Beruflich Dokumente
Kultur Dokumente
Getting Started
My virtual instruments are in the SFZ format, and are designed to be used in Plogue's
sforzando (or ARIA Player). sforzando is free to download for Mac or Windows and functions as
both standalone application and a AU/VST plugin, which can be used in most DAWs or
notation software.
Thank you for purchasing this HamOrg! I hope that you enjoy it and find it useful!
In the 1930s, Laurens Hammond, the owner of a clock company, decided that he would
use his clock motors to build an electronic imitation of a pipe organ. A few years later, a
different company, headed by Donald Leslie, began manufacturing an amplifier, using a unique
rotating loud speaker design. These two inventions came together and created the most
famous electronic organ in the world.
The Hammond B3 is what most people will think of as a “Hammond Organ”. It consists
of 2 keyboards (manuals), each with their own devoted key switch presets, both derived from 9
tones. These 9 tones can be manipulated manually, using the sets of 9 drawbars assigned to
each keyboard. The upper keyboard (Swell) includes a “percussion” effect, which adds a
punchier attack to the sound. When played in tandem, the upper keyboard is typically used for
melody lines, while the lower keyboard (Great) is used for accompaniment, but this can differ,
depending on the style of the music or your own creative decisions.
After my initial recording session with the organ, I decided that it would be “easier” to
recreate the tones exclusively using digital synthesis. This became HamOrg 1.0, released in
December of 2016. Version 2.0 introduced chromatic samples from all nine drawbars, recorded
at 96 kHz/24-bit, from an output jack. From the drawbar samples, I created the “percussion”
effect, the same way it is achieved on the actual organ. I also did extensive research, so that I
could emulate the vibrato and chorus effects as faithfully as possible. The one effect I didn’t
recreate was the rotary speaker, for a number of reasons. In short, I could do it…but it would
be a horrible embarrassment and not really worth the effort it would take. There are plenty of
free plugins out there that will do a far more superior job, so my focus is on the organ console
itself, and making that the best it can be. It actually works out, in my option, since many of the
virtual tonewheel organs that I’ve seen are often focused on the sound of one musical style or
may be too synth-y, when stripped of all the effects. HamOrg captures the natural analogue
sound of those original clock motors, and now you can shape that sound for a roller skating
waltz, blues, rock, soul, funk, or for a simple a hymn.
1) MIDI CC:
CC01= Expression
CC15= Attack
CC16= Release
CC18= Percussion Volume
CC19= Vibrato/Chorus Selection
CC20= Vibrato/Chorus Depth
2) Expression: This volume control works independently from the instrument's main volume
(CC07) control. It acts as the swell pedal on an actual organ. You can adjust this control with
your MIDI keyboard's Modulation Wheel (CC01) or by manually changing the value in the
sforzando GUI. By Default, the value is 50%
4) Drawbars:
5) Attack: By default, this control is set at 0%. A higher value will give you a softer beginning to
the sound.
6) Release: By default, this control is set at 0%. A higher value will give you a softer end to the
sound.
8) Vibrato/Chorus Selection: The effect is disabled at 0% (0, in MIDI speak). From 1% to 50%
(1-64, in MIDI speak), the Vibrato effect will be active. From 51%-100% (65-127, in MIDI speak),
the Chorus effects will be active. Use the chart bellow to recreate the settings from an actual
Hammond organ.
9) Vibrato/Chorus Depth: This controls the intensity of the Vibrato/Chorus effects. A higher
value equates to a stronger effect.
Start by opening the “SFZ” folder and then the “Presets” folder. Next, open the folder for the
keyboard, whose presets you wish to edit (Upper Keyboard or Lower Keyboard). Finally, decide
which preset slot you want to edit (A-I) and then open that file in a basic text editor (Notepad
on Windows, TextEdit on Mac, etc.).
Presets are based on a combination of values from all nine drawbars, using a value expressed
from 0 to 8. Simply plug each value into the space, between the two vertical lines, for each
corresponding drawbar (do NOT delete the spaces on either side of this number)…
As an example, let’s program a preset using the following drawbar registration: 00 5642 200
Save the file, quit the text editor, and then load/reload HamOrg. That’s it!
Now, let’s assume you created the perfect registration in HamOrg and now you want to save it
as a preset. The drawbar values, as seen in Sforzando, are as follows: 0%, 0%, 14%, 18%, 9%,
7%, 0%, 0%, 0%
Convert these percentage values, rounding the best you can, using the chart from the
“Drawbars” section above (pg. 6): 004432000 (or “00 4432 000”). Now you can add this
registration as a preset, exactly the same way as the previous example.
By downloading my virtual instruments, and the audio samples related to them, you
agree and are bound to the terms of this License Agreement.
All audio samples related to these virtual instruments were recorded by and are the sole
property of Michael Picher. Each virtual instrument and the audio samples related to them are
licensed, not sold. Each virtual instrument and the audio samples related to it CAN be use as
part of any commercial or non-commercial work. You are NOT allowed to modify, transfer, rent,
lease, loan, resell, distribute, network, electronically transmit, upload, duplicate, or copy the
virtual instrument files or the audio sample files that may be related to them. Furthermore, you
are NOT allowed to use the audio sample files (or recordings of the audio sample files, with the
intention of using the recordings as sample files), as part of any other sample library, virtual
instrument, game, or software. These virtual instruments and the audio samples related to it are
licensed "as is" without warranties of any kind.
If you have any questions regarding my virtual instruments or this license agreement,
feel free to send me an Email at michaelpicher@gmail.com, or you can visit my website,
http://michaelpichermusic.com, for more contact options.