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2018 FINAL QUIZ MUSICIANSHIP 230

I. LISTENING PART

MOTETS
 NAWM 34: Dunstable, “Quam pulchra es”
 NAWM 44: Josquin, “Ave Maria…virgo serena”

FRENCH CHANSONS
 NAWM 29: de Caserta, “En remirant vo douce pourtraiture” (Ballade—Fixed form)
 NAWM 56: Sermisy, “Tant que vivray”

MASSES
 NAWM 26: Machaut, Messe de Nostre Dame (Kyrie, uses Isorhythm)
 NAWM 52: Victoria: Missa O magnum mysterium (Kyrie from a parody/imitation mass)

ITALIAN SECULAR MUSIC

 NAWM 30: da Bologna, “Non al suo amante” (Trecento Fixed form)
 NAWM 58, “Solo e pensoso” (Through composed)

II. SCORE QUESTIONS

 HANDOUT: de Vitry, “In arboris/ Tuba sacre fidei / Virgo sum” (Isorhythmic motet)
 NAWM 36: Du Fay, “Resvellies vous” (Ballade)
 NAWM 32: Landini, “Non avrà ma’ pieta” (Ballate)
 NAWM 45: Josquin, Missa Pange lingua (Kyrie from a paraphrase mass)
 NAWM 56: Arcadelt, “Il bianco e dolce cigno” (Madrigal)

PART 3: MULTIPLE CHOICE

MEDIEVAL TO RENAISSANCE RENAISSANCE

 Ars Nova  Ottavio Petrucci, printer

o Roman de Fauvel  Glarean and the Aeolian and Ionian modes
o Isorhythm (color and talea)  Francesco Petrarch, poet
o Triple and Duple Notation  Gradualia (by Byrd)
o de Vitry  Cantus firmus Mass and Du Fay
o 14th century: French fixed forms  Contrafactum
 Ballade, rondeau, and virelai  Principal form of Lutheran church music
 Trecento: Italian fixed forms  Principal forms (2) of Anglican church music
o Caccia, madrigal, ballata  Council of Trent
o Landini  Madrigal texts sometimes used metaphor for sex.
o Squarcialupi Codex  Madrigalism
 Ars subtilior  Dowland and lute songs
o Papal Court of Avignon o Consort
o de Caserta o Intabulation
 Contenance Angloise  Italian Canzona derived from French songs.
o Fauxbourdon
 Paraphrase mass and Josquin
o Dunstable
 Parody/Imitation mass and Victoria