1.

BETCHA GON’ KNOW (THE PROLOGUE)

2. OBSESSED
3. H.A.T.E.U.
4. CANDY BLING
5. RIBBON
6. INSEPARABLE
7. STANDING O
8. IT’S A WRAP
9. UP OUT MY FACE
10. UP OUT MY FACE (THE REPRISE)
11. MORE THAN JUST FRIENDS
12. THE IMPOSSIBLE
13. THE IMPOSSIBLE (THE REPRISE)
14. ANGEL (THE PRELUDE)
15. ANGELS CRY
16. LANGUISHING (THE INTERLUDE)
17. I WANT TO KNOW
WHAT LOVE IS

OBSESSED
1. CAHILL RADIO MIX
2. SEAMUS HAJI & PAUL
EMANUEL RADIO EDIT
3. JUMP SMOKERS RADIO EDIT
4. FRISCIA AND LAMBOY
RADIO MIX
5. VIDEO
6. VIDEO - REMIX
FEATURING GUCCI MANE

EXECUTIVE PRODUCERS:
MARIAH CAREY &
ANTONIO “LA” REID
ALBUM PRODUCERS:
MARIAH CAREY,
C. “TRICKY” STEWART &
TERIUS “THE-DREAM” NASH
A&R: KAREN KWAK
MANAGEMENT:
MAROON ENTERTAINMENT,
VIOLATOR MANAGEMENT
& WONG MANAGEMENT
 BUTTERFLY

MEMOIRS… 2009
 DEBUT
ALBUM

MEMOIRS… 2009
 DEBUT
ALBUM

MEMOIRS… 2009
 ®

ND LINER NO
A
TES
• LYRICS

• LYRICS

WITH VIP ACCESS

TES

AN
D LINER NO TO HER SEXY LOVE LIFE

AMAZING
MEMOIRS OF CLOSET
AN IMPERFECT #&"65:

ANGEL 4&$3&54
MARIAH
45"33*/(
RECORDING
RITUALS
CAREY A N D M O R E ! 5VSO IFSF
OCTOBER 2009 ELLE.COM
ELLE COVER LETTER
I’d like to thank the wonderful
staff at ELLE for putting
together this chic mini magazine
about me. Because I’ve been
interviewed so many times, we
thought it’d be fun to turn the
$IJFG #SBOE 0GGJDFS C A R O L A . S M I T H
tables and create a little book
&EJUPSJO$IJFG  #SBOE $POUFOU R O B E R TA MY E R S
about some of the things I love.
Inside, you’ll get a peek at my
New York closet; check out
personal photos of me and my
husband, Nick; go behind the
scenes of my new film, Precious;
and hear about my creative
process as a singer, songwriter,
and producer—past, present,
and future. You’ll also find out
about my latest fragrance, my
travel must-haves, the six items
on the top of my wish list, and
much more. Before you flip the
page, I’d also like to thank Island
$IJFG #SBOE 0GGJDFS
&--& (SPVQ C A R O L A . S M I T H
Def Jam Chairman L.A. Reid,
#SBOE %FWFMPQNFOU B R E N T A L L E N
who thought it would be cool
-BHBSEoSF "DUJWF D I D I ER Q U I L LOT
to partner with ELLE on this
.BHB[JOF %JWJTJPO
-BHBSEoSF "DUJWF J E AN D E BO ISD EFFRE
project. Another version of this
“Mimi ELLE” appears in the
For information on reprints and e-prints, please contact Brian Kolb at Wright’s Reprints, 877- 652-
CDs of my new album, Memoirs
of an imperfect Angel. Hope you
enjoy it. Love ya much!
4FOJPS 7JDF 1SFTJEFOU
7JDF 1SFTJEFOU
$SFBUJWF %JSFDUPS J O E Z E E
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PRODUCTION
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1SPEVDUJPO %JSFDUPS P H Y L L I S D I N O W I T Z
1SPEVDUJPO .BOBHFS M E L I S S A J E W S B U R Y
1SFQSFTT 5FDIOJDJBO J I M H I C K E Y
HACHETTE FILIPACCHI MEDIA U.S. ( W W W . H F M U S . C O M )
1SFTJEFOU BOE $IJFG &YFDVUJWF 0GGJDFS A L A I N L E M A R C H A N D
&YFDVUJWF 7JDF 1SFTJEFOU BOE $IJFG 0QFSBUJOH 0GGJDFS P H I L I P P E G U E LT O N
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E LLE SU BSC R I P TI O N C USTOM E R S E RVI C E
TELEPHONE: 800-876-8775
Cover photographed by Alexei Hay
5295 or bkolb@wrightsreprints.com. ELLE is published by Hachette Filipacchi Media U.S., Inc.
All correspondence should be addressed to: 1633 Broadway, New York, NY 10019. Tel: 212-
767-5800. In the U.S., ELLE is a registered trademark of Hachette Filipacchi Presse, Levallois-
Perret Cedex, France. In Canada, the ELLE trademarks (denomination and logo) are owned by
France Canada Editions et Publications Inc. Copyright © 2009. Hachette Filipacchi Media U.S.
is part of Lagardère Active, a division of Lagardère SCA (www.lagardere.com).
T H E PA S S I O N PERFECTION
Printed in the United States of America
FOR
www.angelchampagne.com
ELLE INTELLIGENCE MUSIC

VISIONOFLOVE
Mariah shares her private thoughts To get Mariah Carey’s latest album, Memoirs of an imperfect Angel, at a special price, go to:
on the albums that made her the top- MariahCarey.com/Memoirs.
selling female artist of all time
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 EMOTIONS
 MTV UNPLUGGED
 MUSIC BOX
 MERRY CHRISTMAS
 DAYDREAM


Jam Music Group; Ricola and Juicy Couture tracksuit: Len Lagrua; studio:
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Carey’s
studio in her MARIAH SAYS: MARIAH SAYS: “The MARIAH SAYS: “It’s
NYC home
“Right now, all I’m studio is an amazing only me and Brian,
listening to is my outlet for me. I love my engineer, when I MARIAH SAYS:
MARIAH SAYS: “I wear my pj’s,
own stuff. As a writing, producing— do vocals. I like vocal “I always write in a
writer-producer, I and obviously singing. I booths dark and moody, like a pink velour
cute li’l book when I tracksuit, when I
need to listen and use this spray when I’ve and I almost always sing do my lyrics.”
see what needs to be been singing for hours at night—thus, late- sing at home.”
fixed or changed.” and my throat’s sore.” night lozenges.”
ELLE SHOPS MUST-HAVES

DREAMLOVER
Mariah shares the sentimental and downright
sexy picks at the top of her wish list Carmen Steffens
STELLA MCCARTNEY
GBVY
MFBUIFS
UIJHIIJHI
CPPUT YVES SAINT
LAURENT CMBDL

Alamy; Althorp couch: courtesy of ABC Carpet & Home; piano: courtesy of Steinway & Sons; book: Len Lagrua
Carey: Stephane Feugere; McCartney boots: courtesy of the designer; Porsche: © Marassphotography.com/
MFBUIFS
CVTUJFS

www.carmensteffens.com
"
PETER ALTHORP
MJOFO

$IFTUFSGJFME
DPVDI

MARIAH SAYS:
“I have Marilyn
MARIAH Monroe’s famous white
SAYS: “A piano in my New York
104-degree apartment. Obviously,
hot tub: my nothing compares to
favorite spot the sentimental value
in my new of Marilyn’s piano, but I
L.A. home.” want to buy my first new
piano for my L.A. home.”
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“I’m restoring my
father’s vintage "
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candy-apple-red CBCZ
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Porsche Speedster.
Now I’ve just got
to renew my
"
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PORSCHE driver’s license.”
SPEEDSTER

MC_mag_layoutconcept2.indd 1 5/6/2009 23:18:14

ELLE FASHION STYLE BEAT

MAKEITHAPPEN
Mariah opens up the doors to
her NYC dressing rooms—all
five of them!

CHANEL
QMBUGPSN

MARIAH SAYS:
“My goal was for
the closet to look
like a store, with
everything color- CHRISTIAN
"
DSQUARED coordinated.” LOUBOUTIN
IFFM
CJLFS
KBDLFU

MARIAH SAYS:
“There was a time

jacket and J Brand jeans: Len Lagrua; all shoes: courtesy of the designers
Dressing room and shoe closet: photographed by Laura Geiser; Dsquared
in my life when I
owned only one pair
of shoes—a size
too small with holes
in them. Today,
there’s a part of
MARIAH SAYS: me that feels like I
“The gold stars and MARIAH SAYS:
should hold on to
monogrammed M “I love this pink
every pair.”
painted on the floor satin chair that
remind me of an Old my decorator,
Hollywood dressing Mario Buatta,
%BSL
CPPUDVU
found for me.”
room. Also, as the floor
J BRAND KFBOT
gets more wear and
tear, it’ll just look better
in a vintage way.” GIUSEPPE
ZANOTTI TBOEBM

"
DIOR
TUSBQMFTT
ESFTT
ELLE BEAUTY NEWS

ONESWEETDAY
The Princess of Pop teams up with 1: FLAWLESS FACE
.BSJBI
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Elizabeth Arden on Forever, Mariah’s most DPNQMFYJPO
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Mariah’s

personal, gracefully crisp fragrance yet NPJTUVSJ[JOH
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makeup artist,
Brigitte Reiss-
Andersen,
offers up her
greatest tips
2: NATURAL GLOW
MARIAH SAYS: “I ².BSJBI
MJLFT
B
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B
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Forever bottle, apple, and flower: Len Lagrua; Reiss-Andersen: courtesy of

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collect vintage perfume
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bottles, and this glass ²4IF
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silhouette is inspired
by one of my favorites.
I wear this fragrance 3: EVENING EYES

Brigitte Reiss-Andersen; Carey: Roger Wong/INFphoto.com

every day. I’ve gone .BSJBI
HPFT

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through four bottles of
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blossom, and
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MC’s essentials:
Shu Uemura Wine
23 blush, Elizabeth
Arden Black Pearl
gel eyeliner, and
Giorgio Armani
No. 8 Luminous
foundation
ELLE INTELLIGENCE MOVIES JET-SETTER ELLE TRAVEL

FANTASY I’LLBETHERE

Capri: © Hemis/Alamy; Disney World: © Dennis MacDonald/Alamy; Aspen: Steve Mundinger; Eleuthera: Robert Brantley; Chanel sunglasses:
Chanel sunglasses
The five-time Grammy winner goes From Capri to the Caribbean, check out where Mariah’s Protection
behind the scenes of her new drama racked up the most frequent flier miles against the
paparazzi
after an

Len Lagrua; pillows and comforter: courtesy of Hotel Collection by Macy’s; iPod and dock: courtesy of Bose Corporation
MARIAH SAYS: overnight
“I trusted [director] Lee flight
Daniels totally, even
when he put me under
fluorescent lights with no La Roche-Posay
makeup, except for dark Anthelios 60
shadows under my eyes, sunblock
and a prosthetic nose.” A must
whether MC’s

images: Ann Marie Fox; all DVDs: Len Lagrua

in the sun or
shade

MARIAH SAYS: Pillow and duvet

“The last scene between For privacy
Mo’Nique, Gabby CAPRI, ITALY “I love swimming in the DISNEY WORLD, FLORIDA“I’m eternally 12, when sleeping
[Sidibe], and myself was Blue Grotto, and Capri’s air is the best and can’t wait to sleep in Cinderella’s on an airplane,
so intense that I could in the world for my voice.” castle, which I just found out you can do.” she pulls a
ROLE CALL In Precious, a harrowing film about duvet over
a pregnant, inner-city teenager, which picked barely get through it
without breaking down.” her head.
up the coveted Grand Jury Prize at Sundance,
Mariah strips away the red-carpet glamour to
play a supportive social worker. The Bible

here Gut
Mariah never

Precious
leaves home
without her
credits live
of Lionsgate; personal edition
with underlined
passages.
here Gutter
courtesy

iPod and speaker dock

Her favorite
accessory—
live
poster:

for playing
Gutter credits

ASPEN, COLORADO “Christmas in Aspen ELEUTHERA, BAHAMAS “I just bought a music

"MM
"CPVU
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&MG
(FOUMFNFO
1SFGFS
-BEZ
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(JSMT

is my most festive holiday. I cook for house here; it’s white and crystal blue anywhere,
Precious

  #MPOEFT
 #MVFT
 

my friends and family and go on sleigh to match the ocean and it’s where anytime
rides pulled by reindeer.” Nick and I got married.”
FUTURE
PERFECT
ON THE EVE OF HER HIGHLY
ANTICIPATED NEW ALBUM,
MARIAH CAREY STOPS TO
DISCUSS INTROSPECTION,
INSPIRATION, AND HER
TWO NEW ANGELS
P H O T O G R A P H E D BY alexei hay
S T Y L E D BY joe zee

Mariah Carey has sold more
than 160 million albums
worldwide, and, if radio play for
the first single on her new album,
Memoirs of an imperfect Angel, is
any indication, she’s on the verge
of racking up more No. 1 hits
than the Beatles. But underneath
the pop varnish, Carey’s just a
smitten newlywed in the middle
“’TheImpossible’is
of a home renovation, juggling a
job and a new puppy. Sort of…
&--& Congratulations on the
verymuchwheremy
album! Can you describe it?
.$ Overall, the vibe is R&B hip-
lifeisrightnowbecause
hop with a lot of slow jams.
&--& Is there a track that holds
special meaning for you?
Iamactuallyinlovefor
.$ “The Impossible” is very
much where my life is right now
thefirsttime.”
because I am actually in love for
the first time.
&--& Congratulations on
celebrating your one-year
wedding anniversary with Nick
Cannon. How’s married life?
.$ Amazing—better every day.
&--& How do you two spend
your free time?
.$ We travel a lot. I think we’ve
been to over 35 cities already.
&--& You just bought a house in
L.A. What’s it like?
.$ It’s a Georgian manor. We
basically redid the entire thing,
from the floors to landscaping.
Of course, I have the salon and
Nick has a basketball court. And
I love having the outdoor space
so the dogs can play. It’s not too
small; it’s not too big—it’s not a
monstrosity. It’s a home.
&--& You’ve been looking great
lately. How do you stay in shape?
.$ When I want to lose weight,
I’ll avoid carbs and anything
fried. I eat mostly soups with
protein, and drink lots of water
and chamomile tea.
&--& You love your Jack Russell
terriers. How’s your puppy,
Cha-Cha?
.$ She’s adorable. Nick got her
for me as a present, but she loves
me the best! She sleeps in the bed
For more with Mariah, check out ELLE.com/Mariah.
with me when Nick goes to work.
And she gets along with Jack
Junior, aka JJ, my other dog. We
want to breed them!
&--& Tell us about your new
film, Precious.
.$ It’s an incredible movie by
Lee Daniels, inspired by the
novel Push, written by Sapphire.
I read it a long time ago, and it
changed my life.
&--& Forget for a moment that
you’re an international superstar.
How would you describe yourself?
.$ Hmm…festive, emotional,
creative, “artsy,” a jokestress.
&--& How often do you think
about music? Is it always in
your head?
.$ Constantly! It has been ever
since I can remember. I always
have a song that’s a melody I’m
making up, or a song on the radio.
&--& You’ve had so much
success. Where would you like to
be in 10 years?
.$ I try to live in the moment. It
says in the Bible, Matthew 6:34:
“Therefore do not worry about
tomorrow, for tomorrow will
worry about itself. Each day has
enough trouble of its own.”
ELLE RELATIONSHIPS LOVE AFFAIR

MR.&MRS. Nick Cannon—

actor, rapper,
comedian, Cannon with
TV show host, their first
Jack Russell
and Nickelodeon puppy, JJ
exec—talks about
MARIAH how he wooed and wed his
SAYS: .BSJBI
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celebrity crush.
”Nick and I XFEEJOH
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Christmas; I BSSJWFE
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VTVBM NC: I always say grace over my

www.carmensteffens.com
was cooking food—it’s the way I was raised—so
my father’s I bowed my head over my french
recipe for MARIAH SAYS: fries at a meeting with her. She
linguine in “He surprised me said, “I do the same thing!” and
clam sauce.” with an Asscher- pulled an electronic Bible out of

Gut Carey; Cha-Cha: Rachel McIntosh

cut pink and white
engagement ring
stuck inside a candy
ring wrapper! I wrote
about it in the song,
‘The Impossible,’ on
my new album.”
MARIAH SAYS:
“I honestly didn’t
5IF
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FEJUJPO
UP
think it was
UIF
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$IB$IB

possible, but I truly her on our one-year anniversary.
her purse. I never meet anyone in
this business who’s on the same
level as I am spiritually.
ELLE: Are you a romantic?
NC: Ever since that first
conversation, I would e-mail her
daily words of inspiration. After six
months, she lost her BlackBerry. I
had been saving the Daily E’s, so I
had them bound and gave them to

Mariah
B
+BDL
3VTTFMM
QVQQZ ELLE: How do you make time to
found my soul

here
mate. Don’t ever spend with each other?
Careycredits liveof
give up hope!” NC: We take two days and just shut
everything down. We stay in bed, Bill Boatman/courtesy

watch DVDs, listen to music, and

/JDL
HBWF
.BSJBI
eat junk food. You have to have
UIJT
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CSBDFMFU

Gutter

the mentality of, Yo, I’m doing all

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MARIAH SAYS: this to better the union that I’ve
XFEEJOH
BOOJWFSTBSZ “We toasted our created with this person.
Mariah

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here

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OPX
WBDBUJPO
vows with a glass ELLE: Do you ever play practical

of champagne.
Cannon:
of live

IPNF
JO
UIF
#BIBNBT jokes on one another?

My new favorite NC: She has this priceless piano,
Carmen Steffens
credits

is Angel .” so I made it look like somebody

Courtesy
arey and

put a wet paintbrush on top of it.

Gutter

For more exclusive pics of the married couple, and the full interview with Nick, She didn’t find that too funny, but I Handcrafted Women's Shoes,
check out ELLE.com/Mariah. thought it was hilarious!
C

Handbags and Accessories

 Betcha Gon’ Know
(†he prologue)
WHOA, WELCOME TO A DAY OF MY LIFE, DAY OF MY LIFE
MEMOIRS OF AN IMPERFECT ANGEL…
WHOA, WELCOME, WELCOME, WELCOME TO A DAY OF MY LIFE
MEMOIRS OF AN IMPERFECT ANGEL…
THOUGH THE LIGHTS WERE LOW
I COULD SEE YOU BOTH IN A LOVERS’ SILHOUETTE
AND MY HEART STOOD STILL, I JUST FROZE RIGHT THERE
STARING DOWN AT HER RED DRESS
SO I BOLTED OUT THE DOOR, JUMPED RIGHT INTO THE CAR
IT’S TOO DANGEROUS TO BE IN THE VICINITY OF WHERE YOU ARE
ROLLED DOWN ALL THE WINDOWS JUST SO I COULD BREATHE
CAN’T BELIEVE YOU JUST ACTUALLY DID THIS S**T TO ME
I’M GOIN’ ABOUT A HUNDRED, MASCARA RUNNIN’
LAUGHING OUT OF ANGER, BUT IT DON’T STRIKE ME AS FUNNY
BEEN TOO GOOD TO YOU, I’VE BEEN VIRTUOUS AND TRUE
TO HAVE SOMETHING LIKE THIS HAPPEN IN MY OWN BEDROOM
BETCHA GON’ KNOW, KNOW HOW IT FEELS
WHEN I GET YOU BACK
BETCHA GON’ KNOW, KNOW HOW IT FEELS
AND YOUR HEART’S BEEN CRACKED
BETCHA GON’ KNOW, KNOW HOW IT FEELS
WHEN WE FADE TO BLACK
HOW IT FEELS FOR REAL
AND YOU SEE YOUR WHOLE WORLD COLLAPSE
AND I’M GON’ LA-LA-LA-LA-LA-LAUGH
AND I’M GON’ LA-LA-LA-LA-LA-LAUGH
AND I’M GON’ LAUGH RIGHT IN YOUR FACE BOY
BETCHA GON’ KNOW, KNOW HOW IT FEELS…
SO I PULLED TO THE SIDE OF THE ROAD TO FIX MY FACE
BUT I CAN’T COVER WITH MAKEUP WHAT MY TEARS WANT TO ERASE
I WAKE UP IN A HAZE, MORNING DEW AND SUN RAYS
AS I DRIVE I HIDE MY EYES BEHIND MY BLACK CAVALLI SHADES
A BLOCK FROM THE HOUSE SLOWLY CREEP IN THE DRIVEWAY
BETCHA GON’ KNOW (THE PROLOGUE): WRITTEN BY MARIAH CAREY, TERIUS NASH, CHRISTOPHER STEWART AND JAMES WRIGHT © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/RZE MUSIC
PUBLISHING/UNIVERSAL MUSIC PUBLISHING (ASCAP)/ALDORA PUBLISHING (ASCAP)/EMI APRIL MUSIC PUBLISHING INC. PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART, TERIUS “THE-DREAM” NASH AND JAMES “BIG JIM” WRIGHT. RECORDING BY BRIAN GARTEN
AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA, STUDIO AT THE PALMS, LAS VEGAS, NV AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. ADDITIONAL ENGINEERING BY ANDREW WUEPPER. KEYS AND HAMMOND B3 BY BIG
JIM WRIGHT AND TRICKY STEWART. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
TIP-TOE THROUGH THE DOOR, BUT YOU’RE THERE, WIDE AWAKE
YOU’RE LIKE “WHERE YOU BEEN?”
I’M LIKE “SORRY BUT I FELL ASLEEP ON JASMINE’S SOFA,
I COULD’VE SWORN THAT RAE RAE CALLED YOU AND TOLD YA”
YOU LIKE “YOU OK”, I’M LIKE “MM I’M ALL RIGHT
A LITTLE SLEEP AND I’LL BE FINE”
BUT IF YOU ONLY KNEW WHAT WAS IN THE BACK OF MY MIND
ALREADY STUNG BUT YOU REALLY GON’ FIND OUT IN TIME, OH I
BETCHA GON’ KNOW, KNOW HOW IT FEELS
WHEN I GET YOU BACK
BETCHA GON’ KNOW, KNOW HOW IT FEELS
AND YOUR HEART’S BEEN CRACKED
BETCHA GON’ KNOW, KNOW HOW IT FEELS
WHEN WE FADE TO BLACK
HOW IT FEELS FOR REAL
AND YOU SEE YOUR WHOLE WORLD COLLAPSE
THIS IS FOR REAL, FOR REAL, FOR REAL
OPRAH WINFREY WHOLE SEGMENT FOR REAL, FOR REAL
20/20 BARBARA WALTERS FOR REAL, FOR REAL
60 MINUTES FOR REAL
(BABY)
I HAD ALL MY TRUST IN YOU AND
LOOK AT WHAT YOU PUT ME THROUGH
(YOU GOT ME ALL CRAZY)
SOMEWHERE DOWN THE LINE YOU GON’ GET WHAT YOU DESERVE
YOU F***IN’ JERK
(YOU WERE SUPPOSED TO SAVE ME
MY SWEET BABY
BUT NOW WE’RE FADING AWAY)
BUT YOU’RE GONNA KNOW HOW THIS FEELS
EVEN IF IT’S THE LAST THING I EVER DO...
TO BE CONTINUED…

ALL UP IN THE BLOGS SAYIN’
WE MET AT THE BAR
WHEN I DON’T EVEN, KNOW WHO YOU ARE
SAYIN’ WE UP IN YOUR HOUSE,
SAYIN’ I’M UP IN YOUR CAR
BUT YOU’RE IN LA AND I’M OUT AT JERMAINE’S
I’M UP IN THE A, YOU SO SO LAME
AND NO ONE HERE EVEN MENTIONS YOUR NAME
IT MUST BE THE WEED IT MUST BE THE E
CAUSE YOU BE POPPIN’,
HEARD YOU GET IT POPPIN’
WHY YOU SO OBSESSED WITH ME?
BOY I WANNA KNOW
LYIN’ THAT YOU’RE SEXIN’ ME
WHEN EVERYBODY KNOWS
IT’S CLEAR THAT YOU’RE UPSET WITH ME
OH, OH, OH
FINALLY FOUND A GIRL
THAT YOU COULDN’T IMPRESS
LAST MAN ON THE EARTH
STILL COULDN’T GET THIS
YOU’RE DELUSIONAL, YOU’RE DELUSIONAL
BOY YOU’RE LOSIN’ YOUR MIND
IT’S CONFUSING YO, YOU’RE CONFUSED YA KNOW
WHY YOU WASTIN’ YOUR TIME?
GOT YOU ALL FIRED UP
WITH YOUR NAPOLEON COMPLEX
SEE RIGHT THROUGH YOU
LIKE YOU’RE BATHIN’ IN WINDEX
OH, OH, OH
BOY WHY YOU SO OBSESSED WITH ME?
SO, OH, OHH
SO, OH, OHH (OBSESSED)
(AND ALL MY LADIES SAY)
SO, OH, OHH (OBSESSED)
(AND ALL MY GIRLS SAY)
UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED)
UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED)
OBSESSED: WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/RZE MUSIC PUBLISHING/UNIVERSAL MUSIC
PUBLISHING (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS,
NYC. RECORDING ASSISTED BY LUIS NAVARRO. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
Obsessed
UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED)
UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED)
YOU’RE ON YOUR JOB, YOU’RE HATIN’ HARD
AIN’T GON’ FEED YA, I’M GON’ LET YA STARVE
GRASPIN’ FOR AIR, I’M VENTILATION
YOU’RE OUT OF BREATH,
HOPE YOU AIN’T WAITIN’
TELLIN’ THE WORLD HOW MUCH YOU MISS ME
BUT WE NEVER WERE SO WHY YOU TRIPPIN’
YOU’RE A MOM AND POP, I’M A CORPORATION
I’M THE PRESS CONFERENCE,
YOU’RE A CONVERSATION
WHY YOU SO OBSESSED WITH ME?
AND BOY I WANNA KNOW
LYIN’ THAT YOU’RE SEXIN’ ME
WHEN EVERYBODY KNOWS
IT’S CLEAR THAT YOU’RE UPSET WITH ME
OH, OH, OH
FINALLY FOUND A GIRL
THAT YOU COULDN’T IMPRESS
LAST MAN ON THE EARTH
STILL COULDN’T GET THIS
YOU’RE DELUSIONAL, YOU’RE DELUSIONAL
BOY YOU’RE LOSIN’ YOUR MIND
IT’S CONFUSING YO, YOU’RE CONFUSED YA KNOW
WHY YOU WASTIN’ YOUR TIME?
GOT YOU ALL FIRED UP
WITH YOUR NAPOLEON COMPLEX
SEE RIGHT THROUGH YOU
LIKE YOU’RE BATHIN’ IN WINDEX
OH, OH, OH
BOY WHY YOU SO OBSESSED WITH ME
SO, OH, OHH (OBSESSED)
(AND ALL MY LADIES SAY)
SO, OH, OHH (OBSESSED)
(AND ALL MY GIRLS SAY)
UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED)
UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED)
UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED)
UH-UH-UH-UH-UH-UH-UH-UH-UH (OBSESSED)
(HEY)
WHY YOU SO OBSESSED WITH ME?
(HE’S ALL UP IN MY GEORGE FOREMAN)
BOY I WANNA KNOW
LYIN’ THAT YOU’RE SEXIN’ ME
(LYIN’ THAT YOU’RE SEXIN’ MIMI)
WHEN EVERYBODY KNOW
IT’S CLEAR THAT YOU’RE UPSET WITH ME
(AYY!)
OH, OH, OH
(OH, OH, OH)
FINALLY FOUND A GIRL
THAT YOU COULDN’T IMPRESS
LAST MAN ON THE EARTH,
STILL COULDN’T GET THIS
(NO-OO-OO)
YOU’RE DELUSIONAL, YOU’RE DELUSIONAL
(HE’S ALL UP IN MY GEORGE FOREMAN)
BOY YOU’RE LOSING YOUR MIND
IT’S CONFUSING YO,
YOU’RE CONFUSED YA KNOW
(BUT I CAN’T DO NOTHING FOR HIM)
WHY YOU WASTIN’ YOUR TIME
GOT YOU ALL FIRED UP
WITH YOUR NAPOLEON COMPLEX
(YOU LOVE ME, YOU LOVE ME)
SEE RIGHT THROUGH YA
LIKE YOU’RE BATHIN’ IN WINDEX
(YOU REALLY, REALLY LOVE ME….)
OHH, OHH, OHH, OOH, OOH, OOH
BOY WHY YOU SO OBSESSED WITH ME
 H.A.T.E.U.
ONCE UPON A TIME WE SWORE NOT TO SAY GOODBYE SEEMS LIKE SUCH A LOST CAUSE
SOMETHING GOT A HOLD OF US AND WE CHANGED I CAN’T WAIT TO FACE YOU BREAK YOU DOWN
AND THEN YOU SAT ALONE IN PRIDE AND I SAT AT HOME AND CRIED SO LOW THERE’S NO PLACE LEFT TO GO
HOW DID OUR FAIRY TALE JUST END UP THIS WAY I CAN’T WAIT TO HATE YOU

WE WENT ROUND FOR ROUND TILL WE KNOCKED LOVE OUT NO NEED TO CALL MY PHONE
WE WERE LAYING IN THE RING NOT MAKING A SOUND BECAUSE I CHANGED MY NUMBER TODAY
AND IF THAT’S A METAPHOR OF YOU AND I MATTER FACT I THINK I’M MOVIN’ AWAY
WHY IS IT SO HARD TO SAY GOODBYE SORRY THE FRUSTRATION’S GOT ME FEELING A WAY
AND I JUST KEEP HAVING ONE LAST THING TO SAY
I CAN’T WAIT TO HATE YOU MAKE YOU PAIN LIKE I DO AND I JUST WANNA HOLD YOU, TOUCH YOU,
STILL CAN’T SHAKE YOU OFF FEEL YOU, BE NEAR YOU
I CAN’T WAIT TO BREAK THROUGH THESE EMOTIONAL CHANGES I MISS YOU BABY BABY BABY
SEEMS LIKE SUCH A LOST CAUSE
I’M TIRED OF TRYIN TO FAKE THROUGH,
I CAN’T WAIT TO FACE YOU BREAK YOU DOWN
BUT THERE’S NOTHING I CAN DO
SO LOW THERE’S NO PLACE LEFT TO GO
BOY I CAN’T WAIT TO HATE YOU
I CAN’T WAIT TO HATE YOU…
I CAN’T WAIT TO HATE YOU MAKE YOU PAIN LIKE I DO
OOH THIS WAS A LOVE PHENOMENON NO ONE COULD EXPLAIN
AND I WISH I COULD PRESS RESET AND FEEL THAT FEELING AGAIN STILL CAN’T SHAKE YOU OFF
I SIT AND PRESS REWIND AND WATCH US EVERY NIGHT I CAN’T WAIT TO BREAK THROUGH THESE EMOTIONAL CHANGES
WANNA PAUSE IT BUT I CAN’T MAKE IT STAY SEEMS LIKE SUCH A LOST CAUSE
JUST GOTTA LET IT PLAY I CAN’T WAIT TO FACE YOU BREAK YOU DOWN
SO LOW THERE’S NO PLACE LEFT TO GO
WE WENT ROUND FOR ROUND TILL WE KNOCKED LOVE OUT I CAN’T WAIT TO HATE YOU BABY
WE WERE LAYING IN THE RING NOT MAKING A SOUND
AND IF THAT’S A METAPHOR OF YOU AND I I CAN’T WAIT TO H-A-T-E YOU
WHY IS IT SO HARD TO SAY GOODBYE CAUSE RIGHT NOW I NEED YOU
CAN’T WAIT TO MAKE YOU GO
I CAN’T WAIT TO HATE YOU MAKE YOU PAIN LIKE I DO I CAN’T WAIT TO H-A-T-E YOU
STILL CAN’T SHAKE YOU OFF CAUSE RIGHT NOW I NEED YOU
I CAN’T WAIT TO BREAK THROUGH THESE EMOTIONAL CHANGES CAN’T WAIT TO MAKE YOU GO

H.A.T.E.U.: WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING (ASCAP). PRODUCED BY
MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY CHRIS “TEK” O’RYAN AND BRIAN GARTEN AT THE BOOM BOOM ROOM, BURBANK, CA, HONEYWEST STUDIOS, NYC AND HAPPY BEGINNINGS. RECORDING ASSISTED BY LUIS NAVARRO
AND KEITH GRETLEIN. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
 Candy Bling
I STILL REMEMBER
THAT HAZY SEPTEMBER
I’VE BEEN WAITIN’ FOR SOMEBODY LIKE YOU
TO COME BACK AROUND
WE WOULD WALK IN THE PARK
EVERY SATURDAY
BRAND NEW ALL IN LOVE KISSIN’ TIME AWAY
YOU WAS ALL UP ON ME, IT WAS PLAIN TO SEE
THAT I WAS YOUR GIRL
WAY BACK THEN IT WAS THE SIMPLE THINGS
ANKLETS, NAME PLATES THAT YOU GAVE TO ME
SWEET TARTS, RING POPS
HAD THAT CANDY BLING
AND YOU WERE MY WORLD
NOW I WISH I COULD GO BACK
AND MAKE TIME STOP
I WOULD TAKE THIS LOVE
THROW BACK FROM THE TOP
GO DJ PLAY MY SONG
AND I’M GON’ THINK ABOUT YOU
ALL NIGHT LONG
BACK IN THE DAY WE WERE IN LOVE
WE’RE NOT IN LOVE ANY MORE
BUT SOME DAYS I SIT AND WISH
WE WERE IN LOVE AGAIN
BACK IN THE DAY WE WERE IN LOVE
WE’RE NOT IN LOVE ANY MORE
BUT SOME DAYS I SIT AND WISH
WE WERE IN LOVE AGAIN
IRRESPONSIBLE THINGS WE WOULD DO LIKE
FALL ASLEEP ON THE PHONE
AND SKIPPIN’ SCHOOL
NOW I’M BACK TO THE FUTURE MISSIN’ YOU
MY SWEET BABY
MY SWEET THING, LIKE CANDY
FELT LIKE REAL LOVE, NOT JUST PLAY PLAY
MISSIN’ YOU MY SWEET BABY
I CAN’T DELETE YOUR PICTURE FROM MY MIND
IT WAS EVERYTHING THAT I COULD DO
TO STAY AWAY
AND I OFTEN REMINISCE ABOUT
THE GAMES WE PLAYED
OH YEAH IT WAS TAG, CHASE, SPIN THE BOTTLE
THEM BUTTERFLIES WOULD LAST
TILL TOMORROW
THEN THE LIGHTS CAME ON
I HAD TO RUN RIGHT HOME
AND NOW I WISH I COULD GO BACK
AND MAKE TIME STOP
AND I WOULD TAKE THIS LOVE
THROW BACK FROM THE TOP
GO DJ PLAY MY SONG
AND I’M GON’ THINK ABOUT YOU
ALL NIGHT LONG
BACK IN THE DAY WE WERE IN LOVE
WE’RE NOT IN LOVE ANY MORE
BUT SOME DAYS I SIT AND WISH
WE WERE IN LOVE AGAIN
BACK IN THE DAY WE WERE IN LOVE
WE’RE NOT IN LOVE ANY MORE
BUT SOME DAYS I SIT AND WISH
WE WERE IN LOVE AGAIN
IRRESPONSIBLE THINGS WE WOULD DO LIKE
FALL ASLEEP ON THE PHONE
AND SKIPPIN’ SCHOOL
NOW I’M BACK TO THE FUTURE MISSIN’ YOU
MY SWEET BABY
MY SWEET THING, LIKE CANDY
FELT LIKE REAL LOVE, NOT JUST PLAY PLAY
MISSIN’ YOU MY SWEET BABY
I CAN’T DELETE YOUR PICTURE FROM MY MIND
I’M THE SAME MIMI
FAME AIN’T CHANGED ME
BUTTERFLY FLOW LIKE MUHAMMAD ALI
WISH I COULD BRING YOU BACK LIKE THE O.D.B.
THINKIN’ ABOUT THE WHIRLPOOLS
ME YOU AND JACK
NO MATTER WHAT I DO,
ALL THE MEMORIES ARE STACKED
THINKIN ‘BOUT 10TH GRADE
THINKIN ‘BOUT 11TH
THEN YOU WENT DOUGIE FRESH
ALL THE WAY TO HEAVEN
BACK IN THE DAY WE WERE IN LOVE
WE’RE NOT IN LOVE ANY MORE
BUT SOME DAYS I SIT AND WISH
WE WERE IN LOVE AGAIN
BACK IN THE DAY WE WERE IN LOVE
WE’RE NOT IN LOVE ANY MORE
BUT SOME DAYS I SIT AND WISH
WE WERE IN LOVE AGAIN
IRRESPONSIBLE THINGS WE WOULD DO LIKE
FALL ASLEEP ON THE PHONE
AND SKIPPIN’ SCHOOL
NOW I’M BACK TO THE FUTURE MISSIN’ YOU
MY SWEET BABY
MY SWEET THING, LIKE CANDY
FELT LIKE REAL LOVE, NOT JUST PLAY PLAY
MISSIN’ YOU MY SWEET BABY
I CAN’T DELETE YOUR PICTURE FROM MY MIND

CANDY BLING: WRITTEN BY MARIAH CAREY, TERIUS NASH, CARLOS MCKINNEY, AHMAD LEWIS, STEFAN GORDY AND JOHN KLEMMER © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/DAMYSTRO
MUSIC/SONY ATV (BMI)/UNIVERSAL MCA MUSIC PUBLISHING (ASCAP)/MUSIC OF WINDSWEPT (ASCAP)/EMI FULL KEEL MUSIC (ASCAP)/REMOHJ MUSIC CO. (BMI). PRODUCED BY MARIAH CAREY, TERIUS “THE-DREAM” NASH AND LOS DA MYSTRO. RECORDING
BY BRIAN GARTEN AND CHRIS “TEK” O’RYAN AT HONEYWEST STUDIOS, NYC. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL
CITY, CA. ALL INSTRUMENTS ARRANGED BY LOS DA MYSTRO. CONTAINS INTERPOLATIONS FROM THE COMPOSITION “BACK IN THE DAY” WRITTEN BY AHMAD LEWIS, STEFAN GORDY AND JOHN KLEMMER AND PUBLISHED BY UNIVERSAL MCA MUSIC PUBLISHING
(ASCAP)/MUSIC OF WINDSWEPT (ASCAP)/EMI FULL KEEL MUSIC (ASCAP)/REMOHJ MUSIC CO. (BMI). USED BY PERMISSION. ALL RIGHTS RESERVED.
 IT’S ONLY BEEN 20 GOOD MINUTES
Ribbon BUT THEY BETTER KNOW THAT WRAPPED UP PACKED UP RIBBON
SINCE I KISSED YOU THAT’S MY BABY WITH A BOW ON IT
COME BACK BOO, I MISS YOU YOU MIGHT EVEN THINK YOU’RE CUTE
WISH I HAD 20 MILLION HOURS BUT EVERYBODY KNOW BOY I’M ALL WRAPPED UP IN YOU
TO CARESS YOU THAT I’M HIS LADY YOU MAKE ME FEEL SO UNLOOSED
AND UNDRESS YOU TO BE CONTINUED… EVERYTIME YOU SEE US WE SUPA FLY TELL ME WHAT I’M SUPPOSED TO DO
I’M SO PROUD HE’S BY MY SIDE WHEN YOU’RE NOT AROUND
BOY YOU AND HE KNOWS I’M RIDE OR DIE OH BABY
YOU DON’T KNOW HOW IT FEELS YOU DON’T KNOW HOW WE ROLL OH BABY
WHEN YOU WHISPER IN MY EAR HOLLA AT YOUR PEOPLE OH BABY
BOY YOU OH BABY
YOU GIVE MY BODY CHILLS BOY YOU
WHENEVER YOU ARE NEAR YOU DON’T KNOW HOW IT FEELS AND BOY I GOT YOUR
AND BOY I GOT YOUR WHEN YOU WHISPER IN MY EAR LOVIN’ ON MY MIND
LOVIN’ ON MY MIND I GOT YOUR
BOY YOU
LOVIN’ ON MY MIND
I GOT YOUR YOU GIVE MY BODY CHILLS
YOU GOT ME
LOVIN’ ON MY MIND WHENEVER YOU ARE NEAR
WRAPPED UP PACKED UP RIBBON
YOU GOT ME AND BOY I GOT YOUR
WITH A BOW ON IT
WRAPPED UP PACKED UP RIBBON LOVIN’ ON MY MIND I GOT YOUR
WITH A BOW ON IT I GOT YOUR LOVIN’ ON MY MIND
I GOT YOUR LOVIN’ ON MY MIND I GOT YOUR
LOVIN’ ON MY MIND YOU GOT ME LOVIN’ ON MY MIND
I GOT YOUR WRAPPED UP PACKED UP RIBBON YOU GOT ME
LOVIN’ ON MY MIND WITH A BOW ON IT WRAPPED UP PACKED UP RIBBON
YOU GOT ME I GOT YOUR WITH A BOW ON IT
WRAPPED UP PACKED UP RIBBON LOVIN’ ON MY MIND WRAPPED UP PACKED UP RIBBON
WITH A BOW ON IT I GOT YOUR WITH A BOW ON IT
WRAPPED UP PACKED UP RIBBON LOVIN’ ON MY MIND WRAPPED UP PACKED UP RIBBON
WITH A BOW ON IT YOU GOT ME WITH A BOW ON IT
WRAPPED UP PACKED UP RIBBON WRAPPED UP PACKED UP RIBBON
WITH A BOW ON IT WITH A BOW ON IT OOH AND IT’S BEEN 20 GOOD MINUTES
WRAPPED UP PACKED UP RIBBON SINCE I KISSED YOU
SOMETIMES WE ARGUE AND WE FIGHT WITH A BOW ON IT COME BACK BOO, I MISS YOU

RIBBON: WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING
(ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY CHRIS “TEK” O’RYAN, BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST
STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
 CALL MY PHONE
Inseparable THE FIRST TEXT I EVER GOT FROM YA
BABY CALL MY PHONE
BABY CALL MY PHONE
I’VE BEEN WAITING TO HEAR YOUR RINGTONE
CALL MY PHONE
BABY CALL MY PHONE
BABY CALL MY PHONE
I’VE BEEN WAITING TO HEAR YOUR RINGTONE
LOST WITHOUT MY OTHER HALF
HOW CAN I LIVE WITHOUT YA
I DON’T WANT ANOTHER,
THAT’S WHY I’M MESSED UP ABOUT YA
CAN’T EVEN DREAM WITHOUT SEEIN’ YOU
WHY SHOULD I EVEN TRY TO BREATHE
AND EVERYTHING IS OFF
WHERE ARE YOU
GUESS IT’S ALL MY FAULT
LADY SINGS THE BLUES
NO ONE COULD DENY IT,
WE WERE FLYING LIKE UNITED
THOUGHT WE’D NEVER BE DIVIDED
CAUSE THE LOVE WE HAD INSIDE US WAS
INSEPARABLE
IF YOU’RE BUMPING THIS SONG
AND YOU’RE SEARCHING FOR THE MOMENT
WHEN TWO HEARTS WENT WRONG
INSEPARABLE
JUST LOST YOUR LOVE
CAUSE YOU SWORE
YOU NEVER EVER GIVE IT UP
CAUSE YOU THOUGHT Y’ALL WAS
INSEPARABLE
THOUGHT WE’D STAY TOGETHER
ALWAYS AND FOREVER
BUT NOW I SEE THAT NO ONE IS
INSEPARABLE, EXCEPT FOR US
ONE OF US JUST HAS TO PICK THE PHONE UP
CAUSE I KNOW WE’RE STILL INSEPARABLE
GOT PHOTOS OF US, ON MY REFRIGERATOR
VIDEOS ON MY PHONE,
BOY I JUST CAN’T ERASE ‘EM
JUST LOST YOUR LOVE
STILL SAVED IN MY CAUSE YOU SWORE
INBOX AND I READ IT BACK “TIME AFTER TIME” YOU NEVER EVER GIVE IT UP
BOY I’M LOST CAN’T YOU LOOK, CAUSE YOU THOUGHT YA’LL WAS
WON’T YOU PLEASE FIND ME INSEPARABLE
I’M DOWN TO MY LAST TEAR COME RESCUE ME THOUGHT WE’D STAY TOGETHER
SEE IT’S BROKEN MY HEART ALWAYS AND FOREVER
TO THE POINT WHERE BUT NOW I SEE THAT NO ONE IS
I DON’T LEAVE THE HOUSE INSEPARABLE, EXCEPT FOR US
NO REASON NOW, WEEKENDS OUT ONE OF US JUST HAS TO PICK THE PHONE UP
JUST AIN’T THE SAME WITHOUT YOU (I KNOW, I KNOW, I KNOW WE ARE… HEY)
BOY I THOUGHT WE WERE
CAUSE I KNOW WE’RE STILL INSEPARABLE
INSEPARABLE (I KNOW, I KNOW, I KNOW WE ARE)
IF YOU’RE BUMPING THIS SONG
AND YOU’RE SEARCHING FOR THE MOMENT INSEPARABLE
WHEN TWO HEARTS WENT WRONG (WE ARE)
INSEPARABLE IF YOU’RE BUMPING THIS SONG
JUST LOST YOUR LOVE (THOUGHT WE’D STAY TOGETHER)
CAUSE YOU SWORE AND YOU’RE SEARCHING FOR THE MOMENT
YOU NEVER EVER GIVE IT UP WHEN TWO HEARTS WENT WRONG
CAUSE YOU THOUGHT Y’ALL WAS (ALWAYS AND FOREVER)
INSEPARABLE INSEPARABLE
THOUGHT WE’D STAY TOGETHER JUST LOST YOUR LOVE
ALWAYS AND FOREVER CAUSE YOU SWORE
BUT NOW I SEE THAT NO ONE IS YOU NEVER EVER GIVE IT UP
INSEPARABLE, EXCEPT FOR US CAUSE YOU THOUGHT YA’LL WAS
ONE OF US JUST HAS TO PICK THE PHONE UP INSEPARABLE
CAUSE I KNOW WE’RE STILL INSEPARABLE THOUGHT WE’D STAY TOGETHER
ALWAYS AND FOREVER
IT’S BEEN SIXTEEN DAYS (PICK THE PHONE UP)
SINCE I HELD YOU TIGHT BUT NOW I SEE THAT NO ONE IS
BALLED UP ME AND MY PILLOW (GOTTA PICK THE PHONE UP)
IN THE MIDDLE OF THE NIGHT
BOY I JUST WISH YOU’D SHOW UP (PICK THE PHONE UP)
AND MAKE EVERYTHING ALL RIGHT INSEPARABLE, EXCEPT FOR US
SO WHAT YOU WAITIN’ FOR (GOTTA PICK THE PHONE UP)
CAUSE BOTH OF US STILL KNOW THAT WE’RE (PHONE UP)
ONE OF US JUST GOT TO PICK THE PHONE UP
INSEPARABLE (GOTTA PICK THE PHONE UP)
IF YOU’RE BUMPING THIS SONG CAUSE I KNOW WE’RE STILL INSEPARABLE
AND YOU’RE SEARCHING FOR THE MOMENT (OH BABY YOU JUST GOTTA PICK THE PHONE UP)
WHEN TWO HEARTS WENT WRONG (THE PHONE UP)
INSEPARABLE (THE PHONE UP)

INSEPARABLE: WRITTEN BY MARIAH CAREY, TERIUS NASH, CHRISTOPHER STEWART, ROBERT HYMAN AND CYNDI LAUPER © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/RZE MUSIC PUBLISHING/UNIVERSAL
MUSIC PUBLISHING (ASCAP)/SONY/ATV MUSIC (BMI)/WB MUSIC CORP. (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK,
CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
CONTAINS INTERPOLATIONS OF THE COMPOSITION “TIME AFTER TIME” WRITTEN BY ROBERT HYMAN AND CYNDI LAUPER AND PUBLISHED BY SONY/ATV MUSIC (BMI) AND WB MUSIC CORP. (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED.
 S†anding O
HERE’S YOUR STANDING O
BOY YOU REMIND
ME OF A LOVE THAT SEEMED SO SUBLIME
YOUR KISSES TOLD ME OH SO MANY LIES
SHADES ON LIKE
I BE STUNTIN’ THROUGH THE NIGHT
BUT I’M
JUST HIDING PUFFY EYES
TO KEEP THE WORLD
FROM KNOWING WHAT’S INSIDE
I DIDN’T KNOW O O O O OO
IT WAS A SHOW O O OO OO
YOUR WORDS THEY HAD NO MEANING
HOW DIDN’T I FORSEE THIS
HAPPINESS AND CONGRATS AND ALL THAT
I’LL PRETEND I MEAN IT
SO CHEERS, TOAST, BRAVO, TO YOU
CAUSE YOU’RE THE MAN OF THE HOUR
IMMA HAVE TO SEND YOU SOME FLOWERS
WHOA
CHEERS, TOAST, BRAVO, TO YOU
THE MAN OF THE HOUR
YOU PLAYED THE ONE
THAT LOVED YOU THE MOST
SO HERE’S YOUR STANDING O
OH OH OH OH OH OH OH OH OH OH OH OH OH
OH OH OH OH OH
BOY, SO HERE’S YOUR STANDING O
OH OH OH OH OH OH OH OH OH OH OH OH OH
STANDING O: WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/RZE MUSIC PUBLISHING/UNIVERSAL MUSIC
PUBLISHING (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM NASH. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT GERMANO STUDIOS, NY AND HONEYWEST STUDIOS, NYC. RECORDING
ASSISTED BY KEVIN PORTER. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
OH OH OH OH OH
GAVE YOU MY HEART
AND ALL YOU DID WAS POUND ON IT
SO HERE’S YOUR STANDING O
HERE’S YOUR STANDING OVATION
DOCTOR I WAS TOO PATIENT
EVEN WHEN YOU WASN’T ENOUGH
I’M THE ONE WHO TAUGHT YOU HOW TO LOVE
AND BOY I GAVE YOU ALL OF ME
THE PARTS OF AFFECTION YOU COULDN’T SEE
AS YOU EMBRACE HER IN YOUR ARMS
GIVE HER MY ALL,
GIVE HER MORE THAN YOU GAVE TO ME
WHEN YOU HAD NOTHING I GAVE
WHEN YOU WERE WEAK I MADE YOU BRAVE
YOU WANT TO LEAVE ME
WITH SCARS ON MY HEART
IT’S FUNNY HOW YA’LL FORGET IT ALL
SO CHEERS, TOAST, BRAVO, TO YOU
CAUSE YOU’RE THE MAN OF THE HOUR
IMMA HAVE TO SEND YOU SOME FLOWERS
WHOA
CHEERS, TOAST, BRAVO, TO YOU
THE MAN OF THE HOUR
YOU PLAYED THE ONE
THAT LOVED YOU THE MOST
SO HERE’S YOUR STANDING O
OH OH OH OH OH OH OH OH OH OH OH OH OH
OH OH OH OH OH
BOY, SO HERE’S YOUR STANDING O
OH OH OH OH OH OH OH OH OH OH OH OH OH
OH OH OH OH OH
GAVE YOU MY HEART
AND ALL YOU DID WAS POUND ON IT
SO HERE’S YOUR STANDING O
ROUND OF APPLAUSE
TO THE BIGGEST FOOL IN THE WORLD
GIVE THEM ALL THAT YOU GOT
AND THEY STILL RIDE OUT INTO THE SUNSET,
WITH THE NEXT GIRL
ROUND OF APPLAUSE
TO THE BIGGEST FOOL IN THE WORLD
GIVE THEM ALL THAT YOU GOT
AND THEY STILL RIDE OUT INTO THE SUNSET,
WITH THE NEXT GIRL
STANDING OVATION
CONGRATULATIONS
DAMN I WAS DOWN FOR IT
GAVE YOU MY HEART
AND ALL YOU DID WAS POUND ON IT
STANDING OVATION
CONGRATULATIONS
DAMN I WAS DOWN FOR IT
GAVE YOU MY HEART
AND ALL YOU DID WAS POUND ON IT
ALL YOU DID WAS POUND ON IT
GAVE YOU MY HEART
AND ALL YOU DID WAS POUND ON IT
ALL YOU DID WAS POUND ON IT
 I† ’s a Wrap
YET ANOTHER EARLY MORNING BOY YOU’RE SORRY WHEN IT’S GONE, IT’S GONE,
AND YOU WALK IN LIKE IT’S NOTHING BUMP-BUMP-BUMP-BUMP IT’S GONE, IT’S GONE
HOLD UP HOLD UP HOLD TIGHT ALL OUT IN THE OPEN YOU’RE DEAD WRONG, SO WRONG,
AIN’T NO DONUTS AIN’T NO COFFEE DON’T MAKE ME GO CALL MAURY POVICH SO WRONG, SO WRONG
SEE I, KNOW YOU SEEN ME
CALLING AND CALLING LET ME TAKE A BREATH, SO JUST SCOO-DO-DO-DO-DO,
I SHOULD CRACK YOU AND REGAIN MY COMPOSURE SCOO-DO-DO-DO-DO
RIGHT IN YOUR FOREHEAD TOLD YOU ONE MORE TIME IF YOU F’ED (BOY I’M CHECKIN’ THE GATE)
UP IT’S OVER BABY
LET ME TAKE A BREATH, SHOO-DO-DO-DO-DO SHOO-DO-DO-DO-DO
AND REGAIN MY COMPOSURE WHEN IT’S GONE, IT’S GONE, (I TOLD YOU)
TOLD YOU ONE MORE TIME IF YOU F’ED IT’S GONE, IT’S GONE BABY
UP IT’S OVER YOU DEAD WRONG, SO WRONG, (I TOLD YOU)
SO WRONG, SO WRONG (I TOLD YOU)
WHEN IT’S GONE, IT’S GONE, SO JUST SCOO-DO-DO-DO-DO, IT’S A WRAP
IT’S GONE, IT’S GONE SCOO-DO-DO-DO-DO (IF YOU F’ED UP ONE MORE TIME IT’S OVER)
YOU’RE DEAD WRONG, SO WRONG, BABY IT’S A WRAP IT’S A WRAP FOR YOU BOY
SO WRONG, SO WRONG SHOO-DO-DO-DO-DO SHOO-DO-DO-DO-DO IT’S A WRAP
SO JUST SCOO-DO-DO-DO-DO, FOR YOU BABY (SO GET UP OUT MY FACE I’M HUNG OVER)
SCOO-DO-DO-DO-DO IT’S A WRAP AWW BABY
BABY IT’S A WRAP IT’S A WRAP FOR YOU BOY SO JUST SCOO-DO-DO-DO-DO,
SHOO-DO-DO-DO-DO SHOO-DO-DO-DO-DO IT’S A WRAP SCOO-DO-DO-DO-DO
FOR YOU BABY AWW BABY (BEEN SITTING HERE)
IT’S A WRAP (ALL NIGHT LEAVE ME ALONE)
IT’S A WRAP FOR YOU BOY PUT ALL YOUR S**T IN THE ELEVATOR BABY
IT’S A WRAP IT’S GOIN’ DOWN LIKE A DENOMINATOR (SINCE QUARTER TO THREE I BEEN)
AWW BABY TRYIN TO KEEP HOLDIN’ ON HOLDING ON SHOO-DO-DO-DO-DO SHOO-DO-DO-DO-DO
OOH-WE OOOH-OOOH BOY LET ME GO (DRINKIN’ PATRÓN)
E-OOH-OOH YOU GON’ WAKE MY NEIGHBORS, BABY
GET AWAY FROM MY DOOR (WATCH THE CREDITS ROLL)
IF I EVER MISREPRESENTED THAT WAS YOUR LAST SHOT IT’S A WRAP
MY SELF IMAGE, THEN I’M SORRY YOU AIN’T COMIN BACK (IT’S A WRAP)
I WAS OH SO ACQUIESCENT IT’S THE MARTINI I MEAN IT BABY IT’S A WRAP
BUT I LEARNED MY LESSON, IT’S A WRAP (HA)

IT’S A WRAP: WRITTEN BY MARIAH CAREY, BARRY WHITE © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI) / UNICHAPPELL MUSIC INC. (BMI). PRODUCED BY MARIAH CAREY, HEATMYZER, C. “TRICKY” STEWART AND JAMES “BIG JIM” WRIGHT.
RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. KEYS AND HAMMOND B3 BY BIG JIM WRIGHT, TRICKY STEWART, LEON BISQUERA AND
MONTE NEUBLE. BASS GUITAR BY ALEX AL. PERCUSSION BY RONNIE GUTIERREZ. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL
CITY, CA. CONTAINS ELEMENTS FROM "I BELONG TO YOU" (B. WHITE) PUBLISHED BY UNICHAPPELL MUSIC, INC. (BMI) USED BY PERMISSION. ALL RIGHTS RESERVED. THIS TRACK CONTAINS A SAMPLE OF THE RECORDING "I BELONG TO YOU" AS PERFORMED BY LOVE
UNLIMIITED ORCHESTRA. COURTESY OF UNIVERSAL RECORDS UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED.
 Up Ou† My Face
IT’S NOT CHIPPED WE’RE NOT CRACKED YOUR BOO HOO HOO WITH A WHOLE LOTTA
OH WE’RE SHATTERED NO YOU AIN’T GETTING IT, GEL AND ACRYLIC CAN FIX THIS
NO YOU AIN’T HITTIN’ IT WHEN I BREAK, I BREAK
I THOUGHT WE HAD SOMETHING SPECIAL NO YOU AIN’T A RAPPER SO YOU NEED TO IF WE WERE TWO LEGO BLOCKS
AND WE HAD SOMETHING GOOD STOP SPITTIN’ IT - HA, HA, HA, HA, HA, HA EVEN THE HARVARD UNIVERSITY
BUT I SHOULD HAVE HAD YOU’LL WONDER WHO I’M MESSIN’ GRADUATING CLASS OF 2010
ANOTHER MECHANIC UNDER MY HOOD WITH WHILE YOU AIN’T NEXT TO ME COULDN’T PUT US BACK TOGETHER AGAIN
IF YOU SEE ME WALKIN BY YA I’M GOING BYE…
BOY DON’T YOU EVEN SPEAK SO PAY THE CONSEQUENCES WHEN I BREAK, BOY
PRETEND YOU’RE ON A SOFA CAUSE YOU ACTING ALL IGNORANT (UP OUT MY FACE BOY)
AND I’M ON THE TV UP OUT MY FACE BOY, UP OUT MY FACE BOY
MIGHT SEE ME ON A POSTER, SO YOU’RE ASHAMED NOW UP OUT MY FACE, I BREAK
SEE ME AT A SHOW WHEREVER YOU BEEN LAYIN’ (NO NO NOOO-OO)
BUT YOU WON’T SEE ME FOR FREE YOU CAN STAY NOW (I BREAK I BREAK I BREAK)
BOY THIS AIN’T NO PROMO GOTTA BOARD THE BBJ UP OUT MY FACE BOY, UP OUT MY FACE BOY
AND PULL THE SHADES DOWN UP OUT MY FACE, I BREAK
ACTIN ALL SHAMED NOW I’M ON THE PLANE NOW (YEAH)
WHEREVER YOU BEEN LAYIN’ AND DON’T KEEP CALLIN’ FROM YOUR YOU AIN’T EVER GONNA
YOU CAN STAY NOW MOMMA’S HOUSE FEEL THIS THING AGAIN
GOTTA BOARD THE BBJ (GONNA FEEL THIS THING AGAIN)
AND PULL THE SHADES DOWN WHEN I BREAK I BREAK, BOY YOU’RE GONNA GET A LOT OF CALLS
I’M ON THE PLANE NOW UP OUT MY FACE BOY, UP OUT MY FACE BOY
AND DON’T KEEP CALLIN FROM YOUR UP OUT MY FACE, I BREAK (CAUSE I)
MOMMA’S HOUSE UP OUT MY FACE BOY, UP OUT MY FACE BOY CAUSE I CC’D ALL YOUR FRIENDS
UP OUT MY FACE, I BREAK (HA HA HA HA HA-AA)
WHEN I BREAK I BREAK, BOY YOU AIN’T EVER GONNA FEEL I AIN’T WALKIN’ AROUND ALL MOPEY AND SAD
UP OUT MY FACE BOY, UP OUT MY FACE BOY THIS THING AGAIN THEY’RE COLLECTING MY BAGS, BABY
UP OUT MY FACE, I BREAK YOU’RE GONNA GET A LOT OF CALLS (CAUSE WHEN I BREAK BABY BABY)
UP OUT MY FACE BOY, UP OUT MY FACE BOY CAUSE I CC’D ALL YOUR FRIENDS I BREAK, BOY
UP OUT MY FACE, I BREAK I AIN’T WALKIN’ AROUND ALL MOPEY AND SAD (I BREA-EE-EK)
YOU AIN’T EVER GONNA FEEL THEY’RE COLLECTING MY BAGS, BABY UP OUT MY FACE BOY, UP OUT MY FACE BOY
THIS THING AGAIN I BREAK (UP OUT MY FACE BOY, UP OUT MY FACE BOY)
YOU’RE GONNA GET A LOT OF CALLS CAUSE WHEN I BREAK, I BREAK, I BREAK UP OUT MY FACE, I BREAK
CAUSE I CC’D ALL YOUR FRIENDS (I TELL YOU WHAT)
I AIN’T WALKIN AROUND ALL MOPEY AND SAD AND NO SUPER GLUE CAN FIX THIS SHHH UP OUT MY FACE BOY, UP OUT MY FACE BOY
THAT AIN’T EVEN MY BAG, BABY WHEN I BREAK I BREAK I BREAK (TELL YOU NOTHIN’)
I BREAK NOT EVEN A WELDER AND A BUILDER UP OUT MY FACE, I BREAK
CAN REBUILD THIS SHHH WHEN I BREAK, I (HERE, I’LL TELL YOU SOMETHING)
SO LOOK WHO’S CRYIN’ NOW, BOO HOO HOO BREAK, I BREAK (I’M OUTTA HERE)
TALKIN’ ABOUT YOU’RE MISSIN’ NOT EVEN A NAIL TECHNICIAN (OH YEAH)

UP OUT MY FACE: WRITTEN BY MARIAH CAREY, TERIUS NASH AND CHRISTOPHER STEWART © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING (ASCAP). PRODUCED
BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY BRIAN GARTEN, CHRIS “TEK” O’RYAN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS
NAVARRO. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA. UP OUT MY FACE (THE REPRISE): WRITTEN BY MARIAH CAREY, TERIUS
NASH AND CHRISTOPHER STEWART. © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS
“THE-DREAM” NASH. ENGINEERING BY NICK CHAHWALA AT TREE SOUND STUDIOS, NORCROSS, GA AND NAMASTE STUDIOS, MABLETON, GA. ENGINEERING ASSISTED BY CHARLES MALONE AND JUSTIN ROBERTS. MARCHING BAND BY SOUTHWEST DEKALB HIGH SCHOOL
BAND. DIRECTED BY JAMES O. SEDA. ARRANGEMENT BY NICHOLAS B. THOMAS. ORCHESTRA & BRAZILIAN PERCUSSION BY JUAN M. LEGUIZAMON & PABLO A. CORREA. TRUMPET & FLUGLE HORN: ARTURO SOLAR. ALTO, TENOR & BARITONE SAX: JAMES M. KING. TROMBONE
& BASS TROMBONE: JOHN J. ROBERT. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA.
 More Than Jus† Friends
I’D RATHER BE WITH YOU BUT YOU NEVER TRIED TO HOLLA
WE COULD SPEND A COUPLE MILLY ACTIN’ SILLY IN MILANO
BOY HIT YOUR HORN BEEP BEEP I’LL FOLLOW
HAVE YOUR WHIP IN MY DRIVEWAY BY TOMORROW
SECRETLY I KNOW YOU WANNA HIT IT LIKE THE LOTTO
AND AFTER THAT WE CAN KETCHUP LIKE TOMATO
WE CAN MAKE LOVE IN ITALY IN THE GROTTO
FRESH OFF THE JET AT THE MET
THEY’RE SCREAMIN’ BRAVO, BRAVO, BRAVO
STEPPIN IN MY JIMMY CHOO’S YEAH
I GOT IT ALL CUTE FOR YA BABY
NOTHING LIKE THEM OTHER GIRLS
I WOULD NEVER BE RUDE TO YOU BABY
CAN’T WAIT JUST SAY THAT YOU WANNA BE
MORE THAN JUST FRIENDS
BOY I’M GONNA LOVE YOU UNTIL THE END
THE END, THE END, THE END, THE END
MORE THAN JUST FRIENDS
BOY I’M GONNA LOVE YA UNTIL THE END
THE END, THE END, THE END, THE END
MORE THAN JUST FRIENDS
BOY, UNTIL THE END
STEPPIN IN MY CHRISSY LOU’S YEAH
I GOTTA IT ALL CUTE FOR YA BABY
NOTHING LIKE THEM OTHER GIRLS
I WOULD NEVER BE RUDE TO YOU BABY
CAN’T WAIT JUST SAY THAT YOU WANNA BE
MORE THAN JUST FRIENDS
BOY I’M GONNA LOVE YOU UNTIL THE END
THE END, THE END, THE END, THE END
MORE THAN JUST FRIENDS
BOY I’M GONNA LOVE YA UNTIL THE END
THE END, THE END, THE END, THE END
MORE THAN JUST FRIENDS
BOY, UNTIL THE END
WHO’S GONNA SPEAK AND START OFF THIS THING
IS IT YOU IS IT ME
WE SHOULD SAY HOW WE FEEL FOR REAL SUGAR BABY
BOO I NEED YOUR TOUCH
NEVER WANTED SOMETHIN’ SO MUCH
FRIENDSHIP JUST AIN’T ENOUGH
BOY, I WANNA BE WITH YOU UNTIL THE END
THE END, THE END, THE END, THE END

BOY YOU GOT ME ALL MIXED UP LIKE SERATO MORE THAN JUST FRIENDS
YOU GOT ME SPINNIN’ ROUND FOR YA LIKE A LIL’ MODEL BOY I’M GONNA LOVE YOU UNTIL THE END
STEADY FIENDIN FOR YOU LIKE THEM FRIES AT MCDONALDS THE END, THE END, THE END, THE END
I WANNA BE ALL ON YOUR LIPS LIKE GELATO MORE THAN JUST FRIENDS
PERMANENTLY PAINT ME IN YOUR PICTURE LIKE PICASSO BOY I’M GONNA LOVE YA UNTIL THE END
LOVE ME DOWN TILL I HIT THE TOP OF MY SOPRANO THE END, THE END, THE END, THE END
WE CAN POP BOTTLES GET ME ACTIN’ ALL ME LLAMO MORE THAN JUST FRIENDS
THEN BABY COME AND FLIP THIS THING LIKE A CHANNEL BOY, UNTIL THE END

MORE THAN JUST FRIENDS: WRITTEN BY MARIAH CAREY, TERIUS NASH, CHRISTOPHER STEWART, SEAN COMBS, CHRIS WALLACE, RASHAD SMITH, MARK DEBARGE AND ETTERLENE JORDAN © 2009 RYE SONGS ADMINISTERED BY SONGS OF
UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS OF PEER/MARCH 9TH PUBLISHING (ASCAP)/EMI APRIL MUSIC INC. (ASCAP)/EMI BLACKWOOD MUSIC INC. (BMI)/JOBETE MUSIC CO. (ASCAP). PRODUCED BY MARIAH CAREY,
C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY BRIAN GARTEN, BRIAN “B-LUV” THOMAS AND CHRIS “TEK” O’RYAN AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY
LUIS NAVARRO. MIXED BY JAYCEN-JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA. CONTAINS INTERPOLATIONS OF “ONE
MORE CHANCE/STAY WITH ME (REMIX)” WRITTEN BY SEAN COMBS, CHRIS WALLACE, RASHAD SMITH, MARK DEBARGE AND ETTERLENE JORDAN AND PUBLISHED BY EMI APRIL MUSIC INC. (ASCAP)/EMI BLACKWOOD MUSIC INC. (BMI)/JOBETE
MUSIC CO. (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED.
 The Impossible
WE WERE TWO LITTLE PEOPLE WRAPPED UP IN THIS BIG OLD WORLD
DRIFTING ROUND IN SPACE OUT OF PLACE JUST A BOY AND GIRL
THEN YOU TOOK MY HAND AND MADE ME A PART OF YOU
AND I LOOKED IN YOUR HEART
AND SAW ALL MY DREAMS COME TRUE
YOU DID THE IMPOSSIBLE
YOU RESCUED MY LOVE
YOU DID THE IMPOSSIBLE
SEE, I HAD ALMOST GIVEN UP
AND NOW I LOVE YA LIKE SUMMER TIME, LOVE YA LIKE CHERRY WINE
LOVE YA LIKE FREE MONEY, LIKE A PREACHER LOVES SUNDAY
LOVE YA LIKE FREEZE POP, LOVE YA LIKE A MILK SHAKE
LOVE YA LIKE A HIGH SCHOOL GIRL ON A FIRST DATE
LOVE YA LIKE SHOOTIN’ STARS, LOVE YA LIKE A MUSCLE CAR
LOVE YA LIKE WE’RE DESTINED
LOVE YA LIKE MY LOVER AND BEST FRIEND
YEAH, YOU DID THE IMPOSSIBLE
TONIGHT I’M GONNA NEED ALL YOUR ATTENTION
CLOSE THE DOOR
I WANNA DO THINGS I PROBABLY SHOULDN’T MENTION
LIKE A BIRD I’M GON’ HUM
THOSE THREE WORDS, I LOVE YOU, I LOVE YOU, I LOVE YOU
FREEZE THE TIME, LET THE WORLD GO BY
IF YOU’RE MINE SAY, YOU LOVE ME, YOU LOVE ME, YOU LOVE ME
BOY TAKE MY HAND AND MAKE ME A PART OF YOU AND THE LOVE THAT
YOU GAVE TO ME HAS PULLED ME THROUGH
YOU DID THE IMPOSSIBLE
YOU RESCUED MY LOVE
YOU DID THE IMPOSSIBLE
SEE I HAD ALMOST GIVEN UP
AND NOW I LOVE YA LIKE SUNSETS, BUBBLE BATHS ON THE JET
LOVE YA LIKE KOOL-AID, LOUIS MILLIONAIRE SHADES
LOVE YA LIKE SUGAR DADDYS, LOVE YA LIKE A PIMP CADDY
LOVE YA LIKE A HOLIDAY DUNCAN HINES YELLOW CAKE
LOVE YA LIKE IT’S 5 AM AND I’M OFF WORK
LOVE YA LIKE LOUBOUTIN HEELS AND A MINI SKIRT
LOVE YA LIKE AN ASHER CUT PINK AND WHITE ENGAGEMENT RING
LOVE YA LIKE LAYIN’ IN A BED BUMPIN JODECI
AND I’M FOREVER YOUR LADY
LAYIN’ IN THE BED BUMPIN’ JODECI
AND I’M FOREVER YOUR LADY
LAYIN’ IN THE BED BUMPIN’ JODECI
AND I’M FOREVER YOUR LADY
(I LOVE YOU LIKE THE SUNSETS IN THE EVENING)
LAYIN’ IN THE BED BUMPIN’ JODECI
(LIKE THE SHOOTING STARS)
AND I’M FOREVER YOUR LADY
(YEAH, I LOVE YOU)
LAYIN’ IN THE BED BUMPIN’ JODECI
(OH, YOU DID THE IMPOSSIBLE)
(I’D ALMOST GIVEN UP)
(THE IMPOSSIBLE)

THE IMPOSSIBLE: WRITTEN BY MARIAH CAREY, TERIUS NASH, CHRISTOPHER STEWART, ALBERT BROWN & DONALD DEGRATE © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/2082 MUSIC/WB MUSIC PUBLISHING (ASCAP)/SONGS
OF PEER/MARCH 9TH PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND TERIUS “THE-DREAM” NASH. RECORDING BY CHRIS “TEK” O’RYAN, BRIAN GARTEN AND BRIAN “B-LUV”
THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA, TRIANGLE SOUND STUDIOS, ATLANTA, GA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. GUITAR BY JULIO MIRANDA. VOCODER BY MONTE NEUBLE. MIXED BY JAYCEN-
JOSHUA FOWLER AND DAVE PENSADO FOR PENUA PROJECT/INNERSOUND MGMT. MIX ASSISTED BY GIANCARLO LINO. MIXED AT LARRABEE STUDIOS, UNIVERSAL CITY, CA. CONTAINS INTERPOLATIONS FROM ”FOREVER MY LADY” WRITTEN BY ALBERT
BROWN AND DONALD DEGRATE AND PUBLISHED BY EMI APRIL MUSIC INC. (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED. THE IMPOSSIBLE (REPRISE): CONTAINS INTERPOLATIONS FROM “FOREVER MY LADY” WRITTEN BY ALBERT BROWN
AND DONALD DEGRATE AND PUBLISHED BY EMI APRIL MUSIC INC. (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED.
 Angels Cry
I SHOULDN’T HAVE WALKED AWAY IT’S JUST US
I WOULD’VE STAYED IF YOU SAID I’M WILLING TO LIVE AND DIE FOR OUR LOVE
WE COULD’VE MADE EVERYTHING OK BABY WE CAN GET BACK THAT SHINE
BUT WE JUST
THREW THE BLAME BACK AND FORTH CAUSE
WE TREATED LOVE LIKE A SPORT LIGHTNING DON’T STRIKE
THE FINAL BLOW HIT SO LOW THE SAME PLACE TWICE
I’M STILL ON THE GROUND WHEN YOU AND I SAID GOODBYE
I FELT THE ANGELS CRY
I COULDN’T HAVE PREPARED MYSELF FOR THIS FALL TRUE LOVE’S A GIFT
SHATTERED IN PIECES CURLED ON THE FLOOR BUT WE LET IT DRIFT
SUPER NATURAL LOVE CONQUERS ALL IN A STORM
‘MEMBER WE USED TO TOUCH THE SKY EVERY NIGHT
AND I FEEL THE ANGELS CRY
LIGHTNING DON’T STRIKE COME ON BABY, CAN OUR LOVE BE REVIVED
THE SAME PLACE TWICE BRING IT BACK AND WE’RE GON’ MAKE IT RIGHT
WHEN YOU AND I SAID GOODBYE I’M ON THE EDGE JUST TRYING TO SURVIVE
I FELT THE ANGELS CRY AS THE ANGELS CRY
TRUE LOVE’S A GIFT
BUT WE LET IT DRIFT BABY I’M MISSIN’ YOU
IN A STORM DON’T ALLOW LOVE TO LOSE
EVERY NIGHT WE GOTTA RIDE IT THROUGH
I FEEL THE ANGELS CRY I’M REACHING FOR YOU
C’MON BABE CAN’T OUR LOVE BE REVIVED BABY I’M MISSIN’ YOU
BRING IT BACK AND WE GON’ MAKE IT RIGHT DON’T ALLOW LOVE TO LOSE
I’M ON THE EDGE JUST TRYIN’ TO SURVIVE WE GOTTA RIDE IT THROUGH
AS THE ANGELS CRY I’M REACHING FOR YOU
LIMITLESS OMNIPRESENT LIGHTING DON’T STRIKE
KIND OF LOVE COULDN’T HAVE GUESSED THE SAME PLACE TWICE
IT WOULD JUST UP AND DISAPPEAR IN WHEN YOU AND I SAID GOODBYE
THE WHIRLWIND I FELT THE ANGELS CRY
HERE I AM WALKIN’ ON THIS NARROW ROPE TRUE LOVE’S A GIFT
WOBBLING BUT WON’T LET GO BUT WE LET IT SLIP
WAITIN’ FOR A GLIMPSE OF THE SUN’S GLOW IN A STORM
I KNOW I CAN STAND JUST PULL ME BACK UP EVERY NIGHT
LIKE THERE AIN’T NO HURRICANE I FEEL THE ANGELS CRY

ANGEL (THE PRELUDE): WRITTEN BY MARIAH CAREY, CHRISTOPHER STEWART AND JAMES WRIGHT © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/RZE MUSIC PUBLISHING/UNIVERSAL MUSIC PUBLISHING (ASCAP)/ALDORA PUBLISHING (ASCAP)/EMI APRIL
MUSIC PUBLISHING INC. PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND JAMES “BIG JIM” WRIGHT. RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT STUDIO AT THE PALMS, LAS VEGAS, NV AND HONEYWEST STUDIOS, NYC. MIXED BY PHIL TAN AT SOAPBOX
STUDIOS, ATLANTA, GA. ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS. ANGELS CRY: WRITTEN BY MARIAH CAREY, CHRISTOPHER STEWART, CRYSTAL JOHNSON AND JAMES WRIGHT © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/RZE
MUSIC PUBLISHING/UNIVERSAL MUSIC PUBLISHING (ASCAP)/C STYLE INK/SLIDE THAT MUSIC/EMI APRIL SONGS (ASCAP)/ALDORA PUBLISHING (ASCAP)/EMI APRIL MUSIC PUBLISHING INC. PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND JAMES “BIG JIM” WRIGHT.
RECORDING BY BRIAN GARTEN AND BRIAN “B-LUV” THOMAS AT THE BOOM BOOM ROOM, BURBANK, CA AND HONEYWEST STUDIOS, NYC. RECORDING ASSISTED BY LUIS NAVARRO. KEYS AND HAMMOND B3 BY BIG JIM WRIGHT AND TRICKY STEWART. MIXED BY PHIL TAN AT SOAPBOX
STUDIOS, ATLANTA, GA. ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS.
 Languishing
( †he interlu∂e )
IF YOU COULD ONLY SEE
THAT I WAS NOT PUT HERE FOR YOU
TO JUDGE ME AND DISPUTE MY IN MOST TRUTH

AND AFTER ALL THESE YEARS OF ENMITY, ENVY AND TEARS

IT’S A SHAME YOU DON’T KNOW ME AT ALL

I WAS WONDERING WOULD YOU CRY FOR ME

IF I TOLD YOU THAT I COULDN’T BREATHE
IF I WAS DROWNING, SUFFOCATING
IF I TOLD YOU THAT I COULDN’T BREATHE

THOSE AGELESS BURIED RECOLLECTIONS

WE TRANSFORM THEM AND SELECT THEM
YOU HAVE YOURS, I HAVE MINE THAT’S FINE

WHY ARE WE TOO TORN TO HEAL

OUR STITCHES NEVER DISAPPEAR
I HAVE MINE, YOU HAVE YOURS, I’M SURE

I WAS WONDERING
WOULD YOU REACH FOR ME
IF YOU SAW THAT I WAS LANGUISHING

I WAS WONDERING WOULD YOU CRY FOR ME

IF I TOLD YOU THAT I COULDN’T BREATHE
IF I WAS DROWNING, SUFFOCATING
IF I TOLD YOU THAT I COULDN’T BREATHE

LANGUISHING (THE INTERLUDE): WRITTEN BY MARIAH CAREY AND JAMES WRIGHT © 2009 RYE SONGS ADMINISTERED BY SONGS OF UNIVERSAL (BMI)/ALDORA PUBLISHING (ASCAP)/EMI APRIL MUSIC PUBLISHING INC. PRODUCED BY MARIAH
CAREY AND JAMES “BIG JIM” WRIGHT. RECORDING BY BRIAN GARTEN AND CHRIS “TEK” O’RYAN AT THE SETAI, MIAMI, FL; HONEYWEST STUDIOS, NYC AND THE BOOM BOOM ROOM, BURBANK, CA. MIXED BY PHIL TAN AT SOAPBOX STUDIOS,
ATLANTA, GA. ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS.
 I Wan† †o Know
Wha† Love Is
I GOTTA TAKE A LITTLE TIME
A LITTLE TIME TO THINK THINGS OVER
I BETTER READ BETWEEN THE LINES
IN CASE I NEED IT WHEN I’M COLDER
IN MY LIFE THERE’S BEEN HEARTACHE AND PAIN
I DON’T KNOW IF I CAN FACE IT AGAIN
CAN’T STOP NOW, I’VE TRAVELED SO FAR
TO CHANGE THIS LONELY LIFE

IN MY LIFE THERE’S BEEN HEARTACHE AND PAIN I WANNA KNOW WHAT LOVE IS
I DON’T KNOW IF I CAN FACE IT AGAIN I WANT YOU TO SHOW ME
CAN’T STOP NOW, I’VE TRAVELED SO FAR I WANNA FEEL WHAT LOVE IS
TO CHANGE THIS LONELY LIFE I KNOW YOU CAN SHOW ME

I WANNA KNOW WHAT LOVE IS I WANNA KNOW WHAT LOVE IS

I WANT YOU TO SHOW ME I WANT YOU TO SHOW ME
I WANNA FEEL WHAT LOVE IS I WANNA FEEL WHAT LOVE IS
I KNOW YOU CAN SHOW ME I KNOW YOU CAN SHOW ME

I’M GONNA TAKE A LITTLE TIME I WANNA KNOW WHAT LOVE IS

A LITTLE TIME TO LOOK AROUND ME I WANT YOU TO SHOW ME
I’VE GOT NOWHERE LEFT TO HIDE I WANNA FEEL WHAT LOVE IS
IT LOOKS LIKE LOVE HAS FINALLY FOUND ME I KNOW YOU CAN SHOW ME

I WANT TO KNOW WHAT LOVE IS: WRITTEN BY MICK JONES © 2009 SOMERSET SONGS PUBLISHING INC. (ASCAP). PRODUCED BY MARIAH CAREY, C. “TRICKY” STEWART AND JAMES “BIG JIM” WRIGHT. ADDITIONAL PRODUCTION BY RANDY JACKSON
FOR DREAM MERCHANT 21 MUSIC. RECORDING BY CHRIS “TEK” O’RYAN AND BRIAN GARTEN AT THE BOOM BOOM ROOM, BURBANK, CA; THE SETAI, MIAMI, FL AND HONEYWEST STUDIOS, NYC AND BY KEVIN GUARNIERI AT WEST LAKE AUDIO. RECORDING
ASSISTED BY LUIS NAVARRO. MIXED BY PHIL TAN AT SOAPBOX STUDIOS, ATLANTA, GA. ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS. KEYS & HAMMOND B3 BY BIG JIM WRIGHT AND TRICKY STEWART. BASS: RANDY JACKSON.
KEYS: MATTHEW ROLLINGS. KEYS AND PROGRAMMING: JOHN LEMKUHL. DRUMS: JEROHN GARNETT. BACKGROUND VOCALS: MARY-ANN TATUM, SHERRY TATUM, SHERRY MCGHEE AND BIG JIM WRIGHT.
Hebrews 10:35-36 – So do not throw away your confidence;
it will be richly rewarded. You need to persevere so that
when you have done the will of God, you will receive what
He has promised.
To my fans, every time I can’t go on you brighten up and
reign for me. Then I open my eyes. I cherish you more than
the world could ever comprehend and no one can ever take
that away from us.
Special thanks to: Nick my soul mate for all your love and
support… I love You with all my heart, KKLB!!! Lots of love
to my mother Patricia Carey and entire family. To my father,
Alfred Roy Carey, rest in peace. To my Maroon manage-
ment team, Louise McNally, Michael Richardson & Gina
Rainville. To Chris Lighty & the Violator management team
and to Eric Wong & Connie Filippello.
Lots of love to MaryAnn, Rachel, Sade, Sherry, Trey
Lorenz, Brat, Feen, Kristen, Billy Dean & Miles, Jasmine,
Karen G., Joan & Allen, Blair, Kris, Roque & Brigitte,
Rhonda, Erik Bradley, Brett Ratner and of course… Jack
the wonder dog and his kinfolk J.J. & Cha Cha!
To the producers… I thank you for the heat! Tricky, Dream,
JD, Big Jim Wright and of course Randy Jackson. Thanks to
Jaycen-Joshua Fowler and Dave Pensado & a big thank you
to Brian Garten & Phil Tan.
Thanks to Rob Light and everyone at CAA. Thanks to Ron
Nash, Rosemarie Passerino & everyone at Gelfand, Rennert
& Feldman. Thank you Allen Grubman, Joe Brenner, Sonya
Guardo & the entire team at Grubman, Indursky & Shire.
To Doug Morris, thank you for always believing in me.
Thank you to LA Reid for your guidance and friendship.
Thanks to my entire IDJ team for all your hard work; Steve
Bartels, Karen Kwak, Laura Swanson, Garrett Schaefer,
Mark DiDia, Benny Pough, Erik Olesen, Thomas Lytle,
Pecas, Rick Sackheim, Rich Westover, Mike Chester, Noah
Sheer and the entire radio promo team, Jim Roppo, Russell
Fink, Sam Dailey, Doug Cohen, Gabby Peluso, Erika
Montes, Jenya Meggs, Matt Voss, Jacki Spillane, Christian
Jorg, Ali Schlueter, Jazmine Valencia, Grace Miguel, Kris
Yiengst, JP Robinson, Andy West, Jeff Straughn, Dre
Wright, Jen Mulvihill, Dave King, Amy Hartman, Scott
Marcus, Leesa Brunson, Joey Arbagey, Sandie Smith, Ira
Fronk, Joe Borrino, Steve Gawley, Michael Seltzer,
Antoinette Trotman, Ian Allen, Donna Fetchko, Tara Bryan,
Elise Mora & Carol Corless.
This album is dedicated in loving memory to the King of
Pop, Michael Jackson, and to my Pastor and Spiritual Father,
Bishop Clarence Keaton of True Worship Worldwide.
 Executive Producers
MARIAH CAREY & ANTONIO “LA” REID
Album Producers
MARIAH CAREY, C. “TRICKY” STEWART
& TERIUS “THE-DREAM” NASH
A&R K A R E N K W A K
Management M A R O O N E N T E R T A I N M E N T ,
VIOLATOR MANAGEMENT AND WONG MANAGEMENT
A&R Coordination S C O T T M A R C U S
A&R Administration T A R A B R Y A N
Product Manager G A R R E T T S C H A E F E R
Mastering B R I A N G A R D N E R A T
BERNIE GRUNDMAN MASTERING, LOS ANGELES, CA
Design A N D Y W E S T D E S I G N
Photography M I C H A E L T H O M P S O N
Hair O R I B E Make-Up K R I S T O F E R B U C K L E
Debut Album Photography K I P M E Y E R , © 19 9 0 C B S R E C O R D S I N C .
Butterfly Photography: M I C H A E L T H O M P S O N ,
© 19 9 7 S O N Y M U S I C E N T E R T A I N M E N T I N C .
Debut album and Butterfly photographs reprinted courtesy of
SONY MUSIC ENTERTAINMENT
Art and Photography Coordination K R I S T E N Y I E N G S T
Package Production C A R O L C O R L E S S
Legal A L L E N G R U B M A N , J O E B R E N N E R & S O N Y A G U A R D O
Business Management R O N N A S H & R O S E M A R I E P A S S E R I N O
Business Affairs M I C H A E L S E L T Z E R ,
ANTOINETTE TROTMAN, IAN ALLEN
Sample Clearances D E B O R A H M A N N I S - G A R D N E R
FOR DMG CLEARANCES, INC.

© 2009 Mariah Carey. All rights reserved.

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