DECEMBER | 2018

HOSPITALITY REINVENTED

DOUBLE
THREAT
SUNDUKOVY SISTERS
GOLD KEY DESIGNER OF THE YEAR
 DECEMBER 2018
VOLUME 14 | ISSUE 10

18

104

2018 GOLD KEY AWARDS: THE WHY FACTOR | 18 DEPARTMENTS

Wow-worthy visuals weren’t enough for this year’s 12-member judging panel.
FROM THE EDITOR | 4
Their definition of distinction was equal parts art and science. Drawing
on thought-provoking backstories and showing off a mastery of design IN THIS ISSUE | 6
fundamentals and FF&E curation earned accolades for projects in 21 categories. CHECK OUT BOUTIQUEDESIGN.COM | 8
Find out which clever concepts and inspiring ideas (out of a whopping 400-plus
entries) rose to the top in the 38th annual competition. THE BUZZ | 12

PRODUCTS: CASEGOODS | 110

Q+A: S + S = SUCCESS | 104 PRODUCTS: LIGHTING | 116
Irina and Olga Sundukova want to make you think, connect and play. The twin
founders of Moscow’s Sundukovy Sisters, the 2018 Gold Key Designer of the Year, EXIT INTERVIEW | 124
are out to find projects that fit their boundary-pushing hospitality design vision.
The duo’s free-spirited attitudes and way-out-of-the-box ideas have earned them
top spots on the short lists of some of the globe’s most notable hotel brands,
independent hoteliers and restaurateurs, as well as top honors, including 2018
Gold Key Awards for Excellence in Hospitality Design for Best Lobby Upscale
and Best Restaurant Casual Dining. ON THE COVER
Double Threat
Irina (r.) and Olga Sundukova,
Sundukovy Sisters, 2018 Gold Key
Designer of the Year
Photo: Anton Sokolov

2 boutiquedesign.com DECEMBER 2018

 BY MARY SCOVIAK, EDITOR

EDITORIAL
Editor
Mary Scoviak
mary.scoviak@stmediagroup.com

MORE THAN A PRETTY SPACE

Art Director
Kelly Farrar
kelly.farrar@stmediagroup.com
Senior Editor
Christina Green
BOUTIQUE DESIGN’S (BD’s) December issue is a visitors to linger (and spend up) in a restaurant to christina.green@stmediagroup.com

celebration of the Gold Key Awards for Excellence in being a transformative force in guests’ lives and Special Projects Editor
Oriana Lerner
Hospitality Design. Now in its 38th year, this honor the communities around the project. oriana.lerner@stmediagroup.com

recognizes best-in-class hospitality design work
across 21 categories. More than 400 entries were
reviewed by this year’s prestigious panel of judges:
• Gary Dollens, global head—design/product
and brand development, Hyatt Hotels Corp.
• Nigel Hatcher, vice president, design & project
management, luxury brands, Marriott Intl.
• Lori Horvath, managing director, project &
development services, Jones Lang LaSalle
• Daniel Hyde, president, Artist Guild Hotels
• Matoula Karagiannis, vice president, design,
Sydell Group
• Michael Kitchen, vice president of acquisi-
tions & development, Aparium Hotel Group
• David McCaslin, executive vice president,
That may sound “bleeding heart,” but the briefs Contributing Editors
Alicia Hoisington
for the winners and finalists featured in this issue Alicia Sheber
AnnMarie Martin
prove just how real that directive is. Buildings that
Editorial Intern
have been part of the fabric of their cities—from Elizabeth Duccilli
liz.duccilli@stmediagroup.com
warehouses to bowling alleys to facilities for those
in treatment for mental illnesses—have been SALES
Associate Publisher/
saved because hoteliers and designers found ways Business Development Manager,
to breathe new life into them. Neighborhoods Midwest/West
Melani Beattie
that were on the rough edge of gentrification have melani.beattie@stmediagroup.com
(312) 218-5691
gotten some aspirational polish (and often infra-
Business Development Manager,
structure) as hotels and restaurants attract atten- Northeast
Michael Schneider
tion from travelers and locals. Hotel companies michael.schneider@stmediagroup.com
and designers are also moving to the forefront of (212) 404-6936
Business Development Manager,
health consciousness, from air quality and ethi- Southeast
cally sourced materials to overall sustainability Scott Rickles
scott.rickles@stmediagroup.com
and in-room workout space. (770) 664-4567

Hersha Hospitality Management
• Michael Medzigian, chairman and managing
partner, Watermark Capital Partners, LLC
• Jagruti Panwala, president and ceo, Wealth
Protection Strategies; vice chairwoman,
AAHOA, 2018-2019
• Thomas Prins, principal, TQP Capital Part-
ners, LLC
• Shirli Sensenbrenner, senior vice president,
design + development services, Two Roads
Hospitality
• Larry Traxler, senior vice president - global
Hotel owners, operators and designers are also CORPORATE
agents of change at a more personal level. During President
Tedd Swormstedt
the Gold Key gala, Irina and Olga Sundukova,
Senior VP, Boutique Design
the founders of this year’s Designer of the Year- Group, ST Media Group/President,
Hospitality Media Group
winning firm, Sundukovy Sisters, talked about the Michelle Finn
michelle.finn@stmediagroup.com
fact that design starts with people. In their view, (312) 961-2772
lobbies and restaurants should be places where Audience Development Director
Christine Baloga
people don’t just work; they should be places to
Book Division Director
watch a film, listen to music, eat and maybe even Mark Kissling
take a class. They also talked about the need to Production Coordinator
Linda Volz
keep playfulness in hotel spaces and encourage
Reprint Information
guests to power down from a business-only (717) 632-3535, ext. 8065

design, Hilton mindset—which is something that translates to SUBSCRIPTION

travelers from everywhere in the world. SERVICES
P.O. Box 1060
Not even Dylan Lauren’s New York Candy Bar Skokie, IL 60076
(which claims to be the largest of its kind in the (847) 504-8166
fax: (847) 763-9030
world) could put this much eye candy on display! BD@omeda.com

But, as this year’s Gold Key judges pointed out, CORPORATE

excellence in design isn’t just about the public- 11262 Cornell Park Dr.
Cincinnati, OH 45242
facing beauty of hospitality interiors. More and (513) 421-2050
more, design is crossing a line from conveying fax: (513) 421-5144

brand DNA within a hotel’s walls or convincing

4 boutiquedesign.com DECEMBER 2018

Create a lasting impression.
Designed to withstand the challenges of hospitality and commercial settings, Surya offers
custom designs and an extensive in-stock inventory to help express the personality of your
brand regardless of budget, style, and timeline.

WINTER MARKETS | ATLANTA 11–A–1 | DALLAS WTC 560

ACCENTS LIGHTING PILLOWS RUGS WALL DECOR SURYA.COM CONTRACT@SURYA.COM

 ADAM TIHANY
PRINCIPAL AND FOUNDER | TIHANY DESIGN

WIDELY REGARDED as one of today’s best-known hospitality designers and an early

pioneer of the restaurant design profession, Tihany has created hotel, dining and cruise
ship interiors at some of the world’s most iconic properties. His 40-year-old namesake
firm’s international portfolio includes hotels such as The Breakers luxury resort in
Palm Beach, the Belmond Hotel Cipriani in Venice, The Westin Chosun Seoul, the
Four Seasons Hotel Dubai International Financial Centre, The Joule in Dallas and The
Oberoi in New Delhi, as well as collaborations with such famed chefs as Wolfgang Puck,
Thomas Keller and Daniel Boulud. For a glimpse into the New York-based designer’s
visual philosophy, flip to page 12.

W I L L H E R E F O R D ( T I H A N Y ) ; C O U R T E S Y O F T H E G E T T Y S G R O U P ( H I L L A N D FAY ) ; S AT Y + P R AT H A ( DAV I S , M E K H AY E C H A N D C H A N )
ROGER HILL AND ANDREW FAY
CHAIRMAN/CEO AND PRESIDENT | THE GETTYS GROUP

THIRTY YEARS AGO tackling interior design and procurement services under one roof was
unheard of. But Hill and Fay saw a need to unite the right and left brain in the design business. Since
the inception of their Chicago-based firm in 1988, The Gettys Group has completed more than
1,000 projects and expanded into the branding and development realms. The firm also launched
Gettys ONE, a unit focused on select-service hotels that earned a finalist honor in the 2018 Gold Key
Awards for Excellence in Hospitality Design competition. “Part of our success is due to the fact that
Andrew and I have different strengths and personalities,” says Hill. “We’re opposites in many ways
but have great personal and business chemistry,” adds Fay. “There’s great power in opposites: Roger is
a lot more blue sky; I’m a lot more pragmatic.” To learn more about their process, turn to page 13.

MATT DAVIS, ANWAR MEKHAYECH AND ALLEN CHAN

FOUNDING PARTNERS | DESIGNAGENCY

THE TRIO DIDN’T START with a plan, they started with a concept. In the late 1990s, the
designers teamed up to create a restaurant, SpaHa, at the University of Toronto and dove
into the business head first. “We were doing a lot of things all at once and didn’t have a
strategy,” says Mekhayech. “We just wanted to find cool projects and clients.” Over the past
20 years those cool commissions have included concepting the brand DNA for disruptors
such as Generator and Zoëtry. “Creating a culture that fosters innovation and collaboration
in a studio atmosphere that has minimal ego or B.S. has helped us assemble an amazing
team of designers in five cities around the world,” adds Mekhayech. Read more about how
the Toronto-based multidisciplinary firm keeps the creative juices flowing on page 16.

6 boutiquedesign.com DECEMBER 2018

 T HE B ES T S EAT I N TH E LO U NG E
BU ILT TO OUTCOM FOR T & OV E R L A ST G U E ST AF T E R G U E ST | WOODAR D- F U R N I T U R E .COM

HOSPI TAL I T Y
 check out BOUTIQUEDESIGN.COM
THE STORY: BRITISH BONHOMIE
Culinary arts and interior design continue to feed one another, as evidenced by the visual feast David Collins
Studio cooked up for renowned chef Tom Kerridge’s first London restaurant.
THE SOURCES
Dem Bones: Crosland Emmons’ Bone Collection
displays a series of handmade porcelain and
earthenware pendants, floor and table lamps,
and sconces. Each lighting piece is unique,
its look and feel destined by the touch of its
maker’s hands. Looking for more wow-worthy
leads? Browse by category online to find the
product that best suits your project.
8 boutiquedesign.com DECEMBER 2018
THE SCENE
The ninth annual Boutique Design New
York (BDNY) was a resounding suc-
cess. Besides smashing attendance
records, sparkling conference session
reviews and sold-out events start to
finish, the trade fair connected power
players across the industry and beyond.
The Gold Key Awards for Excellence in
Hospitality Design gala at Gotham Hall
celebrated the best work in the field.
THE SCOOP
Dream on. This year’s Design ‘N Gather
competition by Artaic attracted talent
from a range of creative sectors. Explore
Marriott Intl. senior design manager
Kavitha Iyer’s winning vision for a stellar
mosaic inside the rooftop Cupola at
The NoMad Hotel in New York.
RESTAURANTS | PUBLIC SPACES | GUEST ROOMS | BATH | OUTDOOR
R H . CO M / CO N T R ACT
 MAJOR MILESTONES
BY CHRISTINA GREEN
TIHANY DESIGN: 40 YEARS
ADAM TIHANY, PRINCIPAL
AND FOUNDER
FOLLOWING YOUR APPRENTICESHIPS IN ITALY, WHAT
MADE YOU WANT TO COME TO NEW YORK AND LAUNCH
YOUR OWN FIRM?
ADAM TIHANY: New York was always the end goal for me. I’m an Israeli
who, through Italian education, became an Italian designer. But I was
always set on New York. When I arrived in 1975, I knew my fate was sealed.
HOW HAS THE RESTAURANT SCENE EVOLVED OVER THE
PAST 40 YEARS?
The early ’80s was really the birth of the contemporary and authentic Amer-
ican restaurant. It was the beginning of what would become the age of the
celebrity chef and the turning point for white tablecloth expectations of fine
dining. While much has changed in the culinary world, one thing remains
the same: people go to restaurants to be entertained. We don’t go out to eat
because we’re hungry; we’re looking for an experience. The stage is equally
as important as the product being served. The atmosphere has to match
the intention of the space and the food. That synergy is critical.  Nicholls, group director of food and beverage at Mandarin Oriental Hotel Group.
DESCRIBE TIHANY DESIGN’S OFFICE CULTURE.
We’re a small shop and have been for 40 years. It’s a very hands-on,
passion-driven environment that caters to the unique abilities each
person brings to the table. I’ve had the privilege of working with some
of the same designers for over 20 years—our director of projects Andrea
Riecken has been with me for almost 30.
HOW DOES YOUR TEAM APPROACH TECHNOLOGY?   been extremely rewarding. On land, we have a number of exciting projects newly
Instead of trying to find a place for the latest gadget, we’re making a
conscience effort to rely on the fundamental elements of our trade.
Ideas start with paper and pencil, with straight edge rulers and
compasses. There’s infinitely more passion, creativity and thought in
original sketches than images copied and pasted from the internet.
12 boutiquedesign.com DECEMBER 2018
LE CIRQUE 2000, NEW YORK
Our aim is to preserve the handcrafted quality of a true design atelier that’s
quickly fading from this industry.
NAME SOME OF YOUR MOST MEMORABLE CHEF
COLLABORATIONS.
Working closely with talented and passionate chefs is always an enlightening
experience, especially in understanding how the style and precision of their
cooking can be a direct extension of his or her personality.
Thomas Keller is internationally renowned for his culinary ability, but getting
to know him personally through his food and the development and success of his
COURTESY OF TIHANY DESIGN (LE CIRQUE 20 0 0); WILLIAM HEREFOR D ( TIHANY )
restaurants has been the most rewarding aspect of our collaboration.
My years working with the Maccioni family (Sirio Maccioni launched New
York’s Le Cirque in 1974 and expanded the brand with international sister
concepts as well as rolling out several independent restaurants) remain some of
the most exciting and most Italian of my early career in restaurant design. On the
operations side, I’ve found a rare and wonderful collaborative partner in David
My most impactful chef collaboration, however, was with my friend and
long-time partner, chef Francesco Antonucci. Our time building and shaping
the Remi restaurants defined my mentality and secured my path towards a life-
long career in hospitality design.
WHAT’S NEXT?
As we’ve entered fully into the cruise industry, our ongoing work with Carnival
brands including Seabourn, Holland America, Costa Cruises and now Cunard, has
opened and upcoming with Mandarin Oriental. And far above ground, we rede-
signed the iconic revolving restaurant at the Seattle Space Needle, opening next year.
Looking ahead, we’re focusing on new areas outside of hospitality such as
specialized luxury condos. The horizon is shifting, and we have a whole new set
of milestones we’d like to celebrate at the next big anniversary.
 THE GETTYS GROUP: 30 YEARS
ROGER HILL, CHAIRMAN/CEO
AND ANDREW FAY, PRESIDENT CLARIDGE HOUSE, CHICAGO
TELL US HOW YOU WENT FROM FRIENDS TO FOUNDERS OF
THE GETTYS GROUP.
ANDREW FAY: We bumped into each other literally the first day registering
for freshman classes at Cornell’s School of Hotel Administration and were fast
friends. We became very involved with Ariane Steinbeck and Julius van Heek
(the firm’s other cofounders) and the four of us hatched a plan to get together
C O U R T E S Y O F T H E G E T T Y S G R O U P ( H I L L A N D FAY ) ; N I C H O L A S J A M E S P H O T O G R A P H Y ( C L A R I D G E H O U S E )
in Chicago and start our own business.
ROGER HILL: We had the opportunity to do a lot of project work together
academically. We did a case study about redeveloping a hotel in Wisconsin and
that began the conversation about whether there was an opportunity for us to
build something together in the future.
WHAT OBSTACLES DID YOU FACE EARLY ON?
HILL: We were one of the first firms to offer interior design and procurement
services under one roof and, at that time in the industry, that sort of packaged
approach was frowned upon. But we were a young enthusiastic group that
came to the table with a clean slate and new ideas. That was enough for us to
get our foot in the door with our earliest clients.
FAY: One of the first and most important challenges was making the
decision to start the business. There were many people who doubted and
discouraged us from being “disruptive.” There was a clear divide between the
left and right brain in the design business process. We pretty much lacked
any relevant experience, but we were full of optimism and idealism, ambition,
energy and passion. All of those things combined with the support, advice and
sage counsel of Roger’s parents, were really pivotal to launching this business.
HOW HAS THE HOTEL SPACE EVOLVED SINCE THE FIRM’S
INCEPTION?
FAY: When we started the business, hospitality design was more about
implementing standards rather than creating authentic experiences for guests.
The industry was highly reactive, often sitting back and observing innovations
in other sectors. Hospitality design has evolved from a prototype-driven model
where all properties looked the same to a highly individualized model where
every property is unique.
HILL: The economic crisis of 2008 caused a lot of disruption in the industry.
By that time, we’d established ourselves as a global company and could shift
our focus to other areas of the world that were less impacted. As a result of
thoughtful and strategic decision-making, we’d developed a reputation that
was strong enough to land new commissions after the downturn.
IF YOU COULD GO BACK THREE DECADES, WHAT ADVICE
WOULD YOU GIVE YOURSELVES?
FAY AND HILL:
• Invest heavily in technology and training.
• Spend time learning what inspires and excites your clients and their guests.
• Hire for passion, creativity, flexibility and the desire to be part of something
unique.
• Focus on your organization’s culture. The Gettys Group has grown into a
collection of brands that’s grounded in a strong, collaborative, respectful
family culture. Love what you do—life’s too short!
• Creativity and innovation will be the currency of your success. But keep a
watchful eye on the pragmatic and financial elements of a project and your
business.
WHAT IS TRENDLINE AND WHY DID YOU CHOOSE TO LAUNCH
THE INITIATIVE EARLIER THIS YEAR?
FAY: The hospitality design industry has gone through tectonic shifts since we
came on the scene. In order to stay ahead of the curve, we’ve always put great
value in research and innovation. Over the past few years, we’ve developed
a partnership with TrendWatching, a company whose mission is to help
forward-thinking businesses understand and capitalize on emerging consumer
trends. The brainchild of our chief innovation officer Ron Swidler and director
of trends and insights for TrendWatching Max Luthy, TRENDLINE is a
bi-monthly newsletter that identifies consumer trends affecting the industry.
IS THE GROUP EXPLORING ANY NEW TECHNOLOGY?
HILL: To us, technology should ultimately be about practicality: an intuitive
interface, simple operation and elegant presentation. The Gettys Group
currently utilizes virtual reality (VR) to allow clients to walk through their
space with our design concept overlaid on it before it’s built. We’re dedicated
DECEMBER 2018 boutiquedesign.com 13
THE BUZZ: MAJOR MILESTONES

to investing in the tools that drive personalization of the individual guest

experience. However, there’s no substitute for the face-to-face interaction and
collaboration that we have with our clients.
FAY: There’s an incredible wave of new technology that we’re integrating
into our designs. For example, our interior design team created designs for
two of the restaurants aboard Celebrity Cruises newest ship, Celebrity EDGE.
Incorporated into the ceiling design of the French eatery, Le Grande Bistro,
is technology that projects a 3D dining experience, “Le Petit Chef,” onto the
table to create an incredibly unique, engaging and entertaining experience
for its patrons.

C O U R T E S Y O F V I S I O N H O S P I TA L I T Y G R O U P ( W H I S K E Y T H I E F ) ; N I C H O L A S J A M E S P H O T O G R A P H Y ( R E N A I S S A N C E C H I C AG O ) ; C H R I S T O P H E R V I L L A N O ( T H E B L AC K S T O N E )
WHISKEY THIEF, CHATTANOOGA, TENNESSEE

WHAT ARE SOME OF YOUR MOST MEMORABLE PROJECTS,

PAST AND PRESENT?
HILL: It’s a hard question, like asking someone “who is your favorite child?”
We’ve been so lucky to be involved in the projects and with the people who
have chosen to work with us.
Past projects:
• Hard Rock Macau: Our first significant project in Asia, which led to estab-
lishing office locations in Southeast Asia.
• The Blackstone: We vetted this project with several owners until 2008,
when the right ownership (Sage Hospitality) had us reposition this Chicago
property as an upscale boutique hotel. Our work then stood the test of time
until we were re-retained to renovate the property as a conversion to an
Autograph Collection hotel.
• BRE Portfolio (a New York-based REIT): We utilized our Gettys ONE team
to execute projects across a vast portfolio of select-service properties using
a master service agreement approach. RENAISSANCE CHICAGO DOWNTOWN HOTEL

FAY: New projects:

• Celebrity EDGE: We designed two F&B outlets on the largest cruise ship in
the world.
• LoveDay: This is our first venture into the healthcare arena, a space
designed to care for dementia patients.
• Rand Tower: Our own development project, resurrecting an iconic building
in Minneapolis.
• The Madison Washington DC, a Hilton Hotel: An interior design, branding
and procurement combined services project with a spectacular brand story
revolving around James and Dolly Madison.

WHAT NEW CHALLENGES AND OPPORTUNITIES ARE YOU

FACING NOW?
HILL: We’re in an unprecedented era of consolidation in the hotel sector. As
companies continue to merge and acquire, there are hundreds more brands
compared to the late ’80s, and many more to come. All of these brands are THE BLACKSTONE, AUTOGRAPH COLLECTION, CHICAGO

constantly evolving to ensure they remain distinctive and relevant.

We’re also seeing tremendous growth in soft brands as well as the boutique
and lifestyle sectors, all of which present wonderful design opportunities.
Hotels are no longer selling a consistent product. They’re selling a holistic
experience that has strong emotional connections forged over a number of
detailed touchpoints, service rituals and signature moments. To create end-
to-end experiences, today’s hotel designers must operate at the intersection of
design, branding, strategy and business.
FAY: Hotels are cool and fun again, just as they were in the early part of the
last century. There’s a wonderful resurgence in interest in hotels and hospitality
around the globe. Hotels are becoming the living rooms of our cities and the
workplace for today’s mobile professionals.
Over the course of the next several years, we’ll significantly grow our hotel
development group. (We have two projects breaking ground before the end
of 2018.)
We’ve accomplished a lot over the last 30 years, but what matters most
now is what we do next. The business must be in a constant state of evolution,
adapting to the ever-changing needs of our clients and the market. This is the
only way to remain relevant. Our best days are ahead of us!

14 boutiquedesign.com DECEMBER 2018

SOME MIRRORS CAN SHAPE YOUR
CAREER AS A DESIGNER

Feel free to design a

singularly unique mirror,
one that will transform your
client’s guest room into
something extraordinary
and highlight your own
creaavity. MunnWorks will
manufacture the mirror that
manu
reflects your genius, to your
specs, within budget and on
ame.
MAKE A NAME FOR
YOURSELF.

www.munnworks.com
john@munnworks.com
914.665.6100

Made ennrely in our USA factory

THE BUZZ: MAJOR MILESTONES
DESIGNAGENCY:
20 YEARS
MATT DAVIS, ANWAR
MEKHAYECH AND
ALLEN CHAN,
FOUNDING PARTNERS
HOW DID THE THREE OF YOU MEET, AND WHAT MADE YOU
WANT TO LAUNCH YOUR STUDIO IN THE LATE 1990S?
ANWAR MEKHAYECH: I met Matt a long time ago. He was working in my
dad’s restaurant in Toronto and we quickly became friends. Matt and Allen
knew each other from the landscape architecture program at the University
of Toronto and that brought us all together. Allen was doing his Masters in
Architecture at Columbia University while Matt and I were based in Toronto. In
1998, we came together to form a firm to design a restaurant that I was going to
own and run called SpaHa, which attracted local and international attention.
From there we just jumped into the business.
WHAT CHANGES HAVE YOU SEEN IN THE HOSPITALITY SPACE
IN THE PAST 20 YEARS?
MATT DAVIS: We’ve found that the role of the interior designer has shifted
and become more significant in the business model, moving from consultant
to creative lead. Twenty years ago, an interior designer was brought on after
the model was figured out. But now we’re involved in the early business
concepting stage, which affects focus and budgeting. It’s about setting the
overall tone and using design to enhance the user experience.
MEKHAYECH: The pace of projects and expectations of clients have
changed due to technology and visualization tools. Clients and end-users
are much more design savvy than before. We’ve continued to treat the design
process as a creative business strategy model, developing experiences and
interiors that fit a business plan yet also function well and look great.
ARE YOU EXPLORING ANY NEW TECHNOLOGIES OR DESIGN
STRATEGIES?
ALLEN CHAN: We’re excited about what’s in development with VR and
visualization. We’ve been using the tools that are available to us now to convey
our ideas to clients in innovative ways, but having those new technologies to
visualize space differently and express that vision to clients is something we’ve
been chasing for a long time.
WHICH TRAVEL TRENDS AND OUTSIDE SEGMENTS DO YOU
SEE IMPACTING TODAY’S HOSPITALITY EXPERIENCES?
MEKHAYECH: In North America we’ve seen a trend towards micro-hotels.
In particular we’re super excited about a brand we recently helped Hilton
launch called Motto. We’ve also seen an increase in rental brands like the
16 boutiquedesign.com DECEMBER 2018
THE RITZ-CARLTON, TORONTO
ones we’ve worked on for Node and Uncle, which are exploring a more
transient approach to apartment living that gives them flexibility to address
changes in the market. Airbnb sparked a massive re-think, and subsequently
coworking and coliving models have completely changed the hospitality,
residential and workplace markets.
CHAN: We’re seeing massive confusion because today’s hospitality market
is so flooded with brands that everyone is trying to figure out their distinctive
design narrative and their point of view in order to have a clear position in the
marketplace. Brands also have a lifecycle, and we’re helping many of them to
change it up while also staying true to their concept and core identity.
DAVIS: Luxury is a key theme at the moment. As we explore the
A D R I E N W I L L I A M S ( T H E R I T Z- C A R LT O N , T O R O N T O ) ; S AT Y + P R AT H A ( DAV I S , M E K H AY E C H A N D C H A N )
differences between new and classic luxury, brands are looking to reinvent
what luxury means and what it looks and feels like.
WHAT ARE CLIENTS SAYING ABOUT WHICH APPROACHES ARE
MOST RELEVANT?
MEKHAYECH: Most clients are taking a design-led and experiential approach
to their concepts that look at creating a place where likeminded people
want to eat, work, be social and sleep. Everything is converging. Brands like
Soho House did it best, combining a strong design sensibility with a massive
membership pool of likeminded people. Sydell Group creates brands and
designs that have a lot of character and resonate well. Also brands such as 1
Hotels that have a strong stance about sustainability, wellness and feeling good
have huge momentum.
WHAT PROJECTS ARE YOU EXCITED ABOUT NOW?
DAVIS: We’re very much looking forward to the opening of a number of hotel
projects that we’ve been working on for several years, such as The St. Regis
Toronto and The Dalmar Fort Lauderdale. In the future, we have projects
coming up with The Drake and The Ritz-Carlton hotels in Toronto and Pendry
Hotels, along with an exciting new partnership with NeueHouse and our
good friend Josh Wyatt. (DesignAgency helped Wyatt develop the Generator
and Equinox concepts before he joined collaborative space NeueHouse in
November 2018.)
CHAN: The Dalmar is the first newbuild hotel where we’re not only the
designers but also the creative lead. It’s the first urban hotel in the area, so it’s
going to provide a completely new experience for visitors and guests, with a
variety of hospitality spaces and incredible views of the city. 
 CALISTOGA MOTOR & SPA, CALISTOGA, CALIFORNIA, DESIGNED BY AVROKO; BRAND BUREAU (A DIVISION OF AVROKO)
2018 GOLD KEY AWARDS
THE WHY FACTOR
FOR THE 12-MEMBER judging panel for the 38th annual Gold Key Awards for
Excellence in Hospitality Design, the wow factor was still a high priority in
deciding which of the more than 400 submissions made it to the finals. But it
was the “why” behind the wow that separated the best from the rest.
The judges’ definition of what constitutes excellence was equal parts art and
science. Yes, looks count. Entrants only have eight images to justify what makes
their project a standout in a field that’s never been more competitive. Since the
Gold Key decision-makers are clients (they have to recuse themselves if they
have any interest in a project), not peer design firms, they bring a 360-degree
perspective to assessing form, function and financials in their evaluations. The
overall concept as well as the details had to be different enough to get their
attention and make them want to stop the slideshow to explore the visual food
for thought. As they pointed out in their conversation during the judging and
later at a dinner sponsored by RH Contract and Valley Forge Fabrics, the
mandate for originality has taken on even more importance at a time when intel-
lectual property is becoming a concern for designers and clients alike.
18 boutiquedesign.com DECEMBER 2018
While some projects won high marks for sheer cleverness or bold solutions
to tough briefs, many of the entries that impressed these industry thought
leaders did so by showing off a mastery of design fundamentals and genius-
turns for really curating the FF&E—finding just the right yellow chair to set off
a blue room or working with a supplier to develop a rolling glass-paneled shade
to diffuse sun damage without impacting a resort room’s view.
The question that came up most often as they reviewed the wide-ranging
stylistic approaches submitted in the 21 Gold Key categories was: Why? More
than ever, clients want every line item to be a design driver. That doesn’t mean
“excellence” has to be minimalist if not brutalist. In fact, based on this year’s
discussion, ascetic as an aesthetic is pretty much over. The judges were open to
layering that brought richness and look-and-look again points of discovery to
public spaces and guestrooms. But, every element had to justify its inclusion.
What else earned projects a place on the podium at the Gold Key gala?
Ideas like these.
• Color is back. Even in dark bars and Zen retreats, big or small hits of satu-
 2018 GOLD KEY
JUDGES

GARY NIGEL
DOLLENS HATCHER
HYATT HOTELS MARRIOTT
CORP. INTL.

LORI HORVATH DANIEL HYDE

JONES LANG ARTIST GUILD
LASALLE HOTELS

MATOULA MICHAEL
KARAGIANNIS KITCHEN
SYDELL GROUP APARIUM HOTEL
GROUP

DAVID MICHAEL
MCCASLIN MEDZIGIAN
HERSHA WATERMARK
HOSPITALITY CAPITAL
MANAGEMENT PARTNERS, LLC

JAGRUTI THOMAS PRINS

rated hues erase any sense of anonymity. And the best part? The them to look at what lies beyond. PANWALA TQP CAPITAL
WEALTH PARTNERS, LLC
right shade of green or a blue-and-white stripe can’t be value-engi- • Embrace negative space. Slatted partitions, intricate screens and PROTECTION
STRATEGIES;
neered out. sculptural dividers intertwined with living greenery give guests a AAHOA

• Don’t expect guests to guess at the backstory. While a property glimpse of a new experience without revealing too much.
with a future-vision water reclamation or energy-saving system • Make spaces multifunctional by specifying FF&E that can morph
might win sustainability awards, it won’t resonate with eco- throughout the day. This year’s judges predicted the need for ever
conscious travelers if the FF&E and design concept don’t speak more flexible public space—including the possibilities of features
“green” with the same level of innovation. that pop up or down as needed and pods that can be relocated to
• Tell a consistent story, or at least speak in discrete chapters. create an insta-meeting room or just a retreat for a private call. SHIRLI SENSEN- LARRY
BRENNER TRAXLER
Projects came under fire for confusing layouts, disjointed design • There are no small design elements. More than a few projects got a TWO ROADS HILTON
HOSPITALITY
approaches or just being “too much.” One judge’s comment about favorable nod because of an interesting detail on a chair arm or a
making guests feel they were in the middle of a kaleidoscope says provocative abstract floral wallpaper. AUBRIE PICK (CALISTOGA MOTOR
it all. However, that didn’t mean projects had to be one-note. As • Balance the scales. Failure to understand scale and volume sunk LODGE & SPA); COURTESY OF
HYATT HOTELS CORP. (DOLLENS);
shown on the following pages, a number of winners and finalists any number of submissions. So did a lack of sensitivity to lighting COURTESY OF MARRIOTT INTL.
(HATCHER); COURTESY OF JONES
built out a central theme into distinctive destinations with highly and sightlines. LANG LASALLE (HORVATH);
COURTESY OF ARTIST GUILD
individualized elements without losing the central design thread. Turn the page to find out more inspiration. And watch for the call HOTELS (HYDE); KERRY GILES
(KARAGIANNIS); APARIUM HOTELS
• Do layer. Don’t fill all the gaps. Layering, from lighting programs to for entries for the 39th annual Gold Key Awards for Excellence in GROUP (KITCHEN); COURTESY OF
HERSHA HOSPITALITY MANAGE-
floor-to-ceiling display cases, means designers can and should give Hospitality Design next spring. MENT (MCCASLIN); COURTESY OF
guests a reason to look everywhere in their surroundings. With so WATERMARK CAPITAL PARTNERS
(MEDZIGIAN); COURTESY OF
much potential, curation gets harder. Not every shelf in an etagere —By Mary Scoviak, Christina Green, Oriana Lerner, Alicia Sheber and AAHOA (PANWALA); COURTESY OF
TQP CAPITAL PARTNERS (PRINS);
has to be filled. Play up items that do have a reason to be on display AnnMarie Martin COURTESY OF TWO ROADS HOSPI-
TALITY (SENSENBRENNER); COUR-
to draw the guests’ eyes, then use the open areas to encourage TESY OF HILTON (TRAXLER)

DECEMBER 2018 boutiquedesign.com 19

2 0 18 G O L D K E Y AWA R D S
BEST ECO-CONSCIOUS OR SOCIALLY-CONSCIOUS HOTEL

WINNER SOURCES
HOTEL KETCHUM OWNER: Ketchum
& Mustard, Aspen,
Colorado; OPERATOR:
KETCHUM, IDAHO HayMax Hotels, Aspen,
Colorado; DESIGN
FIRM: Studio 11
Design, Dallas: Stacy
DESIGN FIRM: Studio 11 Design, Dallas Elliston, principal;
Hellen Hale, designer;
Alicia Ross, interior
THE COMMISSION: Flip a former motel into a boutique architectural designer;
that captures the ski destination’s sense of adventure ARCHITECT: Michael
Doty Associates,
and Sun Valley’s emerging art scene. Create a sustainable Ketchum, Idaho;
design that ensures longtime viability for a renovation in PURCHASING
COMPANY: Summa
an area where new projects are a rarity. Intl., Kailua,
Hawaii; GENERAL
CONTRACTOR:
THE CHARRETTE: Sun Valley plays home to a number Conrad Brothers,
of visiting outdoor enthusiasts as well as a year- Hailey, Idaho; ART &
ACCESSORIES: Grand
round community of artists and agrarians. So Studio Image; Molly Snee;
11 Design’s in-house styling, curation and art unit, Rudi Broschofsky;
BATH & SPA: Delta;
Lou Verne, envisioned the hotel as a platform for area DRAPERY: Kenco
creatives with their works showcased throughout the Hospitality; FABRICS:
Concertex; Fil Doux
property. Designing creatively and consciously within Textiles; Justin David;
a limited budget also meant using local, natural and Keleen Leathers;
KnollTextiles;
vintage elements wherever possible. Old potato sacks Maharam; Opuzen;
and books from antique stores reinforce the upcycling P/Kaufmann Contract;
FLOORCOVERINGS:
theme, while sourcing close to home limits waste by Emser Tile;
cutting down on shipping and packaging. Interface Hospitality;
FURNITURE: CF Kent;
Industry West; Nardi;
THE CHALLENGE: Lightening the property’s ecological Sunbury; Table Logix;
LIGHTING: Aiden Gray
footprint was a must. The LEED Silver certified mountain Home; Circa; Terzani;
lodge is insulated with R-42 walls, R-70 roof, and double- The Light Annex;
WALLCOVERINGS:
pane, low-E windows that have a whole-window U-value Koroseal; NLXL;
of .45, keeping the interior warm while using less energy to TRI-KES; Wolf-Gordon;
WALL TILE: Mincey
heat the building. Many of the light switches utilize timers Marble
and motion detectors to ensure they are not left on, and
high-efficiency LED lamps generate 100% of the lighting.
Digital thermostats controlled by the building’s automation
system reduce heating levels when spaces are unoccupied.

THE COOL STUFF: Creating an authentic sense-of-place

experience required help from the community. In the
public spaces, artist, illustrator and muralist Molly Snee
added her touch with a mural dubbed “Lucky Ewe,” while
work from artist Rudi Broschofsky graces the walls at the
registration desk with a textural take on mountain sheep.
A unique interpretation of Idaho, created by local artist
Andy McCabe, hangs in the common area.

THE CARRY-OUT: What’s good for the locale is also good

for the guest. The hotel’s interiors contain no toxic formal-
dehyde or VOCs. Recycled-content materials throughout
the property—including the roof, carpeting and ceramic
tiles as well as the FSC-certified reclaimed wood on the
R AY G A D D

exterior—support the eco-centric mission. A sustainable

business (and building) model not only protects the envi-
ronment, it creates a healthier atmosphere for visitors.

20 boutiquedesign.com DECEMBER 2018

the
show

sensational
exceptional
original February 8 – 12, 2019
The outstanding diversity of the international consumer
goods market. The experience of innovations and new
concepts for the HoReCa sector. The trade fair that leads
your industry into the future.

Information and tickets: ambiente.messefrankfurt.com

Tel. +1 770 984 80 16
info@usa.messefrankfurt.com
2 0 18 G O L D K E Y AWA R D S
BEST ECO-CONSCIOUS OR SOCIALLY-CONSCIOUS HOTEL

FINALIST
HOTEL GRINNELL
IOWA
DESIGN FIRM: Perkins+Will, Boston
THE COMMISSION: Transform a junior
high school dating to 1921 into a 45-key
hotel and event center. Bring a boutique
product to a place where only budget-
flagged properties had existed and stimulate
the local economy. Re-energize a building
that had sat vacant for nearly 40 years and
was in desperate need of some TLC.
THE CHARRETTE: Paying homage to the
building’s scholastic past was paramount.
In the check-in area, the signature Hotel
Grinnell “G,” reminiscent of the letters
produced by Underwood typewriters
during the school’s early years, sets the
tone. Taking a cue from the lab tables once
used in science classes, kitchen-height
work stations topped by thick wood and
supported by iron legs allow travelers to sit
or stand in their guestrooms.
THE CHALLENGE: Bringing the property
back to its former glory while creating a func-
tional hotel was no easy feat. Classrooms had
to be converted to guestrooms. Their 1920s
hardwood floors had to be restored. Drop ceil-
ings with acoustic tile were removed and orig-
inal ceiling heights and window configurations
were reinstated. Former public restrooms got
a new life as the hotel’s bar, which features the
gym’s 50-plus-year-old scoreboard. Even the
corridors were adjusted to their original width.
THE COOL STUFF: It’s all about customiza-
tion. Brass light fixtures complement the iron
furniture designed and manufactured just
15 miles south of the city. Old lockers were
repurposed as end-of-bed benches. Beyond
that, no art piece repeats in the entire hotel. SOURCES
OWNER: Grinnell Center LLC, Grinnell, Iowa; OPERATOR: Hotel Grinnell, Iowa; DESIGN
FIRM: Perkins+Will, Boston: Jacqueline McGee, designer (now with Ealain Studios,
THE CARRY-OUT: Supporting the commu- Portland, Maine); ARCHITECT: ID8, Des Moines, Iowa; DEVELOPER/PURCHASING
COMPANY: Catalyst Development, Grinnell, Iowa; GENERAL CONTRACTOR: Bushong
nity by preserving its past pays off. Project
Construction, Montezuma, Iowa; DESIGN CONSULTANT: Christensen Development,
participants say Hotel Grinnell is the most Des Moines, Iowa (product development); ART & ACCESSORIES: Art.Com; Beckman
Gallery; The Container Store; AUDIO/VISUAL & ELECTRONICS: B3 Computers; DB Pro;
significant contribution to the city’s 18-hour
BATH & SPA: Delta; FABRICS: By Design; FLOORCOVERINGS: Modern Floor Covering;
vitality and small economy in more than 50 FURNITURE: By Design; Co-Line Manufacturing; Fairmont; LIGHTING: Spectrum
Lighting; LINENS & TOWELS: Parachute; SIGNAGE: ASI Signage; SURFACING
years. It even received Iowa’s Impact Award
MATERIALS: The Stone Shop; WALLCOVERINGS: Sherwin Williams; WINDOW
for inspiring community growth. TREATMENTS: Heartland Window Treatments

FINALIST

THE ASSEMBLAGE JOHN STREET

K R U G E R I M AG E S ( H O T E L G R I N N E L L ) ; M I K I KO K I K U YA M A ( T H E A S S E M B L AG E J O H N S T R E E T )
NEW YORK
DESIGN FIRM: Meyer Davis, New York Kuffner at the property’s entry amps up the
visual impact. Colorful tapestries, beaded
THE COMMISSION: Imbue a sense of figurines and woven cushions created by
collective consciousness, wellbeing and the Amazon’s native Shipibo tribe add a
harmony. Create a coworking and coliving bespoke touch throughout the building, while
experience that fuels collaboration in New impactful artwork sourced from Peru inspires
York’s Financial District. guests in the accommodations.
SOURCES
OWNER: Prodigy Network, New York; Shorewood Real Estate Group, New York;
THE CHARRETTE: Coworking spaces and THE CARRY-OUT: Hybrid concepts have
OPERATOR: Kokua Hospitality, San Francisco, California; DESIGN FIRMS: 79 extended-stay “apartments” reflect the staying power. Marking the brand’s second
Meyer Davis, New York: Will Meyer and Gray Davis, cofounders; Elizabeth Curry,
studio director; Rebecca Hernandez, lead designer; Amanda Tomlinson, project
property’s core commitment to biophilia, the opening, the 15-story John Street location
manager; The Assemblage, New York: Magdalena Sartori, chief creative officer; hypothesis that suggests there’s an instinc- includes six coworking floors designed to
ARCHITECT: Mancini Duffy, New York; PURCHASING COMPANY: Carroll Adams,
Long Island City, New York; GENERAL CONTRACTOR: Collaborative Construction
tive bond between human beings and other prompt member collaboration and produc-
Management; DESIGN CONSULTANT: Plant the Future (indoor plants/living art); living systems. A live moss-coated tunnel tivity. Communal tables and open seating
ARCHITECTURAL MATERIALS: Meyer Davis; ART CURATION: The Assemblage;
ACCESSORIES: MDLX (a unit of Mancini Duffy); AUDIO/VISUAL & ELECTRONICS:
entry serves as a transitional space from the lend themselves to serendipitous encoun-
AV Design; BATH & SPA: Casa Posta; Dr. Bronner’s Bath Amenities; FABRICS: bustling city to the serenity of The Assem- ters, while private offices offer exclusive inti-
Opuzen; Holly Hunt; Brentano; Ultrafabrics; Osborne & Little; KnollTextiles;
Maharam; Moore & Giles; Pollack; FLOORCOVERINGS: Stone Source; EGE;
blage. Hotel rooms and coworking areas are macy for those of a certain membership level.
Porcelanosa; FURNITURE: Design Within Reach; Coast to Coast; Munrod Upholstery; also decorated with lush, live greenery to Other unique elements, such as a dedicated
Saint-Damase; Royal Custom Designs; Stellar Works; Mark Jupiter; Andtradition;
Muuto; Knoll; Verpan; Tom Dixon; LIGHTING: Juniper; Allied Maker; Lambert et Fils;
increase oxygen. yoga room, the Tea Ceremony Room, medita-
Blu Dot; Tom Dixon; Rich Brilliant Willing; MILLWORK: Cider Press; Lucos Group; tion rooms, a spacious outdoor rooftop and
SIGNAGE: Crown Sign Systems; SURFACING MATERIALS: Interlam; Benjamin
Moore; Stone Resource; Crosby Street; WALLCOVERINGS: Phillip Jeffries;
THE COOL STUFF: A custom gamelatron terraces, and a galactic room used for sound
Koroseal; Calico; Sofia Willemoes; WINDOW TREATMENTS: Design 27 gong by Brooklyn-based artist Aaron Taylor meditation, reinforce the holistic experience.

22 boutiquedesign.com DECEMBER 2018

2 0 18 G O L D K E Y AWA R D S
BEST LOBBY FOCUSED SERVICE

SOURCES
OWNER: The Ascott Limited,
Singapore; DESIGN FIRM/
ARCHITECT: TPG Architecture,
LLP, New York: Alec Zaballero,
managing executive; Shay Lam
Nakashiki, studio creative director;
Sangmin Park, Miriam Layton,
Michael Wong, Maggie Heenan,
design professionals; Mark
Ruzzier, project manager; Artani
Golemi, project professional;
PURCHASING AGENT: HPG Intl.,
Walnut Creek, California; PROJECT
MANAGEMENT/OWNER’S REP:
Avison Young, New York; DESIGN
CONSULTANTS: Syska Hennessy
Group, New York (lighting); Robert
Derector Associates, New York
(MEP engineer); GENERAL
CONTRACTOR: KSC Kwangsoo
Construction Inc., New York;
ARCHITECTURAL MATERIALS:
Alucobond; ART & ACCESSORIES:
DAC Art Consulting; BATH & SPA:
Jaclo; Kohler; FABRICS/WINDOW
TREATMENTS: Valley Forge Fabrics;
FLOORCOVERINGS: Consolidated;
Dal-Tile; Interface Hospitality; Stone
Source; Transceramica; FURNITURE:
Allermuir; D’style by Kimball
Hospitality; Design Within Reach;
ISA Intl.; Lime Tree Hospitality;
Stellar Works; LIGHTING: Andrew
Neyer; Design Within Reach; Luminii;
SIGNAGE: Lauretano Sign Group;
SURFACING MATERIALS: Silestone

WINNER

CITADINES CONNECT
FIFTH AVENUE NEW YORK

DESIGN FIRM: TPG Architecture, LLP, New York

THE COMMISSION: Carve out a relaxed, modern home-away-from-home

on one of the busiest streets in Midtown. Make the public spaces intimate,
welcoming and multifunctional but don’t lose connection with the urban vibe
of the nearby Theatre and Fashion Districts, Bryant Park and the Museum of
Modern Art.

THE CHARRETTE: The name says it all: “Connect.” “Because it’s a mid-block
building, the hotel had to fit in with the iconic townhouses that line the
surrounding streets,” says Alec Zaballero, managing executive, TPG Architec-
ture. “It also had to be part of the community and the activity outside.” Large
windows give guests visual entrée to the streetscape while inviting passersby to
glimpse the lobby lifestyle of the hotel. Walnut entry doors are a direct nod to
the entrances of the neighborhood’s well-heeled residences.
THE CHALLENGE: Build maxed out impact into mini spaces. “The footprint
is just 33 ft. wide,” says Shay Lam Nakashiki, TPG’s studio creative director. “So,
of his/her stay in New York. “These elements not only draw the eye up, they
bring the story of the hotel to life and reinforce the homey feel,” says Zaballero.
THE COOL STUFF: Stylized chandeliers zigzag down the length of the narrow
public spaces to make them live larger, while a 12-ft.-long oak dining table is a
sculptural anchor to the eating area. A ribbon of flickering fire and a scattering
of wood-wrapped ottomans add comforting “kick back here” cues to the lobby.
ALEC Z ABALLERO

making the lobby look spacious wasn’t easy.” Expansive windows are a big part THE CARRY-OUT: Don’t underestimate the wow of small doses of color. This
of the solution. But playing with the vertical sweep of a 16-ft. ceiling is the real Citadines embraces neutrals. So the very strategic blue seats on the ottomans
key to crafting public spaces with an open feel. Walls showcase collectibles or a bowl of bright green moss become major focal points without overpow-
from an imaginary guest’s travels, artifacts from his/her hometown and photos ering the overall understated palette.

24 boutiquedesign.com DECEMBER 2018

2 0 18 G O L D K E Y AWA R D S
BEST LOBBY FOCUSED SERVICE
FINALIST
LA QUINTA INN & SUITES
DOWNTOWN CHICAGO
DESIGN FIRM: Gettys ONE (select service interior design arm of
The Gettys Group), Chicago
THE COMMISSION: Redesign the front-of-house spaces in LQ
Management’s flagship urban property located in the heart of the
Windy City’s financial district. Reference the area’s maritime past
in the context of a more modern lexicon.
THE COOL STUFF: Art loops in sense-of-place visuals that
link past and present. A mural depicting the Chicago skyline
provides the focal point as guests enter the lobby. Close-ups of
some of the CBD’s architectural icons carry that theme through
SOURCES
OWNER/OPERATOR: Ovolo Hotels, Hong Kong; DESIGN
FIRM/ARCHITECT/PURCHASING COMPANY: ALT-254,
Hong Kong; GENERAL CONTRACTOR: Contractor –
MP Contracting, Hong Kong; DESIGN CONSULTANTS:
Lightlinks International Ltd., Hong Kong, Tokyo (lighting);
JBA Consulting Engineers, Hong Kong office (MEP
engineer); FURNITURE: Mabu Design
FINALIST
RESIDENCE INN
WASHINGTON CAPITOL
HILL/NAVY YARD
WASHINGTON, D.C.
DESIGN FIRM: Group One Partners, Boston
THE COMMISSION: Mix materials and moods to forge
a modern loft vibe in the lobby of this newbuild hotel in a
diverse, emerging neighborhood.
THE CHARRETTE: Emphasize high contrast. Bold colors in
the fabrics and furnishings warm up raw concrete columns.
Stamped, aged wood-like tile provides a welcoming coun-
terpoint to the white envelope of the public spaces.
THE COOL STUFF: Form functions. Floor-to-ceiling slats
26 boutiquedesign.com DECEMBER 2018
SOURCES
OWNER/OPERATOR: LQ Management, LLC,
Irving, Texas; DESIGN FIRM: Gettys ONE, Chicago:
Erin Heckert, director; Liz Kay, project designer;
Leisha Ritter, designer; ARCHITECT: Epstein,
Chicago; PURCHASING COMPANY: The Gettys
Group, Chicago; GENERAL CONTRACTOR: WM. A.
Randolph, Inc., Gurnee, Illinois; ARCHITECTURAL
MATERIALS: Lumicor; ART & ACCESSORIES/
WALLCOVERINGS: Wendover Art Group;
FABRICS: Architex; Designtex; KB Contract;
LoomSource; Momentum; P/Kaufmann Contract;
the bar/lounge and the breakfast area. The feature Reid Witlin Ltd.; Robert Allen; Samelson-Chatelane;
Stacy Garcia for Lebatex; Tiger Leather; Valley
wall behind the custom reception desk uses bold, Forge Fabrics; FLOORCOVERINGS: Arizona
abstract insets to recall shipping industry line work. Tile; Milliken Hospitality Carpet; FURNITURE:
Aceray LLC; American Leather Inc.; Beaufurn;
Charter Furniture; D’style by Kimball Hospitality;
THE CARRY-OUT: Porcelain tile floors not only update JLF Collections; Montbel; Sandler Seating;
LIGHTING: Arkansas Lighting; Lamps Plus;
the look, they offer a seamless solution for pattern SURFACING MATERIALS: Belstone; Chemetal;
changes that define specific zones but still withstand Dal-Tile; Formica Group; Octopus Products; Pionite;
Wilsonart; WINDOW TREATMENTS: Quiltcraft
the housekeeping challenges of Chicago’s weather. Industries Inc.
FINALIST lighted accents overhead and a distinctive pseudo-3D
MOJO NOMAD effect wallcovering behind, a small bar brings together
guests who are checking in and locals who want to
CENTRAL grab a drink. Narrow stairs lead to an intimate open
bar and small event space that encourage mingling. A
HONG KONG highly curated materials palette maintains a consis-
DESIGN FIRM: ALT-254, Hong Kong tent vibe.
C O U R T E S Y O F L A Q U I N TA I N N S & S U I T E S ( L A Q U I N TA I N N & S U I T E S C H I C AG O D O W N T O W N ) ; L U C Y M C N A L LY ( M O J O
N O M A D C E N T R A L ) ; M A R K C O M P T O N P H O T O G R A P H Y ( R E S I D E N C E I N N WA S H I N G T O N C A P I TA L H I L L / N AV Y YA R D )
THE COMMISSION: Maintain the momentum of the THE CARRY-OUT: “Local” isn’t a time stamp.
buzz generated by the brand’s inaugural property in Aber- The property’s heavy mix of retro graphics and art
deen Harbour into Ovolo Hotels’ sophomore project in combined with aged, tactile materials speaks to the
Sheung Wan. Emphasize the concept’s disruptive hotel/ area’s rich history. “We sourced reclaimed brick from
shared working space business model in the public areas. demolished Victorian buildings in the U.K. and reused
Pump up the design volume with color and contrast. and upcycled wood from Chinese docks to get a real
sense of authenticity,” says Vincent McIlduff, ALT-254’s
THE CHARRETTE: Play social mixologist. With neon- founding partner and ceo.
SOURCES
OWNER/OPERATOR: Stonebridge
Companies, Centennial, Colorado; DESIGN
FIRM: Group One Partners, Boston: Carrie
Nielsen, associate of interior design; Fallon
Crossman, Angela Laugelle, designers;
ARCHITECT: Hickok Cole, Washington, D.C.;
PURCHASING COMPANY: The Stroud
Group, Columbia, Maryland; GENERAL
CONTRACTOR: Clark Construction
Group, Bethesda, Maryland; DESIGN
CONSULTANTS: Selles Lighting Design
(lighting designer); ARCHITECTURAL
MATERIALS: Caesarstone; Colorquartz;
separate the dining area from reception without walling off
Decorative Films; Dooge Veneers; ART &
the view. A low-height fireplace surround with an exposed ACCESSORIES: Faulkner & Locke; FABRICS:
Architex; Bernhardt Textiles; DL Couch;
flue anchors the gaming and TV zone. Yes, there are Insta-
Kravet; Loomsource; Mayer Fabrics; P/
gram moments, such as the industry barn doors that open Kaufmann Contract; Pollack & Associates;
FLOORCOVERINGS: Ceramic Technics;
onto the buffet and a custom mosaic wall that teams white
Durkan; FURNITURE: Afra; Belle Meade
tile with preserved greenery to add interest above the busi- Hospitality; JLF; Pacific Hospitality Design;
Renwil; SkyPad; Table Topics; Unifactor;
ness center’s long work counter.
LIGHTING: D’style Inc.; Global Lighting;
Hallmark Lighting; HB Architectural
lighting; Royal Contract Lighting;
THE CARRY-OUT: Go bold. Vibrant colors used throughout
SURFACING MATERIALS: 3-Form;
the lobby reference the energy of the diverse, revitalized Ceramic Technics; Formica; Garden On
The Wall; WALLCOVERINGS: DL Couch;
neighborhood around it.
Koroseal; MDC
2 0 18 G O L D K E Y AWA R D S
BEST LOBBY MIDSCALE

WINNER

GRADUATE
MINNEAPOLIS
DESIGN FIRM: Graduate Hotels In-House Design Team, Chicago

THE COMMISSION: Find thoughtful ways to infuse the locale, the neigh-
boring university and the area’s rich history into a design that’s unique to the
hotel while tying in a few branded details. Skip the themed hotel approach.

THE CHARRETTE: Taking cues from Minneapolis’ Norwegian influences and

active lifestyle, the lobby echoes the look of a cozy lake house. The brand’s
in-house team drew inspiration from the area’s adventurous attitude, fêted
athletic programs and creative community. Brand touches such as the oversized
Graduate Seal on the lobby’s hardwood floor reference this flag’s scholarly spirit.

THE CHALLENGE: Encouraging guests to stick around required careful plan-

ning. Break away spaces throughout—including a circular fire pit—activate
the space and provide visual (and literal) warmth. A long wooden table adds a
natural touch and accommodates marathon study sessions while communal
tables boost connectivity. The lobby’s layout makes room for moveable food
carts that offer local flavor and flexibility. But it’s not all work and no play: three
air hockey tables amp up the fun factor. Mounted nearby on the lobby’s hori-
zontal paneled wooden walls, old-school chalkboards serve as the scoreboard.

THE COOL STUFF: A preppy plaid pattern adorning the front desk sets the
collegiate tone. A statement-making textural log wall acts as the backdrop,
giving the arrival experience a rustic edge, while a gallery of landscape paint-
ings pays homage to the region’s breathtaking terrain. Two statement chan-
deliers—one made of fly fishing hooks and the other crafted with vintage
snow shoes—power up the drama factor and celebrate the city’s love of
outdoor sports. Oversized neon letters spell out the brand’s slogan, “We Are All
Students.” Set against a black painted wall, the text adds a high-contrast punch
and injects energy into the moody space.

THE CARRY-OUT: The devil is in the details. Surrounding the Graduate

Seal with a Herb Brooks quote reflects the brand’s point of view by paying
tribute to the hockey legend and University of Minnesota alum. The words
read, “You can’t be common. The common man goes nowhere. You have to
be uncommon,” advice that conveys a sense of individuality while providing
a clever discovery point for visitors upon arrival. Locally sourced vintage and
vintage-inspired furnishings arranged in clusters invite students, guests and
locals to meet up, hang out and study. Now that’s an A+.
CHRIS TIAN HOR AN PHOTOGR APH Y

SOURCES
OWNER: AJ Capital Partners, Chicago; OPERATOR: Graduate Hotels, Chicago; DESIGN FIRM: Graduate
Hotels In-House Design Team, Chicago: Andrew Alford, chief creative officer; Anya Robson, senior
designer; Krissy Melendez and Pamela Bruno, designers; ARCHITECT: Graduate Hotels, Chicago;
PURCHASING COMPANY: Slate Procurement, Chicago; GENERAL CONTRACTOR: Blinderman
Construction Co., Chicago; AUDIO/VISUAL & ELECTRONICS: Advanced Light & Sound; FABRICS:
Architex; DL Couch; Fabricut Contract; Holland and Sherry; KnollTextiles; Lee Jofa; Opuzen; Robert
Allen Contract; Romo; Samuel & Sons; Schumacher; Sequana; Tiger Leather; Valley Forge Fabrics;
FLOORCOVERINGS: Alarwool; Architectural Systems Inc.; FURNITURE: Hammer Design; Royal Custom
Designs; Shawn Austin; LIGHTING: Coronet; Rejuvenation Lighting; RH Contract; West Elm; SIGNAGE:
Albrecht Signs; SURFACING MATERIALS: Hammer Design; Spartan Surfaces; WALLCOVERINGS:
Kravet; Schumacher; WINDOW TREATMENTS: Miceli

28 boutiquedesign.com DECEMBER 2018

WE
ARE
MAKERS AMERICAN

SAWED,

RIPPED,

MACHINED,

GLUED,

SCREWED,

SANDED,

LACQUERED.

757.624.9025 | SMFURNITURE.COM
2701 ST. JULIAN AVE, NORFOLK, VA 23504
2 0 18 G O L D K E Y AWA R D S
BEST LOBBY MIDSCALE

FINALIST
SOURCES
CHICAGO MOXY OWNER: White Lodging, Merrillville, Indiana; DESIGN FIRM: Flick∙Mars, Dallas: James Flick,
partner; Matt Mars, partner; Karen Prigmore, senior associate; Lindsey Seboldt, associate (now with

DOWNTOWN HOTEL
DESIGN FIRM: Flick∙Mars, Dallas
THE COMMISSION: Craft a space for nomadic
millennial travelers who prefer to socialize and
work in the same location.
THE CHARRETTE: Delivering a modern design
without clashing with the older buildings in the
River North neighborhood called for a repur-
posed look.
THE COOL STUFF: Graffiti-style murals support
the city-centric feel. Steel beams bring the lobby
down to human scale.
THE CARRY-OUT: Ramp up the
revenue drivers. Large horizontal
bi-folding windows pull in locals.
Gensler); Alyssa Stanley, associate; ARCHITECT: DLR Group, Dallas; PURCHASING COMPANY:
White Lodging, Merrillville, Indiana; GENERAL CONTRACTOR: Pepper Construction, Chicago;
DESIGN CONSULTANTS: Khatib & Associates (MEP and fire protection engineers); Network
Technologies Inc. (low voltage); Schuler Shook (lighting); Shiner + Associates Inc. (acoustician);
Spaceco; (civil engineer); TGRWA (structural engineer); ARCHITECTURAL MATERIALS: Armstrong;
Benjamin Moore; Endicott; Glidden; Johnsonite; Octoterra Bani; Sherwin Williams; Sto Corp;
Swisspearl; ART & ACCESSORIES: Anthropologie; Arteriors; Books By The Foot; Common Gift;
Global Views; IAP; Kevin Barry Fine Arts; Palecek; Pi Fine Art; Pottery Barn; Red Bubble; Society6;
Urban Outfitters; West Elm; YLiving; FABRICS: Appian Textiles; Carnegie; Duralee; Fabricut
Contract; Fabric Innovations; Fil Doux Textiles; Green Hides; Joseph Noble; Justin David Textiles;
KB Contract; KnollTextiles; Kravet Contract; Maharam; Opuzen; Richloom Contract; Robert Allen;
Tiger Imports; Townsend Leather; Valley Forge Fabrics; FLOORCOVERINGS: Burke Flooring;
Ceramic Technics Ltd.; Concept Surfaces; Duraflex; Durkan; Emser Tile; Lapama Rugs; Signature
Carpet; Sponge Cushion Inc.; USF Contract; FURNITURE: Afra Furniture; CB2; Billiard Factory;
Charter Furniture; Designform Furnishings; Eric Brand; Fermob; Frontgate Contract; HF Collection;
IKEA; ISA Intl.; Industry West; McClure Tables; RH Contract; Southfield Furniture; Wells Industries;
West Elm; HARDWARE AND SCREEN: District Hardware & Bike Shop; HD Supply Facilities
Maintenance; Wells Industries; Zephyr; LIGHTING: American Lighting; Barn Light Electric; Eaton
Cooper; Evo-Lite; Gammalux Lighting; Hallmark Lighting; House Of Troy; iWorks; Lumens; Philips
Day-Brite; Progress Lighting; Prudential Lighting; RH Contract; Steiner; WAC Lighting; YLighting;
SIGNAGE: EELP; Persona Signage; SURFACING MATERIALS: Belden Brick, Caesarstone,
Ceramic Technics Ltd.; Concept Surfaces; D&L Wood Products Inc.; Gage Metals; Inpro Corp.;
Koroseal; Mapei; Neolith; Octopus Products; Rustbelt Reclamation; USF Contract; Wilsonart;
WALLCOVERINGS: Astek; Koroseal; WINDOW TREATMENTS: Echota Fabrics

FINALIST
SOURCES
EMBASSY SUITES DALLAS DFW AIRPORT NORTH OWNER/OPERATOR: Atrium Hospitality,
Alpharetta, Georgia; DESIGN FIRM/ARCHITECT/
PURCHASING COMPANY: HFS Concepts 4,
GRAPEVINE, TEXAS Long Beach, California: John Mamer, president;
Brent Lynch, principal & executive vice president;
DESIGN FIRM: HFS Concepts 4, THE COOL STUFF: Suspended Susan Prann, creative director; Rana Desar, project
Long Beach, California cloud forms represent the Big Sky of

THE COMMISSION: Modernize the
space while respecting the existing
architecture. Make heads turn (and
cell-phone cameras click) with
large-scale design elements.
Texas, while a modern art program
takes cues from cowboy culture.
Photomosaic murals, steer heads
and lighting reminiscent of abstract
horse bridles give guests a sense
of place.
M I C H A E L H U N T E R , M I C H A E L H U N T E R P H O T O G R A P H Y ( C H I C AG O M O X Y D O W N T O W N H O T E L ) ; V R X S T U D I O S I N C .
designer; GENERAL CONTRACTOR: Hospitality
One Construction, Canyon Lake, California;
DESIGN CONSULTANTS: Bresco (food service);
CEG (MEP); Lighting Design Alliance (lighting);
Ponce Engineering (structural); ARCHITECTURAL
MATERIALS: Cambria; Dekton; Hanstone;
Knotwood; Pental; Roca; Sherwin Williams;
Spectrum Surfaces; Ultra Marble & Granite;
Wilsonart; ART & ACCESSORIES: Arteriors; Fresh
Paint Art Advisors; Global Views; RH Contract;

THE CHARRETTE: Creating a clean,
horizontal footprint required the
removal of several elevation changes.
Trellis structures bring the volume of
the atrium to the guest level.
THE CARRY-OUT: Bring the
outdoors inside. Greenery tucked
within built-in planters breathe fresh
air into the space. Water features
imbue a sense of calm.
( E M B A S S Y S U I T E S DA L L A S D F W A I R P O R T N O R T H ) ; A D R I A N G A U T ( F R E E H A N D N E W YO R K )
FABRICS: Donghia; Fabricut Contract; Justin David
Textiles; Loomsource; Luna; Maharam; Momentum;
Opuzen; FLOORCOVERINGS: Ann Sacks; AZ Tile;
Crossville; Nourison; Shaw Hospitality; FURNITURE:
Align Hospitality Furnishings; Andreu World;
Buccola; Global Allies; Harbour Outdoor; MTS;
LIGHTING: Illumination; LaSpec; Lusive; Niche
Modern; RH Contract; PLANTERS: International Art
Properties; WALLCOVERINGS: Koroseal; MDC

FINALIST

FREEHAND NEW YORK

DESIGN FIRM: Sydell Group, New York, with millwork, original travertine floors and the
ROMAN AND WILLIAMS BUILDINGS AND barrel-vaulted ceiling were restored to their
INTERIORS, New York former elegance.

THE COMMISSION: Take design cues from the
Flatiron District’s original 1928 George Wash-
ington Hotel. Embrace Italian Renaissance style.
THE CHARRETTE: Thanks to a partnership
with Bard College’s artist residency and commis-
sioning program, the designers layered artworks
over the building’s interiors. Existing historic
THE COOL STUFF: Paper lanterns acquired from
the Noguchi Museum imbue a fresh air overhead.
Vintage Turkish kilim rugs add to the authenticity.
THE CARRY-OUT: Save what you can. Twenty
caryatids (female figure columns) frame the small
recessed alcoves and the outermost windows,
reinforcing the Renaissance aesthetic.
SOURCES
OWNER: AllianceBernstein, New York; Sydell Group, New York;
OPERATOR/PURCHASING COMPANY: Sydell Group, New York;
DESIGN FIRM: Sydell Group, New York; ROMAN AND WILLIAMS
BUILDINGS AND INTERIORS, New York; ARCHITECT: IBI Group, New
York; GENERAL CONTRACTOR: Spring Roc, New York; DESIGN
CONSULTANTS: Sean O’Connor (lighting); PIANO: Steinway

30 boutiquedesign.com DECEMBER 2018

 C E L E B R AT I N G W O M E N ’ S W O R K
authentic renditions of global craft

CUSTOM KNITS

f o r H O T E L , S PA , H E A LT H C A R E

and ASSISTED LIVING

S T U D I O T W I S T. N E T

770.528.5858

© 2 0 1 8 S T U D I O T W I S T, L L C . | ALL RIGHTS RESERVED.

2 0 18 G O L D K E Y AWA R D S
BEST LOBBY UPSCALE

SOURCES
OWNER: Union
Investment, Hamburg;
TENANT: ValueState,
Paris; OPERATOR:
AccorHotels, Paris;
DESIGN FIRM:
Sundukovy Sisters,
Moscow: Olga and Irina
Sundukova, co-founders
and art directors; Lera
Rykova, lead designer;
PURCHASING
COMPANY: Baran
Projektpartner,
Düsseldorf, Germany;
FIREPLACE: Dimplex,
Muenkel; FURNITURE:
Arflex; Ottiu: LED
SCREENS: Kardorff
Ingenieure Lichtplanung
GmbH; LIGHTING: Tom
Dixon

WINNER high-impact and even slightly outrageous touches. giraffe sculpture’s white base is more imagination

PULLMAN The iconic Berlin Zoo is across the street from the
hotel. What could be a better tribute than giant,
BERLIN SCHWEIZERHOF abstract sculptures of a giraffe and a zebra? These
bold focal points anchor the massive lobby volume
DESIGN FIRM: Sundukovy Sisters, Moscow firmly in the realm of the unexpected.
than zoology. Because the pieces are freestanding,
the sisters were able to install them without major
structural work. And, yes, it’s OK to think they’re
cute—why should there be a conflict between a
business hotel and playfulness?

THE COMMISSION: Break every rule known to
AccorHotels’ upscale business-traveler-friendly flag.
Yes, that was at the brand’s own request. Sisters
Irina and Olga Sundukova, founders of their epon-
ymous firm, actually had a first, more traditional
design for this renovation project turned down for
being too predictable.
THE CHARRETTE: Sometimes you have to look
THE CHALLENGE: The redo had to leave the
entire existing layout and most of the finishes
as-is. Any changes had to be minimally invasive.
Turning to tech (which could be installed without
major construction) provided one answer. “We
hung a large 3D LED screen over the bar space
with an extension in the lobby and the second
floor. The screen is the core element of the hotel
bar and lobby. It serves for projection of unique
THE CARRY-OUT: In this Instagram-crazy world,
clients are willing to take risks and support their
designers in doing so. Here, Pullman’s design lead-
ership intervened on Sundukovy Sisters’ behalf to
enable them to place a strip of ceramic porcelain
tiles over the extant 18-year-old granite floor. The
owner was concerned about damage to the orig-
inal surface, so Accor approved the change and
assumed the financial liability in case anything
MA ARTEN WILLEMSTEIN

back to revolutionize the present. “When creating
the design we were inspired by the architectural
design style of Germany in the first half of the 20th
century – Bauhaus,” says Irina. “As Ludwig Mies
van der Rohe said, ‘Less is more,’” adds Olga. In this
case, though, fewer objects mean more space for
designed drawings, which repeat the hotel’s style,”
says Irina.
THE COOL STUFF: The zebra sculpture is made
up of several individual pieces; the empty space
between them becomes the animal’s “stripes.” The
went wrong. So, designers, take that trust and
justify it! And, good design shows on the bottom
line. After the renovation, restaurant BLEND
berlin kitchen & bar is now more attractive for
guests and Berlin visitors, resulting in increased
F&B revenue.

32 boutiquedesign.com DECEMBER 2018

 FINALIST
DESIGN FIRM: Studio Munge, Toronto
BISHA HOTEL & RESIDENCES THE COMMISSION: Craft a smart,
TORONTO leveled-up take on opulence that
embraces sensuality. Go over the top
into “more-is-more” territory for the
debut hotel by Toronto nightlife guru
Charles Khabouth, ceo, INK Entertain-
ment. Make a 24-hour hotspot for what
designer Alessandro Munge, principal
of his eponymous studio, calls “a rejec-
tion of minimalism.”
THE CHARRETTE: Draw on worldly
influences for a materials palette that
creates new levels of tactile design.
Select pieces of unforgettable art to
punctuate the deep-toned, rich shades
on walls and elaborate patterns on the
floors of both the reception area and
SOURCES
lobby lounge Mister C Bar Room.
OWNER: ICONINK, Toronto; OPERATOR: Loews Hotels & Co., New York; DESIGN FIRM: Studio
Munge, Toronto: Alessandro Munge, principal; Mehari Manna Seare, project manager; Riko Gunawan
and Stephanie Kruschen, designers; Maged Salib, technologist; Kristan Klassen, procurement
THE CHALLENGE: Extremely inti-
manager; Enrico Passeri, industrial designer; ARCHITECT: Wallman Architects, Toronto;
PURCHASING COMPANY: Studio Munge, Toronto; GENERAL CONTRACTOR: SKYGRiD, Toronto; mate floorplans make sweeping
DESIGN CONSULTANTS: GZ Art Co. (art consulting) Toronto; Lightbrigade, Toronto (lighting); ART
design statements more than a little
& ACCESSORIES: GZ Art Co.; Jeff Goodman Studio; FABRICS/WALLCOVERINGS: Anthony Mellon;
FLOORCOVERINGS: Ciot; FURNITURE: Pro Carpentry; SURFACING MATERIALS: Ciot tricky, so adding the necessary drama
means looking beyond square footage.
Since the ground floor is bounded by
the restrictions of the original build-
ing’s footprint (Bisha is housed in a
newbuild 44-story tower built behind
a historic façade), the lobby and Mister
C Bar Room are distinct “rooms” rather
than one expansive area.
THE COOL STUFF: Use the small scale
to “splurge” on unexpectedly deca-
dent items. Velvet walls in the recep-
tion aren’t a budget-buster at this size.
Framed scarves from a Damien Hirst-
Alexander McQueen collab dress up
the Mister C Bar Room.
THE CARRY-OUT: Why hold back
when you can go a little crazy? Few
surfaces in the lobby are without a
decadent touch, from the gold accent
wall behind the reception desk to the
tiered ceiling. A Jeff Koons Balloon
Venus accents one side of the intimate
space. Artisanal glass birds turn the
ceiling into a focal point.

FINALIST

HOTEL NIA, AUTOGRAPH COLLECTION

MENLO PARK, CALIFORNIA
DESIGN FIRM: McCartan, Inc., New York
THE COMMISSION: “Our completed design
provides unique spaces and inspiring visual cues
BR ANDON BARRÉ (BISHA HOTEL & RE SIDENCE S); ANDRE W BOR DWIN
not stuffy, when it’s used in quirky material and
tonality pairings. “Lobby finishes include polished
Calacatta marble floor, light gray Venetian-style
plaster walls, and metal details throughout in

for creative thinkers, with numerous moments
for guests to experience a sense of place. “In the
immediate neighborhood some of the world’s most
powerful new ideas and businesses are germinated
S T U D I O, I N C . ( H O T E L N I A , AU T O G R A P H C O L L E C T I O N )
brushed brass, antique brass, and patina steel,”
says McCartan. Honey-colored cerused white
oak brings the cool tones, metals and high-gloss
floor to a warm, invitingly balanced result. Wood-

(neighbors include Facebook’s headquarters, with
Box and Google not too far away),” says Colum
McCartan, principal of the firm that bears his name.
“This is demonstrated in how they are provided for
functionally, spatially and inspirationally.”
THE CHARRETTE: Find innovative ways to freshen
up the marriage of nature and luxe urbanity that
make California’s design vibe aspirational Pinterest
fodder. Think about a front desk that appears to be
floating, an angled wall behind it that resembles a
door and stair carpet ending in a “pool.”
THE COOL STUFF: Straight-up luxe reads chic,
colored chairs with button upholstery on the back
and front bring a cozier touch.
THE CARRY-OUT: Yes, lobbies have to cater to
many diverse uses (and users). But, since design
isn’t one-size-fits-all, big, bold architectural
touches such as a massive column with a ring-
shaped light around it wow without preventing
guests from, say, finding a comfy perch for a quick
coffee or space for an informal meeting framed
by offbeat metal shelving. That structure, with
irregular faceted-box-shaped pieces within it, also
offers a sense of privacy, a necessary counterpoint
to the sweeping expanse of the overall space.
SOURCES
OWNER: Ensemble Real Estate Investments, Long Beach, California; OPERATOR:
Sage Hospitality, Denver; DESIGN FIRM: McCartan, Inc., New York: Colum
McCartan, president; Aileen Liu and Eimear McCartan, senior architects/
project directors; Irene Chun, senior designer; ARCHITECT: Cuningham Group
Architecture, Inc., Culver City, California; PURCHASING COMPANY: Project
Dynamics, Calabasas, California; GENERAL CONTRACTOR: Webcor, San
Francisco; ARCHITECTURAL MATERIALS: Caesarstone; California Drywall;
Country Floors; Crestmark Architectural Millworks; Dal-Tile; Design and Direct
Source; Kember Kreative Interiors; Nemo Tile; ProSpec, LLC; Superior Stone &
Tile; ART & ACCESSORIES: Carol Lee Pryor; Kevin Barry Fine Art; FABRICS:
Architex; CF Stinson; Charles Samelson; Chella Textiles; Demar Leather Company;
Fabricut; Kravet/Lee Jofa; LoomSource; Moni-Fabrics, Inc.; TRI-KES; Valley Forge
Fabrics; FLOORCOVERINGS: Innovative Carpets; M&M Design Intl.; Merida;
Signature Hospitality Carpets; FURNITURE: Benchmark Furniture Manufacturing;
Bryan Ashley; Composition Hospitality; D’style by Kimball Hospitality; Global
Allies; Kettal; Manutti; Oberon Design; Pedrali; RH Contract; LIGHTING: Mirror
Image; Sapphire Chandelier; Spike Lighting; SURFACING MATERIALS: Wilsonart;
WALLCOVERINGS: Astek Wallcovering; Carnegie; HD Walls; Koroseal; MDC
Wallcovering; Wolf-Gordon; WINDOW TREATMENTS: Charles Samelson; Fabric
Innovations; Fabtex; Kravet; Richloom; Valley Forge Fabrics

DECEMBER 2018 boutiquedesign.com 33

2 0 18 G O L D K E Y AWA R D S
BEST LOBBY UPSCALE

FINALIST

KIMPTON HOTEL BORN

DENVER
DESIGN FIRM: Semple Brown Design P.C., Denver

THE COMMISSION: Use literal building blocks—bricks—in the interior design

to evoke the neighborhood’s industrial past. Bring in natural materials to keep a
strong visual touchpoint with the modern Alpine style.

THE CHARRETTE: Finding a way to stand out without stylistic showboating was
key. “The design, like the city it inhabits, establishes its presence not through its
extravagance but through its thoughtfulness,” says Sarah Semple-Brown, principal,
Semple Brown Design P.C. So, the team took the emphasis off the FF&E and put it
on the architectural shell of the space.

THE COOL STUFF: Don’t expect to find piles of fur, cushions or any other “soft stuff ”
here. Instead, it’s the careful balance of wood, concrete and metal that creates a sense
of ease. The warm colors of wood on walls, floors (and some ceilings) create a hand-
some, cocoon-like embrace. Board-formed concrete walls combined with knotty pine
paneling, custom floor-to-ceiling window screens and walnut herringbone floors use
detail and contrasting textures to break up the expanses of boards and/or paneling.
THE CARRY-OUT: Even the most specific aesthetic is ripe for a freethinking twist.
Dialing back the intricacy of the light fixture gives the space a cleaner feel and
highlights the architecture. What a bright idea.
SOURCES
OWNER: Continuum Partners, LLC, Denver, Colorado; OPERATOR: Kimpton Hotel & Restaurant
Group, San Francisco, California : DESIGN FIRM: Semple Brown Design, P.C., Denver, Colorado
(interior design and design architect): Sarah Semple-Brown, principal; Erin Parker and Haily Tweedie,
associates; ARCHITECT OF RECORD: BOKA Powell, Dallas; PURCHASING COMPANY: The
Carroll Adams Group, Orlando, Florida; GENERAL CONTRACTOR: G.E. Johnson, Denver, Colorado;
DESIGN CONSULTANTS: Ellen Bruss Design, Denver (branding); Adam Lerner, director, Museum of
Contemporary Art , Denver (art curation); ARCHITECTURAL MATERIALS: Acierno & Company; EFCO;
G.E Johnson; VOGO Cabinets & Edge Construction; Wolf-Gordon; ART & ACCESSORIES: Bloom
by Anuschka; FABRICS: Abraham Moon & Sons; Maharam; Moore & Giles; FLOORCOVERINGS:
Isberian Rugs; Kasthall; Shaver-Ramsey Fine Rugs; FURNITURE: Coast to Coast; George Smith
Furniture; Mitchell Gold + Bob Williams; Smilow Furniture; Porta Romana; LIGHTING: Arteriors; Roll
& Hill; Vibia; Workstead; USONA; SIGNAGE: Ellen Bruss Design; Ekstrand Creative, LLC

FINALIST

RENAISSANCE ATLANTA AIRPORT

GATEWAY HOTEL
DESIGN FIRM: Rottet Studio, Houston supplies, but the space’s main purpose is
as a nontraditional business center) and, of

C O U R T E S Y O F I N T E R C O N T I N E N TA L H O T E L S G R O U P ( K I M P T O N H O T E L B O R N ) ;
THE COMMISSION: Bust the stereotype course, check-in into one open space, however
that airport hotel design has to be as tired as large, requires more than geometry. The

the jet-lagged passengers who stay there. Use
the Renaissance brand’s mandate of “Busi-
ness Unusual” to generate an unexpectedly
dramatic space with high-low contrasts in
materials and experiences, what Rottet Studio
president and founding principal Lauren
Rottet calls “true place-making” and design
that makes guests look again (and again).
SOURCES
CLIENT: Grove Street Partners, Atlanta; DESIGN FIRM: Rottet Studio, Houston: Lauren THE CHARRETTE: “The public areas of the hotel
Rottet, president and founding principal; David Davis, founding principal; Enrique
each offer a unique point of view that reinforces
Vela and James Cull, associate principals; Ashley Liu, interior designer; ARCHITECT:
Rule Joy Trammell + Rubio, LLC, Atlanta; PURCHASING COMPANY: Benjamin different parts of a traveler’s journey – departure,
West, Louisville, Colorado; GENERAL CONTRACTOR: Batson-Cook Co., Atlanta;
arrival, and homecoming,” says Rottet. Spaces for
DESIGN CONSULTANTS: Lux et Veritas Design, Inc., Atlanta (lighting); NETWORK
TECHNOLOGIES, INC, Aurora, Ohio (audiovisual); STANLEY D. LINDSEY & ASSOCIATES, working, relaxing and drinking within that whole
Atlanta (structural engineering); GRAY & POSTELL, INC., Atlanta (MEP engineering);
meets guests’ ever-evolving needs.
LAI ENGINEERING, Atlanta (civil engineering); Ballentine Walker Smith Inc., Kennesaw,
Georgia (acoustics); ART: Corinne Adams; Anne Irwin Fine Art; Art Touch Collection;
Nicole Cohen; Ryan Coleman; Sarah Emerson; Mary Meade Evans; Matt Hebermehl;
THE CHALLENGE: Squeezing a lobby bar,
Gregg Irby Gallery; IndieWalls; James Leng; Kalisher; Sandler Hudson Gallery;
Savannah College of Art and Design; WOODWORK: Mortensen Woodwork, Inc. meeting rooms, studio (complete with art
E R I C L A I G N E L ( R E N A I S S A N C E AT L A N TA A I R P O R T G AT E WAY H O T E L )
team turned to intentionally different mate-
rial palettes. Hazel & Hickory, the bar, has a
worn-in neighborhood hangout vibe with raw
concrete ceilings. The reception area, with its
mural, has pristine white pieces instead.
THE COOL STUFF: Outsized and/or high-
drama statements can be impactful and
subtle at the same time. A mural with a map
silhouette reinforces Atlanta’s role as a global
gateway. Chronicles of Narnia-inspired public
restrooms (each door represents a different
season) bring in an offbeat literary twist.
THE CARRY-OUT: Meghan Trainor was right.
There are no excuses. Bold design knows no
boundaries of size or project type. Just book a
layover in Atlanta to find out.

34 boutiquedesign.com DECEMBER 2018

WISHING YOU A

HOLIDAY
FROM THE DISTINCTION TEAM

WISHING ALL A HAPPY

AND PROSPEROUS NEW YEAR
HEADQUARTERED IN HIGH POINT, NC

WWW.DISTINCTIONHOSPITALITY.COM
2 0 18 G O L D K E Y AWA R D S
BEST LOBBY LUXURY

WINNER

NOMAD
LOS ANGELES
DESIGN FIRMS: Sydell Group, New York; Studio Jacques
Garcia, Paris

THE COMMISSION: Restore the original banking hall in this

Neoclassical 1923 building, originally the headquarters of the Bank
of Italy. Subdivide the massive volume into a lobby and several
multipurpose F&B venues that can be used day and night.

THE CHARRETTE: Restore the legacy and rewrite the future

of this Los Angeles landmark. Neoclassical features from
the vast space were meticulously reinstated: Doric columns,
square pilaster columns topped with original Corinthian
capitals, marble floors and an Italianate, double-height blue
and gold coffered ceiling were all renewed to form a sympa-
thetic backdrop for the smartly embellished lobby furnishings.
Velvety green chairs, sofas, curtains and a mirror-top table
furnish the Palm Court. The Library, which becomes a cocktail
lounge at night, offers an eclectic literary collection for guests
to borrow and features two 12-ft.-tall light fixtures hand-
sculpted in France.
SOURCES
OWNER: Yucaipa Companies,
THE CHALLENGE: Echo-inducing hard surfaces in the vast
LLC, Los Angeles;
former banking hall made creating intimacy tricky. Thoughtful AllianceBernstein, New York;
Sydell Group, New York;
zoning allowed for private nooks—as well as hotspots to see OPERATOR: Sydell Group,
and be seen whether schmoozing at Hollywood power lunches, New York; DESIGN FIRMS:
Sydell Group, New York:
catching up on emails or indulging in cocktails. Velvets, plush Jake Lamstein, managing
curtains, soft rugs and foliage warm the lobby’s ambience partner and chief development
officer; Sabine Vessnow
through soft textures and supply acoustic absorption. Khera, director, development
& sourcing; Ryan Bean,
director, development; Studio
THE COOL STUFF: Conversation-provoking curiosities make
Jacques Garcia, Paris: Jacques
it easy to share banter with new friends. “We kept the orig- Garcia, founder; Nassima
Bouzid, senior designer;
inal vault that once housed 12,000 safety deposit boxes and ARCHITECT: KFA Architecture,
its 50-ton door remains intact as a focal point of the lobby,” Santa Monica, California;
PURCHASING COMPANY:
says Jake Lamstein, managing partner and chief development Sydell Group, New York;
officer, Sydell Group. A portrait of St. Vibiana, Los Angeles’ GENERAL CONTRACTOR:
RD Olson Construction,
patron saint, hangs in the lobby’s Italian Coffee Bar as a Irvine, California; ART &
reminder of Italian-American Catholic heritage—sure to spark ACCESSORIES: Studio
Be-poles; FLOORCOVERINGS:
debate in such a multicultural city. The bar’s antique mirrors Alarwool, ABC Carpet; ICE;
slide apart in the evening to reveal a medley of tipple potions. Sam Kasten; FURNITURE:
Henryot et Cie; Delta Furniture;
With Gothic arches, moody lighting, jewel-tone fabrics and a Eric Brand Furniture;
two-story dining area, NoMad Restaurant is a recipe for success. Costantini Design; Fong
Brothers.

THE CARRY-OUT: It takes a deft touch to meld California’s

chilled-out vibe with the classical feel of Garcia’s signature
French style. Predominantly white walls encourage a cool,
BENOIT LINERO

open ambience, and palm trees reference the natural land-

scape. Light shifts according to time of day: early morning
meetings at the coffee bar feel energetic, while candlelit
corners are where the glitterati close the big deal at night.

36 boutiquedesign.com DECEMBER 2018

Dedicated to design
Using the runway as her muse, Creative
Director Dorothy Cosonas designs luxe
collections that serve as high fashion for
modern interiors. Each launch is an exploration
of material, construction and color.

Knoll Luxe | 212-343-4114 | knollluxe.com

2 0 18 G O L D K E Y AWA R D S
BEST LOBBY LUXURY

FINALIST

THE RITZ-CARLTON ORLANDO, GRANDE LAKES

DESIGN FIRM: LEO A DALY, Dallas
THE COMMISSION: Transform the lobby
from its previous traditional style into the
next era of Ritz-Carlton hotels. Depart from
the classical columns, extensive floor level
changes and traditional carpet patterns that
characterize previous Ritz-Carlton brand
standards, creating a fresh design that would
maximize ROI from the reputed $6.6 million
invested in just the lobby and related areas.
Develop a level of refinement in keeping with
the renovation of two Marriott properties at
Grande Lakes.
THE CHARRETTE: Sun-drenched Italian villas,
the French Riviera and the timelessness of
luxurious European homes: these inspirations
shaped the refined appeal of the lobby’s arrival,
bar and lounge. A clean, white palette with
golden splashes, gray accents and pale traver-
tine floors brightens the enlarged bar as it takes
center stage. The concierge and front desks
recall luxury yachts with folded plate fronts,
high-gloss wood finishes and soft lighting.
THE COOL STUFF: A staggered, 3D gray and
white marble mosaic brings subtle texture
to the bar façade. In the center of the bar’s
island, two ceiling-height columns encased
with a golden framework surround LED-lit
glass shelves and “form the ‘jewelry’ of the
lobby,” according to Kathy Chavez, director
of hospitality interiors, LEO A DALY. Bottle
displays are neatly housed, eliminating clutter
so guests enjoy the view.
SOURCES
OWNER: Blackstone Real Estate Advisors, New York; OPERATOR: Marriott
THE CARRY-OUT: Fusty is not fashionable. International, Inc., Bethesda, Maryland; DESIGN FIRM/ARCHITECT: LEO A
DALY, Dallas: Kathy Chavez, director of hospitality interiors; Gloria Zhou, project
Large-scale awning windows added to the architect; Michelle Holmes, senior interior designer; Alexis Gillum, interior designer;
lobby’s sundeck let the sunshine into previ- PURCHASING COMPANY: Beyer-Brown & Associates, Orlando, Florida; GENERAL
CONTRACTOR: Midway Enterprises, Lake Zurich, Illinois; DESIGN CONSULTANTS:
ously dark spaces. Whether evoking a Euro- Reveal Design Group, New York (lighting design); ARCHITECTURAL MATERIALS:
pean feel or the southern charm of grand American Woodworking; Crown Windows; ART & ACCESSORIES: DAC Hospitality;
FABRICS: Edelman Leather; Jerry Pair Leather; Keleen Leathers Inc.; Mokum;
sun porches in stately Florida homes, today’s Opuzen; Pierre Frey; Pollack & Associates; Romo Fabrics; Sina Pearson Textiles;
luxury properties respond to guests’ desire for Spinneybeck; Stark Fabric; Tiger Leather; Weitzner Limited; FLOORCOVERINGS:
PierPoint ; FURNITURE: Affiliated Importers LTD; Baker; Lily Jack; Palecek;
light-filled, contemporary atmospheres rather LIGHTING: Baker; InLight International; SURFACING MATERIALS: New Ravenna;
than staid tradition. Stone Source; TileBar; WALLCOVERINGS: Koroseal; MDC Wallcoverings

FINALIST
DESIGN FIRM: AB Concept, Hong Kong
ROSEWOOD SANYA
THE COMMISSION: “Connect modern city-dwellers with nature,” says Ed Ng, prin-
CHINA
cipal, AB Concept. Organic shapes and details create an intimate, relaxing experience

D O N R I D D L E ( R I T Z- C A R LT O N G R A N D E L A K E S ) ; O W E N R AG G E T T ( R O S E W O O D S A N YA )
where comfort and tranquility help guests get away from it all.

THE CHARRETTE: According to Terence Ngan, principal, AB Concept, “Nothing is

extravagant nor exaggerated.” Subtle shades of fawn and flax form an unassuming
canvas of quiet luxury where nothing shouts. From the ground floor entry, guests
journey up to the 14th-floor sky lobby with wrap-around views of the South China Sea
and soft shades of taupe and delicate cream. The reception extends into a living room-
like lounge and tea bar with plush seating and curated books and artwork. Warm
timber finishes; smooth, curved shapes; and expansive, light-filled sea views from the
sky create a peaceful atmosphere as if floating amongst the clouds.

SOURCES
OWNER: Poly Real Estate Group Co., Ltd., Guangzhou, China; OPERATOR: Rosewood
Hotels & Resorts, Hong Kong; DESIGN FIRM: AB Concept, Hong Kong: Ed Ng, principal;
Terence Ngan, principal; Randee Chen, project designer; ARCHITECT: Goettsch Partners,
Chicago; PURCHASING COMPANY: Poly Real Estate Group Co., Ltd., Guangzhou, China;
ART & ACCESSORIES: ASI Art; FABRICS: Altfield; Veranda; FLOORCOVERINGS: Kanstone;
FURNITURE: Hive; RH Contract; LIGHTING: Castlewerks; Holly Hunt; SURFACING MATERIALS:
Cetec; Master Resource; Wallpaper Plus; WALLCOVERINGS: CHC Concepts
THE COOL STUFF: Cheer-inducing artwork is prominent throughout to heighten the feel-
good vibes. At the ground floor, the large pink Ice Cream Bear sculpture by South Korean
artist Byun Dae-young brings light-hearted surprise and delight as guests’ relaxing getaway
begins. In addition, a 23-ft.-high abstract floral oil painting attracts the eye with its warm,
vibrant colors. Argentina-based artist Carlos Arnaiz created the piece and is renowned for
poetic representations celebrating the natural growth and evolution of plants.
THE CARRY-OUT: Luxury need not be flashy—but understated isn’t vanilla here. A
nature-inspired environment with sea views, organic shapes, neutral palettes and pure
materials frees up mental space so guests can unwind, which for many, is the most
indulgent luxury of all.

38 boutiquedesign.com DECEMBER 2018

 NEW! Savoiardi Chandelier

Explore more than 300 Fall 2018 introductions at

curreyandcompany.com/fall2018

Atlanta | Dallas | High Point | Las Vegas | New York

2 0 18 G O L D K E Y AWA R D S
BEST GUESTROOM FOCUSED SERVICE

WINNER

MOJO NOMAD
CENTRAL
HONG KONG

DESIGN FIRM: ALT-254, Hong Kong

THE COMMISSION: Shake up Hong

Kong’s typical affordable hotel menu
with a something-for-everyone mix of
five room types ranging from shared
spaces and sleeping pods to suites. Don’t
disappoint the creatives and digital
nomads who spend up for the larger
accommodations and expect sophisti-
cated, thought-provoking design. Steer
clear of the dorm thing: groups, families
and travelers who want (or don’t mind)
a social experience won’t settle for a row
of cots or stacked beds that would look
outdated in a barracks.

THE CHARRETTE: Think big. Room foot-

prints for the 56 accommodations range
from S (small) to XL (extra large), but
the wow factor had to be one-size-fits-
all. Color and pattern were the obvious
starting points. Drawing the focus to
the shell of the rooms creates a sense of
spaciousness. Facing walls washed in
energizing yellow provide a sunny shelter
for beds in some of the private rooms,
while the mood shifts to calming indigo
in others. Strong graphic patterns on the
fronts of the bunk niches make them a
literal work of art. Textured effects that
change from one wall to the next provide
points of visual interest without clutter. THE COOL STUFF: Insider secrets. Case in point: Murals SOURCES
that undulate like radio waves. Guests get bragging rights OWNER/OPERATOR: Ovolo
Hotels, Hong Kong; DESIGN
THE CHALLENGES: A tight budget vs. if they can find the hidden image formed by the patterns. FIRM/ARCHITECT/PURCHASING
travelers’ sky-high expectations for this COMPANY: ALT-254, Hong Kong;
GENERAL CONTRACTOR:
sexy younger sister to the brand’s debut THE CARRY-OUT: Get in the head of every guest. “We Contractor – MP Contracting, Hong
property in Aberdeen Harbour. Too- had to deliver looks that would play well to travelers Kong; DESIGN CONSULTANTS:
Lightlinks International Ltd.,
clever-by-half basics get the right result looking for designer rooms as well as families, groups Hong Kong, Tokyo (lighting); JBA
for both halves of the equation. The and friends who want a new type of value-driven Consulting Engineers, Hong Kong
office (MEP engineer); FURNITURE:
slatted partition in the XL room defines hospitality,” says Vincent McIlduff, ALT-254’s founding Mabu Design
the sleeping area without the expense of partner and ceo. Elements such as the outsized line
a half-wall or custom millwork. FF&E is drawing of a dynamic human profile answer the
L U C Y M C N A L LY

highly curated, but each piece—such as aesthetic brief of the creatives and digital nomads who
the sleek double-oval side table or the frequent the Sheung Wan neighborhood. Even shared
drop-down desk—drives this fresh take rooms respect the need for privacy. Each bunk has its
on urban hotel interiors. own television and Bluetooth headphone capabilities.

40 boutiquedesign.com DECEMBER 2018

VISIT LEWISMITTMAN.COM/LUNAR-COLLECTION

TO SEE THE NEW COLLECTION IN EVERY DETAIL

G U E ST R O O M S | P U B L I C S PAC E S | D I N I N G

lewismittman.com | 800 414 5015

2 0 18 G O L D K E Y AWA R D S
BEST GUESTROOM FOCUSED SERVICE

FINALIST

CITADINES CONNECT
FIFTH AVENUE NEW YORK
DESIGN FIRM: TPG Architecture, New York

THE COMMISSION: Carry through the townhouse feel of the public spaces
into the 125 guestrooms and suites. Be a good editor; redline elements that
would overpower a truly residential bedroom or bathroom and concentrate on
providing understated FF&E that would make any traveler feel at home.

THE CHARRETTE: Lighten up. The neutral palette provides instantaneous detox to
the sensory overload of Fifth Avenue and the kaleidoscope of nearby Times Square.

THE COOL STUFF: White oak casegoods punctuated with blackened steel
channel the hotel’s contemporary vibe. Open, exposed millwork adds interest
SOURCES and an upscale feel. The white oak vinyl plank flooring takes a residential
OWNER: The Ascott Limited, Singapore; DESIGN FIRM/ARCHITECT: TPG Architecture, LLP., New
turn with a homey herringbone pattern installation. “Working with a limited
York: Alec Zaballero, managing executive; Shay Lam Nakashiki, studio creative director; Sangmin Park,
Miriam Layton, Michael Wong, Maggie Heenan, design professionals; Mark Ruzzier, project manager; budget, our design team wanted to spend money to get the best quality on the
Artani Golemi, project professional; PURCHASING AGENT: HPG Intl., Walnut Creek, California;
physical components that guests actually touch,” says Alec Zaballero, TPG’s
PROJECT MANAGEMENT/OWNER’S REP: Avison Young, New York; DESIGN CONSULTANTS: Syska
Hennessy Group, New York (lighting); Robert Derector Associates, New York (MEP engineer); GENERAL managing executive.
CONTRACTOR: KSC Kwangsoo Construction Inc., New York; ARCHITECTURAL MATERIALS:
Alucobond; ART & ACCESSORIES: DAC Art Consulting; BATH & SPA: Jaclo; Kohler; FABRICS/
WINDOW TREATMENTS: Valley Forge Fabrics; FLOORCOVERINGS: Consolidated; Dal-Tile; Interface THE CARRY-OUT: Don’t be afraid of going to the dark side. The blackened
Hospitality; Stone Source; Transceramica; FURNITURE: Allermuir; D’style by Kimball Hospitality;
steel legs supporting the sink and black penny tile floor serve as chic counter-
Design Within Reach; ISA Intl.; Lime Tree Hospitality; Stellar Works; LIGHTING: Andrew Neyer; Design

A L E C Z A B A L L E R O ( C I TA D I N E S C O N N E C T F I F T H AV E N U E N E W YO R K ) ; A J B R O W N I M AG I N G ( E L E M E N T M O L I N E )
Within Reach; Luminii; SURFACING MATERIALS: Silestone points to the pristine white of the bathroom’s fixtures and walls.

FINALIST SOURCES
ELEMENT MOLINE OWNER: The Amin Group, San
Francisco, California; OPERATOR:
C-Two Hotels, San Francisco,
ILLINOIS California; DESIGN FIRM: Sheedy/
DeLaRosa Interiors, Chicago:
Natalie Sheedy, Marcie DeLaRosa,
owners; Jen Hankee, designer;
DESIGN FIRM: Sheedy/DeLaRosa Interiors, Chicago ARCHITECT: Legat Architects,
Chicago; PURCHASING COMPANY:
PMI (Purchasing Management Intl.),
THE COMMISSION: Find a seamless solution for 96 guest Dallas; GENERAL CONTRACTOR:
suites that span a century-old warehouse/distribution facility Russell, Davenport, Iowa; DESIGN
CONSULTANTS: IMEG Corp., Rock
and a newbuild 22,000-sq.-ft. addition. Modulate the materials Island, Illinois (structural engineer);
that respect the original building’s roots to make them high- ARCHITECTURAL MATERIALS: Boyd
Windows; Guardian Glass; Kawneer;
touch enough for a guest retreat. And, serve up a full kitchen Kone; Plyboo; ART & ACCESSORIES:
that’s efficient and as “designed” as the rest of the space. THE COOL STUFF: Each renovated guest suite exposes a Eaton Fine Art; Kalisher; PI Fine Art;
BEDDING: Simmons; CASEGOODS:
different part of the original building. Some feature exposed Lacquercraft; CUSTOM MILLWORK:
THE CHALLENGE: Make all the pieces of this complex old- chevron-braced braced frames which add a contemporary twist Redbud Ridge; AUDIO/VISUAL &
ELECTRONICS: GE; Mood Media;
meets-new puzzle fit while respecting the building’s heri- (and strengthen lateral force resistance) when played against Samsung; BATH & SPA: American
tage and maintaining this eco-friendly brand’s standards. The period-appropriate brick walls. Metal stud drywall added below Standard; Caesar Ceramics USA;
Kohler Co.; FABRICS: Fabricut
existing structure houses 65% of the guestrooms; the rest are the bricks greens up the rooms by reducing the toll on heating Contract; Fil Doux Textiles;
sited in the new extension. “We walked through every room and cooling systems. Kitchens can morph from a galley style to a Townsend Leather; Ultrafabrics;
FLOORCOVERINGS: Signature
type with the architect, contractor and owner to determine space-saving configuration tucked in an alcove. Hospitality Carpets; FURNITURE:
the layout, figure out how to optimize the location of each Allermuir; Charter Furniture;
Design Within Reach; JANUS et
piece of FF&E and create a good flow around the kitchen,” say THE CARRY-OUT: Spin out the design narrative in chapters. Cie; LIGHTING: David Trubridge;
Natalie Sheedy and Marcie DeLaRosa, who head their epony- From their floorplan to their art, every one of these extended Frandsen Project; Hallmark Lighting;
Project Light; Sonneman; Tech
mous firm. “By emphasizing texture and minimizing color, we stay guest suites tells its own story. Details such as architectural Lighting; WakaNINE; SURFACING
were able to bridge the overall feel across room types as well accents, seating choices and lighting fixtures are customized to MATERIALS: Belstone; WINDOW
TREATMENTS: VQC, Inc.
as across the old and new facilities.” the opportunities of these diverse bays.

42 boutiquedesign.com DECEMBER 2018

ginkgo wire lounge with helio tables | jehs+laub
2 0 18 G O L D K E Y AWA R D S
BEST GUESTROOM MIDSCALE
WINNER
FREEHAND LOS ANGELES
DESIGN FIRM: Sydell Group, New York, with ROMAN AND
WILLIAMS BUILDINGS AND INTERIORS, New York
THE COMMISSION: Marry the building’s 1920s past with
contemporary California lifestyle. Expand upon design themes
that highlight the combination of nature and culture at the
brand’s Chicago and Miami locations. Imbue a sense of inti-
macy within spacious interiors and give guests options with
the addition of superior rooms and suites, shared accommoda-
tions and a bunk room. Embrace the flag’s signature American
craftsman style.
THE CHARRETTE: The designers layered a modern interpreta-
tion of LA’s evolving urban landscape over the hotel’s restored
interiors. The color palette takes cues from the muted tones of
California’s hills and deserts. Plein air paintings from the 1920s
through the ’60s nod to West Coast artists’ tendency to create
their work in nature. Guestrooms (167 private and 59 shared)
have a residential feel thanks to various textures and a hand-
crafted design scheme. Custom millwork recalls the details and
lines of the Arts and Crafts movement.
44 boutiquedesign.com DECEMBER 2018
THE CHALLENGE: Bridging the gap between two eras and uniting SOURCES
various styles called for pieces tailored to the locale. Embossed OWNER: AllianceBernstein,
New York; Yucaipa Companies
leather headboards, antique Persian rugs in saturated colors and LLC, Los Angeles; OPERATOR/
a curated art collection by Paris-based design studio be-poles PURCHASING COMPANY:
Sydell Group, New York;
come together for a one-off look. Bathrooms with terrazzo walk-in DESIGN FIRM: Sydell
showers, separate water closets and freestanding pedestal bathtubs, Group, New York; ROMAN
AND WILLIAMS BUILDINGS
as well as marble writing desks with petite settees, up the opulence. AND INTERIORS, New York;
ARCHITECT: KFA Architecture,
Santa Monica, California;
THE COOL STUFF: Completed in 1924 by architecture firm Walker GENERAL CONTRACTOR:
& Eisen, the building was originally used as office space and was Shangri-La Construction,
Los Angeles
once home to a publishing company run by “Tarzan” author Edgar
Rice Burroughs. Corridors play up the past with restored marble
floors. Historic office doors with glass sidelights and transoms
repurposed as guestroom entries support the vintage vibe.
PAT R I C K M I C H A E L C H I N
THE CARRY-OUT: It’s all about balance. Shared rooms and
custom designed cedar bunk beds accommodate budget-
conscious travelers while reinforcing the brand’s hostel ethos.
Collaborating with California workshops and merchants weaves
in the region’s culture for a homegrown aesthetic that appeals to
guests seeking a more upscale experience.
2 0 18 G O L D K E Y AWA R D S
BEST GUESTROOM MIDSCALE

FINALIST

GARDENS SUITES HOTEL BY AFFINIA

NEW YORK DESIGN FIRM: Amanda Sullivan Studio
Architecture, PC, New York
THE COMMISSION: Provide a tranquil
escape from the hustle and bustle of the Upper
East Side. Reinvent the 13-story, 1960s prop-
erty’s accommodations with an open, over-
sized layout that suits the needs of modern
extended-stay business and leisure travelers.
THE CHARRETTE: Artful urban gardens
served as the jumping off point for the
design concept. Strategic layering of various
textures and a light palette of earthy
SOURCES neutrals evoke a calming sensation by refer-
OWNER/OPERATOR: Denihan Hospitality Group, LLC, New York; DESIGN FIRM: Amanda
encing elements from nature.
Sullivan Studio Architecture, PC, New York: Amanda Sullivan, principal; Frahydel Falczuk,
Junko Toshima and Shannon Diamondstein, designers; ARCHITECT: R. Wade Johnson
Design, PLLC, St. James, New York; PURCHASING COMPANY: The Cardy Group, Toronto;
THE CHALLENGE: Make guests forget
GENERAL CONTRACTOR: QWEST Contracting, New York; APPLIANCES: Bosch;
Empava; LG; Sharp; ARCHITECTURAL MATERIALS: Fuller Architectural Hardwoods; the New York-minute culture outside. The
ART & ACCESSORIES: Espy Color Imaging; FABRICS: Pierre Frey; Shamrock Textiles;
designers envisioned serene surroundings
Valley Forge Fabrics; FLOORCOVERINGS: Aronson’s; Signature Hospitality Carpets;
FURNITURE: Bryan Ashley; Fairmont; Flexsteel; HARDWARE: Atlas; LIGHTING: for relaxing and rejuvenation. The property’s
Illumination Lighting; WAC Lighting; PLUMBING: Elkay; Hansgrohe; SIGNAGE: Sign
130 apartment-style guestrooms—ranging
Design Group of NY Inc.; SURFACING MATERIALS: Caesarstone; WALLCOVERINGS:
two-bedroom accommodations—required
an efficient layout to make space for such
household conveniences as full kitchens,
180-degree tilt powered recliners and sleeper
sofas. Plush textures, soft contours and
diffused lighting enhance the easy ambience.
THE COOL STUFF: Organic abstractions of
green and blue in the carpet underfoot bring
the outdoors in, while their flowing lines
lend a subtle energy. An oversized mural
showcasing plant motifs framed behind the
bed draws the guest’s focus up and high-
lights the natural narrative.
THE CARRY-OUT: Freshen up. Staying true to
the designer’s vision of walking down a wooded
path required a personalized approach.
Furnishings, lighting, carpet and wallcoverings
were all specifically designed to fit into the city-
centric garden theme. Hanging wire fixtures
tie in with the lines of the coffee table bases

SCOT T FR ANCE S (GAR DENS SUITE S HOTEL BY AFFINIA); TOM CR ANE PHOTOGR APH Y ( THE GOO DWIN HOTEL)
Maya Romanoff; TRI-KES; WINDOW TREATMENTS: County Draperies Inc. from 425-sq.-ft. junior suites to 1,200-sq.-ft. without weighing down the airy aesthetic.

FINALIST SOURCES
THE GOODWIN HOTEL OWNER/OPERATOR/GENERAL
CONTRACTOR: RMS Companies,
Stamford, Connecticut; DESIGN
HARTFORD, CONNECTICUT FIRM: HVS Design, Rockville,
Maryland: Christine Shanahan,
managing director of design; Carolyn
Wells Maples, senior designer;
DESIGN FIRM: HVS Design, Rockville, Maryland Sharon Perkins, construction design
coordinator; ARCHITECT: JN+A,
Rockville, Maryland; PURCHASING
THE COMMISSION: Revitalize an 1880s former apartment COMPANY: Purchasing Dimensions,
building. Restore historic elements of the existing structure Somers, Connecticut; DESIGN
CONSULTANTS: J & M Lighting
while infusing a bold, modern look into the 124 guestrooms, Design Inc.; Kennebunkport, Maine
including several loft-style accommodations and six suites. (lighting); ARCHITECTURAL
MATERIALS: Advanced Arch Grilles;
Schluter Systems; Tile Redi; ART &
THE CHARRETTE: Millwork details from the building’s past ACCESSORIES: PI Fine Art; AUDIO/
VISUAL & ELECTRONICS: Samsung;
pop against the guestrooms’ bright whites, graphic patterns and BATH & SPA: American Standard;
quirky accents. The palette weaves in neutrals such as black Kohler; Scarabeo Ceramica; COAT
HOOKS: Renaissance; CUSTOM
and white with royal blue. Layering in a deeply embossed blue MILLWORK: John June Custom
ceiling unites the interior with the building’s exterior. Cabinetry; FABRICS: Architex; JAB
ANSTOETZ; Justin David Textiles;
Opuzen; FLOORCOVERINGS: Surya;
THE CHALLENGE: Planning a modern layout within a in high-contrast colors defines zones and provides textural FURNITURE: Arteriors; FD Studios;
Flexsteel; Sorrentino Mariani; Worlds
historic footprint took creativity. The original fireplaces and comfort underfoot. Away; LIGHTING: Renwil; Q Candles;
built-in wooden closets were reworked and incorporated Séura; SIGNAGE: Sign Design CT;
SURFACING MATERIALS: Akdo Tile;
into the new design. THE CARRY-OUT: Layer it on. Showers clad in subway tile, Amtico via Mannington; Benjamin
which was installed in varied patterns with inset niches, give Moore; Discover Tile; Emser Tile;
Sherwin Williams; THROW: Fabulous
THE COOL STUFF: An artful headboard flanked by sconces the bathroom an upscale feel. Vintage-inflected motifs on the Furs; WALLCOVERINGS: Astek
creates the illusion of floating shades. Juxtaposed with the hexagonal floor tiles play up the property’s past. Behind the Wallcovering; DL Couch; Koroseal;
WINDOW TREATMENTS: Dra-Cor
warm mahogany flooring, a hexagon-patterned area rug vanities, a dark, wood-like surface adds warmth and definition.

46 boutiquedesign.com DECEMBER 2018

The Essence of Enduratex

Performance Textiles
Versatility and Durability
Color & Design
2 0 18 G O L D K E Y AWA R D S
BEST GUESTROOM UPSCALE

SOURCES
OWNER: ICONINK, Toronto;
OPERATOR: Loews Hotels
& Co., New York; DESIGN
FIRM: Studio Munge, Toronto:
Alessandro Munge, principal;
Mehari Manna Seare, project
manager; Riko Gunawan and
Stephanie Kruschen, designers;
Maged Salib, technologist;
Kristan Klassen, procurement
manager; Enrico Passeri,
industrial designer; ARCHITECT:
Wallman Architects, Toronto;
PURCHASING COMPANY:
Studio Munge, Toronto;
GENERAL CONTRACTOR:
SKYGRiD, Toronto; DESIGN
CONSULTANTS: GZ Art Co.,
Toronto (art consulting);
Lightbrigade (lighting), Toronto;
ARCHITECTURAL MATERALS:
Citywide Door + Hardware;
Doorland Group; ART &
ACCESSORIES: GZ Art Co.;
Jeff Goodman Studios; AUDIO/
VISUAL & ELECTRONICS:
Williams HVAC; BATH & SPA:
Aquabrass; FABRICS: Anthony
Mellon; Threadcount Textile &
Design; Westport Manufacturing;
FLOORCOVERINGS:
Advance Tile and Hardwood;
Ciot; Vifloor Canada Ltd.;
FURNITURE: Stellar Works;
Stylex; Viriato Hotel Concept;
LIGHTING: Lightform;
Preciosa Lighting; Tom Dixon;
MIRRORS: Accura Glass;
SIGNAGE: Forward Signs;
SURFACING MATERIALS: Ciot;
WALLCOVERINGS: Metro
Wallcoverings Inc.

WINNER smooth leather that, when turned off, doubles as a black chrome mirror,” says

BISHA HOTEL & RESIDENCES Munge. “Or an en-suite with an exaggerated three-paneled mirror for an opti-
mized dose of vanity and subversive graphic prints hanging over an ellipse
TORONTO shaped porcelain tub.”

DESIGN FIRM: Studio Munge, Toronto
THE COMMISSION: Craft a decadent bolthole for the world’s coolest trav-
elers; make sure any guest or guest of a guest feels like a jetsetter just by
opening the door. Make sure the exclusivity relies on self-selection, rather than
fame, fortune or Insta followers. Position the 96 guestrooms as hotspots for any
fantasy guests can dream up, from pop culture (Andy Warhol served as a muse
for the hotel) to popping a cork (a bar cart doubles as a focal point and party
starter). “The interiors invite guests to shine brighter than the stars them-
selves,” says Alessandro Munge, principal, Studio Munge. No, that’s not ego, just
a crucial point on the need today’s cool kids have to feel aspirational.
THE CHALLENGE: Delays in construction added years to the timeframe of
the project. So, Munge and his team had to go back to the drawing board on
the color palette. By leaving the walls white and using a patterned carpet in
cool shades, they helped to future-proof the shell of the rooms, leaving them
free to add in more of-the-moment pieces.
THE COOL STUFF: Interacting with what’s in the room unveils tantalizing
visual discoveries. Unpacking? The moment guests open the sapphire blue
wardrobe with its succession of routed ovals across the double door front,
they’ll be greeted by the merlot shelves within. Mirrors over each bed are
antiqued, creating an artistic, rather than literal, reflection.

THE CHARRETTE: Keep the edge in every major piece of art and furniture THE CARRY-OUT: It’s time for a serious rethink of what the musts are in guest-
BR ANDON BARRÉ

in the room. Since no two rooms have the same art or FF&E and there are rooms and how rigid the standards really are for what they should look like.
multiple layouts, the few elements common to all rooms had to be not only Yes, a bed or beds and bathroom are non-negotiable. Beyond that though, who
custom but memorable enough not to seem quotidian next to poppy photos says you can’t use dark blue as a neutral? Munge carries the shade across bed
of models or celebrities. “Think about a 9-foot rotating TV stand framed in frames, drapes and art, among other elements.

48 boutiquedesign.com DECEMBER 2018

 FINALIST

AHN LUH QIANDAOHU LAKE

SHANGHAI

THE COMMISSION: Create villas that complement the serene vibe of this
manmade lake.

THE CHARRETTE: “Ahn Luh focuses on the legacy of China’s rich history,
traditions, heritage and culture to richly evoke the past and present, creating
a sense of place with genuine indigenous motifs,” says Connie Puar, partner,
Hirsch Bedner Associates (HBA), Singapore.

THE CHALLENGE: The villas have to accommodate not just bed, desk,
chair and bathroom, but walk-in wardrobes and ensuite laundry. That meant
the team had to pare back the number of objects in the rooms; it’s quality
over quantity.

THE COOL STUFF: Art program? Need a curator? Ask Mother Nature to
lend a helping hand. Outsized windows become an ever-changing art piece
in the villas’ bedrooms and bathrooms.
THE CARRY-OUT: Designers need to know when to bow out of the final
result and let the surroundings take center stage. Easier said than done, but
the way Puar and her team play with horizontal and diagonal lines guides
guests’ eyes to the lake outside the windows.
SOURCES
CLIENT: Shanghai Golden Union Investment Group Co. Ltd, Shanghai; DESIGN FIRM: Hirsch Bedner
Associates (HBA) Pte Ltd., Singapore: Connie Puar, partner; Hazlin Ahmad, senior associate, Patrick
Ho, project director; ARCHITECT: Ezhen Design, Shanghai; PURCHASING COMPANY: Shanghai
Golden Union Investment Group Co. Ltd, Shanghai; GENERAL CONTRACTOR: Suzhou Gold Mantis
Construction Decoration Co., Ltd., Suzhou City, China; DESIGN CONSULTANTS: LEOX Design
Partnership, Shanghai (lighting); Beijing Color Group, Beijing (graphics); Shanghai Roehui Art Consultant
(art consultant); BATH & SPA: Geberit; Kohler; Lefroy Brooks; TOTO; FURNITURE: Shanghai D-Perot
Furniture Co., Ltd; LIGHTING: Shanghai Yisheng Equipment Co,. Ltd; SIGNAGE: Beijing Color Signage
Design & Manufacture Co., Ltd; SURFACING MATERIALS: Anno Ceramics; Polaris; Sherwin-Williams;
WALLCOVERINGS: Maya Romanoff

FINALIST

CADILLAC HOTEL & BEACH CLUB

W I L L P R YC E ( A H N L U H Q I A N DAO H U L A K E ) ; B R A N D O N B A R R É ( C A D I L L AC H O T E L & B E AC H C L U B )

MIAMI BEACH, FLORIDA

DESIGN FIRM: Bill Rooney Studio, Inc., New York

THE COMMISSION: Bring high glam back (via a multi-million dollar renovation) to
the National Register of Historic Places-listed building. Draw on art deco influences
for the jet-set chic and modern Miami for a more relaxed note.

THE CHARRETTE: The team wanted to invite guests to relive not only the look, but
the feel of the property 70 years ago. “Guestrooms have been designed to facilitate
luxurious lounging of an era gone by and with an international flair, all inspired by
the past glory of the hotel and Miami Beach,” says Bill Rooney, president of his epony-
mous design firm. The 357-key hotel’s rooms and suites maintain select elements of
SOURCES
OWNER: Hersha Hospitality Trust; Philadelphia, OPERATORS: Autograph Collection,
the original styling to keep the concept authentic.
Marriott Intl. Bethesda, Maryland; Hersha Hospitality Management, Philadelphia; DESIGN
FIRM: Bill Rooney Studio, Inc.: Bill Rooney, president; Christopher Daly, studio director;
Tina Chang, interior designer ; Sergio Sifuentes, interior architect; ARCHITECT: Kobi Karp,
THE CHALLENGE: Miami has changed a lot since Roy France built the hotel in
Miami; PURCHASING COMPANY: Hersha Purchasing and Design, Harrisburg, Philadelphia; 1940. So have guests’ tastes and needs. Yes, the Deco architecture still looks great
GENERAL CONTRACTOR: Nova Hotel Renovation & Construction, Clearwater, Florida; ART &
ACCESSORIES: Kalisher; BATH & SPA: Delta Faucet; FABRICS: Architex, Demar, Swavelle,
under the sun, as Rooney points out. But, clever updates to the lighting scheme,
Valley Forge Fabrics; FLOORCOVERINGS: Sacco; FURNITURE: Biscayne; LIGHTING: Van designed to flatter guests, and space-saving underbed storage make this cool to the
Teal; SURFACING MATERIALS: Audrey Lane; WALLCOVERINGS: Wolf-Gordon; WINDOW
TREATMENTS: Decorators Interiors
21st-century traveler.

THE CARRY-OUT: Everybody loves a sharp-dressed…guestroom. White stone floors,

white walls and blue accents all combine to give these rooms a sense of perfectly
groomed freshness that’s still chill enough for the beach.

DECEMBER 2018 boutiquedesign.com 49

2 0 18 G O L D K E Y AWA R D S
BEST GUESTROOM UPSCALE

FINALIST
DESIGN FIRM: Design Poole, Inc., Winter Park, Florida
DELTA HOTEL DAYTONA BEACH
OCEANFRONT BY MARRIOTT
THE COMMISSION: Deliver interior design that reflects the brand’s
design philosophy “Simple Made Perfect" through three core principles:
DAYTONA BEACH, FLORIDA modern agility, bright optimism and details that matter.

THE CHARRETTE: “Modern agility speaks to uncluttered, well-lit

spaces infused with dashes of color, such as the splashes of azure,
ocean blues and soft yellows that brighten the guestrooms,” says Trisha
Poole, president, Design Poole, Inc. Light woods merge seamlessly with
smooth quartz surfaces creating clean lines with functional design at
the spacious desks and luggage rack adjacent to the wardrobe.
Bright optimism infuses the property with private balconies show-
casing sweeping Atlantic Ocean views from every guestroom.

THE COOL STUFF: The design team focused on details that matter;
subtle design references to tire tracks on the hard packed sand influ-
ence the carpet pattern; entry hooks on which to hang beach bags are
featured in guestroom and guest bath areas.
SOURCES
OWNER/OPERATOR: Summit Hospitality Management Group, Daytona Beach, Florida; DESIGN FIRM:
THE CARRY-OUT: “This is a 21st-century offering for a 21st-century

M A R K B A L L O G G ( D E LTA H O T E L DAY T O N A B E AC H O C E A N F R O N T B Y M A R R I O T T ) ; Q I U X I N ( H I LT O N H U I Z H O U L O N G M E N R E S O R T )
Design Poole Inc., Winter Park, Florida: Trisha Poole, president; Jorden Adams, director of design; Lindsay
Spraul and Jaymie Borchardt, designers; ARCHITECT: Harter – Adams Architects, Winter Park, Florida; clientele where design empowers a seamless guest experience allowing
PURCHASING COMPANY: Summit Hospitality, Daytona Beach, Florida; GENERAL CONTRACTOR: Macon
Building Contractors, Altamonte Springs, Florida; ART & ACCESSORIES: DAC Hospitality; AUDIO/VISUAL
the guests to focus on what is important” says Poole.
& ELECTRONICS: LG; Vtech; BATH & SPA: Regency Furniture International; FABRICS: Echota; JF Fabrics;
Lebatex; Valley Forge Fabrics; FLOORCOVERINGS: Shaw Hospitality; FURNITURE: Regency Furniture
International; LIGHTING: Electric Mirror; Illumination Lighting; Mario Industries of Virginia; National Lighting;
Renaissance Lighting; SURFACING MATERIALS: Trinity Surfaces; WINDOW TREATMENTS: Echota

FINALIST

HILTON HUIZHOU LONGMEN

RESORT
GUANGDONG, CHINA
THE COMMISSION: Weave together the influences of Hakka (Han Chinese
people who live in the area) culture and the physical form of the Nankun Mountain.

THE CHARRETTE: “The room reflects a contemporary reclaimed Hakka

aesthetic where urban sensibilities and rural roots coexist in harmony but
where the final result is almost like a space belonging to a hermit,” says Travis
Chow, chief designer, LEO Global Design Group Co., Ltd.

THE COOL STUFF: Integrating two opposite inspirations is never easy. Chow
and his team decided that it’s OK to keep them physically separate in order to
let each shine. “Guests enter the room through a vintage Chinese bronze lattice
and Nankun-mountain-symbolized sculpture, which reiterates local specialty
and culture,” he says. “But, in the living room, artwork pieces covert the room
into a sophisticated lightness and gracefulness. In the other side, a simple and
unadorned study desk, wall flax-weaving and contemporary subtlety-furniture
forms a contrast.”
THE CARRY-OUT: Not all socially-conscious projects need to shout. The sensi-
tivity to Hakka culture—and the team’s desire to maintain its integrity in the
design—led to them reusing 60,000 bricks from a local mansion.
SOURCES
OWNER: Guangzhou R&F Properties Co., Ltd., Guangdong, China: OPERATOR: Hilton, McLean,
Virginia,: DESIGN FIRM: LEO Global Design Group Co., Ltd., Guangdong, China; Travis Chow, chief
designer; Duangkamon, chief designer; Crystal Lee; Sunsirichai Yui and Wilawan Thai and David
Chow, senior designers; ARCHITECTS: Guangzhou Residential Building Design Institute Co., Ltd,
Guangdong, China; PURCHASING COMPANY: Guangzhou Heguan Decoration Engineering Co., Ltd.,
Guangdong, China; GENERAL CONTRACTOR: Guangzhou Residential Building Design Institute Co.,
Ltd., Guangdong, China; ARCHITECTURAL MATERIALS: Guangzhou Tianli Construction Engineering
Co., Ltd.; AUDIO/VISUAL & ELECTRONICS: Guangzhou JuRong Mechanical & Electrical Engineering
Co., Ltd.; BATH & SPA: Guangzhou Zhongpeng Swimming Pool Equipment Co., Ltd; .FABRICS:
Guangzhou Zhongpeng Swimming Pool Equipment Co., Ltd.; FLOORCOVERINGS: Guangzhou HOPD
Carpet Co., Ltd.; FURNITURE: Shineo Furniture (Shanghai) Co., Ltd.; LIGHTING: FuJian XinWenHang
Lights Decoration Co., Ltd.; SIGNAGE: Guangzhou Yuexiu District Chuanghui Decoration Commercial
Firm; SURFACING MATERIALS: Guangzhou Donghu Hydropower Installation Engineering Co. Ltd.;
WALLCOVERINGS: Nippon Paint(China) Co., Ltd.; WINDOW TREATMENTS: Guangzhou Yilian Home
Fashions Co., Ltd.

50 boutiquedesign.com DECEMBER 2018

 FINALIST

W PANAMA
PANAMA CITY, PANAMA

DESIGN FIRM: Studio GAIA, New York
THE COMMISSION: Create bright,
offbeat spaces that tick all the guests’
boxes without succumbing to the temp-
tation to paint by numbers. Maintain the
layered local story (references from ship-
ping containers to indigenous Embera
and Guna people’s mola cloth provide
key focal points throughout the hotel).
THE CHARRETTE: Livability was para-
mount to Ilan Waisbrod, president,
Studio GAIA and his team. Spacious
M A R K S I LV E R S T E I N
THE COOL STUFF: Waisbrod is a
pattern junkie. Classic checks, indigenous
designs and bold zigzags adorn the walls
and furniture. For one seating piece, the
upholstery and a matching wall hanging
are layered into the same section of the
room, making it look as through the fabric
runs from the wall onto the furniture. “We
used floor-to-ceiling mirrors and white
crisp millwork to offset the color and
patterns,” says Waisbrod.
SOURCES
THE CARRY-OUT: Innovation isn’t just OWNER/OPERATOR: F&F Properties, Panama City, Panama; DESIGN FIRM: Studio GAIA, New
York: Ilan Waisbrod, president; Junho Choi, senior designer; Gada Noueihed, project manager;
a question of the FF&E. Structural edits Minkyung Kang, designer; ARCHITECT/PURCHASING FIRM/GENERAL CONTRACTOR

layouts and moveable seating give
guests the flexibility to inhabit the space
however they choose. Seating options
and ample floorspace let guests socialize,
work, play or unwind at will.
here, such as deconstructing the bath-
room to have the sink by the bed, help
drive the point home. These rooms are
designed to make every day feel like a
special occasion.
F&F Properties, Panama City, Panama; DESIGN CONSULTANTS: ART: Oscar Melgar; BATH
FIXTURES: Kohler; FABRICS: Liora Manne; FLOORCOVERINGS AND MATERIALS: Itagres;
FURNITURE: Bryan Ashley, Saint Damas; LIGHTING: Limoncentro; WALLCOVERINGS:
Koroseal; Maharam

DECEMBER 2018 boutiquedesign.com 51

2 0 18 G O L D K E Y AWA R D S
BEST GUESTROOM LUXURY

WINNER

HOTEL CALIFORNIAN
SANTA BARBARA, CALIFORNIA
DESIGN FIRM: Martyn Lawrence Bullard Design, Los Angeles

THE COMMISSION: Celebrate the guestrooms’ 1920s Spanish

Revival architecture and create a fresh adaptation with new layers of
design that brings them into the 21st century. Reflect both the city’s
storied past and the neighborhood’s present-day creative renaissance.

THE CHARRETTE: Located in the heart of Santa Barbara’s revital-

ized waterfront Funk Zone, the 121 guestrooms layer diverse interior
design inspirations with modern technology. Mid-century furni-
ture inspired by Italian masters such as Gio Ponti and tilework with
the geometric look of 1960s graphic designs are juxtaposed with
the historic Spanish and Moorish-influenced styles of Santa Barbara.
Bold colors and patterns merge with Moroccan accessories and
traditional Portuguese antiques.

THE CHALLENGE: Martyn Lawrence Bullard, principal, Martyn

Lawrence Bullard Design, says the studio needed to “shake up the tradi-
tional palettes and motifs prevalent amongst the area’s beach resorts to
give guests a more memorable experience and ambience.” Rather than
the “coastal” pastels conventionally seen in local properties, the palette
of the Hotel Californian employs bold pops of deep ruby red, emerald
green and gilded brass, along with crisp black and white patterns in
assorted scales and styles. Bespoke tile wainscoting is used as a mono-
chromatic backdrop in the guestrooms as well as throughout the hotel.

THE COOL STUFF: Art, mostly custom-designed exclusively for the

hotel with the gallery voila! Creative Studio in Los Angeles, adds an
unexpected yet quirky elegance. Select pieces such as a vintage-style surf
poster in the guestroom corridor reference Santa Barbara’s scenery and
history to create a sense of place. Modern interpretations of Moroccan
arabesques and decorative tilework spice up the design while refer-
encing the ornate interiors of the Santa Barbara Mission. Gilded snake
sconces and custom cocktail bars feature Moorish-inspired details.

THE CARRY-OUT: Finding synergy amongst the shapes, scales and

palettes of modern and historic patterns opens up the playground
for designers to make their own eclectic stamp on interior spaces.
For example, the clean simplicity of pop-art graphics found on each
guestroom’s bed runner and cushions balances the energy created by
DOUGL A S FRIEDMAN; SCOT T JOHNSON
the wall tiles’ intricate Moorish motifs.

SOURCES
OWNER/OPERATOR: 35 State Street Hotel Partners, LLC., Santa Barbara, California; DESIGN
FIRM: Martyn Lawrence Bullard Design, Los Angeles: Martyn Lawrence Bullard, principal; Sergio
Osorio; Matt Stokes, project architects; Marvin Padilla, project architect; Laura Lee Compton,
Jane Chen; Brittney Recker; Erica Browne, designers; ARCHITECT: DesignARC, Los Angeles;
PURCHASING COMPANY: Project Dynamics, Las Vegas; GENERAL CONTRACTOR: MATT
Construction, Los Angeles; ART & ACCESSORIES: Treason Gallery; voila! Creative Studio; BATH
& SPA: Kallista; Kohler; FABRICS: Clarence House; Martyn Lawrence Bullard Fabrics; Pindler;
Perennials; Scalamandre; FLOORCOVERINGS: Bentley Mills; FURNITURE: Artistic Frame;
Design Quest Custom; Eric Brand; Palecek; LIGHTING: Chapman; SURFACING MATERIALS:
Ann Sacks; Buena Tile + Stone; WINDOW TREATMENTS: Interior Specialties Group

52 boutiquedesign.com DECEMBER 2018

 FINALIST
might be discovered in (an exceptionally
NOMAD nice) flea market mix the free-spirited

LOS ANGELES
DESIGN FIRM: Sydell Group, New
York; Studio Jacques Garcia, Paris
THE COMMISSION: Honor the build-
ing’s rich history as The Bank of Italy’s
former headquarters and bring new life
to its Neoclassical design to give the
guestrooms a Californian sensibility
and 21st-century informality. Infuse
bohemian eclecticism appealing to the
“gypsetter” lifestyle.
THE CHARRETTE: The 210 guestrooms
and 31 suites reference the hotel’s Italian
and Californian roots with infusions of
SOURCES fresh colors and textures. The bedrooms’
OWNER: Yucaipa Companies, LLC, Los Angeles; AllianceBernstein, New York; Sydell Group, soft palette is drawn from the lobby’s
New York; OPERATOR: Sydell Group, New York; DESIGN FIRMS: Sydell Group, New York: Jake
Lamstein, managing partner and chief development officer; Sabine Vessnow Khera, director, fully-restored, gold and blue Italianate
development & sourcing; Ryan Bean, director, development; Studio Jacques Garcia, Paris: Jacques ceiling. Vintage pieces sourced from
Garcia, founder; Nassima Bouzid, senior designer; ARCHITECT: KFA Architecture, Santa Monica,
California; PURCHASING COMPANY: Sydell Group, New York; GENERAL CONTRACTOR: RD antique stores throughout Italy contrast
Olson Construction, Irvine, California; ART & ACCESSORIES: Studio be-poles; FLOORCOVERINGS: with specially commissioned modern
Alarwool, ABC Carpet; ICE International; Sam Kasten; FURNITURE: Henryot et Cie; Delta Furniture;
Eric Brand Furniture; Costantini Design; Fong Brothers photography. A potpourri of treasures as
vibe of LA creatives with the edgy spirit
of a European artist’s studio.
THE COOL STUFF: As a playful
surprise, closets are lined with one
of five custom-designed wallpapers.
“Artwork juxtaposes nature with urban
settings across different time periods
and locations, from Italy’s Lake Garda
to the streets of LA, and from pala-
zzos in northern Italy to the gardens
of Beverly Hills’ Greenacres,” says Jake
Lamstein, managing partner and chief
development officer, Sydell Group.
THE CARRY-OUT: Every item offers
an opportunity for guests to discover
another layer in a story, as they might
experience it through travel souvenirs
and family photos in a friend’s home.
Whether it’s the novels on a bookshelf
or art to muse upon from the bathtub,
eccentric touches inject unexpected
personality.

FINALIST

ROSEWOOD BAHA MAR

NASSAU, BAHAMAS
DESIGN FIRM: Wimberly Interiors, New York form a subtle background for views of the vibrant
shoreline and sunsets. Woven rattan, rope and
THE COMMISSION: Capture the refined sophis- painted lacquer accents keep luxe local.
tication of the Bahamas in the resort’s 237 rooms,
BENOIT LINERO (NOMA D LOS ANGELES); COURTESY OF ROSE WOOD

suites and villas but update it with a relevant slant
on what reads as luxe now. Edit out the so-what
details that can drag down the budget in order to
invest in the high-end elements guests are willing
to pay for: a freestanding soaking tub generous
enough to be comfortable for tall travelers; an
HOTEL S & RE SOR TS (ROSE WOOD BAHA MAR)
THE COOL STUFF: Everything is designed to
link with the natural beauty of Nassau’s Cable
Beach. The open-frame four poster bed indulges
guests with seaside views as they awake and
fall asleep with the sea breezes. But there are
also pure (and practical) creature comforts such
SOURCES
OWNER: CTF BM Operations, Ltd., Nassau, Bahamas; OPERATOR: Rosewood
Hotels & Resorts, Hong Kong; DESIGN FIRM: Wimberly Interiors, New York;
Margaret McMahon, senior vice president and managing director; Liana Hawes
Young, creative director and senior associate; Adam Darter, project manager

L-shaped corner seat that frames a table so guests
can work, dine or relax in comfort, and a layered
lighting program that can create a soft glow or
make a computer screen easy to read.
THE CHARRETTE: Guest accommodations
feature interiors “inspired by a modern Bahamian
estate and the relaxed tempo of Harbor Island life,”
says Margaret McMahon, senior vice president
and managing director, Wimberly Interiors. Crisp
whites, gray washes and rubbed ebony punc-
tuated by Caribbean blues, coral and lavender
as two showers (plus the soaking tub) and two
vessel sinks so that couples or families can get
ready for a day out or a restful night without
having to queue up.
THE CARRY-OUT: Light is a powerful element
in the designer’s toolkit. Allowing natural illumi-
nation to flood a space increases guests’ sense
of wellbeing and makes rooms feel larger. The
orientation of bedroom furniture towards exte-
rior views gives guests the potential to soak up
the healing effects of nature.
and senior associate; Marcela Caycedo, project manager; Anisah Ahmed, senior
designer and associate; ARCHITECT: SB Architects, San Francisco, California;
PURCHASING COMPANY: The Parker Company, Miami, Florida; GENERAL
CONTRACTOR: China Construction America, Jersey City, New Jersey; DESIGN
CONSULTANTS: Gardiner & Theobald Inc. (project management); Lutron (lighting
system); Lighting Design Alliance (lighting design); ARCHITECTURAL MATERIALS:
IndoTeak; ART & ACCESSORIES: Blue Pheasant; Eaton Fine Art; The Current; CB2;
Made Goods; Pigeon & Poodle; Serena & Lily; Strand Bookstore; AUDIO/VISUAL
& ELECTRONICS: Ingenico; Lenovo; Mitel; Saflok; FABRICS: Demar Leather;
Galbraith & Paul; Holland & Sherry; Jim Thompson; Justin David Textiles; Osborne
& Little Textiles; Opuzen; Pindler & Pindler; Perennials; Quadrille; Samuel & Sons;
Schumacher; Studio Four; Valley Forge Fabrics; FLOORCOVERINGS: Crosby
Street Studio; Stark Carpet; FURNITURE: Eric Brand; JANUS et Cie; Lily Jack; Made
Goods; McGuire Furniture; Palecek; RH Contract; LIGHTING: Chapman Lighting;
Palecek; Paul Schneider Ceramics; Urban Electric; Visual Comfort; SIGNAGE:
Image: Global Vision; WALLCOVERINGS: Fromental; WINDOW TREATMENTS:
VQC; OTHER: Electric Mirror (mirrors)

DECEMBER 2018 boutiquedesign.com 53

2 0 18 G O L D K E Y AWA R D S
BEST GUESTROOM LUXURY

FINALIST

ROSEWOOD SANYA
CHINA
DESIGN FIRM: AB Concept, Hong Kong
THE COMMISSION: Develop a malleable
design concept that anticipates how each
individual guest would define “home.” Don’t
dictate. Give the furnishings a residential
profile and a do-touch expression of luxury.
Don’t shout. Sidestep over-reliance on a few
big statements and concentrate on going
with a quality floor for every item of FF&E
and art.
THE CHARRETTE: The 246 guestrooms
and suites celebrate the tranquility of the
South China Sea and the resort’s location
at the southernmost tip of Hainan Island,
China. Soft gray and blue neutrals enhance
the sense of relaxation. Keeping in tune
with the nature-inspired design philosophy,
the guestrooms incorporate tribal patterns,
timber accents and light-hearted artwork
depicting the local culture and the outdoors.
THE CHALLENGE: Convincing guests they
could treat the resort like their own homes.
“We couldn’t use the standard furniture often
found in resort guestrooms and then expect
the guests to use these rooms as they would
spaces in their own homes,” says Ed Ng, prin-
cipal, AB Concept. Fellow principal Terence
Ngan adds, “We had to immerse them in the
experience and lifestyle by way of materials,
colors, artwork and furniture to enhance the THE CARRY-OUT: Atmospheric spaces designed for stress-free
at-home ease of the guest accommodations.” living expands the capacity for a personalized flow of experi-
ences. The guestrooms’ layered vantage points and activity hubs
THE COOL STUFF: The jaw-dropping let each guest modulate how they “live” in these spaces according
coastal view, particularly from the sunken, to their moods.
marble-clad bathtub. Also, the oak and
canvas guestroom doors that allow ocean SOURCES
OWNER: Poly Real Estate Group Co., Ltd., Guangzhou, China; OPERATOR: Rosewood
breezes to literally bring the outside in. Hotels & Resorts, Hong Kong; DESIGN FIRM: AB Concept, Hong Kong; Ed Ng,
Sense-of-place touches such as the Sanya principal; Terence Ngan, principal; Randee Chen, project designer; ARCHITECT:
Goettsch Partners, Chicago; PURCHASING COMPANY: Poly Real Estate Group Co.,
tribal carpets each uniquely patterned and Ltd., Guangzhou, China; ART & ACCESSORIES: ASI Art; FABRICS: Altfield; Veranda;
combined with culture-spanning distinc- FLOORCOVERINGS: Kanstone; FURNITURE: Hive; RH Contract; LIGHTING:
Castlewerks; Holly Hunt; SURFACING MATERIALS: Cetec; Master Resource; Wallpaper
tive oak furniture to retain the “away” feel of Plus; WALLCOVERINGS: CHC Concepts
these temporary “homes.”

FINALIST

ST. REGIS ASTANA

KAZAKHSTAN
DESIGN FIRM: Wimberly Interiors, London
THE COMMISSION: Create a design with
the sophisticated elegance worthy of St.
Regis’ launch into Kazakhstan. Reflect the
deep-rooted cultural nuances of Astana as an
historical crossroad of human civilization.
THE CHARRETTE: Play up the hotel’s loca-
tion on the banks of Ishim River, at Central
SOURCES Park, Astana’s most coveted address. Floor-to-
OWNER: MG Holding, Almaty, Kazakhstan; OPERATOR: Marriott Intl. (St. Regis), ceiling windows put guests into the lifestyle
Bethesda, Maryland; DESIGN FIRM: Wimberly Interiors, London; Rachel Johnson,
vice president, studio director; German Mendoza, associate, senior designer; Damien
action of this posh district, offering views of
Follone, senior designer, restaurant and bars; Katy Brooker, senior designer; Pieter the river, greenery and expanding cityscape.
de Bruin, senior technical designer; Kim Tran, interior designer; Iona Everett, Tzen
Chia, designers; ARCHITECT: WATG, London; PURCHASING COMPANY: Piatek
And, carry that theme from the entry to guest
Hospitality Procurement, Breezand, The Netherlands; GENERAL CONTRACTOR: IDA floors. This 5-star’s 120 guestrooms each feature
Group, Almaty, Kazakhstan; DESIGN CONSULTANTS: MBLD, London (lighting); Hill
International, Philadelphia (project management); ARCHITECTURAL MATERIALS: IDA
a dedicated entrance, separate living room
Group; ART & ACCESSORIES: Atelier 27; AUDIO/VISUAL & ELECTRONICS: VingCard; and bedroom areas, and custom furnishings
BATH & SPA: Duravit; Kohler; Villeroy and Boch; FABRICS: Alma Leather; Andrew
Martin; Carlucci di Chivasso; Casamance; Christian Fischbacher Ltd.; Elitis; Fameed
by local artisans. Embossed leather chairs,
Khalique Ltd.; Marie Leather; Moore & Giles; Nobilis; Panaz; Tiger Leather; Whistler patterned timber flooring, shagreen-clad
Leather; FLOORCOVERINGS: Stepevi Rugs; FURNITURE: Ida Yapi; LIGHTING:
Chelsom; Lasvit; SIGNAGE: Bindopor; SURFACING MATERIALS: Ray Munn; UP Group;
joinery, églomisé mirrors and cut crystal chan-
WALLCOVERINGS: Elitis; WINDOW TREATMENTS: IDA Group deliers send a clear message that these are
O W E N R AG G E T ( R O S E W O O O D S A N YA ) ; C O U R T E S Y O F S T. R E G I S A S TA N A ( S T. R E G I S A S TA N A )
rooms at the top. Brass and stone finishes refer-
ence the region’s ancient heritage, as seen in
the marble bathrooms whose bathtubs feature
mirrors with easy-on-the-eyes, 27-in. inset tele-
visions that appear mirrored when turned off.
THE COOL STUFF: Artwork highlights the
noble Kazakh horses bred by once-nomadic
tribesmen, while Kazakhstan’s natural beauty
is on display in wildlife photography by Gilles
Perrin. Abstract paintings by renowned
artists such as Emily Mann and Margaux de
Penfentenyo elevate the cultured appeal.
THE CARRY-OUT: Emerging destinations
want the lifestyle and quality promised by
Western luxury brands, but they don’t want
homogenized looks. Cultural references,
craftsmanship, artisan finishes, and ornate
details have merged into sophisticated inte-
riors that showcase Kazakhstan through the
eyes of the modern traveler.

54 boutiquedesign.com DECEMBER 2018

 INTRODUCING

Lanai &
Natural
Instinct

F LO O R S F O R
S I G N AT U R E S PA C E S

S I G N AT U R E F LO O R I N G .C O M • 8 0 0 - 8 0 9 - 70 8 6
2 0 18 G O L D K E Y AWA R D S
BEST SUITE

SOURCES
OWNER: Gencom, Miami,
Florida; OPERATOR:
Four Seasons Hotels and
Resorts, Toronto; DESIGN
FIRM: Meyer Davis, New
York: Will Meyer, Gray
Davis, principals; Kristen
Cochran, senior designer;
Stephanie Schreiber,
Santiago Hinojos, project
managers; Nick Caruso,
Lauren Feiner, Rebecca
Walker, Alexandra Pappas,
designers; ARCHITECT:
Zurcher Arquitectos,
San José, Costa Rica;
PURCHASING COMPANY:
The Parker Company,
Miami, Florida; GENERAL
CONTRACTOR: Edificar
Construction, San José,
Costa Rica; DESIGN
CONSULTANTS: Bouyea
& Associates (lighting);
ARCHITECTURAL
MATERIALS: Cana Brava;
Tempisque Marble;
Volakas Marble; ART &
ACCESSORIES: Project
Artwork; AUDIO/VISUAL
& ELECTRONICS: Lutron;
BATH & SPA: Hansgrohe;
Kohler; FABRICS: Architex;
Appian Textiles; Camengo;
Demar Leather; Fabric
Innovations; Fabricut
Contract; Fil Doux Textiles;
Holland & Sherry; Holly
Hunt; Kravet; KnollTextiles;
Link Outdoor; Maharam;
Mokum; Moore & Giles;
WINNER Opuzen; P/Kaufmann
Contract; Perennials;

SUITES AT FOUR SEASONS PAPAGAYO Samuel & Sons; Valley

Forge Fabrics; Weitzner
Ltd.; FLOORCOVERINGS:
PENINSULA PAPAGAYO, COSTA RICA Crosby Street Studios;
FURNITURE: Astele;
Atelier Vierkant; Blaxsand;
DESIGN FIRM: Meyer Davis, New York To maximize the view but still control sun damage, the glass Coast to Coast; Made
sliding doors are complemented with a glass-pane blind that Goods; Majestic Mirror;
Palacek; RH Contract;
THE COMMISSION: Don’t take the easy way out. Reassess descends to cover one of the open-air walls. Richard Wrightman;
what really says “luxury” in a suite targeting today’s high- Royal Custom Designs;
Serena & Lily; Sika Design;
spend, hard-to-impress traveler. Concentrate on qualities that THE COOL STUFF: “Furnishings, fabrics and material choices Simplemente Madera;
reflect Coast Rican culture: simple, pure elegant elements such make yet another direct connection to the local culture by Teak Warehouse; Urgelles;
Walters; LIGHTING:
as natural light, local wood and subtle shapes. Then find a way paying homage to the rustic, coastal lifestyle,” says Kristen Arteriors; Ay Illuminate;
to combine them into a premium accommodation offer every Cochran, senior designer on the project with Meyer Davis. Big Ass Fans; Bloom
Lighting; David Pompa;
guest would want to call “home.” Wooden furniture pieces are paired with an earthy color Hallmark Lighting; Hudson
palette, highlighted with brighter fabrics that feature native Valley Lighting; Marset; RH
Contract; Santa & Cole;
THE CHARRETTE: Use color, texture and rich natural mate- motifs (as does the artwork). The large pendants that hang Serena & Lily; Sonneman;
rials to immerse guests in the natural beauty of Costa Rica— above the main seating area mimic the handmade basketry Visual Comfort; SIGNAGE:
New Inc.; SURFACING
one of the world’s most environmentally interesting and from nearby markets. MATERIALS: Volakas
eco-conscious places. But go farther, and make area creatives Marble; WINDOW
TREATMENTS: Total
and craftspeople integral to the renovation. The design team THE CARRY-OUT: Reimagine the balcony by essentially… Contract
worked with Costa Rican and other regional fabricators, manu- removing it. Cherry-picking open-air walls can make for a
facturers, suppliers and artisans to ensure that the culture of truly original conversation with nature. Cast iron railings
Peninsula Papagayo was represented authentically, to create reference the vines from the jungle outside, while a large
DON RIDDLE

jobs and to give back to the surrounding communities. slab of wood featuring the organic twists and turns of the
branches within its trunk serves as the top of a table, under-
THE CHALLENGE: Protect this lush retreat from the elements. scoring the al fresco feel.

56 boutiquedesign.com DECEMBER 2018

 FINALIST
BREATHLESS SUITE AT HOTEL ZAZA MEMORIAL CITY
HOUSTON
DESIGN FIRM: Duncan Miller Ullmann (DMU), Dallas
THE COMMISSION: Craft a unique personality for the Breath-
less suite—one of eight specialty suites within the hotel. For this
go-around, keep it edgy with mixed metals and textures that
achieve an old Hollywood glam aesthetic, providing a residential
feel built off of luxe materials.
THE CHARRETTE: Edgy doesn’t have to equate to trendy, or
FINALIST
PRESIDENTIAL SUITE,
HOTEL CALIFORNIAN
SANTA BARBARA, CALIFORNIA
COUR TE S Y OF Z RE SOR TS; DOUGL A S FRIEDM AN; SCOT T JOHNSON
SOURCES
OWNER: MetroNational, Houston;
OPERATOR: Z Resorts, Houston;
DESIGN FIRM: Duncan Miller
Ullmann, Dallas: Kimberley Miller,
ceo and design principal; Chad
more importantly fading trends. Make appropriate material Rogers, vice president; Megan
Ybarra Haney, senior designer;
choices that will achieve a classic aesthetic as well, just like Pamela Vaughan, Brittany
the starlets of the ’30s and ’40s. Cutler, project designers; Wendy
Mancha, purchasing; ARCHITECT:
Kirksey Architecture, Houston;
THE CHALLENGE: Maintain glamour while still creating PURCHASING COMPANY:
Duncan Miller Ullman, Dallas;
a sense of residential comfort. Ornate metal framings and GENERAL CONTRACTOR: Anslow
details are complemented by a fanciful antelope carpet in the Bryant Construction, Houston;
DESIGN CONSULTANTS: Duncan
master bedroom. A dramatic chandelier crowns an intimate Miller Ullman (lighting design
seating area in the living space. An antique mantel adds an and procurement purchasing);
ARCHITECTURAL MATERIALS:
elegant patina. Neal & Co.; ART & ACCESSORIES:
American Art Resources;
Indiewalls; BATH & SPA: Brizo;
THE COOL STUFF: “Mixed metals and textures are used Hansgrohe; Newport Brass; RH
throughout the suite to provide glamorous, unexpected pair- Contract; FABRICS: Clarence
House; Harlequin; Pierre Frey;
ings,” explains Kimberley Miller, ceo and design principal Reid Witlin; FLOORCOVERINGS:
with DMU. The artwork supports this goal significantly as it Arizona Tile; Bolon; Tile Shop;
FURNITURE: Coast to Coast
complements the décor without overwhelming it. Designs; Ligne Roset; Revolution;
Scott & Cooner; LIGHTING: Jean
de Merry; Lusive; Renwil; RH
THE CARRY-OUT: Create relatable luxury with material Contract; WALLCOVERINGS: Area
selections that provide both the warmth and opulence to Environments; Jakob Schlaepfer;
Koroseal; Philip Jeffries; WINDOW
achieve both. Juxtapose decorative metal accents with soft TREATMENTS: Quilt Craft
textures and hands to build a moody, yet soft and romantic
design.
DESIGN FIRM: Martyn Lawrence Bullard such as the custom-designed tile wainscoting
Design, Los Angeles that serves as a monochromatic backdrop to
THE COMMISSION: Elect to design a new
the bold pops of emerald green and gilded brass
accents in the space.
kind of presidential suite by juxtaposing the
historic Spanish Revival architectural style of THE COOL STUFF: The natural beauty of
Santa Barbara with modern Moorish interiors. Santa Barbara also serves as a heavy influ-
Honor the city’s traditions while still making ence on the interiors as they are peppered with
it a major highlight of the waterfront Funk pieces from the custom-curated collection of
Zone revitalization. art and curios that reference the beach town’s
scenery. Other stand-outs within the presi-
THE CHARRETTE: Mix messages. “Inspired dential suite include gilded snake sconces, a
by the Gio Ponti-designed Italian hotels of the custom cocktail bar and direct access to the
1950s, the design layers mid-century furnish- hotel’s rooftop event space.
ings, Moroccan accessories and themes and
traditional Portuguese antiques,” says Martyn THE CARRY-OUT: Blending patterns can be
Lawrence Bullard, founder of Martyn Lawrence tricky. Placement, repeats and color can all
Bullard Design. The suite maintains consis- help maintain a level of style, rather than a
tency with the property’s geometric elements, look of disorganization.
SOURCES
OWNER/OPERATOR: 35 State Street Hotel Partners, LLC, Los Angeles; DESIGN FIRM: Martyn Lawrence Bullard Design, Los Angeles:
Martyn Lawrence Bullard; Sergio Osorio; Jane Chen; Marvin Padilla; Laura lee Compton; Britney Recker; Georgia Howe; Ulf Anderson;
Michael Green; Indie La Londe; Madison Lawyer; Catalina Byrd; Maureen Perez; Kimberly Hanson; ARCHITECT: Design ARC, Los
Angeles; PURCHASING COMPANY: Project Dynamics, Las Vegas; GENERAL CONTRACTOR: MATT Construction, Los Angeles;
ART & ACCESSORIES: Treason Gallery; voila! Creative Studio; BATH & SPA: Kallista; Kohler; FABRICS: Clarence House; Martyn
Lawrence Bullard Fabrics; Pindler; Perennials; Scalamandre; FLOORCOVERINGS: Bentley Mills; FURNITURE: Artistic Frame; Design
Quest Custom; Eric Brand; Palacek; LIGHTING: Chapman; SURFACING MATERIALS: Ann Sacks; Buena Tile + Stone; WINDOW
TREATMENTS: Interior Specialties Group
DECEMBER 2018 boutiquedesign.com 57
2 0 18 G O L D K E Y AWA R D S
BEST SUITE

FINALIST

PRESIDENTIAL SUITE, HOTEL NIA, AUTOGRAPH COLLECTION

MENLO PARK, CALIFORNIA
DESIGN FIRM: McCartan, Inc., New York
THE COMMISSION: Develop a space covered head to toe in
original product design, mirroring the entrepreneurial spirit
of the surrounding Silicon Valley.
THE CHARRETTE: Inspire people to think differently by
repurposing everyday forms and familiar objects, such as with
the room number posts, the bedside bird light, the
bathroom art mirror with backlit narrative and more.
“Each has a playful technological undercurrent while
maintaining a connection to nature,” explains Aileen
Liu, senior associate/project director for McCartan, Inc.
They also serve as inspiring visual cues for the creative
thinkers of the property’s anticipated demographic—
those with a close connection to the surrounding tech
giants of Facebook, Box and Google who will demand
more than just high functionality from the spaces.
THE COOL STUFF: For this target audience, extreme
functionality is the ultimate in luxury, and it’s embedded
in big and little ways—such as the reading light that
emerges from upholstered headboard wall panels.
THE CARRY-OUT: A top-end suite has to slowly allow
guests to unearth points of discovery in unexpected
places. Look up, to the brass rod ceiling structure,
which is actually lighting. Unfamiliar forms make for
a steady stream of “oohs,” “ahhs,” and hopefully some
groundbreakers of their own.
SOURCES
OWNER: Ensemble Real Estate Investments,
Long Beach, California; OPERATOR: Sage
Hospitality, Denver; DESIGN FIRM: McCartan Inc.,
New York: Aileen Liu, senior associate/project
director; Eimear McCartan, senior architect/project
director; Irene Chun, senior designer; ARCHITECT:
Cuningham Group Architecture, Culver City,
California; GENERAL CONTRACTOR: Webcor,
San Francisco; ARCHITECTURAL MATERIALS:
Caesarstone; California Drywall; Country Floors;
Crestmark Architectural Millworks; Daltile; Design
and Direct Source; Kember Kreative Interiors;
Nemo Tile; ProSpec, LLC; Superior Stone &
Tile; ART & ACCESSORIES: Carol Lee Pryor;
Kevin Barry Fine Art; BATH & SPA: Architectural
Concepts; Hansgrohe; Mirror Image; FABRICS:
Architex; CF Stinson; Charles Samelson; Chella
Textiles; Demar Leather Company; Fabricut
Contract; Kravet/Lee Jofa; LoomSource; Moni-
Fabrics, Inc.; TRI-KES; Valley Forge Fabrics;
FLOORCOVERINGS: Innovative Carpets; M&M
Design Intl.; Merida; Signature Hospitality Carpets;
FURNITURE: Benchmark Furniture Manufacturing;
Bryan Ashley; Composition Hospitality; D’style
by Kimball Hospitality; Global Allies; Kettal;
Manutti; Oberon Design; Pedrali; RH Contract;
LIGHTING: Mirror Image; Sapphire Chandelier;
Spike Lighting; SURFACING MATERIALS:
Wilsonart; WALLCOVERINGS: Astek Wallcovering;
Carnegie; HD Walls; Koroseal; MDC Wallcovering;
Wolf-Gordon; WINDOW TREATMENTS: Charles
Samelson; Fabric Innovations; Fabtex; Kravet;
Richloom; Valley Forge Fabrics

FINALIST
DESIGN FIRM: V Starr Interiors, West Hotel at Midtown was designed by
THE V SUITE AT THE HOTEL Palm Beach, Florida Venus Williams and her team at V

AT MIDTOWN THE COMMISSION: Offer a glamorous

CHICAGO respite after a strenuous sweat sesh at
the Midtown Athletic Club. The walls of
the living room are deliberately dark to
help bring down guests’ heart rates and
allow them to transition from a high-
speed tennis game or intense workout
Starr Interiors. “We’ve known Venus
since she and Serena competed at
Midtown as junior stars,” says Steven
Schwartz, president and ceo of
Midtown Athletic Clubs. “Midtown
Athletic Club and The Hotel at
Midtown has been a dream of ours for
more than a decade, and giving Venus

with a trainer to a more “at home”
relaxed feel. An ethereal bedroom in soft
white tones says “luxe” in a dynamic,
youthful way thanks to touches such as
blown glass pendant fixtures that float
around the head of the bed. Views of
the swimming pool below are a link to
SOURCES the building’s mission as a wellness
OWNER/OPERATOR: Steven Schwartz, president and CEO, Midtown Athletic Clubs, Chicago; DESIGN FIRM:
V Starr Interiors, West Palm Beach, Florida: Sonya Haffey, vice president; Michelle Dang, senior designer;
hub. The suite’s spa-inspired bath-
Danielle Michaels, design assistant; ARCHITECT: DMAC Architecture, Evanston, Illinois: Dwayne MacEwen, room with a walk-in shower and focus
principal; Kavitha Marudadu, architect; PURCHASING COMPANY: Construction Concept Management,
Corp., Evanston, Illinois: Wendy Ruttenberg, project manager; GENERAL CONTRACTOR: Construction
on luxurious materials like marble and
Concept Management, Corp., Evanston, Illinois: Trish Stieglitz, project manager; ART & ACCESSORIES: walnut is an upscale nod to a traditional
Cra’ster; Cyan Designs; Gold Leaf Designs; Henry Hanger; Jamie Young; Kalisher; Matouk; room360° by FOH;
Surya; BATH & SPA: Brizo; Lacava; Stone Forest; Toto; FABRICS: Avant Garde Fabrics; Carnegie; Zinc Textile;
locker room.
FLOORCOVERINGS: Hakwood; Shaw Contract; FURNITURE: CFC-Custom Furniture LA; Mondo Collection;
RH Contract; LIGHTING: Pacific Coast Lighting; Tom Dixon; SURFACING MATERIALS; Caesarstone; Ceramic
THE CHARRETTE: The V Suite at
Matrix; Modular Arts; WALLCOVERINGS: Benjamin Moore; DuChateau; Eykon Design Resources; Island
Stone; Koroseal; MDC Wallcovering; WINDOW TREATMENTS: Carnegie Midtown Athletic Club’s new The
C A R L O S R . H E R N A N D E Z ; A N T H O N Y TA H L I E R P H O T O G R A P H Y
and her team the opportunity to leave
their mark on our dream project was
really fortunate.”
THE COOL STUFF: Bold portraits
with singular accents set the tone
for each space, both avant-garde, but
more emboldened in the living room
with a pop of color while the bedroom
is more manicured.
THE CARRY-OUT: Opposites attract.
A smaller suite with two-room offer-
ings can pull off such opposing styles
well, as long as a balanced Yin and
Yang is achieved.

58 boutiquedesign.com DECEMBER 2018

“Color is my day-long
obsession, joy and torment.”
— Claude Monet

“Orbit” by Kat Morgan © Kalisher

kalisher.com
2 0 18 G O L D K E Y AWA R D S
BEST NIGHTCLUB/LOUNGE
WINNER
ANALOG AT HUTTON HOTEL
NASHVILLE
DESIGN FIRM: Studio 11 Design, Dallas
THE COMMISSION: Turn the volume up on a
cocktail lounge-meets-live music venue mashup.
Bring clever FF&E touches to the space without
interfering with the complex A/V and layout needs
of a concert venue. Work with music industry
insiders to develop ideal acoustics. Keep clear
sight lines to the stage for all 300-plus potential
audience members.
THE CHARRETTE: “The overall effect is meant
to provide the feeling of walking into a musician’s
house, a living room live-set,” says Kellie Sirna,
principal, Studio 11 Design. Assuming, of course,
that the musician in question has a penchant for
eclectic jewel tones and exquisite taste (clearly,
not even every A-list musician has the same flair
for interior design they do for performance and/or
songwriting).
60 boutiquedesign.com DECEMBER 2018
THE CHALLENGE: If most spaces need good
bones, live music venues also require top-notch
musculoskeletal systems in the form of both the
cables and wiring needed on and offstage (for
instruments, mics, video screens, mixing desks
and so on) and the bigger, more visible elements
such as trusses and speakers. And, all of that
needs to be hidden from view, as it’s not exactly
the sexy part of the interior design. So, the team
got creative with both actually concealing those
utilitarian pieces and simply distracting viewers’
eye. “The use of purple crushed velvet theatrical
drapes, focal chandeliers placed to draw the eye
away from the rigging, wood veneer acoustic
panels, and inventive details shield and beautify
the venue,” says Sirna. AV elements are hidden
in murals and acoustic baffles are out of sight to
ensure a seamless visual and auditory experience.
THE COOL STUFF: Sirna and her team designed
SOURCES
OWNER: Watermark Capital
Partners, LLC, Chicago;
OPERATOR: HEI Hotels and
Resorts, Scottsdale, Arizona;
DESIGN FIRM: Studio 11
Design, Dallas: Kellie Sirna,
principal; Greer May, associate
principal/project manager;
Michael Brown, senior designer
and brand manager; Joshua
Gregg, art curator & stylist; Tori
Kennedy, designer; ARCHITECT:
Tuck Hinton Architects,
Nashville; PURCHASING
COMPANY: Martin Stringfellow
Associates, Orlando; GENERAL
CONTRACTOR: Norcon
Construction, Chicago;
DESIGN CONSULTANTS:
GMLD Lighting, Dallas (lighting
designer); Clair Solutions,
Nashville (audio, AV, theatrical
equipment); Newcomb &
Boyd, Atlanta (acoustics);
John Hardy Group, Atlanta
(construction and project
management); GreenLight
Media and Marketing, Los
Angeles (music management);
ART & ACCESSORIES:
Kalisher; Lou Verne by Studio
11 Design; AUDIO/VISUAL &
ELECTRONICS: GreenLight
Media and Marketing;
FABRICS: Bart Halpern;
Brentano; Contract Décor
International; Designer’s
Guild; Opuzen; Townsend
Leather; Valley Forge Fabrics;
FLOORCOVERINGS: Ann
Sacks Tile; Ceramic Technics;
Pantheon; FURNITURE: Astoria
Compass; Design Within Reach;
Table Logix; Troy Wesnidge;
Wells Industries; LIGHTING:
Preciosa; Synergy Lighting;
WALLCOVERINGS: Area
Environments; Innovations;
Maya Romanoff
the 5,000-sq.ft. space to be equally compelling
with or without performers on the stage. The color
scheme works equally well with the house lights
up or down. Couches as front row seating are also
just chic conversation spots if the evening’s enter-
tainment hasn’t yet begun. Area rugs define seating
groups (standard practice in hospitality spaces) but
they also evoke the atmosphere of iconic recording
studios, right down to the deliberately washed-out
effects on some of them.
THE CARRY-OUT: Don’t hit a bum note. Designers
playing outside their usual stomping grounds need
SAM ANGEL PHOTOGR APH Y
to step back and understand the technicality of
the project before jumping straight into its visuals.
It’s also fine to get by with a little help from your
friends (or collaborators). “By using best-in-class
music professionals to design and implement the
venue’s sound equipment, the live music experience
is unparalleled,” says Sirna.
 WINNER

ROSINA COCKTAIL BAR AND

LOUNGE AT THE PALAZZO
LAS VEGAS
DESIGN FIRM: Simeone Deary Design Group, Chicago (under a consulting
agreement with Gensler, Las Vegas)

THE COMMISSION: Create a decadent design, inspired by the fictitious

Rosina (a prohibition-era Sicilian socialite), for this 65-seat, high-concept
cocktail bar on the casino floor of the Palazzo Las Vegas. “To that end, a
dossier was constructed, attributes were assigned, and a back story was
developed as the design team established an idea of what Rosina’s life might
have been like,” says Lisa Simeone, president and owner, Simeone Deary
Design Group. “Then, the team’s concept was deconstructed and trans-
formed into an interior design concept and actual space,” says Simeone.

THE CHARRETTE: There’s a whole lotta Rosina to put into this space. She
was envisioned as a socialite with a penchant for the good things in life—
high fashion, luxe materials and, of course, champagne (Prohibition doesn't
stop her fun)—and she’s no fan of quality over quantity. That’s echoed in
the way those posh building blocks are utilized in the space. Think yards
of flowing fabrics, velvets and leathers, plenty of studs and shirring and
elegant boa-inspired wallcovering.

THE CHALLENGE: Creating a design and design concept that was strong,
bold and weighty enough to stand out on a busy casino floor amongst all
the constant activity going on day and night.

THE COOL STUFF: For anyone as sophisticated as Rosina (the assump-

tion here is that all guests are), expectations are high, and exceeding them
requires elements of surprise. A Press for Champagne button is both a
memorable focal point and a way to make sure no one’s flute runs dry.
“With bold and brass Art Deco patterns on the exterior, the bar is fash-
ioned after a private rail car and features partial glass walls that create
‘see and be seen’ spaces,” says Simeone. “Antiqued mirror surfaces and
faceted glowing bulbs add to the glamour and appeal.” Elsewhere in the
venue, crystal strings in the chandeliers echo the feathery print on the
wall behind them.

THE CARRY-OUT: Guests still want to feel like they’re in a movie.

Designers need to play art director and film director to make it happen.
Here, curtained VIP booths create a please-zoom-in sense of exclusivity.

SOURCES
OWNER/OPERATOR: Las Vegas Sands Corp., Las Vegas; DESIGN FIRM: Simeone Deary
Design Group, Chicago (under a consulting agreement with Gensler, Las Vegas): Lisa Simeone, owner;
Gina Deary, owner; Sara Talleux, principal; Jessica Alexander, senior project designer; Libby
Paulsen, designer; Mark St. Romain, senior designer; ARCHITECT: Gensler, Las Vegas: Stephen
N AT H A N K I R K M A N

Ranck, principal/managing director; Janie Horas, senior associate; Jerry Cool; Julie Pellum,
associate, Sun Kim and Andre Dutra; PURCHASING COMPANY: Las Vegas Sands Corp.,
Las Vegas; GENERAL CONTRACTOR: SR Construction, Inc., Las Vegas; CARPET: Brintons;
FABRICS: Architex; Foglizzo Leather; Holly Hunt; Jamie Stern; JB Martin; Misia Paris; Moore &
Giles; Opuzen; Romero Brothers Interiors; Samuel & Sons; Romo Group; Tiger Imports; Upper
South Studio; Zavi Textiles; FURNITURE: Laurel Group; Western Casework; LIGHTING: Preciosa;
WALLCOVERINGS: Area Environments

DECEMBER 2018 boutiquedesign.com 61

2 0 18 G O L D K E Y AWA R D S
BEST NIGHTCLUB/LOUNGE

FINALIST

BAR TRIGONA AT FOUR SEASONS

KUALA LUMPUR

DESIGN FIRM: AB Concept, Hong Kong

THE COMMISSION: Create a design scheme that highlights the 220-degree views of the city
in this venue (whose entrance is discreetly hidden within The Lounge at the same hotel).

THE CHARRETTE: Curate a range of local and Western styles for a fresh interpretation of
“glocal.” “The design presents an array of traditional features while merging and bringing
balance between colonial and Asian influence to create a level of luxury and sophistication
synonymous with the Four Seasons brand,” says Ed Ng, principal, AB Concept. Columns
are designed to look like shutters in a testament to European architecture, while traditional
materials such as glass, leather and bronze are typical of Malaysian crafts.

THE COOL STUFF: Light ‘em up, using 52 strings of lights and 715 pendant lights to
recreate the effect of a starry night outside within the walls of this venue. The team used
over 9,000 pieces of mirrored glass behind the bar to reflect and refract that illumination.
Yo-yo inspired lights over the bar add a playful touch.
THE CARRY-OUT: Shock value isn’t a necessity to craft jaw-dropping spaces. You won’t
find provocative art, rotating tables, virtual reality or robots here. Instead, it’s the joyous
abandonment of the material use and installation that transforms this hotspot from
merely beautiful to exemplar status.
SOURCES
OWNER: Venus Assets Sdn Bhd, Kuala Lumpur; OPERATOR: Four Seasons Hotels and
Resorts, Toronto: DESIGN FIRM: AB Concept, Hong Kong: Ed Ng, principal; Terence Ngan,
principal; Joanne Kwan, project designer; ARCHITECT: NRY Architects sdn bhd, Kuala
Lumpur; PURCHASING COMPANY: Venus Assets Sdn Bhd, Kuala Lumpur; FABRICS:
Altfield Interiors; Berto Salotti; Sankon Limited; Spring Collection; FLOORCOVERINGS:
New Ravenna; Richfield Building Supply Co. Ltd.; LIGHTING: Global Lighting; Lasvit
(HK) Ltd.; Magazzini Vivace Ltd.; SURFACING MATERIALS: C.T. Choy Co. Ltd.; Markway
International Ltd.; Max Deco Stones & Tiles Ltd.; Princeflord Building Materials Ltd.;
Rahmen (Asia) Limited; Saint Glas Ltd.; WALLCOVERINGS: ACS Design (Asia)

FINALIST

POPPY
LOS ANGELES
DESIGN FIRM: Built, Inc., Los Angeles doors, not windows, walls full of niches

THE COMMISSION: Bring a surre-
alist fantasy to vivid, sensual life in this
next-level offering from longtime Built,
Inc. client The h.wood Group. Add a
library to the standard list of night-
club spaces. Use the design to create
a hotspot so exclusive that it’s one of
the hottest in West Hollywood, despite
only being regularly open to the public
on Thursday nights (other nights are
for events, private or otherwise, many
featuring the city’s A-list).
O W E N R AG G E T T ( B A R T R I G O N A ) ; E L I Z A B E T H DA N I E L S P H O T O G R A P H Y ( P O P P Y )
for books and objets d’art and taxi-
dermy animals (yes, a potentially ill-
received move in today’s animal-loving
climate, but it’s a calculated risk).
THE CHALLENGE: Because Poppy
is housed in the former STK space
and not a newbuild or full gut renova-
tion, Sofio didn’t have carte blanche
to craft his ideal floorplan. Sofio used
new curves in the ceiling to provide a
needed visual link between the venue’s
various spaces.

THE CHARRETTE: “Dream-like THE CARRY-OUT: If you’re going to

SOURCES thoughts manifest: the night primed tell a story, tell a good one and don’t
OWNER/OPERATOR: The h.wood Group, Los Angeles; DESIGN FIRM/ARCHITECT/PURCHASING in abstract for folly,” says John Sofio, be shy. The trippy vibe of Poppy makes
COMPANY/GENERAL CONTRACTOR: Built, Inc.: John Sofio, owner; ARCHITECTURAL
MATERIALS: Emser Tile; ART & ACCESSORIES: Arshia Fathali; AUDIO/VISUAL & ELECTRONICS:
Built’s founder. If that sounds theoret- it stand out from the crowded Los
FYXX Entertainment; FABRICS: Luxury Fabrics; FLOORCOVERINGS: Built Industries; FURNITURE: ical, consider the focal points: a ceiling Angeles nightlife scene and The h.wood
Built Industries; LIGHTING: Elegant Lighting; JM Empire Design; Trans Globe; SIGNAGE: Reflect
Signs; SURFACING MATERIALS: Far West Plywood; WALLCOVERINGS: Mahogany; WINDOW
made of silk flowers; a rose-and-white Group’s dozen-plus other headline-
TREATMENTS: Built Industries checkerboard floor; drapery around making venues.

62 boutiquedesign.com DECEMBER 2018

2 0 18 G O L D K E Y AWA R D S
BEST EMERGING HOTEL CONCEPT

WINNER

THE KOR GROUP

SAN FRANCISCO,
CALIFORNIA;

PROPER
HOSPITALITY
LOS ANGELES

DESIGNER FOR INAUGURAL

PROPERTY: Kelly Wearstler, Los Angeles

THE COMMISSION: Give the 21st century

traveler an experience luxe and customized
enough to recall the best of hotels in the era
of the “grand hotel.” Modernize both design
and amenities (yes, down to an app that lets
guests book a private flight). Fit a quirky sensi-
bility into FF&E choices that still make sense
in both historic and newbuild structures.

THE CHARRETTE: “Our first hotel, San

Francisco Proper Hotel, is a reimagining
of the past, present, and future of the city
through the integrated lens of design,
service, and attention to detail,” says Brian
De Lowe, president and cofounder, Proper
Hospitality. Connecting the hotels with their
respective communities (the hotel pipeline
includes outposts in Austin, Texas, Down-
town Los Angeles, Portland, Oregon and
Santa Monica, California) means under-
standing each one’s sometimes dichoto-
mous needs. For example, guests staying
in San Francisco might be there to connect
with Uber or Spotify, both of which are
headquartered nearby.

THE CHALLENGE: How do you define

aspirational travel for a set of people who
might work in industries as diverse as
tech and music? The answer, according to
designer Kelly Wearstler (responsible for
all Proper hotels currently in the pipeline
as well as the San Francisco property) is
to put the quirk in and take the starch out
THE COOL STUFF: Proper’s team doesn’t
just rely on research and data. De Lowe spent
months living at the San Francisco property
to “get” what made the locals tick.
DESIGNER FOR INAUGURAL PROPERTY (San
Francisco Proper Hotel, California): Kelly Wearstler,
Los Angeles; ARCHITECT FOR INAUGURAL
PROPERTY: Hornberger + Worstell, San Francisco,
California; PURCHASING COMPANY FOR
INAUGURAL PROPERTY: Canoe Hospitality, El
Segundo, California

of the design, as shown in the first hotel. THE CARRY-OUT: Innovation doesn’t
Vivid prints are layered to create a rich mix demand futuristic tech, at least not where
N OA H W E B B

of pattern and color in the guestrooms. guests can see it. Why not remember the
Artwork in varying sizes and shapes does best of the past and join it with the best of
the same for the lobby. the present?

64 boutiquedesign.com DECEMBER 2018

 WINNER
VUE HOTELS
BEIJING
DESIGN FIRM FOR INAUGURAL PROPERTY: MINISTRY OF DESIGN PTE
LTD, Singapore
THE COMMISSION: Revolutionize the standards of Chinese hotel expe-
riences on two levels. First, celebrate the concept of transforming hutongs
(narrow alleys between rows of traditional Chinese courtyard residences;
the word also describes neighborhoods composed of such dwellings) into
chic modern spaces. Usually, unless they have extreme historical value, these
buildings are demolished, rather than given new life. Second, use art to show
off a joyful, whimsical side of travel that the team felt was underrepresented
in China.
THE CHARRETTE: Making a brand viable throughout any country means
CI& A PHOTOGR APH Y
thinking through how it appeals to locals, instead of being dependent just on
international interest. Through their experience leading Orange Hotel Group,
a Chinese hotel company with properties in 23 cities across the country, the
team behind VUE had the on-the-ground experience to make sure their bold
design resonated at the right frequency with cutting-edge Chinese travelers.
Wu Hai, founder and ceo of both Orange and VUE, wanted to make interiors
guests wouldn’t soon forget.
THE CHALLENGE: As with any hotelier taking on a renovation or conver-
sion site, matching the outside impression to the inside experience isn’t always
easy. The MINISTRY OF DESIGN PTE LTD team, led by founder Colin Seah,
exploited that by celebrating the 80-room debut hotel’s location on a lake by
turning to shades of gray (with metallic accents) for the exteriors and party-
bright blues, pinks and yellows on the high energy interior. Then again, the
two hot pink wireframe bunnies smoochin’ on the roof atop their eponymous
restaurant might hint at what’s inside.
THE COOL STUFF: Don’t save the drama for your mama. Spread it across the
lobby, guestrooms, bathrooms and so on. Boldly angular forms adorn ceilings
and walls throughout the hotel.
THE CARRY-OUT: Nothing is as crucial as knowing the local taste. VUE takes
cues from the best of the international design world, but it’s not just a home-
grown clone. Instead, it’s an attempt to transform the Chinese hotel experi-
ence, done by someone who’s been there, stayed there and done that.
DESIGN FOR INAUGURAL PROPERTY (VUE Hotel Houjai, Beijing): MINISTRY OF DESIGN PTE LTD,
Singapore; ARCHITECT FOR INAUGURAL PROPERTY: MINISTRY OF DESIGN PTE LTD, Singapore;
PURCHASING COMPANY: VUE Hotel Houhai, Beijing
DECEMBER 2018 boutiquedesign.com 65
2 0 18 G O L D K E Y AWA R D S
BEST EMERGING HOTEL CONCEPT

FINALIST

BISHA HOTELS
DESIGNER FOR INAUGURAL PROPERTY: Studio Munge, Toronto

THE COMMISSION: Create the mentality for a brand that aims to bring the
indulgent, opulent vibe of nightlife to the pre-dusk hours. Find a clever way
to squeeze two restaurants, a lobby bar, a café, a pool and a supercool fitness
center into a compact floorplan that also has to hold hotel rooms, condos
and rentals.

THE CHARRETTE: INK Entertainment ceo Charles Khabouth (Toronto’s night-

life guru) wanted to create a space that would entice his guests (yes, literally,
as he lives in one of the building’s condos) to live their best lives. By best, he
means make them feel like the world is a haven of sensory indulgence.

THE CHALLENGE: Making sure that the restaurants are easily accessible to
locals necessitated separate entrances (and the tight footprint encouraged
it). So, Khabouth and Alessandro Munge, principal, Studio Munge had to find
visual links to tie it all together.
THE COOL STUFF: Khabouth is a famous stickler for details in his clubs,
restaurants and now hotel. That’s not just a question of fixing a crooked
picture. It also means insisting on chairs that swivel to allow easy conversa-
tion in the restaurant and sufficient light for guests to see each other and
the menu.
THE CARRY-OUT: Sensuality is a powerful design tool, but it can’t spill over
into tawdriness. Here, a world-class art collection speaks to the intellectual
side of the guest, while irresistible textures encourage a more primal curiosity.
Who’s not going to try and pet the velvet lobby walls?
DESIGN FOR INAUGURAL PROPERTY: (Bisha Hotel & Residences, Toronto): Studio Munge, Toronto;
ARCHITECTURE FOR INAUGURAL PROPERTY: Wallman Architects, Toronto; OPERATORS FOR
INAUGURAL PROPERTY: ICONINK, Toronto (F&B operator); Loews Hotels & Co., New York (hotel
operator); PURCHASING COMPANY FOR INAUGURAL PROPERTY: Studio Munge, Toronto

FINALIST
DESIGNER FOR INAUGURAL PROPERTY: ALT-254, Hong Kong
OVOLO HOTELS

M A X I M E B O C K E N ( B I S H A H O T E L & R E S I D E N C E S ) ; L U C Y M C N A L LY ( M O J O N O M A D C E N T R A L )
THE COMMISSION: Solve the problem of space-constrained hotels in Hong
HONG KONG
Kong by introducing a hotel/hostel hybrid model. Bring in creative, approach-
able F&B options. Find unusual ways to be eco- and socially-conscious, from
repurposing Victorian bricks shipped from demolished U.K. buildings to
crafting coworking spaces.

THE CHARRETTE: Think retro and eclectic for the material and interiors,
heavy use of retro graphics and art combined with aged and tactile
materials. In other words, a lot rock and roll, a lot global nomad and a little
clever repurposing. To get the top-notch materials he wanted, Ovolo Hotels
founder and ceo Girish Jhunjhnuwala empowered the design team, led by
ALT-254 founding partner and ceo Vincent McIlduff to scour the globe for
upcycling opportunities. Beyond the aforementioned brick, the second hotel
also utilizes reclaimed wood from Hong Kong docks.

THE COOL STUFF: By repurposing the former Ovolo Noho for the new brand’s
second hotel, the team got good bones that already fit within their vision and vibe.
Splitting the restaurant over two levels not only makes a tight footprint work, but
entices guests deeper into the property. A coworking space sits above that, while
the Rocky-esque gym tops off the public areas (clever thinking for sweaty guests
who don’t want to share lengthy elevator rides on the way back to their rooms.

DESIGN, ARCHITECTURE AND PURCHASING FOR INAUGURAL PROPERTY (Mojo Nomad Aberdeen
THE CARRY-OUT: Small rooms are here to stay. Cool is a must, but there are
Harbour): ALT-254, Hong Kong many different ways to go about the look and feel of these properties.

66 boutiquedesign.com DECEMBER 2018

2 0 18 G O L D K E Y AWA R D S
BEST RESTAURANT CASUAL DINING

WINNER

COMMUNITY
MOSCOW

DESIGN FIRM: Sundukovy Sisters, Moscow

THE COMMISSION: Do it all, right here, right

now. “The goal was to create an interior for a new
concept of a location that used to be a club and to
combine the various zones – a theater, a restaurant,
a tea room, a bar, and a room for master classes –
into a balanced single multifunctional space,” says
Irina Sundukova, cofounder, Sundukovy Sisters.
That kind of Swiss-Army-Knife versatility puts the
onus on the design team to find a language fluent
enough to encompass such different purposes.

THE CHARRETTE: Utilize a wide range of colors,

materials, lighting qualities and installation tech-
niques to keep guests compelled for as long as they
stay in the space. We use abrupt switches from
one material to another throughout the interior to SOURCES
CLIENT: Sinisha Lazarevich,
give it a picturesque and dynamic feel,” says Olga Moscow; DESIGN FIRM/
Sundukova, cofounder, Sundukovy Sisters. ARCHITECT: Sundukovy
Sisters, Moscow: Irina and Olga
Sundukova, cofounders; ART:
THE CHALLENGE: The self-determined diver- Allovergraphics; CARPETS:
EGE Carpets; FURNITURE:
sity in the spaces added a level of difficulty when Deephouse; Barcelona
it came to integrating them into one experience. Design; forestgum; ottostelle;
LIGHT PROJECTORS:
Also, the spaces vary widely in shape, from narrow Lumitex; STAIRS: Neon Lux;
to wide. So, the sisters found their unifying motif: WALLCOVERINGS: Rebel Walls

books. Not a surprise considering that the venue

is situated within the State University for Design
and Technology. But these are books like you’ve
never seen them before. Think about giant book
spines running against walls above lecture hall-
style seating and behind booths in the restaurant
area. A library print decorates the room used for
master classes.

THE COOL STUFF: Meet the new definition of flex-

ible space. “The decision to bring the library and the
theater together is not only stylistically justified but
also convenient: during workdays, the facility will
function as a restaurant and a library, and on week-
ends as a theater and a lecture hall,” says Irina. So,
keeping an old chandelier from the venue’s club days
and “hiding” it among the bookshelves in the space
adds to the theater atmosphere without being too
N I K I TA K R U C H KO V

distracting during lectures.

THE CARRY-OUT: Casual doesn’t have to mean

basic. Graphic artwork makes an indelible impres-
sion; the wild colors keep it from being too stuffy.

68 boutiquedesign.com DECEMBER 2018

 FINALIST

BABA AT THE PRINCIPAL EDINBURGH

CHARLOTTE SQUARE
DESIGN FIRM: Goddard Littlefair, London
THE COMMISSION: Bring the Levant to
Edinburgh in the form of a destination restau-
rant. “The idea of a fictitious owner, Mr.
Baba, based on a vintage photograph found
in a Turkish Souk, was created and provided
visual inspiration for the scheme,” says Martin
Goddard, director, Goddard Littlefair.
THE CHARRETTE: The most important
design requirement was connecting the
restaurant to the rest of the hotel. “A number
of period elements were incorporated that
paid respect to the building, such as Geor-
gian-era tiling designs, as well as architec-
tural salvage elements that link to other key
spaces in the hotel. To allude to the Levan-
tine-inspired food offer, Middle Eastern rugs
are hung on the walls like tapestry artworks
and a rich color scheme is used throughout,
including deep reds, teals and aubergine,”
says Goddard Littlefair director Jo Littlefair.
THE COOL STUFF: Make new stuff look
old—strategically. “Innovative techniques
were used to create a pre-established and
distressed feel, for example specialist paint
finishes applied to the walls to evoke the
passing of time and hint at the building’s
age, as well as a deep red checkerboard
pattern, stencilled onto the floorboards,
which will wear with time and contribute
to the scheme’s feel of worn authenticity,”
says Goddard.
THE CARRY-OUT: Zen dining? Not always.
Sometimes, having a lot going on design-
wise as one eats adds a deeper flavor.
SOURCES
OWNER (AT TIME OF COMPLETION): Starwood Capital, Greenwich, Connecticut;
OPERATOR (AT TIME OF COMPLETION) Principal Hotel Co., London; DESIGN
FIRM: Goddard Littlefair, London: Martin Goddard and Jo Littlefair, directors; Richard
McCready-Hughes, creative director; Will Hutchings, senior project manager; Gemma
Prentice, senior interior designer; ARCHITECTS: 3DReid Architects, Glasgow, U.K.;
PURCHASING COMPANY: Benjamin West, London; GENERAL CONTRACTOR: Thomas
Johnstone, Edinburgh; DESIGN CONSULTANTS: Susan Lake Lighting Design, Lewes,
Sussex, U.K.; ARCHITECTURAL MATERIALS: Dulux; Paintfinity; Thomas Johnstone;
ART & ACCESSORIES: Artiq; Asiatides; Diane Hill; Sterling Arts; AUDIO/VISUAL &
ELECTRONICS: Scolmore; SRL; BATH & SPA: St. James; Utopia; Villeroy & Boch;
FABRICS: Abbott & Boyd; Dedar; Fameed Khalique; GP&J Baker; House of Hackney; Kobe;
Lelievre; Pierre Frey; Python; Samuel & Sons; Whistler Leather; FLOORCOVERINGS:
Altro; Armatile; Karndean; Nemetnejad Brothers; Refin Ceramiche; Thomas Johnstone
Ltd.; FURNITURE: Andy Thorton; Graham & Green; Maison Du Monde; Pure White
Lines; The Contract Chair Co.; Reclaimed Bespoke; Revivalist; Taylor’s Classics; Thomas
Johnstone; LIGHTING: Alexandra Raben; Bespoke Lights; Broughtons; Janie Knitted
Textiles; Jas Boutique; Made By The Forge; OKA; Pholc; The Lighting Company; Tinek
Home Visual Comfort; SIGNAGE: Rivermeade; SURFACING MATERIALS: Collinson
Ceramics; Milagros; Thomas Johnstone, Ltd.; WINDOW TREATMENT: Osborne Heath

FINALIST SOURCES
BLACK TAP CRAFT BURGERS & BEERS AT OWNER/OPERATOR: Las Vegas
Sands Corp. Las Vegas;; DESIGN
FIRM: Rockwell Group, New York:

THE VENETIAN LAS VEGAS David Rockwell, founder and

president; Shawn Sullivan, partner;
project manager; Claire Tokunaga,
project manager; Michael Horwitz,
tecture of The Venetian, combining it all with nostalgic nods Samantha Ricken and Eve Taylor, staff;
ARCHITECT: MOSER Architecture
to the ‘80s and ‘90s,” says Shawn Sullivan, partner and studio Studio, Las Vegas: Brent Cajthaml,
leader, Rockwell Group. They also added a Crazyshakes bar chief operating officer; Jason Erlich;
PURCHASING COMPANY: Las
to better show off the brand’s signature Instagrammable Vegas Sands Corp.; ARCHITECTURAL
shakes. “The island fixture features one of the main ingredi- MATERIALS: Build.com; Cascade
Coil; ARCHITECTURAL MATERIALS:
ents of the shakes, candy, in glass display cases you’d find in Build.com; Cascade Coil; Thermory
retro candy stores,” adds Sullivan. USA; ART & ACCESSORIES: House of
Antique Hardware; Fumero; Madonna
+ Child;  Redbubble; Sam Green
THE COOL STUFF: It’s not all black and white in Sullivan’s Illustration; Society 6; Train of Thought
Collective; FABRICS: Arc-Com
world. But, those opposites still provide much of the visual Fabrics Inc;  Demar Leather; Firesist
punch. “A striped black and white tile floor wraps up the bar by Sunbrella; FURNITURE: Contract
Furniture Company; Design Within
die, creating a seamless, monolithic look. The all black bar Reach; Garsnas; Industry West; Kettal;
and lounge contrast with the all-white takeout area, which Superior Seating; Table Bases; Timber
Forge Woodworks; GLASS: Bendheim;
DESIGN FIRM: Rockwell Group, New York can be seen through the punched out ‘lens’ of an enlarged PAINT: Crescent Bronze; Sherwin-
camera mural Installation,” adds Sullivan. Williams; METALWORK: La Bastille;
McNichols Co.; New Metals Inc.;
THE COMMISSION: Bring the New York favorite Black Tap Vondom; OUTDOOR: Beachwood
N I K I TA K R U C H KO V

brand to Sin City. THE CARRY-OUT: Large footprints don't necessarily imply Collective; SHUFFLEBOARD TABLE:
Hudson Shuffleboard;  SURFACING
uniformly massive volumes. “The design builds excitement MATERIALS: Armstrong; Graphic
THE CHARRETTE: “For a Black Tap flagship located in The and anticipation by slowly revealing a series of spaces and Concrete; TILE & STONE: ABC
Worldwide Stone; Clé Tile; Dal-Tile;
Venetian Las Vegas, we mixed the restaurant’s signature motifs playing with perspective as guests travel through the restau- Hudson Tile Supply; Nemo Tile;
and a familiar luncheonette atmosphere with the classic archi- rant,” says Rockwell. Porcelanosa; Sicis; Total Stone

DECEMBER 2018 boutiquedesign.com 69

2 0 18 G O L D K E Y AWA R D S
BEST RESTAURANT CASUAL DINING

FINALIST

CHICA AT THE VENETIAN

LAS VEGAS
DESIGN FIRM: Blueplate, a Wilson Associates Studio, New York

THE COMMISSION: Create a pan-Latin American dining destination.

THE CHARRETTE: “We were inspired by traditional homes found in Venezuela as well
as the urban architecture found in Buenos Aires and Mexico City’s plazas and markets,”
says Dan Kwan, chief creative officer, Wilson Associates. “The 5,700-sq.-ft. dining space
embodies a feminine persona expressed through the materials, furnishings and colors
found throughout the venue.” Dividing the venue into three spaces (a plaza, courtyard
and market) encourages guests to “eat, explore and experience,” according to Kwan.

SOURCES
OWNER: Las Vegas Sands Corp. Las Vegas; OPERATOR: 50 Eggs, Inc., Miami; DESIGN FIRM:
Blueplate, a Wilson Associates Studio, New York: Dan Kwan, chief creative officer; Kevin Tyjer,
senior project designer; Kevin Caulfield, senior design manager; David Dorfman, project
manager: Iris Ledesma and Michael Lawless, project designers, Branding & Concept; Haley
DuPre, associate designer; ARCHITECT: Joshua Zinder Architecture + Design, Princeton, New
Jersey; GENERAL CONTRACTOR: HI-CON INC, Las Vegas; FABRICS: Dedar; Demar Leather;
Jim Thompson; Tiger Leather; FURNITURE: Ariston Hospitality; Composition Hospitality;
LIGHTING: Kalco; RH Contract; Visual Comfort: WALLCOVERINGS: Phillip Jeffries
THE COOL STUFF: Bringing the outside in is a standard element of many RFPs.
Convincingly bringing the soul of a far-away locale to Las Vegas is, well, not. Kwan and
his team used the materiality to reinforce the suspension of (geographic) disbelief.
“Ornate and authentic elements including handmade vintage tiles, bright accent pillows,
purple velvet banquettes, subtle florals and colonial-styled ironwork. Latin American
design also inspired the style of seating where chairs feature beautiful wooden frames,
caning paired with colorful leathers and patterned cushions,” says Kwan.

A M E L I N DA B L E E ( C H I C A AT T H E V E N E T I A N L A S V E G A S ) ; O W E N R AG G E T T ( T H E F I S H M O N G E R AT R O S E W O O D S A N YA )
THE CARRY-OUT: Respect the inspiration in macro decisions. Here, metal screens
echo gates.

FINALIST

THE FISHMONGER AT
ROSEWOOD SANYA
CHINA
DESIGN FIRM: AB Concept, Hong Kong
THE COMMISSION: Blend the tran-
quil, low-key ease of a seaside cottage and
the vibrancy of a local marketplace into a
casual eatery where guests can have every-
thing their way. Fresh seafood displays do
double duty as dynamic focal points and
menu suggestions. “Guests have the freedom
to choose what they would like for their
meal and take control of how it’s prepared
at the various stations around the restau-
rant,” says Ed Ng, principal, AB Concept.
“With so many ingredients and preparation
methods on offer, guests can have a unique
experience every day without the trouble of
seeking out different restaurants. The Fish-
monger is really an interactive village.”
THE CHARRETTE: Approach the layout
and materials palette in a way that makes
this neighborhood-like casual dining spot
feel personal. “We wanted The Fishmonger
to essentially function as the guest’s own
kitchen with private chefs cooking food to
suit their preferences,” says Terence Ngan,
also a principal with the design studio.
Divided into three areas, this venue has
a Chinese-style cooking area; a sushi and
crudo bar; and a grill and fry station serving
an Asian seafood barbecue—each with its
own distinctive FF&E and lighting program.
THE COOL STUFF: Theming with a purpose.
Waves of suspended fishing nets help
humanize the reach of the 26-ft.-high ceilings.
Other seagoing references from statement-
making boats to subtle lamps connect guests
to the local culture and natural surround-
ings. Open kitchens create opportunities to
talk with the chef and appreciate the joy of
cooking, say Ng and Ngan.
THE CARRY-OUT: Strategic, contrasting stylistic notes help
compartmentalize this expansive 180-seat restaurant. Cases in
point: Reclaimed-looking wood window panels and exposed
pipes add a bit of industrialism and warmth to the otherwise
pavilion-like space.
SOURCES
OWNER: Poly Real Estate Group Co., Ltd., Guangzhou, China; OPERATOR: Rosewood
Hotels & Resorts, Hong Kong: DESIGN FIRM: AB Concept, Hong Kong: Ed Ng, Terence
Ngan, principals; Randee Chen, project designer; ARCHITECT: Goettsch Partners,
Chicago; PURCHASING COMPANY: Poly Real Estate Group Co., Ltd., Guangzhou, China;
FABRICS: Altfield; Cetec; Saintglas; Veranda; Yarns Limited; FLOORCOVERINGS: Joyful
Sky Limited; Parquet In; FURNITURE: Corner 43; Holly Hunt; Mr. Strala; Resign; RH
Contract; World Market; Yothaka Intl. Co. Ltd.; LIGHTING: Caino Design; RH Contract;
SIGNAGE: Dongchu Sinaga Shanghai Co. Ltd.; SURFACING MATERIALS: Conic
Decoration; Markway (Intl.) Ltd.; Max Deco Stones & Tiles Ltd.; Super Star Company
Limited; Thicas Interiors Ltd.; WALLCOVERINGS: Sonite Innovative Surfaces Co.; Zisa

70 boutiquedesign.com DECEMBER 2018

 FINALIST
THE PROVINCE AT BAY 101 CASINO
SAN JOSE, CALIFORNIA
DESIGN FIRM: Mister Important Design,
Oakland, California
THE COMMISSION: Create a fun and
sophisticated environment that draws
people together, according to the client.
THE CHARRETTE: “In designing the
7,000-sq.ft. space we sought to create some-
thing glamorous and inviting, but also fluid
enough to host parties and DJs,” says Charles
Doell, principal, Mister Important Design.
“To capture that desired ambience, we
chose a sumptuous palette of dark woods
and rich leathers alongside saturated red
tones, including crimson and burgundy with
JEFF DOW
golden accents—symbols of happiness and
fortune in some Asian cultures.”
THE COOL STUFF: Make statements big.
Really big. Seventeen-ft.-high walls in one
area become a mural. Guillotine doors
feature red stained glass. When rolled down,
they subdivide the private dining rooms.
Rolled up, the space becomes a larger dining
area with a DJ lounge and island bar.
THE CARRY-OUT: Provide an escape from
your own escape. Doell wanted a space to
contrast with the ruby shades that domi-
nate most of the venue. “The bar is a lesson
in contrasts with mixed teal-colored tiles SOURCES
OWNER/OPERATOR: Chris Yeo Group, San Mateo, California; Design Firm: Mister
randomly arranged in moon shapes at 90 Important Design, Oakland, California: Charles Doell, principal designer; James Welsh,
degrees to evoke an industrial take on like job captain; Mark Niverba, designer; Jonathan Kaplan, design assistant ARCHITECT:
Kenneth Rodriguez and Partners Inc., Mountain View, California; Purchasing Company:
fishing boat floating in a sea of teal tile,”
IKey Inc., San Jose, California; ARCHITECTURAL MATERIALS: Overhead Door Company;
he says. “Lantern lighting suspended from ART & ACCESSORIES: Jet Martinez; FLOORCOVERINGS: Fireclay; FURNITURE:
Mister Important Design, manufactured by IKey; LIGHTING: Mister Important Design,
coarse ropes adds to the vessel-like feel.” manufactured by Sapphire Chandelier; SURFACING MATERIALS: Fireclay
DECEMBER 2018 boutiquedesign.com 71
2 0 18 G O L D K E Y AWA R D S
BEST RESTAURANT FINE DINING
WINNER
AKIRA BACK AT BISHA HOTEL & RESIDENCES
TORONTO
DESIGN FIRM: Studio Munge, Toronto
THE COMMISSION: Immerse diners in an expe-
riential design that will stand out among the city’s
saturated Southeast Asian food scene. Express
modernity and luxury through a rich materials
palette and high-contrast color scheme. Serve up a
showcase for a Michelin-starred chef known for his
innovative dishes and aspirational aesthetic.
THE CHARRETTE: Overlooking the city’s enter-
tainment district from the second floor of the newly
built Bisha Hotel & Residences, the restaurant is
accessed through a portal that entices guests with
shimmering gold volumes capped by a glowing
oculus. A sculptural staircase mirrors the six-tiered
ceiling structure with cove lighting and custom gold
leaf textured surfaces. Leathered belvedere marble
tables, velvet upholstered bar stools and polished
72 boutiquedesign.com DECEMBER 2018
metal accents add to the lavish look. Subtle nods to
Japanese culture, such as dark walls inspired by shou
sugi ban, a centuries-old wood finishing technique,
give the restaurant soul.
THE CHALLENGE: Making a statement overhead
that would wow discerning clients in the red-hot
Toronto dining scene called for more than a traditional
mural. Providing a bold contrast to the dark interiors
below, an undulating arched ceiling draws attention
upward. The surface showcases an impactful hand-
painted mural depicting abstract petals in shades of
indigo with lustrous gold highlights.
THE COOL STUFF: Honoring the bond between a
mother and child, a custom mobile waves through
the ceiling, showing off original artwork painted by
Akira Back’s mom. The destination sushi bar at the
far end of the 147-seat restaurant is bathed in light
with gold-finished brass surfaces stretching from the
floor to the ceiling.
THE CARRY-OUT: Be moody. A contemporary
black palette creates intimacy and has high-end
appeal when paired with luxe materials such as
marble. It also provides a stark contrast to the
golden glow and quick-moving theater of the sushi
bar, highlighting the chef ’s culinary performance.
SOURCES
OWNER: INK Entertainment, Toronto; OPERATOR: ICONINK,
Toronto; DESIGN FIRM: Studio Munge, Toronto: Alessandro Munge,
principal; Mehari Manna Seare, project manager; Erika Van Der Pas
and Stephanie Kruschen, designers; Kristan Klassen, procurement
MA XIME BROUILLET
manager; ARCHITECT: Wallman Architects, Toronto; PURCHASING
COMPANY: Studio Munge, Toronto; GENERAL CONTRACTOR:
Atlas Worx Inc., Toronto; DESIGN CONSULTANTS: GZ Intl. (art
consulting); ARCHITECTURAL MATERIALS/FLOORCOVERINGS/
SURFACING MATERIALS: Ciot; ART & ACCESSORIES: GZ Intl.;
Kolectiv; FABRICS: Moore & Giles; Valley Forge Fabrics; FURNITURE:
Arrmet; Louis Interiors; Viriato Hotel Concept; LIGHTING: Anony;
Euro Light; PCL Graphics; Tom Dixon; WALLCOVERINGS: Kolectiv
the look of luxury
2 0 18 G O L D K E Y AWA R D S
BEST RESTAURANT FINE DINING

FINALIST

SOMERSET AT VICEROY
CHICAGO
DESIGN FIRM: AvroKO, New York
THE COMMISSION: Play up the prestige of
the Gold Coast neighborhood’s high-society
past. Offset the grandeur with a visual narra-
tive that draws inspiration from self-made
success and the rebellious American spirit.
THE CHARRETTE: The designers channeled
notes of contemporary country club culture
into the restaurant’s three distinct spaces. Archi-
tectural references to the traditional clubhouse
and homages to elite leisure activities reinforce
the theme. The ground floor bar and restau-
rant draw inspiration from a Lake Michigan
marina, while the upstairs reflects the look of a
clubhouse itself. Inside the triple-height space,
a modern custom-designed chandelier streams
light through wooden frameworks and perfo-
rated brass. Textured glass screens over the
back bar take cues from canvas sails and filter
light from the bar into the restaurant. The multi-
height dining space’s walls and banquettes are
covered in jade upholstery and white piping
reminiscent of vintage tennis wear.
THE COOL STUFF: A concealed private dining
room is nestled behind a wall of archives and
artifacts. Decorated with custom-made speed
boat models, that space features a secret
lookout to the lobby library below.
THE CARRY-OUT: Go with the flow. The large
central bar serves as the main anchor, chan-
neling energy between the lively triple height
bar space to the more intimate restaurant
beyond and the dining mezzanine above. A
fully open kitchen draws in diners. Upstairs,
the open mezzanine wraps around three sides
of the restaurant, offering visitors a view of the
ground floor bar that mimics the sightlines
from the clubhouse to a marina.
SOURCES
OWNER: Convexity Properties, Chicago; OPERATOR: Boka Restaurant Group,
Chicago; DESIGN FIRM: AvroKO: Adam Farmerie, Kristina O’Neal, William
Harris and Greg Bradshaw, principals; ARCHITECT: Goettsch Partners, Chicago;
PURCHASING COMPANY: The Gettys Group, Chicago; GENERAL CONTRACTOR:
Power Construction, Chicago; DESIGN CONSULTANTS: AvroKO (art); Next Step
Design (kitchen); ARCHITECTURAL MATERIALS: Bendheim Glass; Benjamin Moore;
Concrete Collaborative; Juan Alfaro Design; McNichols; Philip Stein Design Collective;
PID Floors; Stone Source; Silvan Floors; ART & ACCESSORIES: Rejuvenation Inc.;
Roost Co.; BATH & SPA: Kohler; Watermark; FABRICS: Angela Brown; Architex;
Fabricut Contract; Innovations; Kravet; Pindler; FLOORCOVERINGS: Armstrong;
IndoTeak; FURNITURE: Design Within Reach; Goodshop Manufacturies; Icon Modern;
IndoTeak; The Future Perfect; Stellar Works; HARDWARE: Signature Hardware;
Rocky Mountain Hardware; LIGHTING: Cedar and Moss; Circa Lighting; Design Within
Reach; Goodshop Manufacturies; RH Contract; Rich Brilliant Willing; Souda; The Future
Perfect; SURFACING MATERIALS: Design & Direct Source; Fireclay Tile; Tiles by Tina;
Stone Source; WALLCOVERINGS: Aesthetics Wallcovering; Donghia; Koroseal; Phillip
Jeffries; Surfacing Solutions; Zoffany Sanderson

FINALIST DESIGN FIRM: BASILE Studio, San Diego

BORN & RAISED THE COMMISSION: Convert a 1930s drugstore and soda fountain into a $6.5

A N T H O N Y TA H L I E R ( S O M E R S E T AT V I C E R OY C H I C AG O ) ; Z AC K B E N S O N ( B O R N & R A I S E D )
SAN DIEGO million fine dining steakhouse. Blend mid-century modern influences with art-
deco inspo.

THE CHARRETTE: Paying homage to the classic mid-century American steakhouse,

BASILE Studio designed and built out every embellishment within the 10,000-sq.-
ft. space. The designers covered the expanse of the main dining room with walnut
veneer, including tambour paneling, molding details and custom parquet flooring
inlayed with terrazzo and brass. The ceiling is also made entirely of book-matched
walnut veneer sourced from a single tree from Northern California. A glass enclosed
40-ft. butcher shop houses the restaurant’s dry-aging program.

THE CHALLENGE: During the design and development phase, unexpected hurdles
ranging from airport safety regulations to building a second-story addition affected
the budget (originally slated for $2.5 million), but not the three-year timeline.

THE COOL STUFF: Eight cladded-column dendriforms accented by LED top lights
define the space. The 45-ft. cocktail bar features imported green Italian marble with
a custom 26 tap system built into the bar’s “blooms,” melding form with function.
SOURCES
OWNER/OPERATOR: CH Projects, San Diego; DESIGN FIRM/PURCHASING COMPANY: BASILE
Studio, San Diego: Paul Basile, founder and principal; Ashley Evans and Taylor Leage, designers;
THE CARRY-OUT: DIY. The staircase—clad entirely in vacuum-formed curved walnut
GENERAL CONTRACTOR: Hawkins Construction, San Diego; ARCHITECTURAL MATERIALS: veneer and trimmed with solid wood—was painstakingly installed over four weeks
BASILE Studio; First Choice Doors; Talbert Architecture; Tutto Marmo; FABRICS: Euro Leather;
Perennials; FLOORCOVERINGS: DuChateau; FURNITURE: BASILE Studio; Essential Home;
with every piece cut to fit by hand. Taking a multidisciplinary approach and building
LIGHTING: BASILE Studio; Neptune Glassworks; Rejuvenation; Wired Custom Lighting out the details in-house result in impeccable craftsmanship guests can see and touch.

74 boutiquedesign.com DECEMBER 2018

 Kubic Collection

FINALIST

TA-KE JAPANESE RESTAURANT GINGER is a leading bathroom accessories, lighting and

mirrors brand that brings together luxury and functionality
HONG KONG in the bathing environment. Utilizing solid brass materials,
and precise craftsmanship, GINGER products have
DESIGN FIRMS: Steve Leung Design Group Ltd., Hong Kong; Kengo Kuma helped trade professionals complete their projects to
and Associates, Tokyo the highest standards.

THE COMMISSION: Connect diners with nature within the built environment.
Pay respect to traditional Japanese culture. Exude tranquility and simplicity
through wabi-sabi, the ancient aesthetic centered on the acceptance of tran-
sience and imperfection. Define zones for the dining hall and various VIP rooms.
2001 CARNEGIE AVENUE SANTA ANA, CA 92705
THE CHARRETTE: The designers took inspiration from Japan’s courtyards 949.417.5207 GINGERCO.COM
during the 17th century Edo period to craft a biophilic scheme. Natural elements
such as stone are paired with various forms of bamboo for an aesthetic connec-
tion to the environment and rhythmic visual effect. A charcoal-colored washed
wall recalls shou sugi ban, a technique for preserving and charring wood that was
often used as exterior cladding in ancient Japanese architecture.

THE COOL STUFF: A semi-private VIP dining area dubbed “ENGAWA” resem-
bles a Japanese cloister and is decked out with a traditional tatami mat. Floor-
to-ceiling partitions mimic the look of a bamboo forest. A ceramic tile wall in
maple red produces a textural interplay at the exclusive sushi bar.

THE CARRY-OUT: Sometimes it’s OK to take things literally. Ta-ke, named

after the Japanese word for bamboo, is defined by its eponymous material. In
the main dining hall, a ceiling and partitions formed by interwoven, slender
VIRGILE SIMON BERTR AND

bamboo poles create visual depth and instill a sense of intimacy.

SOURCES
OWNER/OPERATOR: 1957 & Co. (Hospitality) Ltd., Hong Kong; DESIGN FIRMS: Steve Leung Design Group
Ltd., Hong Kong: Steve Leung, founder; Chiu Fung Chong, chief creative officer; Janet Choy, design director;
Glory Tsang, associate design director; Kengo Kuma and Associates, Tokyo: Kengo Kuma, founder; Kazuhiko
Miyazawa, chief manager; Mira Yung, designer; ARCHITECT: Kengo Kuma and Associates, Tokyo; GENERAL
CONTRACTOR: PHM Contracting Co. Ltd., Hong Kong; DESIGN CONSULTANTS: Tino Kwan Lighting London Terrace Collection
Consultants Ltd. (lighting); A Work of Substance (logo and menus); BATH & SPA: TOTO; FABRICS: Kvadrat

DECEMBER 2018 boutiquedesign.com 75

GIN_Boutique-Design-12-2018.indd 1 10/31/18 2:55 PM

2 0 18 G O L D K E Y AWA R D S
BEST SPECIALTY DESIGN
WINNER
BELMOND VENICE-SIMPLON ORIENT EXPRESS GRAND SUITES
LONDON
DESIGN FIRM: Wimberly Interiors (a design studio
of WATG), London
THE COMMISSION: Develop three private
“Grand Suites,” drawing inspiration from the
heritage and style of the cities the train weaves
through while remaining true to its status as an
art deco icon. That translated to elegant touches
such as the high-gloss marquetry throughout each
space. The bold geometries and ornate bordering
also represent the opulence synonymous with
1920s and 30s luxury.
THE CHARRETTE: All hail the golden age of travel,
when boarding a train, plane or ocean liner was
considered an “event.” The suites’ interiors incorpo-
rate all the necessary elements to convey the 5-star
promise in the context of the Roaring Twenties:
etched glass, intricate mosaics and gold accents.
Each grand suite takes its cues from a different
locale along the route. For example, the Paris suite
features a light color palette and represents the
76 boutiquedesign.com DECEMBER 2018
city’s haute couture with velvety upholsteries and
an abstract mosaic of peacocks behind the head-
board. Its gastronomic excellence is highlighted too
in the crystal barware, Lalique crystal panels and
regal furnishings.
THE CHALLENGE: Achieving luxury in such
a compact space. “Every piece of furniture was
custom-designed for the train and scaled to fit,”
reveals Rachel Johnson, senior vice president and
studio director for Wimberly Interiors. Efficient
layouts and the strategic use of mirrors visually
expand these accommodations.
THE COOL STUFF: Embrace a little maximalism
to create an immersive experience. The Venice
Suite plays up an antique tapestry sourced in its
namesake city and the use of Murano glass chan-
deliers to create a moveable sense of place. In the
Istanbul Suite, the rich patterning behind the head-
board is influenced by that found in the Topkapi
Palace. Spotlighted materials include hand-carved
timber, marquetry panel borders accented with
mother of pearl, embossed leather and exaggerated
metal details.
THE CARRY-OUT: Designing for smaller spaces
offers the opportunity to focus on the details that
often have to be passed off in larger-scale projects.
The arrangements of crystal and barware in each
grand suite are not only a nod to the extravagance
of an era of bygone luxury, but also design drivers
that contribute to the escapist experience.
SOURCES
C O U R T E S Y O F B E L M O N D LT D.
OWNER/OPERATOR: Belmond Ltd., London; DESIGN FIRM:
Wimberly Interiors, a design studio of WATG, London: Rachel
Johnson, senior vice president + studio director; Sophie Deeley,
project designer; BATH & SPA: Philippe Armand; FABRICS: Alma
Leather; Beaumont & Fletcher; Chase Erwin; Designer’s Guild;
Houles UK: Lelievre Ltd (UK); Moore & Giles UK; Osborne & Little
UK; Phillip Jeffries; Romo Group; Style Library Contract; Zimmer
& Rhode; Zoffany; FLOORCOVERINGS: Jules Filpo Carpets;
FURNITURE: Philippe Armand; LIGHTING: Best & Lloyd; OTHER:
Jerome Clochard (mosaic work); Lalique (crystal panels); Philippe
Armand (marquetry)
 FINALIST
DESIGN FIRMS: Anda Andrei Design,
ASBURY LANES New York; bonetti/kozerski architec-
ture, New York
ASBURY PARK, NEW JERSEY
THE COMMISSION: Bring the Jersey
Shore fixture back to life after a half-
century of hard use to claim its rightful
place in this comeback-kid city.
Address the structural and mechanical
issues that threatened the Lanes with
closure, or even demolition. Mend what
needs fixing but keep as many original
features as possible—from the meticu-
lously preserved layers of rock posters
to the decades’ worth of paint jobs on
the interior walls.
THE CHARRETTE: Talk about an adult
SOURCES playground. Create the ultimate late-
OWNER: iStar, New York; OPERATOR: Salt Hotels, New York; DESIGN FIRM: Anda Andrei Design, night triple threat as the latest in real
New York: Anda Andrei, president; bonetti/kozerski Architecture DPC, New York: Dominic Kozerski, estate company iStar’s multi-billion-
Enrico Bonetti, partners; Jamie Chiang, project manager; ARCHITECT: Mistry Design, Netcong,
New Jersey: Yogesh Mistry, founder; PURCHASING COMPANY: Purchasing Associates, Peekskill, dollar redevelopment of the city. Now
New York; GENERAL CONTRACTOR: Sordoni Construction, Bedminster, New Jersey; DESIGN more than just a bowling alley, it’s
CONSULTANTS: Cour Design, Nashville, Tennessee (sound and stage lighting design); WALD Studio,
New York (architectural lighting design); Pork Chop (exterior murals); Matt Glifford (custom-made become a state-of-the-art music venue
speaker wall); AUDIO/VISUAL & ELECTRONICS: Digico; L’ Acoustics Line Array; FURNITURE: with double the capacity (746) of its
Amlgmatd; Archiproducts; Killerspin; SixInch; Yogibo; LIGHTING: Cour Design; Elation; Martin;
SIGNAGE: Brunswick; Draper former limit thanks to platforms that
N I KO L A S KO E N I G ( A S B U R Y L A N E S ) ; H A R R I E T L E W I S PA L L E T T E P H O T O G R A P H Y ( M A D H AT T E R ' S T E A PA R T Y )
cover the bowling lanes during a show.
Not to mention the full-service bar that
was added as well as a classic diner.
“There’s no flash,” says designer Anda
Andrei. “No one wants it too polished.
This is a meaningful building.”
THE COOL STUFF: By a happy accident,
the stark temporary lighting that was
used when the project was a construc-
tion site is now the Lanes’ permanent
lighting scheme. Well, that was easy…
THE CARRY-OUT: There’s a big kid in
all of us, screaming for new ways to play.
Bold visuals such as the American flag
built out in bowling balls and installed
above the bar break the visual ice. The
primary-color painted metal bar stools
pick up that theme. The sinuous, by-level
lounges that wrap around the space are
reminiscent of playground structures.
The cherry on top of this sundae of good
ol’ fashioned East Coast summer fun?—a
“secret” passageway from the Lanes to
The Asbury hotel next door.

FINALIST

MAD HATTER’S TEA PARTY AT

BOUTIQUE DESIGN NEW YORK 2017
NEW YORK

DESIGN FIRMS: CoberKoeda, Inc., Dallas;
WILSON-RED, Dallas
THE COMMISSION: Reimagine the story
of Alice in Wonderland’s fated trip down
the “rabbit hole” into a fantastical lounge for
attendees of Boutique Design New York. “As
soon as the theme was selected, we set param-
eters for the concept to be distilled, contempo-
rary and über luxe,” says May Poon, principal,
CoberKoeda. Draw the crowd into the space
on the trade show floor with a 16-ft. architec-
tural forest they can’t miss (or resist). Set the
table (and chairs) for a tea party that invites
attendees to work or network under the shel-
tering sculptural white forest and the crystal-
ized lighting structures that mirror them.
THE CHARRETTE: Every piece of FF&E
tells the story. Glittering chandeliers suggest
stylized versions of a bird’s nest and tree
branches. Each character from the famed tale
has a special seating element reflecting their
own reality of the Mad Hatter’s tea party—
from the Caterpillar’s settee to Alice’s low-
backed chair and the Mad Hatter’s erstwhile
throne. Underfoot, the story continues with
the Forest Ground, Imagination, Curiouser
and Mad Bonkers rugs.
THE COOL STUFF: Materials are whimsical
and reinforce the dream-like setting, from the
reflective, distorted black and white checkered
bar tops to the “moss-topped” poufs.
SOURCES
OWNER/OPERATOR: SVP Boutique Design, ST Media Group International Inc.,
THE CARRY-OUT: Who needs walls? The design Cincinnati; DESIGN FIRM: CoberKoeda, Inc., Dallas: May Poon and Liza Koeda,
principals; WilsonRed, Dallas; Margaret Shutze and Trisha Wilson, principal;
concept is elevated by transforming it into a GENERAL CONTRACTOR: ST Media Group International Inc., Cincinnati; The
three-dimensional, immersive “experience,” Freeman Company; ARCHITECTURAL MATERIALS: Vaughan Benz; ART &
ACCESSORIES: Art Dallas; AUDIO/VISUAL & ELECTRONICS: Pioneer Pro Audio;
thanks to the use of unique sculptural elements BATH & SPA: Delta Faucet; FABRICS: Swavelle Hospitality; FURNITURE: Vaughan
that make guests feel enveloped in wonder. Benz; LIGHTING: Swarovski Lighting Ltd; SIGNAGE: Art Dallas

DECEMBER 2018 boutiquedesign.com 77

2 0 18 G O L D K E Y AWA R D S
BEST SPECIALTY DESIGN

FINALIST
THE SOCIAL AT HILTON HEADQUARTERS
MCLEAN, VIRGINIA
DESIGN FIRM: CORE architecture + design, Wash-
ington, D.C.
THE COMMISSION: Mirror Hilton’s renowned hospi-
tality experiences with a custom brand identity for a
space that encourages both formal and informal meet-
ings. Increase interaction between staff and guests alike
by using pathways, edges and moments of discovery
that create a fun, uncomplicated design that’s easy to
navigate. Include six individual fast-casual food hall
stations as well as a full-service Starbucks café.
THE CHARRETTE: Set the stage for connection
with stadium seating, video walls and a sophis-
ticated lighting program that adjusts to different
people’s needs at different times of day. “Following
circadian rhythms to promote health and wellness,
the lighting also pays special attention to LED color
temperatures that would be best suited for food
displays and tasks,” explains Allison Cooke, prin-
cipal with CORE architecture + design.
THE COOL STUFF: Bold, directional angles
throughout, coupled with the ceiling’s wood panels
and linear lighting. An operable glass wall allows
direct, seamless access to the adjacent outdoor
terrace, making it an extension of the flexible indoor
workspace and creating another area to host events.
THE CARRY-OUT: Don’t underestimate the power
of choice. Providing varied seating options such as
traditional café-style tables and chairs, intimate
meeting nooks and even rocking chairs and soft
benching gives people their own personal space
without creating physical walls.
SOURCES
OWNER: Hilton, McLean, Virginia; OPERATOR: Sodexo,
Gaithersburg, Maryland; DESIGN FIRM/ARCHITECT: CORE
architecture + design, Washington, D.C.: Allison Cooke, principal;
Daniel Chapman, senior interior designer; Kristen Van Hise,
Michael Borissow, Marina Laurence, Carly Lisnow, Daniel Mayo,
designers; PURCHASING COMPANY: Washington Group
Solutions, Falls Church, Virginia; GENERAL CONTRACTOR:
HITT Contracting Inc., Falls Church, Virginia; PROJECT
MANAGER: MGAC, Washington, D.C.; DESIGN CONSULTANTS:
Caliber Design Inc., Sterling, Virginia (MEP Engineer); Fernandez
Associates, Falls Church, Virginia (structural engineer); Rathgeber/
Goss Associates, Derwood, Maryland (structural engineer); Next
Step Design, Annapolis, Maryland (foodservice design); Walter
L. Phillips Inc., Falls Church, Virginia (civil engineer); Landscape
Architecture Bureau LLC, Washington, D.C. (landscape designer);
Acoustics2, Washington, D.C., (acoustical); Rosa D. Cheney
AIA, PLLC, Arlington, Virginia (LEED); Diversified, Kenilworth,
New Jersey (A/V consultant); Copeland Design, Chevy Chase,
Maryland (signage); MC Sign Co., Mentor, Ohio (signage); Hilton,
McLean, Virginia (branding); Agency E.A., Chicago, Illinois (digital
media); ARCHITECTURAL MATERIALS: Pulp Studio; AUDIO/
VISUAL & ELECTRONICS: Diversified; FABRICS: Designtex;
Jamie Stern Leather; KnollTextiles; Luum Textiles; Maharam;
FLOORCOVERINGS: Crossville Inc.; Interface Hospitality; Kolay
Flooring; Porcelanosa; FURNITURE: AFRA Furniture; Anna Karlin;
Arco; Beachley Furniture Co.; Bernhardt Design; California’s
Finest; Design Within Reach; Galanter & Jones; Jamie Stern;
Kettal; Miles & May; Sancal; Sandler Seating; Skram; Sossego;
Table Topics; LIGHTING: Cerno; Ketra Lighting; One Source
Associates; Stickbulb; SIGNAGE: Copeland Design; MC Sign Co.;
SURFACING MATERIALS: Chemetal; Concrete Collaborative;
Creative Materials Corp.; Daltile; DuChâteau; Fireclay Tile; Nemo;
WALLCOVERINGS: Innovations; Koroseal Arte; WINDOW
TREATMENTS: Carnegie; KnollTextiles; OTHER: Caesarstone,
Dekton (solid surface countertop); Washington Woodworking
(millwork); 9Wood, St. Gobain, USG, Visual Graphic Systems Inc.
(ceilings); AK Metals (custom metal fabrication); Trimark USA LLC
(kitchen equipment); Halton Group (exhaust hoods)

FINALIST

THE MARKET AT WATERSIDE DISTRICT

NORFOLK, VIRGINIA
DESIGN FIRM: Jeffrey Beers Intl., New York
THE COMMISSION: Electrify Norfolk’s social
scene with a new 55,000-sq.-ft. dining and
entertainment destination. Create a market-
place that’s a gathering point for the whole
nautical and industrial history of the Norfolk
Naval Shipyards with authentic materials such
as stained concrete, reclaimed wood, blackened
steel and white-washed brick.
THE CHALLENGE: Humanize and anchor the

MICHAEL MOR AN ( THE SOCIAL); MA X TOUHE Y ( THE MARK E T )

Waterside District development, making room
for 10 food stalls and a menu of bars. Bookend
the project with multiple restaurants. And don’t
forget to save square footage for a stage for live
music; a large LED screen for sports, movies
and activities for the community; and features
that are activating and inspire further develop-
ment along the waterfront.
THE CHARRETTE: Imagine that the building
once served as a warehouse for the ship
yards, glorifying the grit of exposed struc-
tural elements such as timber-clad skylights
and ceiling panels of steel and wood featuring
suspended rows of warmly glowing Edison
bulbs at each entry point. Reference the
expansive space to avoid a cold feeling. An illu-
minated clock face adorning the glass and steel
elevator shaft does just that, as does the soft-
ening effect of greenery in steel-framed planters
fitted with casters so they can move around the
space to fit various program needs.
THE COOL STUFF: “Wooden retractable
bleachers provide fun, informal seating between
events and can be quickly relocated for large
parties or replaced by a stage,” says Michael
Pandolfi, studio leader, Jeffrey Beers Intl.
THE CARRY-OUT: Oversized board games like
Connect Four can add to ROI by enticing guests
to stay and play.
SOURCES
OWNER/OPERATOR: The Cordish Companies, Baltimore, Maryland; DESIGN
FIRM: Jeffrey Beers Intl., New York: Michael Pandolfi, studio leader; Monika
Chmielewska, senior interior designer; Zarina Gabaraeva, Dani Hauser, interior
designer; The Cordish Companies, Baltimore, Maryland: Rich Burns, director of
architecture; ARCHITECT: BCT Architects, Baltimore, Maryland; PURCHASING
COMPANY: Leap Hospitality, Liberty, Missouri; GENERAL CONTRACTOR:
Buffalo Construction, Louisville, Kentucky; KBE Building Corporation,
Farmington, Connecticut; ARCHITECTURAL MATERIALS: Benjamin Moore
Paints; BATH & SPA: American Standard; Bobrick; Kohler; FLOORCOVERINGS:
Carlisle Wide Plank Floors; LV Wood; FURNITURE: Leap Hospitality; LIGHTING:
CB2; Circa Lighting; Rejuvenation; RH Contract; Shades of Light; The Lighting
Practice; West Elm; SURFACING MATERIALS: ABC Stone; AKDO; Cambria;
Daltile; Fireclay Tile; WALLCOVERINGS: Maya Romanoff; Wolf-Gordon; OTHER:
Hewn Elements (millwork)

78 boutiquedesign.com DECEMBER 2018

 FINALIST

WRITERS STUDIOS AT
HUTTON HOTEL
NASHVILLE
DESIGN FIRM: Studio 11 Design, Dallas

THE COMMISSION: Create an entertainment hub and creative refuge at

Nashville, Tennessee’s first boutique-lifestyle property, Hutton Hotel, made by
musicians, for musicians. Enlist the help of Dierks Bentley and OneRepublic’s
Ryan Tedder to “achieve an intricately curated look that's inspirational for these
artists as well as functional and most importantly comfortable,” explains Kellie
Sirna, principal at Studio 11 Design.

THE CHARRETTE: Include materials and furniture pieces that represent the “the
familiarity of home during life on the road” from leather couches to distressed
wooden trunks, weathered carpets and metal geometric accessories and trimmings.

THE COOL STUFF: The spaces feature instruments and equipment, but also
hand-sourced accessories, artwork and styling by Lou Verne by Studio 11
Design. Of course, who can forget a ‘vintage’ camel saddle for resting your feet,
and a jar of guitar picks for artists to leave their mark behind.

THE CARRY-OUT: As fully functioning recording rooms, the design can give
the user a product to walk away with, then test out in Analog, the nightclub
music venue space also belonging to Hutton Hotel.

SOURCES
OWNER: Watermark Capital Partners, Chicago; OPERATOR: HEI Hotels and Resorts, Scottsdale, Arizona;
DESIGN FIRM: Studio 11 Design, Dallas: Kellie Sirna, principal; Greer May, associate principal/project
manager; Michael Brown, senior designer and brand manager; Joshua Gregg, art curator and stylist; Tori
Kennedy, designer; Natalie Constable, graphic designer; ARCHITECT: Tuck Hinton Architects, Nashville,
Tennessee; PURCHASING COMPANY: Martin Stringfellow Associates, Orlando, Florida; GENERAL
CONTRACTOR: Norcon Construction, Chicago (public spaces); Moline Construction, Addison, Texas
(guestrooms and corridors); DESIGN CONSULTANTS: GMLD Lighting, Dallas (lighting); John Hardy Group,
Atlanta, Georgia (construction and project management); ART & ACCESSORIES: Kalisher; Lou Verne by
Studio 11 Design; AUDIO/VISUAL & ELECTRONICS: Redlight Management; FABRICS: Bart Halpern;
TIM WILLIAMS

Brentano; Contract Décor Intl.; Designer’s Guild; KnollTextiles; Opuzen; Townsend Leather; Valley Forge
Fabrics; FLOORCOVERINGS: Ann Sacks Tile; Ceramic Technics; Couristan Carpet; Dal-tile; Pantheon; ICE innovationsusa.com
Intl.; Kyle Bunting Rugs; Shaw Hospitality; FURNITURE: Astoria Compass; Design Within Reach; Marquis
Seating; Table Logix; Troy Wesnidge; Wells Industries; LIGHTING: Synergy Lighting; WALLCOVERINGS:
Area Environments; Innovations; Koroseal; Maya Romanoff; MDC Wallcovering Wallcoverings Facet, Willow, Tussock

DECEMBER 2018 boutiquedesign.com 79

2 0 18 G O L D K E Y AWA R D S
JUDGES’ SO COOL

WINNER

MAGIC HOUR
ROOFTOP BAR &
LOUNGE AT MOXY
TIMES SQUARE
NEW YORK

DESIGN FIRM: Rockwell Group, New York

THE COMMISSION: Bring the Big Top back to the Big

Apple with a 270-seat rooftop bar and lounge for the
Moxy Times Square that channels the nostalgia of classic
amusement parks. Evoke the tingling nerves of waiting in
the dark for the velvet curtain to rise with an entry expe-
rience cloaked in mystery, lots of play with mirrors and
a variety of seating options from round picnic tables to
upholstered banquettes. Oh, and no kids allowed…

THE CHARRETTE: Except big kids, of course. Recall the

wonder of seeing the circus or riding a carousel for the first
time. A seating area actually rotates and is illuminated by
vanity lights, while a large custom elephant statue stands
next to the bar in the 1,200-sq.-ft. indoor lounge, balancing a
ball light fixture on its trunk. Marquee light bulbs are strung
randomly throughout, reminiscent of a tightrope walk.

THE CHALLENGE: Feature child-like elements in a night-

life setting. The vaulted, blackened metal portals and deco-
rative mesh on the indoor bar, as well as the color palette
of both drapes and upholsteries mirror the elephant sculp-
ture, making it seem like a natural placement. The balloon
pendants that float above the outdoor bar are blown glass,
giving them an aura of sophistication.

THE COOL STUFF: The entry experience sets the stage

perfectly. An over-scale wrought iron gate, followed by a
tent-like fabric tunnel lit by animated marquee light bulbs,
leads guests to the “stage door.” Behind that is a tick-
eting area with a backstage dressing room vibe, featuring
vanity lights and mirror screens. A dark lobby goes off-
kilter thanks to giant custom funhouse mirrors. Around
the corner, the adult funhouse begins with a labyrinth- SOURCES
patterned terrazzo floor paralleled by a mirrored ceiling OWNER: Lightstone Group, New York; OPERATOR: TAO Group, New York; DESIGN FIRM: Rockwell Group, New York: David
Rockwell, founder and president; Shawn Sullivan, partner; Linda Daniels, Michael Hill, project managers; Kevin Lee Yi, interior
above that folds down at each end, “making guests feel
designer; Lea Cojot, Michael Horwitz, Susan Nugraha, Eve Taylor, Amp Thongtawach, staff; ARCHITECT: Stonehill Taylor, New York;
as if they’re enveloped in infinite pattern,” explains David PURCHASING COMPANY: HPG International, Walnut Creek, California; GENERAL CONTRACTOR: C&A Seneca Construction,
Staten Island, New York; DESIGN CONSULTANTS: Focus Lighting, New York (lighting); ads Engineers, New York (engineering);
Rockwell, founder and president of Rockwell Group.
Next Step Design, New York (kitchen); Town & Gardens, Long Island, New York (interior landscape); wink design, Columbus, Ohio
WA R R E N J AG G E R

THE CARRY-OUT: Great design can start right at the street.
Set guests off their axis with an unexpected entryway, such
as the wrought iron gate and fabric tunnel, sending the
message that remarkable experiences await them.
(graphics); ARCHITECTURAL MATERIALS: Architecture + Inc.; Benjamin Moore; Handy Deck; Meoded Decorative Paint & Plaster;
ART & ACCESSORIES: MunnWorks; Plaskolite Inc.; BATH & SPA: Kohler; Newport Brass; FABRICS: Angela Brown; Architex;
Cortina Leathers; Demar Leather; Holly Hunt; Maharam; Opuzen; Outdoor Fabrics USA; Perennials; Rodolph; FLOORCOVERINGS:
Midtown Terrazzo; FURNITURE: Balanza Company; Carousel USA; C&A Construction; Dinerite Seating; Pyrolave; The Future
Perfect; LIGHTING: Canopy Designs; Conant Metal & Light; Curry & Co.; Savoy Lighting; SIGNAGE: Evolving Image; SURFACING
MATERIALS: Design and Director Source; Formica; Hudson Tile Supply; Imagine Tile; New Jersey Tile & Stone Inc.; New Metals Inc.;
New York Stone; WALLCOVERINGS: Area Environments; Roberto Cavalli Home

80 boutiquedesign.com DECEMBER 2018

 FINALIST

MINIMIX AT THE MEGARO

LONDON

DESIGN FIRM: Blue Sky Hospitality, London
THE COMMISSION: Marry a lobby and a bar.
Keep the capabilities and purpose of the reception
area for The Megaro Hotel and turn it into a fully
functioning bar—sans an actual bar counter—in
MiniMix. Guests fill their order upon arrival and
head to the custom-made raw steel reception desk
for payment and check-in. They can settle in and
enjoy their beverage of choice seated on bespoke
stools and banquettes upholstered in finely
stitched metallic leather and petrol blue tweed.
THE CHARRETTE: Create a space that becomes
an immersive book of experiences with a design
that draws inspiration from unexpected genres
such as Victorian Steampunk fantasy and a more
modern, British Pop culture in London’s King’s
Cross and Camden boroughs. “Walls and shelves
are filled with found objects and some odd pieces
C O U R T E S Y O F T H E M E G A R O ( M I N I M I X AT T H E M E G A R O ) ; N I KO L A S KO E N I G ( V E N U E S AT V I DA N TA L O S C A B O S )
points of discovery and conversation within a
space staged as a ‘Time Machine,’” says Blue Sky
Hospitality’s creative director Henry Chebaane,
who is currently writing a science-fiction novel set
in the same neighborhood.
THE CHALLENGE: How to accommodate so
much function in such a small space. A railcar style
layout creates opportunities for changes of scenery
and experience without derailing the concept.
THE CARRY-OUT: Interior design needs to be an
THE COOL STUFF: The interior design was also active participant in brand identity in order for that
inspired by local history, particularly the narra- to be a comprehensive presentation. In MiniMix,
tive of Victorian quack doctor and botanist James the same aesthetics permeate all other elements of
Morison who opened the “British College of Health” a space from art curation to the content, graphics
in 1828 just a few doors away, as well as the opening and design of the menu.
of St. Pancras station in 1968. This sparked the
overtly industrial aesthetic with metallic bronze SOURCES
ceilings covered with electrical coils, filament bulbs OWNER/OPERATOR: St. Pancras Hotel Group, London; DESIGN
and other apparatuses that connect to the walls of FIRM: Blue Sky Hospitality, London; FABRICS: Bute; Whistler;
LIGHTING: Blue Sky Hospitality; FURNITURE: Blue Sky Hospitality

created just for the project that also serve as walnut piping, gas pipes, valves and brass mesh. (tables, seating)

FINALIST

CASA CALAVERA, HERRINGBONE, OMNIA DAYCLUB, POOL

BARS AND SHOREBAR AT VIDANTA LOS CABOS SOURCES
SAN JOSÉ DEL CABO
DESIGN FIRMS: Rockwell Group, New York; AHA
Universo, Zapopan, Jalisco
THE COMMISSION: Stop guests dead in their
tracks with groundbreaking architecture in the forms
of amazing trusswork, thatched roofs and a mind-
blowing entryway: a tunnel formed by concentric,
curved rings and dazzles with earring-like suspended
pendant lights. Keep the indoor/outdoor connection
strong with not just uninterrupted views wherever
possible but also a merging of the two,
like in Herringbone—chef Brian Malar-
key’s restaurant that mimics an airy
Mexican beach house. Here, operable
glazing along the façade allows it to
open to the surrounding property.
THE CHARRETTE: Embody the spirit
of Hakkasan Group’s world-renowned
entertainment concepts – the
company that struck a $150 million
deal with Grupo Vidanta to bring the
Las Vegas-based hospitality compa-
ny’s ideas to Mexico for the first time.
The partnership kicked off here, at
Vidanta Los Cabos.
THE COOL STUFF: The SHOREbar
features clusters of pendant lights that
hang over wood lounges and tables.
It’s topped off with subtle industrial
details and blue-hued rugs and uphol-
stery. The best part? “We added classic
board games such as shuffleboard,
foosball and a back garden outfitted
with swings. There lives a renovated,
classic Airstream trailer that has an
operable kitchen inside,” explains
David Rockwell, founder and president
of Rockwell Group.
THE CARRY-OUT: Glimpses of “home”
create brand loyalty. At Herringbone,
rope accents and industrial fixtures are
nods to existing locations of the restau-
rant in California and Las Vegas, but
have been reinterpreted to feel fresh yet
familiar. The random lines and connec-
tions of the rope used in the light
sculpture above the bar represents the
laidback nature of the space, yet is still
a dominating sight.
OWNER: Grupo Vidanta,
Mexico; OPERATOR: Hakkasan
Group, Las Vegas, Nevada;
DESIGN FIRM: Rockwell Group,
New York: David Rockwell,
founder and president; Shawn
Sullivan, partner; Francesco
Bartolozzi, project manager;
Kamille Glenn Karim Daw,
Lea Cojot, Jack Hotho, Dylan
Kessler, staff; ARCHITECT:
AHA Universo, Mexico;
PURCHASING COMPANY/
GENERAL CONTRACTOR:
Grupo Vidanta, Mexico; DESIGN
CONSULTANTS: Evoke, New
York (lighting); AHA Universo,
Mexico (kitchen consultant
and MEP consultant);
ARCHITECTURAL MATERIALS:
Benjamin Moore; EKOL Mexico;
ART & ACCESSORIES: France
& Søn; BATH & SPA: Kohler;
TOTO; FABRICS: Brochier;
Kelly Wearstler; Kravet; Moore
& Giles; Opuzen; Perennials;
Pierre Frey; Sunbrella;
FLOORCOVERINGS: Sacco
Carpet; FURNITURE: JANUS et
Cie; LIGHTING: local vendors
from Guadalajara; SURFACING
MATERIALS: ABC Worldwide
Stone; Daltile; Tierra y Fuego

DECEMBER 2018 boutiquedesign.com 81

2 0 18 G O L D K E Y AWA R D S
JUDGES’ SO COOL

FINALIST

DOWNTOWN CAMPER BY
SCANDIC
STOCKHOLM, SWEDEN
DESIGN FIRM: Stylt Trampoli, Gothenburg,
Sweden
THE COMMISSION: Establish a home-
base for urban explorers and curious trav-
elers with a laid-back atmosphere. Focus on
comfort, fun and connection in fresh ways—
as in a new room category that sleeps up to
12 people and the circular fire at Campfire
restaurant where guests roast marshmal-
lows over the flames.
THE CHARRETTE: Tailor these interiors
to the lifestyles of people “who feel more
comfortable in their leisure clothes than
their work suits,” says Erik Nissen Johansen,
creative director, Stylt Trampoli. Forget
staid public areas and reach out to guests’
inner child with spaces such as the Games
Room with heavy duty wooden swings and
the Cocoon Room with a wide sweeping
banquette seat surrounding a circular table
beneath a forest of dangling battle ropes.
THE COOL STUFF: Owner Stena
Fastigheter wanted an original design
approach that would help travelers switch
from work to play, activity to relaxation. The
design team delivered on that by creating a
series of intimate event spaces such as the
Camper Lounge, complete with a working
kitchen for demonstrations.
SOURCES
OWNER: Stena Fastigheter; OPERATOR/PURCHASING COMPANY: Scandic Hotels,
THE CARRY-OUT: Use FF&E to get guests Stockholm, Sweden; DESIGN FIRM: Stylt Trampoli AB, Gothenburg, Sweden; ART &
ACCESSORIES: Gulled; Hay; House Doctor; Pols Potten; SCEB Street Art; Seletti; BATH
involved. Integrate elements that guests & SPA: Grohe; Klafs; Space; FABRICS: Astrid; Casa Mance; Delius; Elmo Leather;
can’t help but react to—like the kayaks Kirkby; Klippan; Kvadrat; Sørensen Leather; FLOORCOVERINGS: EGE; Interface; Jab;
Kasthall; Mutina; Ogeborg; FURNITURE: Danish Form; Fogia; Gervasoni; Gärsnäs; Hay;
hanging above the reception area, as well as Homeline; Infurn Contract; Karl Andersson & Söner; KFK; Kettal; Moroso; Norrman
items they interact with—such as the netted Copenhagen; Point; Tribu; Woud; LIGHTING: &Tradition; By Rydén; Flos; Foscarini;
Frandsen; Karman; Light Years; Marset; Nikari; Örsjö; Rbn; Skryta; Zero Lightning;
“ceiling” above the retail area just beyond SURFACING MATERIALS: Almedalsgolv; Berglund; FF Kakel; Konradssons; Kronos;
check-in. Metalltak; WALLCOVERINGS: FF Kakel; Johanssons; Jotun; Mutina

FINALIST

MINI CHEF AT LEGO® HOUSE DESIGN FIRM: Stylt Trampoli,

Gothenburg, Sweden
BILLUND, DENMARK
THE COMMISSION: Serve up a
restaurant for all ages that “only
LEGO could do,” says Erik Nissen
Johansen, creative director, Stylt
Trampoli, featuring modular seating
resembling the famed stacked blocks
and tech built right into the table
setting that makes for a one-of-a-kind
dining experience.
THE CHARRETTE: Nestled
rials, colors and signage were just
a few of the things already decided,
so interiors needed to remain fluid
with them. The seating upholstery
maintains that consistency as do
the shadow boxes on the walls, and
an outlining of the staircase. These
shapes serve as continual, subtle
reminders of place and make for a
comprehensive brand presentation.
THE COOL STUFF: The ordering
system. Guests “build” their own
meal with legos at the table, scan it,

within the Bjarke Ingels Group’s
LEGO®House designed by BIG, it had
to be just as playful, interactive, and
fun as its mother ship, staying true to
BIG’s overall design scheme.
THE CHALLENGE: Impressive as the
architecture from BIG was, it was also
SOURCES setting limitations and constrains to
OPERATOR: LEGO House, Billund, Denmark; DESIGN FIRM: Stylt Trampoli AB, Gothenburg, Sweden; the interior design. Being part of a
PURCHASING COMPANY: LEGO Group, Billund, Denmark; ART & ACCESSORIES: Ateliers CSD; Objet
de Curiosité; Seletti; Taschen; Wet Canvas Art; AUDIO/VISUAL & ELECTRONICS: HiQ; FURNITURE: Fritz
larger experience there was an overall
Hansen; LIGHTING: custom by LEGO; SIGNAGE: custom by LEGO; OTHER: Kirkegaard (carpentry) design to stay true to. Surface mate-
E R I K N I S S E N J O H A N S E N , S T Y LT T R A M P O L I A B
then watch as the LEGO minifigure
chefs (or Mini Chefs) in the kitchen
“cook” it for them. They then send the
LEGO bento boxes of meals out onto
conveyer belts where they are served
by robot waiters.
THE CARRY-OUT: Interaction is
fostered even further as hollow boxes
surrounding the seating booths are
filled with legos for family building or
books to read.

82 boutiquedesign.com DECEMBER 2018

 SOURCES
OWNER: Union Investment, Let’s crank
some metal.
Hamburg; TENANT:
ValueState, Paris; OPERATOR:
AccorHotels, Paris; DESIGN
FIRM: Sundukovy Sisters:
Olga and Irina Sundukova,
co-founders and art directors;
Lera Rykova, lead designer;
PURCHASING COMPANY:
BARAN Projektpartner,
Düsseldorf, Germany;
FIREPLACE: Dimplex; Muenkel;
FURNITURE: Arflex; Ottiu;
LED SCREENS: Kardorff
Ingenieure Lichtplanung GmbH;
LIGHTING: Tom Dixon

FINALIST

PULLMAN BERLIN
SCHWEIZERHOF
GERMANY
DESIGN FIRM: Sundukovy Sisters, Moscow

THE COMMISSION: Redesign the hotel’s public spaces to be more attractive

to a younger demographic being drawn to the area by applying the Bauhaus
aesthetic to a major point of influence: the nearby zoo.

THE CHARRETTE: Bold shapes, angles, stripes and patterns with unexpected
uses of color, all manage to flow together seamlessly, staying true to the genre.
The two biggest statements of this application come in the form of the giraffe
sculpture that greets guests right at the entrance and the zebra sculpture that
looms over them in the restaurant.

THE CHALLENGE: Support the billboard statements with subtle winks that carry
through the theme. Animal footprints show up throughout the public spaces. The
zebra-stripe carpet cheekily carries on the narrative. Blinking fish swim around
columns, piquing guests’ curiosity about what’s on the floor above the lobby.
E R I K N I S S E N J O H A N S E N , S T Y LT T R A M P O L I A B

THE COOL STUFF: The giraffe doesn’t just “stand” at the main entrance. “It
meets the guests and passersby right at the doors of the hotel, and yet it is much
more interested in what is happening inside the hotel, in the lobby, where it has
put its long neck,” says Olga Sundukova of Sundukovy Sisters. And while these
bold statements and geometric patterns seen throughout can seemingly contra-
dict each other, they somehow blend together to create a visually stunning
MA ARTEN WILLEMSTEIN

Chemetal turns it up with 36 new metal designs

space that guests want to be in. They are also reinforced with a large 3D LED and laminates that are great for hospitality.
screen hanging over the bar, featuring unique drawings that mimic the style and Here: reflective 901-T Triangles.
aesthetic of the project.
chemetal.com
THE CARRY-OUT: Bring big fantasy pieces back to earth with high-quality,
natural materials such as leather, copper and onyx.

DECEMBER 2018 boutiquedesign.com 83

2 0 18 G O L D K E Y AWA R D S
BEST RESORT

WINNER

FOUR SEASONS
PAPAGAYO
PENINSULA PAPAGAYO,
COSTA RICA

DESIGN FIRM: Meyer Davis, New York

THE COMMISSION: As part of a $35 million reno-

vation, redesign the only Forbes Five-Star resort
in Central and South America to set a new stan-
dard of eco-luxury. Go beyond the expected “blur
the indoors and outdoors” solution by crafting a
contemporary interpretation of Costa Ricans’ pura
vida (simple life) culture. Kick it up a notch with
materials that are more about the riches of nature
than show-off glitz—for example, the local Guana-
caste wood slabs that mimic the rustic, coastal
Central American lifestyle.

THE CHARRETTE: Collaborate with local and South

American fabricators, manufacturers, suppliers and
artisans to “create an environment that is simple yet
bespoke, with an eclectic arrangement of furnish-
ings, art and accents such as sofas robed in colorful
fabrics of native motifs, and pendants with woven
rope shades to mimic the handmade basketry from
the markets nearby,” says Will Meyer, principal with
Meyer Davis. Epitomize indoor/outdoor living with
a uniquely open-air lobby, a natural color palette
and local woods. Indigenous art is so treasured it’s
featured in every room and on every private balcony
or patio, says fellow principal Gray Davis.

THE CHALLENGE: Maintain that connection to

nature as a red thread that runs throughout the
resort. Don’t just assign it to crafting an atmo-
sphere, but also to material selections, such as the
teak that is coyly placed throughout. Guests with a
keen eye can spot it in the overhead porte-cochère
screens at the entrance, protecting them from
the sun as they lounge at the pool, and wrapped
around seat backs in the lobby.
THE COOL STUFF: The resort’s new signature
restaurant will feature a showpiece outdoor kitchen
to cook up farm-and-sea-to-table cuisine.
SOURCES
OWNER: Gencom, Miami, Florida; OPERATOR: Four Seasons, Toronto; DESIGN FIRM: Meyer Davis, New York: Will Meyer, Gray Davis, principals;
Kristen Cochran, senior designer; Stephanie Schreiber, Santiago Hinojos, project managers; Nick Caruso, Lauren Feiner, Rebecca Walker,
Alexandra Pappas, designers; ARCHITECT: Zurcher Arquitectos, San José, Costa Rica; PURCHASING COMPANY: The Parker Company, Miami,
Florida; GENERAL CONTRACTOR: Edificar Construction, San José, Costa Rica; DESIGN CONSULTANTS: Bouyea & Associates, Washington
Depot, Connecticut (lighting); ARCHITECTURAL MATERIALS: Chimpa; HDM; Volakas Marble; ART & ACCESSORIES: Fuentes Ornamentales;
Hannie Goldgewicht; Kalisher; Little Dandelion; Lostine; Mt. Washington Pottery; MunnWorks; Project Artwork; RH Contract; TW Workshop;
Windy Chien; AUDIO/VISUAL & ELECTRONICS: Byrne; Lutron; FABRICS: Architex; Appian Textiles; Brentano; C&C Milano; Camengo; Demar
Leather; Elitis; Fabric Innovations; Fabricut Contract; Fil Doux Textiles; Holland & Sherry; Holly Hunt; JAB; Kravet; Knoll Textiles; Link Outdoor;
Maharam; Mokum; Opuzen; Perennials; Samuel & Sons; Theo; Thomas Lavin; Tiger Leather; Valley Forge Fabrics; Weitzner Limited; Zimmer
+ Rohde; FLOORCOVERINGS: Crosby Street Studios; Decorative Carpets; Minna; Tailor-Made Textiles; Tibetano; FURNITURE: Andrianna
Shamaris; Arteriors; Astele; Atelier Vierkant; Beachwood Collective; Blaxsand; Brendan Ravenhill; Coast to Coast; Design Within Reach; Harbour
CHRISTIAN HOR AN

THE CARRY-OUT: Costa Rica’s wildlife makes its
mark too. Thatched roofs that are reminiscent of
armadillo and turtle shells can be seen throughout
the property.
Outdoor; Hay; JANUS et Cie; Lawsen Fenning; Majestic Mirror; Made Goods; Maderas Collective; Michael Dawkins Home; Muuto; Palacek; RH
Contract; Richard Wrightman; Royal Custom Designs; Samuel Amoia; Serena & Lily; Sika Design; Simplemente Madera; Sossego; Souda; Spanish
Royal Teak; Stahl + Band; Teak Warehouse; Thomas Hayes; TON; Tuuci; Urgelles; Volk Furniture; Walters; WorkOf; LIGHTING: Allied Maker;
Arteriors; Ay Illuminate; Big Ass Fans; Bloom Lighting; Bover; Damm; David Pompa; Daniel Decker Design Studio; Hallmark Lighting; Hudson
Valley Lighting; Marset; Molo; RH Contract; Santa & Cole; Serena & Lily; Sonneman; The Future Perfect; The Urban Electric Company; Visual
Comfort; Workstead; SIGNAGE: New Inc.; SURFACING MATERIALS: Bendheim; Color Concert Classic Paints; Exquisite Surfaces; Soli Stone;
WALLCOVERINGS: Phillip Jeffries; Serena & Lily; WINDOW TREATMENTS: Total Contract

84 boutiquedesign.com DECEMBER 2018

 FINALIST

WESTDRIFT MANHATTAN BEACH, AUTOGRAPH COLLECTION

MANHATTAN BEACH, CALIFORNIA
DESIGN FIRM: EDG Interior Archi-
tecture + Design, Novato, California
THE COMMISSION: Embody the spirit
of Southern California with a beachy,
coastal-themed design that offers up a
playful environment where dreamers,
doers and makers can seek refuge.
THE CHARRETTE: Express the
language of luxury in local jargon.
Weave together signature elements
of Manhattan Beach and its famous/
infamous pier and boardwalk, such
as the columns throughout the lobby
that mirror the pier and screens
which reference the netting found on
the boats docked there.
THE CHALLENGE: Transform
the vibe of what was an unrelat-
able, stark large-scale business
E R I C L A I G N E L ( W E S T D R I F T M A N H AT TA N B E AC H ) ; M A R K S I LV E R S T E I N P H O T O G R A P H Y ( T H E P H O E N I C I A N )
hotel into a “relaxed California club-
house,” according to Cindy Kupka,
senior designer EDG Interior Archi-
tecture + Design, epitomizing the
coast’s indoor/outdoor lifestyle. An
open floor plan and floor-to-ceiling
windows provide options for comfort-
able drinking or dining throughout the
public spaces. In the lobby, a series of
pocket doors allows it to open up to
the palm-tree-lined 9-hole golf course.
The beach cruisers on display in the
public space drive the stay-and-play
message home.
THE COOL STUFF: Geometric
patterning throughout the property
offers a wry wink at sporting and
lawn games. Simple, white walls with
hints of cladding, sandy creams and
natural tones with navy accent colors
suggest the ease of endless summer.
THE CARRY-OUT: Design needs to
work hard and play harder. Create gath-
ering touchpoints in public areas that
draw people in with fun pops of color,
approachable seating options and quirky
nods to the location. Ground it all with
bold, dramatic pieces such as the over-
sized lobby lighting and check-in desk
with a heavy wood and metal overlay.
SOURCES
OWNER: Cerberus Capital Management;
OPERATOR: Westmont; DESIGN FIRM:
EDG Interior Architecture + Design, Novato,
California: Cindy Kupka, Cecily Watson, Sarah
Lauffer, Amy Raber, Julie Campagno, Julia
Stenderup, Sylas McFarland; ARCHITECT:
Houston/Tyner, Torrance, California; DESIGN
CONSULTANTS: KPFF (structural engineer);
South Coast Engineering Group, Calabasas,
California (mechanical engineer); Silver Roth and
Associates, Los Angeles (electrical engineer);
Steven M Hood and Associates (audio visual);
Landmark Kitchen Design LLC, Chandler,
Arizona (food service); Excel & Associates
(guestrooms); Layton Construction Company,
LLC, Salt Lake City, Utah (public spaces); ART
& ACCESSORIES: Eric Zener; Julie Coyle Art
Associates; Paradigm Trends; FABRICS: Appian
Textiles; Brentano; Duralee; Fil Doux Textiles;
Moore & Giles; Robert Allen; Valley Forge
Fabrics; FLOORCOVERINGS: Clayton Miller;
Galleher; OW Hospitality; FURNITURE: Balanza;
Caluco; Charter Furniture; Kellex; Kettal; JANUS
et Cie; Juan Serrao; Palecek; Sandler Seating;
Table Topics; Vaughan Benz; Walters; Zachary A
Design; LIGHTING: Del Mar Lighting; Hallmark
Lighting; SURFACING MATERIALS: David
Pompa Textiles; Davinci Marble; McNear Brick &
Block, Dal-Tile; WALLCOVERINGS: Koroseal;
Wolf-Gordon; WINDOW TREATMENTS:
Schwimmer; OTHER: MunnWorks (mirrors);
Tuuci (umbrellas)

FINALIST

THE PHOENICIAN, A LUXURY COLLECTION RESORT

SCOTTSDALE, ARIZONA
DESIGN FIRMS: Parker-Torres Design Inc., plants—the perfect spotlight of the diverse
Sudbury, Massachusetts; Wimberly Inte- flora and fauna that thrive in the Sonoran
riors, New York; Garrett Singer Architecture Desert. The desk is also fabricated in cow
+ Design, Englewood, New Jersey hide as one of many subtle references to the
varied cultures that left a mark on the area,
THE COMMISSION: Honor the history of including pioneering ranchers and Spanish
this legendary property and transform the Conquistadors. Native American tribes are
lobby into a unique social space—with the honored, amongst other ways, in the geom-
bar as the main touchpoint—by bringing etries of the custom front desk’s bronze
the outside in. Make guests feel like they're screens that are based on the beauty of Pima
smack dab in the middle of the desert Indian baskets.
having a drink by surrounding them with
SOURCES
OWNER: Host Hotels & Resorts, Bethesda, Maryland; OPERATOR: The Luxury Collection,
stunning, unhindered views of Camelback THE COOL STUFF: Authenticity is not an
Bethesda, Maryland; DESIGN FIRM: (Main Lobby, Thirsty Camel Bar & Terrace, J & G Steakhouse, Mountain and a color palette that “reflects after-thought with historical design references.
The Marketplace, Pool & Grounds, Kalio Kabobery, The Spa, The Athletic Club, Golf Clubhouse,
Phoenician Tavern) Parker-Torres Design Inc., Sudbury, Massachusetts: Barbara Parker, Miriam
the arid environment, such as burnt sienna The curator of Anthropology at the Arizona
Torres, cofounders; Paul McAdam, Aaron Miller, Elaine Soo Hoo, project managers; Courtnye (similar to the color of the Precambrian Museum of Natural History helped craft the
Blair; Shirley Dufour, Regan McLean, designers; ARCHITECT: Houston/Tyner, Torrance, California;
PURCHASING COMPANY: Benjamin West, Louisville, Colorado; GENERAL CONTRACTOR:
granite on the mountain),” says Miriam screens to ensure their visual accuracy.
Kitchell, Phoenix; DESIGN CONSULTANTS: David Ghatan, CM Kling + Associates Inc., Alexandria, Torres, cofounder, Parker-Torres.
Virginia (lighting design); Wimberly Interiors, New York (guestrooms); Garrett Singer architecture
THE CARRY-OUT: Large sculptural art
+ design, Englewood, New Jersey (Mowry & Cotton restaurant); ARCHITECTURAL MATERIALS:
Forms & Surfaces; Murray’s Iron Works; ART & ACCESSORIES: Eaton Fine Art; Soho Myriad; THE CHARRETTE: At check-in, the custom pieces create touchpoints of conversa-
FABRICS: Donghia; Holly Hunt; JAB; Moore & Giles; Samuelson; Schumacher; Tiger Leather;
FLOORCOVERINGS: Couristan; FURNITURE: JANUS et Cie; JLF Collections; Lacquercraft;
chandelier hanging above the concierge tion and can offset a more organic design
Royal Custom Designs; LIGHTING: Alger-Triton; iWorks; SURFACING MATERIALS: Architectural desk is styled to recall the seed pods of agave presentation.
Systems, Inc.; WALLCOVERINGS: Maya Romanoff; MDC Wallcoverings

DECEMBER 2018 boutiquedesign.com 85

2 0 18 G O L D K E Y AWA R D S
BEST RESORT
FINALIST
NIEHKU MOUNTAIN VILLA
RIKSGRÄNSEN SWEDEN
DESIGN FIRM: Stylt Trampoli, Gothenburg, Sweden
THE COMMISSION: Imagine interior concepts
that deliver on the promise of the hotel’s name—
Niehku—the Northern Sami word for “dream.”
Conjure a concept that allows the ruins of the
historic Malmbanan (the Iron Ore Line) round-
house to run through the newbuild structure
housing the resort. Involve Mother Nature in
making magic by prioritizing a natural materials
menu of wood, stone, fur and, of course, iron.
THE CHARRETTE: Bring the heat. “After a day
of heli-skiing and just trekking through Swedish
Lapland, guests want to be immersed in a cocoon
of tactile textiles and visual warmth,” says Erik
Nissen Johansen, creative director, Stylt Trampoli.
The decision to have a sunken “living room” instead
of the usual open lobby creates an intimate, shel-
tered enclave. A cast iron stovepipe fireplace at its
center gives travelers a reason to congregate.
FINALIST
ROSEWOOD BAHA MAR
NASSAU THE BAHAMAS
DESIGN FIRMS: Wimberly Interiors, New
York; Alexander Waterworth Interiors,
London
THE COMMISSION: Create a distinctly resi-
dential environment with a layout that mimics
a modern Bahamian estate and an interior
palette that offers comfort as well as a strong
connection to the relaxed tempo of island life.
THE CHARRETTE: Use Rosewood Hotels &
Resorts’ “A Sense of Place” philosophy as a
starting point. Focus on the brand’s defini-
tion of “intimate luxury,” including spurring
human connection with spaces such as the
Library Lounge, with high ceilings and a pair
of grandiose bookcases. “Carefully curated
objects adorn the bookshelves and lounge
tables—offering guests interesting conversa-
tion starters,” explains Margaret McMahon,
senior vice president and managing director,
Wimberly Interiors.
86 boutiquedesign.com DECEMBER 2018
THE CHALLENGE: Work with the ruins rather than
against them. One of the more than 100-year-old grease
pits was transformed into a wine cellar below the
restaurant. But this is no “hidden” gem. Its glass ceiling
allows patrons to sit above and peer down into it.
THE COOL STUFF: The heavy framing and lattice work
in the ceilings of the lobby and the restaurant are remi-
niscent of railroad tracks and an industrial era gone by.
THE CARRY-OUT: Use details to underscore a sense
of sanctuary. Mixed with calming, ambient lighting,
fur throws act as the perfect accessory over just about
anything from stone to upholstery.
SOURCES
OWNER/OPERATOR: Polarexpressen AB; DESIGN FIRM/PURCHASING
COMPANY: Stylt Trampoli AB, Sweden; ART & ACCESSORIES: Artilleriet;
Dunke Design; Hay; Zeus; BATH & SPA: Duravit; Grohe; FABRICS: Designers
Guild; Klippan; Kvadrat; Nevotex; Osborne & Little; Romo; Vescom;
FLOORCOVERINGS: Desyt; Kasthall; NTK; FURNITURE: Art Wood; Andreu
World; Gervasoni; Homeline; Infurn Contract; Offect; Sipa; Slettevoll;
LIGHTING: Art Wood; Konsthantverk; Örsjö; Pulpo; Rubn; Skryta; Watt & Veke
THE COOL STUFF: A partnership between
the property’s creative art director John Cox
and the artists of SilverHill Atelier yielded a
number of show-stopping pieces such as the
hand-painted mural of sweeping island views
(in the style of local Bahamian artist John
Hussey) in the living room.
THE CARRY-OUT: Guestrooms become
even more of a point of sanctuary juxtaposed
against more heavily decorated public areas.
Clean, fresh spaces in both color and adorn-
ment set the stage perfectly for relaxation and
rejuvenation.
SOURCES
OWNER: CTF BM Operations, Ltd., Nassau, Bahamas; OPERATOR: Rosewood Hotels
& Resorts, West Hollywood, California; DESIGN FIRM: Wimberly Interiors, New
York: Margaret McMahon, senior vice president + managing director; Liana Hawes
Young, creative director + senior associate; Adam Darter, project manager + senior
associate; Marcela Caycedo, project manager; Anisah Ahmed, senior designer +
associate; Alexander Waterworth Interiors, London (food and beverage); ARCHITECT:
SB Architects, San Francisco; PURCHASING COMPANY: Parker International, Miami,
Florida; GENERAL CONTRACTOR: China Construction America, Jersey City, New
Jersey; Lenovo; SMG Construction, Nassau, Bahamas; DESIGN CONSULTANTS:
E R I K N I S S E N J O H A N S E N , S T Y LT T R A M P O L I A B ( N I E H K U M O U N TA I N V I L L A ) ;
Bahamas Environmental Group (landscape design); Lutron, Coopersburg, Pennsylvania
COUR TE S Y OF ROSE WOOD HOTEL S & RE SOR TS (ROSE WOOD BAHA MAR)
(lighting);  Lighting Design Alliance, Los Angeles (lighting); Gardiner & Theobold
Inc. (project management); ARCHITECTURAL MATERIALS: LV Wood; ART &
ACCESSORIES: BLACKBURN; Blue Pheasant; DAC Art Consulting; Eaton Fine Art;
Emissary Home and Garden; Greg Irby gallery; The Current; Made Goods; Palecek;
Pigeon & Poodle; One Kings Lane; Serena & Lily; Silver Hill Atelier; Strand Book Store;
Trowbridge; AUDIO/VISUAL & ELECTRONICS: Ingenico; Lenovo; Mitel; Saflok;
FABRICS: Castel; Cowtan & Tout; Dedar; Demar Leather; Donghia; Edelman Leather;
Galbraith & Paul; Great Plains; Holland and Sherry; Holly Hunt; Jerry Pair; Jim
Thompson; Justin David Textiles; John Rosselli; Lee Jofa; Osborne & Little; Opuzen;
Mokum Textiles; Perennials; Polack; Pierre Frey; Pindler & Pindler; P/Kaufmann
Contract; Panaz USA Inc.; Quadrille; Rebecca Atwood; Shaco; Samuel & Sons;
Schumacher; Stark Fabrics; Studio Four; Thibaut; Tiger Leather; Valley Forge Fabrics;
Zimmer + Rohde; FLOORCOVERINGS: Brittany Crow-Turkish Carpet; Crosby Street
Studio; Stark Carpets; FURNITURE: Africa Luxe; Alfonso Marina; American Upholstery;
Arteriors Contract; Baker; Beachwood Collective; The Bright Group; Caracole; Charles
Fradin; Currey & Company; English Country Home; Eric Brand; Formation; Gregorius
Pineo; Hickory White; Huniford Design Studio; Holly Hunt; Ian Ingersoll; Interlude; Jan
Showers; JANUS et Cie; Jayson Home; Jaxon Home; Kathy Kuo Home; Lily Jack; Made
Goods; Mecox Gardens; Mitchell Gold + Bob Williams; McGuire Furniture;
Mr. Brown; Noir; One Kings Lane; Paul Marra Design; Palecek; Richard Wrightman
Design; RH Contract; Scherping Westphal; Serena & Lily; Shawn Austin Furnishings;
Simone Orrell Designs; Tandem Arbor; Theodore Alexander; Williams-Sonoma
Inc.; LIGHTING: Arteriors Contract; Bunny Williams Home; Chapman Lighting;
Conrad Shades; HB Lighting; Holly Hunt; Jan Showers; Jonathan Browning Studio;
Lostine; Palecek; Soane Britain; Urban Electric; Visual Comfort; MIRRORS: Electric
Mirror; Made Goods; Mecox Gardens; Wisteria; SIGNAGE: Image: Global Vision;
WALLCOVERINGS: Cole & Son; Fromental; Philip Jeffries; WINDOW TREATMENTS:
VQC
 SPEND TIME
WITH THE 2019
C R E ATI VE CLASS

Get to know some of hospitality’s brightest stars—and rising

stars—over cocktails, conversation and an engaging Q&A.

BOUTIQUE 18 &
UP-AND-COMING HOTELIERS
CELEBRATION

WEDNESDAY, MARCH 13
6:00 – 8:00 PM
The Globe Theatre

LEARN MORE AT BOUTIQUEDESIGNWEST.COM/B18

MARCH 13 - 14, 2019

LOS ANGELES CONVENTION CENTER

presented by produced by
2 0 18 G O L D K E Y AWA R D S
BEST HOTEL FOCUSED SERVICE

SOURCES
OWNER: The Amin Group, San
Francisco, California; OPERATOR:
C-Two Hotels, San Francisco,
California; DESIGN FIRM: Sheedy/
DeLaRosa Interiors, Chicago:
Natalie Sheedy, Marcie DeLaRosa,
owners; Jen Hankee, designer;
ARCHITECT: Legat Architects,
Chicago; PURCHASING COMPANY:
PMI (Purchasing Management Intl.),
Dallas; GENERAL CONTRACTOR:
Russell, Davenport, Iowa; DESIGN
CONSULTANTS: IMEG Corp., Rock
Island, Illinois (structural engineer);
ARCHITECTURAL MATERIALS:
Boyd Windows; Guardian Glass;
Kawneer; Kone; Plyboo; ART &
ACCESSORIES: Eaton Fine Art;
Kalisher; PI Fine Art; BEDDING:
Simmons; CASEGOODS:
Lacquercraft; CUSTOM
MILLWORK: Redbud Ridge; AUDIO/
VISUAL & ELECTRONICS: GE;
Mood Media; Samsung; BATH &
SPA: American Standard; Caesar
Ceramics USA; Kohler Co.;
FABRICS: Fabricut Contract; Fil
Doux Textiles; Townsend Leather;
Ultrafabrics; FLOORCOVERINGS:
Signature Hospitality Carpets;
FURNITURE: Allermuir; Charter;
Design Within Reach; JANUS et
Cie; LIGHTING: David Trubridge;
Frandsen Project; Hallmark;
Project Light; Sonneman; Tech
Lighting; wakaNINE; SURFACING
MATERIALS: Belstone; WINDOW
TREATMENTS: VQC Inc.

WINNER

ELEMENT MOLINE
ILLINOIS
DESIGN FIRM: Sheedy/DeLaRosa Interiors, Chicago

THE COMMISSION: Working with a $10.5 million budget, convert a former

Sears Roebuck & Co. warehouse built in 1917 into a 96-room extended stay
hotel. Prepare for extensive scrutiny since this would be Element Hotels’ first-
ever adaptive reuse property and its first outpost in Illinois. Get ready for a
history lesson: The National Park Service, which works with communities to
preserve buildings and local history, had to review every preservation-related
aspect of this retrofit, from the architecture to the interiors. Then, figure out
how to blend in a new 22,000-sq.-ft. addition that wouldn’t look bolted on. Oh,
and tie this eco-friendly flag into a multimodal development, called The Q, so force the brand’s sustainable image,” say Natalie Sheedy and Marcie DeLaRosa,
that the hotel connects to a train station’s grand hall, tenant space and a “grand owners of their namesake studio. “Each space reveals a unique aspect of the
lawn” for what will be a high-speed rail stop. building’s history.” A muted color scheme lets the structure tell the story.

THE CHARRETTE: Rewrite history to appeal to a millennial and sustainable THE COOL STUFF: Clever touches that make the ordinary, extraordinary.
mindset. Legat Architects set the visual stage by taking the exterior’s cues from Custom-designed bamboo backdrops hold television monitors without closing
the original building’s spacing, patterning, massing and proportions. Inside, down the lobby space. Black iron piping supports these backdrops while
A J B R O W N I M AG I N G

original columns, floors and ceilings preserved from the art deco-era structure providing routing of the electrical and cable wiring. Its dark grid also draws
add authenticity and interesting lines. guests’ focus up to bring design impact to the vertical space.

THE CHALLENGE: Fitting the brand prototype into a non-prototypical facility. THE CARRY-OUT: Have fun with a purpose. Artwork made of recycled materials
“The compromise came in exposing elements of the existing facility to rein- such as bicycle parts and tennis rackets scores big on the eco-friendly scale.

88 boutiquedesign.com DECEMBER 2018

2 0 18 G O L D K E Y AWA R D S
BEST HOTEL FOCUSED SERVICE

FINALIST SOURCES

CITADINES CONNECT
FIFTH AVENUE NEW YORK
DESIGN FIRM: TPG Architecture,
New York
THE COMMISSION: Re-imagine the
former Hotel Central Fifth Avenue New
York as The Ascott Limited’s debut Cita-
dines hotel in the U.S. Craft a flagship
that will embody the brand and serve
as a showcase for investors interested
in planting this aparthotel flag in other
North American cities such as Boston, Los
Angeles, San Francisco and Washington,
D.C. Strike the right balance between the
residential feel of a Manhattan townhouse
and a perfect place to connect with the
vitality of the city.
THE CHARRETTE: Like the city that
never sleeps—and like people’s own
appeal. The lobby makes space for a
24-hour grab-n-go deli corner posi-
tioned temptingly close to the the
communal table in the “dining room” so
that guests can nosh while they work
or socialize as they would at home.
THE CHALLENGE: Be proactive in
breaking down barriers. A lobby-span-
ning window seat softened with an
assortment of pillows gives guests a
comfortable vantage point for enjoying
the urban lifestyle outside. Clear sight-
lines from the gathering area around
the fireplace to the oversized commu-
nity table mimic a modern townhouse’s
open plan and easy walk patterns. A
rich seating mix encourages out-of-
towners and locals to interact.
blanks. “The open-fronted casegoods
make the rooms seem larger,” says Alec
Zaballero, TPG’s managing executive.
They also underscore the home-away-
OWNER: The Ascott Limited,
Singapore; DESIGN FIRM/
ARCHITECT: TPG Architecture,
LLP., New York: Alec Zaballero,
managing executive; Shay Lam
Nakashiki, studio creative director;
Sangmin Park, Miriam Layton,
Michael Wong, Maggie Heenan,
design professionals; Mark
Ruzzier, project manager; Artani
Golemi, project professional;
PURCHASING AGENT: HPG Intl.,
Walnut Creek, California; PROJECT
MANAGEMENT/OWNER’S REP:
Avison Young, New York; DESIGN
CONSULTANTS: Syska Hennessy
Group, New York (lighting);
Robert Derector Associates, New
York (MEP engineer); GENERAL
CONTRACTOR: KSC Kwangsoo
Construction Inc., New York;
ARCHITECTURAL MATERIALS:
Alucobond; ART & ACCESSORIES:
DAC Art Consulting; BATH & SPA:
Jaclo; Kohler; FABRICS/WINDOW
TREATMENTS: Valley Forge Fabrics;
FLOORCOVERINGS: Consolidated;
Dal-Tile; Interface Hospitality;
Stone Source; Transceramica;
FURNITURE: Allermuir; D’style
by Kimball Hospitality; Design
Within Reach; ISA Intl.; Lime
Tree Hospitality; Stellar Works;
LIGHTING: Andrew Neyer; Design

houses, this 21-story high-rise hotel
had to design in round-the-clock
THE CARRY-OUT: Don’t fill in the
from-home intent by keeping guests’
personal items front and center.
A L E C Z A B A L L E R O ( C I TA D I N E S C O N N E C T F I F T H AV E N U E N E W YO R K ) ; S T U D I O K E V I N M A K ( M O J O N O M A D C E N T R A L )
Within Reach; Luminii; SIGNAGE:
Lauretano Sign Group; SURFACING
MATERIALS: Silestone

FINALIST
DESIGN FIRM: ALT-254, Hong Kong
MOJO NOMAD CENTRAL THE COMMISSION: Introduce a cool new micro-living brand to Queen’s Road
HONG KONG Central. Use the good bones of what was the sister-branded Ovolo Noho as the
starting point for a work/stay/eat/drink/socialize destination with 56 accommo-
dations, a menu of shared and private room offers, and flexible spaces that could
morph to anticipate what travelers will want next.

THE CHARRETTE: Explore a circulation pattern and a multifunctional design

approach that would lead guests (and locals) through nearly every square inch of
the public space. Market the hotel’s cool-kid image to the street with a largely glass
façade that reveals the interiors’ wash of bright neon lighting and bold graphics.
Narrow down the entry so no one can pass up the bar that does double-duty as
the check-in desk. Draw attention to the second floor by bilocating the Te Quiero
Mucho restaurant over two levels. A space adjacent to the bar tempts people
with the colors and aromas of culinary connectors such as shared nacho and taco
platters, while a stairway leads to additional seating, a refreshment bar, a shared
kitchen and additional working and lounge areas one flight up. Guests can work
off steam or get their Zen on in the coworking-out room (read: gym) on floor 3.

SOURCES
OWNER/OPERATOR: Ovolo Hotels, Hong Kong; DESIGN FIRM/ARCHITECT/PURCHASING
COMPANY: ALT-254, Hong Kong; GENERAL CONTRACTOR: Contractor – MP Contracting, Hong
Kong; DESIGN CONSULTANTS: Lightlinks International Ltd., Hong Kong, Tokyo (lighting); JBA
Consulting Engineers, Hong Kong office (MEP engineer); FURNITURE: Mabu Design
THE CARRY-OUT: Cut time, not corners. ALT-254 had less than six months to complete
the design and construction. It was tech to the rescue. “By creating a virtual version of the
property, the Ovolo Hotels Group founder was able to walk through the yet-to-be-built
hotel in the comfort of his own office,” says Vincent McIlduff, ALT-254’s founding partner
and ceo. Revisions were made in that collaborative atmosphere, which preserved the
integrity of the concept and prevented costly, time-sucking change orders.

90 boutiquedesign.com DECEMBER 2018

MARK YOUR 2019 CALENDAR

JAN./FEB.
Los Angeles, CA
San Francisco, CA
Las Vegas, NV

FEB. 19-21
The Lodge at Vail
Vail, CO

MAR. 13-14
Los Angeles Convention Center
Los Angeles, CA

MAR. 13
Globe Theatre
Los Angeles, CA

APR. 14-16
The Biltmore Hotel
Coral Gables, FL

JUN. 23-25
Loews Minneapolis Hotel
Minneapolis, MN

JUL. 24-26
Fairmont Sonoma Inn
Sonoma, CA

LATE SUMMER/FALL
Miami FL
Washington, DC
New York

FALL
Louisville, KY

NOV. 10-11
Jacob K. Javits Convention Center
New York City, NY

NOV. 10-11
Jacob K. Javits Convention Center
New York City, NY

NOV. 11
Cipriani 42nd Street
New York City, NY
2 0 18 G O L D K E Y AWA R D S
BEST HOTEL MIDSCALE

WINNER

CALISTOGA MOTOR
LODGE AND SPA
CALISTOGA, CALIFORNIA
DESIGN FIRMS: AvroKO, New York; Brand Bureau (a division of
AvroKO), New York

THE COMMISSION: Harken back to the great American road trips

taken by families during the 1950s, ’60s and ’70s. Take cues from
mid-century cars, camper vans and motor homes while creating
nostalgic, Instagrammable moments for guests to share.

THE CHARRETTE: The retro styling of graphics one may have

encountered while traveling cross country—such as on gas
stations and truck stops, faux wood-paneled vehicles and sports
uniforms—served as the inspiration. Set against a crisp white
backdrop, a color palette of navy and light blues, mustard yellow
and shades of green, as well as woven and striped fabric selections,
set the tone. The designers also took cues from “analog” leisure
activities that were popular in past decades including hula hooping
and jumping rope.

THE CHALLENGE: Amp up the mid-century ambience without

getting kitschy. The lobby balances the intimate size of a small
town general store with the aesthetic of a ’70s living room lounge.
A large branded graphic in navy behind the reception desk in lieu
of a traditional logo welcomes guests. Twin green velvet sofas and
a tile-clad fireplace add a chic air to the glass-blocked lounge area.
Bold carpet, quirky artworks and graphic tiles throughout the
property support the retro vibe.

THE COOL STUFF: Camper van-style bench seating in the motor-

lodge-inspired guestrooms transforms into a double bed. In the lobby,
a reproduction vintage cooler houses a mix of snacks and ameni-
ties for the pool, room and road. A large navy super graphic wrap-
ping the exterior of the Jacuzzi building serves as a punchy photo
op. For the MoonAcre spa, the designers conceptualized a mash-up
between a modern apothecary and a municipal pool from a fictitious
Wes Anderson movie. The reception and lounge areas have an airy
white and gray palette with pops of pink for a feminine feel, while the
locker rooms, tub and steam rooms feature floor-to-ceiling tile mosaic
datums of navy, green, mint and mustard for a more masculine touch.

THE CARRY-OUT: Dress the room. White walls serve as a canvas

for graphic lines, colorful tiles and wayfinding. And have a sense of
humor. Cheeky signage, including text reading “pink pills for pale
people” and “snake oil cures,” not only entertains guests; it invites
them to snap a pic for social media.
SOURCES
AU B R I E P I C K

OWNER: Calistoga Hotel Group LP, Deerfield, Illinois; OPERATOR: Filament Hospitality, San Francisco; DESIGN FIRMS: AvroKO, New York; Brand Bureau (a division of AvroKO), New York: Greg Bradshaw, Kristina O’Neal, William
Harris and Adam Farmerie, partners; Nicole Campion, design director; ARCHITECT: Signum Architecture, St. Helena, California; PURCHASING COMPANY: Beyer-Brown & Associates, Orlando, Florida; DESIGN CONSULTANTS:
TriMark Federighi Design (kitchen); The Garden Route Co. (landscape); ART & ACCESSORIES: AvroKO; Julie Coyle Art Associates; FABRICS: Designtex; Studio Twist; Valley Forge Fabrics; FURNITURE: All Modern; AvroKO; CB2;
France & Son; Goodshop Manufacturies; John Derian Co.; RH Contract; Teakworks4u; Wayfair; West Elm; YLiving; LIGHTING: Rejuvenation; Rich Brilliant Willing; Schoolhouse Electric; West Elm; PILLOWS: CB2

92 boutiquedesign.com DECEMBER 2018

 FINALIST
HOTEL HENRY AT THE RICHARDSON OLMSTED CAMPUS
BUFFALO, NEW YORK
DESIGN FIRM: Deborah Berke Partners,
New York
THE COMMISSION: Transform the central
portion of the national historic land-
mark Richardson Olmsted Campus into a
boutique hotel that celebrates the structure’s
notable architecture. Respect the scale and
grandeur of architect Henry Hobson Rich-
ardson’s monumental design while creating
new uses for the 1880s building.
THE CHARRETTE: Drawing on the visual
language that combined Victorian architecture
with Romanesque elements, the building was
originally designed as a psychiatric hospital.
A new glass and steel entry pavilion features a
light, highly transparent contemporary archi-
tectural style to contrast with the masonry
building. Moveable furniture allows for flexible
configurations in the lobby, while a restored
grand staircase nods to the property’s past.
FINALIST
HOTEL KABUKI
SAN FRANCISCO
C H R I S C O O P E R ( H O T E L H E N R Y AT T H E R I C H A R D S O N O L M S T E D C A M -
PUS); GARRE T T ROWL AND (HOTEL K ABUK I)
THE COOL STUFF: Fitting the needs of
today’s guests into the confines of the
existing structure called for a mix of resto-
ration and redesign. Former hospital rooms
were combined to create modernized guest-
rooms. Light-filled hallways were preserved,
and their cabinet-like bump outs were inte-
grated into the new room bays to accom-
modate bathrooms for the guest quarters.
Custom carpets showcasing an abstract
pattern in cool gray and greens evoke the
Olmstedian landscape.
SOURCES
OWNER: Richardson Center Corp., Buffalo, New York; OPERATOR: Hotel Henry Urban
THE CARRY-OUT: Vast structures with Resort Conference Center, Buffalo, New York; DESIGN FIRM/ARCHITECT: Deborah
complex pasts can be successfully repurposed Berke Partners, New York: Deborah Berke, partner; Stephen Brockman, senior principal;
John Midgette, associate; Gunnar Burke, Virginia Gray, Brendan Lee, Alessandro Preda,
for contemporary uses. The original building Alexandra Tailer, Yasemin Tarhan, Olivia Susai, Stephen Lam, designers; ARCHITECT:
followed a plan developed by Dr. Thomas Story Flynn Battaglia Architects, Buffalo, New York (architect of record/executive architect);
Goody Clancy, Boston (historic preservation consultant); PURCHASING COMPANY: Bray
Kirkbride that emphasized access to natural Whaler, Centennial, Colorado; GENERAL CONTRACTOR: LPCiminelli, Buffalo, New
light, fresh air and views of the landscape for York; DESIGN CONSULTANTS: Andropogon Associates (landscape architect); Buffalo
Engineering P.C. with R.P. Morrow Associates P.C. (MEP engineer); Kugler Ning Lighting
all patients. That plan—which was used for (lighting designer); Simpson, Gumpertz & Heger (structural engineer); Watts Architecture
many mental hospitals across the country— & Engineering P.C. (civil engineer); ARCHITECTURAL MATERIALS: Armstrong; East
Coast Metal Systems; Paragon Glass; Porcelanosa; Tubelite; FLOORCOVERINGS:
lends itself to a functional hotel conversion. Signature Hospitality Carpets; Durkan; LIGHTING: Illumination Lighting
DESIGN FIRM: MARKZEFF, Brooklyn, New York SOURCES
OWNER: Blackstone Real Estate
Advisors, New York; OPERATOR:
THE COMMISSION: Revive a 225-key Joie de Vivre hotel to meld with its Joie De Vivre, San Francisco; DESIGN
locale in the city’s Japantown district. The ’60s pagoda-style building’s $28 FIRM: MARKZEFF, Brooklyn, New
York: Mark Zeff, president/owner;
million revamp infused the mid-century property with a modern edge. Stacie Meador, project interior
designer/director of hospitality design;
ARCHITECT: Gonzalez Architecture,
THE CHARRETTE: Channel the local and regional counterculture move- Miami, Florida; PURCHASING
ment of the 1960s and ’70s into interiors that fuse bohemian and Japanese COMPANY: Ramsey Associates, San
Francisco; GENERAL CONTRACTOR:
touches. The lobby’s Eastern influence can be found in subtle details, such as Midway Enterprises Inc., Lake Zurich,
a calligraphy-inspired carpet and a clean-lined reception desk adorned with Illinois; DESIGN CONSULTANTS:
Museum Editions/Live ArtFully (art
contrasting butterfly-key inlays. Shou sugi ban, an ancient Japanese exterior consultant); Reveal Design Group
siding technique that preserves wood by charring it with fire, materializes in (lighting); ART & ACCESSORIES:
Amoeba Records; BLACKBARN Shop;
carbonized black, alligator skin-textured columns. Those vertical elements are borobaby.org; F. Dorian; Loui Jover;
juxtaposed with an inverted X-beam structure made of reclaimed Douglas fir. Maker & Moss; Museum Editions/Live
ArtFully; Shibui; Strand Bookstore;
BATH & SPA: Inalco; Kohler; Nemo
THE COOL STUFF: The color story is carried through the two different Tile; Symmons; CUSTOM DOOR
MURALS: Elaine Chu; Marina Perez-
room styles: the first showcases wallcoverings in a vintage Japanese news- Wong; FABRICS: Designtex; Opuzen;
paper print, while the second references retro sumo wrestling cards in a Romo; FLOORCOVERINGS: Amadi
Carpets; Roger Street & Doris Pietrek;
wallcovering that lines the closet. Sisal carpeting, headboards and drapery Royal Thai; Sacco Carpet; FURNITURE:
dyed using the traditional shibori method (a Japanese manual resist dyeing BLACKBARN Shop; Blu Dot;
Composition Hospitality; Danish Design
technique), as well as upholstery made using boro stitching (a patchwork Store; Indon Intl.; Inmod; Lily Jack;
approach to mending textiles) tie in with the neighborhood. Menu A/S; Noir; Peg Woodworking;
RH Contract; Stellar Works; Turntable
Lab; Tedeschi; INTERIOR PLANTS:
THE CARRY-OUT: Tap the community for an authentic look. MARKZEFF Foliate Plant Domaine; LIGHTING:
360 Volt; Aeris Hospitality Solutions;
worked with a local consultant to source unique art pieces such as the Tedeschi; Trainspotters; SURFACING
graphic Japanese matchbook covers from the ’20s and ’30s and historic MATERIALS: Delta Millworks; HF
Design; Midway Enterprises Inc; Nemo
images depicting San Francisco’s hippie culture. Tile; WALLCOVERINGS: Designtex
DECEMBER 2018 boutiquedesign.com 93
2 0 18 G O L D K E Y AWA R D S
BEST HOTEL MIDSCALE

FINALIST
DESIGN FIRM: Stonehill Taylor, New York staircase leads into the elevated lobby with exposed
HOLSTON HOUSE THE COMMISSION: Convert an art deco building
wooden beams accenting the ceiling. A light feature
that takes a cue from the Wall of Sound—a system
NASHVILLE into the first purpose-built hotel for the Hyatt for recording and performing music first created by
Unbound collection. Preserve historic elements of Phil Spector while working in the city—arcs over
the 12-story 1920s property while referencing the the reception entry. Leather wall paneling behind
city’s famed music scene. the front desk and an oversized area rug that refer-
ences the Tennessee state flag strengthen the sense
THE CHARRETTE: The designers sought to of place.
complement the exterior’s art deco details and
the building’s historic craftsmanship while intro- THE CARRY-OUT: Avoid overblown theming
ducing locally sourced materials that capture with authentic materials that speak to the locale.
the rugged modernism of contemporary Nash- Cognac-colored leather headboards with metal
ville. The team pulled inspiration from the city, details, hardwood floors covered with hand-loomed
including its 20th century leather goods, the bamboo silk area rugs and floor-to-ceiling brocade
work of Italian-born designer Peter Nappi and the drapery create a rich look for this historic prop-
raw sounds of musicians such as Jack White and erty. A wallcovering that subtly mimics the visual-
Johnny Cash. ization of sound waves behind the headboards and
vanity lighting that references vintage phonograph
THE COOL STUFF: The hotel’s original marble speakers amp up the musical impact.
SOURCES
OWNER: HRI Properties LLC, New Orleans; OPERATOR: Hyatt Hotels Corp., Chicago; DESIGN FIRM: Stonehill Taylor, New York: Michael Suomi, principal; Sherry Dennis, senior interiors associate; Elaina
Lackaye, interior designer; ARCHITECT: ESa Architects, Nashville; PURCHASING COMPANY: Benjamin West, Louisville, Colorado; GENERAL CONTRACTOR: Bell & Associates Construction, Brentwood,
Tennessee; DESIGN CONSULTANTS: Studio E Lighting (lighting); ART & ACCESSORIES: Eaton Fine Arts; AUDIO/VISUAL & ELECTRONICS: Mood Systems; BATH & SPA: Jaclo; Kohler; FABRICS: Bramson
House; Chella; Concertex; Cortina Leather; David Sutherland; Demar Leather, Justin David Textiles; Kravet Contract; P/Kaufmann; Opuzen; Pallas; Pollack; TRI-KES; United Fabrics; FLOORCOVERINGS:
Clayton Miller; Daltile; Handy Deck; Porcelanosa; Shaw Hospitality; Stonepeak; Taylor Made; Walker Zanger; FURNITURE: Amtrend; Charter Furniture; Lodging Concepts; Neil Allen; Shawn Austin; Quality and
Co.; LIGHTING: Allied Maker; Arteriors; Circa; Eureka; Flos; Mix By Trinity; Rejuvenation; RH Contract; MILLWORK: Cumberland Millwork; MIRRORS: Majestic Mirror; SIGNAGE: Identity Group; SURFACING
MATERIALS: Country Floors; Daltile; Nemo; Walker Zanger; WALLCOVERINGS: Koroseal; Phillip Jeffries; TRI-KES; Innovations; WINDOW TREATMENTS: Bramson House

FINALIST

FREEHAND NEW YORK

DAV I D M I T C H E L L P H O T O G R A P H Y ( H O L S T O N H O U S E ) ; A D R I A N G A U T ( F R E E H A N D N E W YO R K )
DESIGN FIRM: Sydell Group, New York, with ROMAN AND WILLIAMS
BUILDINGS AND INTERIORS, New York

THE COMMISSION: Bring together different design aesthetics in a way

that balances connectivity with privacy. Use bespoke furnishings and
natural materials to marry the historic building’s elegance with the brand’s
livable ethos.

THE CHARRETTE: Melding American craftsmanship, Italian Renaissance,

Jacobean, Georgian and colonial architectural influences in one unified design
scheme required a mix of careful preservation and clever customization. At
the George Washington Bar, original teak paneling, mahogany millwork, crown
molding and herringbone wood floors pay homage to the first president’s
namesake style, while a copy of his portrait by American painter Gilbert Stuart
adds a stately touch to the former library. Existing bones in the Simon & The
Whale restaurant get a new life with iroko millwork and tile cladding.
THE COOL STUFF: Once home to storied writers, musicians and artists,
the 17-story hotel was built in 1928 during a time of rapid development in
Manhattan. A partnership with Bard College puts that soul of creativity at
the forefront. Seventeen of the school’s students and alumni were commis-
sioned to create original artworks throughout the hotel: 10 painted murals in
all 394 guestrooms; four installed large-scale sculptures in the public areas;
one designed the corridors on each guestroom floor; and another photo-
graphed the installation process.
THE CARRY-OUT: A free-spirited brand ethos and a cross-cultural locale make
way for eclectic influences. Grand wrought-iron and brass railings and a beaux-
arts chandelier original to the building recall the property’s past life, while a mix
of vintage and found artwork set against a teal wall pumps up the visual impact.
SOURCES
OWNER: AllianceBernstein, New York; Sydell Group, New York; OPERATOR/PURCHASING COMPANY:
Sydell Group, New York; DESIGN FIRMS: Sydell Group, New York; ROMAN AND WILLIAMS BUILDINGS
AND INTERIORS, New York; ARCHITECT: IBI Group, New York; GENERAL CONTRACTOR: Spring Roc,
New York; DESIGN CONSULTANTS: L’Observatoire (lighting, Simon & The Whale); Sean O’Connor
(lighting, public spaces); Urbangreen (landscape)

94 boutiquedesign.com DECEMBER 2018

2 0 18 G O L D K E Y AWA R D S
BEST HOTEL UPSCALE

SOURCES
OWNER (AT TIME OF
COMPLETION): Starwood
Capital, Greenwich, Connecticut;
OPERATOR (AT TIME OF
COMPLETION) Principal
Hotel Co., London; DESIGN
FIRM: Goddard Littlefair,
London: Martin Goddard and
Jo Littlefair, directors; Richard
McCready-Hughes, creative
director; Will Hutchings, senior
project manager; Gemma
Prentice, senior interior
designer; ARCHITECTS: 3DReid
Architects, Glasgow, U.K.;
PURCHASING COMPANY:
Benjamin West, London;
GENERAL CONTRACTOR:
Thomas Johnstone, Edinburgh;
DESIGN CONSULTANTS:
Susan Lake Lighting
Design, Lewes, Sussex,
U.K.; ARCHITECTURAL
MATERIALS: Dulux; Paintfinity;
Thomas Johnstone; ART &
ACCESSORIES: Artiq; AUDIO/
VISUAL & ELECTRONICS:
Scolmore; SRL; BATH & SPA:
St. James; Tapwell; Villeroy
& Boch; FABRICS: Clarke &
Clarke; Dedar; Edmund Bell;
GP & J Baker; Harlequin;
Python; Rubelli; Sekers;
Studiotex; Zimmer + Rohde;
FLOORCOVERINGS: Brintons;
Gradus Ltd; Havwoods;
Karndean; Newhey; Refin
Ceramiche; The Natural Rug
Store; Thomas Johnstone, Ltd.;
WINNER FURNITURE: Andy Thornton;
Ercol; Goddard Littlefair; Julian

THE PRINCIPAL EDINBURGH CHARLOTTE SQUARE Chichester; LASSCO; Pure

White Lines; RH Contract;
Twenty Twenty One; LIGHTING:
DESIGN FIRM: Goddard Littlefair, London connecting Robert Adam-designed Georgian townhouses that A Shade Above; Broughtons;
Heathfield; Jim Lawrence; Objet
form most of its square footage, a 1990s guestroom wing and the Insolite; OKA; Mullan Lighting;
THE COMMISSION: Take a Grade II-listed historic building glass-roofed courtyard that houses The Garden, one of two onsite Twenty Twenty One; SIGNAGE:
Rivermeade; SURFACING
in the UNESCO world heritage site of New Town, Edinburgh, restaurants (the other, BABA, is situated within the buildings). MATERIALS: Collinson
and transform the former The Roxburghe Hotel into an eclectic Being careful to maintain a consistent vibe without resorting to Ceramics; Thomas Johnstone,
Ltd.; WALLCOVERINGS:
181-room, 18-suite property. Contrast the design schedule with stack-and-whack repetition was key. Public spaces utilize both Muraspec; WINDOW
the more traditional look of its nearby sister property, The Prin- modern and more traditional trim details, picture frame types and TREATMENT: Osborne Heath

cipal Edinburgh George Street.
THE CHARRETTE: “For the client, differentiation from its nearby
sister hotel, The Principal Edinburgh George Street, was key, with
the need to appeal to a different market and develop a ‘hipper,’
more contemporary feel, whilst still respecting the building’s Geor-
gian heritage,” says Martin Goddard, director, Goddard Little-
fair. “Inspired by the original Georgian townhouses that made up
the building, the design team developed a fictional ‘owner’ of the
house (a well-travelled, slightly eccentric Scottish gentleman with
a taste for the finer things in life), that provided inspiration for the
scheme,” adds Goddard Littlefair director Jo Littlefair. The quirky
so on to balance past and present, an approach that continues
in the guestrooms. “Considerable effort was made to ensure that
the more uniform guestrooms in the new wing reflected the
same sense of character seen in other areas of the building, whilst
the ‘old-block’ guestrooms make the most of period details and
balances tradition with a more youthful feel,” says Goddard.
THE COOL STUFF: Biophilia can be integrated into 18th-century
buildings. The Garden, which as its name implies is a riot of
greenery, is one of the first things guests see on entering.
THE CARRY-OUT: Unconventional collections of FF&E are eye-
GARETH GARDNER

collection of objects throughout the hotel is curated to suggest
that particular character’s cosmopolitan and individualistic tastes.
THE CHALLENGE: Find a way to create a connection through
this spread-out property’s spaces, which encompass the seven
catching. But, macro-level eclecticism takes that to a new level.
From the Levantine-inspired BABA to the neo-Georgian (with
updates, natch) look of some guestrooms, each space here is
refreshingly different from its neighbors. Attention to detail ties it
all together.

96 boutiquedesign.com DECEMBER 2018

 FINALIST
DESIGN FIRM: Studio Munge, Toronto
BISHA HOTEL & RESIDENCES THE COMMISSION: Bring a rockstar
TORONTO sensibility and a shameless love of sexy,
touchable design to Toronto’s red-hot
Entertainment District. Make that glitzy
style work for both a hotel and condos.
THE CHARRETTE: Deliver knockout
design that meets two contradictory
versions of local: one, its recent past as the
destination for theaters and clubs and two,
its rising status as an aspirational place to
call home (Nobu Hospitality will debut its
first condo offering in the vicinity in the
near future, though the exact date was not
available at press time).
THE CHALLENGE: With two restau-
–ST), Mister C Bar
rants (Akira Back and KO
Room, a lobby hotspot and French Made, a
SOURCES
B R A N D O N B A R R É ( B I S H A H O T E L & R E S I D E N C E S ) ; A N D R E W B O R D W I N S T U D I O, I N C . ( H O T E L N I A , A U T O G R A P H C O L L E C T I O N )
foodie-haven spin on a traditional Parisian
café, 96 hotel rooms, 355 condo units and
two rental units, this hotspot has to seduce
guests for an hour, a night, or a lifetime
without either wearing thin or getting over-
powering. Casting a wide net for inspiration
helps modulate the effect. “The motifs are
not only found in local galleries, residential
comforts or singular toned palettes; Bisha is
a mobilization of coveted indulgences from
every corner of the world,” says Alessandro
Munge, principal, Studio Munge.
THE CARRY-OUT: Grown-ups deserve the
chance to live out their fairytale dreams,
too. The sense of wonder in details such as
giant French curve doorknobs or a golden
oculus in Akira Back encourages guests to
stop and look and feel as chic and decadent
as their surroundings. And, no, their Ubers
won’t turn into pumpkins at midnight.

OWNER: ICONINK, Toronto; OPERATOR: Loews Hotels & Co., New York; DESIGN FIRM: Studio Munge, Toronto: Alessandro Munge, principal; Mehari Manna Seare, project manager; Riko Gunawan, Stephanie
Kruschen, Erika Van Der Pas, Tracy Chan; Priscilla Lee and Yuxing Zhang, designers; Maged Salib, technologist; Kristan Klassen, procurement manager; Enrico Passeri, industrial designer; ARCHITECT: Wallman
Architects, Toronto; PURCHASING COMPANY: Studio Munge, Toronto; GENERAL CONTRACTOR: SKYGRiD, Toronto; DESIGN CONSULTANTS: GZ Art Co., Toronto (art consulting); Lightbrigade (lighting), Toronto;
ARCHITECTURAL MATERALS: Citywide Door + Hardware; Doorland Group; ART & ACCESSORIES: GZ Art Co.; Jeff Goodman Studio; AUDIO/VISUAL & ELECTRONICS: Williams HVAC; BATH & SPA: Aquabrass;
FABRICS: Anthony Mellon; Threadcount Textile & Design; Westport Manufacturing; FLOORCOVERINGS: Advance Tile and Hardwood; Ciot; Vifloor Canada Ltd.; FURNITURE: Pro Carpentry; Stellar Works; Stylex; Viriato
Hotel Concept; LIGHTING: Lightform; Preciosa Lighting; Tom Dixon; MIRRORS: Accura Glass; SIGNAGE: Forward Signs; SURFACING MATERIALS: Ciot; WALLCOVERINGS: Anthony Mellon

FINALIST

HOTEL NIA, AUTOGRAPH

COLLECTION
MENLO PARK, CALIFORNIA
DESIGN FIRM: McCartan, Inc., New York

THE COMMISSION: “Build on the core characteristics of the Autograph Collection

brand: to deliver a sense of place with a thoughtful spirit, a unique design and to convey
a ‘clear brilliance’ aspirational to these attributes,” says Colum McCartan, president of his
eponymous firm. Yes, that meant embracing custom pieces throughout the property, but
not as a showcase for the designer’s or supplier’s ego; instead, those architectural and
FF&E pieces serve the client’s mission statement of shaking up the expected look inside
the ultrarich tech-headquarter city of Menlo Park (the largest employer is Facebook).
THE CHARRETTE: Make large-scale design statements whose natural influences beg
guests to close their laptops for a moment. “Images of nearby parkland are screen-
printed ‘ghostlike’ onto the cerused white oak veneer ballroom doors, preserving the
visual character and texture of the wood,” says McCartan. “The ballroom walls are
paneled with outlines of giant oak trees, the oak tree historically being the prevalent
tree species in the area. Backlit aerial photos of the adjacent bay have been installed in
each guestroom, illustrating the vibrant natural brushstroke of color in the salt flats.”
THE CARRY-OUT: Nothing here is expected. The reception desk appears to float.
Who says magic can’t happen times 250 rooms and generous public spaces?
SOURCES
OWNER: Ensemble Real Estate Investments, Long Beach, California; OPERATOR: Sage
Hospitality, Denver, Colorado; DESIGN FIRM: McCartan, Inc., New York: Colum McCartan,
president; Aileen Liu and Eimear McCartan, senior architects/project directors; Irene Chun, senior
designer; ARCHITECT: Cuningham Group Architecture, Inc., Culver City, California; PURCHASING
COMPANY: Project Dynamics, Calabasas, California; GENERAL CONTRACTOR: Webcor, San
Francisco; ARCHITECTURAL MATERIALS: Caesarstone; California Drywall; Country Floors;
Crestmark Architectural Millworks; Dal-Tile; Design and Direct Source; Kember Kreative Interiors;
Nemo Tile; ProSpec, LLC; Superior Stone & Tile; ART & ACCESSORIES: Carol Lee Pryor; Kevin
Barry Fine Art; FABRICS: Architex; CF Stinson; Charles Samelson; Chella Textiles; Demar
Leather Company; Fabricut; Kravet/Lee Jofa; LoomSource; Moni-Fabrics, Inc.; TRI-KES; Valley
Forge Fabrics; FLOORCOVERINGS: Innovative Carpets; M&M Design International; Merida;
Signature Hospitality Carpets; FURNITURE: Benchmark Furniture Manufacturing; Bryan Ashley;
Composition Hospitality; D’style by Kimball Hospitality; Global Allies; Kettal; Manutti; Oberon
Design; Pedrali; RH Contract; LIGHTING: Mirror Image; Sapphire Chandelier; Spike Lighting;
SURFACING MATERIALS: Wilsonart; WALLCOVERINGS: Astek Wallcovering; Carnegie; HD
Walls; Koroseal; MDC Wallcovering; Wolf-Gordon; WINDOW TREATMENTS: Charles Samelson;
Fabric Innovations; Fabtex; Kravet; Richloom; Valley Forge Fabrics

DECEMBER 2018 boutiquedesign.com 97

2 0 18 G O L D K E Y AWA R D S
BEST HOTEL UPSCALE

FINALIST
DESIGN FIRMS: Ian Schrager Company, New York; Herzog &
PUBLIC de Meuron, Basel

NEW YORK THE COMMISSION: Craft interiors that make Ian Schrager’s stated aim of
“Luxury for All” a reality across four pillars: service, style, unique experience
and value.

THE CHARRETTE: Cut the unnecessary extras. This design, both in the 367
guestrooms and the extensive public areas, is about balancing the personal,
provocative and flamboyant and the simple, refined, modest and sophisti-
cated. Compact guestrooms draw inspiration from yacht cabins and get most
of their design wow from the wood on walls, raised floor and ceiling that
frames the bed.

THE COOL STUFF: There’s no way any hotel that proposes to capture the
essence of New York could be without an innovative theater space. PUBLIC
ARTS, the hotel’s performance space, takes drapery to the next level, not only
using it as curtains but suspending it along the theater’s walls.

SOURCES THE CARRY-OUT: Welcome to the new New York. This project is a bell-
OPERATOR: Ian Schrager Company, New York; CONCEPT, PROGRAM AND CREATIVE DIRECTOR:
wether for cutting-edge hotels ready to luxe up small rooms and bring 5-star
Ian Schrager; DESIGN ARCHITECT: Herzog & de Meuron; ISC DESIGN STUDIO: Kirstin Bailey and
Paul Haslhofer; RESTAURANTS: Jean-Georges Vongerichten; PUBLIC ARTS: Matt Kliegman and public space experiences down to a different price point. The hotel’s location
Carlos Quirarte; LANDSCAPE DESIGN: Madison Cox; PUBLIC SPACE AMBIENT LIGHTING: Arnold
on the Lower East Side, far away from peak real estate prices in Midtown,
Chan; GUEST ROOM & THEATRICAL LIGHTING: Paul Marantz: PUBLIC ARTS SPECIAL EFFECTS
LIGHTING: Core; INTERIOR DESIGN COLLABORATORS: bonetti/kozerski architecture DPC; helps make that possible—that too sets an example as development
COMMISSIONED ARTWORK: Ivan Navarro and Anselm Reyle; GRAPHIC DESIGN: Baron & Baron;
continues to surge in the neighborhood.
PUBLIC ARTS SOUND: El Media; DIRECTOR OF BRAND AND ENTERTAINMENT: Ben Pundole; ISC
BRAND MANAGEMENT: Sebastian Puga

FINALIST

VUE HOTEL HOUHAI

BEIJING

C O U R T E S Y O F I A N S C H R AG E R C O. ( P U B L I S ) ; C I & A P H O T O G R A P H Y ( V U E H O T E L H O U H A I )
DESIGN FIRM: MINISTRY OF DESIGN PTE LTD, Singapore

THE COMMISSION: Redefine the upscale Beijing hotel experience. “The

city has always been known as the grounded/solemn capital of heritage and
culture. With this property, we present an alternative take on what Beijing
can offer: one that is more light-hearted, with a keen interest in tradition but
not afraid to transcend it in a contemporary way,” says Colin Seah, founder,
Ministry of Design PTE LTD.

THE CHARRETTE: Take inspiration from the French “vue” to craft a space
with a new, whimsical perspective on hospitality design. “The narrative drew
inspiration from the lake’s animal inhabitants, imagining that VUE’s presence
magically or anthropomorphically transforms the foxes, rabbits and deer, to
become human-like,” says Seah.
THE CHALLENGE: The six 1950s buildings that make up the hotel fall in the
middle ground between historic, therefore worth preserving, and just “not new”
and set for demolition to make way for a newbuild. So, to make them convert-
able, Seah and his team went for a radical makeover. “We united the buildings
and interiors by applying a visual baseline throughout the compound,” he says.
“The traditional ‘cracked ice-ray’ pattern, derived from the imagery of a frozen lake
starting to crack, is traditionally used to adorn the open portion of timber doors.”
SOURCES
OWNER/OPERATOR: VUE Hotel Houhai, Beijing; DESIGN FIRM: MINISTRY OF DESIGN PTE LTD,
Singapore: Colin Seah; Joyce Low; Ruth Chong; Sarah Conceicao; Richard Herman; Kevin Leong;
Tasminah Ali; Syazwani Wagiman; Rais Rahman; Patricia Segado; Angie Ng; Jascha Oakes; TiangYuping;
Norberto Olegario; Mior Hasan; Don Castenada; Arnel Anonuevo; Danielle Liu; Sandra Goh;
ARCHITECT: MINISTRY OF DESIGN PTE LTD, Singapore; PURCHASING COMPANY: VUE Hotel Houhai,
Beijing; GENERAL CONTRACTOR: Changzhou Jintan Construction Co. Ltd, China; ARCHITECTURAL
MATERIALS: Yixin Guangzhou; ART: Beijing Duma Studio; AUDIOVISUAL: 3Nod; CARPETS: TY
Carpet; BATH & SPA: Avoex; Kohler; Shanghai Yihao Decoration Materials Co., Ltd.; CEILINGS; Beijing
ZhongxingJiahua; DRAWER FRIDGE: Indel B; ELECTRONICS: Philips; FLOORING: NewTechWood;
FURNITURE: RICKS; Shanghai Beidun Furniture Co., Ltd.; LIGHTING: Saintly; PAINT:SKK; SURFACING
MATERIALS: BODE; EUROART; WINDOW TREATMENTS: RAEX

98 boutiquedesign.com DECEMBER 2018


FINALIST
W BELLEVUE
WASHINGTON
DESIGN FIRM: HKS, Inc., Dallas
THE COMMISSION: Create a unique identity
for this massive 42-story mixed use develop-
ment in a city often overshadowed by nearby
Seattle. “Our goal as the interior designers and
architects for the project was to seek out all
the threads of the history of the place as well
as contemporary influences to weave together
the narrative that would become the backbone
of the project and the driver for all the design
decisions,” says Mary Alice Palmer, principal &
senior vice president, hospitality interiors studio
director at HKS.
THE CHARRETTE: Play diplomat and mediate
between the W brand’s high-octane, glitzy vibe
and the much more conservative outlook of the
town this hotel lives in. Bring in natural and
musical (hello, Jimi Hendrix, grunge and Sub
Pop) influences to localize the property.
THE COOL STUFF: The hotel is imagined as a
“virtual lake house,” referencing the area’s orig-
inal draw for visitors. That sense of comfortable
retreat is glammed up with an eclectic mix of
GARRE T ROWL AND PHOTOGR APH Y
pieces, including some out-there FF&E such as
a DJ booth with pieces suspended above it as
though the music “exploded” the furniture.
THE CARRY-OUT: Respect goes a long way
toward making great design work as well for the
neighborhood as for the client. Yes, this hotel
packs a knockout design punch. It’s also a more
residential spin on W’s typically clubby vibe.
Peale™ Panel w/ silver or gold mirror ©2018 modularArts, Inc.
SOURCES
OWNER: Kemper Development
Company, Bellevue, Washington;
OPERATOR: Marriott Intl., Bethesda,
Maryland; DESIGN FIRM: HKS,
Inc.: Mary Alice Palmer; Olga
Acosta; Deanne Teeter; Natalie
Smith; Tom Sprinkle; Scott Hunter;
PURCHASING COMPANY: Beyer-
with silver or gold mirror inserts
Brown & Associates, Orlando;
GENERAL CONTRACTOR: GLY
Construction, Bellevue, Washington;
DESIGN CONSULTANTS: Sclater
Partners (associate architect);
Brightworks (LEED); Candela
(daylighting/interior lighting design);
Berger Partnership (landscape
architect); BRC Acoustics (acoustics);
Cary Kopczynski & Co. (structural);
Coughlin Porter Lundeen, Inc.
(civil); Code Consultants, Inc. (code
consultants); Glumac International
™
™
(mechanical design); Hart Crowser,
PEALE
MUDD
Inc. (geotechnic); Morrison
Hershfield Corporation (exterior
enclosure); Lerch Bates (vertical
Mudd™ Panel ©2008 modularArts, Inc.
transportation); Sparling, Inc.
(electrical engineer/telecom); Nelson
Electric; MacDonald-Miller Facility
Solutions; Skanska USA; WHPacific;
ARCHITECTURAL MATERIALS:
Barrisol USA; Dal-Tile; Johnsonite;
Junckers Industrier A/S; Porcelanosa;
reSAWN Timber Co.; TerraMai; ART &
ACCESSORIES: Anichini Hospitality;
Bespoke Post; Crate and Barrel; Etsy.
Linen™ PANEL ©2015 modularArts, Inc.
Dakota™ PANEL ©2018 modularArts, Inc.
com; Ibai Acevedo-Photography at
Outhouse; Maxwell Rodgers; Steve
™
™
Weiss Music; Urban Outfitters;
DAKOTA
LINEN
Via Motif International; West Elm;
AUDIO/VISUAL & ELECTRONICS:
Future Automation-North America;
Peerles-AV; TeleAdapt; BATH & SPA:
Meridien Stone; FABRICS: ArcCom;
Carlucci di Chivasso; Carnegie;
Casamance Inc.; Covington Fabric &
Design; Designtex; Designers Guild;
Edelman Leather; Fabric Innovations;
JAB Anstoetz; Koni Hospitality;
Kravet, Inc.; Link Outdoor; Maharam;
Moore & Giles; Opuzen; Osborne
& Little; P/Kaufmann; Perennials;
Pindler; Rubelli; S. Harris; Sanderson;
Stark; Swavelle/Mill Creek; Tiger
Leather; Valley Forge Fabrics;
Weitzner; FLOORCOVERINGS:
Crossley Axminster; Durkan; Liora
Manné; The Natural Carpet Company;
Verde Home ; FURNITURE: 11
Ravens; Afra Furniture; Coalesse;
Design Within Reach; Gervasoni;
IMSS, Ltd.; ISA International; JANUS
et Cie; JLF Collections; Kettal;
Kristalia; Ligne Roset; Loll Designs;
Phillips Collection; RH Contract;
Seasonal Living; Wet Style; Sandler;
LIGHTING: Astro Lighting; Bover;
Challenger Lighting Company;
Electric Mirror; Established &
Sons; Eurostyle Lighting; Flos USA;
Foscarini; HB Architectural Lighting;
Lusive Lighting; Vibia; Yellow Goat
Design; SURFACING MATERIALS:
Ceasarstone; Chemetal; Formica;
Lumicor; MSI; WALLCOVERINGS:
Astek, Inc; Carnegie Xorel; Designtex;
MDC Wallcoverings; WINDOW
TREATMENTS: MechoShade; PANELS FIRE-SAFE, MODULAR GYPSUM
OTHER: Safemark Systems; Summit modulararts.com 206.788.4210 info@modulararts.com made in the USA
Appliance Division
DECEMBER 2018 boutiquedesign.com 99
2 0 18 G O L D K E Y AWA R D S
BEST HOTEL LUXURY

SOURCES
OWNER: Katara Hospitality,
Zug, Switzerland; OPERATOR:
Bürgenstock Resort, Obbürgen,
Switzerland; DESIGN FIRM:
MKV Design, London: Maria
Katsarou Vafiadis, managing
director; Giovana Valmaggia,
associate (architectural design);
Helen Quaine, associate
(FF&E design); ARCHITECT:
Russli Architekten, Lucerne,
Switzerland (Bürgenstock
Hotel); Patrik Dierks Norbert
Sachs Architekten BDA, Berlin
(Alpine Spa); PURCHASING
COMPANY: Katara Hospitality,
Zug, Switzerland; GENERAL
CONTRACTOR: Cerutti
Partner Architekten AG,
Rothenburg, Switzerland
(Bürgenstock Hotel); Thomas
Spitzmüller, Giswil, Switzerland
(Alpine Spa); DESIGN
CONSULTANTS: Sektor 4
(lighting design, Bürgenstock
Hotel); Licht Kunst Licht, Bonn,
Germany (lighting design,
Alpine Spa); Gasser, derungs
Innenarchitekturen GmbH,
Zürich (exhibitions consultant);
ARCHITECTURAL MATERIALS:
Impronta Italgraniti;
ART & ACCESSORIES:
Trowbridge; AUDIO/VISUAL
& ELECTRONICS: AVS
Systeme AG, Hünenberg,
Switzerland (hotel and spa);
Bose; Samsung; BATH &
SPA: Dornbracht; Laufen;
WINNER FABRICS: Abbott & Lloyd; Agua

BÜRGENSTOCK HOTEL AND ALPINE SPA Fabrics; Christiane Baumann

Design; Dedar; Delius;
Osborne & Little; Pierre Frey;
OBBÜRGEN, SWITZERLAND FLOORCOVERINGS: Nourison;
FURNITURE: Epoca; Minotti;
Cassina; Hamilton Conte;
DESIGN FIRM: MKV Design, London ations and circulation and to ensure that each of the 102 guest- Sifas; Poliform; LIGHTING:
rooms benefited from magnificent views thanks to a full-height 2F Lighting; Porta Romana;
SIGNAGE: Graphic Design
THE COMMISSION: Recreate one of Europe’s most glamorous window in both the sleeping area and bathroom. In the lobby Dubach; WALLCOVERINGS:
resorts with an eye toward the future. Build on this mountaintop lounge, with its imposing windows, curvilinear forms and deep- 4spaces; Cole & Son; Kobe;
Tektura; Vescom; WINDOW
retreat’s legacy of visionary thinking, environmental respon- seated sofas, to the guestrooms. Spices Kitchen • Terrace, the TREATMENTS: Jording
sibility and deep connection with the natural world to intro- Pan-Asian restaurant, occupies a stunning glass box protruding Meisterwerkstätten; OTHER:
Electrolux Professional (kitchen
duce leisure and health-conscious travelers to new era of peak from the hotel over the sheer drop of the mountain. “The sensa- equipment); Grupo Malasa
experiences. tion is as a bird in flight hovering over the world, completely at (joinery - Alpine Spa); Odermatt
AG and Höller KG (joinery -
one with nature,” says Katsarou Vafiadis. Bürgenstock Hotel); Markus
THE CHARRETTE: In addition to honoring the resort’s inher- Rüegg Feuer AG (fireplaces -
hotel and spa)
itance, use every line drawn, space orientated and material THE COOL STUFF: Pamper guests with thoughtfulness, not
selected to celebrate the magnificence of the mountaintop things. The guestrooms’ integrated window seat provides the
terrain 1,475 feet above Lake Lucerne. Attention to scale, height perfect place for observing the surroundings. Oak cabinetry
and internal layout were key, says Maria Katsarou Vafiadis, reveals the touch of craftspeople in the details of its construction
founder, MKV Design. Neutral colors bridge the outdoor/indoor rather than just showing off. Bathrooms run the length of the
transition as does the materials palette: stone from the moun- room, a considerate feature since few of the guests are traveling
tains, timber from the forests, bronze resembling the solo (ditto for the walk-in closet).
light of late afternoon and a deeply veined green marble wall in
J O H N AT H I M A R I T U S

the bathrooms. THE CARRY-OUT: Restrain yourself. Instead of offering a kalei-

doscope of art and FF&E, focus on a few memorable statements
THE CHALLENGE: Synthesize fin-de-siècle and contemporary guests would really appreciate. Case-in-point: A contemporary
styling. Start with the basic: a great view—from everywhere. The two-way fireplace warms a bather relaxing in the sunken tub and
designers reconfigured the original masterplan to enhance oper- a guest curling up on the window seat.

100 boutiquedesign.com DECEMBER 2018

 TICKETS
N OW AVA I L A B L E
NEWH Orange County Regional Group &
NEWH Los Angeles Founding Chapter present

Hospitality Fashion Challenge

RUNWAY EVENT
@
THURSDAY, MARCH 14
EXCHANGE LA

This unique event is the culmination of the Fashion

Challenge Competition, in which design-firm teams craft
couture fashions from scraps of tile, carpet and other
reusable design elements donated by BDwest exhibitors.
Garments are unveiled, cheered, judged and auctioned
in this fun celebration of creativity and ingenuity.
100% of the proceeds benefit NEWH scholarship
and education initiatives.

PURCHASE TICKETS ONLINE

BOUTIQUEDESIGNWEST.COM

QUESTIONS? CONTACT:
Keisha Byrd, keisha.byrd@hmgllc.com
Christine Wasmer, wasmer@outlook.com

PRESENTED BY PRODUCED BY
2 0 18 G O L D K E Y AWA R D S
BEST HOTEL LUXURY

FINALIST
DESIGN FIRM: Sydell Group, New York
NOMAD LOS ANGELES Studio Jacques Garcia, Paris

THE COMMISSION: Design a modern take on Europe’s old-world grand

dames and reflect the building’s former life as The Bank of Italy’s headquar-
ters. Restore the Neoclassical landmark, Giannini Place, while layering modern
elements suited to today’s lifestyles.

THE CHARRETTE: Neoclassical meets “new classy” in this DTLA 5-star. Orig-
inal features were meticulously restored, including elaborate cast metal entry
doors and Corinthian columns. A zoned layout lets travelers and locals work,
relax, socialize and dine under one roof – or without one from the rooftop
pool and bar overlooking downtown. Guestrooms balance California chill with
Italian eclecticism, mixing vibrant colors with vintage treasures and diverse art
to feel comfortably residential.

THE COOL STUFF: Global currencies engraved on lobby door frames pay divi-
dends as reminders of the building’s former life. Modeled after the 300-year-
old Caffè Florian in Venice, Italy, the Italian Coffee Bar transforms a working
daytime café to a cocktail venue thanks to antique mirrors that slide to reveal
SOURCES
OWNER: Yucaipa Companies, LLC, Los Angeles; AllianceBernstein, New York; Sydell Group, New York;
a full bar. The rooftop holds another surprise, a replica sculpture from Lazio,
OPERATOR: Sydell Group, New York; DESIGN FIRMS: Sydell Group, New York: Jake Lamstein, managing Italy’s 16th-century Parco dei Mostri, “Park of Monsters.”
partner and chief development officer; Sabine Vessnow Khera, director, development; Ryan Bean, director,
development; Studio Jacques Garcia, Paris: Jacques Garcia, founder; Nassima Bouzid, senior designer;
ARCHITECT: KFA Architecture, Santa Monica, California; PURCHASING COMPANY: Sydell Group, New THE CARRY-OUT: Traditional features such as the red Murano glass chandeliers
York; GENERAL CONTRACTOR: RD Olson Construction, Irvine, California; ART & ACCESSORIES: Studio

B E N O I T L I N E R O ( N O M A D L O S A N G E L E S ) ; O R I AC K E R M A N ; T H O M A S A N D E R S E N ( O R I E N T J E R U S A L E M B Y I S R O T E L )
be-poles; FLOORCOVERINGS: Alarwool, ABC Carpet; ICE; Sam Kasten; FURNITURE: Henryot et Cie;
in the Italian Coffee Bar look timelessly chic when complemented by the sleek rect-
Delta Furniture; Eric Brand Furniture; Costantini Design; Fong Brothers angle of a white marble tabletop or a gridwork of gold-toned architectural details.

FINALIST

ORIENT JERUSALEM BY ISROTEL EXCLUSIVE COLLECTION

JERUSALEM
DESIGN FIRM: Hirsch Bedner Associates glass display cabinets showcasing collections
(HBA), London of artwork from the neighborhood.

THE COMMISSION: Honor Jerusalem’s
rich culture, balancing the ancient with the
contemporary. Design a harmonious tran-
sition between two 19th century Templer
structures and a modern, nine-story building,
imbuing the latter with the palette of the city
by bringing the historic architecture’s charm
into the new spaces.
THE CHARRETTE: Meld the cross-currents
of the various cultures and aesthetics that
have shaped this city, then hone that with a
modern edge. The journey begins with a grand
atrium of glass and Jerusalem stone. A high
glazed ceiling lets in an abundance of natural
light, while gently gathered drapery lends soft-
ness to the space and shields guests from the
midday sun. Behind the ark-like reception
desk stand three elegant wrought iron and
THE COOL STUFF: Bold shapes and pure mate-
rials contrast the natural with the refined. The
lobby’s rough-cut stone elevations sit along-
side clean-lined iron sconces and furniture, and
a handcrafted chandelier cascades through the
central oval stairwell above a reflection pool two
floors below. The golden facets of the indoor
pool’s ceiling, and the spa’s rough-hewn lava
stone wall with a cascading waterfall, reference
elements of the rocky terrain, notes Constantina
Tsoutsikou, creative director HBA London. boards hint at old city doors. Throughout, artwork plays an
exciting part in presenting the narrative.
THE CARRY-OUT: Age-old materials and
references used in new ways make history feel SOURCES
relevant in modern times. The lobby’s recep- OWNER / OPERATOR / PURCHASING COMPANY: Isrotel, Tel Aviv, Israel;
DESIGN FIRM: Hirsch Bedner Associates (HBA), London: Constantina Tsoutsikou,
tion desk is shaped like an ark, while the creative director; Sarah Williams, senior project designer; ARCHITECT: Feigin
cabinetry is locally crafted, the guestrooms’ Architects, Ramat-Gan, Israel; ART & ACCESSORIES: Sharon Toval; BATH &
SPA: Cifial; FABRICS: Etun Fabrics; FLOORCOVERINGS: Brintons; Renby; Dikla;
blue and ivory palette represents Judaism’s FURNITURE: Ahşap Ürün; Interdecor; LIGHTING: Northern Lights; SURFACING
“tekhelet” (a blue dye) and studded head- MATERIALS: Jerusalem Stone; WALLCOVERINGS: Bruno Triplet; Elite Homewear

102 boutiquedesign.com DECEMBER 2018

 FINALIST
DESIGN FIRM: Pierre-Yves Rochon Inc. Beverly Hills icon should be. “The exterior
WALDORF ASTORIA (PYR), Chicago and Paris, France should never live apart from the interior,” says
Pierre-Yves Rochon, who heads his eponymous
BEVERLY HILLS, CALIFORNIA THE COMMISSION: Mark the debut of the firm. “To achieve that, the interiors reflect the
brand’s first newbuild hotel on the West Coast architecture with their grand volumes, curved
with interiors that interweave the glamour walls and art deco furniture.”
and elegance of the Waldorf Astoria brand,
the cachet of Hollywood’s Golden Age and the THE COOL STUFF: Cinematic glamour
laid back, nature-loving spirt of southern Cali- prevails. Glittering gold accents, a black ceiling
fornia. Keep in mind this will be a flagship for with LEDs and a cocktail bar featuring gilded
this 5-star Hilton flag, and the whole world églomisé glass doors lend star power to the pre-
will be watching. function space. This palette reappears in the spa.

THE CHARRETTE: Take advantage of the THE CARRY-OUT: Luxe doesn’t equate with
classic luxe of art deco styling to connect the conspicuous consumption. Both the aesthetics
various cultural dots, then layer in other influ- and eco-credentials have a golden touch. As
ences to paint a unique portrait of what a proof: the hotel earned LEED Gold Status.
JAN SCHÜNKE; WILLIAM RUST

SOURCES
OWNER: Oasis West Realty, LLC, Beverly Hills, California; OPERATOR: Hilton, McLean, Virginia; DESIGN FIRM: Pierre-Yves Rochon Inc. (PYR), Chicago and Paris: Pierre-Yves Rochon, principal and global design director;
Lamarr Reid, principal and managing director; Claire Mabon, principal and senior design director; Michelle Uy, associate principal and associate managing director; Louis Vavaroutsos, principal and senior technical director;
Jason Dowling, associate and senior technical coordinator; Rebecca Graham, associate and project director; Bonnie Hopp, associate and senior project designer; ARCHITECT: Pierre-Yves Rochon Inc. (PYR), Chicago and
Paris (interior architect of record, exterior architecture); Perkins + Will, Chicago (exterior architecture); Gensler, San Francisco (exterior architect of record); SWA (landscape architect); PURCHASING COMPANY: Project
Dynamics, Las Vegas; GENERAL CONTRACTOR: MATT Construction, Los Angeles; DESIGN CONSULTANTS: Union Art + Design (artwork); Sean O’Connor Lighting (lighting); Egg Office (signage consultant); Argento
/ Graham (LEED consultant); Nabih Youssef and Associates (structural engineer); Syska Hennessy Group (MEP design consultant); Acco Engineered Systems (mechanical engineer / subcontractor); Rosendin Electric
(electrical engineer / subcontractor); Pan-Pacific Mechanical (plumbing engineer / subcontractor); Incledon Consulting Group (civil engineer); ARCHITECTURAL MATERIALS: Columbia Stone (stone subcontractor);
Ingemar Group (stone supplier); ART & ACCESSORIES: Asiatides; Monastery Hill; Lalique; Union Art; AUDIO/VISUAL & ELECTRONICS: Crestron; BATH & SPA: iWorks (fabricator of custom PYR-designed bathroom vanity
and plumbing fixtures); FABRICS: Lelievre; Majalite; Manuel Canovas; Moore & Giles; Opuzen; Perennials; Valley Forge Fabrics; FLOORCOVERINGS: Masland; Ulster Carpets; Stark; FURNITURE: Collinet; Decca; Eric
Brand; Kettal; Laval; Lily Jack; LIGHTING: Barovier & Toso; iWorks; Hallmark Lighting; SIGNAGE: Egg Office; WALLCOVERINGS: Trove; Wolf-Gordon

LUXURY
with
ATTITUDE
Holston House, Nashville TN

www.mixbytrinity.com

DECEMBER 2018 boutiquedesign.com 103

2 0 18 G O L D K E Y AWA R D S
2018 GOLD KEY DESIGNER OF THE YEAR

S+S=
SUCCESS
Fourteen years after launching
Sundukovy Sisters, Irina and
Olga Sundukova have become
overnight sensations in the
hospitality design business. Find
out why their knack for putting
fun into function and free-spirited
artistry into form is earning them
top spots on the short lists of
some of the world’s biggest hotel
brands and buzziest independent
hoteliers and restaurateurs.

BY MARY SCOVIAK

SOME ENTREPRENEURS set out to be too big

to fail. Twin sisters Irina and Olga Sundukova
wanted to be too good to fail. “Our goals were
never about making as much money as we
could or having the biggest design studio on the
planet,” they say. “From the beginning, we were
determined to focus on projects that interested
us and to create what were, to us, our team and,
hopefully, our clients and guests, the best proj-
ects in the world.”
Apparently, they got ample buy-in on the
money and consumer preferences sides. Their
Moscow-based design studio, Sundukovy Sisters
(S + S for short), has a headline-grabbing port-

A N T O N S O KO L O V ( O L G A A N D I R I N A S U N D U KO VA )
folio of more than 30 hotels and over 70 restau-
rants and bars, a team of “60 passionate people
who are crazy about design” and armloads of
awards including 2018 Gold Key Awards for
Excellence in Hospitality Design for Best Lobby
Upscale and Best Restaurant Casual Dining and
being named the Gold Key Designer of the Year.
So how do two millennials who are working
moms, frequent travelers (one or both are
usually OOO on a weekly basis) and hands-on
creatives/managers become the next likely
household names in the international hospi-
tality design industry? Read on.
OLGA AND IRINA SUNDUKOVA

104 boutiquedesign.com DECEMBER 2018

 WHAT IT MEANS TO BE DESIGNER OF
THE YEAR
IRINA AND OLGA SUNDUKOVA: We still can’t
believe it! We think that the award is for our
future achievements—that the judges wanted
to inspire us, to motivate us, to recognize us,
not for what we have done, but for what we
could do in the future. This means that we have
to think seriously about what to wish next!

HOW THAT’S IMPACTING THEIR

BUSINESS STRATEGY
One of our most important accomplishments
in 2018 was learning to say no—even to our
most beloved clients, even to friends—if a
project doesn’t fit our vision. If there’s any
advice we’d give to young designers it would be,
“Don’t waste your time creating projects you
don’t like.” That’s not good for your business or
your clients’. Your body of work needs to
inform clients about what working with your
studio means. We believe that if a client
chooses us, he or she is ready for a bit of crazi-
ness and bold design.

HOW THEY GOT THEIR FIRST BREAK IN

HOTEL DESIGN
We got our start in residential design and then
moved into designing restaurants. That got us
noticed by AccorHotels, and they asked us to
design a hotel. At our first interview, Accor’s
team told us that they were quite confident
about our proposed concepts for the lobby and
restaurant but had doubts about our design for
the guestrooms. We were surprised—OK,
offended—to hear that because we’d success-
fully created so many residential bedrooms!
They helped us understand that a bedroom in a
person’s home and a hotel guestroom are
completely different stories. And, we helped
them see that our experience with private resi-
dences could bring a more livable, home-like
feeling to the guestroom.

WHAT ELSE THEY’VE LEARNED

When we began designing hotels, we were very
attentive to brand standards. We followed every
directive, including placing every piece of furni-
ture the way the standards said. We later real-
N I K I TA K R U C H KO V

ized that, first we should learn standards, and

then we should break them. Now, even hotel
companies’ design and operations executives
are asking us to push ourselves. They under-
stand how important it is to improve and
MERCURE K ALININGRAD

DECEMBER 2018 boutiquedesign.com 105

2 0 18 G O L D K E Y AWA R D S
2018 GOLD KEY DESIGNER OF THE YEAR
20 EXCHANGE NEW YORK HOTEL (RENDERING)
always look forward. The basic rule is to stay within the brand’s DNA, rather
than its platform, and justify thought-provoking concepts that talk to guests in
their own language. That’s how the zebra and giraffe artworks came to inhabit
the lobby of the Hotel Pullman Berlin Schweizerhof near the city’s zoo.
HOW TO BUILD DRAMA WITHOUT BEING THEATRICALLY ABSURD
Our interiors are distinctive and bright. We follow one simple rule: Design
should be relevant, even if it’s an illuminated sheep (yes, we used this in the
Ibis Styles Tbilisi). We love joking that we are minimalists, but the trait is
hidden so deep in our souls that we still haven’t managed to reveal it. We try to
adhere to the principles of Michelangelo who said that the secret of a perfect
sculpture is to get rid of all unnecessary material. Our add-on: self-irony is
essential to excellence in design!
SOME TRADE SECRETS
Every country has its own peculiarities for shop drawings. For the Pullman
Berlin Schweizerhof, for example, they accepted the drawings for the zebra
sculpture only after it was done perfectly down to the millimeter. The piece
took us five rounds of corrections because a local company was sending us a
106 boutiquedesign.com DECEMBER 2018
drawing that didn’t exactly match our initial proposal. Finally, they gave up and
sent us an open file. We learned how to work in their programs and made a
perfect drawing. We also mock up every artwork and customized piece of
FF&E. Before we specify a new upholstery fabric or other textile, we first try it
out at our office, do several washings to make sure that the print or color will
resist running or fading and ensure that it holds up under heavy usage.
WHAT’S ON THEIR BOARDS
Before the end of the year, we’re opening four restaurants: Estiatoria Keia
restaurant in Hong Kong, Chalet Berezka and Osh La Mer in Dubai and
C O U R T E S Y O F S U N D U KO V Y S I S T E R S
gastrobar Lucky in Moscow. We're also working on a mini-hotel concept for 20
Exchange Place in New York and several other branded properties as well as a
proposal for a resort.
THE NEXT HOT CONCEPTS IN HOTEL DESIGN
Multifunctionality and fluidity. There have to be spaces for everything and
everyone. Smart, not complicated technologies. All tech should be user-
friendly. Intuitive design. Coliving. The hospitality interiors of the future should
host both visitors and locals.
 RESTAURANT VOSKHOD MOSCOW
WHAT’S ON THE MENU FOR RESTAURANT DESIGN
A restaurant should become a community, not only a place to eat, but a place
where people meet, speak, interact, watch movies, read—a place for people,
much like hotel lobbies. So, restaurants, too, will have to be adaptable and flex-
ible to suit various applications and guests’ moods.
THE MOST USEFUL TOOL IN THE DESIGNERS’ KIT
Lighting. It can make any interior fabulous or spoil everything.
THEIR LOVE-IT, LOATHE-IT LIST
We love projects with imperfections like too many columns, a lack of natural
light or ceilings that are too high or too low. Working on a heritage building,
with all the regulations and restrictions, is not an easy task but, for us, it’s really
fun. Constraints inspire us. Looking for ways to overcome problems allows
N I K I TA K R U C H KO V
creative solutions to appear.
What we loathe? Design concepts built around one top trend or some arti-
ficial “of the moment” reference. We concentrate more on organic change and
believe that successful design should be based on what’s real—and also on
consumer mega trends. You can’t ignore shifts in public thinking. Our caveat is
to try to predict how trends affecting people’s wants, needs and habits will
change, not to blindly follow them.
WHETHER BEING A RUSSIAN FIRM IS A POLITICAL CHALLENGE
We have a positive outlook on society. We believe the modern world is made up
of personalities, not territories. Even a person from a small town is no longer
an outsider. With all the connectivity, he or she can share their talent with
everyone. We probably don’t realize, and sincerely don’t care, how “people”
perceive us. In our work and in our lives, we live in a kind of perfect world
where everyone shares the same language about design, art, experiences and
so on. Obviously, we realize there are a lot of people who see divisions by
country or politics. Our view is that we just need to think around that and do
what we can do well: create.
WHAT KEEPS THEM ON TRACK
Our families; working with each other—we have the same tastes; a commit-
ment to working five days, then taking two days off; having a team we trust,
especially since we travel a lot for business; escaping to our country house and
dancing in the moonlight. 
DECEMBER 2018 boutiquedesign.com 107
 FEED
YOUR
PASSION
Register now for Boutique Design magazine’s
seventh West Coast trade fair and conference
for hospitality design professionals.

D E S I G N - F O C U S E D , H I G H - C A L I B E R product selection

relaxed atmosphere that I N V I T E S C O N V E R S A T I O N and product Q&A

exquisite Designed Spaces for N E T W O R K I N G A N D D O I N G B U S I N E S S

R E N O W N E D C O N F E R E N C E P R O G R A M with CEU sessions

insights and strategies from 1 0 0 + K E Y I N D U S T R Y P L A Y E R S

time-saving perks and V I P S E R V I C E S for attendees

H E I G H T E N E D F O C U S on product education

For exhibitor information and sponsorship opportunities,

contact Melani Beattie at 312.218.5691 or melani.beattie@emeraldexpo.com.
 FUEL
YOUR
BUSINESS
Join us in DTLA and immerse yourself
in a one-of-a-kind sourcing experience
that’s uniquely productive.
REGISTER
TODAY!

MARCH 13-14, 2019 /// LOS ANGELES CONVENTION CENTER

BoutiqueDesignWest.com

SOCIAL EVENT TICKETS AVAILABLE NOW:

B D W E S T K I C K O F F PA R T Y

BOUTIQUE 18 & UP-AND-COMING

H O T E L I E R S C E L E B R AT I O N

BOUTIQUE DESIGN POWER PLAYERS:

W O M E N L E A D E R S I N H O S P I TA L I T Y
B R E A K FA S T & P A N E L D I S C U S S I O N

N E W H H O S P I TA L I T Y FA S H I O N
CHALLENGE RUNWAY EVENT

presented by produced by in association with

 CASEGOODS

HIDDEN GEMS
From contemporary to heritage, these
pieces balance pops of color and
high-end features with functionality
and durability to hide away the clutter.
BY ALICIA HOISINGTON

WILDWOOD
wildwoodhome.com
Designed by in-house creative
director John Cunningham, the
Sinatra Drinks Cabinet contrasts
a white exterior with a yarmouth
blue interior. The wood 42-by-
22.5-by-36-in. bar cabinet is
accented with brass inlays and
showcases a revolving door for
increased functionality.

110 boutiquedesign.com DECEMBER 2018

 1
1 CREDIBLE HOSPITALITY CORP.
crediblehospitality.com
Plated metal legs and details
complement a white oak veneer for this
custom console. Häfele hardware is
used for the drawer slides, door hinges
and soft close features. Available in a
variety of finishes.
3 BERMANFALK
bermanfalk.com
Contemporary meets old world charm with
the Governors Suite Mini Bar. Created by
Canada’s CHIL Interior Design, the unit pairs
black lacquer in a high-gloss piano finish
with a polished golden-bronze metal frame,
handles and legs.
5 BDI
bdiusa.com
The ELEMENTS collection of storage
and media cabinets offers 24
configuration options, including two
cabinet sizes and two base options. The
lasercut doors come in a choice of three
patterns, Ricochet, Wheat or Tempo, and
are available in a charcoal stained ash or
natural walnut finish.
2 PALACIOS DESIGNS
sarapalaciosdesigns.com
This mid-century credenza is fully
customizable, from dimensions to
color. Produced in Los Angeles, the
unit is constructed from recycled
wood. The piece is upholstered in faux
leather with metal studs to create a
geometrical design.
4 BERNHARDT HOSPITALITY
bernhardthospitality.com
The Linea Console Table, an open front-to-
back case, is offered in a cerused charcoal
or cerused greige finish. Cast aluminum is
wrapped across the top, and down the front and
back of the table. The 72-by-19.16-by-33.125-
in. piece features a plinth base with adjustable
glides. Oak veneers are wire-brushed and
cerused, giving the wood a textured look.
6 ELK HOME
elkhome.com
The Five-O Collection’s credenza cabinet
is made from glass, wood composite and
metal. The 48-by-19-by-34-in. cabinet
6
features three doors and a geode design.
The contemporary lines are emphasized
by the silver leafed hardware and base.
DECEMBER 2018 boutiquedesign.com 111
PRODUCT SHOWROOM CASEGOODS
10
7 B+N INDUSTRIES
bnind.com
System 1224 is a wall-mounted or floor-to-
ceiling modular cabinet, panel and shelving
system. The line is made from anodized
aluminum, MDF, wood veneer and powder-
coated steel, complete with integrated LED
lighting. Components can be reconfigured from
the front of the system without tools.
9 KGBL
kgblnyc.com
The Frazier Side Table “floats” a slab of 1.37-in.
thick borosilicate glass above a solid metal
base that incorporates a drawer within its
frame. The top is available in silver or clear
glass, while the base is offered in silicon bronze
or nickel. The piece is customizable with a
variety of materials and finishes.
11 SKYLAR MORGAN FURNITURE + DESIGN
skylarmorganfurniture.com
Inspired by the intricate woodwork detailing of old
record player cabinets, the Arciform Bureau showcases
a hand-carved wooden slat motif made from walnut
and finished with brass hardware, a powdercoated steel
base and leather upholstered drawers. Made by hand
in Atlanta, the piece showcases latticework wrapped
around its curves and back.
112 boutiquedesign.com DECEMBER 2018
7 9
11
8 BRYAN ASHLEY
bryanashley.com 12
The custom armoire designed by Chicago-based
interiors studio Simeone Deary Design Group
sports a heather gray textured wallcovering on
the exterior while the interior is wrapped in a
wallcovering patterned with soft shades of blush
and jewel tones. A jeweled pink faceted crystal door
pull with metallic fringe detailing ties it all together.
10 SAMUELSON FURNITURE
samuelsonfurniture.com
The Custom Chest #8675 showcases four panels
with architectural metal screens in an antique
finish and solid antiqued metal pulls. It’s outfitted
with a steel top and interior drawers as well as
exposed reversed dovetail fronts, a mini-fridge
compartment and a safe area. Suitable for public
spaces or guestrooms.
12 GLOBAL VIEWS
globalviews.com
Inspired by a 1750s design for garden ornaments
“in the Chinese taste” from a rare book in Colonial
Williamsburg’s library, the Amherst Collection’s
fret-façade pieces are constructed from MDF. An
antique mirror interior backing with an adjustable
glass shelf, gray felt drawer lining and a stainless
steel handle round out the heritage look. 
 WE APPRECIATE THE SUPPORT OF OUR SPONSORS

AVEC LOUNGE SESSION SPONSORS KICKOFF PARTY

BY WILSON ASSOCIATES

I N N OVAT I O N T RAC K S E SS I O N S
FEATU RE AREA SP O N SO R S The Art and Science of Crafting
Unique 360 Experiences
Guest Experience in the Audiovisual Age
Tech and Design: How has Technology Changed the
Design Process in Hotel Development
How Immersive A/V is Redefining Public Space

Looking at Senior Living Design as a Strategy

PRODU CT SP O N SO R S

WOMEN LEADERS BREAKFAST

Smart-Spec Interiors Fabric

PRODU CT CO N T R I B U TO R Smart-Spec Interiors Guest Room Lighting

Robert Allen Contract

FLOOR PLAN KIOSKS

SPEAKER READY ROOM

Smart-Spec Interiors Guest Room Casegoods

TRADE FAIR BAGS

Future Stars: Insights From Cornell SHA Students

LANYARDS
 WE APPRECIATE THE SUPPORT OF OUR SPONSORS

OUROBOROS LOUNGE BY REVERIE BY ROOFTOP GARDEN PARTY BY

BAMO STUDIO 11 DESIGN DUNCAN MILLER ULLMANN

FEATURE AREA SP O N SO R S F E AT U R E A R E A S PO N S O R S F E AT UR E A R EA S P ONS ORS

NORCROSS

OR VARIATION 1 LOGO COL

PRODU CT SP O N SO R P R O DU CT S P O NS O R PRO DU CT SP ONSOR

PRODU CT CON T R I B U TO R S

LDF Silk
Marset
Visual Comfort / Tech Lighting
 WE APPRECIATE THE SUPPORT OF OUR SPONSORS

THE STORY OF HUE BY MÉLANGE: ASSEMBLED BY TASTE TRAVELS BY

MARRIOTT GLOBALDESIGNAMERICAS STUDIO PARTNERSHIP MARRIOTT GLOBALDESIGN

FEATURE AREA SP O N SO R S F E AT U R E A R E A S PO N S O R S F E AT U R E A RE A SP ONSORS

PRODU CT SP O N SO R S

PR O D U CT S PO N S O R PR O DU CT SP ONSOR

PR O D U CT C O N T R IB U TO R PR O D U CT CONTRI BU TOR

Milliken Hospitality MTS Seating

 LIGHTING

DICHROIC
DIRECTIONS
Designers play with monochromatic
tones balanced by hints of color
and moody illumination to create
art with function.

BY ALICIA HOISINGTON PRECIOSA LIGHTING

preciosalighting.com
Flare’s handblown crystal
is cut so as to scatter light.
Patterns enhance the glass
while emphasizing the gold
or silver plated body. Three
styles can be mixed and
matched to be hung singly
or as a group in public or
private spaces.

116 boutiquedesign.com DECEMBER 2018

PRODUCT SHOWROOM LIGHTING

1 3

4 6

1 KRISKADECOR 2 CRAFTMADE 3 FIRE FARM LIGHTING 4 VIBIA

kriskadecor.us
Featuring a lacquered metal structure, Aura
teams tubes of anodized aluminum chainmail-
like links with matte opal glass diffusers to
create a halo of light. The floor lamps are
comprised of four tubes supported on a base
with ash wood handmade trim, a lacquered
metal structure and eight opaque opal glass
light spots that are manufactured by hand.
craftmade.com
The Linked lighting series is formed by
a hub of rectangular shapes suspended
from a single pendant to create
movement. The brushed gold interior
finish complements the tonality of
the aged bronze brushed outer finish.
Fixtures are available with two, three
and five pendants.
firefarm.com
Feltgood is a modular system of
pendant and flush mount fixtures.
Each lightweight acrylic fixture is
clad in a soft, textured, sound-
softening material that contains
up to 90% recycled polyester
content. Available in more than
700 size and shape variations.
vibia.com
Spanish designer Antoni Arola
channels the beauty of historic
hanging gardens into Palma. This
LED-dimmable light is filtered by
two half-spheres of blown opal glass
joined together by an aluminum ring.
Available in a matte graphite or white
lacquer finish.

5 YELLOW GOAT DESIGN 6 CP LIGHTING

yellowgoatdesign.com
Desert Rose offers an abstract interpretation
of its namesake flower by using heat-formed
petals of red acrylic on silver aluminum stems.
The light source is comprised of LED bi-pins,
and the fixture measures 4-by-6.5-ft. The ceiling
fixture juxtaposes its large scale with delicate
petals and sweeping curves.
cplighting.com
The Stalactite Pendant designed by company owner
Christopher Poehlmann recalls the icicle-like
deposits suspended from cave roofs and rough crystal
formations as well as brutalist design. Fixtures feature
textured aluminum with an antique brass or bronze
finish and 4.7w LED at 2750k. The pendants cast an
abstract window pattern of light on the surface below.

118 boutiquedesign.com DECEMBER 2018

 7

TY
AN
ARR
W

Hotel Safes $95

EAR
7-Y

Our Safes Are In Every

Major Hotel Brand In The U.S.A.
9
Custom Colors Available

7 BUSTER + PUNCH 8 LOUIS POULSEN

busterandpunch.us
Inspired by the steel-accented
buildings in London’s skyline, CAGED
was designed to be hung in a linear
procession, as a cluster, at staggered
heights or to create chandeliers
on a large scale. LED technology is
framed by an outline of a solid matte
black steel cage. Comprised of eight
interchangeable modular wall and
ceiling light options.
louispoulsen.com
Japanese designer Shoichi Uchiyama
creates a deconstructed chandelier
concept, Enigma in Black, from stainless
steel and acrylic. The fixture is finished
in brushed aluminum, and is clear
coated or black wet-painted. The matte
upper surface diffuses the light, while
the shiny lower surface ensures optimal
reflection.

9 AYSAN
aysan.com
Designed by company founder and head
designer Jitka Horcickova, PANGEA
consists of two hemispheres made from
handmade, diamond-cut full lead crystal.
The central glass sphere is galvanically 1-800-545-4947
colored and comes in gold, copper or www.hotelsafes.com
blue. The fixture is offered in two sizes: a
diameter of either 12 or 16 in.

DECEMBER 2018 boutiquedesign.com 119

PRODUCT SHOWROOM LIGHTING

10 12

11

15

13

14

10 INNERMOST
innermost.net
Named after German mathematician, astronomer and astrologer
Johannes Kepler, the fixtures are reminiscent of black holes and
portals from science-fiction. The U.K.-based tech-oriented design
studio COHDA combined polycarbonate, steel and a micro-weave
fabric to create an effect like hosiery that multiplies refracted
light from single LEDs over the large thin surface to give the
illusion of infinity. Fully adjustable, the compact, lightweight unit
can be locked in place to maintain the desired configuration.
11 FOSCARINI
foscarini.com
Plena, meaning “full moon” in Italian, is a
suspension lamp created in collaboration with
industrial designers Eugenio Gargioni and
Guillaume Albouy. Shaped like an arch, the
lightweight pendant is made from PVC and
varnished aluminum. The profile allows light
to spread upward to the ceiling while also
reflecting it down to the surface below.

12 LUXE LIGHT & HOME 13 ELK LIGHTING 14 LASVIT 15 ARTEMIDE

luxelightandhome.com
Hand-hewn authentic
Brazilian quartz rock crystal
points create a halo of
texture and shadow in the
Roxi collection. The ceiling
fixtures are available in two
standard configurations of
24 or 36 in., but custom sizes
are also available.
elklighting.com
Referencing the trusses of elevated train
platforms built during the early 1900s,
the eight-light chandelier showcases
vintage elements of the industrialized
past. Curved sections of Silverdust Iron-
finished metalwork are joined together
by riveted plates, whose polished nickel
finish highlights these connections.
Filament bulbs are also available.
lasvit.com artemide.net
Interior design firm Yabu Pushelberg Laguna pairs spherical
finishes a Technical Glass and stainless glass lamps in different
steel body with a titanium champagne- hues with cylindrical bases
colored coating for fixtures in the Cipher crafted from lacquered
collection. Handblown cylindrical crystal metal, chrome and brass.
pieces accent the clean-lined look. Light The collection combines
is only emitted from connection points traditional handblown glass
with the illumination sources hidden to techniques with the latest
give a soft effect. LED technology. 

120 boutiquedesign.com DECEMBER 2018

 CONGRATULATES THE WINNERS OF
the 38th annual

A SPECIAL THANK YOU TO OUR SPONSORS

FOR THEIR SUPPORT IN MAKING AN INCREDIBLE EVENT

T I T LE SP ON SORS

C AT EG ORY SP ON SORS

Best Lobby Luxury Judges’ So Cool Best Guestroom, Best Guestroom Best Guestroom Best Nightclub
Focused Service Luxury Upscale Lounge

Best Suite Best Emerging Best Hotel Best Hotel Best Hotel
Hotel Concept Luxury Upscale Midscale

Best Hotel Best Resort Best Guestroom Best Specialty Design Best Eco-Conscious or
Focused Service Midscale Socially Conscious Hotel

PRESENTED BY PRODUCED BY IN CONJUNCTION WITH

 HOSPITALITY
REINVENTED

Boutique Design is written with a focus on the design principles that define the
boutique and lifestyle approach—and to the visionaries driving the future of hospitality.

Every issue brings you a collection of new and exciting products and resources;
plus content that offers great insight on what’s up and coming in design!

YOUR FREE SUBSCRIPTION IS WAITING

www.boutiquedesign.com/subscribe

Boutique Design connects the hospitality industry with these trade fairs and events:
BOUTIQUE DESIGN (ISSN 2573-1904) ALIS. . . . . . . . . . . . . . . . . . . . . . . . 89 Enduratex . . . . . . . . . . . . . . . . . . . 47 MunnWorks . . . . . . . . . . . . . . . . . 15
Vol. 14, Issue 10, is published monthly
(except Jan/Feb, July/Aug) by ST Media
Group International, Inc., 11262 Cornell Ambiente . . . . . . . . . . . . . . . . . . . 21 Fabricut Contract. . . . . . . . . . . 3, 17 RH Contract . . . . . . . . . . . . . . 10-11
Park Dr., Cincinnati OH, 45242-1812.
www.stmediagroupintl.com. No charge for
subscriptions to qualified individuals. ATI Decorative Laminates . . . . . . 71 Ginger . . . . . . . . . . . . . . . . . . . . . . 75
Annual rate for subscriptions to non- room360° by FOH . . . . . . . . . . . . 45
qualified individuals in the U.S.A. $46 USD;
in Canada $77 USD; all other countries BDNY. . . . . . . . . . . . . . . . . . 113-115 Global Safe . . . . . . . . . . . . . . . . . 119
$101 USD. Printed in the U.S.A. Copyright Samuelson Furniture . . . . . . . . . 23
2017, by ST Media Group Int’l. All rights
reserved. The contents of this publication BDwest . . . . . . . . . . . . . . . . 108-109 Gold Key Awards . . . . . . . . . . . . 121
may not be reproduced in whole or in part Signature Hospitality Carpets . . 55
without the consent of the publisher. The
publisher is not responsible for product BERMANFALK . . . . . . . . . . . . . . . 27 HMG Events . . . . . . . . . . . . . . . . . 91
claims and representations. Periodicals Sorrentino Mariani . . . . . . . . . . . 29
Postage paid at Cincinnati, Ohio and
additional mailing offices. POSTMASTER:
Bernhardt Hospitality . . . . . . . . IBC Hospitality Fashion Challenge . . . .101
Send address changes to Boutique Design, Studio Partnership . . . . . . . . . . . 95
PO Box 3060, Northbrook, IL 60065-3060.
Boutique 18 . . . . . . . . . . . . . . . . . 87 Innovations . . . . . . . . . . . . . . . . . . 79
For single copies, back issues, or
subscriptions: bd@omeda.com,
Studio Twist . . . . . . . . . . . . . . . . . 31
Fax: (847) 763-9030, Phone: (847) 504-8166, Boutique Design . . . . . . . . . . . . 122 Kalisher . . . . . . . . . . . . . . . . . . . . 59
New Subscriptions: www.boutiquedesign.
com/subscribe. For reprints / content
services: Marcus Glover, Content Sales Chemetal . . . . . . . . . . . . . . . . . . . 83 KnollTextiles. . . . . . . . . . . . . . . . 37 Surya Contract . . . . . . . . . . . . . . . . 5
Specialist, marcus.glover@sheridan.com,
(800) 635-7181 Ext. 8065.
CHRIS . . . . . . . . . . . . . . . . . . . . . 117 Lewis Mittman . . . . . . . . . . . . . . . 41 Synchronicity by Hubbardton
Forge . . . . . . . . . . . . . . . . . . . . . . . 67
Currey & Co.. . . . . . . . . . . . . . . . 39 Light Annex . . . . . . . . . . . . . . . . . 73
Trinity Lighting . . . . . . . . . . . . . . 103
Davis Furniture . . . . . . . . . . . . . . 43 Michael McHale Designs . . . . . 119

usona . . . . . . . . . . . . . . . . . . . . . . 25
DeepStream Designs. . . . . . . . . . 51 Modern Nature Design . . . . . . . . . 9

Distinction Hospitality . . . . . . . . . 35 Modular Arts . . . . . . . . . . . . . . 99 Walters . . . . . . . . . . . . . . . . . . IFC-1

Encore Hospitality . . . . . . . . . . . . 63 MTS Seating . . . . . . . . . . . . . . . OBC Woodard Hospitality . . . . . . . . . . . 7

HOSPITALITY
REINVENTED
Boutique Design’s content is tailored to the design principles that
define the boutique and lifestyle approach—and to the visionaries
driving the future of hospitality.
In every issue you’ll find unique, forward-looking hotel and leisure projects
that inspire trends and set edgier standards for guest spaces worldwide.

BoutiqueDesign.com/subscribe

DECEMBER 2018 boutiquedesign.com 123

 IDENTITY
TRANSFORMER
Mark Eacott, principal, HBA dna, leverages his
global experience to spearhead the new experiential
branding division from the world’s largest hospitality
design firm. Find out his best practices for building
flags that stand the test of time and are truly (and
perennially) distinctive.
BY ALICIA SHEBER
HE’S LIVED IN EUROPE, Asia and America and worked globally, creating
award-winning projects. He’s been in-house with brands such as Soho
House and YOO to get a strong sense of hotel operations. So, is it really
surprising that Mark Eacott would want to expand his scope of work
beyond simply interior design, even with a firm with as extensive and
exciting a pipeline as Hirsch Bedner Associates (HBA)? Not really, but as
Eacott points out, it’s his interior design background that provided the
needed jumping-off point for the career move that enables him to use all
the tools in his kit: HBA dna. “We still consider ourselves designers and
couldn’t add the value we do now had it not been for our design back-
grounds,” he says. “This allows us to go much further than a typical ‘brand
agency’ by also spatially bringing the brands to life with design and plan-
ning strategies, look books, finishes and furniture guidelines, and ID
renderings that conceptualize and visually test concepts before going live.”
Sure, HBA dna can do the visual identity work typical of branding
agencies. But the division, launched in June of 2018, aims to work hand in
hand with clients to provide micro-detailed answers to big macro ques-
tions. “At the start of ID projects, we always ask ourselves and the client
questions such as, ‘Who is the target guest?’ ‘What hospitality experi-
ences are they looking for?’ and ‘What’s the essence of this brand and the
brand signatures?’ The answers coming back were often full of superla-
tives and lacking in detail, so we decided to create a specialized division
to help with those answers.”
WHY WAS NOW THE RIGHT TIME TO LAUNCH THIS DIVISION?
We continue to see mega-mergers of hotel groups, which created a greater
need for brands (new or existing) to have a very clear DNA, voice and
offering. We also saw a need for a stronger connection between the two
markets, the U.S. and Asia, and Asian brands wanting to capitalize on the
record-breaking growth in the Chinese traveler abroad, creating brands
specifically for them abroad. That’s why we set up dual headquarters in
Los Angeles and Singapore.
124 boutiquedesign.com DECEMBER 2018
HOW DO YOU MAKE SURE YOUR BRANDS DON’T BECOME DATED?
We future-proof our concepts and validate our work by keeping an ear
close to the ground, being in touch with and understanding the next
generation traveler. One tip we always give to clients is to “know your
guest.” Know them, understand them - even hire them. When you truly
understand your guest, you can create a product that is truly focused (to
them), relevant and future-proofed. It’s not a secret, but it’s commonly
overlooked as an underestimated key source. We also do a great deal of
data driven research, insights and immersion work, to inform our ideas
and the brands we (re)create.
WHAT HOSPITALITY TRENDS ARE YOU SEEING IN YOUR RESEARCH?
We’ve revealed a shift towards “transformative travel” and “luxury wellness
tourism,” providing guests a journey in personal development as well as
C O U R T E S Y O F H I R S C H B E D N E R A S S O C I AT E S ( H B A )
travel. Guests will book a trip to explore not only a new city, but also them-
selves. We’ll see this search across all ages – from baby boomers to Gen Y
– with a constant striving to become better versions of themselves and a
chance to disconnect.
WHAT SPECIFIC ADVANTAGES DO CLIENTS GAIN BY TRUSTING A DESIGN
FIRM WITH THE CREATION OF A BRAND CONCEPT VERSUS WORKING
WITH A BRANDING AGENCY?
Essentially, it’s something we call “for hospitality, from hospitality.” We are
finding more and more clients choosing to come to us (over a branding
agency) due to our key hospitality and design background which enables
us to create, define, but also conceptualize new brands – in bringing them
to life. 
INLINE I CUSTOM I GUEST ROOM I SUITE I PUBLIC SPACE
b e r n h ar d th o s p itality.co m
 Lehto... from MTS.
Beautifully Designed,
Down to the Last Stitch.

The warmth of wood.

The strength of steel.
The Art of MTS.

mtsseating.com

©2018 MTS Seating | MTSM706