Beruflich Dokumente
Kultur Dokumente
≠ ≠ ≠
RP
E
BU
E E BUS BD E
B B
B B
G 5 7 7 5 G
G 55 (7) 7 5(5) 5 G 5 (7)
P
(7)
P
D D
D D 7
P
FRETTING HAND
A A
A A 7 5 0
E GUITAR TECHNIQUES MAGAZINE E
E E GUITAR TECHNIQUES
5 0 MAGAZINE
GUITAR TECHNIQUES MAGAZINE
Guitar Technique Examples - Fretting Hand Guitar Technique Examples - Bending And Vibrato Guitar Technique Examples - Harmonics
‚ # ‚‚
Natural Harmonics
Tab explained
Bend Up/Down
≠
hammer-on
Hammer On & Pull&Off
pull-off note trills slides (glissando) left-hand
Re-Pick Bend
Left Hand tapping
Tapping fret-hand
Pre-Bend muting
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≠ ≠
Note Trills Fret Hand Muting
~~~~~
· · · ··
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j œ œ œ œ
j œ œ &
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All the musical terms and signs you'll encounter in Guitarist's techniques section at your fingertips! E E
tr
E
BU BD
E
E
BU E
BE BD 12 7
(7 5)
B B
B B B GB X X X 87
8 12 X X
G 5 7 7 5 G 5 G 5 (7) (5) G
G 5 (7) (7) DG (7)7 X X X (5)7 7
12 X X
D D D P P 7 6 X X X 6 X X
D 8 A
D
A P AD
A A A 7 5 0 EA 7 X X X 7 X X
E E GUITAR E E
E GUITAR TECHNIQUES
5 0 MAGAZINE E
TECHNIQUES MAGAZINE
Guitar Technique Examples - Bending And Vibrato Guitar Technique Examples - Harmonics
‚muted by
Bend Up/Down
‚ ‚1/4 notes
Re-Pick Bend Pre-Bend
¿¿‚ ¿¿ ¿¿ œ œœwith
Fret Hand Muting
PickNote
1stTrills
note and hammer on with fretting Rapidly
Slidesalternate
(Glissando)between the two notes Pick 1st note and slide to 2nd note. The Sound the notes marked with X markings represent
~~~~~
Quarter Tone Bend
· · · ··
jœ
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pull off for 4th˙ note. and pull-offs.œœ œ œœ œ & # œfingers. & hand.œ œ ˙
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hand for 2ndtrnote. Then pick 3rd note and indicated in brackets with hammer-ons second example by hammering the fretting hand when struck by the
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being re-picked. fretting-hand picking
fretbox examples with photos
~~~~~ '
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PB AH 16 AH 17 AH 19
RP
tr BU E E 1/4
E E E
E E BU S BD E
B BD 12 7 BE
(7 5)
B B B X X X 8 7 X X B
B B B
G 8 12 G 4 7
hand labelLing NUT AND FRETBOARD CHORD EXAMPLE G 5 G
G 5 (7)
5 7 5(5) 5 G
D
5 (7) (7) G
G
D (12
7)7 X X X (5)7 7 X X DG 7 55
‚'
#‚
bend up/down re-pick bend pre-bend
Natural Harmonics Quarter-tone
Artificial Harmonics bend vibrato
‚ ‚‚ ‚
≠
Bend Up/Down Pinched
Vibrato Harmonics
‚
Re-Pick Bend
Left Hand Tapping Pre-Bend
—
Vibrato Arm Bends
‚œ ‚ ~~~~~
— w/bar
≠ ≠
Quarter Tone Bend
œ ~~~ œ œ~~~œ ˙ —œ
Slides (Glissando)
· · · ··
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‚œDoopThe last
Pinched Harmonics
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FretLeft
theHand
start
Re-Pick note (here, the 5th fret)
Tapping
Bend Bend upHand
to the
Pre-Bend Bend up from
Tone the
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the note and then bend up a The fretting hand vibrates the note by
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Fret Muting Quarter
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· · · ··
‚
Fretting hand: 1, 2, 3, 4, (T) Picking hand: p (thumb), i (index), m the accompanying photo. This is for ease of visualising a fretboard open string, and a circled number is a fretting finger. A black ‘O’ or cir-
n œ ¿ ¿ ¿ œ œ ¿¿ ¿¿
¿ ¿ œ
and bend up to the pitch6 of the then re-pick the note the 7th fret note, quarter tone (a very small small bend ups
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note & &fret note. & referred &
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(middle), a (annular), c (little finger) scale or chord quickly. cled number is the root (here, G).
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bracketed note, at the new to 5th Sometimes as blues curl. example uses the vibrato arm.
· ·' · ± ±± ···
≠ ≠ ≠
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~~~ w/bar
~~~~~
NH5
PB AH 16 AH 17 AH 19 TH 17 TH 19 TH 17
Scoop
RP PH
1/4
Doop
CHORD EXAMPLE (WITH CAPO) SCALE EXAMPLE BENDING EXAMPLE EE
BU E
E
B
E BD 12 7
E
BE
E
E
B
E
B 10 8
BB B
G
B 8 12
X X X 87 X X GB 4 7 B
G G 4
GUITAR TECHNIQUES MAGAZINE (7)7
5 (7) (7) X X X (5) 7 7 7 55
HARMONICS
GG G
D
G 12 X X DG G
D 77 5 5 D GUITAR TECHNIQUES
5 7 MAGAZINE
Guitar Technique Examples - Picking DD P P 7 D
A AD 7 D 7
6 X X X 6 X X 7
0 0 0
D A A
AA P 7 MAGAZINE
5 0 A EA A
E
A 7 X X X 7 X X E E Guitar Technique Examples - Others
EE GUITAR TECHNIQUES E GUITAR TECHNIQUES MAGAZINE
1 1 1 1 5 1 1 1 1 1 1
E E
capo 4 Down & Up Picking
5 0
Guitar Technique Examples - Harmonics
E
Guitar Technique Examples - Vibrato Arm
Pick Scrape
natural harmonics artificial harmonics pinched harmonics tapped harmonics touch harmonics
‚'
2 2 2 2
‚ # ‚‚
Natural Harmonics Artificial Harmonics Touch Harmonics
œ ‚ ‚
Tapped Harmonics Sustained Note + Dive Bomb
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Pinched Harmonics
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· · · ··
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~~~~~
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PB AH 16 AH 17 AH 19 TH 17 TH 19 TH 17 E TCH
~~~~~~~~~~~~~~9~~~ [5 ]
B PH
GUITAR TECHNIQUES MAGAZINE USER GUIDE G w/bar B
G w/bar
D 7 5 E E 1/4 EE E ED Pick scrape
~~~~~~~~
Guitar Technique Examples - Treble Clef And Tablature
≥ ≤
A minor blues A BE
E
BD 12 7 E
B BBE B BA X
A major scale X
A
E B 8 X X X 8 7 X X B B
~
scale (with bending)
GUITAR TECHNIQUES MAGAZINE
B
G 12 G 4 7 GG 5 (7) (5) (4) G 4 G 5 2
DG
G (77)
12 X X X (5)7 7 X X G
D 7 5 DD
G
77 5 5 5
D GUITAR TECHNIQUES 7 MAGAZINE D
E
Guitar Technique Examples - Picking AD
D 6 X X X 6 X X D
A 7 AAD 7 7 A A
EA
A 7 X X X 7 X X A
E EEA E Guitar Technique Examples - Others E
EE E GUITAR TECHNIQUES MAGAZINE E
œ œ œ
Guitar Technique Examples - Vibrato Arm
&
The blue line represents a capo – for this A chord, place it at fret 2. Down & Up Picking Green and yellow fingerings showTremolo
The fret box diagram shows the fret-hand fingering for the A major Picking
the size of a string bend. Green cir- Violining
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Pick Scrape
≠
Scoop And Doop
œ œ b@œ # ˙ Gargle
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FretTouch Harmonics Gargle
‚ fret shown
Capos change the fret number ordering – here, the original fret 5 scale. The photo shows part of the scale being played on the fourth cles are 2-fret bends (1 tone), yellow circles are 1- fret bend (1/2 tone). PickArtificial
the note while lightly touching the
Harmonics FretPinched
the note as shown, then lightly place FretTapped
the note as shown, but dig into the the note as shown, but sound it with A previously sounded note is touched
& œ The photo ‚ above the fret˙˙marked TCH˙˙(eg
Harmonics
&
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harmonic results.
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~~~~~~~~~~~~~ &
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· ·' · ··· ·
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~~
± ±± ≠
1E
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mm mmm
E E
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AH 16 AH 17 AH 19 TH 17 TH 19 TH 17
Scoop E TCH E 2
~~~~~~~~~~~~~~~9 ~~
B PH
@ @ @ @
B Gargle3 Gargle
4D 0 G G 5 4 7 8 w/bar B B 3
Doop
≥ ≤ ~~~~~~~~
GUITAR TECHNIQUES MAGAZINE USER GUIDE A A BE E
B BB DB X 2 5
B 10 8 AG X2
BA
3
~
G 4 7 G 5 (7) (5) (4) G 5 57
G G GE
DG 7 G 7 5 ED
Guitar Technique Examples - Treble Clef And Tablature GUITAR TECHNIQUES MAGAZINE 5 DD 5 DD 5 7
GUITAR TECHNIQUES MAGAZINE D
AD 7 D
AA 7 7 AA A A
Guitar Technique Examples - Picking EA A
E EE E
E GUITAR TECHNIQUES MAGAZINE E
E Guitar Technique Examples - Others E
C Em D7 A m7 Tremolo Picking
MUSICAL STAVE – The five horizontal
Palm Mutinglines for music
Guitar Technique Examples - Vibrato Arm
VIBRATo arm bends scoop andDoopdoop sustained
Pick Scrape note+dive bomb gargle
Violining CAPO notation
# œœ nœ nœ
Capo
FingerNotation
œœ œœ œœ
notation show note pitches and rhythms and are divided Numbering
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where to put your fingers on the fretboard. The
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2nd string 2nd string 3rd string 4th string
± ±±
3rd fret 1st fret 2nd fret Open lines represent the six strings on a guitar – PM the numbers on PM vol. vol.
E E
~~~ wide
~~~ w/bar
~~~~~
1E 1E 0E 0 2 0 the strings are fret numbers. B TH 17 TH 19 TH 17
Scoop E TCH E 2 E
@ @ The@two stave
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B Capo 2nd fret
3 1 1B 0 1 1 B 3 3 B
X ~~ ~ ~~~~9
2B 2B G 5 4 7 8 G 7 7 w/bar Doop w/bar
show6four notes and G 2 5 G 8 7 5
~~~~~~~~~~[~5 ]
6 G
3G 2 3G 0G 0 2 0 D D E
E EE EE
D ED
7 5
4D 0 4D 2D 7 2 5 0 2 A A 7 7 BE
B BB BB D 2 5
~~ ~~
10 8 A 3
BA 1 0
then four chords. The chords are:
≥ ≤
E 0 0 0 0 0 B A
5A GUITAR TECHNIQUES MAGAZINE 5A 3A 2 0 E G
G 5 (7) (5) (4) GG 4 GG
E 5 2 G 0 2
E DG 7 5 5 5
DD GUITAR TECHNIQUES7 MAGAZINE D E 5 E
2 1
6E
Guitar Technique Examples - Picking 6E 0 D
7
D D
C (C major), Em (E minor), D7 (D dominant 7) and Am7 (A AD
A 7 AA AA A 3 2
EA
E EE Guitar Technique Examples - Others EE E
E
Palm Muting minor 7). Pick Scrape
Down & Up Picking Pick Rake Violining
n œœ n œœ w
Pick Scrape Finger Numbering
≠
Tremolo Picking
TheScoop
noteAnd Doop
is picked, then the whammy Scoop – depress the bar just before striking Note is sustained and then the vib is Sound the note and ‘flick’ the tremolo A capo creates
E m7a new nut, so the above
~~~~~~~~~~~~~
£ ¡
œœ œ
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rake articulation
≠
guitar technique examples
PM PM
~ vol. vol.
mm mmm
E E E 5 TH 17 TH 19 TH 17 TCH
Scoop E E 2 E E 0
~~
G 7 7 G X
PICKING X~
B G Doop
@ @ @ @ 5 2 ~ ~~~ ~ ~~9~~~ [ 5 ]
w/bar G 2 5 0 0
D 7 5 G 5 4 7 8 D 6 6 D X E
E EG
E E
G 8 7 5 G
0 0 2 0
~~~~~~~~
1E
≥ ≤
BD D 2 5 D 7 5 D 2 2
OTHERS
A D A 7 7 A B
B 10 8 B B
2B 1 0 1 E 1 0 0 0 0 0 E A A 3 A A
~
A E G 4 G
GUITAR TECHNIQUES MAGAZINE 0 G G G
E 5 57 0
3G 0 2 0 E D 5
D GUITAR TECHNIQUES 7 MAGAZINE DE
D D
E E
4 D Technique 2
Guitar 2
Examples - Picking 0 2 A
A AA A p p i a m i p
5A 3 2 0 E EE
Lœ œ œ Lœ œ
E Guitar Technique Examples - Others E
6E 0 Arpeggiate Chord
DOWN & Picking
Down & Up UP-PICKING TREMELO PICKING
Tremolo Picking PALM MUTING
Palm Muting PICK RAKE
Pick Rake ARPEGGIATE CHORD pick scrape violining
Violining finger numbering pima directions
Pick Scrape right-hand tapping
w
Right Hand Tapping
ggg # ˙˙˙
Pick Scrape Capo Notation
Finger Numbering
≠
œ bœ ˙ # ˙˙
#
E m7
œ ‚ b¢œ £ œ œ
Gargle
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Sustained Note + Dive Bomb
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@ @ & œœ & ¿~ &
œ˙˙ œ £ ˙¡ œ # œ & œ œ œ œ &
(C) (B7)
ggg # ¿˙
gg ˙ œ ˙˙
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~~~~~~~~~~˙~scrape
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L L
& &
w/bar
œ œ œ œ œ g ~~~~~~~~~ œ # œ #œ #œ œ
·
Pick
rake
≠
ggg 002 ggg
vol. vol.
6
PM PM
mm mmm
5 E 4
ggg 2 ggg
E E E
E TCH E 2 E E 0 E
@ @ @ @
B E Gargle3 Gargle Capo 2nd fret
B B 3 B B 3 B
~~
5 4 7 8 4
gg X2 gg
G G G X G
X~
B 8 8
5 2 ~ ~~~ ~ ~~9~~~ [ 5 ]
G w/bar G 2 5 G 8 7 5 G 0 0 G 12 5 9
D 7 5 D G 7 7 D X D 4 E
E E E
~~~~~~~~
2 5 7 5
≥ ≤
A A D 6 6 A A 4 D
B D D D 2 2 D 12 5 9
B
A B
A 3
B
A 1 0 A A
E E 5
~
E A 7 7 E G
G
E G
E 5 57
G
E 0 2 E 0 E
E 0 0 0 0 0 D
D D D 2 1
A
A A A 3 2 p p i a m i p
E
E E E
L œ œ Lœ œ
Palm Muting Arpeggiate Chord Pick Scrape
TheTremolo
first note is to be down-picked and
Picking Each of the four notes are to be alternate Palm mute by resting the the edge of Drag the pick across the strings shown Play the notes of the chord by strumming
TheViolining
edge of the pick is dragged down or TurnFinger
volume control off, sound note(s) The numbers after the notes are the Fingerpicking requirements are shown
Right Hand Tapping
Tap (hammer-on) with a finger of the
picked (down-n œ& up-picked)n œvery rapidly
ggg # ˙˙˙
Capo Notation
Numbering
≠
Pick Rake
œ œ
across the relevant strings in the direction
#˙
the last note is to be up-picked. picking-hand’s palm on the strings near with a single sweep. Often used to
œ augment a ggrake’s b œ £ for¡ a(B7)smooth fade œ œ
Gargle
& ‘violining’œ. œ œ ˙
and then turnD¢vol up
œ
& sound.˙˙ Gargle ˙ Gargle
up along the lower strings to produce a fingers required to play the fret numbers picking hand onto the fret marked with a
& @ @ @ & # œœ œœ ¿ & gg ˙ ggg # # ˙˙ mm ˙˙ mmm in the&tab below . œ œ & œ
and continuously. the bridge. of the arrow head.
@ & ¿¿ œ œ
(C)
ggg # ¿˙ œ˙˙
scraped in. Called circle. Usually with ‘i’ or ‘m’.
œ œ œ œ œ gg ˙ œ ˙˙ œ £ ¡ œ #œ
œ #œ œ #œ #œ
L L
g & & œ
≠
ggg 00 gg 54
PM PM rake
vol. vol.
6
ggg 44 mm mmm
E E
ggg 22
E
B B 8 8 5 B E 2 E E 0 E
@ @ @ @
E Gargle3 Gargle Capo 2nd fret
gg 45
5 4 7 8 G 7 7 B 3 B B 3 B
gg X2
G B X G
8 7 5 0 0
g
D D 6 6 G X D G
E 2 5 G
E
G G 12 5 9
A A 7 7 D X A D 2 5 D 7 5 D 2 2 D 12 5 9
B
A 3
B
A 1 0 A A
E E 0 0 0 0 0 A E
5 0 2
57
G G
E E E 0 E