Dialogue for Saxvophone and Tuba ts score! Je © Flar Alto Serophone an’ Taba in E Because of Lhe Comparatively (igh tessitura aX Ye tube port, tt should not be Piiformed on a C taba. Jertions of Wis work use bores with moles tn hem. Lr these instances, the orks of the pitcher 2s trelevant ~ this 7s Leh fe the Players tb Chowe as Vey see fit. Al non -Lalitenal notation implies @ fee, creative “proach by the players. Tomes without noteheads Saige a very general pith Onion To be followed. Sich passages Should maritey Qn Bonal gural els, Rotding Commonplace Cutonic references, The Proportional notation of measure F2 ingteates Curation as Pore zonrtel evtensin. Srees between notes not beamed ve silences. Sus - loined tones beve extended baems, Wis compasition was Commissioned by 5 and ts Gjratefilly dedicated Lo, Brion Sark and Gary avery.5b = > (2 See. ro ae Sey ene sean wanes Tha bat Gienaas , f Se pe Yt 58 { on, FAST, ERRATIC STacceTe —— = = Gey cs tae! = git z aaa [ae ers 2 ee ae “yt 67 Smius (Srrccatro’ Smt7 F f 1 _— XouR OWN DISCRETION REG! FAL Tony vrNorwaL it F Aw Geow, = t133 P eopress. pt express. A Tepe Dicupy P ancupwyfed aes be yg be Ae as 4p) “We Pe PP = 96-100 187) | P sHooTHiy + p SRooTaTy i ooo en pam Sores lal C Ege p> 7 espress,ar A Teneo ‘ep 2JD. 185° 189 143, =, : inke sient REST 0M, Soot, IED 1% ‘patter ‘DuRatoN BETWEEN BOYES AD YBIWM, ByT Fouow Sequence AS GWEN213 PPP c (as Fast as Possiei€) itr use a wide variety oF afroacdes 0 tren, Spe 1 Veg fee. 264