Beruflich Dokumente
Kultur Dokumente
Attempt all FOUR questions. The first question has three parts and the second two. Each
of the parts in the first question and in the second must be answered.
OR
On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
Even from the tomb the voice of Nature cries,
Even in our ashes live their wonted fires.
(11)
OR
…. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense. For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still, sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue….
(i) Identify the lines in their context. (3)
(ii) Critically comment on the poet’s sense of loss? What are ‘gifts’ he has been
recompensed with? (4)
(iii) What is the poet referring to in the last three lines? Comment critically. (4)
(11)
(c) Critically comment on any one of the following two options:
Oh, for a beaker full of the warmth south,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim
And purple-stained mouth,
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim.
OR
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:
OR
Write a note on Enlightenment and Descartes. How does it influence discussions of
sanity, fantasy and madness?
(6)
OR
Briefly outline some important changes in the understanding of the concept ‘Nature’ in
eighteenth century literature.
(6)
Q. 3. Critically examine the deployment and use of perspective in Gulliver’s Travels with
specific reference to Books I and II.
OR
How do you understand the greater attention to corporeality in Book II of Gulliver’s
Travels, as compared to Book I?
(15)
Q. 4. Comment on the Keatsian politics of love in ‘La Belle Dame Sans Merci’.
OR
Critically comment on the child figures in the poetry of William Blake with specific
reference to the poems in your course.
(15)