Beruflich Dokumente
Kultur Dokumente
REFLEXIONS / REFLEXIONES
Issues related to lesbian, gay, bisexual, transgender, and queer (LGBTQ) sexualities
and gender identities are complex and continue to be extremely contentious for archi-
pelagic and diasporic Puerto Ricans, mirroring the enormous advances and profound
challenges experienced across the United States and Latin America.1 Profound biases,
frequently the result of intolerance linked to traditional patriarchal and sexist think-
ing, have hampered demands for basic civil rights.2 Conservative religious thinking,
whether linked to the Catholic Church or to the numerous Pentecostal and Evangelical
churches that dominate political debates in Puerto Rico, has created additional obsta-
cles.3 Notable recent achievements include the decriminalization of sodomy in 2003;
the publication of landmark books and anthologies; the establishment of a biennial
academic conference in 2006 and of a leading film festival in 2009; the election of an
openly lesbian lawyer to lead the Colegio de Abogados de Puerto Rico in 2012 and of
an openly gay political candidate in San Juan that same year; the successful boycott
of a homophobic television program that led to the program’s cancelation in 2013; the
naming of an openly lesbian judge to the Puerto Rico Supreme Court in 2014; the rec-
ognition of equal marriage rights in 2015; and the authorization to change sex markers
on birth certificates in 2018. These have been accompanied by a thriving queer arts
and business scene encompassing music, dance, theater, film, literature, alternative
community centers, bars, and nightclubs. These achievements are unstable in a time of
rising conservatism and economic precarity, particularly given the long-term financial
crisis that started in 2006 and the impact of Hurricanes Irma and María in 2017.
In this survey article, I go over many of these developments and also offer a
timeline spanning from 2002 to 2018. I include additional bibliographical refer-
ences for many of the authors and events discussed in this special issue of CENTRO
Journal on Revisiting Queer Puerto Rican Sexualities (2018), which I coedited with
Yolanda Martínez-San Miguel. We envision this thematic and chronological appen-
dix as a useful teaching tool that can serve to raise awareness about the complex
reality of contemporary Puerto Rican LGBTQ matters. We hope that the following
subsections, timeline, and list of works cited contribute to a better understanding of
these topics and complement the articles included in this issue.
Legal Activism, Marriage Rights, Adoption, Name and Sex Change on Documents,
and the Sexual Orientation and Public Identity of Lawyers and Judges
The last twenty years have been marked by activist struggles in Puerto Rico and
the diaspora regarding anti-sodomy laws, protection against domestic violence,
same-sex couples’ marriage rights, adoption rights, ability to run for and win politi-
cal office, and transgender persons’ right to change their name and gender on legal
documents. Activists have mobilized in diverse ways and recurred to the courts as a
strategy to obtain civil rights. Many of these lawsuits have been initially unsuccess-
ful, but have served as a public forum to articulate new conceptions of jurisprudence
that can attend to the realities of LGBTQ or gender non-conforming persons.
In some notable cases, legal victories have brought about profound change.
These have occurred both at the local and federal level. Given Puerto Rico’s colonial
status, decisions made in the Supreme Court of the United States such as Lawrence v.
Texas in 2003, which decriminalized same-sex sexual relations between consenting
adults (previously referred to as sodomy), and Obergefell v. Hodges in 2015, which
established the right of same-sex couples to marry, have the potential to profoundly
impact life in the Puerto Rican archipelago and for Puerto Ricans in the diaspora.
Yet, it is important to note that Lawrence v. Texas was anteceded in Puerto Rico by
the decriminalization of sodomy (its deletion from the Penal Code) three days ear-
lier, on June 23, 2003, as a result of legislative action led by the Popular Democratic
Party senate majority, as scholar Juana María Rodríguez (2007, 136; 2014, 88–89) has
observed.4 At other times, local struggles ensure access to rights, such as the recent
victory in Arroyo González et al. v. Rosselló Nevares et al. in April of 2018; this case
had as its goal “to permit transgender persons born in Puerto Rico to correct their
birth certificates to accurately reflect their true sex” (2018, 1).
504 centro journal • volume xxx • number ii • summer 2018
Castro Pérez explores in his article in this issue of CENTRO Journal. In the first case,
on June 30, 2005, the Supreme Court of Puerto Rico held that the Demographic
Registry Law did not allow a change of sex marker for transsexual petitioner, over-
turning a previous Supreme Court’s order (Ex parte Andino Torres (2000)) granting
petitioner’s request to change the sex marker on her birth certificate and driver’s
license.15 In the case of Ex parte Delgado Hernández, Associate Justice Anabelle
Rodríguez Rodríguez wrote for the majority while Associate Justice Liana Fiol
Matta and Associate Justice Jaime Fuster Berlingeri each wrote separate dissenting
opinions and Associate Justice Efraín E. Rivera Pérez wrote a concurring opinion. As
Associate Justice Fuster Berlingeri stated in his dissent:
Para mí resulta claro el curso de acción que por razones de Derecho y de solidaridad
humana deberíamos tomar. Sobran los fundamentos jurídicos para acceder a lo que
se nos solicita, conforme a lo que resolvimos en Ex-parte Andino, supra. No hacerlo
no sólo constituye el injustificado y ominoso abandono de un precedente nuestro sino
además el rechazo a compadecernos de la honda desdicha de un ser humano. Se falta
así tanto a la justicia como a un deber de solidaridad.
History has sided with the line of thinking that Associate Justice Fuster Berlingeri
espoused above. This became apparent in 2018 with the favorable ruling of U.S.
District Court Judge Carmen Consuelo Cerezo in the case of Arroyo González et al.
v. Rosselló Nevares et al.16
As Judge Cerezo indicates, for transgender persons, having legal recognition of their
identity is a matter of life or death.
On April 20, 2018, the Federal District Court for the District of Puerto Rico
struck down as unconstitutional Puerto Rico’s prohibition against changing the sex
marker on birth certificates and driver’s licenses of transgender petitioners, signal-
ing a major change for transgender persons in Puerto Rico. The lawsuit was filed by
19-year-old student Daniela Arroyo González along with the well-known trans activ-
ist Victoria Rodríguez Roldán, who is currently the Trans/Gender Non-Conforming
506 centro journal • volume xxx • number ii • summer 2018
Justice Project Director at the National LGBTQ Task Force, an additional trans man
only identified by his initials (J.G.), and the organization Puerto Rico Para Tod@s
(Puerto Rico for All); the plaintiffs were represented by Lambda Legal, a national
U.S. LGBT legal rights organization.17 As Judge Cerezo wrote in her opinion,
The right to identify our own existence lies at the heart of one’s humanity. And so, we
must heed their voices: “the woman that I am,” “the man that I am.” Plaintiffs know they
are not fodder for memoranda legalese. They have stepped up for those whose voices,
debilitated by raw discrimination, have been hushed into silence. They cannot wait for
another generation, hoping for a lawmaker to act. They, like Linda Brown, took the steps to
the courthouse to demand what is due: their right to exist, to live more and die less. (Arroyo
González et al. v. Rosselló Nevares et al. 2018, 16)
In her powerful statement, Judge Cerezo invokes the figure of Linda Brown, the
third-grade child at the center of the landmark 1954 Brown v. Board of Education
U.S. Supreme Court case that led to the desegregation of public schools in the United
States. As Judge Cerezo indicates, for transgender persons, having legal recognition
of their identity is a matter of life or death. The first successful birth certificate
change petitions occurred on July 16, 2018, including that of trans activist Ivana
Fred, and received positive news coverage.18
Finally, it is worth pointing out advances regarding the openly-declared LGB
sexual orientation of judges and of lawyers in positions of leadership and how it might
indicate shifting mores. For example, the openly-lesbian black Puerto Rican lawyer
and activist Ana Irma Rivera Lassén (interviewed by Frances Negrón-Muntaner in
this issue) was elected to serve as the president of the Colegio de Abogados de Puerto
Rico (Bar Association of Puerto Rico) from 2012 to 2014; she is only the third woman to
serve in this role, and the first openly gay president of the Bar Association.19 Meanwhile,
on July 15, 2014, Maite Oronoz Rodríguez was sworn in as Associate Justice to the
Supreme Court of Puerto Rico; she is the Court’s first openly gay justice.20 On February
22, 2016, she was confirmed as Chief Justice of the Puerto Rico Supreme Court, the
first openly gay Chief Justice to be appointed to a state or territorial Supreme Court
in the United States.21 Future scholarship will determine the impact of her presence
in the court and the relevance (if any) of her sexual orientation on her legal thought.
Hernández (NPP) and Eduardo Bhatia of the Popular Democratic Party (PDP), highlight
the persistence of bias at the formal (institutional) level in Puerto Rico.22 For this reason,
the electoral victory on November 6, 2012, of long-time activist Pedro Peters Maldonado
(PDP) for the San Juan Municipal Legislature is very significant, as he became the first
openly gay candidate to win public office on the island.23 Openly-LGBTQ Puerto Rican
politicians have fared slightly better in the United States, particularly in Connecticut,
Massachusetts, and New York, including Margarita López, Rosie Méndez, Nelson
Rafael Román, Pedro Segarra (the openly-gay former mayor of Hartford, CT), and Jossie
Valentín.24 Openly gay Puerto Ricans also serve in positions of leadership in national
organizations, such as Anthony D. Romero, who has been the executive director of the
American Civil Liberties Union (ACLU) since 2001.25
Conversely, individual homophobic politicians such as Thomas Rivera Schatz
(NPP) and María Milagros (Tata) Charbonier (NPP) and groups such as Puerto Rico
por la Familia (Puerto Rico for the Family) have actively worked against LGBTQ
rights.26 Generalized intolerance against the LGBTQ population became apparent on
February 18, 2013, when thousands participated in a march at the Capitol of Puerto
Rico against the anti-discrimination amendments on the basis of sexual orientation
and gender identity under consideration in the Legislature.27 The march was orga-
nized by Puerto Rico por la Familia “en defensa de la familia, el matrimonio, la niñez
y la vida” (in defense of the family, matrimony, childhood and life). A small group
known as the Movimiento Inclusivo de Apoyo a la Comunidad (Inclusive Movement
to Support the Community) organized a countermarch.28
Politics frequently occur at the grassroots level through diverse progressive
organizations. Currently, one of the most visible coalitions in Puerto Rico is CABE
(Comité Amplio para la Búsqueda de Equidad), a work group that includes commu-
nity organizations with a human rights focus, LGBT groups, and professional orga-
nizations that support the human rights of LGBT communities.29 The coalition has
been represented by figures such as Larry Emil Alicea Rodríguez (President of the
Colegio de Profesionales del Trabajo Social de Puerto Rico) and by lawyer and activ-
ist Ana Irma Rivera Lassén. CABE was created in 2013 in order to support legislative
projects that led to the approval of Acts 22 and 23 that same year. In their volume
Queer Brown Voices: Personal Narratives of Latina/o LGBT Activism (2015), Uriel
Quesada, Letitia Gomez, and Salvador Vidal-Ortiz include testimonies by a range of
additional Puerto Rican activists including Luz Guerra, Moisés Agosto-Rosario, Olga
Orraca Paredes, and Wilfred W. Labiosa.
This type of support can be crucial for progressive politicians, particularly in
a hostile environment. For example, on May 29, 2013, Governor Alejandro García
Padilla (PDP) enacted Act 22-2013 (Ley 22-2013) to prohibit discrimination based on
sexual orientation and gender identity in public and private employment. The same
day, the governor also enacted Act 23-2013 (Ley 23-2013) to amend Act 54 to extend
its domestic violence prevention and intervention protections to all people in a con-
sensual relationship regardless of sexual orientation and gender identity.30
508 centro journal • volume xxx • number ii • summer 2018
These gains are never guaranteed or stable. One example of a setback occurred
in March 2017, when Senate President Thomas Rivera Schatz rescinded an admin-
istrative order that allowed transgender employees to use facilities consistent with
their gender identity. At the time, activists accused him of violating Law 22 of 2013,
which guaranteed workplace protections.31 In a separate incident, Rivera Schatz
proceeded to misgender openly-lesbian Junta de Control Fiscal (Financial Oversight
and Management Board) member Ana Matosantos, referring to her twice as “el señor
Matosantos” (Mr. Matosantos) on a radio show on July 3, 2017.32 Rivera Schatz was
denounced by activist Pedro Julio Serrano and by U.S. Congressman Luis Gutiérrez.33
While many progressive lesbian activists strongly oppose the federal PROMESA law
and the unlawful imposition of a federal control board over Puerto Rico, attacking
one of the board’s members with accusations of female masculinity constitutes an
unwarranted act of sexist and lesbophobic aggression.
Persistence of Violence
Anti-LGBTQ violence has been a constant for decades and serves as one of the main
ways to maintain patriarchal and sexist structures and to limit social change; trans-
gender women are one of the most seriously affected groups (Rodríguez-Madera
et al. 2016). This violence has been documented in varied ways and is frequently
presented in sensationalist tone, for example the coverage of the spate of crimes
committed by serial killer Ángel Colón Maldonado, referred to by the press as “El
Ángel de los Solteros” (The Angel of Single Men), who is believed to have killed 27
men in the mid-1980s in the San Juan metropolitan region, including the well-known
social columnist Iván Frontera.40 More recently, the murder of Jorge Steven López
Mercado, a 19-year-old, aspiring makeup artist, clothing designer, and drag perform-
510 centro journal • volume xxx • number ii • summer 2018
er whose body was found decapitated, dismembered, and burned on November 14,
2009, in Cayey, caused similar distress.41 This murder generated massive activist and
scholarly responses and transnational news coverage.42
The death of 49 persons, most of them LGBT, including 23 Puerto Ricans, and the injury
of many more who were attending “Latin Night” at Pulse motivated Latinx activists,
artists, writers, and scholars to react forcefully, particularly as mainstream media
frequently neglected to mention the ethnic identity of the victims.
2002, which has been seen by some as exemplary, particularly given the character’s
mostly positive reception.47 More recently, the now openly-gay and pro-indepen-
dence Alicea has used his radio platform as host of ‘Machacando’ con Susa y Epifanio
on WIAC 740 AM and his theater appearances (for example in his 2015 play Los
Golden Boys) to advance positive discussions of sexual diversity.48
Parodic (somewhat absurd) current representations in 2018 also include cis-
gender, heterosexual comedian Joshua Pauta’s “Pauti La Presidenta,” presented as
an over-the-top, wig-wearing effeminate female character.49 Representation of queer
women has been less frequent, and in many cases these depictions are actually
derogatory instead of celebratory. One example of a problematic representation of
feminine masculinities is Jorge Pabón’s (El Molusco) character “Buchi, bien femeni-
na” presented through radio and in theater between 2009 and (approximately) 2013,
which received mixed review from critics.50
Puerto Rican LGBTQ representation at a national (United States) and inter-
national level includes the appearance of Nina Flowers (Jorge Flores) and of over
twenty additional Puerto Rican drag performers in the ten seasons of the television
reality competition RuPaul’s Drag Race since this program started airing on LOGO
TV on February 2, 2009 (and more recently on VH1), leading to international careers
for performers such as Flowers, Cynthia Lee Fontaine, and April Carrión.51 These
appearances on RuPaul’s Drag Race have also been marked by the occasional enforce-
ment of damaging stereotypes by the judges and by some contestants’ bias against
their peers’ lack of English-language fluency and/or use of Hispanic English.52
Notably, Puerto Rican megastar Ricky Martin’s coming out as gay on his website
and on Twitter on March 29, 2010 (Martin’s declaration “I am proud to say that I am
a fortunate homosexual man”), generated significant international news coverage.53
Martin’s public disclosure coincided with the publication of his memoir titled Me in
English and Yo in Spanish. At the same time, Martin has been the subject of attacks from
the self-described “Apóstol” (Apostle) and Evangelical media personality Pastor Wanda
Rolón (also referred to as “Wanda Rolex,” given her extravagant tastes and her penchant
for expensive wristwatches), who has spoken disparagingly of the actor and musician,
referring to Martin as an “embajador del infierno” (an ambassador from hell).54
Biased representation can be combatted through activism, including sophis-
ticated use of social networking sites such as Facebook, Twitter, and Instagram,
as the scholar Manuel Avilés-Santiago (2014) has shown. Avilés-Santiago analyzes
the successful boycott of the homophobic and transphobic puppet character of
La Comay, interpreted by the ventriloquist/comedian Antulio “Kobbo” Santarrosa
on the extremely highly rated and commercially lucrative television program
SuperXclusivo, which was transmitted on WAPA-TV from 2000 to 2013; the pro-
gram had been marked by constant biased representation.55 The boycott was led by
activist Pedro Julio Serrano and joined by others such as lawyer and activist Yoryie
Irizarry beginning on December 4, 2012, after La Comay suggested that publicist
José Enrique Gómez-Saladín was murdered because he frequented a street known
512 centro journal • volume xxx • number ii • summer 2018
for male and female prostitution. This event served as a catalyst to bring together dif-
ferent sectors; the boycott led to the cancellation of the program on January 9, 2013.56
Valuable information on current Puerto Rican LGBT topics frequently appears
on sites such as LGBT Puerto Rico (http://www.lgbtpuertorico.com/), a portal that was
established in 2013 by Avilés-Santiago and George Arce on the principles of “Inclusión”
(Inclusion), “Visibilidad” (Visibility), “Respeto y Equidad” (Respect and Equity), and
“Eficacia” (Effectiveness). LGBT Puerto Rico maintains an extremely active social media
presence and is a reliable source of up-to-date news. Meanwhile, the transfeminist
media collective known as EspicyNipples “busca contar y visibilizar las experiencias de
la comunidad LGBTTQIA en Puerto Rico” (seeks to tell and make visible the experi-
ences of the LGBTTQIA community in Puerto Rico), as Mariola Pagán Hidalgo (2018)
describes in 80grados. EspicyNipples members More, Rayo Radiante, Betún Warhol, and
Fe Fugaz maintain the collective’s website (https://www.espicynipples.com/), record a
podcast titled Bokisucixs and have participated in events at El Hangar in Santurce.
Literature
There have been important developments in the literary field.57 Notable among these
has been the publication of the pioneering Spanish-language literary anthology Los
otros cuerpos: antología de temática gay, lésbica y queer desde Puerto Rico y su diáspora
coedited by David Caleb Acevedo, Moisés Agosto-Rosario, and Luis Negrón in 2007,
which includes some translations from English to Spanish.58 Los otros cuerpos was
the first anthology of its kind in Puerto Rico and among the first in Latin America
and the Caribbean; it was dedicated to the openly-gay writer Manuel Ramos Otero
(1948–1990), who is the focus of several essays in this issue of CENTRO Journal.59
The enthusiasm for Los otros cuerpos during its multiple book presentations across
Puerto Rico and in New York City led to the creation on February 13, 2009, of the
Colectivo Literario Homoerótica (Homoerotic Literary Collective). Homoerótica
was founded by poet and editor Ángel Antonio Ruiz Laboy (2011a, 2014, 2016), who
also edited the Revista Corpóreo (currently available on the website Issuu), launched
Editorial Erizo, and published the anthology Ó: Colectivo Literario Homoerótica in
2012, the year the collective ended.60 During its four years of existence, Homoerótica
organized numerous public readings and workshops, marched in the LGBTQ Pride
March in San Juan, and actively participated in several editions of the Festival de la
Palabra, a literary festival spearheaded by the writer Mayra Santos-Febres.61 The col-
lective included a wide range of participants, such as poet Raquel Salas Rivera (2011,
2018), who more recently was declared Poet Laureate of the City of Philadelphia;
Salas Rivera identifies as “queer, Latinx, and fiercely Boricua.”62
Specific literary works can have a great impact. Building on the legacy of the
pioneering Ramos Otero, and following the success of Ángel Lozada’s novel La pato-
grafía (1998) and of Santos-Febres’s well-received Sirena Selena vestida de pena (2000),
Luis Negrón published his acclaimed collection of short stories Mundo cruel in 2010.63
Negrón’s highly-accessible and well-received book privileges an oral register and
Recent Developments in Queer Puerto Rican History, Politics, and Culture • Lawrence La Fountain-Stokes 513
centers on the district of Santurce in San Juan, including its diverse immigrant and
working class populations and its rich LGBTQ community life. It has been reissued in
Argentina, Costa Rica, Cuba, Dominican Republic, Slovenia, and Spain.64 The English-
language edition was published by an imprint of Penguin Random House in the United
States; the book was translated into English by the esteemed translator Suzanne Jill
Levine, winning the Lambda Literary Award in 2014, the highest award for U.S. LGBT
publishing.65 Mundo cruel has also had diverse theatrical and film adaptations, includ-
ing by leading actor and director Gil René Rodríguez.66 The short film Mataperros
(2018, dir. Joaquín Octavio), which is based on a short story from Mundo cruel, was
screened at the 2018 Puerto Rico Queer Film Fest.
Equally significant are the prolific publications and editorial and activist work
of Yolanda Arroyo Pizarro, which include editing the anthology Cachaperismos:
poesía y narrativa lesboerótica (2010), publishing her novels Caparazones (2010)
and Violeta (2013), and establishing her blog and independent publishing house
Boreales, among many additional achievements.67 Arroyo Pizarro, whose work
has been reprinted in Spain by the esteemed Editorial Egales (an independent,
LGBT-centered, woman-owned publishing house) and translated into several
languages, is the focus of three articles in this issue of CENTRO Journal. Through
the Cátedra de Mujeres Negras Ancestrales founded by her, the author has been
extremely involved in Afro-Puerto Rican and, more broadly, Afro-Caribbean and
Afro-diasporic literary and cultural advocacy and education projects, dedicating
several books to this topic, such as Las negras (2012), Tongas, palenques y quilombos
(2013), and Yo, Makandal (2017).
Notable recent English-language Puerto Rican LGBTQ publications in the
United States have included the novels Chulito (2011) by Charles Rice-González,
We the Animals (2011) by Justin Torres (also released as a film in 2018), Juliet Takes
a Breath (2016) by Gabby Rivera, and The House of Impossible Beauties (2018) by
Joseph Cassara, as well as Blas Falconer’s four books of poetry (2006, 2007, 2012,
2018) and Charles Rice-González and Charlie Vázquez’s anthology From Macho to
Mariposa: New Gay Latino Fiction (2011), which includes numerous Puerto Rican
contributors such as David Caleb Acevedo and Robert Vázquez-Pacheco. As Andrew
Viñales highlights in this issue, Rice-González centers on youth and early adult
queer Bronx and Afro-Latinx experience.68 Meanwhile, Torres, in his loosely auto-
biographical tale of three half-Puerto Rican boys growing up in rural, upstate New
York, portrays bestialization (the animals of the novel’s title) and ultimately distanc-
ing and rejection, once the queer young adult protagonist’s family discovers his
erotic diaries.69 As Consuelo Martínez-Reyes discusses in this issue, Rivera addresses
an underserved population: young Puerto Rican queer/lesbian readers; Rivera has
also attained great visibility as the writer of the Marvel Comics series America, star-
ring a Puerto Rican queer superhero.70 In a different vein, Cassara re-envisions the
landmark documentary Paris Is Burning (dir. Jennie Livingston, 1990), a profile of
African American and Puerto Rican gays, drag queens, and transgender women, cen-
514 centro journal • volume xxx • number ii • summer 2018
tering his novel on the legendary Latinx House of Xtravaganza.71 Finally, following
the tradition of poet Rane Arroyo, whose work is analyzed by María DeGuzmán in
this issue, Falconer explores questions of Puerto Rican heritage and of gay identity.72
The debate highlighted issues of white male heterosexual cisgender privilege, prestige,
power, and authority, and the contentious nature of the literary field.
The rise in visibility of LGBTQ publications has also created a backlash by authors
who have attempted to minimize, parody, or degrade specific achievements, or who insist
on anachronistic conceptions of stigma.73 A particularly toxic example was the publica-
tion of the deceitful Opus totus: antología de poesía lésbica (Anthology of Lesbian Poetry),
which generated fierce debates after the presentation of this book in April 2009 at La
Tertulia Bookstore in Río Piedras by Professor Luis Felipe Díaz, who appeared as their
performance persona Lizza Fernanda.74 The Opus totus anthology was originally published
in 2006 by three male-identified, cisgender, heterosexual university professors (Rafael
Acevedo and two additional unacknowledged authors, Pablo Juan Canino Salgado and
Angel Luis Méndez) who published and promoted the book using the female pseudonyms
of Rosalba López Cepera, Beba Marucci, Elvira Montes Stubbe, and Carmen Pérez Müller;
selections of the book were reprinted in their blog El Mimbre Despeinado and in the pages
of the weekly newspaper Claridad. In an interview in El Nuevo Día, Acevedo claimed that
the publication and cover-up was an exercise of creative expression, even when the book
was taught in their Spanish-language literature classes without indicating its parodic
nature.75 Acevedo also published a polemical short piece in Claridad titled “No tolero a
los gays” (2010) that was seen as a provocation. The debate highlighted issues of white
male heterosexual cisgender privilege, prestige, power, and authority, and the contentious
nature of the literary field. As critic Rubén Ríos Ávila wrote at the time, “Estamos ante un
ejercicio bastante rudimentario de parodia reaccionaria, la parodia que aspira a destruir el
modelo que imita, a desprestigiarlo, a borrarlo del escenario de lo politizable” (2010b); Ríos
Ávila also commented on the rise of transphobia in Puerto Rico. And, as Yolanda Martínez-
San Miguel (2010) noted, “surge la pregunta ¿por qué es necesario editar una antología de
poesía lesbiana mediocre cuando en Puerto Rico tenemos una nutrida tradición poética
lésbica (pienso en Nemir Matos Cintrón, Luz María Umpierre, Lilliana Ramos Collado, y
Frances Negrón Muntaner, entre tantas otras) que han creado proyectos estéticos diversos,
innovadores y muy interesantes?”
this issue), Awilda Rodríguez Lora (“La Performera”), Lío Villahermosa (also profiled),
and Kairiana Núnez Santaliz.76 Appealing to a general audience, the Festival del Tercer
Amor, as it is also known, showcases straightforward and not particularly experimental
or alternative representation; it has included important plays by women and about les-
bianism.77 While the festival has thrived and served as a space for community building,
Festival director Rafael Rojas accused the Institute of Puerto Rican Culture of censor-
ship in 2017 when the government agency withdrew its financial support.78
In the diaspora, key spaces such as Teatro Pregones (where Merced is based) and
the Bronx Academy of Arts and Dance (BAAD!, co-founded and led by executive direc-
tor Charles Rice-González), both in New York City, have continued to create space
for queer Puerto Rican and Latinx theater, performance, and dance.79 Meanwhile, in
Puerto Rico, spaces such as Casa de Cultura Ruth Hernández Torres, which was led
by Gisela Rosario Ramos and Helen Ceballos but has been shuttered since Hurricane
María, and other venues such as Casa Cruz de la Luna (in San Germán), Patio Taller (in
Barrio San Antón, Carolina), Club 77 (in Río Piedras), La Casa de los Contrafuertes (in
Old San Juan), and El Cuadrado Gris, El Departamento de la Comida (no longer open),
El Hangar, El Local, La Respuesta, the Museo de Arte Contemporáneo de Puerto Rico
(MAC-PR), and Radiored, all in Santurce, have welcomed experimental queer arts.80
El Hangar is particularly interesting as a bare-bones, post-Hurricane María, queer-
identified, woman-led, trans-friendly space created by Carla Jeanet Torres and her
first cousin, the filmmaker and visual artist Rubén Rolando Solla-Rosario; the space is
run by a collective, offers many events in its extensive yard, includes a large kitchen
for cooking collective meals, and was created after retaking an abandoned lot that had
served as a failed Pentecostal church and then as a “hospitalillo” (a space for illicit
drug use) on Hoare Street, on the edge of the exclusive residential neighborhood of
Miramar, abutting Barrio Gandul. Its events combine sustainable agro-ecological
awareness, alternative health practices, and radical queer culture.
Performance has served as a space for innovation and transformation regard-
ing gender identity, but has also generated controversy. For example, in late January
2014, the fairly conventional and mostly mainstream María Chuzema (a character
portrayed by the actress and puppeteer Tere Marichal) was criticized by Puerto
Rico por la Familia for her children’s story “Carla Feliz” about a transgender girl.81
As one newspaper headline indicated, “Tabú el tema LGBTT dirigido a los menores”
(LGBTT Themes Taboo When Directed at Minors).82 Marichal received widespread
public support and police protection from the Mayor of San Juan Carmen Yulín Cruz
to perform the story in public in Old San Juan.83
The homophobia of organizations such as Puerto Rico por la Familia has been
challenged through performance. For example, on February 16, 2015, the experi-
mental performance artist Mickey Negrón carried out a well-documented protest
intervention against the Marcha Contra el Currículo con Perspectiva de Género
(March against a Curriculum with Gender Perspective). Negrón’s performance was
titled PonerMickeytarme: ritual de pluma y purificación and entailed appearing in
516 centro journal • volume xxx • number ii • summer 2018
female drag with a Bible tied to his body in front of the Puerto Rican Capitol build-
ing in Puerta de Tierra, embracing hostile protesters, and ultimately covering his
semi-naked body with honey and white feathers.84 The performance was carried out
with the assistance of Helen Ceballos and videotaped by Ryan Pérez-Hicks, and is
available on Vimeo and YouTube.
Parades
Parades serve as a space of community validation and group consolidation. These
range from LGBTQ-specific events such as the yearly Marcha del Orgullo LGBTTIQ
de Puerto Rico held without interruption in San Juan since 1991, which is organized
by the Colectivo Orgullo Arcoiris (COA), to the Boquerón (Cabo Rojo) pride parade
and weekend festival, held for the sixteenth year in 2018.93 They also include local
community events in the diaspora such as the Chicago People’s Puerto Rican Parade
held yearly in Humboldt Park, which prominently features drag and trans Cacica
Queens and, since 2018, a gay Cacique King.94 Notably, the 2016 National Puerto
Rican Day Parade in New York City, which was held on June 12, included recognition
for the first time ever of Puerto Rican LGBTQ pioneers such as activist Pedro Julio
Serrano, gay boxer Orlando “El Fenómeno” Cruz, equal marriage lawsuit plaintiffs
Ada Conde and Ivonne Álvarez, and transgender pioneer Soraya Santiago, who is
featured in Mala Mala.95 Posthumous recognition was made to trans activist Sylvia
Rivera and to the lesbian educator and community leader Antonia Pantoja, who
founded ASPIRA.96 Sadly, this parade occurred on the same day as the Pulse Orlando
massacre, highlighting the precariousness of our limited gains.
Notably, the 2016 National Puerto Rican Day Parade in New York City, which was held
on June 12, included recognition for the first time ever of Puerto Rican LGBTQ pioneers
such as activist Pedro Julio Serrano, gay boxer Orlando “El Fenómeno” Cruz, equal
marriage lawsuit plaintiffs Ada Conde and Ivonne Álvarez, and transgender pioneer
Soraya Santiago, who is featured in Mala Mala.
ent moment there seem to be few if any women-centered bars, but there are spaces
such as El Hangar in Santurce, Casa Ruth in Rio Piedras, El Departamento de la
Comida (originally in Barrio Gandul and then in Ocean Park, now closed), and Patio
Taller in Carolina that are very women-focused and are women-led. There have also
been lesbian parties at La Respuesta in Santurce. In her research on Mexico City,
Anahí Russo Garrido (2009) comments that women frequently have less-established
spaces, or take over a particular spot one night, or frequent men’s spaces where they
are treated well, or do events in private homes. This also occurs in Puerto Rico.
In addition to El Hangar in Santurce, more established community centers
include the Centro Comunitario LGBTT de Puerto Rico (http://www.centrolgbttpr.
org/) in Hato Rey, led by Cecilia La Luz, which has operated since 2011. According
to their website, this center offers support groups, psychosocial help, psychotherapy,
and educational and community activities. The center is located on a second floor
and is not wheelchair accessible.
Finally, it is important to mention the centrality of HIV/AIDS organizations, many
of which have been operating since the 1980s and 1990s. For example, Coaí, Inc. (http://
coaipr.org/), led by José Joaquín Mulinelli Rodríguez, is a non-profit organization “dedi-
cated to health promotion and disease prevention from a social justice and human rights
perspective, with emphasis on serving lesbians, homosexuals, bisexual, transgender,
transsexual, queer, questioning and intersex (LGBTTQQI) people in Puerto Rico,” as
their website indicates. The organization includes support programs such as Aché T.O.P.
(Taking On Prevention) for “Men that have Sex with Men and Transgender/Transsexual
persons” as well as Trans Tanamá for “16 to 29 years old young transgender persons and
their partners (regardless of age, gender identity and sexual orientation)” who live in the
San Juan and Ponce areas. Coaí also organizes Transfashion, a transgender fashion show
that serves as a fundraiser for the organization.
Final Observations
This limited survey highlights some of the numerous historical, political, and cultural
events and key leading figures in Puerto Rican LGBTQ life, but inevitably excludes
many additional interesting and valuable contributions. Analysis of these events has
also been limited given publication constraints. The coeditors of this issue of CENTRO
Journal hope that future research will take up many of the issues addressed in these
pages and will continue to develop and expand the field of Puerto Rican queer studies.
520 centro journal • volume xxx • number ii • summer 2018
TIMELINE
2002. Sanchez v. Puerto Rico. The Supreme Court of Puerto Rico dismisses case brought
by Reverend Margarita Sánchez de León challenging Puerto Rico’s sodomy law.
2003. Pueblo v. Ruiz Martínez. On April 8, the Supreme Court of Puerto Rico holds that
same-sex couples are excluded from the protections granted to “relaciones consensu-
ales” (consensual relationships) under the Prevention and Intervention of Domestic
Violence Law, known as Act 54, despite the gender-neutral language of the statute.
2003. The Puerto Rican Senate decriminalizes sodomy in Puerto Rico on June 23.
2003. Lawrence v. Texas, 539 US 558. On June 26, the Supreme Court of the United States
strikes down the Texas anti-sodomy law as unconstitutional, reasoning that the 14th
Amendment’s substantive due process protections guarantee the liberty rights of
consenting adults engaged in private conduct.
2005. Ex parte Delgado Hernández. On June 30, the Supreme Court of Puerto Rico holds
that the Demographic Registry Law does not allow a change of sex marker for
transsexual petitioner, overturning a previous Supreme Court’s order granting
petitioner’s request to change the sex marker on her birth certificate and driver’s
license.
2006. First edition of the Coloquio Del Otro La’o, an LGBTQ academic conference held at
the University of Puerto Rico, Mayagüez.
2006. First edition of the Festival de Teatro del Tercer Amor (Third Love Theater
Festival) at Teatro Coribantes in Hato Rey (San Juan).
2006. Initial publication of Opus totus: antología de poesía lésbica (Anthology of Lesbian
Poetry), written by three heterosexual cisgender men and published with pseud-
onyms.
2006. Signing into law of Act 108 on May 26 to amend the Organic Law of the Puerto
Rico Department of Education to require the department to design and implement
a curriculum that promotes gender equity and prevents domestic violence.
2007. Publication of CENTRO Journal’s special issue “Puerto Rican Queer Sexualities”
(vol. 19, no. 1, Spring 2007).
2007. Publication of the landmark anthology Los otros cuerpos: antología de temática gay,
lésbica y queer desde Puerto Rico y su diáspora.
2008–09. Debates ensue over the Puerto Rico Department of Education’s “Carta Circular”
regarding “perspectiva de género” (gender equity).
2009. Nina Flowers and two additional Puerto Rican drag performers appear on the first
season on RuPaul’s Drag Race.
2009. Creation of the Colectivo Literario Homoerótica.
2009. Controversy ensues following the April presentation of Opus totus: antología de
poesía lésbica at La Tertulia Bookstore in Río Piedras.
2009. First edition of the Puerto Rican Queer Film Fest held in November.
2009. The body of Jorge Steven López Mercado is found decapitated, dismembered, and
burned on November 14 in Cayey.
2010. Yolanda Arroyo Pizarro edits and publishes the collective anthology Cachaperismos:
poesía y narrativa lesboerótica, and publishes her novel Caparazones.
2010. Luis Negrón publishes Mundo cruel.
2010. Ricky Martin comes out as gay on Twitter on March 29, coinciding with the publi-
cation of his memoir titled Me in English and Yo in Spanish.
Recent Developments in Queer Puerto Rican History, Politics, and Culture • Lawrence La Fountain-Stokes 521
2011. Justin Torres publishes his novel We the Animals on August 30.
2012. On February 15, the Hispanic Studies Department of the University of Puerto Rico, Río
Piedras, hosts the Jornada de Literatura Puertorriqueña focused on queer literature.
2012. On September 8, Ana Irma Rivera Lassén becomes the first openly lesbian black
lawyer to lead the Colegio de Abogados de Puerto Rico (Puerto Rico Bar Association).
2012. On November 6, Pedro Peters Maldonado becomes the first openly gay candidate to
win public office in Puerto Rico.
2012. Carmen Oquendo-Villar and José Correa-Viguier’s documentary La aguja/The
Needle premieres at the Puerto Rico Queer Film Fest on November 18.
2012. Murder of publicist José Enrique Gómez-Saladín on November 29.
2012. Boycott of the television program SuperXclusivo, which features the puppet char-
acter of La Comay, after La Comay made disparaging comments about Gómez-
Saladín on show on December 4.
2013. Cancellation of the television program SuperXclusivo on January 9.
2013. On February 18, thousands participate in a march at the Capitol of Puerto Rico
against the anti-discrimination amendments on the basis of sexual orientation and
gender identity under consideration in the Legislature.
2013. CABE (Comité Amplio para la Búsqueda de Equidad) holds its first press confer-
ence at the Colegio de Abogados (Bar Association of Puerto Rico).
2013. Ex parte A.A.R. On February 20, the Supreme Court of Puerto Rico determines that
the Puerto Rican Civil Code prohibits same-sex second parent adoption of a minor
child raised by the same-sex couple.
2013. Act 22-2013 is enacted by Governor Alejandro García Padilla on May 29 to prohibit
discrimination based on sexual orientation and gender identity in public and pri-
vate employment. The same day, the governor enacts Act 23-2013 to amend Act
54 to extend its domestic violence prevention and intervention protections to all
people in a consensual relationship regardless of sexual orientation and gender
identity.
2013. Yolanda Arroyo Pizarro publishes her novel Violeta.
2014. In late January, María Chuzema is criticized by Puerto Rico por la Familia for her
children’s story titled “Carla Feliz” about a transgender girl.
2014. Ada Mercedes Conde Vidal and Ivonne Álvarez Vélez of San Juan file a federal
lawsuit on March 26 in the U.S. District Court of Puerto Rico seeking recognition of
their Massachusetts marriage.
2014. The bilingual documentary film Mala Mala premieres at the Tribeca Film Festival
in New York City on April 19 and later at the Puerto Rico Queer Film Fest in
November, obtaining commercial U.S. distribution with Strand Releasing in 2015.
2014. On June 2, Luis Negrón’s Mundo Cruel wins the Lambda Literary Award in the cat-
egory of fiction.
2014. On July 15, Maite Oronoz Rodríguez is sworn in as Associate Justice to the
Supreme Court of Puerto Rico, the court’s first openly gay justice.
2014. Zulma Oliveras Vega, Yolanda Arroyo Pizarro, and three additional couples join
Ada Conde and Ivonne Álvarez in their lawsuit on June 24. U.S. District Judge Juan
Pérez-Giménez rules against the plaintiffs on October 22.
2015. On February 16, Puerto Rican religious groups organize a Marcha Contra el
Currículo con Perspectiva de Género (March against a Curriculum with Gender
522 centro journal • volume xxx • number ii • summer 2018
NOTES
1
Méndez-Méndez (2015) offers a valuable general overview. In an earlier essay (La Fountain-
Stokes 1999) I offered a broad panoramic analysis of Puerto Rican LGBT issues. Also see La
Fountain-Stokes (2009), Rapp (2010), Toro-Alfonso (2008). On Latin America, see Corrales
and Pecheny (2010).
2
See Ostolaza Bey (2010), Rivera Lassén (2010, 2016).
3
See Irizarry (2017), Rabell Ramírez (2015), Rivera Pagán (2015, 2016), Sued (2013).
4
Also see Senado de Puerto Rico (2003).
5
See ACLU Lesbian and Gay Rights Project (2003, 57), Martínez-Rivera (2012), Rodríguez
(2007). On Sánchez de León, also see La Fountain-Stokes (1999).
6
See Feliciano Acosta 2014; Fernós (2013).
7
See “Pareja de boricuas lesbianas se casa en Nueva York” (2012).
8
See Lavers (2014b).
9
See Lavers (2014a).
10
See Johnson (2014).
11
See Figueroa Rosa (2015).
12
See Bratu (2016).
13
See Cobián (2016a, 2016b).
14
See Martínez Rivera (2007).
15
See Díaz Morales (2012), Pérez Camacho (2006).
16
See Microjuris (2018).
17
See Caro González (2018b), Cerda Campero (2018), Plax (2018). On Rodríguez Roldán, see
Gonzalez (2016), González-Ramírez (2016), Spinks (2017).
18
See Caro González (2018a). For a detailed account of Ivana Fred’s visit to the Registro
Demográfico to change her documents, see Irizarry Álvarez (2018).
19
See CyberNews/NotiCel (2012).
20
See Banuchi (2014), Méndez-Méndez (2015, 259).
21
See Banuchi (2016).
22
See Bauzá (2010), “Denuncian incremento” (2009), Fernández (2015), “Fuerza gay en la
papeleta” (2012), “Inaceptable guerra” (2010), Laureano (2016, 225–36). Pedro Julio Serrano
no longer identifies with the PNP.
23
See “Homosexual gana por primera vez unas elecciones en la Isla” (2012).
24
See La Fountain-Stokes (1999), Mark-Viverito and Mendez (2013). On Holyoke, MA, City
Councilor Jossie Valentín, see Nicco (2013). On Holyoke City Councilor Nelson Rafael Román,
see https://www.americansforthearts.org/users/14686. On Pedro Segarra, see Peña López (2012).
25
On Romero, see https://www.aclu.org/bio/anthony-d-romero.
26
See “Odio sin tapujos contra la comunidad gay” (2009), “Tildan de homofóbico a Rivera
Schatz” (2011).
27
See “Miles protestan” (2013).
28 See “Sí a la igualdad para la comunidad LGBTT” (2013).
29
See “Crean comité amplio en busca de la equidad” (2013).
30
See Capó Matos (2013), “Son ley” (2013).
31
See Avery (2017), Banuchi (2017).
32
See Metro Puerto Rico (2017).
33
See Delgado Robles (2017), “Rep. Gutiérrez Speaks Out” (2017), Serrano (2017).
34
See Mercado Sierra (2012).
524 centro journal • volume xxx • number ii • summer 2018
35
See, for example, López Peña (2016), Maldonado Miranda (2008).
36
See “Protestan en contra de educación sobre perspectiva de género” (2015).
37
See “Comité Amplio para la Búsqueda de Equidad” (2015) and Proyecto Matria website
(https://www.proyectomatria.org/).
38
See López Alicea (2017).
39
See González (2018), Metro Puerto Rico (2018b), Tirado Ramos (2018). It is unclear why
this minor incident received such substantial media attention.
40
See del Puente (1986), Laureano (2016, 301–21).
41
See Figueroa Rosa (2009), “Suspect Charged” (2009).
42
See Mirzoeff (2010), Ríos Ávila (2010a).
43
See Alvarez and Madigan (2016), Jusino Díaz (2019).
44
See Irizarry (2016a), Kornhaber (2016), La Fountain-Stokes (2018b), Quiroga (2016), Ramos
Collado (2016), Rodríguez (2016), Torres (2016).
45
Also see “Erigen monumento” (2016), NotiCel and EFE (2016).
46
The QLatinx mission statement appears on their website, https://www.qlatinx.org/about.
Also see Chavez (2017), Cordeiro (2016), Rodriguez (2017).
47
See Colón (2018), Ríos Camacho (2016).
48
See Ortiz Díaz (2017), Vargas Casiano (2015).
49
See Rosario (2018).
50
See Martínez-Reyes (2010a, 2010b).
51
RuPaul’s Drag Race airs on VH1 since 2017.
52
See Goldmark (2015), La Fountain-Stokes (2014), Mayora (2014).
53
See Associated Press (2010), Duke (2010), Martin (2010a, 2010b).
54
See “‘No he difamado ni ofendido a nadie’” (2011), Romero (2011), “Wanda Rolón reitera su
ataque contra Ricky Martin” (2011).
55
Also see Irizarry (2012), Vega (2012).
56
See Voxxi (2012).
57
See Torres (2015, 107–63).
58
See Acevedo, Agosto Rosario, and Negrón (2007). For a discussion of the anthology, see La
Fountain-Stokes (2018, 81–9).
59
Recent scholarship on Ramos Otero includes articles and book chapters by Cortés-Vélez
(2012), Cruz-Malavé (2015), Guzzardo Tamargo (2017), La Fountain-Stokes (2009, 19–63),
Lladó-Ortega (2010), Rolón Machado (2016), Rosa (2011).
60
See Toro (2010), Torres (2013; 2015, 109–12).
61
See “Hay hambre de poder expresar” (2009).
62
Quoted in Zorrilla (2018). Also see Ruiz Laboy (2011b).
63
On Luis Negrón, see Gutiérrez Negrón (2018), Pintado Burgos (2011), Ramos Collado
(2012a), Torres (2015, 113–5).
64
See Pardo (2016), Román Samot (2016).
65
On the Lambda Literary Award, see La Fountain-Stokes (2016c), Swanson (2014).
66
See Fullana Acosta (2015), Irizarry (2016c), Meléndez (2015).
67
See Falconí Trávez (2016), Large (2017), Quezada (2015), Ramos Collado (2012b), Torres
(2015, 140–2), Vázquez Cruz (2016).
68
On Chulito, see González (2011).
69
See Isherwood (2011). On the film, see Osenlund (2018).
70
Also see Betancourt (2017), Moreno (2018), Sawyers-Lovett (2016).
Recent Developments in Queer Puerto Rican History, Politics, and Culture • Lawrence La Fountain-Stokes 525
71
See Jacques (2018).
72
On Arroyo, see La Fountain-Stokes, Torres, and Rivera-Servera (2011).
73
See, for example, Silén (2012), who claims that “la mariconería, es una forma oscura y
frívola de ser traidor, de ser colaborador, de ser chismoso y de ser chota”; Silén opposes the
noble homosexual to the treacherous and frivolous maricón, a contrast that evokes Federico
García Lorca’s though in his “Ode to Walt Whitman” (1929). For a discussion of Silén’s book
and of the controversies it generated on Facebook, particularly after Silén accused a gay
Puerto Rican writer of being “sidoso” (a person with HIV/AIDS), see Torres (2015, 36–40).
74
See “Hay hambre de poder expresar” (2009), Martínez-San Miguel (2010), Ríos Ávila
(2010b). On Luis Felipe Díaz/Lizza Fernanda, see La Fountain-Stokes (2018, 93–5).
75
See “Hay hambre de poder expresar” (2009).
76
On the Festival de Teatro del Tercer Amor, see La Fountain-Stokes (2018a, 209–12), López
Ortiz (2006), Santiago (2006). On Cardona, see Arroyo (2002, 2007, 2016), Rivera-Velázquez
and Torres Narváez (2016). On Rodríguez Lora, see Peña López (2014), Sharp (2018). On
Villahermosa, see Colón (2016). On Núnez Santaliz, who is known for her solo and ensemble
work, see Laureano (2010), Metro Puerto Rico (2018a).
77
For example, see the extensive news coverage about actress Lizmarie Quintana and
director Emineh de Lourdes. See “Emineh de Lourdes y Lizmarie Quintana alardean de
su felicidad” (2013), “Premian a lo mejor de Festival de Teatro del Tercer Amor” (2014),
Santiago Torres (2014).
78
See Vega Calles (2017).
79
See La Fountain-Stokes (2009, 2016a), Rivera-Servera (2012).
80
On filmmaker, performer, and cultural activist Gisela Rosario (also known as Macha Colón)
see “La lucha de una artista boricua ‘brutalmente honesta’” (2015), Vallejo González (2015).
81
See NotiCel (2014).
82
See front cover of Metro, January 30, 2014, <https://rm.metrolatam.com/
pdf/2014/01/30/20140130_sanjuan.pdf/>.
83
See Burgos (2014), Olivares (2014).
84
See La Fountain-Stokes (2018, 227–33).
85
See Agencia EFE (2009).
86
See Reyes Angleró (2018), Vargas Molina (2011).
87
See Laureano (2012), López Chávez (2013), Ramos Collado (2013).
88
See La Fountain-Stokes (2016b), Ríos Ávila (2014).
89
On Extra Terrestres, see Alegre Femenías (2017), La Fountain-Stokes (2018, 102–5).
90
On Kiki, see Betancourt (2016).
91
See Kenny (2017).
92
See POV Pressroom (2017).
93
On the Puerto Rican LGBTTIQ Pride March in San Juan see Laureano (2016, 202–24). On
Boquerón Pride see D. Rodríguez (2014).
94
On 2018 Cacique King Orlando “El Fenómeno” Cruz, see Malagón (2018).
95
See “Desfile puertorriqueño” 2016. Santiago has published a memoir covering her life expe-
riences; see Soraya (2014).
96
On Pantoja, see Torres (2009).
97
See “Recuerdan la era dorada de la discoteca Bachelor” (2013) regarding a more recent cel-
ebration party sponsored by the disk jockey Pablo Flores, and Vargas Casiano (2015).
98
See Nieves Rosa (2012), Toro-Alfonso, Borrero Bracero, and Nieves Lugo (2008).
526 centro journal • volume xxx • number ii • summer 2018
99
See Llenín Figueroa (2013, 2015), Ríos Torres (2007), Rolón Collazo (2009, 2011, 2017).
100
See “Dedican jornada a literatura ‘queer’” (2012).
101
See “Arranca mañana” (2015), “Qué comience el Congreso” (2015).
102
See Globe Newswire (2016).
103
See Arias (2014), Columbia University Libraries (2014), Rodríguez Martorell (2010). Magali
García Ramis was scheduled to appear but was unable to travel for personal (health) reasons.
104
On Laureano, see Irizarry (2016b).
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