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CONTENTS
curated by
Chris Cole, Evan Karp + Scott Green
featured artist
Della Heywood | @dellaheywood
no restrictions apply
solid unfinished liability
sustainably harvested spa
(for an organic fee)
pristine ping pong table, welcome
to the mattress garden, I work
as an exquisite Californian feel
interaction happens
as it is meant to happen
we do not hurt anybody on purpose
1
EMY VASQUEZ
JER
GIFTED
4 J E R E MY VAS QUEZ
It shall be useful in lighting the torches of others.
The melting pot is tipping.
These are the days of future past.
We are being hunted.
We are being captured.
And We are being killed by sentinels.
20 years from now-you ask yourself.
What were you doing
When families were being seperated
And children were being locked in cages?
Legend has
it some black panthers went through that.
I ask you for 1 favor a day god. 1 favor.
Please don’t let my daughter go through that.
I hope
she never loses her mystique.
Or questions her
place in the universe.
Instead as the world burns around her,
May she airbrush her dreams with its embers.
I’m
only 5’10 but I play a colossal role in her life.
So I
ingrain the greatest superpower
Comes from her cerebro.
And when fully operational, she has the ability
To elevate above tyranny and intolerance.
But
understand, as a black man,
If i were ever just to storm out of her life,
It would cause an apocalypse.
Inciting all forms of meteorological temps.
Jeremy Vasquez 5
I’m talking blizzards, toxic fog, tornados.
My daughter gets long-winded whenever
I’m about
to leave the house because she knows…
She might not ever see me again.
So i wake up everyday in BEAST MODE.
A manifestation of political activist
And freedom fighter.
Get a good look, these veins,
They pump revolution.
Adamantium claws in any and all oppressors.
If walls
in America are built…
I shall raise offspring who know exactly
How to juggernaut right through them.
We are the children of the atom,
This is the school of brotherly love,
And where I come from in the bay area,
This black...and this brown…
Is indestructible.
And even on MY worst days,
A reflection of GOD.
And the last time i checked…
His people… our people…
We always prevail.
6 J eremy Vasquez
LLIAM BUTLER
WI
FAMILY HISTORY
7
E PLURIBUS UNUM
8 W I L L I A M B UT L ER
WHY I RAN AWAY FROM BOY
SCOUT CAMP
William Butler 9
Don’t leave camp:
I fought in Alaska
(you little shit)
so help me God,
I will find you.
10 W illiam B utler
GAN BREISETH
ME
B E F O R E SU N R IS E
IN THE DARK
12 ME GAN B R E I S E T H
STARVE A FEVER
Megan Breiseth 13
read you; I got you
to read yourself and it’s
freezing.
14 Megan B reiseth
SELF HELP
The teacher’s having us move our faces up: Be a baby
dragon coming out of the egg!
Later, she teaches us about the gradual.
How the scratch on the skin vanishes in days.
How pruning techniques work and the tree finally
fruits.
How heat finally breaks.
I’m almost always ready for help.
I ask a lot.
The teacher says this, the phlebotomist says it too:
Quiet, find your place. Breathe into it. Listen.
I find the womb space.
My sore spine, my hormonal headache, my clicking
sinuses, open and close.
I invert.
I pull my gut up into my rib cage.
I am not pulling my body apart.
I am opening up spaces in my molecules.
Molecules are full of feelings.
I guess when I free up the space I will feel the
feelings.
It will seem like the feeling is arriving when it’s
going.
Megan Breiseth 15
I need to be more grateful for my body.
Even when I think it betrayed me.
She says, You don’t even need to know what it wants to let
go of.
It will do it on its own.
I am trying to assert myself.
I am trying to conceive.
I want space for that little idea to burrow in.
I am held by the idea without having any control over
the part of me that holds.
16 Megan B reiseth
CI VOGEL
MAR
REDWOOD FOREST
HAN DB O O K
A tree grows in height—and a branch grows in length—by adding
wood to the tip. Our important trees never grow in height by
shooting up from the ground like corn or bamboo. A nail driven into
a tree will always remain exactly the same height from the ground.
17
sun-filled orbs
as if they were tines of a finger harp
translating paralysis
into love &
a sounding mallet
is an instrument used to
examine trees without damage
to their bark an effective
concealer of hazards
and hollows the idea is to
tap on the trunk
until you hear what the tree
18 MA R C I VO G E L
shells — one day you will
touch the center of a purple thistle
Marci Vogel 19
IN CALIFORNIA THERE IS A
NEIGHBORHOOD WHERE
ALL THE STREETS ARE NAMED AFTER
THE LEGEND OF SLEEPY HOLLOW
20 Marci Vogel
IMMORTAL TREE
By a twist of misfortune, another “100-year” flood tore through
Humboldt Redwoods the week of Christmas 1964. In this regional
disaster, the Eel River destroyed over twenty bridges, drowned
more than twenty people, and obliterated ten whole towns. The
swirling current undercut the roots of some three hundred bankside
redwoods, causing them to topple slowly, almost silently, into the
swollen river . . .
jared farmer
Trees in Paradise
O ancient redwood
roadside attraction
who survived lightning
which removed its top
logger’s ax & forest
fire the year my mother’s
mother turned
eight I crane my neck
to see a fish stopped
along your trunk
diameter : 14.5 feet
forever swimming in
a ring you formed
the year I was conceived
Down here on earth we
mortals launched
a mariner into space
children splashed
in a fountain of continents
Marci Vogel 21
while (for the first time)
Cleopatra married Hamlet
& a woman flew solo
around the world As
Christmas flooded into
mad rivers we
shut down the Cartoon
Division signed human
rights into law & our sky-
raider dropped 500-pound bombs
not in a forest but a jungle Far
from where you are
57 of us tunneled under
a border emerged
into the cellar of a former
bakery our mouths
filled with pumpernickel
& caraway seeds
During your century
waters’ rising we
crowned a boxer King
deemed smoking
hazardous to our health
& awarded a prize
to a peacemaker
we later shot An Olympian
ran a torch
from his natal city decimated
the year he was born
Total volume board footage Enough
to build several homes Once
22 Marci Vogel
upon a time a mustang
rolled off an assembly
line Once upon a time
Original height : 298 feet PLEASE
DO NOT CLIMB
Marci Vogel 23
O RENCIA MILIT
FL O
O D E TO
HED GEB R O O K
25
She loved the nests,
the mama bald eagle and the humming bird.
And though it eluded her,
she loved the hooting owl,
too.
26 F L OR E N C I A MI LI T O
COLOR HAIKU
Imagination
tiny, petulant blue flame
morphs into a wren
In the hospital:
hazy sunlight, rubber trees
red, saber-toothed dreams
Remember, papá?
from walnut shells and paper
floated white sailboats
F lorencia Milito 27
Lime-green humming bird
coy, speckled sprite waltzing by
halting, in delight
Anarchists, dreamers
divining owls of Spirit,
a lone white lily
City of glaciers,
windswept, a swinging blue door
a lone chair, waiting
28 F lorencia Milito
And what of envy?
green lymphocytes waging to
no breath or avail
Oh, insanity!
yellow waking from the clocks
calling the bluff of
F lorencia Milito 29
LULLABY
or the tortures
Still I draw
imaginary trees
eyes & trees
eyes & trees
& even a bee
30 F lorencia Milito
AR E LILLISTO
CL N
T H E H E R M IT C R A B
A N D THE ANEM O N E
golden shell
thin as a sheet
of parchment
gleams brassily
underwater
dries into ghost
chalky white
chitin a frock
a long tunic
a coat of armor
a linen dress
sleeveless
we can both wear
this garment at once
as you curl inside
I anchor the crown
let me be of use
let me serve our house
hold let me break
fast let me share
your company
in symbiotic fellow
ship I build
31
to your shape
spiraled abdomen
in response to
empty snail shell
the original
adapted
in form and content
to resemble
reassemble
aha in triplicate
I replicate
as you have
replicated
mimetic secretions
produce the structure
same but greater
spiral expanding
so we can stay here
within and without
as you grow
I allow you to grow
as you walk
you allow me to walk
I protect the space
with many stinging
arms I wave
in gratitude
freed from
stationary existence
co-evolved
functionally
32 C L A R E L I L L I S T ON
companionate
a burden
a boon
a balancing act
on your back
rip me in half
and I am doubled
form and function
pleasure of fit
a sympathy pair
in dwelling
in habitat
in habit
this habitus
en habiliment
or dishabille
as I attach
in a world
without firm
attachments
rooted
in motion
please
carry me
on stilts
•
The genus of sea anemone Stylobates exhibits a symbiotic relationship
with hermit crabs in the deep sea. The crab places an anemone on
its shell, so that its stinging tentacles may provide protection from
predators. The anemone gains freedom of movement and easy access
to food. The anemone also extends and enlarges the base shell of the
crab with chitinous secretions so the crab need not expend energy
locating a new shell when it grows.
Clare Lilliston 33
FRAGMENTATION
34 C lare L illiston
COELACANTH
and what if it is a small life
Clare Lilliston 35
L DORF
CARO
Q UIET I
S WHAT WAKES ME
I N T O A C C O U N TI N G
37
hum that passed our house
every half hour.
Running water
in the fountain drowns out little.
I would need the ocean.
When I was young
like water
I was a shape shifter oozing
into any closed container.
I am too free
with advice.
It is so hard to listen
to the small plane low in the sky.
A warning
then nothing.
This plant thickens with the rains.
I never could stop being water.
38 C A R OL DOR F
DUST FOR MY SAKE
Carol Dorf 39
it refers to continuity, the way when we think
of the long-gone complete with suitcases, it holds
them in this world, not really for their sake
but as a ballast against the rising sea
which absorbs barrier islands and keeps
reminding us that all the oceans are connected
40 C arol Dorf
ISLANDS
Carol Dorf 41
you topple over, hands over your ears, while the
argument between drums and horns sends bathers
to their sweltering hotel rooms. When you think
about distance and little boats, islands
provide short respites though they are
stingy with promises, and appear separate
from each other, and cold at night, like
the way darkness makes us afraid of them.
42 C arol Dorf
THE BRIEFEST GUIDE
TO DREAM INTERPRETATION:
WITH CLOUD FOR EYE
Carol Dorf 43
even though you long for those days
of milk and cookies, of sewing dresses
44 C arol Dorf
AM MOSKOWI
AD TZ
ALL NIG HT L O N G
45
Don’t forget about those roots. Even at dusk those
roots work through ground. Even now they’re working.
Even though this city exists, this city throbs. Even
when you were everywhere you’ve ever been. Even
though there are such things as plastic and potholes
and microchips and better microchips and the better
microchips are better because they are smaller.
There are roots under the city. In the pure dark they’ll
keep working and looking for life.
Listen hard. Hear the ones way up high and hide near
a big rock. Wait and watch for the moon. The trees
will look wet in the moonlight. Look at everything.
Find your heart when the coldness hurts bad. See how
bad your body shakes in the cold. Hold on tight. Wait
for the chirps. Don’t say it, but think it. And remember.
How the sky-high needles shine in the moon. And the
wind brushes the needles. The wind and the needles—
they go all night.
46 A DA M MOS K OW I T Z
ADD NATURE
A dam Moskowitz 47
GLASS
TERRI
THE BEA ED
THE TA R THAT REVEROSCKS
L E O F G O L DIL
Driving along Eldorado Highway
from the eastern Sierras,
I stop at a country store
that replenishes hikers.
At the entrance stands
a wood carving of a 10-foot bear.
49
without puncturing the plastic.
How courteous, I thought of the bear.
50 T E R R I G L AS S
JAZ SUFI
MY M
O THER AND THE B O TTL E ,
IN TWO PARTS
I. death
51
Here is when I hear its syncopated hatching.
I see the blood and think it wine,
I wonder if she will lick it from the floor,
suck the dye back out from the egg.
Instead, she cries — not in pain, as a child
might, she is a mother now, and
there is still so much left to hide before the morning.
I beg her to stop, to staunch the wine. I mean,
the blood. I mean, the crying.
She nests color in the shadows,
and I follow her, licking up the splattered trail with
a rag
before it stains, before my brother wakes up
in the morning and sees something
neither of us understand, we children who never
found the Lord
hidden under a bush in the backyard
or slicking the kitchen floor.
In the morning, we hunt: my brother searching
for what my mother hid for or from him, me
for anything dry, any messy nest
still smeared on the floor. The search never seems to
end.
Even she has forgotten where she put her hands.
Somehow, there is always another egg.
52 J A Z S UF I
II. resurrection
Jaz Sufi 53
its syncopated hatching.
Here is when I hear a resurrection
in reverse, birthing a flood of blood.
Her skin breaks, and then the glass breaks,
and when the glass drops
she pours it into a glass,
a careless and forgotten joy spilling from her
hands. She finds it, she hides it in the kitchen,
an egg red as wine. She dyes and she becomes
a child again, on the night before Easter.
I wasn’t raised in the name of the Lord,
but my mother was. I mean, the bottle,
the egg, it comes to life again
in my mother’s hands. I don’t know what dead
miracle
she thinks to find inside of it, only that I imagine the
bottle
cracks open, like an egg.
54 J az S ufi
RUS ARMAJANI
CY
THE CALL
Street.
Concrete movement.
Boy scouts still at large
hold
their generous union-negotiated
penis close to bulletproof vest
synonym
for commission on a flip
someone’s home
air
was once heavy with moisture
now loaded with down
payments,
interest, and a commute
also known as tear
gas.
This anger has her own way of dancing.
Sway with her and try to learn
55
how
to fall off a failing horse
or jump on a falling train.
Tell
anger you love her
search for a myth without
boulder.
You can look at her face
upside down and not get dizzy.
Remind
the policy makers and muezzins of the city
jail is no place for a bar mitzvah.
56 J az S ufi
ARLIE GETTER
CH
AVOCADO TOAST
“… the aura is sucked clean out, like a living breathing person,
reduced to a glassy-eyed doll…”
Kate Folk
57
or
bloodlessness
if I squint
hard enough
I can see Minna
in the light of a
kerosene lamp
in a sparsely furnished
58 C H A R L I E G E T T ER
nineteenth century room
as far as alleys go
Minna is more prominent
than most
so I would assume that
more than one city father
succumbed to her charms.
half something
and
half something else
Charlie Getter 59
maybe her paramours
the city fathers
named the street
to assuage the guilt
they felt
for treating her the way they did
60 C harlie G etter
it doesn’t
is brightened
by heavy clouds
Charlie Getter 61
Minna, oh Minna!
The DPW let you down
and the junkies
let you down
just as the city fathers
let you down
and I know
that I’ve let you down
especially, because
everything I know about you
I’ve made up
past your first name
but I try
to put color in your cheeks
and
a sparkle in your eyes
and bridge our times
before
you and me and
everything that has been
will be
wallpapered over
62 C harlie G etter
it’s only traversed by
autonomous vehicles
delivering organic avocado toast to
phallic hi-rises
Charlie Getter 63
ER YL DUMESN
CH IL
WHA D
T YOU
N E V U G H T W OUL
H ER THO
A P PEN K
EEPS HAPPENING
I. Ember
65
*
III. Glow
IV. Cause
Vehicle Mechanical Failure could mean a tractor
backfired
or an old carburetor emitted a spark, which means
66 C H E R Y L DUME SNI L
and a great-grandmother found huddled under a wet
blanket with her two great-grandbabies, all of them
dead,
V. Mama Said
VI. Spark
Cheryl Dumesnil 67
*
VII. Freeway
VIII. Answer
IX. Firescape
68 C heryl Dumesnil
sketch set against a parchment sky.
X. Ownership
XI. Echo
Cheryl Dumesnil 69
*
XII. Glossary
XIII. Image
A two-year-old girl
wearing a red dress
70 C heryl Dumesnil
*
XIV. Smoke
XV. Manzanita
Cheryl Dumesnil 71
AT HER ROBINSO
HE N
GOLIATH AND DAVID
I am David
and I’m Goliath
I’m David’s pissed off little sister
who never got a sling shot
and rips the heads off her dolls.
I’m Goliath’s mom,
The only one who knows his heart is as tender
as a kitten’s paw
and that he would rather be a poet
or a cloud
or almost anything else.
I’m the white knuckled grip around the handle.
The rock slicing through a true blue sky.
The Earth as it softly trembles from the fall
Blades of grass bending forward and back to absorb
him.
I am the quiet of last breath.
The howl of first.
I am a bird circling overhead who knows the
answer.
I am the question. 73
ZEYA QUATE
ELI
FLYING
A-
cross
the
sky
I’m
think-
ing
how
the
air
is
not
really
emp-
ty
up
here
at
all,
in-
stead
the
air
is
75
full
of
tiny
hands
we
can-
not
see.
76 E L I Z E YA QUAT E
ber 16, 2018 -
- septem