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Shakira's hit song “Waka Waka (This Time for Africa)” was released on May 7th, 2010, and is
the official song of the 2010 FIFA World Cup1. This song is an interesting example to which we can
look at Arjun Appadurai's musical theory contained in “Disjunction and Difference.” In particular, this
song is a great example to illustrate Appadurai's five-dimensions of global cultural flows. These
cultural flows, ethnoscape, technoscape, ideoscape, mediascape, and financescape allow us to look at
different aspects of globalization's impact on our world2. In the case of “Waka Waka (This Time for
Africa)” we are able to better understand the meaning behind the suffix of these five “scapes,” and see
Appadurai's choice to add the “scape” suffix to his five terms which encompass his theoretical
framework is confusing and a peculiar choice. The suffix itself if most well known through the work
“landscape,” and it means “'an extensive view, scenery,” or “a picture or representation.3'” One way to
understand part of what Appadurai means by infusing his theory with this suffix, is to understand how
landscapes are fluid, but at the same time stagnant. A landscape itself rarely changes: features of
landscapes such as trees, buildings, hills, or even mountains themselves remain in place. However, if
one were to commission ten artists to depict that same landscape, their resultant works would be vastly
different. The scenery itself may not change, but the interpretation and the viewpoint of the spectator
can turn the unchanging landscape into a fluid and intangible object. How this relates to Appadurai's
In terms of globalization, the World Cup is truly a worldwide event, and a great opportunity to
see different cultures and ideas interact through the sport of soccer. Due to the popularity of the event,
people across the globe travel to the host country to watch it unfold. This movement of people is one of
the central ideas of ethnoscape, and this diversity of people is shown in Shakira's song through the
sheer number of genres which seem to permeate throughout the song.4 From the music video itself,
before the lyrics even begin we can hear several instances of African and Cameroonian vocal chants,
accompanied by a much more modern steady kick drum pattern.5 There are countless instruments used
in this song from many parts of the world as well. There is a very interesting temporal contrast between
the instruments used in the song: while it sounds similar to “African” music with the conga drums and
rhythm sticks, it is only topical. The song itself is carried by more modern instruments like the drum kit
While the song itself does not provide much interesting material with regards to technoscapes
nor mediascapes, there is an interesting clash between financescapes and ideoscapes present. The clash
itself is as follows; while the song itself appeals to the themes of inclusiveness, unity, and social
progress, it seems like financial interests overshadowed the ideological value the song could have had.
As it turns out, many South Africans were upset with the song because they felt like it should have been
performed by an African artist, since it is a song about self-empowerment.6 In actuality, the song's title
and lyrics are heavily influenced by a traditional soldier song called “Zamina mina” and encourages
5 "Waka Waka (This Time For Africa) By Shakira And Freshlyground Songfacts
financial pressures overshadowed their ideological counterparts, since while on the surface it seems to
include several multinational groups around the world, all the key players in its inception, production,
and dissemination were non-African companies.8 Shakira was chosen to sing the song due to her
Backstreet Africa
Patterson and Kelley's “Unfinished Migrations” focuses mostly on the African diaspora
worldwide due to the transatlantic slave trade and other disruptive forces. While diasporas are created
mostly due to misfortune and signal an upcoming difficult period in that group's history, it also allows
for otherwise impossible mixings of people. The group of people who were oftentimes forced to leave
their homeland contain fond memories of the places they came from, and after settling in a new region,
will try to rebuild some of what they had before. Their impetus to reinvigorate their culture will
naturally be influenced greatly by their new home, and their new home will naturally be affected by the
visitors. With regard to music, this effect is very evident and oftentimes revolutionizes the music scene
in the new “home” country. While there have been many types of diasporas in human history due to
wars or famine, the African slave trade is easily one of the most influential especially with regards to
music. African music had such a different flavor than the majority of the world's music at the time, such
that a whole era of funk type music was born.9 Popular music genres like pop, funk, reggae, jazz, and
blues to just name a few are examples of the mixing of multiple styles into one. This is one type of
beautifully into a single piece. Alex Boye's submission for the #BestCoverEver contest is one such
Alex Boye's music is a clear example of how mixing cultural music styles can create new styles
which are refreshing and otherwise incapable of forming. Boye “Africanizes” hit American pop songs
by adding African themes, instruments, and chants. His cover of Backstreet Boys song “As Long as
you Love me” is a great juxtaposition of both styles through its sound and visuals. His singing style,
especially in this particular example, forgoes clearer pronunciation for a more African sounding lyric
track. Instead of the western style backup singing, which harmonizes particular words or phrases, he
chose not to sing in english at all. The visuals he chose for this video as well clearly differentiates
between Western and African styles. Many of the instruments are in the African style, while also
including microphones, a fidget spinner, and a disco ball. He balances both aspects extremely well, and
neither seems dominant, while bringing out the strong points of each style. He was extremely
meticulous in the creation of the video as well: almost every Western element he includes, there is a
"Shakira - Waka Waka (This Time For Africa) (The Official 2010 FIFA World Cup™ Song)."YouTube. N. p., 2017. Web. 4
Nov. 2017. https://www.youtube.com/watch?v=pRpeEdMmmQ0
"Waka Waka (This Time For Africa) By Shakira And Freshlyground Songfacts."Songfacts.com. N. p.,
2017. Web. 4 Nov. 2017.
"Waka Waka (This Time For Africa)."En.wikipedia.org. N. p., 2017. Web. 4 Nov. 2017.
"World Cup 2010: Shakira's Official Song 'Waka Waka' Fails To Impress South
Africans."Telegraph.co.uk. N. p., 2010. Web. 4 Nov. 2017.
"Zamina Mina (Zangalewa)." En.wikipedia.org. N. p., 2017. Web. 4 Nov. 2017.