You Are The Reason

2017 Greatest Hits

Words & Music by:
C. Scott, J. Maguire,


 C. Sanders

                         
A

Violin 1  


                     
     
B
  
14

  

    
                    
C

   
21

    


               
                
28

  rit.   D
          
a tempo

            
35



              
             
43

   

                                   
E

    

             
  
F

           
56



Arranged for String Quartet by:
ERVIN K. OSMENA
copyright 2018
A.C.T.
2 You Are The Reason

  
                           
62

 

        
         
G


69

 
piu mosso cresc. dim. cresc.

         

      
   
76

 
dim.

                                 
H


81

  
 espress.

       
           
87

   

           

 
93

 

Arranged for String Quartet by:

ERVIN K. OSMENA
copyright 2018
A.C.T.
 You Are The Reason
2017 Greatest Hits
Words & Music by:
C. Scott, J. Maguire,

 
C. Sanders
  


     
A B

 

Violin 2


                          
C


25

 


        
rit.           

33

  
a tempo

 


                           
D

   

         
                
E

         
49

                        
F

         

55

 

        
                        
62

  


                   

G Melody

             
piu mosso cresc. dim. cresc.

                
      
      
76 H
  
dim.  espress.
  
                             
86

   
Arranged for String Quartet by:
ERVIN K. OSMENA
copyright 2018
A.C.T.
 You Are The Reason
2017 Greatest Hits
Words & Music by:
C. Scott, J. Maguire,
 C. Sanders

Viola                                        


                                     
7 A

                                     
13 B

                                     
19


                                    
25 C


    a tempo 

                       
poco rit.


31



   D  
                
39

                   
       
E
       
45

Arranged for String Quartet by:

ERVIN K. OSMENA
copyright 2018
A.C.T.
2 You Are The Reason

               
           
51

      
   
     
F
         
57

                      
                
61

      
G Duo

                       
65

 piu mosso

                   
        
71


cresc. dim. cresc.

                  
 
         
H
  
76


dim.  espress.
    
               
  
83


         
91

  

Arranged for String Quartet by:

ERVIN K. OSMENA
copyright 2018
A.C.T.
 You Are The Reason
2017 Greatest Hits
Words & Music by:
C. Scott, J. Maguire,
 C. Sanders

    
        
 
Cello

  
A B

          
  
 
21 C

           
 

    
32 D

         
poco rit. a tempo

 

  
43 E

           


 
53 F
         
   

   

G
  
63

         
  

piu mosso

        
     
     
71

 


  
cresc. cresc.
dim.


             
H
 
77

   
   espress.

dim.

         
   
87

  
Arranged for String Quartet by:
ERVIN K. OSMENA
copyright 2018
A.C.T.