Fine Art - September 2018

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Albert Oehlen, Julian Schnabel

Holzwarth Publications 2018 ISBN 9783947127085 Acqn 28870
Hb 24x30cm 80pp 35col ills £39.50
Since the 1980s, from both sides of the Atlantic, the artists Albert Oehlen and Julian Schnabel
have continually questioned and reinvented painting with the help of conceptual strategies, an
open approach to style, and a surprising use of found materials. They have been friends for three
decades, and now, at a 2018 exhibition at Galerie Max Hetzler Berlin, they interconnect their
current artistic positions and their shared past. Beside large-format canvases and smaller works
on paper, the two present portraits they made of each other: Albert Oehlen in an oversized,
ecclesiastical-looking frock in a positively baroque painting from 1997, and Julian Schnabel in
strictly gray hues lounging on a couch, painted specifically for the occasion. In his new paintings
shown here, Oehlen reworks the forms and colors he first used in his early abstract work of the
mid-1980s with an evolved easiness of invention. Schnabel at that time started painting on used
tarpaulins, and here again he collects found fabric, painting on the covers for market stands in
Mexico. These bring their own specific marks and stories, over which the artist adds large
gestural forms that evoke landscapes, flowers, or figures. An essay by art historian Christian
Malycha elucidates this special meeting of minds, while painter Glenn Brown delivers a veritable
declaration of love for the work of his two colleagues.
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Bruno Munari - Before The Drawing

Corraini Editore 2018 ISBN 9788886250306 Acqn 28302
Pb 12x16cm 80pp 45ills £21
Mark-like inventions of the pencil by Bruno Munari allowed free rein on the paper.
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Bruno Munari - Love And Kisses

Corraini Editore 2018 ISBN 9788875706746 Acqn 28303
Pb 12x16cm 96pp 87col ills £21
Postcards 'personalised' by cutting, adding, or reconstructing. These are accompanied by

amusing comments in the margin.
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Danh Vo – Relics
Mousse Publishing 2018 ISBN 9788867491414 Acqn 28620
Hb 13x19cm 100pp ills £28.75
“A relic is what remains, what’s left over.” In this memoir once-removed, Andrew Berardini
journeys into the heart of the work of Danh Vo to discover how historical forces find form in our
individual lives. Inspired by an exhibition never seen in Mexico City, Berardini’s deeply personal
investigation of Vo’s work weaves one story into the other and finds along the way the clash and
mesh of civilizations, a sexy Statue of Liberty, the head of a decapitated martyr, the collapse of
the American labour movement, John Keats’ tombstone, the holy trinity in a license plate, the
ravages of war, a battered encyclopaedia, a terrorist’s typewriter, the history of saints in a boy’s
wing. In Relics, Berardini explores through Vo’s work how art and poetry gives utterance to
history’s shadows on our lives; and through it, to make our own stories. This is the second
volume of “Air Mexico,” a literary series investigating art exhibitions initiated by Mousse and
commissioned by kurimanzutto.
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Gerald van der Kaap – Iwantapermanentwave

Duizend & Een 2018 ISBN 9789071346507 Acqn 28893
Hb 22x17cm 48pp 48 col ills £16.50
The new metro station at Europaplein in Amsterdam, besides fulfilling its public transport function,
is an immersive experience. Upon entering the station, you find yourself inside a huge
dromoscopic work of art. French cultural theorist Paul Virilio first coined the term "dromology",
which he defined as the "science (or logic) of speed", and it is this concept that has inspired artist
Gerald van der Kaap's design for the station. In fact, there are two artworks, depending on your
perception. One is visible as you stand on the platform. The other you see while riding the metro
train, moving and blending as you look out the window. This book reveals the ideas behind the
artwork.
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Leo Copers - Dreams Are Made Of This

Ludion 2018 ISBN 9789491819926 Acqn 28921
Hb 21x26cm 352pp col ills £43.50
This monograph on the Belgian artist Leo Copers comprises a survey of 50 years of artistic
practice (1968-2018). It shows how Copers has continually sought ways to connect seemingly
incompatible elements, such as gas and fire, or water and electricity. This tension has been an
essential element of his work up to the present day. The book is arranged in themed sections -
early works, gold, flowers, fairy tales, site-specific, weapons - in an attempt to bring structure to
an eclectic and highly diverse oeuvre. Hilde Teerlinck recorded a series of conversations with the
artist which offer a personal insight into his work. Ory Dessau and Philippe Van Cauteren
contribute illuminating texts.
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Juliet Beaufils - Le Large

After 8 Books 2018 ISBN 9782955948613 Acqn 28896
Pb 13x19cm 206pp ills £14
'Le Large' gathers work by French artist Julie Beaufils, plus three specially commissioned short
stories by Buck Ellison, Reba Maybury, and Michael Van den Abeele. Ink drawings by Beaufils
form the core of this small-format book, which deals with social tensions and emotional
explosions. The figures she depicts come from memories of films or television series, sediments
of mass culture, or from personal observations and experiences. Words often become part of the
compositions. Their meanings depend on the images they provoke, on the relations and ruptures
readers may imagine. The interpretation these open-ended works trigger makes their reading
more complex, even playful.
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Bridget Riley - Paintings From The 1960s To The Present

Torch Press 2018 ISBN 9784907562120 Acqn 28660
Hb 16x26cm 192pp £53.50
The exhibition catalogue for an eponymous exhibition at the Kawamura Memorial DIC Museum of
Art in Japan, this volume celebrates the sustained brilliance of Bridget Riley's art. A renowned
proponent of Op art, the British artist is known to use a variety of geometric forms that produce
sensations of movement or colour for the viewer, at once disorienting or even psychedelic.
Spanning her career, the exhibition and publication highlight more than 30 paintings, including
key examples of her famous black-and-white works of the 1960s, the stripe paintings of the
1970s, and curve paintings from the 1990s, as well as her more recent wall paintings.
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The Society Machine

Garret Publications 2018 ISBN 9789527222058 Acqn 28879
Pb 16x24cm 192pp col ills £31
'The Society Machine' problematises the picture of modern Sweden as an unmitigated success
story. This exhibition catalogue features artworks that explore the consequences of
industrialisation, the cultural revolution that provided the foundation for this Scandinavian welfare
state. It asks what kind of society is created by standardisation and all-encompassing efficiency.
How are man and nature altered by being viewed primarily as components of an economic
system? Bringing together new essays with documentation of the exhibition at Malmo
Konstmuseum curated by Lisa Rosendahl, the book features work by a diverse spectrum of
Swedish and international artists.
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Daniel Eatock - Pens Paper

Formist 2018 ISBN 9780987526809 Acqn 27891
British artist and designer Daniel Eatock creates concept-driven pieces that explore the recording
of actions. For twenty years he has repurposed the conventional tools of graphic design -
coloured felt-tip pens and white paper - to produce his most distinctive work. Working in series,
Eatock rests the nibs of pens on stacks of paper, which over time produces abstract, organic
sequences that range from bright dots to bleeding pools of intense colour. By devising
mechanisms to systematically create art, he controls the execution but embraces chance in an
experimental approach. With an essay by Andrew Blauvelt, this fine book is the first dedicated
survey of Eatock's felt-tip prints.
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M. Sasek - Questa Non E Una Pietra

Quodlibet 2018 ISBN 9788822901743 Acqn 28662
Pb 16x24cm 64pp 60ills 45ills £16.95
Illustrator Miroslav Sasek grew up in Prague and left his homeland in 1947 to find success
drawing travel books designed for children. He lived in Paris but was often off globetrotting,
gathering inspiration and making sketches for his illustrations. 'Questa non e una pietra' is the
particular account of one of his Roman holidays, where he imagines Moses taking a Vespa to
reach the Sinai, Nero watching Rome burn on the television, a satisfied Medusa observing her
new hairstyle in the mirror, Cicero addressing the major broadcast networks, David in the act of
mugging his next victim, the Discobolus poised and ready to knock down all nine pins, and many
other humorous graphic impertinences.
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Jonas Dahlberg An Imagined City

Art And Theory Publishing 2018 ISBN 9789188031518 Acqn 28850
Hb 13x21cm 160pp £41
'An Imagined City' is an evocative collection of over 500 memories of rooms, spaces, and sites in
films. Their architecture, furniture, objects, light, and sound. Their atmosphere. Images from films,
memories, and the immediate surroundings coincide in layers. Distinct, yet blended. Emulsions of
memory and space.
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Art And Autonomy - Sebastian Olma

V2_publishers 2018 ISBN 9789080179394 Acqn 28859
Pb 12x17cm 112pp £10
What does it mean to speak of artistic autonomy at a time when art is fully commercialised and
aesthetics has become the guiding principle of economic production and policymaking? This book
by Sebastian Olma takes a fresh look at this question by summoning three heroes of the
aesthetic revolution to confront the challenges faced by artistic practice today. Turning Kant into a
campaigner for the Anthropocene, Schiller into a creative entrepreneur, and Schelling into a
political activist, Olma lays the groundwork for a critique that identifies "the contemporary" itself
as contemporary art's greatest challenge in the struggle to reinvent its autonomy and regain its
relevance to society.
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Marijn Van Kreij - Nude In The Studio

Marres 2018 ISBN 9789082813425 Acqn 28866
In the summer of 1955, Picasso moved his studio to early 20th century villa 'La Californie' near
Cannes. The large Jugendstil windows and the view on a garden with cactuses, eucalyptus, and
palm trees found their way into Picasso's paintings. Picasso called them "interior landscapes". In
the past years, Marijn van Kreij has worked on a series of drawings and paintings modeled after
Picasso's interior landscapes, focusing on the act of drawing and painting through repetition and
variation. This ring bound postcard book published on the occasion of the exhibition 'Nude in the
Studio' at Marres in Maastricht offers a lively cross section of these series in vivid colours.
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Midnight: The Tempest Essays

Inventory Press 2017 ISBN 9781941753149 Acqn 27869
Hb 16x24cm 304pp 105ills 65col £30
Midnight: The Tempest Essays, the second book in Molly Nesbit’s Pre-Occupations series,
returns the question of pragmatism to the everyday critical practice of the art historian working in
the late 20th century. These essays take their cues from the work of specific artists and writers,
beginning in the late 1960s, a time when critical commentary found itself in a political and
philosophical crisis.
Illustrated case studies on Eugène Atget, Marcel Duchamp, Jean-Luc Godard, Cindy Sherman,
Louise Lawler, Rachel Whiteread, Gabriel Orozco, Rirkrit Tiravanija, Lawrence Weiner, Nancy
Spero, Rem Koolhaas, Martha Rosler, Gerhard Richter, Matthew Barney and Richard Serra,
among others, continue the legacy of a pragmatism that has endured while debates over
postmodernism and French philosophy raged.
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Stephen Ormandy - Only Dancing

Formist 2018 ISBN 9780987526878 Acqn 28157
Long recognised as one half of Dinosaur Designs, artist and designer Stephen Ormandy has
spent the last fifteen years expanding on his personal artistic practice. This is the first book
dedicated to surveying his vibrant, large-scale oil paintings and the playfulness he brings to
everything he does. As curator and critic Lilly Wei claims, "Ormandy's signature works are based
on sophisticated, audacious colour juxtapositions and organic forms, inspired by art but also the
seductive curves of the human body and nature". In them we recognise his fascination with
Australia's often bizarre native flora and fauna, as well as the natural topographies of the Great
Barrier Reef and the outback.
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Yoshitoshi Tsukioka - One Hundred Views Of The Moon

Seigensha Art Publishing 2018 ISBN 9784861526282 Acqn 28273
Pb 25x17cm 136pp 125col ills £27
Yoshitoshi Tsukioka (1839-1892) was an ukiyo-e artist in the late Tokugawa and early Meiji
periods. While specializing first and foremost in warrior pictures and historical depictions in the
style of his master Kuniyoshi Utagawa, he was also active in other genres, including bijin-ga
portraits of beautiful women, and caricature. One Hundred Aspects of the Moon represents the
final stage of his career. As the title suggests, the series comprises a total of one hundred items,
telling all sorts of stories related to the moon in one way or another. The broad range of
characters appearing in these varied stories includes women in the Heian period, generals in the
Sengoku period, and common people in the Edo period, and also ghosts and other mythical
creatures.
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Ginny Casey & Jessi Reaves

ICA Philadelphia 2018 ISBN 9780884541417 Acqn 28342
Pb 23x31cm 150pp 84col ills £28.25
This volume features new and recent works by New York-based artists Ginny Casey (born 1981)
and Jessi Reaves (born 1986) exploring the relationship between painting and sculpture,
domestic objects and decorative surfaces, by reimagining the form and function of objects
encountered in daily life.
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ART
Atushi Suwa – Blue

Seigensha Art Publishing 2018 ISBN 9784861526466 Acqn 28379
Hb 23x30cm 120pp 98ills 66col £52
The painterly language of Japanese artist Atsushi Suwa resembles Early Renaissance
portraiture, while the carefully depicted facial expression of the subjects and the framing of their
bodies reminds us of photography. Seen as short, frozen moments of life, his works emphasise
the fragility of human life and serve as a reflection on our path towards death, which is itself a
recurring motif in Suwa's paintings. Another is the celebration of femininity. His women are not
merely beautiful - they seem injured, but carry their pain with internal strength, self-confidence,
and dignity, gazing inwards as if recollecting past experiences. Suwa's strangely spectral realism
comes to the fore in this book.
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Jens Fange
Hb 23x29cm 198pp col ills £41
At first glance, Swedish artist Jens Fange's body of work seems to be a fusion of early 20th-
century collage and shadow play. It is predominated by paintings within paintings, and
encompasses various genres, such as portraits and city- and landscapes, combined with
geometric abstraction. Fange subverts the ostensible order and clarity of his surfaces by injecting
layers of dynamism, whether through flat, patterned fields or perspectives that challenge the eye.
This catalogue accompanies an exhibition of his paintings at the Bonniers Konsthall in Stockholm,
and features numerous plates along with a critical essay by curator Magnus af Petersens, plus a
conversation with the artist.
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Anna Amadio - Dear Colour

Christoph Merian Verlag 2018 ISBN 9783856168544 Acqn 28564
The work of artist Anna Amadio is varied and fascinating. Since the mid-1990s she has been
working with the media of installation, sculpture, painting, and drawing. From the start Amadio
had an intense leaning towards colour/paint, on the one hand, and plastic on the other, which she
either blows up to make air objects, vacuums into larger-than-life lanes/passage-ways, covers
whole rooms with or heats up so as to make shrunken objects. This richly illustrated publication
provides a survey of Anna Amadio's work of the last 25 years and brings together texts
highlighting different phases in her career. In a conversation with Peter Strohler the artist talks
about the genesis of her works.
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Frank Havermans – Transitional

Schunk 2018 ISBN 9789074106474 Acqn 28574
In a world driven by efficiency, speed, and standardisation, Dutch visual artist Frank Havermans
envisions installations that slow down time. The futuristic, alienating constructions are literally
redefining public space as we know it. These "interventions" invite us to experience space in an
alternative way, challenging us to consider the identity of a particular location. Appearing rational,
their geometric structures signal a latent mechanical intent. Havermans depicts an exhilarating
style of shape and form in which objects have a distinct appeal, somewhere between archaic and
futuristic. With texts by Lene ter Haar and Fabian de Kloe, Aaron Betsky, and Jens Maier-Rothe.
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Beyond The Witness. Holocaust Representation And The Testimony Of Images

Hb 18x24cm 186pp col ills £28.75
In a time when the last surviving Holocaust witnesses will soon be gone, a possible route for
commemoration is to ask what testimony images can give. This book seeks to answer the
question of how images can bear witness, by examining them as multifaceted entities produced,
reproduced, and resituated in conflicting political and historical situations. The archival status,
context, conditions for production, and means for representation are examined in three archive-
based films by Harun Farocki, Yael Hersonski, and Eyal Sivan. Footage produced as internal
Nazi propaganda and video recordings of a politically charged trial in the Holocaust's aftermath
accrue new meaning.
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Time Here Becomes Space: Scenography

Scenography is not an autonomous art form. Its significance and capacity to visualise emerges in
the interaction with the actors on stage and is preceded by the collaboration with directors and
other artists involved in creating a performance. Therein lies the challenge for the stage designer.
Lars-Ake Thessman is one of Sweden's most acclaimed scenographers, and here he discusses
the profession based on six different perspectives, guiding readers through the creative process.
Through both image and text, he touches on the collaboration with the director and illustrates how
sketches, models, and drawings are translated into the ephemeral magic of full-scale stage
design.
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The Alphabet Book

Kunstverein Amsterdam 2018 ISBN 9789490629151 Acqn 28669
Hb 24x33cm 8pp ills £21.95
In 1971, Michael Morris and Vincent Tarsov, founders of the Vancouver based artist network,
Image Bank, invited Eric Metcalfe, Gary Lee Nova, Glenn Lewis, and Paul Oberst to create their
own, unique alphabet. Now, 40 years later, with the permission of the participating artists and the
help of Image Bank, these historic silk-screened alphabets have finally been published together.
'The Alphabet Book' is designed by Marc Hollenstein, who was inspired to re-initiate the alphabet
publication project after having a conversation with Glenn Lewis during the opening of Lewis'
retrospective exhibition at Kunstverein back in 2014.
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ART
O, Wonder! Magazine On Green Culture #2 - Sounds Like Silence

O,wonder! 2018 no ISBN Acqn 28671
Pb 17x24cm 72pp col ills £11.25
As the Swiss philosopher Max Picard argued in 1948, "Nothing has changed the nature of man
so much as the loss of silence". This loss of silence reflects the disastrous secularisation and
progressively materialistic direction of life. Our living environment is filled with a rising din and a
profusion of visual noise, creating a sea of distracting stimuli that is draining the world of its
mystery and poetry, as well as its sensuous appeal. This issue explores the spectrum between
silence and noise, in the interest of human well-being. With contributions by Marloe Mens, Ian
McCallum, and more, plus interviews with author, traveller, and photographer Arita Baaijens and
artist Melanie Bonajo.
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ART
Ken Kagami - Bart Works 2

Nieves Verlag 2018 no ISBN Acqn 28681
Pb 14x20cm 36pp 34ills £6.75
Ken Kagami's work ranges from performances to installations, paintings, drawings, and
publications, and is characterised by its simple expression of conflicting ideas. His take on pop
culture presents a distortion of relatable materials and objects, and confronts social taboos with a
healthy dose of humour. Through a sharp sense of colour, form, and pure ideas, Kagami merges
worlds that would naturally never intermingle to create imaginative and bizarre transformations
that are also intended to spark a reaction. With 'Bartworks 2' he adds even more comically
distorted portraits of the famous boy character from 'The Simpsons' to an already existing
repertoire.
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ART
Rose Wylie - Hullo, Hullo

CAC Malaga 2018 ISBN 9788494813221 Acqn 28831
In creating her large-format paintings, British artist Rose Wylie takes her inspiration from a variety
of sources: history, the everyday, comics, mass media, anecdotes, cinema, and sports. Although
she has been painting for decades, her work only began to attract widespread recognition in
2010. She paints in a manner that seems deliberately awkward and remarkably spontaneous,
which leads many to think that she is younger. This catalogue, published on the occasion of her
first exhibition in Spain, presents a selection of nearly 30 works, some of which are shown
publicly for the first time. A correspondence between Alison Gingeras and Wylie complements her
art.
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ART
The Motif Magazine 001: The Blue Motif

The Motif Magazine 2018 no ISBN Acqn 28860
Pb 25x34cm 208pp 215ills 200col £27.50
Each issue of 'The Motif Magazine' offers a new experience, a canvas entirely devoted to a single
theme. The colour blue has been chosen for its inaugural edition, which celebrates blue in all its
incarnations. Encompassing illustration, photography, painting, poetry, and short story, it offers a
spectrum of interpretations of this one small part of the visible spectrum, this singular expression
of energies. From sky to sea, from fashion to face, and from object to emotion, blue becomes the
universe in which we dwell. Creative director Jakob de Tobon enlists the expertise and insight of
numerous photographers, writers, artists, and other contributors in the actualisation of this issue's
motif.
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ART
Carin Ellberg - Mother Of Pearl

Pb 21x28cm 282pp 177ills 158col £52
It has been said that Stockholm-based visual artist Carin Ellberg transgresses many of the
boundaries that pertain to our traditional attitude to art. Intimate corporeality, everyday life,
perishable and trivial things all find a place in her oeuvre. This substantial artist's monograph
attests to her versatileness when it comes to materials and the manner of expression in her
intrinsically feminist production. Sensual forms are used to interpret the social lifeworld and the
intimate sphere alike, equating them to internal movements in the artist's own self. Numerous
works spanning Ellberg's career are presented in this volume, woven together by a conversation
between Maria Lind and the artist.
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ART
Jose Luis Puche - Como Nieve Que Baila

CAC Malaga 2018 ISBN 9788494813214 Acqn 28878
Pb 22x25cm 110pp 40col ills £42.75
Jose Luis Puche creates unsettling images that look like film stills of things long gone or
imagined. His work has a certain pop sensibility, is full of strange familiarity and subtle, surreal
nuances, and carries key information which he extracts from books, mass media, or the Internet.
The banality of his subjects is enveloped in an air suffused with the subtle aroma of mystery,
which in some cases verges on an uncanny, eerie, or strange feeling that makes the viewer feel
worried or uneasy. Published with an exhibition of Puche's work at CAC Malaga, this catalogue
reveals the draughtsman's exploration of reality as ultimately elevating the value of the apparent
to the status of the real.
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Colour In Contextual Play. An Installation By Joseph Kosuth

Nero 2018 ISBN 9788880560012 Acqn 28880
Designed by the founder of Conceptual Art, this elegant and precious artist's book-and exhibition
catalogue-serves as a visual analysis of the conceptual structures that interrogate the nature of
colour, form, space, and time, where the works and writings of Post-war artists such as
Castellani, Fontana, Manzoni, and Klein, converse with Kosuth's statements, and the theoretical
as well as personal account of curator Cornelia Lauf.
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Fine Art - September 2018

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ART

Albert Oehlen, Julian Schnabel

Bruno Munari - Before The Drawing

Bruno Munari - Love And Kisses

Postcards 'personalised' by cutting, adding, or reconstructing. These are accompanied by

Gerald van der Kaap – Iwantapermanentwave

Leo Copers - Dreams Are Made Of This

Juliet Beaufils - Le Large

Bridget Riley - Paintings From The 1960s To The Present

The Society Machine

Daniel Eatock - Pens Paper

M. Sasek - Questa Non E Una Pietra

Jonas Dahlberg An Imagined City

Art And Autonomy - Sebastian Olma

Marijn Van Kreij - Nude In The Studio

Midnight: The Tempest Essays

Stephen Ormandy - Only Dancing

Yoshitoshi Tsukioka - One Hundred Views Of The Moon

Ginny Casey & Jessi Reaves

Atushi Suwa – Blue

Anna Amadio - Dear Colour

Frank Havermans – Transitional

Beyond The Witness. Holocaust Representation And The Testimony Of Images

Time Here Becomes Space: Scenography

The Alphabet Book

O, Wonder! Magazine On Green Culture #2 - Sounds Like Silence

Ken Kagami - Bart Works 2

Rose Wylie - Hullo, Hullo

The Motif Magazine 001: The Blue Motif

Carin Ellberg - Mother Of Pearl

Jose Luis Puche - Como Nieve Que Baila

Colour In Contextual Play. An Installation By Joseph Kosuth

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