Beruflich Dokumente
Kultur Dokumente
Enduring Understanding
3-1. Art of this period studied in chronological order, geographical regions,
governing cultures, identifiable styles with considerable overlap in time,
geography, heritage of art; associated but distinctive artistic traditions
3-1. Numerous religions (Jewish, Christian, Islamic) and languages (Greek,
Latin, Arabic) have created fragmentations of medieval art
Essential Knowledge
• Influence of Roman art and tribes of Eastern Europe, West Asia,
Scandinavia, Islam
• Architecture is primarily religious in nature
• Figure work was primarily religious, avoided naturalism and
incorporated text until late medieval period
• 3-1a. Contextual information comes primarily from literary, theological
(secular and religious) records
• Overall, in Mediterranean region Christian themes proliferated after
Constantine converted the empire leading to established standards of
imagery (Christ) and building (basilica church). Classical style was
rejected in favor of non-naturalistic style with hieratical images that
brought focus on the spiritual as opposed to natural worlds
Geographic/Cultural Context
Judaism
Wall with Torah Niche, house synagogue, Dura Europos, Syria 244-245
Christianity
Christian Art
Earliest Christian art early 3rd century from Jewish, Roman tradition
(including art forms and styles). For example, figures with arms outstretched
Conveyed via:
• Narrative-story that contains moral, theological message
• Iconic-images that convey message
Both require some understanding/interpretation of
Christian teaching
Christ
• As young man spread gospel; then was executed by crucifixion; rose
from the dead after two days
• Earliest teaching was to Jews but spread to gentiles throughout Roman
Empire; rituals teachings became more elaborate
Little is known of Early Christian art – art with Christian subjects (vs. art by
Christians at the time of Jesus)
What is known was found in the catacombs-subterranean networks of
galleries, chambers that served as cemeteries for burying the Christian dead
Dated from 3rd – 4th centuries
Terms
Catacombs-subterranean networks of rock-cut galleries and chambers
designed as cemeteries for the burial of the dead
Syncretism-assimilation by artists of images from other religious traditions;
creation of new meanings assigned
Orant-figures that take pose of outstretched arms in prayer
Clerestory - the topmost zone of a wall with windows in a basilica
extending above the aisle roofs. Provides direct sunlight into the central
interior space (nave)
Mosaic-images made using small pieces of stone or glass embedded in
cement; usually on walls or floors
Illuminated Manuscripts-text with added decorative border, imagery and
lettering