Beruflich Dokumente
Kultur Dokumente
Sound Installation
March 5–8 Ligeti in Context: The Witch’s Kitchen at the WDR Electronic Studio Logan Stairwell
Die Hexenküche (The Witch’s Kitchen) was the colloquial nickname for the electronic music studio at the
WDR radio station in Cologne, called as such by conservative critics and skeptical audiences who questioned
its aesthetic relevance. For composers such as Ligeti, however, the WDR studio was a utopia for creating
truly avant-garde music. This installation reimagines the compelling and strange electronic sounds of the
studio. Come immerse yourself in the soundscape of mid-century modernism.
Concert
March 6 Tuesday Evening (7:30p – 10:00p) Logan Performance Hall
Pierre-Laurent Aimard plays Ligeti’s Ètudes and Beethoven’s Hammerklavier Sonata. (NB: Aimard also
gives lecture-demonstration on Monday March 5, 4:30 p.m., Logan Center, Penthouse 901)
Conference
March 7 Wednesday Morning Panel (9:30a – 12:00p) Fulton
Technocratic Modernism and the Aesthetics of Failure
9:30 – 10:00 Jennifer Iverson (University of Chicago) and Samuel Pluta (University of Chicago)
“Electro-acoustic Translations and the Aesthetics of Failure”
Wednesday Lunch (12:00p – 1:30p) catered by Chicago Curry House Fulton lobby
Wednesday Demo Lectures (1:30p – 3:00p) Fulton
Theorizing Playing, Self and Other
Evening Performance
Wednesday (8:00p – 10:00p) Logan Penthouse 901
Transylvania Transit – A Musical Journey through Modernism's Mirror
New Budapest Orpheum Society Ensemble
DRAFT of Schedule 02/15/18
The New Budapest Orpheum Society, the Jewish cabaret and ensemble-in-residence for the Humanities
Division, journeys to the Transylvanian world in which György Ligeti grew up and which he explored in
his early career as a Romanian ethnomusicologist of Hungarian-Jewish heritage. In the course of the
evening the ensemble will travel through the shtetls to the urban ghettos of the Carpathians, searching
out the confluence of post-Shoah Polish cabaret with Hebrew songs in the new settlements of modern
Israel. Passing through modernism's mirror, as did Ligeti in his early years, listeners will experience
twentieth-century music in new and unexpected ways.
Sponsored by the Division of the Humanities, the Franke Institute, the Logan Center, the University of
Chicago Arts Council, the Joyce Z. and Jacob Greenberg Center for Jewish Studies, and the Department
of Music.
Conference
March 8 Thursday Morning Panel (9:30a – 12:00p) Fulton
Composing Multiplicity: Cycles, Distortion, and Dissonance in the Late Piano Works
9:30 – 10:00 Clifton Callender (Florida State Uuniversity)
“Between the Hands: Interharmony and Combinatorial Tonality in the Études and
Beyond”
11:15 – 11:45 Imri Talgam (The Graduate Center at CUNY) *needs piano*
“A Perception-Based Strategy for the Performance of Rhythmic Dissonance in Ligeti's
Polymetric Ètudes”
2:00 – 2:30 Bianca Țiplea Temeș (Gh. Dima Music Academy Cluj-Napoca, Romania)
“Haunting Soundscapes of Transylvania: Ligeti’s Research Stay at the Folklore Institute
in Bucharest”
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Conference Locations
Classics
adjacent to Goodspeed Hall—you don’t even have to walk outside
1010 E 59th St. 60637
https://maps.uchicago.edu/?location=Classics+Building
La Petite Folie
1504 E 55th St. 60615 (we’ll likely take Ubers and Lyfts together)
http://www.lapetitefolie.com/findus.html