Sie sind auf Seite 1von 3

Jeffrey Michael Morgan

MUS 690
9/10/18

Anton, Herbert. “Kleists​ ›​Zerbrochner​ K


​ rug​‹ ​im​ »​elucidario cabbalistico«” In ​Jahrbuch des
Freien Deutschen Hochstifts. ​Edited by Christoph Perels, 233—235. Tübingen: Max
Niemeyer, 1984.

Bach, Johann Sebastian. ​Chorales. ​Edited by Charles N. Boyd and Albert Reimenschneider.
New York: G. Schirmer, 1939.

Brahms. ​70 Songs for Voice and Piano (Low). ​Selected by Sergius Kagen. New York:
International Music, 1954.

​ ol. 1, ​From “Oberto”​ ​to “Rigoletto​.” New York: Oxford


Budden, Julian. ​The Operas of Verdi. V
University Press, 1984.

Butt, John, ed. ​The Cambridge Companion to Bach. Cambridge Companions to Music. 1​ 997.
Reprint, Cambridge: Cambridge University Press, 2008.

Gaffurio, Franchino. ​The Theory of Music. ​Translated by Walter Kurt Kreyszig.​ Music Theory
Translation Series. ​Edited by Claude V. Palisca. New Haven: Yale University Press,
1993.

The Musical Times. “Swine before Pearls?” Editorial. ​The Musical Times, J​ une 1996.

Plantinga, Leon. ​Romantic Music: A History of Musical Style in Nineteenth-Century Europe.


New York: W. W. Norton, 1984.

Rothgeb, John and Jürgen Thym, trans. ​Counterpoint: A Translation of “Kontrapunkt” by


Heinrich Schenker​. Vol. 2, ​New Musical Theories and Fantasies. ​Book 2, ​Counterpoint
in Three and More Voices; Bridges to Free Composition. ​Edited by John Rothgeb. 1922.
Reprint, New York: Schirmer Books, 1987.

Schoenberg, Arnold. ​Verklaerte Nacht: Sextet, Op 4. ​Kalmus Study Scores no 900. Melville,
NY: Belwin Mills, 1968.
​ elected and
Shelley, Percy Bysshe. ​Shelley’s Poetry and Prose: Authoritative Texts Criticism. S
edited by Donald H. Riemann and Sharon B. Powers. ​Norton Critical Editions. ​New
York: W.W. Norton, 1977.

​ he Metropolitan Opera. Cast includes Birgit Nilsson, Leonie


Strauss, Richard. ​Elektra. T
Rysanek, Mignonette Dunn, Robert Nagy, and Donald MacIntyre, with the Metropolitan
Opera Orchestra conducted by James Levine. Staged and recorded February 16, 1980.
New York: Pioneer Classics, 2001. DVD.

Tate Publishing. ​The EY Exhibition - Paul Klee: Making Visible. ​London: Tate Publishing, 2013.

Weber, Carl Maria von. ​Great Overtures in Full Score: Jubilee Overture, Preciosa, Der
Freischütz, Euryanthe and Oberon. N ​ ew York: Dover, 1986.

1. The Musical Times, “Swine before Pearls?” editorial, ​ The Musical Times​, June 1996: 3.
2. Herbert Anton, “Kleists​ ›Z​ erbrochner​ ​Krug​‹ ​im​ »​elucidario cabbalistico«” in ​Jahrbuch
des Freien Deutschen Hochstifts, e​ dited by Christoph Perels (Tübingen: Max Niemeyer,
1984), 233.
3. Brahms, “Ach wende diesen Blick Op. 57, No. 4,” text by H. v. Daumer, trans. by Edith
Braun and Waldo Lyman, no. 1 in ​70 Songs for Voice and Piano (Low)​, selected by
Sergius Kagen (New York: International Music, 1954), n.p.
4. Paul Klee, ​Polyphony, ​1932, oil and chalk on canvas, in Tate Publishing, ​The EY
Exhibition - Paul Klee: Making Visible ​(London: Tate Publishing, 2013), 186—187.
5. Claude V. Palisca, preface to Franchino Gaffurio, ​The Theory of Music, t​ rans. by Walter
Kurt Kreyszig, ​Music Theory Translation Series, ​ed. by Claude V. Palisca (New Haven:
Yale University Press, 1993), xii.
6. John Butt, “Bach’s Metaphysic of Music,” in John Butt, ed., ​The Cambridge Companion
to Bach, Cambridge Companions to Music ​(1997, reprint, Cambridge: Cambridge
University Press, 2008) 46.
7. Percy Bysshe Shelley, ​Queen Mab, i​ n ​Shelley’s Poetry and Prose: Authoritative Texts
Criticism, ​selected and edited by Donald H. Riemann and Sharon B. Powers, part of
Norton Critical Editions​ (​ ​New York: W.W. Norton, 1977), lines 1—8.
8. Fux, “Fux VII, 2” quoted as “Example 6” in John Rothgeb and Jürgen Thym, trans.,
Counterpoint: A Translation of “Kontrapunkt” by Heinrich Schenker,​ vol. 2, ​New
Musical Theories and Fantasies, ​bk 2, ​Counterpoint in Three and More Voices; Bridges
to Free Composition, e​ dited by John Rothgeb (1922, reprint, New York: Schirmer Books,
1987), 11.

Das könnte Ihnen auch gefallen