë èìïîðòèðóåòñÿ íà ìèêðîôîíà.
ñîîòâåòñòâóþùèé òðåê. Äëÿ åãî îòêëþ÷åíèÿ íàæìèòå íà [-].
6. Äëÿ âîçâðàòà ê ýêðàíó
âîñïðîèçâåäåíèÿ íàæìèòå íà [UTILITY]
(èëè [EXIT]).

• Íà âõîä LINE IN/MIC ïîäàåòñÿ íàïðÿæåíèå

ïðèìåðíî 2.5 Â. Ðàáîòà ñ ìèêðîôîíàìè,
òðåáóþùèìè ôàíòîìíîãî ïèòàíèÿ 48 Â, íå
ïîääåðæèâàåòñÿ.
• Åñëè ïàðàìåòð PlugInPower óñòàíîâëåí â
ON, òî äîïóñêàåòñÿ èñïîëüçîâàíèå òîëüêî
êîíäåíñàòîðíûõ ìèêðîôîíîâ, ðàññ÷èòàííûõ
íà èñïîëüçîâàíèå âíåøíåãî ïèòàíèÿ.
Êîììóòàöèÿ äðóãîãî îáîðóäîâàíèÿ ìîæåò
âûâåñòè åãî èç ñòðîÿ.

109
cë="= 7. d!3ã,
C%ë
ƒ…/
-3…*ö,,

êàê áóäåò ñîçäàíà íîâàÿ ïåñíÿ, ïðîèçîéäåò

h…,ö,=ë,ƒ=ö, *=!2/ ïåðåõîä ê ýêðàíó âîñïðîèçâåäåíèÿ.

C=ì 2,
h…,ö,=ë,ƒ=ö,
3“2=…%"%* MICRO BR
• Ïîìíèòå, ÷òî ïðè èíèöèàëèçàöèè âñå äàííûå
Îäíîâðåìåííî èíèöèàëèçèðóþòñÿ ñëåäóþùèå
ñ êàðòû ïàìÿòè ñòèðàþòñÿ.
• Åñëè èíèöèàëèçèðóåòñÿ êàðòà ïàìÿòè, äàííûå.
âõîäÿùàÿ â êîìïëåêò ïîñòàâêè MICRO BR, òî • Ñèñòåìíûå óñòàíîâêè
ñòèðàþòñÿ òàêæå è äåìîíñòðàöèîííûå ïåñíè. • Ýôôåêòû (ïîëüçîâàòåëüñêèå ïàò÷è)
• Ïðåæäå ÷åì âñòàâèòü èëè èçâëå÷ü êàðòó 1. Âûêëþ÷èòå ïèòàíèå (ñòð. 24).
ïàìÿòè, îòêëþ÷àéòå ïèòàíèå MICRO BR. Åñëè
âñòàâèòü êàðòó ïàìÿòè ïðè âêëþ÷åííîì 2. Óäåðæèâàÿ íàæàòîé [UTILITY], íàæìèòå
ïèòàíèè, òî ýòî ìîæåò ïðèâåñòè ëèáî ê ïîòåðå íà [POWER].
äàííûõ, ëèáî ê âûõîäó êàðòû èç ñòðîÿ.
Âûâåäåòñÿ çàïðîñ “Factory Reset?”.
• Äëèòåëüíîñòü ïðîöåññà èíèöèàëèçàöèè êàðòû
ïàìÿòè îïðåäåëÿåòñÿ åå åìêîñòüþ. Õîä 3. Íàæìèòå íà [TR4] (YES).
ïðîöåññà èíèöèàëèçàöèè îòîáðàæàåòñÿ íà Âûâåäåòñÿ çàïðîñ “Are you sure?”.
äèñïëåå. Íå îòêëþ÷àéòå ïèòàíèå MICRO BR äî
ïîëíîãî çàâåðøåíèÿ ïðîöåññà èíèöèàëèçàöèè. 4. Äëÿ èíèöèàëèçàöèè óñòàíîâîê
• Íå èçâëåêàéòå êàðòó è íå âûêëþ÷àéòå ðåêîðäåðà íàæìèòå íà [TR4] (YES), äëÿ
ïèòàíèå MICRO BR, ïîêà ñ åãî äèñïëåÿ íå
îòìåíû îïåðàöèè – íà [EXIT].
èñ÷åçíåò ñîîáùåíèå “Keep power on!”. Â
ïðîòèâíîì ñëó÷àå äàííûå ìîãóò áûòü Åñëè íàæàòü íà [TR4] (YES) òî çàïóñòèòñÿ
ïîòåðÿíû è/èëè êàðòà âûéäåò èç ñòðîÿ. ïðîöåññ èíèöèàëèçàöèè.

1. Íàæìèòå íà [UTILITY].
2. Íàæìèòå íà [TR4] (INI).
Âûâåäåòñÿ çàïðîñ “Card Initialize?”.
fig.06-020

3. Äëÿ çàïóñêà ïðîöåññà èíèöèàëèçàöèè

êàðòû ïàìÿòè íàæìèòå íà [TR4] (YES),
äëÿ îòìåíû – íà [EXIT].
Âûâåäåòñÿ çàïðîñ “Are you sure?”.
4. Äëÿ çàïóñêà ïðîöåññà èíèöèàëèçàöèè
êàðòû ïàìÿòè íàæìèòå íà [TR4] (YES),
äëÿ îòìåíû – íà [EXIT].
Åñëè íàæàòü íà [TR4] (YES), òî çàïóñêàåòñÿ
ïðîöåññ èíèöèàëèçàöèè êàðòû ïàìÿòè. Ïîñëå
åãî çàâåðøåíèÿ íà äèñïëåé âûâîäèòñÿ
ñîîáùåíèå “Completed!”. Çàòåì íà äèñïëåå
ïîÿâëÿåòñÿ ñîîáùåíèå “Keep power on! Song
creating...”, è àâòîìàòè÷åñêè ñîçäàåòñÿ íîâàÿ
ïåñíÿ (òèï äàííûõ HiFi (MT2)). Ïîñëå òîãî,

110
 cë="= 7. d!3ã,
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o!%äë
…,
“!%*= `"2%ì=2,÷
“*%

“ë3›K/ K=2=!

* "/*ëþ÷
…,
C,2=…,
(Power Save) (Auto Power Off)
Åñëè â òå÷åíèå îïðåäåëåííîãî ïðîìåæóòêà Ôóíêöèÿ Auto Power Off àâòîìàòè÷åñêè
âðåìåíè íè îäíà èç êíîïîê MICRO BR íå áûëà îòêëþ÷àåò ïèòàíèå MICRO BR, åñëè â òå÷åíèå
íàæàòà, ÿðêîñòü äèñïëåÿ óìåíüøàåòñÿ, ñîêðàùàÿ îïðåäåëåííîãî ïðîìåæóòêà âðåìåíè íå áûëà
ïîòðåáëåíèå ýíåðãèè. íàæàòà íè îäíà èç êíîïîê è íå ïðîèçâîäèëèñü

Ãëàâà 7
Äëÿ âêëþ÷åíèÿ ýòîé ôóíêöèè âûïîëíèòå ìàíèïóëÿöèè ñ êîëåñîì VOLUME.
îïèñàííóþ íèæå ïðîöåäóðó.
1. Íàæìèòå íà [UTILITY].
1. Íàæìèòå íà [UTILITY].
2. Íàæìèòå íåñêîëüêî ðàç íà CURSOR
2. Íàæìèòå íåñêîëüêî ðàç íà CURSOR [ ][ ], ÷òîáû ïåðåéòè ê ýêðàíó
[ ][ ], ÷òîáû ïåðåéòè ê ýêðàíó AutPowOff.
PowerSave. fig.06-020

fig.06-020

3. Êíîïêàìè VALUE [-][+] âûáåðèòå

3. Êíîïêàìè VALUE [-][+] âûáåðèòå
íóæíîå çíà÷åíèå.
Âûáåðèòå âðåìÿ âêëþ÷åíèÿ ôóíêöèè
ýíåðãîñáåðåæåíèÿ Power Save.
Äèàïàçîí: 10 sec, 30 sec, 1 min, 3 min, 5 min,
10 min, OFF
4.
* Åñëè âûáðàòü çíà÷åíèå OFF, òî ôóíêöèÿ îòêëþ÷àåòñÿ.
4. Íàæìèòå íà [UTILITY] (èëè [EXIT]) äëÿ
âîçâðàòà ê ýêðàíó âîñïðîèçâåäåíèÿ.
çíà÷åíèå.
Ýòîò ïàðàìåòð îïðåäåëÿåò âðåìÿ âêëþ÷åíèÿ
ôóíêöèè Auto Power Off.
Äèàïàçîí: 5 min, 10 min, 30 min, OFF
* Åñëè âûáðàòü çíà÷åíèå OFF, òî ôóíêöèÿ íå ðàáîòàåò.
Íàæìèòå íà [UTILITY] (èëè [EXIT]) äëÿ
âîçâðàòà ê ýêðàíó âîñïðîèçâåäåíèÿ.

Ïðè èñïîëüçîâàíèè àäàïòåðà ñåòè

ïåðåìåííîãî òîêà ôóíêöèÿ Power Save
ñòàíîâèòñÿ íåäîñòóïíîé.

n2*ëþ÷
…,
-3…*ö,,
.…
!ã%“K
!
›
…,
Íàæìèòå íà ëþáóþ êíîïêó ïàíåëè óïðàâëåíèÿ.
ßðêîñòü äèñïëåÿ âîññòàíîâèòñÿ.

111
 cë="= 8. o!,ë%› …,

qC,“%* =!=…›,!%"%*/C=22 !…%"

qC,“%* C! “ 2…/. =!=…›,!%"%*
Âñå ïðåñåòíûå àðàíæèðîâêè, êðîìå Metro4/4, ïîñòðîåíû òàêè îáðàçîì, ÷òî ïîñëå êîäû (End) èäåò
òðåõòàêòíàÿ ïàóçà (BREAK), à çàòåì – êóïëåò (V1).
N¹. Èìÿ àðàíæè- Íà÷. Äîëÿ Òàêò çàïóñêà BREAK V1 Íàáîð
ðîâêè òåìï IN V1 F1 V2 F2 V2 END óäàðíûõ
P01 ROCK1 130 4/4 1 2 4 6 8 10 12 16 19 ROOM
P02 ROCK2 130 4/4 1 3 5 7 9 11 13 17 20 ROOM
P03 ROCK3 118 4/4 1 3 6 7 10 11 15 17 20 ROOM
P04 ROCK4 118 4/4 1 5 8 9 12 13 15 19 22 ROOM
P05 ROCK5 104 4/4 1 5 8 9 12 13 15 17 20 ROOM
P06 ROCK6 86 4/4 1 2 9 10 17 18 22 24 27 STD 2
P07 HdRck1 130 4/4 1 5 8 9 12 13 15 18 21 ROOM
P08 HdRck2 98 4/4 1 3 10 11 18 19 23 25 28 HARD
P09 HdRck3 126 4/4 1 5 8 9 12 13 15 20 23 ROOM
P10 HdRck4 120 4/4 1 4 7 8 11 12 15 18 21 ROOM
P11 HdRck5 118 4/4 1 2 5 6 9 10 12 13 16 ROOM
P12 HEAVY1 210 4/4 1 5 11 13 19 21 25 29 32 HARD
P13 HEAVY2 120 4/4 1 3 9 11 17 19 21 23 26 HARD
P14 HEAVY3 120 4/4 1 3 9 11 17 19 21 24 27 HARD
P15 HEAVY4 162 4/4 1 3 9 11 17 19 21 24 27 ROOM
P16 HEAVY5 109 4/4 1 5 8 9 12 13 15 16 19 ROOM
P17 POP1 118 4/4 1 3 6 7 10 11 13 17 20 ROOM
P18 POP2 118 4/4 1 3 6 7 10 11 13 15 18 STD1
P19 POP3 118 4/4 1 3 6 7 10 11 13 15 18 ROOM
P20 POP4 118 4/4 1 3 6 7 10 11 13 17 20 ROOM
P21 POP5 140 4/4 1 3 6 7 10 11 13 15 18 ROOM
P22 POP6 96 4/4 1 3 6 7 10 11 13 15 18 STD 1
P23 POP7 66 4/4 1 4 7 8 11 12 14 16 19 STD 2
P24 POP8 151 4/4 1 5 8 9 16 17 21 24 27 STD 1
P25 BALLAD1 70 4/4 1 5 8 9 12 13 15 18 21 ROOM
P26 BALLAD2 89 4/4 1 2 5 6 9 10 12 14 17 STD 2
P27 BLUES1 124 4/4 1 2 5 6 9 10 13 16 19 STD 2
P28 BLUES2 192 4/4 1 5 12 13 20 21 25 29 32 STD 1
P29 BLUES3 124 4/4 1 3 10 11 18 19 23 26 29 STD 2
P30 BLUES4 148 4/4 1 5 8 9 12 13 15 17 20 STD 1
P31 R&B1 110 4/4 1 5 8 9 12 13 15 18 21 STD 1
P32 R&B2 154 4/4 1 3 6 7 10 11 13 18 21 STD 1
P33 R&B3 108 4/4 1 5 8 9 12 13 15 18 21 STD 2
P34 R&B4 96 4/4 1 5 12 13 20 21 25 26 29 STD 1
P35 R&B5 94 4/4 1 5 8 9 12 13 15 19 22 STD 1
P36 JAZZ1 140 4/4 1 3 5 7 9 11 13 15 18 JAZZ
P37 JAZZ2 140 4/4 1 5 7 9 11 13 15 17 20 JAZZ
P38 JAZZ3 140 4/4 1 5 12 13 20 21 25 30 33 JAZZ
P39 FUSION1 120 4/4 1 5 12 13 20 21 25 29 32 STD2
P40 FUSION2 118 4/4 1 2 5 6 9 10 12 15 18 ROOM
P41 HipHop1 93 4/4 1 2 9 10 17 18 22 23 26 HIP-HOP
P42 HipHop2 102 4/4 1 3 10 11 18 19 23 25 28 808
P43 FUNK 110 4/4 1 2 4 6 8 10 12 13 16 HIP-HOP
P44 HOUSE 114 4/4 1 3 6 7 10 11 13 15 18 HOUSE
P45 Cntry1 118 4/4 1 3 6 7 10 11 13 14 17 JAZZ
P46 Cntry2 118 4/4 1 2 5 6 9 10 12 14 17 JAZZ
P47 Other1 96 4/4 1 2 9 10 17 18 22 24 27 REGGAE
P48 Other2 118 4/4 1 5 7 9 11 13 15 19 22 STD 2
P49 Other3 125 4/4 1 2 5 6 9 10 12 14 17 ROOM
P50 Metro4/4 120 4/4 1 - - - - - - - - STD 1

112
 cë="= 8. o!,ë%› …,

qC,“%* C! “ 2…/. C=22 !…%"

Èìÿ ïàòòåðíà (àááðåâèàòóðà, Íà÷àëü- Äîëÿ Òàêò
îòîáðàæàåìàÿ íà äèñïëåå) íûé òåìï IN V1 F1 V2 F2 E
ROCK1 130 4/4 1 2 2 2 2 4
ROCK2 130 4/4 2 2 2 2 2 4
ROCK3 118 4/4 2 2 1 2 1 2
ROCK4 118 4/4 4 2 1 2 1 4
ROCK5 104 4/4 4 2 1 2 1 2
ROCK6 86 4/4 1 4 1 4 1 2
Hard Rock 1(HdRc1) 130 4/4 4 2 1 2 1 3
Hard Rock 1(HdRc2) 98 4/4 2 4 1 4 1 2
Hard Rock 1(HdRc3) 126 4/4 4 2 1 2 1 5
Hard Rock 1(HdRc4) 120 4/4 3 2 1 2 1 3
Hard Rock 1(HdRc5) 118 4/4 1 1 1 1 1 1
HEAVY1 (HEVY1) 210 4/4 4 4 2 4 2 4
HEAVY2 (HEVY2) 120 4/4 2 2 2 2 2 2
HEAVY3 (HEVY3) 120 4/4 2 2 2 2 2 3
HEAVY4 (HEVY4) 162 4/4 2 2 2 2 2 3
HEAVY5 (HEVY5) 109 4/4 4 2 1 2 1 1
POP1 118 4/4 2 2 1 2 1 4
POP2 118 4/4 2 2 1 2 1 2

Ãëàâà 8
POP3 118 4/4 2 2 1 2 1 2
POP4 118 4/4 2 1 1 1 1 4
POP5 140 4/4 2 1 1 1 1 2
POP6 96 4/4 2 2 1 2 1 2
POP7 66 4/4 3 2 1 2 1 2
POP8 151 4/4 4 2 1 4 1 3
BALLAD1 (BALD1) 70 4/4 4 2 1 2 1 3
BALLAD2 (BALD2) 89 4/4 1 2 1 2 1 2
BLUES1 (BLUS1) 124 4/4 1 4 1 4 1 3
BLUES2 (BLUS2) 192 4/4 4 4 1 4 1 4
BLUES3 (BLUS3) 124 4/4 2 2 1 2 1 3
BLUES4 (BLUS4) 148 4/4 4 2 1 2 1 2
R&B1 110 4/4 4 2 1 2 1 3
R&B2 154 4/4 2 2 1 2 1 5
R&B3 108 4/4 4 2 1 2 1 3
R&B4 96 4/4 4 4 1 4 1 1
R&B5 94 4/4 4 2 1 2 1 4
JAZZ1 140 4/4 2 2 2 2 2 2
JAZZ2 140 4/4 4 2 2 2 2 2
JAZZ3 140 4/4 4 4 1 4 1 5
FUSION1 (FUSN1) 120 4/4 4 4 1 4 1 4
FUSION2 (FUSN2) 118 4/4 1 2 1 2 1 3
HipHop1 (H.Hp1) 93 4/4 1 4 1 4 1 1
HipHop2 (H.Hp2) 102 4/4 2 4 1 4 1 2
FUNK 110 4/4 1 2 2 2 2 1
HOUSE 114 4/4 2 2 1 2 1 2
Cntry1 (Cnty1) 118 4/4 2 1 1 1 1 1
Cntry2 (Cnty2) 118 4/4 1 2 1 2 1 2
OTHER1 (Othr1) 96 4/4 1 4 1 2 1 2
OTHER2 (Othr1) 118 4/4 4 2 2 2 2 4
OTHER3 (Othr1) 125 4/4 1 2 1 2 1 2
Metro - - - - - - - -
BREAK - - - - - - - -

113
Parameter List

qC,“%* C=!=ì2!%"
(*1) Ñîõðàíÿåòñÿ ñ ïåñíåé. Äëÿ ñîõðàíåíèÿ ýòèõ óñòàíîâîê â òåêóùóþ ïåñíþ, óäåðæèâàÿ íàæàòîé

, íàæìèòå íà .
(*2) Ñîõðàíÿåòñÿ â MICRO BR.
(*3) Íå ñîõðàíÿåòñÿ.

o=!=ì2!/ ì,*ø!=
Ïàðàìåòð (*1) Äèñïëåé Íà÷àëüíîå Äîñòóïíûå çíà÷åíèÿ
çíà÷åíèå
Input Select - GTR GTR, MIC, LIN, EXT
Input Sens Sns (GTR) 0 -12 – +8
Sns (MIC) 0 -16 – +8
Sns (LIN) 0 -6 – +8
Sns (EXT) 0 -15 – +9
Input Reverb Rv (GTR) 15 0 – 100
Rv (MIC) 5 0 – 100
Rv (LIN) 0 0 – 100
Rv (EXT) 0 0 – 100
Track Level Track Level 100 0 – 120
Track Pan Track Pan C00 L50 – C00 – R50
Track Reverb Track Reverb 0 0 – 100
Recording Mode - (øòàòíûé) (øòàòíûé), BOUNCE, MASTERING (*3)
Master Level MasterLevel 100 0 – 120

}--*2/ !=ƒ!/"=
Ïàðàìåòð (*1) Äèñïëåé Íà÷àëüíîå Äîñòóïíûå çíà÷åíèÿ
çíà÷åíèå
Location Location INPUT<NORMAL> INPUT<NORMAL>, INPUT<REC DRY>,
TRACK 1 – 4, 1/2, 3/4, RHYTHM, MASTER

p"!K!=2%!
Ïàðàìåòð (*1) Äèñïëåé Íà÷àëüíîå Äîñòóïíûå çíà÷åíèÿ
çíà÷åíèå
Reverb Type Type HALL ROOM, HALL
Reverb Time Rev Time 2.0 s 0.1 – 10.0 s
Tone Tone 0 -12 – 0 – +12
Level Level 50 0 – 100

o=!=ì2!/ ƒ=C,“,
Ïàðàìåòð (*1) Äèñïëåé Íà÷àëüíîå Äîñòóïíûå çíà÷åíèÿ
çíà÷åíèå
Recording Track Rec Track Track 1 Track 1 – 4, 1/2, 3/4
V-Track V-TRACK 1 1 – 8
Auto Punch On/Off - OFF OFF, ON (ïîÿâëÿåòñÿ èíäèêàòîð A.PUNCH)
Auto Punch In/Out - - Ëþáîå âðåìÿ
Repeat - - OFF, ON (ïîÿâëÿåòñÿ èíäèêàòîð )
Repeat Start/End - - Ëþáîå âðåìÿ

114
o=!=ì2!/ C“…,
Ïàðàìåòð (*1) Äèñïëåé Íà÷àëüíîå Äîñòóïíûå çíà÷åíèÿ
çíà÷åíèå
Song Name - SONG0000 8 ñèìâîëîâ
Data Type Type HiFi (MT2) HiFi (MT2), STD (LV1), LONG (LV2)
Song Protect - OFF OFF, ON

o=!=ì2!/ !›,ì= !=ƒ3÷,"=…, -!=ƒ

Ïàðàìåòð (*3) Äèñïëåé Íà÷àëüíîå Äîñòóïíûå çíà÷åíèÿ
çíà÷åíèå
Time Stretch - 100% 25% – 200%
Center Cancel CENTER CAN- OFF OFF, ON (*3)
CEL
Center cancel Adjust CenterAdjst C00 L10 – L01, C00, R01 – R10
Center cancel Low Boost Low Boost 0 0 – 20

q,“2ì…/ C=!=ì2!/
Ïàðàìåòð (*2) Äèñïëåé Íà÷àëüíîå Äîñòóïíûå çíà÷åíèÿ

Ãëàâà 8
çíà÷åíèå
LCD Contrast LCD Contrast 12 1 – 17
Plug-in Power PlugInPower OFF OFF, ON
Power Save PowerSave 30 sec 10 sec, 30 sec, 1 min, 3 min, 5 min,
10 min, OFF
Auto Power Off AutPowOff 10 min 5 min, 10 min, 30 min, OFF
Remain Information Remain Info OFF OFF, ON
Tuner Reference Pitch TUNER 440 435 – 445 (Hz)

o=!=ì2!/ !,2ì,÷“*,. 2!*%"

Ïàðàìåòð (*2) Äèñïëåé Íà÷àëüíîå Äîñòóïíûå çíà÷åíèÿ
çíà÷åíèå
Rhythm On / Off - OFF OFF, ON
Rhythm Mode - PT PT, AR
Pattern Mode Èìÿ ïàòòåðíà 001 001 – 327
Arrangement Mode Èìÿ P01 P01 – P50, S01 – S05
àðàíæèðîâêè

o=!=ì2!/ =!=…›,!%"*,
Ïàðàìåòð (*1) Äèñïëåé Íà÷àëüíîå Äîñòóïíûå çíà÷åíèÿ
çíà÷åíèå
Step òåêóùàÿ óñòàíîâêà 01 01 – 50
Tempo òåêóùàÿ óñòàíîâêà 120.0 25.0 – 250.0
Starting Measure òåêóùàÿ óñòàíîâêà 001 001 – 999
Pattern òåêóùàÿ óñòàíîâêà 001 001 – 327
Drum Kit Drum Kit STD1 STD1, STD2, ROOM, HARD, JAZZ, HIP-
HOP, HOUSE, REGGAE, 808

115
Troubleshooting
m,“C!="…%“2,
Åñëè MICRO BR âåäåò ñåáÿ íå òàê, êàê âû
îæèäàåòå, îáðàòèòå âíèìàíèå íà ñëåäóþùèå
ìîìåíòû, ïðåæäå ÷åì ðåøèòü, ÷òî îí ñëîìàëñÿ.
Åñëè è ýòî íå ïîìîæåò óñòðàíèòü ïðîáëåìó,
îáðàòèòåñü â áëèæàéøèé ñåðâèñíûé öåíòð
êîìïàíèè Roland èëè ê âàøåìó äèëåðó.
I
m= ä,“CëL …,÷ã% …
"/"%ä,2“
• Âêëþ÷åíî ëè ïèòàíèå MICRO BR (ñòð. 24).
• Âñòàâëåíû ëè áàòàðåéêè?
• Íå ðàçðÿäèëèñü ëè áàòàðåéêè?
• Èñïîëüçóåòñÿ ëè ðåêîìåíäîâàííûé àäàïòåð
ñåòè ïèòàíèÿ (ñåðèÿ PSA; ïðèîáðåòàåòñÿ
äîïîëíèòåëüíî) è ïðàâèëüíî ëè îí
ñêîììóòèðîâàí?
Èñïîëüçîâàòü àäàïòåðû äðóãèõ òèïîâ
çàïðåùàåòñÿ.
• Íå âêëþ÷åí ëè ïåðåêëþ÷àòåëü áëîêèðîâêè?
p*%!ä! … -3…*ö,%…,!32
• Íå âêëþ÷åí ëè ïåðåêëþ÷àòåëü áëîêèðîâêè?
• Íå ñêîììóòèðîâàí ëè MICRO BR ñ
êîìïüþòåðîì ïî USB?
• Íå âêëþ÷åíà ëè çàùèòà ïåñíè?
• Âñòàâëåíà ëè êàðòà ïàìÿòè?
• Íå çàáëîêèðîâàíà ëè êàðòà ïàìÿòè?
m "%“C!%,ƒ"%ä,2“ “,ã…=ë
• Âêëþ÷åíî ëè ïèòàíèå MICRO BR è
ñêîììóòèðîâàííîãî ñ íèì îáîðóäîâàíèÿ?
• Êîððåêòíî ëè ñêîììóòèðîâàíû àóäèîêàáåëè?
• Öåëû ëè àóäèîêàáåëè?
• Íå óñòàíîâëåíû ëè â ìèíèìóì ðåãóëÿòîðû
ãðîìêîñòè óñèëèòåëÿ èëè ìèêøåðà?
• Íå óñòàíîâëåí ëè â ìèíèìóì âûõîäíîé
óðîâåíü OUTPUT LEVEL ðåêîðäåðà?
• Âñòàâëåíà ëè êàðòà ïàìÿòè?
• Âñòàâëåíà ëè ïîäõîäÿùàÿ êàðòà ïàìÿòè?
MICRO BR ïîääåðæèâàåò ðàáîòó êàðò
ïàìÿòè òèïà SD.
• Íå ïðîèçâîäèòñÿ ëè ïîïûòêà âîñïðîèçâåñòè
ôðàçó, äëèíà êîòîðîé ìåíüøå îäíîé ñåêóíäû?
116
• Ïîääåðæèâàåò ëè MICRO BR ðàáîòó ñ
äàííûì àóäèîôîðìàòîì? (ñòð. 88)
Ïîääåðæèâàåò ëè MICRO BR ÷àñòîòó
ñýìïëèðîâàíèÿ è ñêîðîñòü ïåðåäà÷è, ñ
êîòîðûìè çàïèñàíû ôàéëû MP3/WAV?
m "%“C!%,ƒ"%ä,2“ -=Lë
MP3/WAV
• Ïîääåðæèâàåò ëè MICRO BR ðàáîòó ñ
äàííûì àóäèîôîðìàòîì? (ñòð. 88)
Ïîääåðæèâàåò ëè MICRO BR ÷àñòîòó
ñýìïëèðîâàíèÿ è ñêîðîñòü ïåðåäà÷è, ñ
êîòîðûìè çàïèñàíû ôàéëû MP3/WAV?
• Åñòü ëè â ïàïêå MP3 àóäèîôàéë MP3/WAV?
m,ƒ*,L 3!%"…ü ã!%ì*%“2,
,…“2!3ì…2=, “*%ìì32,!%-
"=……%ã% “% ".%ä%ì GUITAR IN
,ë, LINE IN/MIC
• Íå èñïîëüçóåòñÿ ëè êàáåëü ñ ðåçèñòîðîì?
Çàìåíèòå êàáåëü íà êàáåëü áåç ðåçèñòîðà.
• Êîððåêòíî ëè óñòàíîâëåíû ïàðàìåòðû Sns
(GTR, MIC, LIN èëè EXT)? (ñòð. 39)
Äëÿ äîñòèæåíèÿ íàèëó÷øèõ ðåçóëüòàòîâ
íàäî óñòàíàâëèâàòü ìàêñèìàëüíóþ
÷óâñòâèòåëüíîñòü, ïðè êîòîðîé íà äèñïëåå
íå çàãîðàåòñÿ èíäèêàòîð OVER äàæå íà
ñàìûõ ãðîìêèõ âõîäíûõ ñèãíàëàõ. Åñëè
çàãîðåëñÿ èíäèêàòîð OVER, óìåíüøèòå
çíà÷åíèå ïàðàìåòðà Sns.
• Óñòàíîâëåí ëè äîëæíûì îáðàçîì âõîäíîé
óðîâåíü INPUT LEVEL? (ñòð. 39)
• Îòðåãóëèðîâàíà ëè ãðîìêîñòü èñòî÷íèêà
ñèãíàëà?
• Åñëè ñ ãíåçäîì LINE IN/MIC ñêîììóòèðîâàí
ìèêðîôîí, òðåáóþùèé âíåøíåãî ïèòàíèÿ, òî
âêëþ÷åíî ëè îíî? (ñòð. 109)
m "%“C!%,ƒ"%ä 2“
%2äëü…/ 2!*,
• Íå óñòàíîâëåíà ëè â ìèíèìóì ãðîìêîñòü?
(ñòð. 33)
• Òîò ëè V-òðåê èñïîëüçóåòñÿ? (p. 40)
m “ë/ø…% “,ã…=ë=
,“2%÷…,*= ƒ"3*=
• Êîððåêòíî ëè óñòàíîâëåíû ïàðàìåòðû Sns
(GTR, MIC, LIN èëè EXT)? (ñòð. 39)
Äëÿ äîñòèæåíèÿ íàèëó÷øèõ ðåçóëüòàòîâ
íàäî óñòàíàâëèâàòü ìàêñèìàëüíóþ
÷óâñòâèòåëüíîñòü, ïðè êîòîðîé íà äèñïëåå
íå çàãîðàåòñÿ èíäèêàòîð OVER äàæå íà
ñàìûõ ãðîìêèõ âõîäíûõ ñèãíàëàõ. Åñëè
çàãîðåëñÿ èíäèêàòîð OVER, óìåíüøèòå
çíà÷åíèå ïàðàìåòðà Sns.
• Óñòàíîâëåí ëè äîëæíûì îáðàçîì âõîäíîé
óðîâåíü INPUT LEVEL? (ñòð. 39)
• Àêòèâåí ëè èñòî÷íèê âõîäíîãî ñèãíàëà?
(Åñëè èñòî÷íèê ñèãíàëà íå âêëþ÷åí, òî îí
îòîáðàæàåòñÿ ïðîïèñíûìè áóêâàìè)
• Åñëè ñ ãíåçäîì LINE IN/MIC ñêîììóòèðîâàí
ìèêðîôîí, òðåáóþùèé âíåøíåãî ïèòàíèÿ, òî
âêëþ÷åíî ëè îíî? (ñòð. 109)
m !=K%2=2 ƒ=C,“ü
• Íå âêëþ÷åíà ëè çàùèòà ïåñíè?
• Âñòàâëåíà ëè êàðòà ïàìÿòè?
• Íå çàáëîêèðîâàíà ëè çàïèñü íà êàðòó
ïàìÿòè?
• Äîñòàòî÷íî ëè íà êàðòå ïàìÿòè ñâîáîäíîãî
ìåñòà?
• Âñòàâëåíà ëè íóæíàÿ êàðòà ïàìÿòè?
MICRO BR ïîääåðæèâàåò ðàáîòó êàðò
ïàìÿòè òèïà SD.
• Êîððåêòíî ëè îïðåäåëåí ðåæèì (øòàòíûé,
ñëèÿíèÿ èëè ìàñòåðèíãà)?
• Íå âêëþ÷åíà ëè ôóíêöèÿ ðàçó÷èâàíèÿ ôðàç
Phrase Trainer?
g=C,“=……/L “,ã…=ë “%ä!›,2
ø3ì/ , ,“*=›…,
• Ïðàâèëüíî ëè âûñòàâëåíà ÷óâñòâèòåëüíîñòü
èñòî÷íèêà âõîäà?
Åñëè îíà ñëèøêîì âûñîêàÿ, òî áóäóò
âîçíèêàòü èñêàæåíèÿ, ñëèøêîì íèçêàÿ –
øóì. Îòêîððåêòèðóéòå çíà÷åíèå ïàðàìåòðà
Sns, óñòàíîâèâ åãî ìàêñèìàëüíî áîëüøèì, íî
ïðè ýòîì íå äîëæåí çàãîðàòüñÿ èíäèêàòîð
OVER.
• Íå âûáðàí ëè ôîðìàò MP3 ñ íèçêèì
êà÷åñòâîì?
Åãî ìîæíî èñïîëüçîâàòü, êîãäà íà êàðòå
ïàìÿòè ìàëî ìåñòà. Íî ïðè ýòîì íàäî
ïîíèìàòü, ÷òî â çàïèñè áóäóò
ïðèñóòñòâîâàòü øóìû è èñêàæåíèÿ.
Ãëàâà 8
• Êîððåêòíî ëè âûñòàâëåíû âûõîäíûå óðîâíè
òðåêîâ?
Åñëè øóì èëè èñêàæåíèÿ âîçíèêàþò ïîñëå
ñëèÿíèÿ òðåêîâ, òî çíà÷èò áûëè
óñòàíîâëåíû ñëèøêîì âûñîêèå âûõîäíûå
óðîâíè òðåêîâ.
• Íå ñêîììóòèðîâàí ëè íàïðÿìóþ ñ MICRO
BR ìèêðîôîí ñ âûñîêèì âûõîäíûì
ñîïðîòèâëåíèåì?
MICRO BR ïðåäóñìàòðèâàåò áîëüøîé çàïàñ
ïî ãðîìêîñòè. Êîãäà ïàðàìåòð èñòî÷íèêà
âõîäà óñòàíîâëåí â EXT, òî ïîñêîëüêó âõîä
LINE IN/MIC ÿâëÿåòñÿ íèçêîèìïåäàíñíûì, â
çàâèñèìîñòè îò òèïà èñïîëüçóåìîãî
ìèêðîôîíà, ñèãíàë ìîæåò áûòü äîñòàòî÷íî
íèçêîãî óðîâíÿ.  ýòîì ñëó÷àå ìèêðîôîí
ñëåäóåò êîììóòèðîâàòü ñ MICRO BR íå
íàïðÿìóþ, à ÷åðåç ìèêðîôîííûé
ïðåäóñèëèòåëü, êîòîðûé â ñâîþ î÷åðåäü
êîììóòèðóåòñÿ ñî âõîäîì LINE IN/MIC.
o!%Këì/ “ *=!2%L C=ì 2,
b/"%ä,2“ “%%K?…, œUnsupported
Card!B
• Ïðàâèëüíî è äî êîíöà ëè âñòàâëåíà êàðòà
ïàìÿòè?
• Âñòàâëåíà ëè â MICRO BR ïîäõîäÿùàÿ êàðòà
ïàìÿòè (SD-êàðòà)?
117
 MICRO BR ïîääåðæèâàåò ðàáîòó ñ êàðòàìè
ïàìÿòè òèïà SD.

h“C%!÷…/ ä=……/ *=!2/ C=ì 2,

Íèæå ïåðå÷èñëåíû ïðè÷èíû, ïî êîòîðûì ìîãëè
èñïîðòèòüñÿ äàííûå êàðòû ïàìÿòè. Åñëè ýòî
ïðîèçîøëî ïðîèíèöèàëèçèðóéòå åå (ñòð. 110).
• Áûëî âûêëþ÷åíî ïèòàíèå ïðè ðàáîòàþùåì
ðåêîðäåðå.
• Êàðòà ïàìÿòè ïîäâåðãëàñü ñèëüíîìó
ôèçè÷åñêîìó âîçäåéñòâèþ.
• Áûëî âûêëþ÷åíî ïèòàíèå MICRO BR ïðè
óñòàíîâëåííîì ñîåäèíåíèè ïî USB.
• Áûë ðàñêîììóòèðîâàí êàáåëü USB ïðè
óñòàíîâëåííîì ñîåäèíåíèè MICRO BR ïî
USB.
• Áûëî âûêëþ÷åíî ïèòàíèå ïðè âûïîëíåíèè
îïåðàöèé ÷òåíèÿ/çàïèñè íà êàðòó ïàìÿòè.
• MICRO BR ïîäâåðãñÿ ñèëüíîìó ôèçè÷åñêîìó
âîçäåéñòâèþ ïðè ðàáîòå îò áàòàðååê.
Ïðè ýòîì ìîãëî âûêëþ÷èòüñÿ ïèòàíèå,
ïîñêîëüêó ñèëüíîå ôèçè÷åñêîå âîçäåéñòâèå
ìîãëî íàðóøèòü êîíòàêò MICRO BR ñ
áàòàðåéêàìè.
• Êàðòà áûëà èíèöèàëèçèðîâàíà ñ ïîìîùüþ
êîìïüþòåðà èëè öèôðîâîé êàìåðû.

o!%Këì/ “ USB
m= *%ìCüþ2! … C% "ë 2“
“%%2"2“2"3þ?= C,*2%ã!=ìì= ,ë,
%*…%
• Ïðàâèëüíî ëè ñêîììóòèðîâàí USB-êàáåëü?
• Âêëþ÷åíî ëè ïèòàíèå êîìïüþòåðà?
• Ñîâìåñòèìà ëè ÎÑ êîìïüþòåðà ñ MICRO BR?
- Windows: Windows Me/2000/XP
- Macintosh: Mac OS 9.1.x / 9.2.x èëè OS X
• Ïðàâèëüíî è äî êîíöà ëè âñòàâëåíà êàðòà
ïàìÿòè?
• Âñòàâëåíà ëè â MICRO BR ïîäõîäÿùàÿ êàðòà
ïàìÿòè (SD-êàðòà)?
MICRO BR ïîääåðæèâàåò ðàáîòó ñ êàðòàìè
ïàìÿòè òèïà SD.

118
Error Message
q%%K?…, %K %ø,K*=.
Ïðè ïîïûòêå âûïîëíèòü íåêîððåêòíóþ îïåðàöèþ
èëè, åñëè äàííàÿ îïåðàöèÿ íåäîñòóïíà, íà
äèñïëåé âûâîäèòñÿ ñîîáùåíèå îá îøèáêå.
Íèæå ïðèâåäåí ñïèñîê âîçìîæíûõ ñîîáùåíèé è
ðåêîìåíäóåìûå äåéñòâèÿ.
Cannot Edit! This is a Preset
Ïðè÷èíà: Âûáðàíà ïðåñåòíàÿ àðàíæèðîâêà,
îòðåäàêòèðîâàòü êîòîðóþ
íåâîçìîæíî.
Äåéñòâèå: Ñêîïèðóéòå åå â àðàíæèðîâêó
ïåñíè è îòðåäàêòèðóéòå.
Cannot Erase!
Ïðè÷èíà: Íåò øàãîâ, êîòîðûå ìîæíî
ñòåðåòü.
Äåéñòâèå: Åñëè îñòàëñÿ òîëüêî øàã 1, òî åãî
ñòåðåòü íåëüçÿ.
Cannot Insert!
Ïðè÷èíà: Âñòàâêà øàãîâ íåâîçìîæíà.
Äåéñòâèå: Ñåêâåíöèÿ ìîæåò ñîñòîÿòü
ìàêñèìóì èç 50 øàãîâ.
Cannot Undo!
Ïðè÷èíà: Ïîïûòêà âûïîëíèòü ôóíêöèþ
âîññòàíîâëåíèÿ ïðåäûäóùåãî
ñîñòîÿíèÿ (Undo) ïðè îòñóòñòâèè
èñòîðèè ðåäàêòèðîâàíèÿ.
Äåéñòâèå: Ôóíêöèÿ íåäîñòóïíà.
Cannot Program! Rhythm Off.
Ïðè÷èíà: Ðèòì îòêëþ÷åí, ïîýòîìó
îïåðàöèè åãî ðåäàêòèðîâàíèÿ
íåäîñòóïíû.
Äåéñòâèå: Íàæìèòå íà [RHYTHM], ÷òîáû âîéòè
â ðåæèì àðàíæèðîâêè èëè ïàòòåðíà.
Card Full!
Ïðè÷èíà: Íåäîñòàòî÷íî ïàìÿòè äëÿ
âûïîëíåíèÿ îïåðàöèé
êîïèðîâàíèÿ èëè çàïèñè.
Äåéñòâèå 1: Ïðîâåäèòå îïòèìèçàöèþ (ôóíêöèÿ
Song Optimize) (ñòð. 59).
Äåéñòâèå 2: Ñîçäàéòå ðåçåðâíóþ êîïèþ íà
êîìïüþòåðå (ñòð. 100 è 103), è
ñîòðèòå íåíóæíûå äàííûå.
Card Locked!
Ïðè÷èíà: Áëîêèðîâàíà çàïèñü íà êàðòó
ïàìÿòè.
Äåéñòâèå 1: Âûêëþ÷èòå MICRO BR, èçâëåêèòå
êàðòó, îòìåíèòå áëîêèðîâêó (ñòð. 21).
Card Read Error!
Ïðè÷èíà: Íåâîçìîæíà êîððåêòíàÿ çàãðóçêà
êàðòû ïàìÿòè.
Äåéñòâèå 1: Âûêëþ÷èòå MICRO BR, âñòàâüòå
êàðòó ïàìÿòè äîëæíûì îáðàçîì,
âêëþ÷èòå MICRO BR.
Äåéñòâèå 2: Èíèöèàëèçèðóéòå êàðòó (ñòð. 110).
* Åñëè ïîñëå âûïîëíåíèÿ ýòèõ óêàçàíèé äàííîå ñîîáùåíèå
ïîÿâëÿåòñÿ âíîâü, òî, âîçìîæíî, êàðòà íåèñïðàâíà.
Ãëàâà 8
Card Write Error!
Ïðè÷èíà: Îøèáêà ïðè çàïèñè äàííûõ íà
êàðòó ïàìÿòè.
Äåéñòâèå: Ïðîèíèöèàëèçèðóéòå êàðòó ïàìÿòè
(ñòð. 110). Äàííûå ïåñíè, êîòîðóþ
âû ïûòàëèñü ñîõðàíèòü, ïðîïàäóò.
Data Too Short!
Ïðè÷èíà: Ïîïûòêà èìïîðòèðîâàòü
àóäèîôàéë MP3/WAV, êîòîðûé
êîðî÷å îäíîé ñåêóíäû.
Äåéñòâèå: Óâåëè÷üòå äëèòåëüíîñòü àóäèîôàéëà
MP3/WAV, ÷òîáû åãî äëèòåëüíîñòü
áûëà íå êîðî÷å îäíîé ñåêóíäû.
Drive Busy!
Ïðè÷èíà: Åñëè ýòî ñîîáùåíèå âîçíèêàåò
ïîñëå èñïîëüçîâàíèÿ êàðòû
ïàìÿòè, òî ýòî ñâèäåòåëüñòâóåò î
òîì, ÷òî äàííûå íà íåé ñèëüíî
ôðàãìåíòèðîâàíû è îïåðàöèè
÷òåíèÿ/çàïèñè ñóùåñòâåííî
çàìåäëÿþòñÿ.
Èëè èñïîëüçóåòñÿ êàðòà ïàìÿòè ñ
áîëüøèì âðåìåíåì äîñòóïà.
Äåéñòâèå 1: Óìåíüøèòå êîëè÷åñòâî
îäíîâðåìåííî âîñïðîèçâîäÿùèõñÿ
òðåêîâ. Èñïîëüçóéòå ñëèÿíèå òðåêîâ
èëè ñîòðèòå äàííûå ñ òðåêîâ,
êîòîðûå íå âîñïðîèçâîäÿòñÿ.
119
Äåéñòâèå 2: Óìåíüøèòå êîëè÷åñòâî No Data!
îäíîâðåìåííî çàïèñûâàþùèõñÿ Ïðè÷èíà: Äàííûå òðåêà, êîòîðûå
òðåêîâ. íåîáõîäèìî ýêñïîðòèðîâàòü, íå
Äåéñòâèå 3: Óìåíüøèòå çíà÷åíèÿ Data Type íàéäåíû.
(STD (LV1) èëè LONG (LV2)) è Äåéñòâèå: Âûáåðèòå òðåê, ñîäåðæàùèé
ïîïûòàéòåñü åùå ðàç ñîçäàòü ïåñíþ. äàííûå.

Event Full! No File!

Ïðè÷èíà: MICRO BR èñ÷åðïàí ëèìèò ïî Ïðè÷èíà: Îòñóòñòâóåò ôàéë MP3/WAV,
êîëè÷åñòâó ñîáûòèé â ïåñíå. êîòîðûé íåîáõîäèìî
Äåéñòâèå: Âûïîëíèòå îïåðàöèþ îïòèìèçàöèè èìïîðòèðîâàòü.
ïåñíè Song Optimize (ñòð. 59). Äåéñòâèå: Óáåäèòåñü, ÷òî èìïîðòèðóåìûé
ôàéë íàõîäèòñÿ â ïàïêå MP3.

o%… 2, “%K/2, No Song!

Ïðè÷èíà: Êàðòà ïàìÿòè ïåñåí íå ñîäåðæèò.
Ñîáûòèåì íàçûâàåòñÿ ïåðâè÷íûé, ñàìûé
Äåéñòâèå: Ñîçäàéòå íîâóþ ïåñíþ (ñòð. 38).
ìàëåíüêèé áëîê ïàìÿòè MICRO BR, èñïîëü-
Ïðè÷èíà: Íåêîððåêòíûå äàííûå â ïàïêå
çóåìûé äëÿ çàïèñè ðåçóëüòàòîâ íà êàðòó
ïåñíè èëè îòñóòñòâóþò
ïàìÿòè. Ïåñíÿ ìîæåò ñîñòîÿòü ïðèáëèçè- íåîáõîäèìûå äàííûå.
òåëüíî èç 2000 ñîáûòèé. Äåéñòâèå: Âîññòàíîâèòå äàííûå â MICRO BR ñ
Íà îäèí äóáëü çàïèñè òðåáóåòñÿ äâà ñîáûòèÿ. ðåçåðâíîé êîïèè íà êîìïüþòåðå.
Äëÿ òàêèõ îïåðàöèé, êàê “âðåçêà” èëè êîïè- Äëÿ ýòîãî íåîáõîäèìî ïåðåïèñàòü â
ðîâàíèå òðåêîâ òðåáóþòñÿ äîïîëíèòåëüíûå MICRO BR âñþ äèðåêòîðèþ
ñîáûòèÿ. Êîëè÷åñòâî èñïîëüçîâàííûõ ñîáûòèé “ROLAND” öåëèêîì (ñòð. 100, 103).
çàâèñèò îò êîíêðåòíûõ óñëîâèé è ïîäñ÷èòû-
âàåòñÿ ïî äîñòàòî÷íî ñëîæíîìó àëãîðèòìó.
Power Down!
Ïðè÷èíà: Íàïðÿæåíèå ïèòàíèÿ âíóòðåííèõ
êîíòóðîâ ïðèáîðà î÷åíü íèçêîå.
Äàæå ïðè íàëè÷èè íà êàðòå ïàìÿòè
Äåéñòâèå: Ïðè èñïîëüçîâàíèè àäàïòåðà PSA:
ñâîáîäíîãî ìåñòà, îïåðàöèè ïî çàïèñè èëè
Âîçìîæíî èñïîð÷åí êàáåëü èëè âû-
ðåäàêòèðîâàíèþ òðåêà ñòàíîâÿòñÿ
øåë èç ñòðîÿ ñàì àäàïòåð. Îáðàòè-
íåäîñòóïíûìè, åñëè èñ÷åðïàí ëèìèò ïî
òåñü â ñåðâèñíûé öåíòð êîìïàíèè
ñîáûòèÿì.  ýòèõ ñëó÷àÿõ âûäàåòñÿ Roland èëè ê àâòîðèçîâàííîìó
ñîîáùåíèå “Event Full”. äèëåðó.
Ïðè èñïîëüçîâàíèè áàòàðååê:
Çàìåíèòå áàòàðåéêè (ñòð. 20).
No Card!
Ïðè÷èíà: Ïðåäïðèíÿòà ïîïûòêà âûïîëíèòü Protected!
êàêóþ-ëèáî îïåðàöèþ íà Ïðè÷èíà: Ïîïûòêà çàïèñè äàííûõ â
ðåêîðäåðå èëè îáðàòèòüñÿ ê çàùèùåííóþ ïåñíþ.
êàðòå ïàìÿòè, êîãäà ïîñëåäíÿÿ Äåéñòâèå: Îòêëþ÷èòå çàùèòó (ñòð. 60).
íå âñòàâëåíà èëè âñòàâëåíà
íåêîððåêòíî.
Ïðè÷èíà: Ïîñëå âûáîðà äàííûõ íà êàðòå
ïàìÿòè ïîñëåäíÿÿ áûëà
èçâëå÷åíà èç ðåêîðäåðà.
Äåéñòâèå: Âûêëþ÷èòå MICRO BR, âñòàâüòå
íàäëåæàùèì îáðàçîì êàðòó ïàìÿòè,
âêëþ÷èòå MICRO BR.

120
Stop Recorder!
Ïðè÷èíà: Äàííóþ îïåðàöèþ ïðè
ðàáîòàþùåì (çàïèñü èëè
âîñïðîèçâåäåíèå) ðåêîðäåðå
âûïîëíèòü íåâîçìîæíî.
Äåéñòâèå: Íàæìèòå íà [STOP], ÷òîáû
îñòàíîâèòü çàïèñü èëè
âîñïðîèçâåäåíèå.

Too Many Songs!

Ïðè÷èíà: Èñ÷åðïàí ëèìèò ïî êîëè÷åñòâó
ïåñåí (100).
Äåéñòâèå: Ñîòðèòå íåíóæíûå ïåñíè (ñòð. 58).

Unformatted!
Ïðè÷èíà: MICRO BR íå ìîæåò ðàñïîçíàòü
èëè íå ïîääåðæèâàåò ðàáîòó ñ
ôîðìàòîì, èñïîëüçóåìûì â
äàííîé êàðòå ïàìÿòè.

Ãëàâà 8
Äåéñòâèå 1: Âûêëþ÷èòå ïèòàíèå MICRO BR,
âñòàâüòå íàäëåæàùèì îáðàçîì
êàðòó ïàìÿòè, âêëþ÷èòå ïèòàíèå
MICRO BR.
Äåéñòâèå 2: Èíèöèàëèçèðóéòå êàðòó ïàìÿòè
(ñòð. 110).

Unsupported Card!
Ïðè÷èíà: MICRO BR íå ïîääåðæèâàåò
ðàáîòó ñ êàðòîé ïàìÿòè äàííîãî
òèïà.
Äåéñòâèå: Èñïîëüçóéòå êàðòó ïàìÿòè
ïîäõîäÿùåãî òèïà MICRO BR.

Unsupported Format!
Ïðè÷èíà 1: MICRO BR íå ìîæåò ðàñïîçíàòü
èëè íå ïîääåðæèâàåò ðàáîòó ñ
ôîðìàòîì, èñïîëüçóåìûì â
äàííîé êàðòå ïàìÿòè.
Äåéñòâèå 1: Âñòàâüòå êàðòó ïàìÿòè è
èíèöèàëèçèðóéòå åå (ñòð. 110).
Ïðè÷èíà 2: Ïîïûòêà çàãðóçêè â MICRO BR
íåñîâìåñòèìûõ ñ íèì MP3- èëè
WAV-ôàéëîâ.
Äåéñòâèå 2: Ïðîâåðüòå ôîðìàò ôàéëîâ MP3 èëè
WAV.

121
Specifications

Š .…,÷ “*, .=!=*2 !,“2,*,

MICRO BR: ö,-!%"%L ! *%!ä ! ● b! ì ƒ=C,“, (C!, 3“ë%",, ƒ=C,“,
…= %ä,… 2! *)
● Š! *,
Òðåê: 4 Åìêîñòü Òèï äàííûõ
êàðòû ïà- HiFi (MT2) STD (LV1) LONG (LV2)
V-òðåê: 32 (8 V-òðåêîâ íà êàæäûé òðåê) ìÿòè
* Îäíîâðåìåííî ìîæíî çàïèñûâàòü ìàêñèìóì 2 òðåêà, 32 Ìá 15 ìèí. 18 ìèí. 23 ìèí.
âîñïðîèçâîäèòü – 4. 64 Ìá 31 ìèí. 38 ìèí. 47 ìèí.
128 Ìá 64 ìèí. 76 ìèí. 96 ìèí.
● d%“23C…= C=ì 2ü
256 Ìá 128 ìèí. 154 ìèí. 192 ìèí.
Êàðòà ïàìÿòè òèïà SD: 32 Ìá – 1 Ãá
512 Ìá 257 ìèí. 309 ìèí. 386 ìèí.

● Š,C/ ä=……/. 1 Ãá 502 ìèí. 604 ìèí. 755 ìèí.

HiFi (MT2)
* Ïðèâåäåííûå âûøå çíà÷åíèÿ ïðèáëèçèòåëüíûå. Ðåàëüíûå
STANDARD (LV1)
çàâèñÿò îò êîëè÷åñòâà ñîçäàííûõ ïåñåí.
LONG (LV2)
* Ïðåäïîëàãàåòñÿ, ÷òî âñå äàííûå çàïèñàíû íà îäèí òðåê.
Åñëè âñå ÷åòûðå òðåêà çàïèñàíû è ñîäåðæàò îäèíàêîâîå
● Š,C/ =3ä,%ä=……/. (! ›,ì MP3)
êîëè÷åñòâî äàííûõ, òî ýòè çíà÷åíèÿ íàäî ðàçäåëèòü íà 4.
MP3 (192 Êáèò/ñ, 44.1 êÃö)
* Îáúåì äîñòóïíîé ïàìÿòè (âðåìÿ çàïèñè) óìåíüøàåòñÿ,
MP3 (128 Êáèò/ñ, 44.1 êÃö)
åñëè íà êàðòå ïàìÿòè ïðèñóòñòâóþò àóäèîôàéëû MP3
MP3 (64 Êáèò/ñ, 44.1 êÃö)
èëè WAV.
WAV (44.1 êÃö, 16 áèò)
* MICRO BR ïîääeðæèâàåò âîñïðîèçâåäåíèå ôàéëîâ MP3, ● b! ì ƒ=C,“, (! ›,ì MP3, “2 ! %)
ñêîðîñòü ïåðåäà÷è êîòîðûõ ëåæèò â äèàïàçîíå 64
Êáèò/ñ – 320 Êáèò/ñ. Åì- MP3 WAV
êîñòü 64 128 192
êàðòû
● nK!=K%2*= “,ã…=ë= ïàìÿòè
Êáèò/ñ Êáèò/ñ Êáèò/ñ
ÀÖ-ïðåîáðàçîâàíèå: 32 Ìá 65 ìèí. 32 ìèí. 21 ìèí. 2 ìèí.
24 áèò + AF-ìåòîä (GUITAR IN, âñòðîåííûé 64 Ìá 131 ìèí. 65 ìèí. 43 ìèí. 5 ìèí.
ìèêðîôîí) 128 Ìá 265 ìèí. 132 ìèí. 88 ìèí. 12 ìèí.
24 áèò (LINE IN/MIC) 256 Ìá 531 ìèí. 265 ìèí. 177 ìèí. 24 ìèí.
ÖÀ-ïðåîáðàçîâàíèå: 24 áèò 512 Ìá 1065 ìèí. 532 ìèí. 355 ìèí. 48 ìèí.
* AF-ìåòîä (Adaptive Focus – àäàïòèâíàÿ 1 Ãá 2081 ìèí. 1040 ìèí. 693 ìèí. 94 ìèí.
ôîêóñèðîâêà)
Àäàïòèâíàÿ ôîêóñèðîâêà – óíèêàëüíàÿ òåõíîëîãèÿ * Ïðèâåäåííûå âûøå çíà÷åíèÿ ïðèáëèçèòåëüíûå. Ðåàëüíûå
êîìïàíèè Roland/BOSS, ïîçâîëÿþùàÿ ñóùåñòâåííî çàâèñÿò îò êîëè÷åñòâà ñîçäàííûõ ôàéëîâ MP3/WAV.
óâåëè÷èòü îòíîøåíèå ñèãíàë/øóì êîíâåðòåðîâ ÀÖ è * Îáúåì äîñòóïíîé ïàìÿòè (âðåìÿ çàïèñè) óìåíüøàåòñÿ,
ÖÀ. åñëè íà êàðòå ïàìÿòè çàïèñàíû äàííûå òðåêîâ (ïåñíè).

● )=“2%2= “.ìCë,!%"=…,
44.1 êÃö

● )=“2%2…/L ä,=C=ƒ%…
20 Ãö – 20 êÃö

122
● m%ì,…=ëü…/L ".%ä…%L 3!%" …ü
âõîä GUITAR IN: -20 dBu
âõîä LINE IN/MIC: -10 dBu (LINE)
âõîä LINE IN/MIC: -40 dBu (EXT MIC)
● b.%ä…% C%ë…% “%C!%2,"ë …, ýêñïëóàòàöèè, áàòàðååê è òèïà âñòàâëåííîé SD-êàðòû.
âõîä GUITAR IN: 1 ÌÎì
âõîä LINE IN/MIC
LINE: 16 êÎì
EXT MIC, Plug-in Power (âñòðîåííûé
èñòî÷íèê ïèòàíèÿ) =OFF: 18 êÎì
EXT MIC, Plug-in Power (âñòðîåííûé
èñòî÷íèê ïèòàíèÿ) =ON: 2.2 êÎì
● m%ì,…=ëü…/L "/.%ä…%L 3!%" …ü
âûõîä PHONES/LINE OUT: -10 dBu
● m%ì,…=ëü…% C%ë…% "/.%ä…%
● Š%*
9 Â/140 ìÀ (ïðè èñïîëüçîâàíèè àäàïòåðà
ñåðèè PSA)
3 Â/320 ìÀ (ïðè èñïîëüçîâàíèè áàòàðååê)
* Ìîæåò ìåíÿòüñÿ â çàâèñèìîñòè îò óñëîâèé
961
• Ñðîê ñëóæáû áàòàðååê çàâèñèò îò óñëîâèé
ýêñïëóàòàöèè:
Ùåëî÷íûå ñóõîçàðÿæåííûå áàòàðåéêè îáåñïå÷èâàþò
îêîëî 6 ÷àñîâ íåïðåðûâíîé ðàáîòû (ñ
èñïîëüçîâàíèåì ôóíêöèè ýíåðãîñáåðåæåíèÿ)
● c=K=!,2/
136.0 (Ø) x 81.5 (Ã) x 21.5 (Â) ìì
● b “
130 ã

Ãëàâà 8
“%C!%2,"ë …, ● `*“ ““3=!/
âûõîä PHONES/LINE OUT: 33 Îì • Ìÿãêèé ÷åõîë
• Äâå ñóõîçàðÿæåííûõ ùåëî÷íûõ áàòàðåéêè òèïà AA
● p *%ì …ä3 ì% “%C!%2,"ë …, • Êàðòà ïàìÿòè (128 Ìá êàðòà òèïà SD: ïðè ïîêóïêå
…=ã!3ƒ*, óæå óñòàíîâëåíà)
âûõîä PHONES/LINE OUT: • Ðóêîâîäñòâî ïîëüçîâàòåëÿ
16 – 100 Îì¾ (PHONES) • Áóêëåòû (About Memory Cards – Êàðòû ïàìÿòè,
1 êÎì èëè áîëüøå (LINE OUT) Information/Effect Patch List – Ñïèñîê ïàò÷åé
ýôôåêòîâ)
● h…2 !- L“
USB-ðàçúåì (òèï ìèíè B) ● nCö,,
Àäàïòåð ñåòè ïåðåìåííîãî òîêà: ñåðèÿ PSA
● d,“Cë L
16 ñèìâîëîâ x 2 ñòðîêè, 22 ïèêòîãðàììû
(ÆÊ ñ ïîäñâåòêîé)

● p=ƒA ì/
âõîä GUITAR IN (1/4” òèïà phone)
âõîä LINE IN/MIC (ïîä ñòåðåîôîíè÷åñêèé
ìèíè-äæåê)
âûõîä PHONES/LINE OUT (ñòåðåî 1/4” òèïà
phone, ñ îïöèåé ïèòàíèÿ)
USB-ðàçúåì (òèï ìèíè B)
fig.MEMO

● o,2=…,
Äâå ñóõîçàðÿæåííûõ áàòàðåéêè òèïà AA 962a
•  öåëÿõ ìîäåðíèçàöèè òåõíè÷åñêèå õàðàêòå-
(ðåêîìåíäóþòñÿ ùåëî÷íûå áàòàðåéêè)
ðèñòèêè è/èëè âíåøíèé âèä ïðèáîðà ìîãóò
Ïîñòîÿííûé òîê 9 Â: àäàïòåð ñåòè
èçìåíÿòüñÿ áåç ñïåöèàëüíîãî óâåäîìëåíèÿ.
ïåðåìåííîãî òîêà (ñåðèÿ PSA: ïðèîáðåòàåòñÿ
* 0 dBu = 0.775 Vrms
îòäåëüíî)

123
124
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