Beruflich Dokumente
Kultur Dokumente
50
TRADITIONAL
ikido
As taught by the Founder to the Author,
Aikido is an extremely efficient and versatile
martial art. It does not rely upon a weapon
or weapons but shows that the body move
ments are the same whether one holds a
weapon or not.
SWORD · STICK
AND BODY ARTS
ADVANCED
VOL.2 TECHNIQUES
MORIHIRO SAITO
© 1 9 73 b y Morihiro Saito
IS B N : 0- 8 70 4 0- 2 6 7- 6
P rinted in Japan
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- 7 -
FOREWORD
The previous book covered the relationships between the basic techniques
and practice methods of jo, ken, and taj utsu This volume explains the
i .
Morihiro Saito
- 8-
- 9 -
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- 11 -
3 *3t . 1*1�f<7)!1* (f,f.:fflf(.:;tt-t �,ft�g1J t<)
(Jo and Taijutl'U Rdationships)
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-12
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it is fell that one will develop another relalionship - control of the opponent
through body movement. For instance, when holding a jo and facing an
opponent who strikes with a ken, one must be able to control him.
Conversely, when one holds a ken and faces an opponent with a jo the same is
true. If both are without weapons, the attacker still must be controlled. If
one bears in mind the above concepts, inconsistencies will not arise. One will
be able lo control an opponent without fail regardless of whether a weapon is
involved or not providing the idea of body movement is grasped and
understood. Emphasis on body movement unifies ken, jo, and taijutsu
techniques into a single Aikido.
If must be pointed out once more that too much dependence upon jo or
ken is not a good idea and is to be avoided.
Because jo movements are more varied than those of ken, the tendency is
to think they are more difficult and different. Therefore, one must practice
basic techniques as aullincd in Volume I unlil the jo and ken are felt to be
- 15
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part of the body. A minimum of two years practice of the basic suburi is
recommended. One should by all means praclice the tanren uchi exercise.
Those practices will develop a stability of the hips that is mo:.t necessary in
-16
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Hold bothhands
together as shown
Tanren Uchi
- 17 -
The Founder, Professor Morihci Ucshiba.
- 18 -
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The way ( iJi ·Do) is like the flow of blood inside the
body. As it is co11tained i11 the body, it is in unity with
the Divine Spirit (love). Realization of the Divine Spirit
is accomplished through practice. If there is the smallest
separation from the Divine Spirit then the way is not
being followed..... .
From a speech by
the Founder
-19-
-20 -
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Before Practice
Kumitachi
The kumitachi came originally from an old sword school. They were modified to include the concept
of Aiki by the Founder, Professor Morihei Ueshiba, who left them as a legacy.
There are many possible variations of the kumitachi. The Founder, when he taught, called these first
attack and second attack variations. These variations are naturally used with the ken but are soon
adapted to taijutsu. Consequently, the kumitachi are considered to be the personality of ken, jo, and
taijutsu basic techniques. If one does not have a good understanding of suburi, it will be useless to
practice the kumitachi. If practice is done everyday on the kumitachi and partner practices, stability of
the hips will not be attained, and an important point of practice will be missed. Therefore, begin each
practice session with the suburi as shown in Volume I.
The kumitachi are not to be considered competition. They are practices, and the partners do not vie
for an attacking or superior position. It was said that one should be uchitachi for lOyears before being
allowed to become uketachi. It was felt that this was the proper may to learn.
- 21 -
- 22 -
Sword Techniques
-23 -
Kumitachi
First Kumitachi
1 Stand in the posture of right hammi. Stand in the posture of right hammi.
5
Step forward with the left foot and strike.
6 Defend by adopting the attitude of a tsuki.
8 Defend by cutting down. Settle the hips Strike again with renzoku uchikomi.
and adopt the attitude of a tsuki. (hitoemi)
- 24 -
I 2 :{ 4 5 6
7
8
9
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25 -
- 26 -
Second Kumitachi
{Refer to page 28)
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- 27 -
Second Kumitachi (See pages 26, 27)
I Stand in the posture of right hammi. Stand in the posture of right hammi.
2 During the blending of ki, raise the ken over- Same movement as Uketachi.
head.
3
Defend by moving into hitoemi with the left
Aim at the opponent's leg and strike down.
foot.
4
8
Uchikomi.
(Do not let the body cant at this time).
9 Defend by stepping back with the left foot.
I1
Do not resist uke's ken, pass your ken under,
and thrust stepping forward with the left foot.
12 When the thrust comes, step back with the
right foot and adopt an attitude of a tsuki.
14
Defend as if cutting down with the ken.
(In practice step back with the left foot. FinaUy, strike with a shornen uchi as shown.
15
Originally, a step forward was taken)
- 28
Aikido Ileadquarter's Dojo Instructor,
Shoji Nishio at a demonstration.
-29-
''J.Jl �(t .J.\lJ Ht?JOJ
CD 1-l'�-!.t ti 1 'l".J'.f
Third Kumitachi
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.fl I f' 0 J;; tJ. i.. � 7fiE i-o
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- 30 -
l 2 3 4 5 6
7 8 9 lO 1 1
No Uketachi Uchitachi
1 Stand in the posture of right hammi. Stand in the posture of right hammi.
Defend by stepping back with the right Step forward with the left foot to the left
5
foot. and respond with an uchi komi.
9 Pictures 4 �
11 show the renzoku
Defend in the p ositio n of hito e mi. uchi movement.
JO
11
-31-
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(7)
-32
Fourth Kumitachi
4 ,...
Hold your opponent's ken down.
5
8
Step back with the left foot, defend as if
9 cutting down, and adopt the attitude of a Parry his thrust and do an uchikomi.
tsuki.
10
- 33-
Fifth Kumitachi
(Refer to page 36)
2 3 4 5 6
7 8 9 10 11 12
13 1 4
-34
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- 35
Fifth Kumitachi. (pages 34, 35)
Step widely to the left with the left foot Shomen uchi komi.
3
and strike down.
7
Defend by stepping back with the left foot. Uchi komi.
8
9
As shown, raise the opponent's ken and
move forward to grasp his ken.
10
11
Do not grasp his ken but flow moving to
Move into left hammi. the opponent's back and strike his leg.
12
13
Defend by stepping back with the left foot. Uchi komi.
14
- 36 -
-37-
- 38-
1 5 9
1
13
2 6 10
3 7 11
4 8 12
Ki Musubi no Tachi
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2
Blending ki, raise the ken up over the head Same movement as uke.
3 breathing in deeply.
4
Lower the ken to your right side. Same movement as uke.
s
11 From below, control your opponent's In preparation for another strike, raise the
wrist. ken up over the head.
12
- 39 -
Kumitachi Variations
-(J)"J.\.lJ
� {t---( 1 )
First Kumitachi
Variation - (1)
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J:JT, �1J0:�!l :
J:l:$x L -c m tt -t Q c �, � ' o
(Body movements) CD
,,..__
CD -:JV ill 1) tr t, .t? � -r o f" ;Ip � -!;)) I) J:: !f {> 0
�J
CZ)
(J) Withdraw one step Cut up across the ab-
while striking. domen.
®
Jfil
..._,
© ++ Z. ;1111-t Q o ./Tt,�h.
Control the opponent's Uchi ko mi.
® wrist.
(Sword techniques)
- 40 -
® ®
- 41 -
-(l)"j(TJ
�{t-(2) ( �ljC7)JJ)
CD
®
-iv Jil -> -r iE rmH t;," f 1.1' :, lj) I) J-H 7-> 0
®
©
®
1'1 J.iU: J
• I� • 1* � fifJ � "'( ·1: It �
' o i tJ'•
.JT t;. b
@
(/)
tiJ.iU.1· :, tili1: Ji .;r;., flJ t � +T-- �i!J1J-t J.>. rr t) }&.;r;.1:ft J.>.
@
- 42 -
First Kumitachi
Variation - (2) (Ken Method)
No Uketachi Uchitachi
- 43 -
-(1) -*. )J
� ft-(2) C 'f*O)JllD
"J-Ji � !t
;l(JJ
CD
;ti'! r 1.: � h -tt -r r� 1: m 1) J: 'f�M 1J l' 0 L .tii,i H � o Q
(/)
®
® �If t.: 1& t tt=1-r�1: �1) � '? lt oo
@
- 44
2 3 4 5 6
7 8 9 10 1 1
First Kumitachi
Variation - (2) (Body Method)
I
No. Uketachi
6
Raise your hand when the opponent raises his ken. Grasp
his ken when he strikes down.
7
11
- 45 -
=C')*JJ
� ft ( 1 ) (�j'7)}1f)
:r.n .(JJ
'Jt: tt j .Ut?::icJJ
CD �I
/ti
.. flli j_
(2) J-J1 1 - li .Oo ...tn,: n .o .
Tn• a? � � 1-H o
@ (7)/)-p � *11-t Q
1 Kamae. Kamae.
2 Rajse the ken up over the head. Raise the ken up over the head.
4
Take a large step forward with the
left foot . Control your opponent's Thrust at uke's chest.
5 wrist.
- 46 -
- 47 -
'TJ. Jl �tt J.OJ Ht? /tOJ
© � � � m L "t"fl!IJtftil.:#-:� H�T.
f :lp ?, � < .
® �IJ)t �.fl]if '7)1�;l;I: -:> It 7.-> o
®
<:[) .fH.f-0)..£1-f'7) 41 i.: J,:_ O)'l't. � fr h-t>- +mt)' � L.. .., b·
@ I) ' !11� 1) ti .ll � '.l I � \ -r f,fi: -r·� T.
®
4
Flow with the opponent's thrust and turn t o Thrust from below.
his side. Point your ken at his throat.
5
.
7
Grasp the back of the opponent's right hand
with your left. Close the grip from the little
8 finger. Step back with the left foot and turn
the body.
- 48 -
��(T) ,k )] Second Kumitachi
Variation - (1) (Body Method)
� flJ-(1) ( i{>:O)J]!)
- 49
©
- 50 -
-.O) � )J
� ft 12) ( 9lUO)tlf.)
Second Kumitachi ·
Variation - (2) (Ken Method)
This practice is for entering deep to the opponent's rear, when holding a ken.
- 51 -
CD
,
© @
-52-
=�* JJ
� ft-{2) ( 1l:q;>.JtR)
Second Kumitachi
Variation - (2) (Body Method}
B'U!.Hf ( u ff-)
( I HII f- � 11>: c n '1} O"J 11>: c 1J{ 1-- {:
' i- -1;/J .Q .:: c
(2ll'l�}� T' 1- f�>J 1t( < i.: V') i f L (:jt7>Tn l:Ji1l1J), -r V')-'Jt t..:ITR� � r'a:-t .:: c o
(:i)c7) a L t..: T' � !-l Uf 1-> .:: to
- 53
Scnsci Gozo Shiota, Head of the Yoshinkan Dojo.
- 54
I.
Third Kumitachi
Variation - 1 (Ken Method)
No. Uketachi
4
Hold lhc ken down with the left hand.
5
Stand in hito e mi.
6
55
:::-. (J) A. !J
� ft (1) ( f,f\:0)11M)
OJ
/,. Jl "Cfl 1 J-17) ;{].IE 1: �?f ,,1j.-:> -? < i' T
@
- 56
Third Kumitachi
Variation - 1 (Body Method)
No. Uketachi
7
Step on your opponent's right foot with
your left and upset his balance.
8
57 -
®
_-: C') * )J
� ft.-(2) ( �]'7)�)
.:. (l)ttlJ. '�ft-( I) c l1iJ L �Ul"t"' :h 1->o
Third Kumitachi
Variation - 2 (Ken Method)
This has the same meaning as variation l.
- 58
®
- 59
=.(l) x JJ
� f� (2) ( {;fi:V')Jl-P.)
-_Q)}.(})'�ft 12) (f ;.j;:Q).f'.l!_J t;��
- 60
Third Kumitachi
Variation - 2 (Body Method)
- 61 -
IZ9 0) :t JJ
� ft. (1) ( �1JC7)l:11D
-*fl A. JJ \ 1!Y CT) J.O)) t .Q) J.OJ ·� it-( l) (M,Q).flJ!l t ;kQ) 1J.!'.!. i- �,!Jt'°' -r. ih t.: t.: {, H � iii. ? -r ;,.. -r
,,. � ' ' o
®
- 62 -
Fourth Kumitachi
Variation - I (Ken Method)
Compare the pictures of the Fourth Kurnitachi, the Second Kurnitachi Variation - I (Body Method),
and see the picture below . Try and develop new techniques.
Fourth Kumitachi
Variation - I (Body Method)
No. Uketacbi
®
- 63 -
- 64
!m O) _k )J
� {t.-(2) (�lj<7).flV.)
®
(J) ����U t � � L ��i���Ah�
®
Fourth Kumitachi
Variation - 2 (Ken Method)
No. Uketachi
6
Control the left elbow of your op-
7
ponent and scllle the hips.
8
-65-
- 66 -
Fourth Kumitachi Variation - 2 (Body Method)
- 67 -
� It n -t:> J.01
)OJ
®
® t11·i � c G tL >d: � J: ·) i.: J.: 'I'' � c >d: '? -r 1 Tf� �= Jr.iJ
'
69 -
1 2 6
3 7
4 8
5 9
� ft-(1) ( 'f*0).£110
Fifth Kumitachi
Variation - 1 (Body Method)
No. Uketachi
6
Have the feeling of passing through the opponent's
7
abdomen as you enter with your body.
8
- 70 -
- 71
- 72 -
Ii.C0 -:k ll
� ft-{2) (�IJO)J�lD
®
',!f -? --c < .Q )J i' in�L,
@
J(- !T> i * .fll F V"l 1 i U t.: IOJ 1l -=. A.. "t·i.
J 1: ·H--=>
@
i' :1111 -t J.>
0
Fifth Kumitachi
Variation - 2 (Ken Method)
10
Flow with the oppo- Strike at uke s '
Il
nent s
' approaching leg while turn-
power. As shown Con- ing.
12
lrol his elbow.
13
l 5 9 nl
2 6 10
---
3 7 ll
'1 8 12
I
-73-
Ji(l) � JJ
� ft.-{2) < 1�0)J�tn
I1 2 6 10
3 7 11
4 8 12
5 9 13
Fifthe Kumitachi
Variation - 2 (Body Method)
No. Uketachi
8
As the opponent raises his ken, blend
with the movement and grasp the hilt
9
with your left hand.
10
When his strike begins down, turn and
11 enter in with the hips.
12
- 74 -
- 75 -
The Founder, Professor Morihei Ueshiba.
- 76
3 . * JJJfx. 9
Tachidori
- 77
®
A JJJf!l t') -{ 1)
'Lh'J, 51: it
®
1i fl-/)• ;) fEl f· <7l 1 1 illl) l(I) i: A I) �Vo
®
®
® 1i T<·tili � 1-. ti· �? !'1
'. 1J • Ji: � � ll-l r' <7l l� )j I: .iffi n� � <;t,:,{( � -ti" J., .
®
- 78
@
No. Uke
2
Step forward with her right foot and enter to the opponent's right side.
3
4
Grasp the hilt of his ken with your right hand. Place your right foot behind the
5 opponent and place your hip next to his body.
6
7
Rotate your hips and throw him. Point his ken at him.
8
- 19 :.....
- 80
�;q ·� tt
CD li4".UC7)H4' -l .
©
ff! f-C7) ti !"- i- :Jr. T-- -c·f-. tr i? tlf o•
@
@ tif- � .f:!Ff· C7) ..(i r· C7) 11' 1: ill fa, !f i- U h
(!) I) ' ..( i 1E � 1H FC7) riiJ Jj 1:: iltn, tr.Ji -c·f*
@ H �I �, -r �9'.lf o.
®
@ £:
/ ·1�� c ij: .., -C fl I f- C7)911J -C·fH 'f· � !�II T o .
No .. Uke
4
Grasp his right hand from above with
your left.
5
6
Place your right hand over his right hand.
7 Turn your hips and step back with the
left foot, moving the body, and throw.
8
11
-- 81 -
.k. JJ.lf:{ t) -{ 3)
(2) fh:t I) fJ' .)� I) I: {;--tt ;: fr: J(_ IJ• ;, A .!'.f ( ;{j f-
® 1.: rr:.0.)
k f- � fl I "l· er) tf( .:Z. 1J ) 1.: n' ! t '.I I .:< ..., it Q o
®
@
@ MH r u fa 1>.f11 r-- � < -r l • ti JE HI I f· '7)
(J) ft: Jj!:.;J!n-r �!.tit Q .: G7) P;j ;jilJ � {if · L
- 82 -
Tachidori - No. 3
This technique is called "lrimi Nage."
No. Uke
2
Blend with the opponent's movement as he raises
3 his ken and enter with the left foot (Note the
right hand) Grasp his collar with your left hand.
4
5
Rotate your hips to destroy his balance and step
6
to his rear with your right foot. Throw him with
the same movement as raising the ken using your
7
breath power. At this time take his ken and con-
8 trol him. �
CiliIDil
- 83
J\JJJ� Y) -(4)
'fJ}l fl: lt
(t)
@ f1'<7> -�r<•J � 1c:7t<.: �:r � , -rJ, 11t1j r- -r·fll+
@ i L U t � 1i
:1) +f- � � ; 11 t �
(1)
®
- 84 -
Tachidori - No. 4
No. Uke
s
During your body turn, grasp the opponent's wrist
6 with both your hands and turn it outward. Re-
strain his elbow.
7
..
- 85 -
J\ 7JJfX 9 -{5)
?-r� � !t
@
© r t, ��j � ik ltJ Jr: r� --c·+11 f-� u l:
,u T-· --c:· l:;I
Tachidori - No. S
No. Uke
- 86 -
@
- 87
:tJJJfl( 9 �6)
�n 'JI: It
'-
® XU 1; r J'.l 9ltJ 1 1 JJJf)( I) J
© ;I)<k �J-c· th � 0
- 88 -
Tachidori No. 6
No. Uke
i
3 This technique is called "Shinken Shiraha Dori".
lt is very mportant to raise the ken along the op-
4 ponent's center when taking it from him.
5 ITiiliJ4l
�
89 -
* 7)1{'.( t') -{7)
�n 5'l: It
@ .!�t ? 0
(/)
- 90 -
Tachidori No. 7
No. Uke
4
5 Grasp the hilt of the opponent's ken with your left hand.
Step on his right foot with your right foot, extend your
6 hand to his chin and fell him while taking his ken.
- 91 -
@
- 92
@
Tachidori No. 8
- 93
J\ J]lfX IJ (9)
@ 7 t:fll ,lLi:
(J)
® n� � U tJ. ') c +IJ f-· C'l h (r. f 0 Ji "- � � L
® (f l..> o
® Ji. f -r·}..:. J) .¢. t� • '.{ i f- '(•;j;IJ i· 7-> 0
- 94 -
Tachidori No. 9
(Refer to page 96) 3
1 2
14 5 6 7
18 9 10 1 1
-95
Tachidori No. 9
(See pages 94, 95) � 7Jlf� t) -(10)
2 'C.JtJ!l'.UJ 1,"· ch Q,
Hold the opponent's left hand
3 from below. With your left
hand grasp his ken hilt.
4
5
Withdraw your right foot. Do
not let his elbows drop. Place
6
yourself alongside the oppo-
nent.
7
rm�.flJ C')(r;:JijJR I) Ii, f[I�� f- �'7)1jlfllH:· -tt r�P4.fiJ C')(tffllfR ') r:., -tEJ'f-t7) f §'7)°1.fllH· -It
I/) Q . /l) Q .
96 -
-97-
The Founder, Professor Morihei Ucshiba
-98
Jo Techniques
*ll tt
.:. .:. 1.: t�il& L t..: *fl� !i, 1t�tQ)JIP.frt.: J,� �'
t..: f"t\'ti/J.$Q)-�lj -c· � .Q o)"U'f· ulT fX.t {l-�( Q)
�%� � � H � Q)fil� i W ij , B�� ; n .Q
.:. c i .t? /tJ :l'0 1X L 1 To
Kumijo
- 99 -
1 .
First Kumijo
2
�
With the left foot, take a large ste to the
Thrust straight forward.
3 left front and thrust. (Kaeshi tsuki
4
Withdraw the jo when Uke thrusts and hold
5 his jo down.
6
Jodan gaeshi. Thrust straight once again. (Choku tsuki).
7
8
More to right hanmi and strike the oppo-
nent's head.
9
- 100
] 2 3 4
5 6 7 8
m ;FJ:-{1)
@
® J:J5.t.il6 L . L. .::.- �, t..: � "C'IR � il< .
(])
® 1:1*-t.t c �- ..., -r H t., �tJ o
- 101
,m ;ft {2)
Second Kumijo
(Refer to page 104)
- 102 -
"f-J.'i: ·!:: It .tr t:>
<D 1r:� i
11 H.:: .tl � _V: -r w� ;e.. � � <7)fi'ti_o
.
® b:.l:l tr :,;,: 1iii Ji 1.::. ift A.. -r·n < 1: itm ifI � � o
® ·t
® l:Ht jg L. o
® 6 7 8 9
- 1 03 -
Second Kumijo ( See pages 102, 103} (See pages 102, 103}
1 Stand with the join front of the left foot. Prepare to thrust.
2
With the left foot, step forward to the left,
Thrust straight forward.
3 and, flowing with the thrust, defend.
4
Thrust of the opponent's face. Jodan gaeshi
5
;JI ;j:-J:-( 3)
@ ( fj T" q) 1
;'f '!? }) 1.: ?t.. \J :)
©
® t,:f· a- qi,c,,i.: L -c -*@� � -\l·flfJ � ft; l .:= �' -c JmiJJlH· � < .
@ -t 0
(/) �nu z. �
· < o
- 1 04 -
Third Kumijo (Refer to page 106)
•
4
8
-105
Third Kumijo (See pages 104, 105)
2
Move to the left and parry his thrust.
3 (Pay attention to how the right hand Thrust at uke's right leg.
holds the jo.)
4
5
Hold the jo in the middle with the left Withdraw the jo and thrust again at uke's
6
hand, give it a half tum and strike down. side.
7
Thrust at the opponent's side.
8
I
-106
�Jl t-J:-{4)
®
®
® ,{i.@. � Jr. 1iii )j ':. ill: �lr:JE � iJ I � '? It ,ftlf- .Im � � < .
@ Q) ;ij( Jj � � < 0
3
Step around to the rear with the right
Choku tsuki
foot out of the line of attack.
4
7 Katale toma uchi. (Put the jo behind the Take a large step to the rear and cover the
neck, take one step forward. During the entire body.
8 step, strike at U1e opponent.)
10
Step forward with the right foot and
11 Thrust at uke's side.
thrust at the pit of the opponent's
12 stomach.
-107-
Fourth Kumijo
(Refer to page 107)
- 108-
1 2 3 4
5 6 7 8
8 10 1 1 12
- 109
-110-
tJl ,f,t-{ 5)
c;;�afl 1±�.kJ O
Fifth Kumijo
(Refer to page 112)
\\
9
10
11
-111-
fJi ,f):-{ 5)
( '.J].A: (J: Jlli J.'-0
f
'!]:Jt. � It .j -t?
CD t1i.Z fi'IJ .Z
@
«: � rm p ·nt:t 1fl � �
@
©
�� 1ift: 1
j ': n.mJJ L. • iJ•h -t
®
®
(/) Ji Ji � � 1 � i* t v r 6")tii'i 1fri b'J' 1;1:' -? . !,1-frf.ll'. i!i L
®
®
® .. ii!!{ (.: ij,· .., -r ·� 't--::> --::> � < 0 Jr. Ii tJ· t, n t:. if! v o
2
Move your body out of the line of attack, Choku tsuki
3 flowing with the thrust.
4
Thrust Dodge uke's thrust by stepping to the right
s rear.
6
Step back with the left foot. Drop to your
7 left knee and protect the left side of Katate gedan gaeshi.
your face.
8
112-
The Founder, Professor Morihei Ueshiba
- 113-
k�l ,fr):-{ 6)
m;tt-{6)1.!, �It ¢ ;JI:
ll {, �trf U:t;rB�Jl:fll1'
� fljlJ-t ¢ tt -r· � Q 0
( 116 .a {fJR O
1 2 3
14 5 6 7
Is 9 1 0 11
- 1 14
Sixth Kumijo(Refer to page 116)
The Sixth Kumijo is for controlling the attacker through taijutsu style movements.
During the defense, one does not thrust even though it is possible to do so.
-115
'.!;Ji � It tr "t;,
CD f1i. i_ trV/ i..
@
.Jr: 1.: n�ilfb U fil -t. ��
@
© ff < J:> � i.. Q o
JJ�jg L
®
J .@. i-M 1.: ;min111 r-0 u t:. HilJ"t � o
.i
@
(/) 1i�� 1.: f4: H m � , m =i=-(J) jjlij r· (J) lh1 1.: ;t.t -tr t:. i6h
® t)!fi"to
®
·J°l� 1) fJ' .£ I) (.: 1* � -A-h -1t U iJ 1) , ji!ij f- �
®
$1J L <:nl'f �.J'J:t!f Q•
®
7 Strike down.
Move around widely to right hanmi and
8 pass yourjo between the opponent's arms.
9
A s h e raises his j o to strike, move i n with
10 his motion, turn and throw him by
control over both of his arms.
11
-116
"J.}'J, '.).¥: It .rr "t
<D H
l/.i.. tlfi. i..
®
Ji::Jl � ') I � 'Ir n ·t. {if-l;t. '"IT. T- t7'J T -c·;tt
@ Tl'.lt.ff l=.> � h-
� �f.i! '-' ·
©
c--
@
,(i bl � ,( i lili j
} 1..: fiw1J L � It Vlt.""t. ��
@
<J)
@ h:: bl Z. .iif: n r1Wf- � t;
i IJ Ullf- � :t!): !f 7.i . ft. JE -IJ< /jj '"( .rr -; � .;.
0
1 Stand with the jO' in front of the left foot. Prepare to thrust.
2
Step back with the left foot and block
3 his strike. Be sure to grasp the jo with Strike down at uke's leg.
the right hand under the left.
4
-117-
- 118 -
Seventh Kumijo (Refer to page 1 1 7)
Ii 2 3
I4 5 6
7 8 gJ
-119
The founder, Professor Morihei Ueshiba about age 45.
- 120 -
Jo Tori
- 12 1 -
®
t--:tJrx 9 (1)
"f.ll ·:N: it
CD k 'I��
@
�i Jl � rm � , "( � � � tJ· h L .u: � 1�
'. J.> o
@
©
@
@ .fl I f c7) ,( i f- � fl�! l 't 4"�11 7-> o
(/)
@
- 122 -
®
Jo Tori No. I
No. Uke
- 1 23 -
};tl� IJ -( 2)
'If. !'i � It
Q) h-:*-�
(2)
1* i' rm p -:-� i-tJ.¥. ¢ o
®
CD 1 i hl � f1l'f e7) tr. JI c7) 1llj 1: :iffi n ¢ o
@
@ II ".I} c7) :f1: i' 1hl IJ /J' ,J; Q {;Rt: iqJ I� L.. 7j: -/J{ t)
'
(/) .fn T' a- < -:J"T.
- 124 -
Jo Tori No. 2
No. Uke
6
Raise the jo over your head, turn and
destroy your opponent's balance.
7
[iliT3T4l
8
�
-125
�JfX � -(3)
1 2 3
4 5 6 7
8 9 10
- 126 -
Jo Tori No. 3
(Refer to page I28)
·r; }'{ � !t
CD 11 'l'-M
®
f,f,: HJ� � , ;{:j f- "(•,flj f' G7) ),·: f' G7) f lJ' i? #'.
®
� M � u.-f. G7) -t81 1J h 1.: ru:u
o
@)
@
® +n f·0 :1r. U t � ffiil L -r !U 1) 1r J: �.
(/)
®
11'I�� c t: "? l" fl If· I: '(f
, 1H bPJ l:P> L -r
®
.J'!.l: !f ?J.
®
- 127
Jo Tori No. 3 ((See pages 126, 1 2 7)
No. Uke
2
Step out of the attack line and grasp the
jo under the opponent's left arm with
3
your righl hand. (Note how the right
hand holds)
4
- 128
?'.Jl ·� tt
©
fi'I� .U 1.: ,� 1> . .{ i J� i' .fl I f' � 11ui!llii � rill i:.
@
A. tl -C � � J1i! J., .
@ 1
(]) 2 3 4 5
6 7 8 9
® l_i:_ T' 1- iLil L -C ��If'-'·
®
Jo Tori No. 4
No. Uke
4
Move to right hammi, grasp the jo
5 between the opponent's arms with your
right hand.
6
- 129 -
.. .t I
� - .�·.
....
''j.Jl ·Sl: it
CD tr: -�tJ-
®
® ·f1 M 1.,. t) 1-i l.: � Iv -r· 14: � �rP1 ·<J Q.
@
®
@ 1-r: .IE. a- 'I 1•L'1.: L -r 1-fi: � lill +i � -tt o .
<J)
131) -
Jo Tori No. 5
No. Uke
3
Slep forward with the right foot and
tum (Tai no Henko).
4
-131
f-J:Jf)( I) -(6)
''J. l� � It
r--
(i) ft:. 'l" i,f
®
® t1l T-'-i1l 1-i: T- � rill1 f' -c·!11'. 1> ti !D'H· u t c: n·
© It � o
@
@
Qt � ·i"ir 1: U iJ .Qo ( ll� .tt )
CJ)
M 7
6
- 132
Jo Tori No. 6
No. Uke
6
Turn the hips to the right. (right hammi)
7
- 133 -
-tv
.tirx
. tJ -{7)
'.!ef.J'i ·'Jl: It
-
®
J -:·W H IB !< . tip -r·f-): 1:- ik� .Q
�i l 0
®
<ID m r� q).b:JE i-i�h, 1.:. ::P 1:-'� � .'fl L "t" fi'1J
® 1·.
(j)
- 134-
Jo Tori No. 7
No. Uke
2
Step around with the right foot, move
out of the attack Line and grasp the jo.
3
5
Step on the opponent's left foot and
extend your left hand to fell him.
6
ITliliEJ
�
- 135 -
@
M:Jrx tJ -{S)
(..t)
+1 1 r,� ;.: r·- � rJi.i:.- i: 1 i r, � ;JjrJ i .o
®
®
(J) -H: � ·�� � ll \ L -C 1� t f ?J o
(BJ
136-
®
Jo Tori No. 8
No. Uke
4
Pivot the jo around the opponent's left
5
hand controlling his right.
-137
;f.tlfX t) -{ 7)
<2:>
® 1* i rM � � i ii:t.
©
®
® ��T� i & � . � � i ffi � � - � � �
-138-
Jo Tori No. 9
No. Uke
2
Slide your body alongside the thrust and
flow with it.
3
ITJiliJ4l
[IIililiJ
- 139 -
.f:tlfX I') -{l 0)
Jo Tori No. I O
-140-
2 3 4
5 6 7 8
9 10
® 4
11 r� -r·:t-t H J.il. Q o Grasp the jo with the right hand.
@ s
>-
CID 6
-141-
Jo Tori No. 1 1 No. Uke
2
Hold the opponent's left elbow with your
right hand.
3
4
Step on the jo with your right foot.
5
fJ:Jrl( IJ -<11)
1J. Jl � It
- I-
® fl I f ()) tr. u t � .ti f· -c·;J11l t J.> o
®
....._
® .{j}{ -c·M.: � �� t; 0
® ,,
- 142 -
Jo and Taijutsu Relationships
(The attacker tries to take the jo)
�
tilij
- 143 -
©
- 144 -
®
J!I! �-(1)
�n � it
CD fll=t- #
@
® +.t �ID ') tr,;; ') , .fll cpG7)J,/:I: .A o
@
@
(!)
� � !J iJ 1) � t '�rt•l Lft � J, ') H '",) T o
®
®
Technique No. I
No. Uke
I Stand in right hammi.
7
Tum your body and strike down with
8
the jo.
- 1 45 -
� i;--{ 2)
"; It � It
® tit �> -r < .Q )J -S:- i/iE L
@) B: '!.- JH •J n'.>: .Q o
®
'J)
-146
Technique No.2
No. Uke
5
Slide a half a step to his rear and strike
6
down with the jo.
7
-147
Technique No. 3
"J'. )l -1: It
@
.H � i.. -r < .Q 1J � I; 1: �!� � N ::Pi' illll �- � o
®
®
-tn::P1111l 1 • jfiJ7- -:>-:>t,t t � � lli L -r 1!.t l'f � ,
<J)
®
-148
2 3 4
5 6 7 8
No. Uke
-149
"J. }'i � It
(j)
tll p Q) 1t c -J c -t o �t z :;i:/� !.: ;r,t < 0
®
®
.fft f-Q) :{:J J.E i.: � � Ail T < � · J:lf oo
@
®
- 150 -
Technique No. 4
No. Uke
J
As the opponent grasps your jo, you
must lead his Ki completely.
2
4
Scoop up the opponent's rigbt leg to
5
throw him.
@ ®
-151
®
@
- 152 -
Technique No. 5
No. Uke
4
Control the opponent's left wrist.
5
7
Raise the j6 from his side, step around
8 with the left foot and restrain him.
9
"5'. n � It
®
©
.fll f·C7> ti-f' i"I �flj!J-t .O�
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@
CJ)
j h. )i. J.E. � ml � -r .fllf
JW,n· >?H: � ,n L � '
@
llllJ i: ·.� Q ,
®
® ®
-153
3:tj {lj--(6)
lJ:Ji � It
©
®
«>: � u iJ 1) 1i .Ii. � f�}j !: lli
i 1) -r tU: (f .Q 0
@
(/)
Technique No. 6
No. Uke
5
Tum your body, step back with the right
foot and throw him.
6
-1 54-
®
- 1 55 -
jJ 1}-(7)
·i;.n � 't
-
®
W!H: H c L /r:Jl 1: 1JI < ( X. IJ:1i.@7J{ tlH )
©
CD
@
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CD ir J., . .{ I h� �c-.fl l f t: J[;j h. ;:
f 1) fl'� i- '!:- V"> -C
@ u fa 1) .t; l; ·� D
Technique No. 7
No. Uke
3
Lower the hips and step back with the
left foot. (The right foot is forward.)
4
6
Drawing a half circle with both hands,
7
raise thejo to your forehead. Step forward
with the right foot to move the oppo-
nent. Settle the hips, tum them and throw.
8
- 156 -
®
@ ®
@
- 157-
Jo and Ken Rdationsh ips
.ffi) )\ ))
CD i lr: �
' J,}
--
ii '� ,}
J
(2)
fl! fc :!) ljilJ i-lln � {5 t
@
(fi)
v .,� � if) �
t �
-
- 1 58
Technique No. 1
2
llit the opponent's ken down.
3
5 Control the opponent's right wrist. Flow to the left raise the ken and strike.
6
7 Thrust
- 159
}! ,g.-{2) Technique No. 2
@ @
®
@ fil.: 14: �ft L filj.tJ t, o 1ErJiiH t,j�ho
©
@
/,: i:t� 1) � � Z. 1fi� L r·nJ/6 L . !Wi � H
(/) "")
Ji .IE.-/)' t, � � c
. 160 -
No. Uke - Jo Uchitachi
l
3 Step off to the right and strike his face. Strike with Shomen Uchi Komi.
4
- 16 1 -
n -fr-(3)
(2)
m r�c1)m ,, h·->; '' 1.:1}h�-r�r1ibh-,
@ JE!iii tf t, �h-
]
1 iL iU t Hiil t" � .
@)
@
14' � lllJ �' -r .JT t, i:> 0 T.
®
- 162 -
Technique No. 3
ITI2T3l
t=Qill]
-163-
.£11! fi--{4) "J Jl �( t .... M:
@
./:![{ t) 1J' ;: •I !: 0 h -1:t -C A. 7-> ,
..
©
..f!Fp cn ,( j U t Hiii L tr: .!E. ·rH• � llfJ < ' tt
@
Z. iCt: -C 111ij f i' l1Jil L -n� it· I.:> o
2
Blend with the opponent as he raises his
ken and enter with the jo.
3
4
Extend against his right elbow, and pivot
s on your left foot. Raise the jo, wrapping
up his hands and throw him.
6
- 164-
-165
- 166 -
I 2 3 •l
5 6 7 8
9 10 11 12
13 14
...._
...._ _ _
- 167-
1;. n �lt · · ·· t-k .tf -t:.> J'7J
(2)
®
© 1-.f!l:i!! L lfMT t, 1E i1ii :tr t, �;.,.
@
®
®
® ;,:�1�.u !.: � t:. -r + 1· � fJ--:J. /�H t, ;A ;.,.
.if�
®
@
@
A .frl i!6 L UiHT t, lMt-Hr-; J.&;.,.
@
@
9 Move to the left and strike his wrist. Strike with Renzoku Uchi Komi.
10
11
12
D o Hasse Gaeshi and strike his face. Strike with Renzoku Uchi Korni.
13
14
- 168 -
(i) :f:l� -!1't:fi'4;{_ Q o
@ t
i
..' � ij1,L., :.: li f- � rtlJ!: tl'i 4
f- •
t-----
The Hasso Gaeshi Movement ® AtlJC!)fiYI :Z.
3 Place the right hand at the center of the jo. The left hand is forward.
-169 -
®
- 170 -
®
"
f- U �!t · · · · ,f,t: iT -t? x JJ
�
ffi 1) Ir.); ') I: frh�"C� ( o
@
1Eoo fTt, �.N
©
H i? :H 7;, l t: 0 ii t! -z: 1-J�i/6 L, .
@
-
@ -� (< � ,"�t!I' t, -c· 1,'•i T' (}') r�n 1 : M: -i- & L�
;
(1) Vo
®
® 11-.: � u fa •J 111ii P. 1:-a;IJ L -z: Hi:i-r J.i "
(ii)
- 171
Technique No. 6 (See pages 1 70, 171)
}!( f} (7)
�n S'(: tt ..
. . �.t .tr "t':> :t )]
®
1-J!i !!
> L dii.tr t
� lE 1lli -tr t, �ho
®
@
@ le t:{;t.: � 1J> h L 1'IL@ � .J'T-:lo i•UJcHt?�h.
®
Technique No. 7
5 Move to the left and strike his leading foot. Strike with Renzoku Uchi Komi.
-172
-173-
.Ell[ {}- (8)
.----
-
''J. }l '�It ··· · � tf-t? J... n
(l) t l 'l" 4
-
<21
Q) ·Wi. � b:til1 Ji !.:ilin�IJ � n· h l, � "(
iElfil.fl t, � h
(4) ftl f'C0tifl i- ·f' ( 1.'lJf"(�!f .Qo
@
-174 -
@ ©
Technique No. 8
- 175 -
CD
J::! f.--(9)
®
® ti. � .: � 1v -c·11,+ � �·r --:i, 1E cfii H 1? � .H
(4)
176-
©
Technique No. 9
2·
5
Move your left foot the opponent's
6 rear, tumthe hips and throw him.
- 177-
� it--(10) ·1;� � tt ·· ·· M: .tJ "'? )\ JJ
CD Ji. ·1�.tf
(2)
®
U.lt.i!! t., n1.rr t, Jf ffii:tT � � .;.
@
@
Technique No. I 0
3
Do Jodan Gaeshi but strike low at the leg. Strike with Shomen Uchi Komi.
4
- 178-
©
- 179
Z?.OB (U;) SlOO (�)
• ..f- � 1 :-, '� f' ;fH �JI Wm�
:l <t>.fW · ..LY} OJ.IVS OHIHnIOW · l:l6l(j)
I :r
r �1
Li