TRANSCRIPTIONS

X-RAY VISIONS
Clutch
As heard on PSYCHIC WARFARE
Words by NEIL FALLON • Music by CLUTCH • Transcribed by JEFF PERRIN

D5 E5 D5 G5
r r 1 r

13 13 13 13

A Intro (0:00, 0:46, 2:20)

Moderately Fast q = 180

N.C.(G5) (E5) (G5) (E5) D5

 
Gtrs. 1 a 2 . st.
1

  7
5
7
5
7
5
7
5
 
3 0 0 3 3 0


Bass

 
 
5 5 5 5
3 0 0 3 3 0

B Verses (0:02, 0:49, 2:23)

1. First thing that I did was buy a pack of smokes
2. Next thing that I did was tap out Morse code
3. Last thing I remember I was covered by the ruins
E5
P.M.
3 re eat re i us bar

7
5
9
7

0 0 0 0 0 0 0 0 0 0 0 0 0 0

mit . . n 3rd erse

Gtr. 2 a s as a ra a s t r tt r t 3r rs .
Bass Fig. 1

5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0


Checked in to a motel and consult

with a wooden nickel on the receiver
I don’t know who’s to blame for that but I
D5 E5
6 P.M.

7 7 7 7 9
5 5 5 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

mit . . n 3rd erse

end Bass Fig. 1

5 5 5 5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

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 “X- RAY VISIONS”

my horoscope
on the phone Before
know who didn’t do it With
N.C.
1 1 1
9

7 7 7 7 7 7
5 5 5 5 5 5
 
0 0 0 0 0 0 0 0 0 3 0 3 0 3 3 0

 
5 5 5 5 5 5
0 0 0 0 0 0 0 0 0 3 0 3 0 3 3 0

Sitting on the bed with my briefcase in my hands

I could complete it I was quickly overtaken
every day that passes it keeps on getting stronger But that
E5 D5
Gtrs. 1 a 2
12 P.M.

7
5
9
7
 7
5
7
5
7
5
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Bass lays Bass Fig. 1 see bar 3

patiently awaiting any word from my command

by the angry spirits of Ronald and Nancy Reagan
really doesn’t bother me ’cause I get off on the danger
E5 N.C.
Gtrs. 1 a 2 1 1 1
16 P.M.

7 9
5 7
 
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0 3 0 3

Bass lays Bass Fig. 1 see bar 3

Bass

 
5 7
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 0 3 0 3

horus (0:25, 1:11, 2:45)

Telekinetic dynamite
Telekinetic prophetic dynamite
Telekinetic dyn - a - mite
Telekinetic prophetic dynamite


N.C.(F5) N.C.(E5)
19

8 8 8
 

3 0 0 0 0 0 0 0 0 12 12 12 12 12 12 12 9

ubstitute Bass Fig. 2, third and f urth


re eats n 3rd h rus see bar 2

3 0 0 0 0 1 1 1
 0 0 0 0 0 0 1
7 7 7 5 7 7 7 4

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TRANSCRIPTIONS

Psychic warfare is real You

Psychic warfare is real I
Psychic warfare is real You
Psychic warfare is real I


N.C.(D5) D5
22

12 12 12 12 12 12 12 12 12 

10 9 10 10 10 10 10 10 10 10 10 10 10 0 0 0 0 0

Bass Fig. 2 


5 5 5 5 5 5 5 5 5 5 5 5 5 5
0 0 0 0 0

2nd time n 1st h rus, g ba

t A ntr bar 1 .
2nd time n 2nd h rus, ntinue
t D Guitar l bar 2 .
n 3rd h rus, lay times then
s i ahead t F utr bar 2 .
better believe me brother X-ray vision
know what you’re thinkin’ sister X-ray vision
better believe me brother X-ray vision T - t - t
know what you’re thinkin’ X-ray vision
25

a

5 5 7
5
7 5

12 12 12 10 12 12 12 9 10 9 10 10 7 5 3

end Bass Fig. 2


7 7 7 5 7 7 7 4 5 4 5 5 7 5 7
5
7 5
7 5 3 3

lay n te in arenthesis
first time nly.

D Guitar Solo (1:33)

N.C.(G5)
Gtr. 2 1 1 1 1 1 12
28

0 0 0 3 3 0 0 3 3 0 0 5 5 0 0 0 0 0 0 3 3 0 0 3 3 0 0 5 5 0 0 0
0 0 0 3 3 0 0 3 3 0 0 5 5 0 0 0 0 0 0 3 3 0 0 3 3 0 0 5 5 0 0 0

Bass 12
Bass Fig. 3

3 3 3 3 3 3 3 3
 3 3 3 3 3
10 10 8 10
8
10 8
10 8 6 6

32 re eat re i us t bars 
10 10 10 10 10 12
10 10 10 12 12 0 0 10 10 10 10 10 12 0 0
10 10 10 12 12 0 0 10 10 10 10 10 12 0 0

end Bass Fig. 3

10 8
10 10 10 10 10 10 10 10 10 8 10 8
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 10 8

144 GU I TA R WOR L D • F EBRUA RY 2016

 “X- RAY VISIONS”

Gtr. 2 1 1 1 1 1
36
0 0 0 0 0
0 0 0 3 3 0 0 5 5 0 0 7 7 0 0 0 0 0 0 3 3 0 0 3 3 0 0 0 0 0 0 0
0 0 0 3 3 0 0 5 5 0 0 7 7 0 0 0 0 0 0 3 3 0 0 3 3 0 0 0 0 0 0 0

Bass re eats Bass Fig. 3 see bar 2

40

15 15 15 15 15 15 15
10 10 10 10 10 12 15 15 15 15 15 15 15
10 10 10 12 12 0 0 10 10 10 10 10 12 0 0 10 10 10 12 12 0 0 15 15 15 15 15 15 15
10 10 10 12 12 0 0 10 10 10 10 10 12 0 0 10 10 10 12 12 0 0 15 15 15 15 15 15 15


e h effe t

E Interlude (1:54)
3. And on the drums On bass guitar presenting
Gemini Pisces
On lead guitar we have
Aries
N.C.(G5) G5
Gtrs. 1 a 2
lay times lay times
44 P.M.
   
t P.M.

    5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
 
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Bass re eats first bar f Bass Fig. 3 see bar 2 thr ugh ut nterlude

G ba t A ntr bar 1
And on the microphone Scorpio Go
48

5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
5
  
3 3 3 3 3 3 3 3

F Outro (3;28)
N.C.(G5) (E5) (G5) (E5) D5 E5

 
Gtrs. 1 a 2 ar 12
52


3


0 0 3

3 0
 7
5
7
5
7
5
7
5
7


5
9
7
0
 9
7
0
9
7
0

ra . t
0 9
7
0

str
1
Bass

   
 
5 5 5 5 5
3 0 0 3 3 0 0 0 0 !
0
ingle ersi n f the s ng ends here, ith the guitar
laying ust the fretted h rd and ui ly h ing
muting the strings.
egue t Firebirds
D5

1
56 1

 
09
7
0
12
0 9
7
0
12
10

3

 
1

!
0 !
0 0

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