The Thames and

Hudson Manual of
Rendering with Pen
and Ink
Rendering with Pen and Ink–the art, or skill of designing print-
ed matter, especially printed words–has a history stretching back
five hundred years. Ever since its invention in the fifteenth cen-
tury printing has been based on the use of movable types, and
this technology has conditioned the design of everything from
pamphlets to newspapers, books and magazines. But in the last
quarter of the twentieth century a revolution has taken place.
Printers and designers throughout the world have jettisoned the
old technology in favor of advanced film-setting and desk-top
systems, which introduce new problems and open up exciting
possibilities for typographers. This book tackles the impli-
cations for designers of the
typesetting revolution. Written

Rendering with Pend and Ink

The Thames and Hudson Manual of
with an infectious zest and en-
thusiasm, it is sure to become
the budding typographer’s ba-
sic reference book.
Robert W. Gill is well known in the world of books. He succeed-
ed Sir Francis Meynell as Typographic Advisor to the Stationery
Office (1960–80) and is himself a freelance typographer and the
author of numerous publications, including Modern Book De-
sign (1958), Magazine Design (1969) and Victorian Book De-
sign (2nd edition 1972).

The Thames and Hudson Manuals

A series of textbooks written by practicing designer-teachers, whose
work is based on professional and industrial experience.
Bookbinding by Arthur W. Johnson
Direct Metal Sculpture by Trevor Faulkner
Dyes and Fabrics by Joyce Storey
Etching and Engraving by Walter Chamberlain Robert W. Gill
Professional Photography by John Constantine and Julia Wallis

The Thames and Hudson

Rendering with Pen and Ink by Robert W. Gill

Rendering with
Screen Printing by Tim Mara
Silversmithing by Frances Loyen
Stoneware and Porcelain by David Hamilton
Manual of

Pen & Ink

Textile Printing by Joyce Storey
Typography by Ruari McLean
Thames and Hudson

Thames and Hudson

500 fifth avenue, New York,
New York 10110

by Robert W. Gill
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Thames and Hudson

Thames and Hudson

500 fifth avenue, New York,
New York 10110
 Manual of Stoneware and Porcelain
The Thames and Hudson
The Thames
and Hudson Manual
of Stoneware and Porcelain The Thames and Hudson
Stoneware and
Manual of
The Thames and Hudson Manuals. A series of textbooks written by practicing de-
signer-teachers, whose work is based on professional and industrial experience.

Porcelain
Stoneware and Porcelain–the art, or skill of designing printed matter, especially print-
ed words–has a history stretching back five hundred years. Ever since its invention in
the fifteenth century printing has been based on the use of movable types, and this
technology has conditioned the design of everything from pamphlets to newspapers,
books and magazines. But in the last quarter of the twentieth century a revolution has
taken place. Printers and designers throughout the world have jettisoned the old tech-
nology in favor of advanced filmsetting and desk-top systems, which introduce new
by David Hamilton
problems and open up exciting possibilities for typographers. This book tackles the
implications for designers of the typesetting revolution. Written with an infectious zest

David Hamilton
and enthusiasm, it is sure to become the budding typographer’s basic reference book.

David Hamilton is well known in the world of books. He succeeded Sir Francis Mey-
nell as Typographic Advisor to the Stationery Office (1960–80) and is himself a free-
lance typographer and the author of numerous publications, including Modern Book
Design (1958), Magazine Design (1969) and Victorian Book Design (2nd edition 1972).

The Thames and Hudson Manuals

A series of textbooks written by practicing designer-teachers, whose work is based on

Thames and Hudson

professional and industrial experience.
Bookbinding by Arthur W. Johnson
Direct Metal Sculpture by Trevor Faulkner
Dyes and Fabrics by Joyce Storey
Etching and Engraving by Walter Chamberlain
Professional Photography by John Constantine and Julia Wallis
Rendering with Pen and Ink by Robert W. Gill
Screen Printing by Tim Mara
Silversmithing by Frances Loyen
Stoneware and Porcelain by David Hamilton
Textile Printing by Joyce Storey
Typography by Ruari McLean

Thames and Hudson

500 fifth avenue, New York,
New York 10110
 Manual of Dyes and Fbrics
The Thames and Hudson
The Thames
and Hudson Manual
of Dyes and Fabrics
Dyes and Fabrics–the art, or skill of designing printed matter, especially printed words–has

The Thames and Hudson

a history stretching back five hundred years. Ever since its invention in the fifteenth cen-

Dyes and
tury printing has been based on the use of movable types, and this technology has condi-

Manual of
tioned the design of everything from pamphlets to newspapers, books and magazines. But
in the last quarter of the twentieth century a revolution has taken place. Printers and design-
ers throughout the world have jettisoned the old technology in favor of advanced filmsetting

Fabrics
and desk-top systems, which introduce new problems and open up exciting possibilities for ty-
pographers. This book tackles the implications for designers of the typesetting revolution. Writ-

Joyce Storey
ten with an infectious zest and enthusiasm, it is sure to become the budding typographer’s basic
reference book.

Joyce Storey is well known in the world of books. He succeeded Sir Francis Meynell as Typographic
Advisor to the Stationery Office (1960–80) and is himself a freelance typogra-
pher and the author of numerous pub- by Joyce Storey
lications, including Modern Book De-
sign (1958), Magazine Design (1969)
and Victorian Book Design (2nd edi-

Thames and Hudson

tion 1972).

The Thames and Hudson Manuals

A series of textbooks written by prac-
ticing designer-teachers, whose work
is based on professional and industrial
experience.
Bookbinding by Arthur W. Johnson
Direct Metal Sculpture by Trevor Faulkner
Dyes and Fabrics by Joyce Storey
Etching and Engraving by Walter Chamber-
lain
Professional Photography by John Constan-
tine and Julia Wallis
Rendering with Pen and Ink by Robert W. Gill
Screen Printing by Tim Mara
Silversmithing by Frances Loyen
Stoneware and Porcelain by David Hamilton
Textile Printing by Joyce Storey
Typography by Ruari McLean

Thames and Hudson

500 fifth avenue, New York,
New York 10110
 of Rendering with Pen and Ink
The Thames and Hudson Manual
The Thames and Hudson Manuals, a series of textbooks written by
practicing designer-teachers, whose work is based on professional
and industrial experience.

The Thames and Hudson Manual of Rendering with Pen and Ink,
or skill of designing printed matter, especially printed words–has a
history stretching back five hundred years. Ever since its invention in
the fifteenth century printing has been based on the use of movable
types, and this technology has conditioned the design of everything
from pamphlets to newspapers, books and magazines. But in the
last quarter of the twentieth century a revolution has taken place.

The Thames and Hudson Manual of

Printers and designers throughout the world have jettisoned the old
technology in favor of advanced film-setting and desk-top systems,

Rendering with
which introduce new problems and open up exciting possibilities for
typographers. This book tackles the implications for designers of the
typesetting revolution. Written with an infectious zest and enthusiasm,
it is sure to become the budding typographer’s basic reference book.

Robert W. Gill is well known in the world of books. He succeeded

Sir Francis Meynell as Typographic Advisor to the Stationery Office
(1960–80) and is himself a freelance typographer and the author
Pen and Inkby Robert W. Gill
of numerous publications, including Modern Book Design (1958),
Magazine Design (1969) and Victorian Book Design (2nd edition 1972).

Bookbinding by Arthur W. Johnson

Direct Metal Sculpture by Trevor Faulkner
Dyes and Fabrics by Joyce Storey

Robert W. Gill
Etching and Engraving by Walter Chamberlain
Professional Photography by John Constantine and Julia Wallis
Rendering with Pen and Ink by Robert W. Gill
Screen Printing by Tim Mara
Silversmithing by Frances Loyen
Stoneware and Porcelain by David Hamilton
Textile Printing by Joyce Storey
Typography by Ruari McLean

The Thames and Hudson Manual of

Rendering with
Pen and Ink
Thames and Hudson

Thames and Hudson

500 fifth avenue, New York,
New York 10110
 The Thames and Hudson Manuals, a series of textbooks written by

Manual of Bookbinding
The Thames and Hudson
practicing designer-teachers, whose work is based on professional
and industrial experience.

The Thames and Hudson Manual of Bookbinging, or skill of design-

ing printed matter, especially printed words–has a history stretching
back five hundred years. Ever since its invention in the fifteenth
century printing has been based on the use of movable types, and this
technology has conditioned the design of everything from pamphlets
to newspapers, books and magazines. But in the last quarter of the
twentieth century a revolution has taken place. Printers and design-
ers throughout the world have jettisoned the old technology in favor
of advanced film-setting and desk-top systems, which introduce new
problems and open up exciting possibilities for typographers. This
book tackles the implications for designers of the typesetting revo-
lution. Written with an infectious zest and enthusiasm, it is sure to
become the budding typographer’s basic reference book.

Arthur W. Johnson is well known in the world of books. He suc-

ceeded Sir Francis Meynell as Typographic Advisor to the Stationery
Office (1960–80) and is himself a freelance typographer and the
author of numerous publications, including Modern Book Design

Arthur W. Johnson
(1958), Magazine Design (1969) and Victorian Book Design (2nd
edition 1972).

Bookbinding by Arthur W. Johnson

Direct Metal Sculpture by Trevor Faulkner
Dyes and Fabrics by Joyce Storey
Etching and Engraving by Walter Chamberlain
Professional Photography by John Constantine and Julia Wallis
Rendering with Pen and Ink by Robert W. Gill
Screen Printing by Tim Mara

The Thames and Hudson Manual of

Silversmithing by Frances Loyen
Stoneware and Porcelain by David Hamilton

Bookbinding
Textile Printing by Joyce Storey
Typography by Ruari McLean

The Thames and Hudson Manual of by Arthur W. Johnson

Bookbinding
Thames and Hudson

Thames and Hudson

500 fifth avenue, New York,
New York 10110
 of Stoneware and Porcelain
The Thames and Hudson Manual
The Thames and Hudson Manuals, a series of textbooks written by
practicing designer-teachers, whose work is based on professional
and industrial experience.

The Thames and Hudson Manual of Stoneware and Porcelain, or

skill of designing printed matter, especially printed words–has a
history stretching back five hundred years. Ever since its invention in
the fifteenth century printing has been based on the use of movable
types, and this technology has conditioned the design of everything
from pamphlets to newspapers, books and magazines. But in the
last quarter of the twentieth century a revolution has taken place.
Printers and designers throughout the world have jettisoned the old
technology in favor of advanced film-setting and desk-top systems,
which introduce new problems and open up exciting possibilities for
typographers. This book tackles the implications for designers of the
typesetting revolution. Written with an infectious zest and enthusiasm,
it is sure to become the budding typographer’s basic reference book.

David Hamilton is well known in the world of books. He succeeded

Sir Francis Meynell as Typographic Advisor to the Stationery Office
(1960–80) and is himself a freelance typographer and the author
of numerous publications, including Modern Book Design (1958),
Magazine Design (1969) and Victorian Book Design (2nd edition 1972).

Bookbinding by Arthur W. Johnson

Direct Metal Sculpture by Trevor Faulkner

David Hamilton
Dyes and Fabrics by Joyce Storey
Etching and Engraving by Walter Chamberlain
Professional Photography by John Constantine and Julia Wallis
Rendering with Pen and Ink by Robert W. Gill
Screen Printing by Tim Mara
Silversmithing by Frances Loyen
Stoneware and Porcelain by David Hamilton
Textile Printing by Joyce Storey
Typography by Ruari McLean

The Thames and Hudson Manual of The Thames and Hudson Manual of
Stoneware Stoneware
and Porcelain and Porcelain
Thames and Hudson

by David Hamilton

Thames and Hudson

500 fifth avenue, New York,
New York 10110
 Manual of Dyes and Fabrics
The Thames and Hudson
The Thames and Hudson Manuals, a series of textbooks written by
practicing designer-teachers, whose work is based on professional
and industrial experience.

The Thames and Hudson Manual of Fabrics and Dyes, or skill of

designing printed matter, especially printed words–has a history
stretching back five hundred years. Ever since its invention in the fif-
teenth century printing has been based on the use of movable types,
and this technology has conditioned the design of everything from
pamphlets to newspapers, books and magazines. But in the last quar-
ter of the twentieth century a revolution has taken place. Printers and
designers throughout the world have jettisoned the old technology in

The Thames and Hudson Manual of

favor of advanced film-setting and desk-top systems, which introduce

Dyes and
new problems and open up exciting possibilities for typographers.
This book tackles the implications for designers of the typesetting
revolution. Written with an infectious zest and enthusiasm, it is sure
to become the budding typographer’s basic reference book.

Joyce Storey is well known in the world of books. He succeeded Sir

Francis Meynell as Typographic Advisor to the Stationery Office
(1960–80) and is himself a freelance typographer and the author
of numerous publications, including Modern Book Design (1958),
Fabrics
by Joyce Storey
Magazine Design (1969) and Victorian Book Design (2nd edition 1972).

Bookbinding by Arthur W. Johnson

Direct Metal Sculpture by Trevor Faulkner
Dyes and Fabrics by Joyce Storey
Etching and Engraving by Walter Chamberlain

Joyce Storey
Professional Photography by John Constantine and Julia Wallis
Rendering with Pen and Ink by Robert W. Gill
Screen Printing by Tim Mara
Silversmithing by Frances Loyen
Stoneware and Porcelain by David Hamilton
Textile Printing by Joyce Storey
Typography by Ruari McLean

The Thames and Hudson Manual of

Dyes and
Fabrics
Thames and Hudson

Thames and Hudson

500 fifth avenue, New York,
New York 10110