Alto 1

A Pair Of Aces
by Sammy Nestico

        
        
q = 66
 
 Solo Loosely

    
3 3 3 3

   
                      
  
3 33 3 3 3 6
mp

       
A7(#9) A13(b9) Dº
  
   
3
     
3 3 3

     
19

D
 
 3
        
3
    
3

3       
33 JAZZ FEEL q = 172
  

   
3

                   
37

        
3

 
           
                


     
3

    

                
 
3 3

      D&7(#9)
         
    

Typed Admir-A
2 Alto 1
54 G‹9 B¨‹9
  (4) (4)
              

A‹9 A¨Œ„Š7 A‹9

 (4)
                

D&7(#9) 70 G‹9 B¨‹9

 (4)
                 

A‹9 A¨Œ„Š7 A‹9

 (4) (4)
                 

D&7(#9) 86 G‹ F‹/D A‹7/D F‹/D G‹/D


                        
94
F‹/D A‹/D

optional
           

       
mf 3

 
            
                

  
 
        
    
3  
           


                

         

Typed Admir-A
 Alto 1 3

         

                
3 3
 

          

                 
     
3

   
 
 
   
          
              

          
 
   

132
3 q= 66           
     
 E7(b9) A%

     
3 3 3
3

     
              
   

3 3 3 6

  
         
very "loosely"

    
3   3

    
3 3 3 3
rit.
       
        
  


3 3 f


     
B¨% EŒ„Š7
  
A tempo rit.
 

     

3 3

Typed Admir-A
Alto 2/Flute
A Pair Of Aces
by Sammy Nestico
q = 66

      
To Alto Sax.
  
    
 
Flute

       
7 3
mp


19
              
     
mp 3

                
  

 
6 3
mf

33 JAZZ FEEL q = 172

          
 
        

 
mp p



37    
     
                    



                
   
            


p

54

  
        

          

 
p

      
70
    
 
   

       
             

f

Typed Admir-A
2 Alto 2/Flute

      
86
       
                  
3
94
 

                     
3
    
 
mf

             
                 
 3
      

 
                         
 
 
 


     
                         

           
             
          
3

          
         
    
      
     

                   

        
132
 
q = 66
         
              
 3
mp

             
      
mp


 
rit. A tempo rit.
        

 


f pp

Typed Admir-A
Tenor 1/Flute A Pair Of Aces
by Sammy Nestico
q = 66

      
To Ten. Sax
 Flute 
     
        
7 3
mp

19
             
       
3

mp

       
       

   
6 3
mf

33 JAZZ FEEL q = 172

                
      
mp p

      
37

                      

     
  
                     

 
p

     
54
      


 
       
 
p


70
     
     
 
     

    
        86

               
 
f
94
                    
           
3 mf

Typed Admir-A
2 Tenor 1/Flute

   
                           
3

  
               
3
                
 





                   
      
   

            
   
                      

3

  

      
          
                 

                    

     
    


132
q = 66
                 
   

mp

 
     

     
  
 
mp

rit. A tempo
 
rit.
         
  

 
f pp

Typed Admir-A
Tenor 2/ Clarinet in B
A Pair Of Aces
by Sammy Nestico
q = 66

 Clarinet  (clarinet)
    
  
     
pp
     3
7
mp
19
 To Ten. Sax      
             
  
3
 
pp mp

       
             
3 
6

         
          


mf 3 mp

JAZZ FEEL q = 172 37

33
   
       
           
    
p

  
     
                    

    
               
      

p

54
  70
                  
 
  

p

             
  

     

f

Typed Admir-A
2 Tenor 2/ Clarinet in B

             
               
86

       
3
94
       
                     
 
3
  

mf

             
    
3
                      

 
                     
   
 
 


   
       
    
 
             
  

          
         
    
  
     

3
 

  
                        
      

   
              
     
    
  
132 q = 66
       
               
mp

         

        

mp

 
    
rit. A tempo  rit.

         

f pp

Typed Admir-A
Bari. Sax./ Clarinet in B
A Pair Of Aces
by Sammy Nestico
q = 66
To Bari. Sax.
 
       
Clarinet in Bb  7 
       

3
mp pp
19
    
          
  

     3
mp

            
   
3
           
 3
6 mf

   
33 JAZZ FEEL q = 172

    
   
           
mp p

 
37
        
                     
  

              
                  

p

    
54   
     

         

p
70
    
         
 
       

  86
               
        
f

    

    
     

Typed Admir-A
2 Bari. Sax./ Clarinet in B

94
       

              
   
mf 3

  
                       
   
3
    


    

                     
 

      


  
                        
    3

                   

              
  

 
               
         

 
                   
       
132
q = 66
                 
     
    3
mp

           

     
  
mp


rit. A tempo
  
rit.


        
f pp

Typed Admir-A
Trumpet 1
A Pair Of Aces
by Sammy Nestico
q = 66 33
19 JAZZ FEEL q = 172

 
   
  

37      
           

       
p

  54  
 

               

 
p

  70 86 94

  
       
  
mf

                 
           

3

            
              
3

       
           
        
 

Typed Admir-A
2 Trumpet 1

 
                      
    
3 3

           
          
        
3

                    
           

   
        
        
  

        
               
      

132
q = 66 to flugel
   
       
   
mp


 rit. A tempo  
flugel rit.  
    
pp

Typed Admir-A
Trumpet 2
A Pair Of Aces
by Sammy Nestico

q = 66 33 JAZZ FEEL q = 172

19

 
   
  

37        
       
         
p


54
   
        

     

 
p

  70
   
 
     


     
86    
          
 
      
 
f

  
94
 
                  
mf 3

 
       
            

Typed Admir-A
2 Trumpet 2

       3             
         

            
        
   

             

          
3 3

3       
                      
      

                   
 
            


      
              
  
132
q = 66 to flugel
 
rit.
 
        
    
mp


 
A tempo rit.
     
 flugel

   
pp

Typed Admir-A
Trumpet 3

A Pair Of Aces
by Sammy Nestico

q = 66 JAZZ FEEL q = 172

19 33

 
   
  

37
  
                    


p

54
 
                  




p

70
     
 lead 
      

        86
     
     
 
        

f

  
94

          
3
        
  
mf

    
                 


Typed Admir-A
2 Trumpet 3

  
   
                
3
        


  
  
    
     
           
 

  
                       

3 3

  3
         
                       
 

  

  
       
                         
 

                 
      
  
132 q = 66
 
rit.

to flugel 
  
       
mp

  
A tempo  flugel rit.

        
 pp

Typed Admir-A
Trumpet 4
A Pair Of Aces
by Sammy Nestico
q = 66 19
   
 

33
JAZZ FEEL q = 172 37
    
     
   


p


54
    

        
    


               
         
p
70

           
 
  
   
f

86
 
    
   
 
     


94
    
             
3
          
mf

    
        
 
         

Typed Admir-A
2 Trumpet 4

   
               
3
  
           

         3 3
                           



  3
                   
        

             
   

                   
 

        
             
         

      
 
               
  
   

132 q = 66
 
rit.

to flugel 
     
         
mp

  
A tempo  flugel rit.

       
 
pp

Typed Admir-A
Trumpet 5 A Pair Of Aces
by Sammy Nestico
q = 66
19
 
 
 

33 JAZZ FEEL q = 172 37

   

     
  
p


          
       

54
   


    
        
p


70  

        
   

    
86
   
 
                 
 
f

94
 
            
3
 
   
mf

       
                   

Typed Admir-A
2 Trumpet 5

     
      
                   
3
 

     
     
                      
   


                  
3 3

       

 3
         
                        
  

       
 
                        

  
              
 
        

 to flugel 

    
     
        

132 q = 66
  
 rit. A tempo  flugel rit.

   

  pp

Typed Admir-A
Trombone 1
A Pair Of Aces
q = 66 by Sammy Nestico

 Solo 3  
     


19                 
   
3 3 3 3
  
                      3 

   
3 3 3 3

        3        3 3

   
   
3 3 3 3
33 JAZZ FEEL q = 172 37 

  
          
     

    
               
         
  
3 3

           

                      

        
         
3 3
54
B¨‹9 D¨‹9
(4) (4)
   
              

Typed Admir-A
2 Trombone 1

C‹9 C‹9 F&7(#9)

(4) C¨Œ„Š7
 
         
70 B¨‹9 D¨‹9
(4) (4)
 
             

C‹9 BŒ„Š7 C‹9/F F&7(#9)

(4)
 
        
86
B¨‹ A¨‹/F C‹7/F A¨‹/F B¨‹/F A¨‹/F
 
                       
start here and take repeat back to bar 54 (play both times)
94
C‹/F C‹7 
  
              
132 q = 66 E7 A‹
3         as is           
     
   
3 3 3
     
       B¨13      
  

    
3 3
"pretty jazz"
G E9
   E&7(b9) A‹7 3    
3
 
           
3 3 3 3
rit.  A tempo G B‹7 B¨º
       ad lib.     
 

A‹7 rit. D¨% GŒ„Š7


 
  
 
 
  
3

Typed Admir-A
Trombone 2
A Pair Of Aces
q = 66 by Sammy Nestico

          
   

pp pp

           19        
  
3 3 3
pp


      w/sxs.
     
 

mf pp
33 JAZZ FEEL q = 172  37 

         


p

          54 
        
      
p

            70  
          

        86   
       
 
f

        
          

94
           

     
mf 3

Typed Admir-A
2 Trombone 2

                 
      
         

                    
          
3

                

        
    

                 
           
3

                
         
   


  
                  
  

           
        

    

132
q = 66  rit.

               
mp

A tempo  rit.
  
   
pp

Typed Admir-A
Trombone 3
A Pair Of Aces
by Sammy Nestico

q = 66            
  

pp

           

    
 
pp 3

19   
           
  
3 3
pp mf
33 JAZZ FEEL q = 172  37 
        
   
p

 54 
                 
     
 
p

        70  
              

86  
           
 
     
f

         

        

94 
               
   
mf 3

Typed Admir-A
2 Trombone 3

                   

       
       


                     
           
3

          
     
     
 
    


                    
     
  3

             
                

 


           

   
     

         
               


132
q = 66  rit.
   
            
mp

A tempo  rit.
  
   
pp

Typed Admir-A
Bass Trombone
A Pair Of Aces
by Sammy Nestico
q = 66
    
   
      
pp

           
     
 
pp 3

19  
    
    
mf p
33 JAZZ FEEL q = 172 37
 
            
   p

  54 
                    
 
p
70  
               

86
  

            
   

f

          
          

94
             

mf 3

Typed Admir-A
2 Bass Trombone

 
                   

       
 


                 
           
 

3

   
                      
     

          
               
    
3

               

      
    

 
  
             
      


                   
     
132
q = 66 
  
    
     
mp

rit. A tempo  rit.

  
  
  
pp

Typed Admir-A
Guitar A Pair Of Aces
by Sammy Nestico
q = 66 D9
GŒ„Š7 C‹6 Gº G13 D¨13

                  
 
solo

     




     


G‹7/C C13 FŒ„Š7 D&7 3 G‹ G‹7 C7 C/B¨
   
         
3

 
  



   

 

F/A D‹9 A¨13
 
D¨Œ„Š7 B¨‹9
   
C7(#9) B¨‹/F
G+13#9
    

              


  

pp
G‹9/F C7(#9) C7(b9) Fº 6 19 D13 E¨9 D13 A¨13
     
              

D‹7/G G7 C% A&7 D‹ D‹7 G7 G/F E‹7 A‹7

                        
E¨13 A¨Œ„Š7 D7(b5) G7(#9)

                  

p

  B¨ A¨
 
3
           

33 JAZZ FEEL q = 172 37


C B¨‹9 Aº B¨‹9
    

         
B¨‹9 C‹9 D¨‹9

(4)
           

Typed Admir-A
2 Guitar

C‹9 C‹9 C¨Œ„Š7 E¨/F


                   
sparse - very free style
54 B¨‹9
  
F&7(#9) B‹9 C‹9
 
                    
D¨‹9 C‹9

       

                

C‹9 E¨/F F&7(#9)


 C¨Œ„Š7
                       
in four
70 B¨‹9 B‹9 C‹9 D¨‹9

(4)
         
C‹9 BŒ„Š7 C‹9/F

(4)
                

F&7(#9) 86 B¨‹ C‹7/F B¨‹/F

             
   
   
94 C‹7
       
A¨‹/F C‹/F
         

          
mf 3

 
  
         
E¨‹9

         
      
   
  
D‹9
     
         
3
        
 

Typed Admir-A
 Guitar 3
    
D¨Œ„Š7 F/G
          
           

         C‹7
G&7(#9) C‹(Œ„Š7)
     
C‹7

            
3 3


E¨‹7
        
                 
     
3
 
     
     
      

        

                       
     

     
          
q = 66
132 E¨Œ„Š7 A13(b9) E¨13 A‹7/D D7(b9) G% E13(b9) A‹ D7 A‹7 D/C

             
trb jazz
G/B
 
E‹9 B¨13 
E¨Œ„Š7
  A&7(#9)
 D&7(#9) G
        
  
           
rit.
E9 E&7(b9) A‹7 D7 D/C G/B E‹ A‹7 B7 E¨/B¨ C‹/A

                    
f
A tempo rit.
 
E‹/C© C% F% D¨%GŒ„Š7
                  
solo w/alto sx

     
         



mp pp

Typed Admir-A
Piano
A Pair Of Aces
by Sammy Nestico
q = 66
 D¨Œ„Š7 B¨‹9 G+13#9 C7(#9)  trb.

gtr.cue
            

  



 


 


 

19 D13 E¨9
3 D13 A¨13 3 D‹7/G G7 C% 3 A&7 D‹ D‹7

                
3 3
  


   



                   
G7 G/F E‹7 3 A‹7 E¨13 A¨Œ„Š7
  
3

3 3
   
         


 
                
D7(b5) G7(#9) 3 F D7 A¨7 C B¨ A¨
       
3
          
3 3
   


  
p   
      
     

33 C JAZZ FEEL q = 172

      
      


  
 
         
 
        
 
37
B¨‹9 Aº B¨‹9 B¨‹9 C‹9 D¨‹9

(4)
   


                   
         

Typed Admir-A
2 Piano


C‹9 C‹9 C¨Œ„Š7 C‹9
 F&7(#9)

E¨/F

       


  
         
   


  


       
               
  
54 sparse - very free style
  
    
B¨‹9 B‹9 C‹9 D¨‹9
 
   
           


   

 

  
   
  
   


 
   

 
  

 
C‹9  C¨Œ„Š7 C‹9
 E¨/F

   
 
           
    
     


   
  
 
   
     
     
 

in four
70 B¨‹9
 
F&7(#9) B‹9 C‹9 D¨‹9

   
      


           
   
         


C‹9 BŒ„Š7 C‹9/F F&7(#9)


(4) (4)
     


               
          

86 B¨‹ C‹7/F B¨‹/F

              
              

          
 
    

Typed Admir-A
 Piano 3

94 ens.

       
A¨‹/F C‹/F C‹7
  
    
         


  mf 3
     
       

 
     E¨‹9
         
 
   
                    
 


 (4)
      
(4)


D‹9
 3         D¨Œ„Š7
   
            

  
 
 


 

              

              
F/G G&7(#9) C‹7 C‹(Œ„Š7) C‹7
       
         


3 3


                

       E¨‹7
           
    
               

 
3
   
  
  
      

     
             
          
 


   


  

  
  

       
    

V.S.

Typed Admir-A
4 Piano

                  

             

  
      
  
  
    

  
  

  


132 alto sx
E¨Œ„Š7 q = 66

A13(b9) E¨13 A‹7/D G%
  3        
D7(b9)
     
solo

       
3
   


  3 3
mp 3
   
            


E13(b9) A‹ D7 A‹7 D/C G/B E‹9
 
B¨13

E¨Œ„Š7

                     
 

  


3 3 3 
 
6
         
 
 
    

trb jazz rit.

A&7(#9) D&7(#9) G E9 E&7(b9) A‹7 D7 D/C G/B E‹ A‹7 B7 E¨/B¨ C‹/A

   


                       
f

    
       
    

A tempo rit.
 E‹/C© C% F% D¨% GŒ„Š7

guitar cue
 
          
 


  


p mp pp


         
        


 
  

Typed Admir-A
Bass Guitar
A Pair Of Aces
by Sammy Nestico

q = 66  pizz.
  
       

3 3
                    
   
3

19 3
               
       
3 3

 
            
 
33 JAZZ FEEL q = 172
    
            

37
B¨‹9 Aº B¨‹9 B¨‹9 C‹9 D¨‹9
                    
        

C‹9
           
             


C‹9
 
                 
       
 

Typed Admir-A
2 Bass Guitar

54 sparse - very free style

B¨‹9 B‹9 C‹9 D¨‹9
   
        

C‹9
                     

 C¨Œ„Š7
   C‹9
                
           

70 in four
B¨‹9 B‹9 C‹9 D¨‹9
(4)

                 

C‹9 BŒ„Š7 C‹9/F

 (4)            
        

F&7(#9) 86    
               


94
    C‹7
(4)
E¨‹9
                


D‹9 D‹9 D¨Œ„Š7

(4)

                

Typed Admir-A
 Bass Guitar 3

F/G G&7(#9) C‹7 C‹7


                  

E¨‹7 as is           
             


                          
  

            
            

132
q = 66 G% E13(b9) A‹
       
           

3 3

D7 D/C  3   3
          
     
3

rit.
  3    
           

f

A tempo  rit.
  
      
   

p pp

Typed Admir-A
Drums
A Pair Of Aces
q = 66 by Sammy Nestico

   
        
    
 pp mf 
19 trb.
    (4)    
              
3 3
     
    
                
3 3
33 JAZZ FEEL q = 172
 sxs.
                      
                
mf
37 alto/trb.
              (4)
              

       (4)       
             

  54
        
    
    


(4) (8)
      

Typed Admir-A
2 Drums

       (4)       
             

 70
            (4)

             

brass
(8)        (4)       
              
f
86
                             
             

  trb.break
     
set it up
             
                 

94
ens.  
       (4)        
             
mf

   3
                           

                

    
                 
                

Typed Admir-A
 Drums 3
3 3
                   
                
3           
                   
                

   
  
            
  
                    

  
                    
                    


             
                

132
q = 66 
       (4)  
              

trb jazz
3 3
                      
                   
pp

rit.
 A tempo

             
            
 p
rit.
   
           
            
 
pp

Typed Admir-A