PRODUCER: NEAL MORITZ PRODUCER: VIN DIESEL PRODUCER: MICHAEL FOTTRELL EXEC PRODUCER: AMANDA LEWIS BXEC PRODUCE! SAMANTHA VINCENT FAST 5 By Chris Morgan Based on the four Universal motion pictures entitled "The Fast and the Purious", "2 Fast 2 Furious", "The Fast and the Furious: Tokyo Drift", "Fast and Furious" as well as all materials from which these movies were based WHITE SHOOTING DRAFT: 6/16/10 Revised: Blue 6/18/10 Pink 7/7/10 Green 7/15/10 Goldenrod 7/16/10 Buff 7/23/10 Salmon 7/27/10 Cherry 8/2/10 Tan 8/4/10 2nd White 8/6/10 2nd Blue 8/9/10 2nd Pink 8/13/10 2nd Yellow 8/17/10 2nd Green 8/19/10 2nd Goldenrod 8/23/10 ‘2nd Buff 8/25/10 2nd Salmon 8/26/10 2nd Cherry 9/3/10 2nd Tan 9/7/10 3rd Blue 9/7/10 3rd Pink 9/9/10 3rd Yellow 9/23/10 3rd Green 10/7/10 3rd Goldenrod 10/12/10 3rd Buff 10/13/10 3rd Salmon 10/14/10 3xd Cherry 10/19/10 3rd Tan 11/02/10 Notice: This materiel is the property of FAST V, LLC (A wholly owned subsidiary of universal city studios, inc.) and is intended and restricted solely for studio use by studio personiel. Distribution or disclosure of the material to unauthorized persons is prohibited. The sale, copying or reproduction of this material in any form is prohibited.ultepas: \F aye ‘This material is the property of UNIVERSAL PICTURES and is intended for use only by authorized personnel. Distribution or disclosuxe of this material to unauthorized persons is prohibited. ‘The sale, copying, or reproduetion of this material in any form or mediun, in whole or in part, is strictly prohibited. B& a AA BEAUTIFUL ABRIAL SHOT OF RIO DE JANEIRO - ESTABLISHING 1 The “Marvelous City” looks Like something out of a dream. Ipanema... Copacabana... Sugarloaf Mountain... Few places on Harth are as beautifai. SUPER: Rio de Janeiro, Brazil. Now 2USH IN, past the postcard view of paradise, down into the dark underbelly of Rio, where we FIND a CAR arriving in the city. CLOSER, it’s a '72 NISSAN SKYLINE. The vehicle is eaten to shit. Clearly run hard and oa its last legs. SERIES OF SHORT, IMPRESSIONISTIC SHOTS - OVER CREDITS 2 5r_ INT. ,SEXMINE, BRIAN is driving. MTA dozes next to nim, head against the window. “They look nothing like we remember them. Their clothes are'dirty. Torn. Their faces tired. Worn with worry. Exhausted. Zife on the run has been hard. Brian checks the rearview with concern. Sees a POLICE CAR coming up behind then. Tenses. Mia rouses, notices too. Nervoisly, they both hold their breath... +++and only when the cop car continues on past do they relax, The shots continue, Brian and Mia‘s car passing through some of the darkest, roughest neighborhoods in all of South America. Young gange roam the streets. Watch the Skyline driving by. he threat is palpable. Eventually, they arrive at the base of a favela (shantytown). The roads are too narrow for a vehicle, so they have th leave the Skyline and continue on foot up thé hills: BRIAN Looks like we’re walking. Tieebtian_ond tia walk up through the favela’s winding, maze~ like paths. whe poverty here is incredible. No running water. No electricity. Hones made from scavenged natevials. NIA You sure this is the place..? Brian just keeps walking. =~ Brian and Mia are continuing through the cramped, City of God urbanscape, when they notice a. SILHOUETTE on the rooftop. Someone watching them in the moonlight. cconmernnRM