Sie sind auf Seite 1von 18

Z AC H A R Y WA D S W O R T H

When There Is Peace


an armistice oratorio

for men’s chorus, soloists, percussion, and string quartet

text compiled and edited by Peter Rothstein and Erick Lichte

Dedicated to Erick Lichte and Chor Leoni


in memory of those who gave their lives in search of lasting peace.

Commissioned by Chor Leoni to commemorate the 100th anniversary of the Armistice that ended World War I.
through the Diane Loomer Commissioning Fund.

Percussion II

ZRW publishing z acha r y wad swor t h.com


Score Notes
Completed: August, 2018.
Duration: approximately one hour.
Text source information is included with the libretto on the following pages. The libretto was compiled and edited by Peter Rothstein and
Erick Lichte.
Commissioned by Chor Leoni for premiere in Vancouver, British Columbia, Canada, on November 10, 2018.

Performance Notes
Unless otherwise indicated, the eighth note or quarter note always stays constant when time signatures change (e.g., when 4/4 changes to
6/8).
Throughout this piece, musical style is freely manipulated to fit texts of various periods. The singers and instrumentalists should feel free
to explore broad and varying timbres and playing styles to match the changing musical languages in this piece.
The glockenspiel is written two octaves below sounding pitch.
For proper balance, and depending on the size of the chorus, the string quartet may need to be amplified.
The in-place marching notated in the choral parts is optional. The piece may also include changes in standing position, and changes in
dress (for example, wearing a red poppy from measure 937 onward).
A square fermata is longer than usual, and a triangle fermata is shorter than usual.
The narrator part may be performed by multiple readers.
Where a crescendo begins with a ‘o’ symbol, it indicates that the sound should start from silence (dal niente). Where a decrescendo
terminates with a ‘o’ symbol, it indicates that the sound should diminish to silence (al niente).
+
The symbol 0 indicates that the percussion player should immediately muffle the sound.
“Port.” (portamento) indicates a latest-possible slide from one note to another, whereas “Gliss.” (glissando) indicates a more gradual sliding
of pitch.

Instrumentation
Male Chorus
Tenor soloist
Soprano soloist

Percussion I:
Bamboo chimes Tam-tam
Glockenspiel Tom-toms (set of four)
Snare Drum Vibraphone
Suspended Cymbal (large) [Bass Drum — at the end, move over to the second percussionist’s Bass Drum]
Percussion II:
Bass Drum
Brake Drum
Chimes
Marimba (five-octave — but if one isn’t available, the low writing may be transposed up an octave)
Small Brass Bells on a Chain (“Camel” bells or similar, as unpitched and high as possible)
Suspended Cymbal (medium)
Tenor Drum
String Quartet

Zachary Wadsworth’s “vivid, vital, and prismatic” music has established him as one of the leading composers of his generation, especially among those writing vocal, choral, and operatic
works. With recent performances by the choir of Westminster Abbey, the Washington National Opera Chorus, Boston Metro Opera, Long Leaf Opera, the Buffalo Philharmonic
Orchestra, and the Atlanta Philharmonic Orchestra, his works have been heard in venues around the world, from Washington’s Kennedy Center to Tokyo’s Takinogawa Hall.
As winner of the 2011 King James Bible Trust Award, Wadsworth’s anthem Out of the South Cometh the Whirlwind was performed at Westminster Abbey in the presence of Queen Elizabeth
II. Other recent honors include a Charles Ives Scholarship from the American Academy of Arts and Letters, three Morton Gould Young Composer Awards from ASCAP, and first-prize
recognition in competitions sponsored by the American Composers Forum, the Pacific Chorale, the Boston Choral Ensemble, and the Esoterics. Wadsworth’s music is widely broadcast and
distributed, with recent publications by Novello, G. Schirmer, and E.C. Schirmer, and broadcasts on NPR, BBC, and CBC.
Wadsworth earned graduate degrees from Cornell University (DMA) and Yale University (MM), and is an honors graduate of the Eastman School of Music (BM). Originally from
Richmond, Virginia, Wadsworth (b. 1983) has taught at Williams College, the Interlochen Center for the Arts and the University of Calgary, and he maintains an active performing life as
a tenor and pianist.
Percussion II
When There Is Peace
Text compiled and edited I. Prologue Music by
by Peter Rothstein and Erick Lichte Zachary Wadsworth (b. 1983)

Broadly, atmospheric h = ca. 42


accel. rit. a tempo accel. rit. a tempo
2 æ æ 3
- 4 5 æ æ
B. D.
4
/2 Ú Ó ˙æ wæ Ó ˙ œ™ œ œ™ œ ˙ Ú Ó ˙æ wæ
ppp pp o ppp pp ppp pp o

accel. rit. a tempo


Very sparse, very quiet rustling with the hands
6 7 8 9 10 11 12
Sm. ° A W W W W W
/ Ú Ú
Bells
o ppp (lontano)

j -
B. D. ¢/ Ó œ™ œ œ™ œœ™ œ ˙ Ú Ú Ú Ú Ú Ú
pp p o

rit.
13 14 15 16 17 18 19 20
Sm.
Bells / W W W W W W W W
o

accel. rit. Quicker than before h = ca. 54


21
B
22 j > j > 23 ææj ææ > Œ j > j >
T. D. / Ú ‰ œ œœœ œœœ ‰ œ œœœ œœœ Œ
Œ ‰ œ œ œœœ ‰ œ œœœ ‰ œ œœœ
p p mp mp mp

24 25
> 3 3 j> 3 > 3 3 > 3
j 26
3
j > 3 3 j> 3
Ú œ ™ œœ œ œ œ ™ œœ Œ œœœœœ œ œ œ ™ œœ Œ Ó Ó Œ œ œ ™ œœ Œ œ œ ™ œœ 43
T. D. /
mp mf

The same tempo (briskly) q = ca. 108


.> .> .> C
27
3 œ œ œ œ œ œ œ œ 28 œ œ œ œ œ œ œ œæ 29 œ Œ œææ 30
œœœœœ œ œ œ
31 2
T. D. /4
mf f mp f mp mp mp

Copyright © 2018 by ZRW Publishing. All rights reserved.


2

33
. > 34
. > ææ 35 . 36 37
. >
T. D. / œœœœœ œ œ œ œœœœœ œ œ œ œ Œ Œ ∑ œœœœœ œ œ œ
mp f mp f mp mp f

38
.> ææ39 . 40
> 41 42
> 43 44
> ææ 45 .
T. D. / œœœœœ œ œ œ 42 œ Œ œ œ œ œ ∑ œ œ œ œ ∑ œ œ œ œœœ œ
mp f mp f f f p mf

46 D 47 48 51 52 55 56 57
° 3 3
Chim. & ∑ Œ œ Œ œ ∑ ∑ ∑
f

3 3 ææ . . æ
T. D. ¢/ ∑ ∑ ∑ œ œ œ Œ œ œæ
mp p mp mp p

58
. 59
. ææ 60
. 61
. ææ 62
. 63
E
8
ΠΠΠ4 3
T. D. / œ œ œ œ œ œ œ 4 4
mp mp p mp mp p mp

71 72 73 74 75
F ææ > . . > . . >j Œ Œ . > 76 . > æ77 . 78

T. D.
3
/4Ó œ œœœ œ œœœ œ œ ‰ ∑ œœœœœ œ œ œ œœœœœ œ œ œæ œ Œ Œ ∑
mf f mp f mp f mp

79
.> 80
.> ææ81 . ææ 82 . 83
. ææ 84 . Œ 85
. ææ 86 . Œ
T. D. / œœœœœ œ œ œ œœœœœ œ œ œ 42 œ œ œ Œ œ œ œ œ œ œ
mp f mp f mp p mp mp p mp mp p mp

. . . . rit.
87 ææ 88 89 90 ææ 91 92 93 2 95 2 12
T. D. / œ œ œ™ œ œ™ œ œ Œ œ œ œ™ œ œ™ œ œ Œ 8
mp p mp mp p mp

G Half as fast q. = ca. 54


97 2 99 # œ n œ n œ œ œ œ 100 #œ# œ n œ n œ œ œ œ 101 #œ# œ n œ n œ œ œ œ
12 #œ
œ #œ #œ œ œ #œ #œ œ œ #œ #œ œ
Mar. &8
2 2 2 2 2 2 2 2 2 2 2 2
p (legato)
3
102 103 104 105
# œnœ nœ œ œ œ nœ œ# œ œ # œ œ nœ œ# œ œnœ œ nœnœ nœ œ# œ œ #œ œ
#œ #œ #œ œ #œ #œ #œ #œ #œ #œ œ #œ #œ #œ #œ
œ #œ
Mar. & œ œ
2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2

rit. The same tempo, but freely (Recitative) q = ca. 80 ( e = e ) rit.


106n œ œ # œ œ n œ œ œ œ 107 H 108 109 110 2 112 113
#œ œ œ 4 Œ Ó 5 4 6 5 4 2
Mar. & #œ 4 4 ∑ 4 ∑ 4 4 ∑ 4 ∑ 4
2 2 2 2 œ

Faster (as before) q = ca. 108


114 I 120 126 132 136 137 138 3
6 6 6 4 T. Solo
2 3 2 3 2Œ œ œ œ œ œ œ
/
B. D. /4 4 4 4 &4 ∑ ∑ ∑

All the peo- ple I

139 140 141 J 144 145 148 149 152


° 3 > 3 3
Chim. & ∑ ∑ Œ bœ Œ #œ Œ
> bœ-
ff ff f

ææ ææ 3 3 3
B. D. ¢/ ˙ ˙ ∑ ∑ ∑
f

rit.
153 2 155 156 2 158 159 160 2 162 163
- 3
Chim. & Œ bœ ∑ ∑ 2
˙- ˙-
mf mp p
II. War.

K The same tempo h = ca. 54 ( q = q )


164 165 166 - 167 - 168
3 ææ ææ ææ j ææ
B. D. /2Ó ˙ ˙ ˙ Ó ˙ œ ™ œœ ™ œ˙ U
Ó Ó œ™ œ œ™ œœ™ œ ˙ Ó ˙
ppp pp o ppp pp pp

169ææ 170 171 172 173


2 3
B. D. / ™
w ∑ U
∑ ∑ 2 ∑ 2
pp o
rit.
174 175 176 177 2 179
3 2 3 U
Mar. &2 ∑ 2 ∑ 2 ∑ ∑
4

a tempo, mournfully h = ca. 54 rit. M a tempo h = ca. 54 rit.


180 L 196 197 200
16 3
∑ ∑ 4
Mar. & 4

accel. N With motion h = ca. 92


201 Vla. 202 203 204 205 > 206 2
4 Ó j j j j j
>œ bœ 2 w
Mar. &4 œ ˙ œ ˙ œ œ œ œ œ w Œ œ œ 2
∑ ∑ ∑ mp f

208 210 209 211 215 216


> > >œ 4 >œ #>œ nœ
bœ œ nœ nœ
Mar. & Œ bœ b>œ nœ œ #œ Œ Ó Œ œ
œ >#œ nœ #œ #œ
mp f mp f mp f mp

217 218 222 223 224 225


4 >œ # >œ
#>œ > nœ >
#œ n œ
Mar. & Œ Ó Œ œ œ #œ œ #œ Œ Ó ∑
f mp f mp f

O Suddenly slower h = ca. 66 rit.


226 227
228 > 229 9 238 2
>
œ .
œ
b œ b œ 3 B 4
Mar. & Œ bœ b>œ œ bœ b>œ œ 2 Œ Ó Ó 4
mp f mp f

accel. P Again with motion h = ca. 92


240 241 242 243 244 245
Vc.
˙ œj ˙ œj ˙ œj œ œj œ w > 2
B 44 >œ bœ 2 w
Mar. ∑ ∑ ∑ & Œ œ œ 2
mp f

247 249 248 250 251


#>œ nœ #>œ >œ >œ
>
Mar. & Œ #œ #>œ œ #œ #œ œ #œ œ œ œ œ œ œ
# œ #>œ œ >œ œ >œ
mp f mp f mp f mp f mp
5

252 253 254 Q 255 256


>œ j>
>œ >œ.
œ
Œ œ Œ > bœ > bœ
Mar. & Œ œ nœ œ œ nœ œ Œ Ó ∑
f mp f mp f

257 258 261 262 263 R 264


° Ó 3 3
∑ ∑ ∑ 3 2
Mar. & >œ œ œ œ 4 2

3 ææ ææ 3 3 2
S. Cym. w w
(Med.) ¢/ ∑ ∑ 4 2
pp mf

267 269 270 271 S 272 273 274


2 2 ææ ææ 4 wææ ææ ææ 2
B. D. /2 w w 2 ∑ ∑ w w ∑
pp p f p pp mf

276 277 278 >œ œ œ 279 280 2 282


U >œ œ œ
Mar. & Ú ∑ Œ 46 Ó Œ ∑ 3
2
4
2 Ú
mf mf

283
°
284 285
U 286
>œ œ œ 2876 b >œ œ œ
Mar. & Ú Ú Ú ∑ Œ 4Ó Œ
mf mf

æ æ
B. D. ¢/ ∑ wæ wæ ∑
UÚ Ú 6
4 ∑
pp mf

rall.
288 289 2 291 3 294 295 296
° 3 4 √ √ 3
Mar. & ∑ 2 2 Ú Ú Ú 2

2 3 ææ √
ææ
3 4 W W √
Ú 3
B. D. ¢/ ∑ 2 2 2
p ff pp
6

Not as slowly as before h = ca. 66 rit.


U Faster h = ca. 92
297 T 310 311 T. Solo 312 313
3 13 U ∑
B. D. /2 ∑ & b˙ b˙ ™ œ ˙ bw ™
‹ ∑ ∑ ∑
The night is still

accel. rit. a tempo h = ca. 92 accel. rit.


run wire brush over surface
314 315 316 317 318
Œ 4W Ú Ú 2 4
B. D. & <b>œ b˙ ™

œ /2 2 ∑ 2
‹ and the
p

a tempo h = ca. 92 V accel. rit. a tempo h = ca. 92 accel.


319
4 2 321
3 3 324
4W 325 326
3
B. D. /2 2 2 Ú Ú 2
p

rit. a tempo h = ca. 92 W accel. rit.


327
3 328
4 2 330
3 2 332
4W 333
W
334 335 UÚ 3
B. D. /2 ∑ 2 2 2 Ú 2
p

Largo h = ca. 54 rit. Slightly faster, in quarter-notes q = ca. 60


336 337 338 339 X 340 341 342
3 U ? 3
Mar. &2 ∑ ∑ ∑ 4 #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™
ppp ghostly

343 344 345 346 347 348 349 350


Mar.
?
#˙ ™ ˙ ™ #˙ ™ ˙ ™ #˙ ™ ˙ ™ #˙ ™ ˙ ™ #˙ ™ ˙ ™ #˙ ™ ˙ ™ #˙ ™ ˙ ™ #˙ ™ ˙ ™

351 352 353 354 355 356 357 358


? æ æ æ ∑
Mar.
#˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ ˙æ™ ˙æ™ ˙æ™
o
Y
359 360 361 362 363 364 - 365
-(not rolled) - - - - -
œ ˙˙ ##œœœ ˙˙˙ œœ ˙˙ # œœ ˙˙ œœ ˙˙
? œœœ ˙˙
˙˙ #œœœ ˙˙ œ
###œœœ
˙˙
˙˙ #œœ ˙˙
nnœœ
Mar. œ ˙ ˙˙ #œœ ˙˙
œ
- - - - - mp
- -
p
7
366 - 367 - 368 - 369 - 370 - 371 - 372 - 373
-
#œ ˙˙ œœ ˙˙ œ ˙˙ œœ ˙˙ œ ˙˙ œœ œ ˙˙ ™™
Mar.
? #œœ ˙ nœ ˙ #œœœ ˙˙ œ ˙ #œœœ ˙˙ œ
˙˙
#˙˙ #œœœ ˙˙˙˙ ˙™
#œ ˙ nœ ˙ œ ˙ œ ˙™
- - - - - - - -
p mf p pp
poco rit. Pushing forward, in Baroque style q = ca. 66
- Z AA
374 ˙ ™ 375 376 377 378 16 394 3 397 5
Mar.
? #˙˙˙ ™™ ˙™
˙˙ ™ #˙˙ ™ 3 ˙™
4 ˙™
4
4
3
4
™ ™ ™
- ppp

poco rit. Nearly twice as fast, fiery q = ca. 112


402 405 406 408 BB 409 Tom-t. 410 411
3 3 4 2 Œ œ Ó œ Œ Ó 3
B. D. /4 4 ∑ ∑ œœ ∑ œœœ 4
∑ ∑

412 413>. … 414 >. … 415 416 417 >. …


3 Œ œ œ
œœ œœœ
4 œj ‰ Œ Ó j
œ‰ Œ Ó 3 4 œj ‰ Œ Ó
B. D. /4 ∑ 4 ∑ 4 ∑ 4
f f

418
CC
° 6 424 425 3 428 429
T. D. / ∑ Ó œœ œœœ œ œœ œ œ œ œ œ œ œ œ œ œ 68
mf
6 >. … 3
j 6
B. D. ¢/ œ ‰ Œ Ó ∑ ∑ 8
f

430 æ 431 æ 432


>>> 433 3 436 437 438 æ 439 æ
T. D.
6
/8 ˙æ™ ˙æ™ 4 œœœ Œ Ó
4 Ó œœ œœœ œ œœ œ œ œ œ œ œ œ œ œ œ 68 ˙æ™ ˙æ™ 4
4
p sub. f mf p sub.

440
>>> 441 2 443 ææ 444
>>> ææ >>>
4 œœœ Œ Ó Ó ˙ 9 œ œ œ ‰ Œ ™ Œ ™ 4454 Ó ˙
446
9 œ œ œ ‰ Œ™ Œ™ 4
T. D. /4 8 4 8 4
f p f p f

447 448 449 450 452 453 454 455


æ >>>
4 ˙æ œ œ œ ‰ Œ™ Œ
2 6 ˙ææ™ æ
˙æ™
æ
˙æ™
æ
˙æ™ 4
T. D. /4Ó ∑ 8 4
p f p sub.

DD
>j (The same tempo)
456 457 3 460
° 4
T. D. / 4 œ
‰ Œ Ó ∑
f
3 >. …
4 j Œ
B. D. ¢/ 4 ∑ œ ‰ Ó
f
8

>. rit.
461 7 468 j … 469 2 471 2 473
B. D. / œ ‰ Œ Ó U

f

EE a tempo
4 >. … 9 >. … >. …
474 478
3 479
4 œj ‰ Œ Ó 480 489 j
œ‰ Œ Ó
490j
œ‰ Œ Ó
B. D. / 4 ∑ 4
f f f

491 492 493 FF 494 497 498 501


3 >>> 3
° 2
4 ∑
4
4 œœœ Œ Ó 7
8
4
4
T. D. / ∑ ∑ ∑
>. … f

œ
j‰ Œ
Ó 2 ˙ææ 4œ Œ Ó 3 3 7 4
B. D. ¢/ 4 4 ∑ 8 ∑ 4
f p ff

GG > > > >>> >>>


502 4 503 504 505 2 507 508 5 6
T. D. / 4 œœœ Œ Ó ∑ œœœ Œ Ó œœœ Œ Ó 8
f f f

HH >. …
> >. > >.
513
6 ˙ææ™ 4 œ œ …Œ Ó
514 515 æ
6 ˙æ™ 4 œ œ …Œ Ó
516 517 2 519 j
œ ‰ Œ Ó
B. D. /8 4 8 4
p f p f f

Slower q = ca. 92 Faster q = ca. 112 Slower q = ca. 92 rit. Faster q = ca. 112
520 3 523
> >. … 524 525 526 527 4
B. D. / œ œ Œ Ó ∑ ∑ ∑
f

rit. As before, but violently q = ca. 60


II
531 533 >metal beater534 scrape535
°/ 2 3 œ Œ œ œ Œ œ œ Œ œ 536œ Œ œ 537œ Œ Œ 538
Œ Œ œ 539œ Œ Œ
Br.D. 4
ff violent mf mp

2 3
B. D. ¢/ 4œ Œ Œ ∑ œ Œ Œ ∑ œ Œ Œ ∑ ∑
ff mf

540 541 542 543 544 545 546 547 548

Mar.
? ∑ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™
o ppp ghostly
9

549 550 551 552 553 554 555 556

Mar.
? #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ #˙ ™ ˙™ ˙™
ææ
˙
ææ Œ

557 (not rolled) 558 - 559 - 560 561 562 563 564
JJ
- - œœ ˙˙ # œœ ˙˙
œ ˙˙ ##œœœ ˙˙˙ œœ ˙˙ # œœ ˙˙
? œœœ ˙˙
˙˙ #œœœ ˙˙ œ
###œœœ
˙˙
˙˙ #œœ ˙˙
nnœœ
˙˙
##œœ
Mar. œ ˙ #œœ ˙˙ ˙˙
œ
- - - - sim. mp
p
rit.
565 566 567 568 569 570 571 572 - 573 574
œœ ˙˙ -
œ ˙˙ œœ ˙˙ œ ˙˙ œœ ˙˙ œ ˙˙ ™™ ˙™
Mar.
? nœ ˙ #œœœ ˙˙ œ ˙ #œœœ ˙˙ œ #˙ #œœœ ˙˙˙
˙ ˙™ #˙˙˙ ™™ ˙™
˙™ #˙˙ ™
nœ ˙ œ ˙ œ ˙ ˙™ ™ ˙™ ™
- -
p mf p pp

Largo, desolate h = ca. 48


q=h
Move Superball mallet across drum head
575 3 578 579
2w 580 581
Π582 583 584 585 2
B. D. / ∑ 2 ˙™ ∑ Ó ˙ w w
pp mp p mp

KK B.D. Beater S.Ball B.D. Beater S.Ball


587 (like a heartbeat) 588 589 590 591 592 593 594
- -
B. D. / œ œ Ó Œ ˙™ œ œ Ó w ˙ Ó Ó ˙ w ˙ Ó
mp mp mf mf

soft mallets
595 596 597 598 a tempo 599 2 601 602
°? -œ œ 3
∑ ∑ Ó ˙
ææ Ó æ ææ ææbœææ ææ Œ
Mar.
˙æ œ œ n˙ ™
mp o p o
- B.D. Beater - 2
B. D. ¢/ œ œ Ó Ó œ œ ∑ ∑ ∑ ∑
mp mp

> >
603
3 wææ ™
604 605
2œ œ Ó 606 607
3 wææ ™ 608
2œ œ Ó 609 3
B. D. / ∑ 2 2 ∑ 2 2
p f p ff
10

rit. Slightly faster h = ca. 52


612 soft mallets
°? 613 614 615 616 617 618
Mar. Œ Ó ∑ ∑
#w w #w w #w w #w w #œ
pp distant ppp
ææ ææ
B. D. ¢/ ∑ ∑ ∑ ∑ ∑ w w
p f

Rustling more activity


619
LL 620 621 622 623 624 625 626 627
Sm. °/ ∑ ∑ ∑ w w w w œ Œ Ó ∑
Bells
o mp p f l.v.
ææ -
B. D. ¢/ w œ œ Ó ∑ ∑ ∑ ∑ ∑ ∑ ∑
mp

628 629 630 - 631 - 632 - 633- 634 635


æ æ
B. D. / w w œ œ Ó œ œ Ó œ œ Ó œ œ Ó Ó ˙æ wæ
p f mf f mf p mp

636 637 638 639 640 641 642


> >
°
T. D. / ∑ Œ ˙ææ™ œœœ Œ Ó Œ ˙ææ™ œœœ Œ Ó Œ ˙ææ™ ææ ææ
œœœ œ œœœ œ
p f p f p f p f p
-
B. D. ¢/ œ œ Ó ∑ ∑ ∑ ∑ ∑ ∑
f

rit. Slower again h = ca. 48

643 644 645 646


° bœ bœ bœ647 bb˙˙ nnœœ 3
Mar. & ∑ ∑ ? Œ bbæ˙˙ œœ ˙˙ œ œ ææ 2
æ ææ ææ œ> ææ
pp ff 5 pp
ææ ææ 3
T. D. ¢ / œ œ œ œ œ œ œ œ œœœ Œ Ó ∑ ∑ ∑ 2
f p f p ff
11

648 649 650 651


? 23 w bœ ˙˙ ™™
Mar.
w
ææ œ bœ œ bœ 22 Œ bbæ˙˙ w
w
ææ
œœ
ææ ææ
3
2
æ
ff 5
>œ mf

rit. MM a tempo
652 653 654 655 656 657
w ™
Mar.
w ™™
? 23 n#w w™ 2 #w
2 æ w w w
ææ ææ æ ææ ææ ææ
p pp

rit.
658 659 660 661 662 a tempo 663

Mar.
? <#>w w œ æ˙˙ ##œœ œœ ˙˙ ##œœ #w w
ææ ææ ææ æ ææ ææ ææ ææ ææ ææ
mp pp

molto rit.
664 665 666 667 668 669 670 671
? <#>w w w w nœ Œ Ó ∑ ∑ 4 ∑
Mar.
ææ ææ ææ ææ 4 &
o

NN Slightly slower (freely) q = ca. 88 rit. a tempo


672 673 674 675 676
b œ-œ
Œ Ó 3 ∑ 4 bbœ-œœ Œ Ó 3 ∑ 4 bœ-œ Œ Ó 3
Mar. & œ 4 4 4 4 œ 4
p but clearly

poco rit.
677 678 679 680 681 682 683
3 ∑ 4 bbœ-œœ Œ Ó 3 ∑ 4 bœ-œ Œ Ó 3 ∑ 4 bbœ-œœ Œ Ó 3 ∑ 3
Mar. &4 4 4 4 œ 4 4 4 2
pp

q=q poco rit. OO a tempo (h = ca. 44) Enlivening h = ca. 52 rit.


684 685 2 687 688 6 694 10 704 2
3 U 2
Mar. &2 ∑ ∑ 2
12

PP a tempo, with motion (h = ca. 52) poco rit.


706 16 722 T. B. 723 724 725 726
Sm. 2 ? Œ œ œ œ ˙ œ œ œ™ j Œ Œ œ œ œ
Bells /2 ∑ œ ˙ ˙™
∑ ∑
∑ ∑
And Spring her - self, when she woke at dawn, Would scarce - ly

a tempo
727
? 728 729
Œ
730 4 6
Voice ˙™ œ œ ˙ ˙™ / 8
∑ œ ∑ ∑
know that we were gone.

rit.
soft but present, as though
the wind were rustling the bells
734 737 738 741 742 743
Sm. 6 3 5 6 3 ˙™ ˙™ √
˙™ 4
Bells /8 8 ∑ 8 2
o ppp o

III. Armistice.

QQ As at the beginning (broadly) h = ca. 42


accel. rit. Uæ accel. rit. Uæ rit.
744 745 ææ 746 747 ææ 748
B. D.
4
/2 Ú ∑ ˙ ˙æ Ú ∑ ˙ ˙æ Ú
o ppp o o pp o

a tempo poco accel. Moving forward h = ca. 50


as at the beginning
749 750 751 752 753 754 755 756 3
Sm.
Bells / W W W W W W W
o ppp (lontano) o

poco accel. Slightly faster h = ca. 60


759 761 762 763 764 765
2 æ 2
B. D. / Ú wæ ∑ Ú ∑ w 2
2
ppp

RR q = ca. 60 / h = ca. 30 rit.


767 ( <h = q > ) 8 775 Vib. 776 777 778
2 ∑ ∑ ∑ ∑
Chim. &2 #w
w #w
w w nw
w w
° °
13

G.P.
(long) SS Faster q = ca. 80
779 780 781 782 783 2 785 786 787

Chim. & ∑ w ∑ w w ∑ w
pp p

788 2 790 791 2 793 794 795 796 797 798 2


w w ∑ w ∑ 4w
Chim. & 4
mp

accel.
800 801 802 803 2 805 806 5 811 812
° ∑ 3 ∑ ∑ 4
Chim. & w w- 4 >˙™ 4
mf f ff

2 3 5 ææ ææ 4
S. Cym.
¢/ ∑ ∑ ∑ 4 ∑ ˙™ ˙™ 4
(Med.)
p

813 TT Brightly q = ca. 112 814 815 816 820


° 4 4
∑ ∑ ∑ 3 4Ó Œ bœ
Mar. &4 4 4
f
>. …
S. Cym. 4 œj …‰ Œ Ó Ó
j
œ ‰ Œ 43
4 4
(Med.) ¢ / 4 ∑ 4 ∑
f f

poco rit.
821 822 823 824 825
œ œ b >œ. 3
& b œ œ b œ œ nœ #œ nœ œ œ #œ Œ Ó
Mar. œ œ œ œ
œ œ ff

UU
828 a tempo 829 830 œ 831
>œ >œ œ b œ 3
bœ œ 3
Mar. & Œ œ> nœ bœ Œ Ó 4

mp f mp
14

834 835 ææ 836 Œ Œ 837 838 839


3 œ œ œ œ™ œ œ™ œ œ™ œ œ Œ Œ
T. D. / 4 œ œ œ œ™ œ œ™ œ œ œ œ œ œ™ œ œ™ œ œ œ ∑
pp ppp ppp

VV rit. Serene, slightly slower h = ca. 50


840 ææ 841 æ 842 j … 843 2 845 846 847 848
S. Cym.
/ ˙™ ˙æ™ 4œ‰ Œ Ó
4
2
2 ∑
3
2 ∑
2
2 ∑
3
2 ∑
2
2
(Med.)
p f

rit. Slower q = ca. 88 rit. a tempo rit.


849 2 851 2 853 2 855 2 857 7 864
2 ∑ 2
Mar. &2 4

Quick again q = ca. 112 poco rit. WW Quicker q = ca. 126


865 8 873 T. 874 875 876 877 878
2 4 ∑ ∑ 3 4 3 4 3
Chim. &4 &4 Œ œ œ œ œ œ œ œ œ œ & 4 ˙™ 4w 4 ∑ 4w 4
‹ 3 f brightly
3
the sing- ing will nev - er be

879 880 881 882 883 884 885 886 887 888
3 4 ∑ 3 4 3 4 ∑ 3 4 ∑ 3 4 ∑ 3
Chim. & 4 ˙™ 4 4 ™ 4w 4 ˙™ 4 4 ˙™ 4 4 ˙™ 4 4

mf mp

889 890 891 892 893 894 895 896 897


3 ∑ 4 3 ∑ 4 ∑ 3 ∑ 4 ∑ 3 ∑ 4 ∑ 3 ∑ 4
Chim. &4 4w 4 4 4 4 4 4 4 4
p

rit.
898 899 900 901 902 903 904 905 906
4 ∑ 3 ∑ 4 ∑ 3 ∑ 4 ∑ 3 ∑ 4 ∑ 3 ∑ 4 ∑ ? 3
Mar. &4 4 4 4 4 4 4 4 4 4

Half as fast
XX Slower than before (still in Baroque style, though more distant) q = ca. 60
907 908 909 910 911 4 915 916 œ ™ 917- 918
Mar.
? 43 Œ œ™ j œ™ j œ™ œj -œ Œ Œ Œ œ ™ j œ- œ œ Œ Œ 44 ∑ 43
œ œ- œ œ- œ J
mp p pp mp p pp
15

919 920 921 922


-œ 923 924 925 928
Ϫ j - 3 U
Mar.
? 43 Œ œ œ œ Œ & Œ œ™ j ?
œ Œ ∑ 4
4 ∑ 3
4 ∑ 4
4
p
œ pp

YY Slower, tenderly q = ca. 52 rit.


929 3 932 2 934 6 940 941 U
Mar.
? 44 3
4
4
4 ∑ ∑ 4
4

ZZ Adagio q = ca. 69 rit.


942 4 946 T. 947 948 949
4 ˙ œ
∑ œ œ
∑ ∑ œ

J ‰ #˙ œ #œ ˙ #w
Chim. &4 & &

Fields, Sleep sweet - to rise a - new!

a tempo rit. a tempo rit.


950 951 952 6 958 2 960 961 962 6 968 2
Chim. & ∑ w- ∑ w
pp pp

a tempo rit.
970 4 974 8 982 983 984 2
? 3 ∑ 4 ∑ 3 4
Mar. 4 4 4 4

IV. Epilogue

AAA Very free q = ca. 80


rit.
986 U 987 2 989 990 991 992 4 996 2
Mar.
? 44 ∑ 3
4 ∑ 4
4 ∑ 3
4 ∑ 5
4
4
4

BBB Adagio q = ca. 69 rit.


998 2 1000 5 1005 1006 4
? 3 4 ∑
Mar. 4 4
16

accel. With motion q = ca. 80 rit.


CCC
1010 2 1012 28 1040 1041 1042 1043
T. ∑œ ™ ∑#˙ ∑œ ™ ∑#˙
& & Œ œ œ œ œ œ œ
Chim.
J œ Œ œ J &

We will re - mem- ber them, we will re - mem- ber them.

DDD a tempo
°1044 1045 1046 1047 1048 1049 7 1056 1057 5
Sm.
Bells / w w w w ∑ ∑
pp starry, gentle
ææ 7 ææ 5
S. Cym.
¢/ ∑ ∑ ∑ ∑ ˙ œ Œ ˙ œ Œ
(Med.)
p mf p mf

rit.
1062 T. 1063 1064 1065 1066 1067
∑œ ™ ∑#˙ ∑œ ™ ∑#˙ ∑œ ™ ∑#˙
Chim. & œ œ œ œ œ œ œ œ œ &
Œ J œ Œ J œ Œ J œ
‹ We will re - mem - ber them, We will re - mem - ber them, we will re - mem - ber them.

More steadily than before (broadly) h = ca. 42


1068 1069 1070 1071 1072 EEE 1073 1074 1075
° U 4 U U
Chim. & 2 Ú Ú Ú Ú
w- w- w w
mp clearly p

4 ææ Uææ ææ Uææ
B. D. ¢/ ∑ ∑ ∑ U
∑ 2 Ú ∑ ˙ ˙ Ú ∑ ˙ ˙
o ppp o o pp o

rit. Still broadly h = ca. 40


1076 1077 1078 1079 1080 1081 3
Ú Ú 3 4 Ú 3 4 3
Chim. & 2 w™ 2 2 w™ 2 2
p l.v. mp

molto rit.
1084 1085 1086 1087 1088 1089 1090
3 4 3 4 U √
Chim. & 2 w™ 2 Ú 2 w™ 2 Ú Ú Ú Ú
mp p