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BABBLER (Engineering and Technology) ISSN: 1012-2974 Mohammad Mehdi Khezrian Yazdi,

Hamid Reza Afshar, Razieh Mokhtari Dehkordi 2017; V4, Number 1

BABBLER (Engineering and Technology)


ISSN: 1012-2974
2017; V4, Number 1

The study And Assess Impact Of Dress Functionality In


Symbiosis During The Post-Modern Art

Mohammad Mehdi Khezrian Yazdi,1*Hamid Reza Afshar2, Razieh Mokhtari Dehkordi3


1. MS in Textile Design, School of Art and Architecture, Islamic Azad University, Yazd, Iran
2. Assistant Professor, Department View School of Cinema and Theater, University of Art, Tehran, Iran
3.Mentor Graphics Department, Faculty of Arts and Architecture, Islamic Azad University, Yazd, Iran

Abstract:

Some dress up as one of the basic human needs in climatic conditions is but the history of thinking
and climatic requirements of different forms has become in modern times with the coexistence of
postmodern art in Western culture entity separate from the nature of the previous itself with the clothes in
the delivery of the artwork very much that this symbiosis in action mutual artistic developments of the
second half of the twentieth century and capabilities clothes in coordination and cooperation with the
works should be therefore to identify and explore the capabilities of clothes in symbiosis with the art of
the postmodern era analytical method and qualitative approach to research Atjam pay Te be required to
collect information from library resources and the geographical site disposal is valid. was highlighted
with art and clothes that common ground and a common language are more prominent in the art of the
p a s t.

Key words : Postmodern art, media art, clothing

IntroductIon:
This article can be viewed as the relationship between clothing and art in Western culture, especially the
second half of the twentieth century, he said. Many articles and studies in the past have focused on the issue of
whether fashion is art? In this regard, some critics were in favor and others against. Art, like clothes or dress like
art has a long history and at any time can be between the two of them from different perspectives follow-up, but
the subject of the research section of the second half of
the twentieth century emphasized and pointed to cases in half The co-existence, according to its definition in the
dictionary Dehkhoda of living together, the lives of two people or two groups while perhaps suitable for each
other is not, we do not want to fashion to art to call, but the coexistence of these two reasons this symbiosis that
in this period highlight seems to have discussed and studied.
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BABBLER (Engineering and Technology) ISSN: 1012-2974 Mohammad Mehdi Khezrian Yazdi,
Hamid Reza Afshar, Razieh Mokhtari Dehkordi 2017; V4, Number 1

Clothing and Culture


One of the most visual and yet the most vivid examples of the culture of a community yard Clothing and
clothing of the people of the community The emergence of an accident or wanted person Nbvdh- clothing
apparel based on the thoughts and climate needs - spiritual material tribes and mirror of human life, and
throughout the ages - was formed and evolved in different territories (Bozorgmehr- 1391-5) If we can change
and convert forest and cave-dwelling man and civilized man of today's smart to consider is incumbent to some
extent we will be able to understand how the clothes she and causes changes its form Archaeologists through
written documents or through the debris where the course of the later application, puts the information at our
disposal.

Clothing, latency and decorations


Clothing meant to cover up and hide the parts of the body that is as old as the history of human life on earth.
Obviously, the first coatings that women and men were made of cellulose fibers Vshakh and foliage that is
partly human warmth sorry, man against Insects somewhat reserved dynamics in order Strvrt to hide parts of the
body and body and refrain from evil and ugliness of nudity, especially the opposite sex is the protection of
human character.
(Helper and Rezapour, 1391, 1), but no other Will Durant writes

Clothes Vocabulary
speaking, wear what clothes to connect with your audience and features and properties are expressed.
Language wear clothing covering expression and change any part of this grammar can have different
expressions.
Language dressed in an overview of the language of visual arts, which includes color, line, shape, texture,
structure and the surface of the fabric and how to connect a piece of cloth.

Style clothing and cover


Means any style of dress and manner of coverage, such as through the relationship with components of
masculinity or femininity, class, status, social roles, values or anti-values and overall social structure is
established, understood. These ratios are contracted, ie from where the beginning of life have always the
possibility of change or death, how to cover there, except the structure of the way-some particular have, for
example, a cover, through association with a structure, the binding and semi-natural (inherent) and their
distances from the contractual aspect. This structure can be political, religious, or interpreted "Scott and White"
is embodied in relation to the body (see. Scott and Lopez, 1385). In this respect, the contractual relationship
hardly varies, but it is basically excluded.

Clothing and art


When people coatings and decorations to set standards and cultural ideals are, in fact, they are experiencing
the art of making clothes (clothes) are. Each person can experience art clothing as the creator of it, or just enjoy
the art as a contact. When people coatings and decorations to set standards and cultural ideals are, in fact, they
are experiencing the art of making clothes (clothes) are. Each person can experience art clothing as the creator
of it, or just enjoy the art as a contact.

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BABBLER (Engineering and Technology) ISSN: 1012-2974 Mohammad Mehdi Khezrian Yazdi,
Hamid Reza Afshar, Razieh Mokhtari Dehkordi 2017; V4, Number 1

Clothing, beauty, body


Fitness clothing that covers as much, and is arranging to decorate it. Since the body is completely naked and
without ornaments, almost not observed in any society. Therefore, in the dictionary of aesthetics, clothing and
body as two mobile elements are explained. In other words, features and aesthetic qualities clothes, he found his
true with regard to treatment, and coating and limbs, and effects on each other to understand semantic lead the
audience. The visual impact of clothing and body, with analysis of their aesthetic elements such as color, line,
form, texture and color contrasts are analyzed. Nevertheless, these elements combine with each other, in order to
achieve the concepts of unity, rhythm, balance, emphasis and proportion, as the ultimate goal is wearable art.
Also in the person's position when sitting as well as his movement. The visual impact body and clothing,
considered a variety of causes. Of gesture and movement in walking, sitting and standing partly under the
influence of social customs and cultures are different. The evaluation system of hierarchical elements of
aesthetics in terms of standards and definitions for different communities vary and so seemingly arbitrary in
every community and in every culture defines visa has its own, therefore, that the different cultural groups with
a view the indication defined and fitness clothing, clothing can be both psychological satisfaction and pleasure
to the wearer and provide for observers.

Functions dress
Clothing is seen as a major three functions:
1. protected from heat and cold: the most basic functions of clothing, to protect its owner from heat Vsrmast that
God ascribes this to their
2. cover the defect and Nudity
3. ornament: It seems that the ornament ornament Glamorous dresses, always the most practical aspect of it is.
4. Provide a work of art (this will be explained below)

Classification of functional and decorative clothes


1. Dresses: 1) Party Dress / Evening 2) Bridal 3) clothing
In general, these clothes are used in a class with little difference in the meaning of the term gown is Dresses
While the term in the West is more relevant to Western official party held that night. Evening in the West is
often black.
Evening clothes:
This dress can be as stylish clothes but with the difference that the era such as the birthday party is a party.
Dress community: Clothing based on specified criteria and the overall culture of any society is prescribed for the
people in the community and relevant government departments and agencies under its supervision Uniforms,
Uniform: This uniform, unlike the clothes mentioned above comfort and ergonomics issues they are stronger
than the aesthetic.
Clothes Show:These clothes are used only for use in a display based on the will of the director and other items
related to the design style and costumes are produced.
Diplomats clothes: the clothes are based on the regulations of each country for diplomatic and official meetings
of heads of state have been considered.
Sportswear: Sportswear based on physical movements of each string and source of formation have been
developed under a range of sports are universal.
Jackets: the clothes on their customary way of life of people who have held long ago.

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BABBLER (Engineering and Technology) ISSN: 1012-2974 Mohammad Mehdi Khezrian Yazdi,
Hamid Reza Afshar, Razieh Mokhtari Dehkordi 2017; V4, Number 1

Divided dual form of dress and decorate


By categories of clothes and decorations into two main categories, can be a kind of unity in diversity
searched them, these two categories are:

1. reconstruction (reproduction)
2. The annexes and appendices

Art Media
Text Art for objectivity in coming, should be the conduit through the conduit to the emergence Mnsbh read
the media. So in this layer of the media to influence the process becomes meaningless. In fact, the text to require
the entry of a media objectivity. In fact, the media, the inviolable obligation is fulfilled. In other words, the text
will not materialize unless they receive through the media or channel. Facilities media imply any media code to
create and interpret the signs of the media through media codes may be waking up to the contract. After the text
is inseparable from the media and non-media text is impossible to imagine. On the other hand we can to help
them provide a classification for the purposes of artistic media. The most common and most fundamental way of
classifying them Hasprz media arts such offers.
(A) visual arts: the arts, including the visual arts such as painting, drawing two-dimensional and three-
dimensional visual arts such as peak shaving and architecture.
(B) auditory arts: the art of music in its various forms. But not renown opera and the arts of music and literature
makes integrated. If the media visual arts, see and be seen, Art Media Audio voice and iron.
(C) language arts: art, literature, visual arts is different. In poetry, especially when read aloud, the sound is
hidden, but if only the literature on the tape is very poor and the weak, the arts will be accounted.
(D) mixed arts Other arts usually mixed with three above mentioned art are combined. This group includes all
Performing Arts is the arts. Art, drama, literature and the visual arts with the art of costume design, stage and so
it is mixed. (Hasprz, 1389, 24-23) However, any work of art or with one or more outlets are provided.and in the
twentieth century created the conditions Couture with other media outlets to provide assistance artwork, and an
all cinemas in India wear is established.

Principles and concepts of three-dimensional art


In spite of all books published in the foundations of art should be noted that no book ever as Foundations of
Art Theory and practice of identifying the foundations of three-dimensional art has failed to do justice to say
that the reason for this part of the multiplicity of sources this authoritative and comprehensive source declined to
be satisfied.Issues in the foundations of art is often limited to the arts of drawing are branches of art (drawing,
painting, photography, art, printing, graphic design, and so on) two dimensions (length and width) are on a flat
surface located and primarily through creating the illusion of space by artist induce. This section features a
unique three-dimensional work of art and creative concepts that we form these features.

Components of three-dimensional art


Subject, form and Mhtva- Trsymy- art components in a manner very similar in visual art as well as act.
Although the importance given to each of the components will be different. For example, the sculptors of the
components used for the purposes stated objective, while most architects, potters and metalworkers in the form
of service or furnish useful to know. Formally organized in more complex three-dimensional art of drawing art.
Shaped materials in real space due to the very embodiment, both tactile and visual to an amount of the raise.
This complexity leads to the development of the meaning or content form.

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BABBLER (Engineering and Technology) ISSN: 1012-2974 Mohammad Mehdi Khezrian Yazdi,
Hamid Reza Afshar, Razieh Mokhtari Dehkordi 2017; V4, Number 1

Clothes and architecture


Browse the main course of the history of the West specifies that all areas of aesthetics, like fashions,
architecture, painting, sculpture and so the most obvious symbols of cognitive ages are at any time openly
particular set of symptoms follow the public taste and reflect each other. In the history of civilization, clothes
most obvious similarity with the architectural form shows. Architectural metaphor as clothes, Vitruvius perhaps
even before it comes back. Doric and Ionic words, which represents classic architectural styles of ancient
Greece, to distinguish the original Greek Style Dress the Keitani (5) also were used (Will Cox, 1386,12).
China's solemn reflection Doric columns fluted Doric Keitani wool, and Pleat Keitani elegant Ionic Columns
Ionic Greeks and Romans reflection scroll curvature of the body and clothing are also a reflection of this attitude
was praised. In Greek and Roman art, even if naked body was clad in usually appears.

Postmodernism in fashion
While modernism by logic, simplicity, and efficiency of differentiation was escape from history, the era of
postmodernism, one-dimensional in promoting and advocating eclecticism, mockery and cultural phenomenon
out a hybrid construction. Postmodernism is a concept with inconsistent definitions, which literally means "post-
modernism" is. Theoretically, this current rejection of grand narratives, social hierarchies, discrimination
between various social groups and institutions implies authoritarian. Instead, postmodernism, one of the courses
is pluralistic and fragmented. Especially from the 1960s onwards, Fashion openly tool's features. Fashion at the
age of postmodernism as an ephemeral, heterogeneous, culturally uncertain, democratic and intertextuality has
become. We can no longer just a fashion (clear) talk, but instead we have many options. (Magazine) Vogue
Great Britain tips about fashion Spring / Summer 2009 published a drawing and description of piles of the major
trends of the season was discussed. Might pants slim and tailored, best pajama set, tight or loose they are,
textiles and fashion from more diversity enjoyed and fabrics, metallic, silk-like (sheer), optical fiber (optical),
and the African the were, the range of
body colors vivid colors and exciting to be included. Apparently everything was acceptable.

Clothes designed in paintings


Designer Clothes great painters whose works in which clothes to cover style for a certain stage in history
have been are of special importance, hence the painting to provide clothing style in his time understanding of
what they thought were the including the "Antoine Vatu" and "David" Rococo and neoclassical styles of two
painters named. Artists who designed clothes for themselves and their clothes. In the reign of Louis XV in
France who wear the extreme luxury of courtiers and nobles were dressed as clothing "Vatu" the day that the
most basic T-shirt is the Regency period. The T-shirts by "Vatu" French painter, designer, and his name was
taken. "Vatu in essence, that the trunk was loose-fitting shirts and skirts were worn underneath hedging. Behind
the elephant with large shoulders that continue to skirt it ended. Shirt front with various projects such as the
waist tight or loose and straight, closed, or open, in which case, bust and skirt bottom appears to be. "(Will Cox,
240) that this shirt until the end of this during the period devoted to the style of dress.

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BABBLER (Engineering and Technology) ISSN: 1012-2974 Mohammad Mehdi Khezrian Yazdi,
Hamid Reza Afshar, Razieh Mokhtari Dehkordi 2017; V4, Number 1

Designed by Antoine Vatu. Image source: the history of clothing and style, 2015

Artwork as textile designs


From the perspective of sociology, fashion is not independent of the context of the emergence of the
community and any other human experience outside the community may not imagine. During the twentieth
century that the process of integration in Western societies are witnessing a growing ism, design clothes that
have been identified as a work of art. Of course, these clothes often "dressed the famous artists of that period
have designed, from" Henry Van de Voldemort "and" Joseph Hoffman, "the Futurist Italian and constructivist
Russians, who were trying to dress sense, or reform pay »(2003, troy) also raised in the early twentieth century
designer othing designs that period," Paul Pvarh ", which works cubist and Futurist tended to see. He was
"deeply believed that fashion designers and illustrators Every two similar creative work they are doing" (hay,
2000) that show interest in the works of fashion designers and art styles and artists Conversely, other areas of
the media's clothing . The main concerns of art in the works of fashion designers In this short video works and
more sources offer Due to the nature of the designers focused naturalist painters and can be a reflection of the
nature we see in the media Representation of nature in Textile Design. Designer John Galliano for Dior in 2010-
2011 in autumn and winter collection.

www.vogue.co.uk/fashion/spring-summer-2009/couture/christian-dior/full

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BABBLER (Engineering and Technology) ISSN: 1012-2974 Mohammad Mehdi Khezrian Yazdi,
Hamid Reza Afshar, Razieh Mokhtari Dehkordi 2017; V4, Number 1

Futurism and clothing style statement


It is better to start with a statement Ftvryst in the clothes:
"We want to futuristic clothes are comfortable and functional.
Dynamic
Aggressive
shocking
active
Rough
Prvazgr (the idea of flying, soar and give jumping)
Exciting
Happy
Light (in order to have light even in the rain)
Lustrous
Illuminated with electric bulbs. "
Futurist statement for the menswear

The transformation of the concept art of the twentieth century AD


The last decade of the twentieth century, profound changes seen in concept art and beautiful structure and
thereby vast territory and a variety of tools and techniques has experienced a new artistic expression.
Developments in the art form at the beginning of the 20th century using material beyond the color and fabric
collages Bvm- example, cut-outs and Cubist artists - began and in the last years of complete freedom from any
restraints painting and sculpture artists and artistic creation led approach to media and new facilities. (Lucy
Smith, 1382, No 7, p. 9)

The energy in artistic representation


Klein Yves Klein in Nice, France, was born in Adarhٔ Navy cylinder cool. His parents, Fred Klein and Marie
Raymond, were both painters. He neorealism movement leader and pioneer in the development of minimalism,
pop, etc..
He controversial exhibition in Paris in 1958 as the blue Vacuum up the atmosphere before the news was gallery
of mysterious environment. Klein mentalities about space and the sky was blue make excessive use, thus biomes
that were created around water.

Conceptual Art: Art as Idea


The first use of the word concept in 1961 by Henry Flint goes Flakss He was a member of the so-called
"concept art" used in connection with the activities of this group. Later the term was recorded by Sol Lvvyt in
art vocabulary and his famous papers on the subject the term to describe his narrative. (Sami Azar, 1391, p. 51)

Conceptual Art movement emerged as a pyramid of three aspects: ideas, language and denial of art
objects

A) The concept of the rule of ideas


B) the decline of art objects
C) The language strategy and symptoms

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BABBLER (Engineering and Technology) ISSN: 1012-2974 Mohammad Mehdi Khezrian Yazdi,
Hamid Reza Afshar, Razieh Mokhtari Dehkordi 2017; V4, Number 1

Postmodernism, body and clothes In the 1960s, the body as the most direct and most accessible reserve, and
displays the difference of life and the carrier's identity, much attention was (SM optionally, 1389). Clothes that
are normally performed on the body in the fashion show comes your opportunity to be more definitive. After the
emergence of conceptual art, arts gradually became influenced by the works of art, and that the idea, the most
important effect was considered. Couture also Likewise, the art concept has been affected and branch of it,
known as "Chef of the concept of 'social capital.' Clothing under the structural analysis and criticism showed,
can be instrumental in the transmission of ideological and conceptual. During this time, straight dress was
considered a work of art and artists to create their work in this field, start using interesting material to work like
their clothes. » (English, 2007, 97-99) Thus, he created a revolution in the field of apparel and attitude to it
changed. (House and calligraphy, 1388) at the beginning of the 1980s, dress formally was recognized as a
cultural artifact. (87-88, Welters _ Lillethum, 2007)

ConclusIon:
In this study, post-modern art to art that was attributed to the different nature of the nature of modern art in
artistic representation have Upon presentation of a work of art by painting or sculpture not It presents works that
have been expressed in so-called new image rotation, It has a great variety of techniques and practices that have,
such as performance art, body art, conceptual art, minimal art and more. During this time focusing on art for
art's sake rather than his art to society, and these developments in the art of one of the most important factors in
the use of material, fabric and structure of the clothing artwork, but Couture turn capabilities pressing for the
presence of joint or the coexistence of art and costumes were very impressive. The dress has a common
language with the rank of art, composition, structure and presentation of art work could be involved.

Refernces:
1. Smith, Louis. (1382) Globalization and new art, translated by Ali Reza Sami Azar, VII, Publications comments, Tehran
2.Khvn, Lawrence. (1388) from modernism to postmodernism, translator Abdul Karim Rashidians, Nshrny, Tehran,
3. Enter Margln, (1389) Postmodernism, translation able to boast Ran, third edition, publication of fish, Tehran
4. Mkaryk, IRNA Rima, (1388). Encyclopedia of contemporary literary theory, translation Mehran Mohajer, published
aware
5. Zeimaran, Mohammed. (1393). Philosophical foundations of a review in India, the world's Publications, Tehran
6. sex, history of art. (1388) Translation Farzan Sojoodi, Myrdshty Publications,Tehran
7. Harvey, David. (1393). Condition of postmodernity, translation Mystic Ghavami first, second edition, published by Echo
8. Newton, Adryk, (1386), the meaning of art, translation Parviz border, Scientific and Cultural Publications, Tehran
9. Hasprz, John and Roger Askratn (1389): philosophy of art and aesthetics, translated Jacob Znd, Third Edition Tehran
University Press
10. Bkvla, Sandro. (1387). Art modernism, translation Roein Pakbar, publisher of contemporary culture
11. Reed, Herbert. (1390) History of Modern Painting, translation Srynagl Babaei, publishing Cultural Myrdshty
12. Lyntn, Norbert (1386). Modern Art, translated by Ali Ramin, Nshrny,Tehran
13. Gambryj, Ernest (1388) History of Art, translated by Ali Ramin, Sixth Edition, published by Reed, Tehran
14. Pakbaz, Roein. (1389) in search of a new language, Fifth Edition, look Publications,Tehran
15. Smith, Louis. (1384) The latest art movements of the twentieth century, translated by Ali Reza Sami Azar, publisher of
17.\Sami Azar, Ali Reza. (1391) conceptual revolution, Tehran issued Nzr-
18. unfilled, Grant and Daynanvyyl. (1392) Principles of art history, translation Majid Poor Butterfly, Phoenix Publishing
19. Nouri, Nizamuddin, schools, styles and movements Hindi literary world by the end of the twentieth century, magazine
Memorial Asadi
20. Avkvyrk, Stinson, Boone boilers, Kaytvn. (1392) Principles of Art, translated by MR only friend, the second edition, the
21. Tolstoy, Leo. (1364) What is art ?, Translator: Kaveh tens,Tehran: Amir Kabir. articles:Modabad, February, postmodern,
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