400000 400000

350000 350000
300000 300000
250000 250000
200000 200000
150000 150000
100000 100000
50000 50000
0 0

1500 1500

500 1000 500 1000

1000 1000
1500 1500
2000 500 2000 500
2500 2500
3000 3000
3500 3500
0.25 0.25
0.2 0.2
0.15 0.15
0.1 0.1
0.05 0.05
0 0
60 60
50 50
40 40
30 30
50 20 50 20
100 10 100 10
0 0

0.05 0.05
0.04 0.04
0.03 0.03
0.02 0.02
0.01 0.01
0 0
60 60
50 50
40 40
30 30
50 20 50 20
100 10 100 10
0 0
0.15 0.15
0.1 0.1
0.05 0.05
0 0
60 60
50 50
40 40
30 30
50 20 50 20
100 10 100 10
0 0
0.25
0.2
0.15
0.1
0.05
0
60
50
40
30
50 20
100 10
0
35 15
30
10
25
20
5
15
10 0
5
-5
0
-5
-10
-10
-15 -15
0 0.05 0.1 0.15 0.2 0.25 0.3 0.35 0.4 0.45 0.5 0 0.05 0.1 0.15 0.2 0.25 0.3 0.35 0.4 0.45 0.5

1
0.9
0.8
0.7
0.6
0.5
0.4
0.3
0.2
0.1
0
-2 -1.5 -1 -0.5 0 0.5 1 1.5 2
 WoodWind
(4,51)
Ob.Vib
(2.54)

Moog
(1.07) Eng.Horn
(10.8) Ob.noVib
(23.9) DarkSax
(4.51) Qrt2
(23.9) Cello
(10.8)
(2.54) Bassoon
Cont.Bassoon
(4.51)
(0.71)
DarkTrmp

Soft.Fl

(1.07)

ReedBuzz
Syn.Fl (4.51)
(0.48) Alt.Sax
(2.54)
Qrt1
(4.51)
(1.07) Harm.Mute

Gamba

(2.54)
Syn.Str1
(10.8)
(0.71)
Trmp.Soft Ten.Sax

(4.51)

Trmp.Hard
(1.07) Qrt4
(23.9)
Vln
(10.8) Syn.Str2
(38.3) Qrt3
(23.9)
(4.51) Reed
Bar.Sax
(23.9) Alt.Ob
(38.3)
(10.8) Vla
Cl
(23.9)
B.Cl
 Cont.Bassoon

(3.24)

Cello

(5.03)

Qrt2
(1.93)

Alt.Ob

(3.24)

Reed
(10.3)
Moog
Eng.Horn, WoodWind
(7.71) Cl, B.Cl
(12.4)
(0.20) (10.3) Alt.Sax
(5.03) HarmMute
Ten.Sax
(10.3)
DarkSax
(7.71)

(3.24) Trmp.Hard Ob.Vib

(10.3) Syn.Str2
(12.4)
(7.71) ReedBuzz
Qrt1
(10.3) (21.6) Syn.Str1
(12.4) (48.8) Vln
Qrt4
(5.03) Syn.Fl,Soft.Fl

Vla,Qrt3 Trmp.Soft
(1.93)
(7.71 )
DarkTrmp
(5.03)
Gamba
(7.71)

(3.24) Ob.noVib

Bar.Sax

(5.03 )

Bassoon
 Eng.Horn,WoodWind
(4.69)
Cont.Bassoon
(3.25)
DarkSax
(4.69)
Ten.Sax
(1.93)

Alt.Ob

(3.25)

Cello,Qrt2

(0.20) DarkTrmp
(7.41)
Trmp.Soft
(4.69)
Gamba
(7.41)
Ob.noVib
(3.25)

Bar.Sax

(1.93)
Reed
(7.41)
Trmp.Hard
(4.69)
Vla, Qrt3
(3.25)
HarmMute
(7.41) Cl,B.Cl
(12.8) Syn.Str1
(9.71) (12.8) Alt.Sax
(4.69) (12.8) Moog
Syn.Str2
(9.71) Ob.Vib ReedyBuzz Qrt4
(7.41) (12.8) (15.7) Vln
(9.71) (15.7) Bassoon
Qrt1 Syn.Fl,Soft.Fl
 x(n) y(n)
H(z)
(Non) Gaussian
White Noise.
(Poly)spectra
(Non) Linear
Filter
 −1
Filter
 Cello Cello
8
5000 10

Magnitude Responce (dB)

6
10
0
Amplitude

4
10

−5000 2
10

0
−10000 10
0 200 400 600 0 0.5 1
Time Frequency (Nyquist = 1)
residual residual
6
1500 10

Magnitude Responce (dB)

1000 5
10
500
Amplitude

4
10
0
3
10
−500
2
−1000 10
1
−1500 10
0 200 400 600 0 0.5 1
Time Frequency (Nyquist = 1)
 Cello residual bispectrum
0.4

0.2

−0.2

−0.4

−0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4

Original Cello bispectrum

0.4

0.2

−0.2

−0.4

−0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4

 Clarinet residual bispectrum
0.4

0.2

−0.2

−0.4

−0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4

Original Clarinet bispectrum

0.4

0.2

−0.2

−0.4

−0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4

 Trumpet residual bispectrum
0.4

0.2

−0.2

−0.4

−0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4

Original Trumpet bispectrum

0.4

0.2

−0.2

−0.4

−0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4

 16

14
Tpt.S 3
12
2.5
10
Kurtosis − 3

Trbn1 Zoom In 2
Tpt.H
8 Ob.Vi
Kurtosis − 3

1.5 T.Sax Ob.nV

6 Trbn2 B.Cla
1
FrHor
4 A.Sax 0.5
Fagot
Flute Viola B.Sax
2 0 C.Fag CelloVioln

0 −0.5 Clari
−2 −1
−2 −1.5 −1 −0.5 0 0.5 1 1.5 2 −0.6 −0.4 −0.2 0 0.2 0.4 0.6
Skewness Skewness
R−estimated − R−theory
40
Tpt.S
35
Trbn1
30 Tpt.H
Trbn2 0
25 Zoom In
20 −0.5
Ob.nV
FrHor Clari Violn
15 −1

10 −1.5

5 −2 Viola
Cello
T.Sax
A.Sax Fagot B.Cla Flute
0 B.Sax −2.5
C.Fag
−5 −3
0 0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 1 0.95 0.96 0.97 0.98 0.99 1
PFA for the Linearity Test
 The resulting summation signal

The sinusoids Q=8

Q=7

Q=6

Q=5

Q=4

Q=3

Q=2

Q=1

The resulting summation signal

The sinusoids

Q=8

Q=7

Q=6

Q=5

Q=4

Q=3

Q=2

Q=1
 Pulse Train with Frequency Jitter : Qeff = 3
0.4

0.2

−0.2

−0.4

−0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4

Pulse Train with Frequency Jitter : Qeff = 25

0.4

0.2

−0.2

−0.4

−0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4

 "Babble" (people talking) residual bispectrum Factory noise (fac2) residual bispectrum

0.4 0.4

0.3 0.3

0.2 0.2

0.1 0.1
f2

f2
0

−0.1 −0.1

−0.2 −0.2

−0.3 −0.3

−0.4 −0.4

−0.5 −0.5
−0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4 −0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4
f1 f1
Buccaneer jet (buc1) residual bispectrum Tank engine (m109) residual bispectrum

0.4 0.4

0.3 0.3

0.2 0.2

0.1 0.1
f2

0
f2

−0.1 −0.1

−0.2 −0.2

−0.3 −0.3

−0.4 −0.4

−0.5 −0.5
−0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4 −0.5 −0.4 −0.3 −0.2 −0.1 0 0.1 0.2 0.3 0.4
f1 f1
 6
fac1

5 0.25
0.2
4 babb 0.15 leop
Kurtosis−3

0.1
3 Zoom0.05In

Kurtosis−3
0 hfch f_16
deng
2 buc1
m109 −0.05
dops
fac2 −0.1
1
−0.15
0 −0.2
−0.25 buc2
−1
−1 −0.8 −0.6 −0.4 −0.2 0 0.2 0.4 0.6 0.8 1 −0.1 −0.08−0.06−0.04−0.02 0 0.02 0.04 0.06 0.08 0.1
Skewness Skewness
 Texture

Legend:
Interval − bell sound
Rythm Timbre
− sung note
− piano note
− grey area

Divisibility Non Divisibility

Timbre
Texture Quantitative Complexity Interval
Precision

Timbre Interval
Timbre
Simplicity
Static Dynamic Texture
Organization of:
Interval’s Organization Separability isolated multiple
event combinations